#thank you strangers

[reginadeltrash]

Ok, I've been thinking about this for the past hour and I needed to share.

I was reading some Ghosts fanfiction to ground myself after the woman who birthed me sent me on a panic attack and these two guys approached me to see if I was ok.

I think I was so concentrated on reading and stimming that I didn't immediately see them, cause one of the two touched my shoulder and I must have looked a bit manic, cause he startled me.

He was so sorry and started asking me if I was ok and what was my name and stuff like that.

My mind legit stopped working for a sec, cause in a moment of absolute anxiety I answered with

"Name's Hettie"

And these two absolute sweethearts just looked at me and went

"Cute name, need some water?"

And I was like

"Thanks I would really like it."

And they spent ten minutes making sure I was ok.

And I think I may still be a bit out of it but I just really wanted to share this experience and if the two guys are reading this:

Thank you, you legit improved my evening, and my actual name is Via, btw.

[thetiasaan]

victory!!

[thepurpleglass]

I was in the Whole Foods tonight and I saw a Ken (blonde, sleeveless jean jacket) a Barbie (blonde wig, pink outfit and scarf) and a Mermaid Barbie (blue wig, iridescent skirt, starfish as hair accessory.) Obviously going to or just coming from the movie. Could not help but grin at them and they all grinned back! The people watching since last Thursday has been on point. Hell yeah!

[sfucked]

...you have to to find something else to give your heart to.

- a comment on mothers

[manny-jacinto]

MANNY JACINTO as 'The Stranger' BEHIND THE SCENES OF 'THE ACOLYTE'

[elodieunderglass]

Horror isekai where Perceiving the Weird Eldritch Thing gets you catapulted into a nightmare labyrinth of puzzle-solving.

I.e Those Who Perceive The Hunt of the Goblin King Must Partake In The Labyrinth and Can Only Be Freed If They Complete It In One Day and One Night. By Fae Law. For Reasons.

But the definition of “perception” clearly needs to be updated because some normal guy simply films the Hunt of the Goblin King Behind Arby’s, and puts it on Facebook -

No, not instagram or TikTok, it’s important that it be Facebook -

Because the rules are pretty clear, “the rules are the rules” as is carved ominously in elvish runes above the grim gate, and the Contract is Sealed. and so therefore the guy and 25 of their most random real-life acquaintances must run the gauntlet together. It’s Some Guy, their immediate neighbors, their first partner’s mom, their friends from hobby Facebook groups (oh this poor guy and their hobbies; the elderly birdwatchers from Facebook and the young up-and-coming drag king community), their random teen kid niece, college friends, a dog who also watched the video, a couple consisting of a woman who is the guy’s Facebook friend and showed her husband the video, and the husband doesn’t even know Some Guy, so he’s in the labyrinth and absolutely furious about being forced to be involved, and they proceed to break up over the course of the puzzle.

It’s important that the narrative keeps trying to be a sexy dark horror isekai! but within this the comedic reality of Catherine, 52, the guy’s horse-riding instructor, being passionately involved in escape-room-style puzzle solving and grappling with minor goblins. They are in fact speedrunning the gauntlet.

The Goblin King finally has to say: all right, actually, I only really set all this up to fuck with one (1) guy at a time, thanks for your willingness to participate, but I think all 25 of you can consider the gauntlet fully run.

And the group would be quite hurt by that. The rules are the rules. We have a contract, actually. Let Catherine cook.

[donttellunclesam]

subway ride home from pride <3

(close ups under the cut)

[shushmal]

okay but a like post-series fic i want that's like: steve harrington being the only man left in hawkins fighting monsters

and not like a 'everyone died, last man standing' way but just. they beat it back, the story ends, nice little tie-up and neatly concluded, eleven loses her powers because their world is completely cut from the other. and life goes on. eddie (yes, eddie lives au don't fight me) goes off with his band, robin-nancy-jargyle off to separate cities for college. the kids go to high school, graduate high school, and scatter across the country. joyce and hop buy a beach house far-far-far away from goddamn hawkins indiana.

steve though. steve stays. he does it too without comment, takes all their calls telling him all these amazing things. the years pass. the calls are fewer and far between. he's mostly in contact with only dustin and robin. except robin's out of country doing some crazy temp job in some remote country, she never catches him at home right now so just leaves him messages. and it takes a couple of weeks for dustin to realize he hasn't gotten steve on the phone.

frantically he calls around "have you heard from steve???" except the most people talk to steve anymore is like phone calls during holidays and holy shit what could have happened??

and what if it's back?

cue everyone who can in that moment, rushing back. eddie hopping on a flight from fucking london direct to indianapolis somehow, heart in his throat. he manages to meet hopper in the airport and they pick up max and dustin at the bus station.

they get to hawkins that is even more different that what they left. a smaller town, a town that shuts down completely when the sun sets. it's creepy and deserted.

except for the fucking upside down monsters of course.

and they're in their stupid little rental in front of this demogorgon and they're screaming but then the thing just goes splat on the concrete and steve fucking harrington is blinking owlishly at them.

"Oh, hey guys!" he calls jogging up to the driver's side window. "Wow, what brought you back down this way? You should have told me, I would have told you about the curfew!"

turns out steve just forgot to pay his phone bill that month, didn't even realize he was missing calls and he's been fighting monsters the entire time because actually they WEREN'T cut off from the upside down at all and he's just been casually fighting monsters for the remaining hawkins residence—the whole town knows now and steve's the guy you call when you have a monster problem

sidebar: WAYNE still lives in hawkins, and he and steve are best friends, eddie munson you are gonna LOSE YOUR MIND

[tzarrz]

i listen to fog lake too much

[vastpotato]

Love that tma is so traumatic constantly that we all gloss over the fact that Jon was kidnapped and forcibly moisturized while tied to a chair for a month.

Every time I think too hard about it it actually freaks me out. And Jon never talks about it again which also freaks me out

[grey-sides]

On a Monday morning, Steve's dad frowns at his paper and throws Steve a sidelong glance. On the entertainment page is a black and white photo of Bruce Springsteen kissing Clarence Clemons.

Steve swallows his toast and shifts in his seat. But his father doesn't say a thing and Steve doesn't know where to begin. He's not asked to get rid of his Springsteen tapes. But he does find the paper later, tossed on the pile to go in the trash and clips out the picture.

It's not the first time he's seen this exact scenario with Bruce Springsteen. But it is the first time in a long time he's been interested in doing it himself.

He tucks the paper clipping away in a book under his bed. And he thinks about the cash he has saved up and how much longer Robin has to be in school for.

On a Friday evening, he fixes his hair and kisses his mom's cheek on his way out the door. The newspaper clipping under his bed is delicately frayed already, the thin paper worn thinner by his eager fingers.

He picks Robin up, waves to her mom and drives them just outside of town. Eddie's van is already there, quiet and dark because he and his band are already inside.

On a Friday night, Steve tucks into a beer and looks up at the stage. He smiles despite himself and thinks of Bruce and Clarence when Eddie and Jeff lean into the microphone together.

His palms sweat and he presses them to his bottle. The edges of the label are peeling like the newspaper clipping. He taps his toe to the music and smiles wider when a woman takes Robin by the hand to show her how to rock out.

On an early Saturday morning, so early Steve would call it late, he helps Eddie put the instruments away in the back of the van. He watches as Eddie stacks each piece carefully and curses when a cymbal crashes against an amp.

And he thinks about his newspaper and the judgement in his dad's eyes. He twirls his keyring around his finger and thinks of another life where he kept up with his piano lessons instead of baseball.

On an early Saturday morning, Steve closes the van doors just enough to block people from seeing them and he pulls Eddie close. And he wonders what it would be like to do on a stage.

And Eddie is not Clarence Clemons and he is not Bruce Springsteen. But his heart still races and his palms still sweat, and he knows he could bellow out of his lungs with joy if he was standing in front of a crowd.

And later still on that early Saturday morning, Steve feels the calluses of Eddie's guitar worn fingers on his cheek. And he listens to his halfway to hoarse voice tell a story. And he tastes cheap beer and song lyrics on his lips. And he thinks next Saturday, he might join Robin dancing in the dark of the bar.

[kidovna]

anyone else go crazy reading the latest @campbyler chapter?

bonus:

[solarmorrigan]

Well, Hello, Sailor

written for @steddiemicrofic | prompt: ‘pin’ | wc: 388 | rated: T | cw: slightly racy photos?

“Oh my god,” Eddie gasps.

“Oh my god,” Steve echoes, groaning.

Eddie hadn’t meant to drop the box, but it was heavy; it had been a rescue from the back of Steve’s closet as they moved his stuff out of his old apartment (preparing to move into their new one, together), and it had been full of forgotten papers and old magazines and – photos.

The stash had spilled out in front of Eddie like it had been waiting for him, full-color and glossy and glorious.

There’s Steve posed front and center, on his knees and looking back over his shoulder at the camera. He’s wearing a little pair of navy blue shorts and a little red ascot and precious little else. The shorts are indecently high-cut, hugging his ass like they were made for it, but it’s the sailor hat settled jauntily on top of his head that really makes it for Eddie. Steve’s eyes are wide and sweet, as if he’s been caught by surprise, with his lips parted in that inviting way that haunts Eddie’s dreams, even though he can technically see it any time he likes now.

He’s the very picture of a perfect little pin-up boy.

“Oh my god,” Eddie says again, unable to get much else out.

“It was– uh, for a magazine,” Steve stutters out. “I forgot I even had copies of that shoot.”

“Uh huh.” Eddie nods, still staring, mesmerized, at the pictures in his hands.

“It was during college, after my dad cut me off. I needed another job, and this paid, like, surprisingly well, and–”

“It damn well better have,” Eddie says, finally smirking up at Steve. “I bet they made bank off of you, baby.”

Steve pauses, blinking. “You’re not– upset?”

“Why would I be upset?” Eddie asks; honestly, he’ll only be upset if Steve tries to pry the photos away from him before he’s had a chance to thoroughly inspect them.

“Just– some people have gotten… jealous, I guess?” Steve shrugs, glancing away.

“Other people can look if they want.” Eddie leans over to press a reassuring kiss to the corner of Steve’s mouth. “I know I’m the only one who gets you live and in person.”

Slowly, Steve smiles. “Well. If you like the sailor shoot, I bet you’ll love some of the others.”

“Others?”

[nevermeyers]

I find it very realistic that Megumi wants to try to live for someone else again instead of for himself directly. I mean it. It will take him a long time to recover from what he has suffered, which was too much for a child (because he is still a child!!). At first I thought Megumi was going to pick himself up, but looking at it from another perspective and analyzing my own experience with mental health: it makes sense. Megumi needs help. And he will get it. Yuuji and his friends will teach him to live for himself. The ending of Megumi's character is a new beginning, unlike the others.

Btw, did y'all notice his scars are Sukuna's? The way i'd kms on the spot, poor boy :( he's going to live with the curse of remembering every time he looks on the mirror

[inklessletter]

"Put your lips close to mine, as long as they don't touch. Out of focus, eye to eye, 'till gravity's too much."

🦋

Thank you all once again for trusting the process with me.

I am in love with this piece. A Red concept brought to life.

They feel, they know. Yet confessing makes it real. Something to act upon. But as long as they are silent they get to stretch the unspoken truth between them. Both an abyss and a bridge to cross through. A bright light they both choose not to look at, and neither the perfectly shaped shadow of their bodies standing so close they look like one. Light butterfly touches that need no justification. Sharing warmth, and gazes, secretive smiles under the wing of the autumn, where the decay and decadence of perishable life feels a lot too much like a foreshadowing of their untold story.

But they feel.

And they know.

[bylergetonefree]

imma gonna say it. mike wheeler is allowed to be a bitch to will one (1) time in s5. and i need it to be in front of joyce, who has only ever known mike as the boy who slept on will’s floor, followed him and nearly died at the lab, cared for him, and loved him so gently his entire life. i need joyce to take will aside, ask him what happened. what changed. i need will to give a noncommittal answer. i need joyce to then corner mike and ask him, in the kindest but most direct way possible, why he stopped loving her son. i need mike to misunderstand, to think she knows. i need him to tell her everything. i need him to break down and for her to hold him and tell him it’s going to be okay. i need joyce byers to give mike wheeler the courage to to love her son freely