#tbh there was a point where it was like. well hes ******* ** ****** and he ***** ***** * ****... yeah i started double locking the door

[wreckedhoney]

a while ago on the discord i brought up the "which desk at the station is forrest's desk" question when the answer should probably have been obvious. he's been at the job for approx. one week, so it's the desk with all the unpacked boxes. it just didnt occur to me because thats Frankly A Lot Of Boxes and my first thought was this is where all the storage and junk are piled on, but no. it's all stuff forrest brought (/hc). he's a heavy packer. he spite packed all the stuff he didn't want his old job to keep even if he doesnt need or even like them all that much but now that he's blacklisted then no one in the entirety of chicago can have them

[bunnihearted]

🥡

[skrunksthatwunk]

not my dad not liking moral orel season 3 🤭🤭🤭that's so embarrassing for him (<- he's not wrong for feeling that way but i think it's like 60% because he doesn't like it when art gets weird and that's so so tragic for him)

[moe-broey]

I feel like the "Bi but nobody wants them" meme is SO Takumi but. Kinda falls flat where there are at least Two (literally also One canonically) people who want him.

[silo1013]

i ascribe to the headcanon of scully being mildly psychic/precognitive but i like that there is also arguably an equal amount of evidence that mulder is one of the few people that can see ghosts. like it’s just an established character trait that he has periodical visions of dead people

[szczek]

nothing good comes out of being obsessed with cars because why is my dad yelling at me because he just came back from cleaning my car and i thought he didn’t dry it properly and there’s splotches on the back and tried to dry it with the car towel but he jumps out at me like WHAT ARE YOU DOING YOURE GONNA SCRATCH THE CAR THERERE SURELY DUST AND SAND ALREADY ON IT WHAT IS WRONG WITH YOU ITS NOT STAINS ITS THE OLD CAR PAINT GONE BAD ….. and like my only question is if the paint is bad already what should i care for a tiny scratch on it since i already should have the paint redone

[airenyah]

today i ended up telling my tandem partner half of the plot of bad buddy oops

[vaugarde]

tawnypelt and dovewing really feels like such a natural fit for a good bond between the two characters because tawnypelt has not only been in dovewings shoes in being ostracized from her birth clan over stuff she couldnt control and moving to shadowclan to feel close to family that does care about her, but i always got the impression that tawnypelt has made peace with her past, not stewing in bitterness over it. like, she knows shes from thunderclan, she knows shes the daughter of tigerstar, shes mature enough to just let all that slide now and focus on the life she’s built over there, but doesn’t hate her thunderclan family either, like she still cares about bramblestar clearly. so if she sees another thunderclan cat who left her clan because she felt ostracized and disrespected, i don’t think she’d go “EUGH ew im projecting my past onto her because i hate myself for what i did and outsiders BAD” i think she would be a good mentor figure for dove and help her adjust and get along with her new clanmates.

like if tawnypelt was apparently super bitter over all that and still hated thunderclan so much that she hated any cat that was from there, that doesnt come through in the text before her novella. she constantly goes over there for refuge she constantly confides in her brother she cares about where she came from but doesnt belong there. there is literally nooooooooo good reason for her to just hate dovewing besides the erins loving petty but boring drama that will never be expanded upon

[ozlices]

ok now that the rage is out, actual rational reason for why this pisses me off so much.

if my love & devotion to pandora hearts didn't make it clear enough, my favorite niche of media is alice in wonderland inspired works. if i know something is inspired by aiw, i'm gonna at least look into it automatically. dunno why, honestly. but, it's been like this since i was SUPER young.

that being said, im obviously p versed in alice in wonderland inspired media. i haven't consumed them all, i'm sure there's many i'm unaware of, but. i've consumed enough to confidently assure alice in borderland is the first time i personally have ever seen an alice in wonderland inspired media portray alice as a guy, while still having him be named alice.

and, like! it's honestly SUPER clever to get away with doing this by having alice be ryohei's last name instead of his first. because, obviously, 'alice' is not typically a male name. it can be bc gender is a concept yada yada, but. like. u get what i mean.

so, like. baring that in mind. if somebody who has absolutely zero concept of how japanese pronunciation works stumbled across alice in borderland, & watched w the english subtitles... they'd have no reason to question if 'arisu' is meant to be 'alice'. bc. why would it be? they're expecting 'alice' to be a female character.

& so, like. it honestly rly fucking sucks that this really interesting way of taking the alice in wonderland inspo & portraying its references as it does gets completely sacked & made out as pointless by having alice not be referred to AS alice.

& even more so bc additionally, the white rabbit is a woman in the show. so, we have these two prominent characters from alice in wonderland being swapped. but, like. that doesn't even get to be properly appreciated bc they don't let u know alice IS alice. it genuinely just comes across as 'huh, weird this show named alice in borderland, & that's v clearly inspired by alice in wonderland, has a MALE lead & his name is arisu. weird this aiw inspired media has no alice.'

tbh part of me wonders if that's why they decided to go w that decision. to blatantly erase how silently groundbreaking it is to have an alice in wonderland inspired work where alice is still named alice, but is a guy instead of a girl. the silent way that breaks down gender stereotypes and such. but, nope. that all gets lost.

fucking bullshit.

also yes ik im v stupidly passionate abt this, but again. aiw-inspired works is my FAVORITE niche genre of media ever. my favorite series of all time is literally an aiw-inspired work. ive never seen an aiw-inspired work do this. not saying no others exist, & if they do, pls lmk! but. yeah. it does suck the only example ik of doing this gets stomped by refusing to let alice be named alice.

[todayisafridaynight]

which character in Yakuza do you think has the best development?

everyone gonna say im biased but genuinely daigo has my favorite character development throughout the series

[viulus]

Games that I like and how they handle racism

Virgin Great Ace Attorney Chronicles vs CHAD Disco Elysium

[blood-and-better-honey]

post-essay clarity is something so beautiful yet so frightening

[fingertipsmp3]

Had another sleep paralysis incident last night

[aphel1on]

the longer i look at this panel the more deranged i feel about it. this is environmental storytelling at its finest.

the eodio stand-in doll in particular makes me crazy. where did it come from? did thistle just pop into the village like "hey ungrateful wretches, one of you needs to make me a life-sized mannequin, For Reasons". did he make it himself? seems quite unlikely, yet the possibility haunts me. i mean, i guess there could've been one just lying around the dungeon somewhere. it's the act of replacement itself that really gets to me. (edit: it's been pointed out to me that the eodio doll also could have been left behind as part of delgal's escape plan. slightly different kind of madness but tbh, just as funny-sad to me if that happened and thistle went Ok, Guess That's Eodio Now.)

both the wives are there too. we know very little about them, which makes me tend to assume thistle wasn't all that close to them, but they're still included. when did they end up here? did he kick their souls out of their bodies at some point, or were they among those who left their bodies voluntarily to try and escape? when did yaad become an effective orphan, delgal an effective widower? women in the margins of the narrative, tell me your stories!

and the fact that they're surrounded with the living paintings, which thistle habitually wanders through to relive the past. this truly is his inner sanctum, his place of utmost comfort... and it may as well be a tomb.

that panel is so creepy when you first see it. just a sense of "ohh jeez, there's a lot to unpack there".

and actually, yeah, it remains creepy from pretty much any angle, but the more you think about it the more it's also tragic.

this is where many of thistle's happiest moments took place. everything he had in that picture is now gone. first he lost their warm regard, then one-by-one their bodies became hollow shells. before the end, none of the people here needed or enjoyed food anymore. the dinner table, as a center of both family life and nutrition, became obsolete.

a line from someone else's excellent post about thistle has stuck in my head ever since i read it: "to eat is to live, but to eat together is to be loved". to me, this is the sentiment and symbolism at the core of everything that happens in dungeon meshi.

it makes this bit all the sadder and more disturbing.

there's several things to note here:

thistle has gone from seated and eating with them as part of the family, to a lonely and ominous figure hovering over delgal's shoulder

eodio is conspicuously absent from view, and his body would have been a husk by now, but yaad says parents, which forces me to assume that they are sitting at the table with eodio's soulless body, hidden under yaad's speech bubble

they're not actually eating anything.

those plates are empty. you could assume that they've already finished eating, maybe, but yaad refers to it as sitting around the dinner table. in fact, he compares it to what he's currently doing; sitting at the dinner table watching the touden party eat, not eating anything himself.

it paints a pretty grim picture. for some time even after the fantasy had fallen apart, even after there was no need or desire to eat, they kept gathering around the dinner table. at that point, i'd guess only so as not to provoke thistle's wrath.

but even that last happened a long, long time ago.

this is a callback to what senshi said in the golden kingdom: the reason the people keep maintaining their fields and silverware and so forth is that they need to do so in order to stay sane.

paradoxically, the dinner table is the most striking evidence of thistle's insanity, and at the same time, it's the only anchor to sanity he has left.

he kept enforcing the ritual of dinner together long after it lost significance. when even that was impossible- because almost everyone's souls were gone- he kept their bodies at the table anyway. it's fine. it's fine! he's protected them, physically, just like he set out to. they're all still breathing. at a glance it looks like they could wake up and resume dinner at any moment. like this, it's easy to pretend.

isn't that what being a dungeon lord is, at the core of it? rejecting reality, staying in the prison of one's impossible desires. it's just one long game of pretend.

thistle did all this to protect his loved ones. no matter how obsessive and twisted he became in pursuit of that over the years, his core motivation never changed. this is all he has left of that dream: his loved ones' bodies gathered around the locus of their happiest memories together. like this, he can tell himself he's succeeded.

when eodio's body vanished with delgal's soul in it- when he couldn't even have that anymore... well.

i want to reach through the screen and shake him. no, they're not, thistle. THISTLE, NO, THEY'RE NOT! the doll of eodio is the closest thing to him in this panel, underlining the point. when that final illusion was shattered, he became completely unable to cope with reality.

therefore casually forgetting the creepy eodio doll isn't real.

thistle isn't stupid. eodio's body vanished at the same time as delgal's soul. shortly after, more adventurers came pouring in than ever before. deep down, he knows what happened. if he didn't, being confronted with the truth by mithrun wouldn't have made him panic so hard he summoned chimera falin to the first floor.

yet still...

he absolutely can't admit that to himself. he is clinging to the last scraps of the illusion with everything he has.

this is a dungeon lord at the end of desire. this is a lotus-eater machine left running long after its conclusion. this is mithrun lying listlessly in his bed, his replica lover having given up any pretense of being human. the illusion is all that's left. (an illusion is all it ever was.) thistle and the citizens of the golden kingdom- they're ghosts just as much as the ones who wander the dungeon floors. and if it weren't for thistle sealing the lion away, he would've been eaten by it long ago.

all of this encapsulated by that single panel of the dinner table.

[saetoru]

✩ ‧₊˚ ✩ i’m afraid that’s just the way the world works (but i think that it could work for you and me)

synopsis. suguru stumbles across two girls that need a home. somehow, one step at a time, you both find yourselves navigating parenthood

word count. 5.4k (sigh...this was supposed to be a drabble)

contents. not canon compliant at all—there are still curses, but it's literally an au where everything turns out happy LMAO, teacher! suguru, husband! suguru, fem! reader, reader is referred to as "wife" and "mommy," hints at child neglect/abuse (nanako and mimiko's backstory), yuji, nobara and megumi are the ones that save nanako and mimiko—the timeline is inaccurate bc the twins are still kids when megumi and co. are teens, single dad! satoru who raised megs and tsumiki (tsumiki is ALIVE and NOT CURSED) <3, it's just fluff tbh, it's overall healing and happy i promise

notes. yeah i am telling u i literally shoved every fix-it fic idea for jjk into one fic okay and u will all nod along and agree with it. this was supposed to be a drabble but i literally just could not shut up so now its a fic

“there are these two girls,” suguru says quietly at dinner one night, pulling you from the comfortable silence. you look up as you swallow, eyeing him as you nod carefully—nothing is ever a normal conversation when your husband is a jujutsu teacher. nothing is ever a normal conversation when you’re capable of jujutsu in general, you’ve learned that well by now.

“okay…” you say slowly, “and are they your students?” 

they must be new, if they are. you know all of suguru’s students; you know them well enough to pick birthday presents and bring what they each like from the bakery. you don’t think you know of these two—they must be new.

“no,” he breathes, “no, they’re too young for that. maybe someday,” he adds hopefully.

“maybe someday,” you agree thoughtfully.

suguru loves teaching. it’s not something he ever saw himself doing—but life is dark at one point, a constant cloud looming over his head as it screams it’s over! your youth is over.

sometimes it hits him all at once—no one was there to protect suguru’s youth, no one was there for satoru’s or nanami’s, and certainly not haibara’s. no one was there to make sure they could be kids, that the sun could still shine and chase the clouds away. 

so suguru becomes a teacher. he’s fond of the kids—and they like him too. geto sensei, they call, geto sensei, look! and then he pauses in the hall, holds back an amused chuckle before turning to face an overly enthusiastic yuji and nobara. megumi is not far behind, that disgruntled look on his face as always, but if you look closely, his eyes are soft and laced with something close to fondness.

geto sensei is a favorite—much more of a favorite than gojo sensei is, to satoru’s utter dismay. you can’t help but watch proudly sometimes, can’t help but watch how much suguru has grown as he interacts with those kids, how much he’s allowed himself to grow, how much he’s let himself try to chase the sun instead of letting the clouds convince him the light no longer exists. 

“they’re five,” suguru continues, poking the soba in front of him as he doesn’t meet your gaze. “the kids found them on a mission. in a cage.”

you know what that means instantly. you look at suguru, watching as his eyes stare numbly at the food in front of him—sometimes, you worry that suguru will once more fall victim to those bone-chilling thoughts he shares with you one night. sometimes you worry he’ll slip and fall once more and you won’t notice this time, won’t reach your fingers and grasp him at the last second. 

but he blinks, looks up and meets your eyes this time, stares into them and searches them for what he needs. he finds it, you think, because there’s light returning to them once more. 

maybe it’s hope, maybe it’s acceptance. maybe it’s neither, and he’s just happy to have you to come back to when the world gets too burdensome. you’re not sure, but you do know you’ll always be there, right where he needs you.

“what happened to them?” you ask gently, “was it their parents?”

“no,” he shakes his head, “the villagers. their parents are dead.”

it’s not new—you’ve seen it before too. children tend to notice their techniques at this age. it’s not new to hear about children with no family history of sorcerers being labeled as some type of other in the family, in the community, or in the village. 

suguru is lucky in that way—his mother and father see him as something special, something worth celebrating, something greater than they could ever hope to be. you meet them once every year, just for a few days. they love you, greeting you with kind smiles and warm hugs, pulling you inside as they get dinner ready. you visit his old room and smile as you rake your fingers over the figures on his desk and the cd’s he used to collect. his mother keeps his room in perfect condition, even after all these years. 

you remind him to call more. sometimes, he tries—just for you, he tries. it’s hard for him, you realize. sometimes suguru is guilty; sometimes, he’s haunted by what he almost did but thankfully didn’t. it’s hard to face his parents ever since, even if they’re blissfully unaware. it’s easier to love them from afar, he thinks. but you insist he calls more, so he does. sometimes hearing his mother’s voice is what he needs, even if he doesn’t like to admit it.

“so…what’ll happen to them?” you ask quietly. 

“they’re at the school for tonight,” he mumbles, “there’s enough bedrooms, anyway. but…”

but they can’t stay there forever, is what he wants to say, you know that. staying at jujutsu high is hardly enough for children so young. they need a proper home, a proper family. you can’t help but stare down at your own bowl of soba. it’s hard to watch children suffer like this. it’s especially hard on suguru—he chose to teach to help those kids, to be there. somethings, however, cannot be fixed by simply being there.

“and then what will happen after?”

“they need a home,” he says quietly, “and…listen, i know we never really…we’ve never discussed something like this. but…maybe for a while, just until something better is decided, we could…”

you know what he’s trying to say before he can even say it—you and suguru have never discussed children. you don’t think you ever really want to, and you’re fairly certain he feels the same. it’s hard to lose haibara when you’re just a young kid, hard to live with the fact that someone so young and hopeful about the world is here one second and then gone the next. you see nanami sometimes—he’s kind to you, greets you politely, and asks how you are. but nothing about him has ever been the same since that day.

will your children meet the same fate? will you have them one second and lose them the next? will you patiently wait for them to come to visit the next chance they get from school, only to get a phone call no parent deserves to hear? they’re common in the jujutsu world. it’s a risk every parent has to take. some are selfish—rightfully so. some don’t care to let their children master their techniques, arguing it’s better to have a child that’s incapable and alive than gifted and dead. what if your children end up like nanami? the one who manages to live but can never accept the fact, not when someone else is dead. how will you be a pillar of strength? how can you tell them it’s okay to live as long as it’s not them who’s dead? how can you help them grieve when you are always grieving yourself?

you don’t think you ever want children, and you think you’re right in your assumption that suguru agrees. 

but those girls need a home, and you know the look on suguru’s face means options are limited—scarily so. you look at him for a while, look at him and see the way he’s got his heart set on these two girls—suguru has lost more than you ever could, and if this is something he thinks he should do, you think it might be worth a chance.

“bring them for dinner tomorrow,” you say finally, bringing soba to your lips, “i’d like to meet them.”

it’s not a straight answer, but it’s a start. suguru nods, smiling gently at you before he continues with his own dinner. it’s silent after that, but it’s not uncomfortable. he still steals your last bite of soba at the end, and you still roll your eyes and let him. you wash the dishes together after that, argue over whose turn it is to rinse and whose turn it is to dry—it’s routine, and you’re grateful you have something to look forward to in this cruel world, something you can count on regularly.

—————

hasaba nanako and hasaba mimiko. 

those are their names. megumi says so when he first brings them to suguru. nanako is blonde, a bit bolder than mimiko, who’s brunette. nanako is older by five minutes, and she likes to remind everyone when she can. mimiko holds nanako’s hand when she’s nervous, and nanako squeezes tightly with a smile. they’re a mellow pair, despite it all. a little distrusting and a little nervous when too many people are in a room at once.

they take a liking to suguru, however. satoru is a bit too loud and boisterous for them, but suguru is kind and soft and gives them gentle head pats when they cooperate and answer his questions. on the way home, he asks them if they’d like something from the bakery.

it leaves them a bit quiet, right until he looks over his shoulder with a raised eyebrow as he awaits their answer.

“we’ve never been to one,” nanako answers quietly, the first to speak between the two, as always.

“is that so?” suguru asks gently. they nod, still holding hands.

children of five summers, and they have never picked out a cake for even a birthday—he wonders why that is. they shouldn't have shown signs of having cursed techniques so young, there should be no reason to mistreat them so early on—the conclusion he comes to makes him even unhappier. parents should never have children if they aren’t willing to love them, he thinks bitterly.

“it’s alright,” mimiko says finally, “we don’t need—”

“come on then,” suguru grabs nanako’s free hand, gently pulling them both along the busy streets of tokyo, “my wife’s favorite bakery is around the corner. we’ve tried everything they have by now, so you’ll have to tell us what’s your favorite, yeah?”

it’s nanako who answers again first, nodding slowly before she smiles hopefully. “okay,” she murmurs. 

from the corner of his eyes, suguru notices mimiko gently pull her hand from her sister’s, quickly taking a few steps as she walks across in front of him before promptly finding herself on his other side. her hand reaches for his—it’s slow, a bit unsure, so he grabs it delicately, giving a small squeeze as he grins down at her.

“wait until you try the strawberry cake,” he hums, “that’s my favorite.”

—————

suguru comes home with two small girls on either side of him and more bags than you can count from the bakery just five minutes from your apartment. you blink before rushing over and taking a few bags from his hands.

“did you just buy one of everything or something?” you ask incredulously, staring at all the boxes of goods within the bags. 

he grins that closed-eye smile of his, crinkles forming in the corners as he says, “well, of course,” like it’s the most normal thing ever to buy one of every item in a large bakery in the heart of tokyo. “the girls have never been to a bakery before so i thought we could let them try everything and rank them.”

you look down at the girls, who stare at you nervously as they cling to each other. instantly, as soon as you meet their eyes, you can’t help but drop down to your knees to meet their level as you smile softly. 

“why hello there,” you murmur, ruffling each head gently. they like that—suguru texted you that earlier, that they seem to brighten considerably when he offers them a gentle pat on the head in affection. “what are your names?”

“i’m nanako,” the blonde one answers instantly—suguru is equal parts shocked and equal parts pleased by her new air of confidence. he wonders if she’d be a bright and energetic child right about now, if the world hadn’t crushed her under and forced her to live meekly. “and i’m older by five minutes.”

“hello nanako, the eldest by five minutes,” you answer seriously, nodding as though it’s a crucial fact to her identity, “it’s a pleasure to meet you. and what about you?” 

the brunette clutches her sister’s hand a little tighter—but nanako seems to have deemed you as safe. anyone geto sensei (as the other kids seem to call him) trusts is someone they don’t have to be on guard around. she nudges mimiko gently, encouraging her to tell you her name.

“i’m mimiko,” she says quietly. she seems to be holding a small, pink stuffed toy. it’s seen better days, you think, but a nice wash and a few stitches to the top of its head should have it looking quite a lot better. 

“and hello to you too, mimiko,” you smile, “are you younger by five minutes, then?”

she giggles a little at that before nodding, “i am,” she assures, “but i’m smarter.”

“are not!” nanako says instantly, gasping. you and suguru share a look, amused and fond and relieved all at once.

“what a lovely toy,” you murmur, tracing the eyes with your finger. she droops a little at that—like being reminded of its condition is something that breaks her spirit.

“it’s ripped,” she mumbles, “it wasn’t before.”

“i can fix it,” you offer, “suguru is always ripping his uniforms, but lucky for him, his sweet little wife here is a fixer-upper.”

“really?” she brightens. you nod, chuckling as you ruffle her hair, doing the same to nanako, too, when she eyes you hopefully from the side. 

“that sounds great,” suguru interrupts, “but i believe i have cakes that need to be tried and mouths that are not trying.”

you rise, rolling your eyes and standing next to him, and his hand gently grabs yours. thank you, he squeezes. always, you squeeze back.

“well, come on, girls,” you usher. mimiko grabs your free hand, and suguru grabs nanako’s—you all make your way to the dinner table. it feels oddly natural, you think. “we have desserts to try. the chocolate one will definitely be your favorite, i can feel it.”

“it’ll be strawberry,” suguru says confidently. 

you meet his gaze, grinning at him as he stares at you hopelessly in love. it’s always been enough, you and suguru—it’s always been more than enough with just the two of you. so enough, that you never wanted more. but this is nice too, you think. this is something you could get used to, even if it breaks the routine you’ve learned to love just a bit.

—————

nanako and mimiko stay at your house that night, and somehow, that turns into a week. sometimes, suguru takes them with him to school, just to handle a few things that are still to be taken care of regarding their case. you find you miss three instead of one while you’re home alone for the day. 

they return cheery each time, bags of deserts in hand and a newfound glow in their eyes. mimiko’s toy is much cleaner now, and the small rips have been carefully sewn shut by you from the first night they spend. she clutches it everywhere she goes, hugs it in her sleep too. it’s hopelessly endearing. 

nanako takes a liking to suguru’s phone—he’s a bit too giving with her, you think. she’s managed to figure out his passcode rather quickly, and he lets her get away with it, watching her small fingers work the buttons of whatever game she's downloaded with a gentle look of affection over his features. 

on the days that suguru goes to school alone, the girls are left in your care for the day—you don’t usually have someone to keep you company while you’re at home. you’ve quit being a sorcerer long ago, deciding that it’s not worth the constant back-and-forth tug of war with life and death. 

perhaps it's selfish—people are dying every day, and you sit and let it happen, but you can’t help it. it’s too much, sometimes. suguru has always supported it, though, has always murmured that you’re doing the right thing and that sorcerers deserve quiet, peaceful lives, too, if they wish. so you do just that, stay home and learn a new dish or two through the day, watch a few shitty sitcoms on the television, leave and do some grocery shopping for the week, and return home to your quiet little apartment (as quiet as an apartment can get in tokyo, that is) and wait for your husband to come home. 

suguru comes home by seven pm every day and gives you a soft kiss on your forehead as he says, hello, wife, to which you giggle and murmur, hi there, husband. you have dinner after that and share details about your days with each other. yuji and nobara are arguing again, suguru will tell you sometimes, i think nobara will cave and talk first this time, though. i brought fresh strawberries from the season’s harvest, you murmur behind a glass of water to your lips, got them just for you, sugu.

it’s been a routine like that ever since your marriage. you marry suguru quietly when you barely turn twenty, just a room full of the few people you dare let yourself love and the two of you as you sign the papers and share a kiss. there’s an extravagant meal waiting for you after, though, courtesy of gojo satoru, a man with more money than he could hope to use on himself. satoru is happy that day—happier than you’ve ever seen him in a long, long while. he takes his bandages off, sits and watches everything, and takes it all in even if it’ll bite him back in the ass later with a long, pounding migraine. 

today, however, is a saturday—school is out, and anyone who doesn’t have a mission is free to have the day to themselves. suguru hasn’t taken a large mission in ages, years, even. he accepts small ones here and there, and if it really calls for it, he joins a tough one with his students—but it’s for their sake more than anything. but the big ones are too much for him to handle regularly anymore. the higher-ups aren’t happy—special-grade sorcerers are hard to come by, and it’s unfair that the lower-grade ones are busting their necks out there more than he is. but suguru deserves a semblance of control over his well-being, and with satoru on his side, there isn’t much of anything the higher-ups can really do.

he sits on the couch, scrolling through his phone as you click the remote, finding something to watch. 

“you know, we should really talk about this,” suguru mumbles from the side. it’s early, still. barely eight am, and the girls are still sleeping. they’ll be up soon—and with that, will be gone any moment for you and suguru to share a private moment.

they didn’t warn you about that part of kids—you knew it was a busy job, watching over them, but you figured leaving them to play for a bit would grant you some peace. you and suguru quickly learn that children, no matter how well-behaved and disciplined, always need a watchful eye on them. 

“talk about what?” you yawn, “it’s too early for you to speak in codes.”

“the girls,” he says, unimpressed. oh. right.

“what about them?” you say, dancing around the edge of the real issue. he sees right through you—you know he will. still, you’re petulant enough to try and dodge the topic anyway.

“it’s been a week,” he says seriously, “those kids think this is their new home. it’s cruel to make them think that any longer if we don’t…”

keep them. let them stay. let them become a part of this home and, by extension, this family that has always just been you and suguru. raise them. take them in. take responsibility over them. love them. 

can you love? like that, at least? are you meant to be a mother? you’re too selfish, you think—you couldn’t even stay fighting curses for long, too weak to care about those who need you, and too focused on needing yourself. can you handle two children? if you do this, you can’t do anything else but do it right—it’s what they deserve. but you don’t know if you can give them what they deserve.

but there aren’t many better options either, you remind yourself. 

suguru seems to know what you’re thinking because he murmurs, “i think it’s easier to raise children than be a sorcerer,” he says quietly. 

you raise an eyebrow skeptically. “you can walk away from being a sorcerer, suguru. being a parent is for life.”

“being a parent means you get to love,” he reasons, “unconditionally. without regrets. without a contract, you know? loving a sorcerer is just betting how long someone has left to live, at the end of the day.”

“how morbid of you,” you snort.

“they’re good kids,” he says quietly, “great, even.”

“they’re lovely,” you agree. and then, quieter this time, “i…i would miss them. more than i care to admit.”

“me too,” he nods. 

your head falls to his chest, and he presses a kiss to your head, wrapping his arms around you. suguru has always loved you—when the world was not worth loving, and the people were not worth saving, suguru had loved you. he still does. and the way you love him is enough to make all of those things change. the world has a little more hope, and the people are a little less ugly when you’re there to prove not everything is bad. that even where the bad exists, the good can follow. as long as he has you, suguru is complete—but he thinks more is not always so bad.

“suguru?” you ask gently. he hums, rubbing a thumb over your knuckles as he squeezes your hand, “we won’t force them,” you say firmly, “to do anything. they should exist as themselves if they want to. cursed techniques or not.”

he smiles. you don’t see it, and you don’t have to. you know it’s that deep, eye-crinkling smile that’s heartfelt and real. 

“no, we won’t force them,” he agrees, “they’re perfect as is.”

—————

the girls are given the option to each get the two spare rooms you and suguru have in your apartment. that leaves ultimately no guest room, but you think they deserve to have their own space and be their own people after everything. but, as you and he had expected, they choose to share a room and stay together.

you’ll never forget the looks on their faces when they realize they’re staying here permanently, the look of pure excitement and the slightest hints of shock—you never realized how fulfilling it could be to make two children smile like that. 

“we can’t paint the walls,” you hum, “we don’t own this place. but we can still decorate,” you offer. 

they don’t seem all that disappointed about not being able to paint their walls—instead, they’re too excited about their beds, giggling as they jump on the mattress. suguru wants to tell them that jumping on mattresses is bad for the springs, but you stop him—they deserve to be kids for a bit. after that, you’ll teach them. but for now, they deserve to just be kids.

“can we get lights?” nanako asks—now that you and suguru are guardians to two children (parents seems…a bit too overwhelming to use right now), spontaneous dates don’t happen one on one anymore. evidently, it’s hard to find babysitters on the spot, and leaving them home alone is not an option, so you decide to simply bring them along on your weekly sunday afternoon cafe visit. nanako takes a liking to the lights on the walls, and mimiko eats three slices of cake. 

you can’t wait to bring them next week, too. 

“you sure can,” suguru hums, chuckling. 

“and a mirror?”

“of course,” you nod, “you’ll certainly need one to make sure the beauty sleep works.”

nanako giggles, flopping onto the bed, and mimiko sits not long after, still hugging that toy to her chest as she looks around the room in wonder. they’ve been sleeping in it for over a week now, but now that they can officially call it their own, they seem to be much more attached.

“i want pink sheets,” nanako hums.

“i want blue,” mimiko mumbles, looking at you shyly. 

“well,” suguru murmurs so that only you can hear, “maybe we can get them two beds. smaller one—they’ll fit on either side.”

“and what do we do with this one, then?” you raise a brow.

“we…sell it?”

“suguru, are you trying to drain every last bit of our savings?”

“we have plenty,” he chuckles, “we don’t ever do anything.” 

that much is true—you and suguru hardly leave tokyo let alone japan, and though you let yourselves splurge on nice things, there isn’t much to spend on between two people. but the last few days have really put into perspective how…expensive raising children can be. clothing and school supplies (they’ll attend a normal school) and room decor and snacks, and anything else children require to be children is quite denting to bank accounts. 

but you and suguru can’t say you mind—and if nanako and mimiko want pink and blue sheets, well…you think you can make that happen.

“i think we’re spoiling them,” you mumble, “should we be doing that?”

he wraps an arm around you and pulls you against his chest as his nose presses to the top of your head when he kisses it. he’s warm, just like he always is—maybe warmer now, in fact. 

“nah,” he grins, “i think we’re doing great.”

—————

the girls take their time to warm up to satoru, but when they finally do, he seems to be a favorite. satoru is very proud of this fact—he’s not a lot of children’s favorite…well, maybe yuji’s perhaps, but you don’t think yuji has a single bone in his body that could really dislike anyone. or rank them, to be quite honest—you don’t think he prefers satoru or suguru over the other.

“oh, kids,” satoru calls, stepping into your apartment and letting himself in. you and suguru are in the middle of making dinner, looking back in shock from the kitchen as satoru waves enthusiastically at you both.

“satoru, how did you even get in?” you ask, raising an eyebrow. he grins, practically giggling as he points to your husband.

“suguru gave me a key.”

“what?” suguru sputters, “no, i didn’t!”

“you let me borrow them,” satoru concedes—that’s still not even anywhere near the truth.

“i left them at your place and kindly asked you to bring them to me at work the next day,” suguru corrects, crossing his arms and looking thoroughly unimpressed.

“yes, and i did what you should have done a long time ago and made myself a copy,” satoru huffs, “i’m the best friend! i deserve a key—”

“gojo sensei!” the girls call. 

as most kids do, they pick up what they hear around them. everyone seems to refer to satoru and suguru as gojo sensei and geto sensei. they’re not students, but nanako and mimiko both pick up on the habit too—and it’s helplessly adorable, you can’t deny.

sometimes, you want to correct them, but they seem excited to see satoru, so you let the moment pass.

“there they are!” satoru beams, taking his blindfold off and crouching down to meet them in the eye—nanako and mimiko seem to find satoru infinitely more approachable when his eyes are out and easy to look into. you can’t imagine why—he looks like a creep. “i brought dessert! because what’s life without something sweet, right? are these two feeding you girls the sugar you need to grow into tall, healthy young women?”

“this is why you should never be allowed near children,” you say flatly. 

satoru looks at you with a pointed look, “i practically raised megumi and tsumiki, y’know. saving young siblings and giving them a nice home life is old news, i already did that. be more original, please.”

what a jackass—you scowl at him, throwing the wooden spoon in your hand at his head and watching as it doesn’t even touch him and falls to the floor. curse his infinity.

“okay, now,” suguru chuckles, “i don’t want to spend the evening looking after four children instead of two—”

“geto sensei! thanks for having us over for dinner,” yuji interrupts, stepping through the door that satoru took such great care not to close, “fushiguro was a bit of a hassle to convince, though.”

suguru throws a sharp glare at satoru as soon as three of their students step into your home—you’re going to have to forget the dinner you’re making and order takeout, you think. satoru will pay.

“this is why you didn’t get a key,” suguru hisses, “because then you act like you own the place.”

“i wanted a family gathering,” satoru gasps, “tsumiki is coming too! wait for her.”

despite the way suguru grabs satoru’s hair—and satoru, for some reason, turns off his infinity and lets him—you notice the corners of your husband’s mouth twitching into a gentle smile, and you know he’s thinking the same thing as you. family—nanako and mimiko are here, and so are yuji, and nobara, and megumi, and satoru (the biggest headache), and soon, tsumiki too. 

family—yes, this is family, you think.

—————

“daddy, i’m hungry,” mimiko tugs on suguru’s sleeve.

“i know, pumpkin, just give me a second and—”

“daddy, look! i beat the high score on my game and—”

“daddy is looking, sweetie, just give me one minute, nanako, yeah? daddy will look and—”

“wow,” satoru chuckles, grinning amused, “you’re really worn thin.”

“satoru,” suguru grumbles, “if you’re not going to help, then please leave.”

nanako and mimiko are seven now. in two years, their personalities have really blossomed—something which you and suguru are very grateful for. the world should not crush children so young that they don’t get to be the children they are meant to be. you and suguru take great care to make sure they know they can be kids. 

and they are—they whine about bedtime and pick at their vegetables and point at everything in the store and plead for something new. they’re children—your children, and you can’t help but love them unconditionally so.

“well, welcome to fatherhood,” suguru snaps, trying his best to make lunch and entertain the two girls waiting for his attention. 

suguru is a good father—a gentle one, in fact. he comes home every day from work and grins, asking in that smooth voice of his, where are my ladies? and just like that, you and your two girls meet him with excited grins. you peck his lips before he crouches down and pulls two small bodies against his chest, letting their tiny arms wrap around his neck as he hoists them up.

it’s a perfect little routine, one you cherish greatly. but the girls are getting older, and soon, they’ll be too heavy to carry like this. it makes you a little sad to think about—but if there’s one thing you’ve learned, breaking routine isn’t always so bad. soon there will be a new one, and when you outgrow that, another new one, and so on.

what won’t ever change is the way you love suguru, and he loves you, and you both love your daughters, and they love you both too. 

“daddy,” nanako calls, “where’s mommy?”

“at the store, nanako,” he says patiently, sighing. this is the fifth time she’s asked.

“when will she be back?”

“soon, nanako,” he smiles assuringly, “at least, i hope so,” he adds quietly, under his breath.

satoru hears, though—and he cackles, heinously loud, too, as he watches the scene unfold in amusement. but satoru is suguru’s best friend, and yours too. and the girls love him. he’s family—and so are their students. 

it’s nice, suguru thinks, it’s nice to have something worth smiling for.

“i’m home!” you call, “is satoru here? because the door was unlocked—”

“mommy!” the girls call, cutting you off with the pitter-patter of small, excited little feet hitting the ground and greeting you. 

“why hello,” you gasp excitedly, laughing as they tackle you in a hug.

you and suguru share a smile as he looks back—family, it’s what you’ve both built here. it’s slow at first, and sometimes it wasn’t easy. at one point, it was just the two of you, just you and suguru, and that was okay. you didn’t think you would ever be capable of letting it be more—but it’s nice when it grows, you think. maybe one day, you can dare to hope to grow it some more.

the scene were they got 2 beds—that was me and my sister when we first moved into our weeeee lil apartment back when i was in middle school !! we were bummed bc we couldn't paint the walls but our parents let us have 2 beds so we could pick our sheets !! it was a fond memory LOL but now i DO have a room where i painted the color except i HATE the color now bc i was still in middle school when we moved into our house and got to pick colors and middle school me and adult me are soooo different so now i have a teal bedroom that haunts me

[always-just-red]

hihihi! sylus girlie here. as a college student i often never take breaks whenever im working and often stay up late finishing up assignments. then i stress out but never tell anyone and suffer in silence:’) i was wondering if you could do something similar with sylus x mc where mc often forgets to take breaks at the hunters association and is always the first the volunteer for missions so she could improve.

but then it’s starting to take a toll on her and is so so stressed, but feels bad about venting to someone or saying no to new missions.

maybe one day she’s doing a simple task like cooking herself dinner (or something) but accidentally burns herself and she just ends up breaking down and decides to call sylus and he immediately goes to her. :’)

feel free to decline or change anything! i just like the thought of someone comforting u when ur overworked and stressed bc i wish someone would do that to me lol.

Fast-tracked this one for you, anon! I'm really sorry you're having a tough time right now, and I hope this brings you a bit of comfort- remember, Sylus would want you to take care of yourself! Good luck with all your studies, and feel free to send in another request if ever you need it! 🥰

Technical Difficulties

Sylus x Reader 🩸

Summary: You're not very good at asking for help when you're struggling. Thankfully? You don't always need to.

Genre: fluff + comfort ft. a very domestic Sylus!

Warnings/Additional tags: stressed reader (has a lil bit of a breakdown!), some swearing, uses of 'kitten' and 'sweetie', Sylus is so soft here he should come with a health warning tbh

| Word count: 2.4k | Masterlist | Opt-in to my taglist here!

Disclaimer: Characters belong to Love and Deepspace. All work is my own, so please don't repost or plagiarise!

In the event of a wanderer incursion where evacuation of citizens is obstructed or otherwise not viable, association protocol 32.3-A dictates that you should first… That you should first… What?

Your pen is poised above the blank space where your answer should be. 32.3-A is a general procedure: something to do moving people to the nearest shelter. Or, wait— are you supposed to try to contact support, first?

You drop your pen with a huff and flop face-down onto the mock exam. It’s too much. Too much information, too much responsibility. Open textbooks are spread over your desk and around your head like an unholy halo— stacks of them, filled with codes and procedures. They’re supposed to be helpful, but they’re not; they’re drowning you.

Your phone pings and you glance up. Text from Tara:

Hi! Hate to be a bother, but did you finish glancing over that practice question for me? xx

Shit. You’d completely forgotten. You straighten, reaching for your laptop so you can load up your latest emails. You’ve got time to look over it; the exam isn’t for another two days. Breathe, ok? You have time.

Seven unread emails. What? You scan over them frantically. Two from the Captain: accepting additional mission requests you’d applied for. Were those both this week? One from Nero: you hadn’t sent in that finished report. Three from your colleagues, all scrambling for help with the exam. One from Tara:

Thanks for saying you’d look over this for me! You’re the best at this stuff!

Ok, so: Tara’s practice question. Nero’s report. Your own practice questions. Then… dinner? Maybe that should come first. You’d skipped lunch— had one slice of toast for breakfast. But you don’t wanna cook; cooking takes time, and you’ve got none. None.

Your phone is ringing, snapping you back to reality, and you peek over at it. Sylus?

“Hi,” you greet as you put him on speaker. On your laptop, you’re opening up Tara’s attachment.

“Are you free tomorrow?”

Always straight to the point. “Uh… yeah?” you frown as you read through your friend’s work. “Why? What d’you need?”

Sylus sighs through the phone. “That was a test, sweetie. You failed.”

“Yeah, well…” you murmur, highlighting a sentence with your cursor. “Add it to the list.”

The man doesn’t find that funny. The phone is quiet— too quiet. “Are you alright?” he asks, just as your gaze wanders to check if the call has disconnected.

“Mmhmm.”

“Really?”

“Yeah, Sylus.”

You stare down at your phone. He’s waiting for more, but you won’t give it to him. You’re one word away from slipping, and you can’t let the dam crumble, especially in front of him. He’s smiling from the phone call background: a photo he insisted would ‘ruin’ his image when you took it last week.  

“I need to go, ok?” Your eyes are shining.

“Ok,” he says softly.

There’s a bleep as the call cuts out, and the photo is gone. Waiting beneath it is another text from Tara, and one from Xavier: Nero told me to txt U bout a report??

You swallow the ache in your throat and slump down on your desk again.

…

You wake up with a start, your head ringing. The tangerine sky outside your window’s turned dark— your laptop, too— and light spills from your desk lamp, yellow on white pages. There’s more, and you turn, tracing it back to where it leaks through the crack of your almost closed bedroom door.

You hadn’t left any lights on in your flat. You hadn’t switched on your lamp, either.

Tiredness is dulling your thoughts and your senses, but you know you feel uneasy. There’s something in the air: smoky, but not unpleasant. You can hear something as well. No— two things. A faint, almost imperceptible hiss, and a more obvious humming.

Hunter instincts kick in. You roll open a drawer of your desk, snatching up one of your standard-issue pistols and removing its safety with a click. You stalk up to the door, your trained footsteps near silent. You take a deep breath, clearing your head. One. Two.

Three! You shoulder the door open, leaping through with your gun trained forwards.

At the other end of your sights, Sylus turns, an eyebrow raised. Your kitchen stove seethes behind him, and he gives you a once over as he sluggishly raises both hands. “You flatter me, kitten,” he smirks in surrender, looking between your weapon and his: a spatula.

You lower your gun, your heart still racing. “I could have killed you, Sylus!”

“That’s the spirit.” His hands drop, too.

“How did you even get in here?”

He’s turned back to the stove, and he’s using the spatula to push something around a frying pan. “Hmm…” he muses, then blink— he’s gone. He’s at your fridge a second later, materialising from thin air. “I wonder,” he finishes as he reaches around for something.

Show off. “You know how I feel about you telepor…” No. “Phas…” No. “Magic…king…?” By now he’s watching you over his shoulder. “You know— that thing you do.” You’re twinkling your fingers. “What do you even call that?”

“Magicking, yeah.”

You huff in response and he laughs, walking back over to where he’s cooking two steaks and preparing a salad. You’re still coming to terms with the fact he’s even here, looking... quite frankly ridiculous, because he’s wearing your apron. It’s too small for him. Baby pink. Frilly, too.

“You know how I feel about you magicking into my home,” you mutter distractedly, because actually? He’s kinda pulling it off. His sleeves are rolled up past his elbows, tight on his arms. “Use the door like a regular person, you psychopath.”  

“Where’s the fun in that?” He sounds smug. Ugh, he must feel your eyes on him; he must know. You think he’s toying with the idea of calling you out, but he doesn’t, and when he does speak, the smugness is gone. “Mephisto saw you were sleeping. I didn’t wish to disturb you. You sounded… tired. On the phone.”

Guilt twinges in your chest as you draw up beside him. “Is that why you’re here? Playing housewife?” You pick at a frill on the apron.

“Poke fun all you want,” he sneers. “This shirt costs more than your entire wardrobe.”

“Snob.”

“Ha.” You have to retract your hand as he threatens it with the spatula. “Watch yourself, sweetie. I’ll remember that the next time you ask to ‘borrow’ my card.”

You laugh gently. Now that’s a threat. You’re about to tell him so when you hear a ping from the other room, and your heart sinks. Just a single sound, and you’re back to where you were an hour ago, at your desk with the weight of the world on your shoulders.

Sylus hums in acknowledgment as you excuse yourself and hurry back to your workspace, snatching up your phone. You missed three calls while you sleeping: all from Xavier. He’s been texting you, too.

Nero’s yelling at me

Wants to talk to U

Can U pick up? Pls?

It’s one report, for gods’ sake. You feel your chest tightening again. You just needed to proofread it, but it’s probably fine, right? You wake your laptop out of standby; you’ll just send it as it is. “I’ll just be a minute, Sy,” you call out. “Need to finish one thing.”

He mumbles something in response, and you imagine it’s for the best you can’t hear it. Your keyboard clacks as you tap out a quick email to Nero, then you surf your files for the report he so desperately wanted. It should be… here. You attach it. Hit send.

Nothing happens.

Huh. You hit send again. Then again— still nothing. You groan, trying to back out of the email. None of your keys are working. Your cursor is stuck. “Oh, come on,” you release on an impatient breath. Switch it off, switch it on again? You hit the off button. The screen goes black.

With a sigh of relief, you wait a moment before switching it on again. The screen stays black.

“No, no, no, no,” you plead quietly, but it doesn’t cooperate. Your phone rings and you snap, hitting more buttons: Answer. Speaker. “What?” you hiss.

“Whoa. Hi…?” Xavier’s voice is cautious. “I don’t know if you saw my texts, but Nero—”

“The report, Xavier! I know! I know!” You try holding down your laptop’s power button. “I’m trying to send it, but my shitty computer won’t—”

“No way!” Tara’s voice comes in on the other line; did they both get the night shift? “Hey you! Did you get a chance to—”

“No, ok?!” you practically cry out. “No! Can you two just back off? Please!”

“Oh, sorry, I…” Tara sounds upset, then distracted. “Wait, Xavier wants to speak to you.”

“Are you ok?” he asks after a second.

Ok? You just want everything to stop. “I’m fine. Shit, tell Tara I’m sorry. I am sorry, Xavier, I just… I just need my laptop to…”

Work. Work! Nothing’s working. Half of your files are on there. How much of it is backed-up? Panic is setting in, gripping your body like ice. Your throat hurts and your mouth is dry, the dam is breaking and you can’t stop it. Tears prick at your eyes as you blink at the blank, hopeless screen. Your reflection stares back at you.

You let out a sob, expelling days of frustration and exhaustion. Everywhere you look there’s something you need to do, something you need to learn, something you need to finish. You can’t. You clasp a hand over your mouth, muffling your own cries.

Xavier is speaking— saying something over the phone— but you can’t hear him.

The light changes, and there’s a figure above you, lifting the phone from the desk. “They’ll call you back,” the shadow says. Sylus.

“Wait, who is this?” Xavier.

“That’s Skye!” Tara.

Your friends’ distant voices cut out as Sylus ends the call. He sets the phone down again, nudging your laptop out of view, then lowers himself until all you can see is him: his red eyes, softer than you’ve ever seen them. “Come on, sweetie,” he coaxes, guiding your hands over his shoulders.

You understand what he’s asking of you. His arms wrap around you and you hold him tighter, letting him lift you out of your chair. He feels warm, his skin ever so slightly flushed from where he’s been standing over the stove, and he pulls your legs around his waist, letting him carry you with ease.

With your face buried in his shoulder, you can’t tell where he’s taking you, and you don’t care. His shirt is going damp against your cheeks. You want to stop crying, but you can’t with the taste of your tears on your lips. You feel weak. You feel pathetic.

Something solid is behind you, and Sylus is setting you slowly down on the kitchen counter. He’s away from you for a moment— moving the frying pan off of the heat and turning a dial on the stove— but then he’s back, standing between your legs, standing close. You’re looking down until his hand is under your chin, lifting it with the delicate touch one employs when inspecting a flower that might break.

He shushes you without a hint of impatience. “Look at me,” he directs quietly, and when you do, he unrolls his shirtsleeves— drawing the cuffs over his hands so he can use them to wipe your eyes. “Now tell me what’s wrong.”

You do— you tell him everything. The hunter’s exam. The textbooks. The extra patrols you’ve been signing up for. The work you’ve been doing for your friends. The stupid report. The even more stupid computer.

Sylus listens collectedly, nodding his head and issuing the odd hum of understanding. He listens to all of it, and when you’re done, he pushes your hair back from your face with a sympathetic sigh. “Oh, sweetie.” A tendril is tucked behind your ear. “You should have said something.”

“I know.” Your gaze is still shy of his. “But how can I? I need to do this— be this— for everyone.”

His hands are on your cheeks again, drawing back your focus. “You’re just one person,” he says. “You— just you— and that’s all you need to be. You’re stubborn, and strong, but you’re not invincible. Even Linkon’s shiniest hunter is allowed to have limits. Everyone does.”

“Even you?” you snivel, setting him up for a quip.  

Nothing. He smiles. Shrugs. “Even me.”

It’s hard to believe when he’s staring back at you, oh so solid, oh so perfect. Always a picture of strength: of fiery determination or calculated coolness. Everything in extremes; nothing by halves. Except… his hair is slightly dishevelled from where he’s been working away in the heat. There’s a damp patch on his shirt. He’s wearing your pink apron, and there’s mascara on his sleeves.

Then there’s the way he’s looking at you.

It shifts when you finally look back. He drops his hands from your face and pulls back a little. “You do a lot for your friends,” he continues with confidence, but he’s rubbing his neck, “and they care about you. You should afford them the chance to return the favour. It’s only fair.”

“You’re right.”

“…Good.”

Perhaps it’s the fact you’ve vaguely composed yourself— or the way you’re watching him like you’re seeing something new— but he straightens self-consciously, rolling his shirtsleeves back up as his eyes go sharp: assuming their usual severity.

“You’re too soft, kitten,” he scolds, reaching out to tousle your hair until you’re glaring daggers from behind a curtain of it. “How many times do I have to tell you? You put yourself first. Always. No-one else matters.”

There’s quiet for all of a second. He can’t help correcting: “Well, except me, of course.” The apron’s crooked, and he flattens it with a brush of his hands. “Any time spent with me qualifies as self-care. You really should know that by now, sweetie.”

Your mouth curls, but you haven’t quite got it in you to laugh— not yet. Stretching his neck with two sideways tips of his head, Sylus returns to his post at the oven, where the meal he’s cooking has almost certainly gone cold. You watch as the stove flickers back to life. The man is humming again, and though the food might yet be salvaged, whatever melody he’s attempting is long-past recognition, let alone saving.

You chuckle to yourself.

And you can’t see it, but Sylus is smiling, too.