#taylor swift lyrical analysis

[yesimtrashforit]

The Tortured Poets Department - Taylor Swift lyrical analysis + song explanation

Track 6: But Daddy I Love Him

I forgot how the West was won

I'm not super sure what this is referencing but I have a theory. The states on the East Coast of America were the original colonies. Slowly, as America formed throughout the 18th, 19th and 20th centuries, colonizers moved West. This song is kind of making fun of the White, conservative, church culture.

I forget if this was ever fun

I just learned that people only raise you to cage you

Sarahs and Hannahs in their Sunday Best

clutching their pearls, sighing "What a mess!"

I just learned these people try and save you 'cause they hate you

A common thing in Christians is purity culture and saving someone from themselves. Young women, especially in the past few centuries, were demonized for making big decisions by themselves. This is very true with young women and relationships with the "bad boy."

Too high a horse for a simple girl to rise above it

The people around her are on their high horse. She can't rise above it because every simple woman wants love. It's natural, so she just can't raise herself to these standards.

They slammed the door on my whole world, the one thing I wanted

Now I'm running with my dress unbuttoned

Screaming "but Daddy I love him!

I'm having his baby

No, I'm not but you should see your faces!"

These are really great lines, certainly referencing The Little Mermaid.

It is definitely also referencing the pregnancy rumors that have surrounded Taylor for years. I think this is really funny because it's almost like she's singing it to the fans as well. People's reactions to the song for the first time are absolutely hilarious.

I'm telling him to floor it through the fences

No I'm not coming to my senses

I know it's crazy but he's the one I want

They run off together despite the criticism from her parents and everyone.

Dutiful daughter, all my plans were laid

Tendrils tucked into a woven braid

Growing up precocious sometimes means not growing up at all

She's kept a very clean image for a while. She remarks that if you grow up conservative and not rebellious, you don't really get to live life and make mistakes. These mistakes help you grow up.

He was chaos, he was revelry

Bedroom eyes like a remedy

Soon enough, the elders had convened down at the city hall

She loves how he woke her up and remedied her from this boring life. The elders of the town are meeting to figure out how to fix this situation

"Stay away from her!"

The saboteurs protested too much

Lord knows the words they never heard

Just screeching tires and true love

They haven't even given the relationship a chance. They don't know how sweet and kind he is to her.

I'll tell you something right now

I'd rather burn my whole life down than listen to one more second of all this bitching and moaning

She's absolutely sick of everyone criticizing them.

I'll tell you something about my good name

It's mine alone to disgrace

I don't cater to all these vipers dressed in empath's clothing

God save the most judgmental creeps who say they want what's best for me

She feels like she's the only one who can ruin her reputation. She doesn't care about conforming to the standards of people who are framing their critiques as empathy. It's not genuine care for her wellbeing.

Sanctimoniously performing soliloquies I'll never see

Thinking it can change the beat of my heart when he touches me

And counteract the chemistry

And undo the destiny

You ain't gotta pray for me

Me and my wild boy and all of this wild joy

The church is trying to pray for them to fall out of love, as if that will change anything.

If all you want is gray for me,

then it's just white noise and it's my choice

If they want a boring gray life for her, then she doesn't care. It's just white noise to her.

There's a lot of people in town that I bestow upon my fakest smiles

Scandal does funny things to pride but brings lovers closer

There's a lot of people she lies to about liking their philosophies. The scandal of this has only made these young lovers more in love.

We came back when the heat died down

Went to my parents and they came around

They come back years later after running away together and the parents have warmed up to it.

All the wine moms are still holding out but fuck 'em!

It's over

The Karens are still against it but it's too late, they are love each other.

[paintedmered]

lyrical analysis of fortnight (ft. post malone) by taylor swift

disclaimers

my analysis will consider the album epilogue, in which taylor explains that her relationship with matty was 'not a love affair!' but a form of 'self-harm' stemming from a 'manic phase' as her relationship with joe disintegrated and then completely fell apart· it will take into account taylor saying matty 'love-bombed' her while feasting on 'low-hanging fruit'.

idc what matty stans think. i'm analysing taylor's perspective, not yours.

if you disagree with my interpretation, you don't need to attack me.

analysis!

based on taylor's amazon music commentary and my own interpretation of the song, fortnight seems to be a hypothetical future where she stays with joe and they get married, but he's not the person she's meant to be with. it picks up where hits different leaves off ('is it you or have they come to take me away?' / 'i was supposed to be sent away, but they forgot to come and get me') – after the break described in hits different, joe returned to her (it was his key in the door, after all) and they gave the relationship another try... but they shouldn't have. she needed out of it for the sake of her mental health. no one intervened, and she now wishes they had. saying they simply 'forgot' to come get her shows how she feels like she slipped through the cracks... (this also calls back to 'my friends found friends who care' from dear reader. she's been checked out with them, so they've been checked out with her.) a similar sentiment is given by 'i was a functioning alcoholic 'til nobody noticed my new aesthetic'. no one noticed how much she was struggling. now she feels more unwell than ever.

the relationship has progressed to the point that they're husband and wife, but their problems haven't been solved... he's cold towards her. he's cheating on her. (this represents the emotional cheating or weird almost-cheating that's implied elsewhere on the album to have actually happened ('he was with her in dreams' / 'fell victim to interloper's glances' / 'i founded the club she's heard great things about' / 'go home to their husbands, smug 'cause they know they can trust him') but also how she feels like his physical cheating is therefore inevitable in this hypothetical future.)

she wants another guy (matty), but he's also married to someone else now. she recalls/fantasises about a fortnight she spent with this guy (likely representing 2014, though whether it was literally or figuratively a fortnight is unclear – the point is that it was a short time). all her days are mondays (widely considered the worst day of the week) in an endless february (one of the coldest, most depressing months of the year) – her existence is merely something to endure. she 'loves' both men, but it's ruining her life. (one is unfaithful and keeps her trapped ('locks and ceilings' on fresh out the slammer), while the other makes her dream of destroying her life as she knows it...) she hates her cheating husband. she hates the other guy's perfectly nice wife. she feels insane and wants to kill someone.

taking the album epilogue into account, my reading of this is: fortnight was the fear – what she saw as the situation taken to its logical end if she didn't leave joe. matty whispered 'what if?' in her ear a lot when things were bad with joe, selling her the 'get-love-quick scheme' referred to in the epilogue – 'what if it's meant to be us? i've always wanted you. i've grown up. i'm ready to give you all the things you want that he won't give you!' ...and in her desperation, she thought, 'what if he's right? what if joe isn't my destined love? what if i stay with him just hoping things will be good again but they never are? what if i'm not meant to marry him anyway? what if i regret not taking a chance on this other guy, and he was meant to be the one all along?' (this is despite the fact that they were only ever involved very briefly in the past, possibly betraying that this 'love' is superficial. she's an unreliable narrator from the beginning of this record, and reality consistently slips through. she touched him for only a fortnight... still, she touched him. some important subtext here is that means she doesn't have to start all over with someone brand new...)

ultimately, she HAS to find out 'what if?'. so at the end of the song, she runs away to florida, buys the car this guy wants and lets him touch her again. there's a LOT of symbolism here: the car she thinks she's bought is actually the rental car he crashes in loml – it's not really hers, just something she uses for a short period of time. the setting of florida leads to the song florida, which contains the same/similar symbolism in the form of the 'timeshare down in destin'. the car is also a getaway car. it will only start up when she lets him touch her again because she's realised the only way to leave her relationship with joe and find out 'what if?' with matty is to actually just DO IT – to go be with him instead of just thinking about being with him (see also: guilty as sin?).

...the rest of the album is her realising she wishes she'd just left it alone ('it was unnecessary, should've let it stay buried' from loml). (this is also why the ivy/wcs mashup happened on tour, imo – he planted roots in her dreamland... but now that she knows, she wishes he'd left her wondering!)

- END -

analysis of other tracks coming soon?

[esotericswiftie]

1. anti-hero, taylor swift / 2, 19. “taylor swift’s ‘sexy baby’ lyric is more than a ‘30 rock’ reference,” sophia june for nylon magazine / 3, 4, 12, 22. taylor swift ages 14-16, photographed by andrew orth / 5, 23. dominique swain age 15, photographed for lolita (1997) / 6, 17. “the fetishization of girlhood,” m.c. easton / 7. lolita (1962), dir. stanley kubrick / 8. 22 (mv), taylor swift / 9. anti-hero (mv), taylor swift / 10, 14, 18. nothing new, taylor swift ft. phoebe bridgers / 11. “2008’s country lolita: taylor swift,” gavin edwards for rolling stone / 13, 21. lolita (1997), dir. adrian lyne / 15. okcupid dating chart: age preferences by gender / 16. all too well (ten minute version), taylor swift / 20. university of pittsburgh 2021-2022 undergraduate catalog / 23. would’ve, could’ve, should’ve, taylor swift

apologies for this ridiculously long megathread, but i found a ton of these photographs of taylor from when before she was famous, around ages 14-16, and ooh boy, did they get me thinking…

sometimes i wonder if she just really lucked out with the mostly desexualized “innocent girl-next-door” persona becoming her brand throughout her early career, because it looks like things could have gone in a very different direction for her in another universe.

like you can literally see taylor being de-aged between her debut and fearless era as her public image cemented…the posing, the makeup, the hair, the clothing…it’s all very deliberate and sinister.

and now, all these years later, no one knows better than taylor herself that the most desirable thing a woman can be is not a woman, but a girl…a sexy baby, if you must.

her heart-shaped sunglasses, nothing new, the ten minute version of all too well, would’ve could’ve should’ve…she knows all about society’s sickness, its simultaneous fetishization and destruction of girlhood. she knows because she’s lived through it.

we don’t often categorize her or think of her as one, but she was a child star, and she barely escaped its curse. just barely. but unlike so many other child stars, unlike dolores haze, she survived with her voice and her pen, and she can see it all now, it was wrong.

[agirlwiththoughtsandnegativity]

‼️I think a great message Taylor put in ttpd is that she’s mad at the fans…and good for her. Many fans still don’t see her as human, as a real person, just some toy they can manipulate to entertain them and fit their narrative. Many fans think their entitled to her personal life too: the letter for her to stop dating matty (yes I think Matty sucks but that was just weird af), speculation on who each song is about, the extreme discourse after her and joe broke up, the gaylor shit, even the talk about her and Travis. Taylor is finally saying it is weird to talk about REAL PEOPLE like that, like they’re tv show characters or your little toys. None of us are entitled to Taylor’s personal life and it is extremely odd to believe you should have a say in it. As Taylor says, NO the fans cannot come to the wedding, because we’re JUST FANS. Even now, some swifties need to see Taylor doesn’t know you, she’s not your best friend, not your sister. She makes music for us. She’s not trying to be a little circus for you to direct.

anyways, taylor is a real human, not a puppet. her personal life is hers, not your circus. and taylor doesn’t know you. she appreciates the fans for giving her her career, for listening to the music, but she has never met you; she. is. not. your. friend.‼️

[agreyrose]

So in “Down Bad” the muse is an otherworldly being who picked Taylor up, showed her things she never seen before, changed her life forever, and then dropped her right back off because, again, they weren’t from this world and it wouldn’t be acceptable for them to be together in this world because people can’t/won’t understand it. But Taylor feels like if they were elsewhere, then it would be okay and she could be with this person. Hence why we get:

And as I pointed out in my other post, this is a running theme in her music. There’s so many examples of it it’s insane. Even off some of her earliest albums:

She’s always running away with her muse, out of sight because they taught her “a secret language” she “can’t speak with anyone else.” No one else around her understands her except the muse. So Taylor’s solution is always to run.

[sippingaugustfolklore]

the storytelling in “you are in love” is magical

[ohnoitstbskyen]

I cannot stop thinking about "The Last Great American Dynasty"

There's an obscure, independent folk singer-songwriter whose work I've followed since she released a double album debut during the pandemic. It's all moody, introspective pop-folk - acoustic guitar and pianos against the occasional 808 beat.

While I'm clearly not the target audience, there is one song in particular that has stuck with me ever since the very first time I heard it.

Let's discuss.

Sources and further reading:

--- WIKIPEDIA ---

Rebekah Harkness: https://en.wikipedia.org/wiki/Rebekah_Harkness

Standard Oil: https://en.wikipedia.org/wiki/Standard_Oil

High Watch: https://en.wikipedia.org/wiki/High_Watch

John D. Rockefeller: https://en.wikipedia.org/wiki/John_D._Rockefeller

The Ludlow Massacre: https://en.wikipedia.org/wiki/Ludlow_Massacre

The Homestead Strike: https://en.wikipedia.org/wiki/Homestead_strike

--- ARTICLES ---

Vogue - The Outrageous Life of Rebekah Harkness: https://www.vogue.com/article/the-outrageous-life-of-rebekah-harkness-taylor-swifts-high-society-muse

Small State Big History - Rebekah Harkness, the Scorned Socialite of Watch Hill : https://smallstatebighistory.com/rebekah-harkness-the-scorned-socialite-of-watch-hill/

St. Louis Magazine - The story of Rebekah Harkness is way more complicated than Taylor Swift lets on: https://www.stlmag.com/culture/music/the-last-great-american-dynasty-rebekah-harkness/

St. Louis Style - Who is Rebekah Harkness and Why is She the Star of Taylor Swift’s ‘The Last Great American Dynasty’?: https://www.stlouis.style/throwback-thursday/who-is-rebekah-harkness-and-why-is-she-the-star-of-taylor-swifts-the-last-great-american-dynasty/

SF Gate - Everything you think you know about the Winchester Mystery House probably isn't true: https://www.sfgate.com/bayarea/article/real-story-of-sarah-winchester-mystery-house-12552842.php

New York Times - IS THERE A CHIC WAY TO GO?: https://www.nytimes.com/1988/05/22/books/is-there-a-chic-way-to-go.html?pagewanted=all&src=pm

[letters-adressed-to-the-fire]

so this is why i think peter is the one looking in people's windows

A few days ago, I saw a swiftie on TikTok talking about how I look in people’s windows could be taken as the other perspective of the same story narrated in Peter, and I just couldn’t stop thinking about it. So, I decided to go in-depth and start a self-assigned quest to look for any clue that could interweave these two stories in a way that made sense.

I know this could sound a little absurd or could be taken as a stretch of some sort, but I believe, and I’m sure most of her fans would agree, that most of the beauty in Taylor’s writing comes from the countless different interpretations people bestow on her lyrics. I’m not asking you to take this analysis as absolute truth because I’m genuinely just having fun with it, and I hope you do too.

I’ll analyze “I look in people's windows” from Peter’s point of view and “peter” from the other character’s pov, whom we’ll call Wendy given the obvious parallelism to Peter Pan.

Well, the main and obvious connection is given by the “window” element. While Wendy is waiting for Peter by the window, Peter is looking for her from outside that window. If you look at this through very literal and rational eyes, I believe you’d think it doesn’t make sense that they were both looking for each other through the same window but never met again. So HERE is where I want to insert my interpretation.

There are two options I can think of that would explain the failed meeting. 

Peter intentionally avoided Wendy while still looking for her every day.

Every time they were looking for each other, it happened at different moments.

The first case presents a lot of questions, like, is the pledge to grow up what is stopping Peter because he knows he can’t do it? Or was he cruel enough to wait for Wendy to move on and then come back? Either way, the conclusion remains the same. In this scenario, Peter was a coward. If it was because he didn’t want to grow up, if it was because he just wanted Wendy to never move on, or if it was because he never gave her a real answer.

On the other hand, the second case talks about something that’s closer to a tragedy. They were always doomed by the narrative. While Wendy was waiting for him, Peter was looking for her, but Wendy never saw him—not when she waited or when Peter was looking for her. We would need to assume some things here tho. Either it all comes back to the first option and Peter had been avoiding her the entire time, or he thought she had already forgotten about him. The first option shows us, once again, that Peter is a coward, but the second one also tells us something important: he may be too scared to grow up, but he’s not selfish enough to stop her from moving on.

“Northbound I got carried away As you boarded your train South, south, south, south, south, south A feather taken by the wind blowing I'm afflicted by the not knowing so”

Based on this verse, we can design a new theory. He watched her leave and he was aching for her to come back to him. So he started looking for her in other people’s windows, wondering if one of them was gonna be her. Even when he had already said goodbye to her.

And here’s where another verse of peter will acquire significance:

“I thought it was just goodbye for now”

With both songs in mind, it sounds like he said goodbye to her, hoping they were gonna see each other again, but he also knew he had to let her go at the time and that he was condemned to miss her. But what Peter didn’t know was that Wendy was gonna go through the same thing, but she wouldn’t have the comfort of knowing what he did (wait for her).

“promises oceans deep, but never to keep”

This is why we get two completely different endings for both songs. While Peter is still addicted to the what-ifs, Wendy has turned off the light; the fantasies have expired for her. Wendy grew up; Peter didn’t. While I look in people's windows gives you the feeling of being running from house to house in a neighborhood you don’t recognize anymore, trying to fit into a routine you were used to in the past; peter reads like the last chapter of a book you’ll never touch again.

[kaylorstree]

TTPD Gaylor Lyric Analysis

Because there are so many songs, I’m only analysing the gayest ones.

SORRY FOR TAKING SO LONG TO POST THIS!!!!!!

But Daddy I Love Him

Possibly Taylor’s gayest song EVER.

‘These people only raise you to cage you’

A lot of this is about her team, handlers and parents wanting her to stay closeted.

‘These people try to save you because they hate you’

This references judgemental religious people, to whom if she ever came out would want to save her, and pray for her, out of faux concern.

‘Sarahs and Hannahs in their Sunday best’

Again, religious Bible names, but also could reference American conservatives.

‘Told my parents and they came around’

This has to be about being gay. I really doubt her parents wouldn’t have a HUGE problem or be able to influence her that much in terms of problematic men, since she has dated many previously, such as John Mayer and Jake Gylenhall.

‘Tell him to floor it through the fences’

This references Getaway Car, but I also think it references the YNTCD fences, and the other fence meme.

‘I’d rather burn my whole life down’ Dating a man would never ‘burn down’ her entire life.

Down Bad

‘Crying at the gym’

Taylor and Karlie went to the gym all the time. There is so much photographic evidence of this.

Side note (which I think I have previously posted about): I’ve always found it odd how they would be so dressed up for the gym, particularly Taylor. It makes me think they were having lunch or hanging out in secret, for some privacy from the paparazzi maybe?

‘Like I just lost my twin’

Do I really need to elaborate this line?

‘Fuck it if I can’t have him’

I genuinely see no way Taylor couldn’t date any man she really wanted. The only way she REALLY couldn’t have someone would have to be a HUGE reason.

‘Did you take all my old clothes, just to leave me here naked and alone?’

A man wouldn’t take a woman’s clothes, Also, Taylor and Karlie shared a load of clothes back in the day.

Guilty As Sin?

The religious undertones continue, along with the references to heaven and angels.

‘Written mine on my upper thigh, only in my mind’

‘What if the way you hold me, is the thing that’s holy’

‘Without touching his skin, how can I be guilty as sin’

Surely it isn’t a sin by any standards to THINK about having sex with a man? But a woman, YES.

‘I keep my longest locked, in lower case inside a vault’.

This was suggest she has repressed longings she needs to hide, but also suggests ‘loml’ and ‘iwannagetyouback’ are important to listen to and decipher.

Fresh Out The Slammer

‘Fresh out the slammer, I’m running back home to you’

This suggests being imprisoned or trapped. To consider a 6 year relationship as being a prison would be offensive to Joe, but would make sense if this was just another fake relationship she’s trapped in until she can finally be with the person she has been waiting for.

Clara Bow

‘You look like Stevie Nicks, in ‘75, the hair and lips’

At first I didn’t understand why this reference jumped out at me- I then realised that there was this tweet comparing Karlie to Steve Nicks’ ex, Linsday Buckingham.

‘You look like Clara Bow in this life, remarkable’

She sings about women and their features throughout this song.

‘Half moonshine, full eclipse’

Karlie is always referred to the sunshine, hiding the sun would be an eclipse.

Peter

‘In closets like cedar, preserved from when we were just kids’

‘You said you were gonna grow up, then you were gonna come find me’

This suggests waiting for someone when they can finally be together.

‘As the men masqueraded, I hope you’d return’

Men masquerading suggests acting or pretending, just as her beards have been until she can be in a real relationship with the person she actually wants to be with.

iwannagetyouback

‘Wait til you fix your face’

Only a girl would need to fix their face. This also aligns with The 1975 song ‘Girls’, the one that was playing when Taylor and Karlie famously kissed.

‘Curse you out, or pull you into the closet’

I mean, again, when does someone ever literally pull some into a closet? Only figuratively.

Chloe Or Sam Or Sophia Or Marcus

The premise of the song is talking about someone bisexual. It’s impossible to decipher it any other way.

So, she’s outing and implicating one of her previous boyfriends which would be EXTREMELY problematic.

On the other hand, if she was singing about a bisexual woman, that would make sense. There is less stigma surrounding bisexual women compared to men, by some extent.

The Prophecy

‘Don’t want money, just someone who really loves me’

Again, this doesn’t make sense to attribute to a man. Why would she lose money by being in a relationship? Only if it was incredibly controversial, like a queer one.

Also, ‘The Prophecy’ suggests that this is the way things have to be, have been and will be. However, if she changes this it will not be expected for others in the future.

‘I got cursed like Eve got bitten’

‘Was it punishment?’

This alludes once again to sin and religious imagery, but also about how being LGBT can feel like a curse or something unwanted.

‘Looked to the sky’

This suggests God is responsible for the prophecy itself.

‘Pat around when I get home’ alludes to crime and accusations. Perhaps growing up her family were maybe onto her concerning where she’s been and who she’s been with.

Who’s Afraid Of Little Old Me?

‘You don’t get to tell me about sad’

‘You wouldn’t last a year in the asylum where they raised me’

As discussed online, Taylor didn’t grow up with any particular trauma or a bad childhood by any stretch of the imagination. However, the concept of her being closeted on a global scale, to constantly having to lie in order to keep her livelihood is pretty traumatic in my opinion.

A lot of people wouldn’t be able to survive that.

Please tell me what your interpretations are! 🌼🌈

[yesimtrashforit]

The Tortured Poets Department - Taylor Swift lyrical analysis + song explanation

Track 7: Fresh Out The Slammer

Now, pretty baby, I'm running back home to you

Fresh out the slammer, I know who my first call will be to

This is certainly about being fresh out of a long term relationship breakup and calling up an old fling.

Another summer, takin' cover

Rollin' thunder, he don't understand me

After a summer of trying to dodge unhappiness and storms. Her newest ex didn't understand her.

Splintered back in winter, silent dinners, bitter

The breakup happened in winter. They had a lot of silent bitter angry dinners where they didn't talk

He was with her in dreams

He may have cheated on her or gotten close to cheating on her.

Gray and blue and fights in tunnels, handcuffed to the spell I was under

For just one hour of sunshine

Not sure about the first line but the second certainly indicates that she stayed in the relationship just for the very rare happy moments.

Years of labor, locks and ceilings in the shade of how he was feeling

But it's gonna be alright, I did my time

The relationship was full of plain gray feelings from him like the shade of locks. She compares it to prison and finally being released from it. She did her time. Now, everything will be okay.

Camera flashes, welcome bashes

Now they're celebrating her return. Think of it like a "welcome home" party.

Get the matches, toss the ashes off the ledge

She's burning down her old life, getting rid of the ashes of the relationship, something that's been dead and gone for a while.

As I said in my letters, now that I know better, I will never lose my baby again

She used to send letters secretly to him. She's learned her lesson and knows that she won't let him go again.

My friends tried but I wouldn't hear it

Watched me daily disappearing for just one glimpse of his smile

Her friends warned her about going back to this guy. She, while in a long term boring relationship, would try to sneak glances at him, just for something exciting outside of this boring relationship.

All those nights you kept me going

Swirled you into all of my poems

Now, we're at the starting line, I did my time

The hope of being with him again got her through the rough times and now, she's ready to start a new chapter.

Now pretty baby, I'm running to the house where you still wait up and that porch light gleams

She's on her way to him, he's still waiting for her.

To the one who says I'm the girl of his American dreams

And no matter what I've done, it wouldn't matter anyway

Ain't no way I'm gonna screw up now that I know what's at stake here

He still loves her despite her mistakes. She won't mess things up with him.

At the park where we used to sit on children's swings, wearing imaginary rings

They've dreamed of this day for years. The imaginary rings are a hope of them being together someday. It's a representation of "this will be real someday."

[foxes-that-run]

loml

Love of my life is Harry’s only track 13. More on Taylor’s loml

[ladyamanda123]

Chloe or Sam or Sophia or Marcus - My Analysis

Your hologram stumbled into my apartment

Hands in the hair of somebody in darkness named Chloe or Sam or Sophia or Marcus

And I just watched it happen

This line SCREAMS Kaylor! Karlie lived with her. She had a Karlie room in her apartment. I can absolutely picture a scenario where before they are “together” Karlie is bringing people home to Taylor’s apartment and Taylor is lying in bed just dying inside listening to it happen. It calls back to Hits Different with “I hear your key turn in the door” and Cornelia Street with “But then you called, showed your hand” line where there has clearly been an argument. That argument could have been Taylor losing it about Karlie bringing people home and then Karlie calling Taylor and confessing her feelings for her and the rest is Kaylor history!

As the decade would play us for fools

And you saw my bones out with somebody new

Who seemed like he would've bullied you in school

And you just watched it happen

Its quite literally been 10 years since the start of Kaylor. They officially met in 2013 and this album drops on 2024. Now Karlie is stuck watching Taylor beard with 🏈….the perfect representation of the dickwad football bro that would bully kids in school.

If you want to break my cold, cold heart

Just say, 'I loved you the way that you were'

If you want to tear my world apart

Just say you've always wondered

Years of bearding, distance, lies, etc HAS to have taken a massive toll. If they’ve been together this whole time there’s no way to that hasn’t been hard AF. If they split and then eventually came back together this will have still been all hard AF. Either way, whatever you think the reality might be, this decade has sucked! The idea of them looking back and who they were before this all blew up and saying….what could our life had been like if we hadn’t made these decisions. If we had been brave. If we had had control. If we had done this different. The hindsight must sting something horrible!

You said some things that I can't unabsorb

You turned me into an idea of sorts

If so much of this was out of their control but they decided to try and make it work, the buildup of being together someday….the fact Covid probably played a huge roll in delaying it….over time that distance will absolutely lead to this concept…. “You turned me into an idea of sorts”. Anyone who has been in any sort of long distance or forbidden relationship knows exactly what this is saying. When we don’t have the object of our desire and it builds up over time in our heads to be something it’s not. The pressure that puts on the relationship and the person to meet those unreasonably high expectations that have been swirling in your head all that time. If you’re not careful, if you don’t pivot those expectations, that shit can be insanely toxic to the relationship.

You needed me but you needed drugs more

And I couldn't watch it happen

I think this is a red herring line to make us think Matty, but I also think this could be a line from Karlie’s perspective and the drugs needed is Taylor and her fame and her mastermind plans. It could explain some of the anger at the fans she’s showing now. You wouldn’t accept us. You wouldn’t accept me. I chose you over the person I love and over myself. I played this part for you and now I’m wondering what if I had chosen the other path. What if I had picked her and picked us and picked myself over the drug of being who you wanted me to be for you. This brings to mind the line in Miss Americana where she talks about the addiction to the applause. It also ties in to the 🎃 anon message…. “You’re a selfish asshole….but you’re finally choosing her”

I changed into goddesses, villains and fools

Changed plans and lovers and outfits and rules

All to outrun my desertion of you

And you just watched it

More of the same theme….I made myself into this thing that everyone wanted…the fans, the labels, the media, my dad, etc. All in an effort to justify pushing us back in the closet and you just had to take it and now I think I chose wrong. I should have picked us over them.

If you want to break my cold, cold heart

Just say, 'I loved you the way that you were'

If you want to tear my world apart

Just say you've always wondered

If the glint in my eye traced the depths of your sigh

Down that passage in time

Back to the moment I crashed into you

Like so many wrecks do

Too impaired by my youth

To know what to do

Again, hindsight…looking back and realizing you made a choice and that choice had major consequences on your life and on the life of the person you love and you can’t go backwards and that breaks your heart now.

So if I sell my apartment

And you have some kids with an internet starlet

Will that make your memory fade from this scarlet maroon

like it never happened

We aren’t those roommates from Cornelia Street and Maroon anymore. Everything has changed now. You’re stuck in this marriage/life and that apartment life we shared is gone now…did our choices back that lead us to a place where your feelings have changed? Have you forgotten who we were? Have you moved on? Is that version of us gone now because we’ve come to far from it?

Could it be enough to just float in your orbit

Down Bad reference…also could be asking if it could be enough to glass closet like before. Can we do the friend thing our whole lives and be okay with that? Or do we need to actually “come out” and be openly together for real?

Can we watch our phantoms like watching wild horses

“Dancing phantoms on the terrace” Very clear reference to Kissgate. Can we go back to that? Being “friends” and having the world openly speculate etc etc. I feel like this song is them finally coming back together and going “Okay, this is another cross roads for us. We fucked up last time. How do we fix this? Do we break up and let each other go? Do we go back to how it was…together but technically still closeted? Or do we do what we should/could have done back then and just be who we are and be together openly? Can we rewrite this ending? The prophesy ties in here too as well as the Manuscript. Looking back and wishing you had made different choices and examining if it’s possible to get your life back on track.

Cooler in theory but not if you force it

To be, it just didn't happen

The idea of us that we have been clinging to for 10 years, the expectations, the mastermind plans…are we holding on still to just a dream or an idea that no longer exists? It’s been 10 years and it hasn’t happened like we planned. So now what? Again this screams of a cross roads. They’re looking at each other saying we can’t keep doing this. We need to make a new decision or we will destroy ourselves.

So if you want to break my cold, cold heart

Say you loved me

And if you want to tear my world apart

Say you'll always wonder

Cause I wonder

Will I always

Will I always wonder?

The song ends with the desperate and vulnerable question. In Lover Taylor was exploring those vulnerable early questions in a relationship…..can I go where you go? Can we always be this close? Can this relationship go the distance? Are you my person?

Now they’ve arrived at the vulnerable possible end questions. Stop. You’re losing me. Is this the part where you break my heart? Are you going to tell me I fucked it up to bad and you’re leaving? Are you about to confirm what I fear? That I chose the wrong road and now I’ve lost you?

Ending on the question that way shows the decision wasn’t made yet at this point. The song leaves us in that desperate silence between the question and the answer.

This also calls back for me to Mine. When she runs out and braces herself for the goodbye. That’s what history has shown her. That’s what she expects in these moments. But this person is different. This person called and showed their hand. This person took you by surprise and said I’m not leaving you alone. Are they still that person? Or have you finally fucked it up enough that even they are about to leave you?

I think given the shit that’s dropping now, the TTPD lyrics, the massive cracks in the facade, we can figure out what choice was made…..”You finally chose her” ❤️

Hopefully, now at the end of this part, they can have their do over (Come one come all) and regain what was lost. Hopefully they can change The Prophecy moving forward.

[kingofmyborrowedheart]

The “hoax” to THE TORTURED POETS DEPARTMENT pipeline is a lot. “Your faithless love's the only hoax/I believe in/Don't want no other shade of blue/But you” to “So Long, London’s” “You swore that you loved me/but where were the clues?/I died on the altar waiting for the proof/You sacrificed us to the/gods of your bluest days.” “My best laid plan/Your sleight of hand” to “The Black Dog’s” “And all of those best laid plans/You said I needed a brave man/Then proceeded to play him/Until I believed it too.” “My barren land/I am ash from your fire” to “loml’s” “Our field of dreams, engulfed in fire/Your arson's match, your somber eyes/And I'll still see it until I die/You're the loss of my life.”

[cursed-man-prayers]

Before folklore came out, I would tell people that liking Taylor Swift was the straightest thing about me. Then folklore, evermore, and Red TV came out. As I saw the queer themes in those albums, I began seeing them in reputation, 1989, Speak Now, Fearless, and debut. The themes have always been there, fluctuating in subtlety but steadily increasing since 1989. So why did I think of Taylor Swift as so quintessentially straight? You guessed it: Compulsory heterosexuality and heteronormativity.

Taylor was supposed to be universally relatable. When she explained her songs, she refrained from using gender-specific language. Us. We. That person. Someone. And people that as “Me. I. A man. That guy I told everyone I was dating.” We were told she dated men, and a woman dating a man = heterosexual. No other options.

Even now, Genius will remove lyric annotations that imply her lyrics might not be about a man. Even with Hits Different, Question…? and Maroon. Taylor says reputation is about Joe and swifties believe her bc “Taylor wouldn’t lie to us!!!” even though there’s so many inconsistencies with the narrative that Rep is about Joe.

To say outright or even imply that Taylor might write songs about women because she likes women is met with scores of comments about how we “shouldn’t speculate on her sexuality!!! she said she’s straight!!! stop being disrespectful!!!!” But Taylor, as she has never said the words “I’m gay” has never said the words “I’m straight.” What she has done is align herself with. LGBTQ artists (YNTCD music video, Phoebe feat., posting support for queer musicians on social media, and, of course, the Pride parade that is her list of openers for the Eras Tour).

If Taylor didn’t people thinking she’s queer, she would’ve thrown in “as a straight woman…” in her speech before performing Delicate at multiple Pride events, when being interviewed about her advocacy during the Lover era, or at literally any point in her adult life.

Writing about women from the male perspective is queer. Her dressing in drag for the Man music video and showing herself in bed with a woman is inherently queer. The way she writes songs about her love interests’ girlfriends is queer. People bend over backwards to justify the gay shit she does, the same thing people have done for centuries with Sappho, Emily Dickinson, Louisa May Alcott, and so many sapphic artists throughout history. Taylor Swift is THE songwriter of our generation. She IS the music industry. But swifties, and hetlors all the more, would rather believe she is stupid and ignorant rather than intentionally using phrases like “hairpin drop,” “lavender haze,” “all the bricks they threw at me,” “you’re the West Village.” When she describes her muses as having scarlet lips, having hair that falls into place like dominos and braids in a pattern, gorgeous, it’s just because she thinks men are really pretty I guess (insert MetGala 2016 Joe photo). When she describes men as toys, playthings, “dudes who give nothing,” she’s being satirical. When she says “weird rumors,” that can’t possibly refer to rumors about marriage, pregnancy, or her having had multiple children during the pandemic. It’s *weird* to say that Taylor is queer. It’s weird and bad and gross. Why? Because people saying this believe being queer is weird, bad, and gross.

But it’s not weird. Being queer is beautiful, a gift. And that gift comes with a world that hates who we are. Of course Taylor is too soft for all it. And I admire her softness, that she continues to write vulnerable music. Midnights (esp 3am Edition and Hits Different) holds her loudest lyrics. She’s never beating the rumors and she doesn’t want to. Even if she never says the words “I’m gay/bi/pan/a lesbian,” the eardrum-shattering volume of her lyrics is more than enough for me.

[agreyrose]

“Taylor Swift doesn’t have any queer themes in her lyrics”

Taylor Swift:

“Oh muse, let’s run away together to a place where I can keep you safe and we can be free to be together away from everybody who would want to keep us apart. A place different and far away from here where everyone hunts us and tears us away from each other because they don’t understand our love. Come with me, muse, to a faraway fantasy land where there is no media, no paparazzi, and the only people who live there are gentle and clever, and they DO understand because they’re like us.”

[jonismitchell]

... does anyone want to hear about how ttpd (title track) is about the male rebound you try to convince yourself is the one after you leave the love of your life