It's unreal. The light is streaming in through the windows, the curtains still drawn to block out the midday heat, tinging their living room in golden hues that match so well with the light grey fabric of their new sofa.
Eddie should probably snap out of it and head over to the windows, open the curtains and let the light in, and with it the warmth and fresh air of a surprisingly wonderful day.
It's March, he hears the echoes of Steve's giddy voice a week or two ago. Everything's better in March.
Eddie didn't agree then, and he's not sure he agrees now, but he must admit there is something magical about this moment.
Still he remains rooted to the spot, leather jacket heavy on his shoulders, his hands hidden in the sleeves of it, just in case this really is a dream. Just in case someone will come in and snap him out of it, take away their couch and leave an eviction notice.
It's dumb. But Eddie doesn't deal well with things that are unreal. Things that he knows aren't meant for him. Things that he knows he only gets in this one play-through of his life, while millions of other Eddie Munsons are out there in parallel universes who never get to even lay eyes upon a couch this nice. Let alone buy it. From their own real adult money.
It's a corner sofa, the fabric light grey, and he remembers it being harder than it looks. Solid. Just perfect for both their fucked up backs, scar tissue pulling if they sit wrong for too long, phantom pain and muscle aches coming in hot when all they want is to just relax and enjoy a lazy evening.
Eddie bites his lip, trailing his eyes along the pristine fabric, the pillows lining the back of it, the flawless stitches keeping everything in shape.
They have a couch now. A sofa.
It's so fucking unreal.
He drops to the floor right then and there, sitting with his back against the wall, and never once taking his eyes off their sofa. It feels important to look at it for a while. It feels important to wait for Steve. It feels... It feels like maybe he'll ruin everything if he goes and sits on it now.
And it feels really fucking big.
At some point he hears the front door opening, their lock going so smoothly now that Steve fixed it with some graphite, and the sound makes Eddie smile. That's another thing that's unreal. The key barely making any noise, the lock not rattling, the door not creaking and cracking. Eddie pulls a strand of hair between his lips, the smile feeling too silly for this room, for this home, for everything he gets to have now.
For all the tiny things that matter now. All the tiny things he gets to have, turning the key's smooth slide into an allegory of everything he ever wanted but never dared to hope for.
The slide of curtains, the click-click-click of the window handle being turned to let the air in. The breeze of fresh spring air dancing around his nose.
It's all a little much. It's so fucking addicting.
And then Steve. Socked feet coming to a stop beside him, a hand landing in his hair, a voice that's so endlessly warm and fond and maybe a little worried sounding from above him, "Hi, angel."
"Hi," Eddie says, tearing his eyes away from their couch to meet Steve's. The sunlight from the windows hugs him, making him glow. Eddie smiles. He smiles and smiles and never wants to stop.
Steve hums as he leans down to press a kiss to his forehead, and Eddie weaves his arm through Steve's legs, holding onto his knee.
Everything feels a little less silly now. Like every time Steve doesn't question his little moments of sitting on the floor and just staring at things.
"We have a couch now," Eddie says, because it feels important to point out. Because Steve isn't looking at it.
"We do," he hums. "I got the call earlier. Thanks for helping with that, baby."
Eddie nods again, leaning his cheek against Steve's knee and trailing the couch again with his eyes. It looks brighter now that the curtains don't turn the room into something out of a sepia-type movie anymore.
Steve's hands comb through his hair, massaging his scalp a little with his nails. It's nice. It's warm. It's pretty.
And it's so unreal.
"I'm twenty-four," Eddie says then, and some part of him wants to carve that into the fabric. He won't. But maybe he should carve it somewhere else. "And I own a couch. It's a little crazy."
Steve comes to sit down beside him, their shoulders pressed together and he links their hands, resting them in his lap after a brushes a kiss to Eddie's knuckles.
"Why's it crazy, angel?"
He shrugs, resting his head on Steve's shoulders and curling into his warmth some more.
"Most of my life I never thought either of those would happen, y'know."
Another hum, followed by another kiss to the crown of his head. Another smile.
"But you did it," Steve whispers. "You made it. And we've got a couch now."
"We've got a couch now."
Saying it out loud doesn't make it feel any realer. It only makes his heart race and his eyes prick.
"I love you," he says, finally looking away from pretty grey fabric to meet prettier hazel eyes. "I love you so much."
Steve leans in, kissing the tip of his nose. "I love you. Thank you for buying a couch with me."
And it occurs to Eddie then that Steve understands him. Sitting there on the floor with him, hearing his words and listening to those unsaid, understanding Eddie on such a fundamental level that it should be scary. And it is, sometimes.
But he's not scared now. Because they have a couch. And they have pretty curtains that keep the light outside and still turn the room into something magical. And they have a lock that only needed a bit of graphite to let the keys glide smoothly.
And they have each other.
They stay on the floor until Steve's stomach growls, and they eat dinner with their backs against the couch and Eddie's feet in Steve's lap. They hold each other close after dinner, just breathing each other in as the breeze blows around them.
In the end, Eddie is the first to sit on the couch, with Steve standing between his legs and giving him a scalp massage in silence. In the end, Eddie buries his face in Steve's stomach to hide the tears, and Steve lets him.
Because this is real. And he gets to have this. They both do.
🤍 permanent tag list gang: @skiddit @inklessletter @aringofsalt @hellion-child @stobin-cryptid@hotluncheddie @gutterflower77@auroraplume@steddieonbigboy @n0-1-important@stevesjockstrap @brainvines @puppy-steve @izzy2210 @itsall-taken @mangoinacan13 @madigoround@pukner@i-amthepizzaman @swimmingbirdrunningrock @hammity-hammer @stevesbipanic@bitchysunflower @estrellami-1 @finntheehumaneater @goodolefashionedloverboi @awkwardgravity1 (lmk if you want on or off, for this story or permanently)
336 notes
·
View notes
i want to expand on this post just cause i can.
so much of gus and jesse’s relationship is played as an affair. this is only because it makes walt’s anger about their dynamic feel more jilted, like a lover. when he confronts jesse about the two of them having dinner he uses language an excusatory husband would use if he caught his spouse cheating such as “tell me you weren’t as his house last night?” it’s very clearly written as jesse being disloyal to walt and their partnership. now the audience knows that’s just simply not true with jesse literally saying “if you kill mr. white, you’re going to have to kill me too” when he thinks gus is suggesting killing him. he’s devoted to mr. white throughly. even when he’s being shoved into these new situations by mike and gus, there’s never a moment where he thinks about abandoning him. he’s still in the back of his mind through everything, and every character knows this except for walt. that’s what makes most of the build-up leading to gus’s death so ironic. to walt, gus is the other woman who needs to be killed for fraternizing with what’s “his”. in reality, it’s his own brutality and sadistic behavior that is putting a wedge between him and jesse.
it’s very reminiscent of walt finding out about skyler’s affair with ted. he lashes out and throws a tantrum but he never stops for a second and asks why it happened. he never comes to the conclusion that his actions are what’s driving skyler into another’s arms. he plots to get revenge on ted, but it’s never more serious than toxic masculine how-dare-you-sleep-with-my-wife bullshit. he wants to kill him, i don’t doubt that, but he can’t. how can he? killing, torturing, and all that depravity belongs in the “heisenberg” part of his life. he cannot touch ted because he is as mundane as the life he is fronting.
now, i will admit, the skyler affair storyline and jesse’s so-called adultery are really not that similar at all. like i said, jesse is not betraying anyone--he is still fiercely dedicated to mr. white. his unfaithfulness is only interpreted as much by walt himself, and it’s walt’s delusions drive him away in the first place. skyler cheats as a means of revenge, as a way to take back some autonomy that walt had stripped her of. however, it’s the way that walt handles these individual perfidies that’s so captivating to me. when deciding what to do with gus, he immediately decides he needs to kill him. this was his plan prior, but now it’s more dire. jesse is gone. he needs to kill two birds with one stone: win back jesse and kill gus. more importantly, he needs to show jesse that him killing gus was something he did for the both of them. so thus he embarks on this convoluted, deplorable, fucked-up scheme. and hey! it works. he successfully manipulates jesse once again, implanting in his brain that no one will have your best interests at heart but me. “gus had to go” and jesse has to agree because this pseudo-son is dying and mr. white is right there and he saved him right? he saved brock and he saved jesse and it doesn’t matter that their love has a body count. their reunion is so impactful because they’re like magnets in a way. the connection they share is so strong that it doesn’t matter how hard they fight or run away, they will cling to each other once more. but what’s devastating this time around is that jesse doesn’t have a leg to stand on with mr. white anymore. he almost fucking killed him and it turns out the “real” mastermind was gus all along. so he offers his submission as an apology, when mr. white holds out his hand he takes it because this is how he can say he’s sorry. and walt? how could he not fall in love all over again. he has jesse, freshly martyred and in his arms once again.
210 notes
·
View notes