#that wasn't long as fuck

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[emberglowfox]

he just wanted to know what it would do

[katabay]

PERCEVAL THE UNHAPPY, THE MISERABLE, THE UNFORTUNATE, THE FISHER KING!

Perceval, de Troyes (trans. Burton Raffel)

ALRIGHT alright. so previously I did an illustration that explained the premise of all this, that it's inspired by the narrative choices that Bresson made in his film Lancelot du Lac etc

to dive in more into it (because this is something like derivative fiction. I'm putting concepts into a blender and seeing what comes out of it): the setting is haunted by the previously existing narratives that started cannibalizing each other until it regurgitates itself into the more well known narrative beats, and something else about the invasive rot of christianity and empire mythmaking into settings. it's an intertextual haunting, if you will! and this scene takes place during the grail quest narrative, but the temptation of Perceval plays out differently.

in both Chretien (and Wolfram's) Perceval narratives, what 'wakes' Perceval up (in more ways than one. desire and self actualization in one go!) is seeing knights, something his mother tried hard to keep him from. so instead of the temptation of lust & etc in the Morte narrative taking the form of a lady, it takes the form of a knight. the temptation to renounce one's faith to serve something else remains.

so Perceval still stabs himself, but instead of continuing on the grail quest in the shadow of Galahad, he becomes the narrative's Fisher King because his earlier state of being as a the grail quest hero is creeping back into his marrow. it was waiting for an opening, and stabbing yourself in the thigh is one hell of a parallel!!!

that wound isn't going to heal buddy, and the state of the setting will now be reflected on your body. sure hope that Arthur hasn't like. corrupted the justice of the land or anything. that sure would suck for your overall health.

all the red in this sequence is because in de Troyes' Perceval, Perceval takes the armor of the Red Knight and becomes known as the Knight in Red.

and now for the citations, which I will try to order in a way that makes sense!

Seeing Knights For The First Time

Perceval, de Troyes (trans. Burton Raffel)

The Temptation of Perceval

Le Morte Darthur, Mallory (modernized by Baines)

The Fisher King, and Perceval The Unfortunate

Perceval, de Troyes (trans. Burton Raffel)

On Perceval and Gender, etc.

Clothes Make The Man: Parzival Dressed and Undressed, Michael D. Amey

On Wounds

Wounded Masculinity: Injury and Gender in Sir Thomas Malory's Le Morte Darthur, Kenneth Hodges

The Red Knight

Perceval, de Troyes (trans. Burton Raffel)

On Arthur and the Corruption of Justice

The Failure of Justice, the Failure of Arthur, L.K. Bedwell

[freekymonstr]

Good fucking lord

[deus-and-the-machina]

toshiro/shuro is honestly an ok guy from an objective point of view, but man does he have SO MANY things working against him from an audience POV its honestly comedic.

he has little spine and even littler communication skills making him every neurodivergents nightmare, he's straight for falin and tries to propose which every other party member but Laios (who doesnt notice) absolutely hates, he's in a pretty large cast where most of the others are just way more memorable and active in the story then he is, and also his family seems to just. own people??? izutsumi and tade are both described as having been "purchased" to train as retainers and its a bit glossed over or not examined super deeply but man your family is fucked. literally dealt every bad card smh.

[bixels]

Splatoon 3: Side Order is good, but not great. I still highly recommend it, but if you care about the story, you're going to be disappointed. Quick review: spoilers ahead.

Side Order was the devs experimenting with Splatoon's gameplay loop. The campaign is a rogue-like, and it works amazingly well. Super fun, super challenging, building my deck and fighting through challenges with the stakes of resetting really scratched an itch in my brain. They did a great job with it.

Unfortunately, I feel like priority went to game design rather than story. Much of the mysterious artwork we saw in the first teaser trailer was completely unused; turns out, all of that was just concept art that never made it into the final product. Side Order failed to make me care about what was happening. I don't know why the protagonist had to be Agent 8; it could've been anyone else and the story would've worked the same.

Octo Expansion was the absolute peak of meshing story and gameplay. The campaign's hook is insanely strong; we immediately empathize with Agent 8 because we know from previous lore that octolings like her have been trapped underground for all their lives. We care about her fight to the surface because it's a fundamentally ideological fight for freedom. The plot stuff about Tartar and the Thangs is just nice set dressing; 8's fight for freedom is the real story.

There's none of that in Side Order. I don't particularly care about Marina's metaverse, even if it's tied to Octo Expansion's story. I don't know why Acht is there other than backstory stuff. It really feels like 8 is just told to do something and she does it because she's the protagonist; she has zero personal stakes or motivations in the conflict. This is a story blunder the devs did in Splatoon 3's default campaign––forgetting to give the protagonist a personal reason to fight––that I hoped would be fixed here, but alas.

What makes it worse is that the gameplay and story progression are completely out of sync. I beat the entire game on my third run in 4 hours. With each run, you get up to two keys to potentially unlock bits of story. That means you'll get about one piece of the story every two runs. There are twelve pieces of the story; I got the first and then beat the whole damn game. Now I have to go back and grind to see the remaining story when I've already beaten the final boss and resolved the conflict. I missed the entire story because I never had to reset because I blazed through the gameplay! It's just a real shame that I experienced everything without knowing... why it's happening. The final boss had me asking myself what the hell is going on because I don't know the backstory at all.

Again, I still really recommend. The devs did a great job, but Side Order remains in the shadow of Octo Expansion's incredible success. Like the default singleplayer campaign, there's just a lot of lost story potential here that, while not necessary, would have really elevated this DLC into something amazing.

[chonideno]

literally where can the zelda franchise go after totk. this is it. we've reached it. the pinnacle of video game entertainment. the whole dev team should just pack their stuff and enjoy a long and comfortable retirement. whoever decides their team has to follow-up on that with the next zelda game should answer for their crimes at the hague. what the fuck. I haven't even beat the game yet but what the fuck.

and how are AAA video game devs everywhere not losing their minds. how the hell did nintendo do any of that? and on that console?? you mean to tell me I can stack 15 differently shaped objects on top of each other and they don't vibrate violently into the skybox?? you mean to tell me the physics engine gladly accepts whatever I throw at it and holds it all together without dropping a frame while running on a machine that was outclassed two generations ago??? this is not witchcraft it's a grandiose demonstration of mastery over every aspect of game development that casts an immense shadow over every other AAA studio. fuck. fuck!!!!

everything about this game is crazy to me. the visuals are crazy. the soudtrack is crazy. the complexity of all systems and how they interact is crazy. the sheer amount of non-repeating content, NPCs, quests, dialogue, puzzles, environment variety - all crazy to me. every time I boot up this game I am humbled by the monumental effort and obvious love that went into every facet of the resulting experience. no cut corners anywhere. mirror-perfect chrome polish.

it's so rare we get something like that, in any field. I'd understand if nintendo never made a zelda game ever again because how do you follow that. god I hope everyone who worked on this game got the fattest check and the sloppiest head. I'm so happy I get to live in shigeru miyamoto's world

[yomkippur]

the heir: kendall logan roy

"it's fucking lonely. i'm all apart."

my similar but umm very long roman roy post

veniennes, "DOOMED FROM THE BEGINNING"

jamaica kincaid, the autobiography of my mother

katie maria (heavensghost), "it lingers for your whole life"

veniennes, "DOOMED FROM THE BEGINNING"

sophokles tr. anne carson, an oresteia: agamemnon by aiskhylos, elektra by sophokles, orestes by euripides

key ballah, "on fathers"

desireé dallagiacomo, "origin story"

elizabeth lindsey rogers, "questions about the father"

ivan turgenev, first love

george r. r. martin, a storm of swords

stephen adly guirgis, the last days of judas iscariot

eric kripke, supernatural, "in my time of dying"

amatullah bourdon (butchniqabi), "and my father’s love was nothing next to god’s will"

sam fender, "seventeen going under"

john mayer, "in the blood"

salman rushdie, east, west

george r. r. martin, a storm of swords

ocean vuong, "someday i'll love ocean vuong"

[hulloitsdani]

Well if ain't the consequences of their own actions! How we feeling about the new FEH book guys?

[artiststarme]

It's No Secret... Anymore

Thank you to @mx-jinxous for the prompt! This took a really long time to write but it was so much fun playing with everyone's dynamics. I hope you guys like it and please leave your thoughts in the comments!

~*~*~*~

Steve felt like he was dreaming. It felt like he was looking through someone else’s eyes, dissociating far from his own body. He couldn’t feel the weight of Eddie’s slowly-fading body in his arms or the burning of the wounds in his sides. He wasn’t aware of where he was or if anyone was following him. He was purely relying on muscle memory and muscle memory alone. 

He didn’t see the speeding car in front of him that swerved into a nearby bush and fence post. He hardly noticed the hands pulling him backward and out of the road. He came back to himself though once he heard his brother’s voice. 

“Steve? Steve-O? Come on buddy, you’re worrying me here. Where have you been? I haven't seen your ass all week. Come on man, are you… are you fucking bleeding? Brother, answer me. We can’t be out here, there’s an earthquake going on. Come with me.”

Steve blinked just to come face to face with Phil. He was shining his flashlight on Eddie’s face against Steve’s shoulder but his eyes were focused directly on Steve’s.

“You with me, bro?” His mustache twitched unhappily and Steve rushed to answer. 

“Um, no. Not really. I think he’s dying and I kinda might be too. And I think my friends are missing? Where am I?” Steve couldn’t get his thoughts together cohesively. His mind was fractured, overcome with too much trauma in too little time. 

Phil just looked more concerned at his words with his face becoming vaguely panicked once he looked at Eddie. He looked quickly up at Steve, down at Eddie, then back at Steve. “Is this Eddie Munson? The murderer Eddie Munson? The Eddie Munson that has been on the run all week? Good golly Steve, I’m trying not to curse but what the fuck?”

Steve just looked at the pinched expression of pain that Eddie held and murmured, “he’s my friend.”

“Oh my god, Steve. Fine, we’ll deal with this later. Think you can walk to my squad car? I kinda damaged the front end but I’m sure it's semi-driveable. Powell’s tied up with the gates to hell opening up, I have plenty of time to take care of you.”

“Yeah, I can- I can walk,” and he could with the support of Phil. He felt his brother supporting both his and Eddie’s weight until they were deposited into the backseat of the patrol unit. 

“And uh, is the girl hiding in the bushes with you? She’s kinda been watching us for awhile. You might have a stalker, little bro.” He shined his flashlight over to the bush and saw a sandy bob duck behind the foliage. 

“Robin?” Steve muttered, still out of it and only on the verge of consciousness. 

“Buckley, is that you? Come on, you’re coming with us back to Steve’s place. Let’s go,” Phil waved the light between the two. He had both hands on his hips and stood like a disappointed middle-aged dad. “I don’t have time to be doing things willy-nilly. Let’s go!”

Robin poked her head out of the bushes and scooted gracelessly over to the car until she was able to bump elbows with Steve. They both relaxed a smidgen within the same space, the two brain cells reuniting after a stressful ten minutes apart.

Phil hopped in the driver’s seat and bumped his head against the steering wheel. What had this idiot gotten himself into now?

~*~*~*~

By the time Phil arrived at his house at the edge of the suburbs, all three kids were out cold in his backseat. He stood at the open back door for a moment before sighing and lugging first Robin, then Eddie, then Steve into his living room, huffing with exertion all the while. He would definitely have to cut back on the station donuts and start exercising again. Right after he dealt with the dying fugitive on his brother’s couch, the blood seeping through Steve’s shirt, and his brother’s unconscious best friend that was snoring atrociously. 

Jesus Christ. 

Well, he had plenty of practice with medical care from his EMT training so he got to work. He got the first aid kit out of the squad car and started with the murderous Munson. Phil didn’t know what had happened to these kids but it couldn’t be any good. Munson’s entire torso was torn apart like he’d been gnawed on by a wild animal. It wasn’t bleeding too bad but he was missing chunks of skin, so much so that Phil couldn’t sew him up with just sutures. Hell, this kid was going to need skin grafts. A lot of them. 

He put gauze on the worst of the wounds then cautiously stepped over to Steve. What he’d seen on Munson made him hesitant to look at the damage but surely it couldn’t be worse than that. Right? As soon as he lifted Steve’s shirt, he came immediately to two conclusions. 

1. Steve had a lot more chest hair than he did and that was totally unfair.

2. The wounds on Steve’s abdomen were deep, infected, and horrific. 

Just like with Munson, there was nothing to close. All he saw were missing chunks of skin and muscle that should have been in his sides. The marred remains were covered in grime and yellowish puss that made the entire room smell of infection. 

Fuck, he couldn’t help them here. He had to get them, all three of them because he wasn’t touching an unconscious girl for anything, to a hospital. But that begged the question; which hospital? Munson… Eddie was wanted all through the state of Indiana for at least three murders and an assault. If he took him to any nearby hospital, he would be arrested and surely there was more to the story if Steve was protecting him so much. He couldn’t let one of Steve’s only friends get arrested without hearing the story from the both of them. 

He had to take these three up to a hospital in Illinois. Chicago was roughly four hours away, he knew from his and Steve’s annual visits to their great aunt in Evanston. It was a risk, both for aiding and abetting a wanted fugitive as well as hoping he survived that long of a drive, but his gut told him to trust his brother on this one. So that’s what he did. He loaded the three teens back into his patrol car and mumbled swears under his breath when he passed the “Leaving Hawkins” sign. He hoped to all that was mighty that he was making a good call. 

~*~*~*~

Steve woke up to familiar voices; one hushed and one screeching. 

“You kidnapped them?! You’re a cop, I thought you would help them but instead you drove them all the way to goddamn Chicago like some middle-aged pervert loser?” Steve came around to a loud argument between what sounded like Dustin and Phil. It was weird though because he’d never introduced the two. 

“Hey, listen here shithead, words hurt. I am not middle-aged, I’m 28. And why would I kidnap my own brother? I can legally take him anywhere, it's practically my birthright. I don’t have to go through all the work of kidnapping him.” Phil shook his head at Dustin.

“Stop trying to trick me, I know Eddie is an only child!”

“Munson?! I’m Steve’s big brother, you little gremlin. Can’t you see the resemblance?” He gestured between where Steve was groggily looking up at him and then back at himself. 

“No, but I can’t see anything past your outrageous mustache.” Steve saw Phil’s jaw drop and knew that Dustin had crossed a line. 

“You short fucker, that is too far! I take a lot of pride in this ‘outrageous mustache’,” Phil put air quotes around the offending remake before pointing an aggressive finger in Dustin’s direction. “I will absolutely take you off the visitation list, toothless. Do not test me.” 

“Don’t threaten me, I’ll report you to the authorities!” Dustin countered. 

“I am the authorities!” Phil dropped all decorum and screamed at practically the top of his lungs. 

Sensing enough was enough, Steve tried to push himself up to a sitting position before a burning in his sides caused him to fall back down. Both men (or one man and Dustin) stopped their squabbling and rushed to his sides.

“Steve, you’re hurt so don’t try to get up. Shit kid, let me get a nurse or something. You weren’t doing too hot.” With that Phil sprinted out of the room, presumably to the nurse’s station and Steve was left with Dustin, Nancy, Jonathan, and Robin. 

He looked blearily at all of them before asking the most important question, “where’s Eddie?”

They all parted to reveal Eddie lying in the bed next to him. His neck and chest were covered with bandages but his face looked peaceful. There were no cuffs on his wrists as Steve assumed there would be. He laid back again and let out a sigh. Everything was as it should be, he could finally relax.

“Um so Steve, don’t be mad but your brother can be really persuasive when he wants to be and you never introduced him as your brother so I just kind of assumed that we were getting captured by the police and that it was going to be so much worse than the Russians because I always thought Officer Callahan was kind of psycho. But then I woke up here and he bought me Cheetos so everything is fine. Except it's kind of not because you and Eddie have been out for a couple of days and I told Big Not-Harrington about the Upside Down and now he’s really worried. Why did you have to stay asleep so long, dingus? I missed you!”

Steve honestly zoned out when he heard “Cheetos” and only tuned back in when Robin, the usual physical affection-hater, threw herself on top of him in a hug. He withheld the grunt of pain and held her back just as hard. 

“What the hell just happened, bro? Like that was a lot of words, little bird lady. Woah.”

Steve didn’t know if he was hallucinating the long-haired surfer in a Hawaiian outfit or if Vecna had somehow managed to melt his mind after all but he had never been more confused in his life to see the new visitor make themselves known. 

“Who the fuck is that?” He muttered in absolute bafflement. 

Dustin sighed as he too wrestled a hug from Steve, “that’s Argyle. Come on, Steve. Keep up.”

“Like the sock pattern? How many drugs am I on right now?!”

~*~*~*~

“... and that’s kind of why I didn’t tell you about the Upside Down,” Steve finished from his seat beside Eddie, their hands tangled together as they both sat across from Phil. 

He looked at both of them with a completely deadpan stare. “Again, but the truth this time.”

Eddie huffed in annoyance. “We are telling you the truth, man! An evil wizard guy named Vecna-”

“Slash Henry, slash One,” Steve and Robin interjected in unison.

“-possessed four teenagers to end the world or something and broke their bodies apart with his mind. Then the angry mob thought it was me but I would never kill anyone, especially not Chrissy. She was always really nice to me and remembered my band from the talent show in middle school. And then we got stuck in Hell where evil demon bats ate our flesh and tentacles ripped through the earth. Then we saved Nancy from the evil mind melt powers by playing her favorite song. After that, we made a plan and she shot Vecna and killed him while Dustin and I were decoys where I was attacked.”

“Then I went back for Eddie and carried him out where you almost ran us over. The end,” Steve emphasized the finale with a deliberate nod of his still-aching head. 

Phil looked at them with the most exasperation Steve had ever seen in his life. He let out a pitying chuckle, his poor brother didn’t sign up for this. “Have I ever told you how much I love you?”

Phil's eyes rolled so hard that Steve could tell he saw stars. He could almost see the scream being prepared in his throat and couldn't gather enough strength to escape it.

"STEVEN MICHAEL HARRINGTON, WHAT THE MOTHERLOVING FUCK?!"

"Look Philly, I'll say it one more time then I'm done, okay? It first started way back when Will Byers went missing in 1983..."

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[heyitsspaceace]

edwin honey....i truly hate to break it to you but that closet was fucking glass.

[cozylittleartblog]

skyline

available as a print on my etsy

[goddess-of-green]

BotW Link Being a Quiet (and Sleepy) Drunk

(A/N:) Playing TotK and immediately my soul is being recaptured by Linky Winky

(Edit:) This draft is almost a year old! I started it the day TotK came out, lol

Contains: GN!Reader, could be interpreted as either botw or totk link, him being CUTE

Word Count: 474

Link's face pressed into the crook of your neck, having migrated a bit since he'd put his head on your shoulder earlier in the evening.

You smiled and lightly stroked his hair, which earned you a hum--the vibrations of which you could feel in your neck.

It wasn't like Link wasn't affectionate, he was incredibly affectionate when he's certain it's not unwanted. However, even with your constant prompting and encouragement for him to be more open with his displays of affection, he still always kept a respectful distance when you were around others.

You didn't take it personally, you knew it was just the way he was; and a part of you liked that his affection was reserved for just the two of you--that you were the only one who got to see him like that.

Still, that wasn't to say that you didn't like when Link was more open about his love for you, which was something often brought out by inebriation.

He's a quiet drunk, just as he is sober, and one might not think he's affected much at all by the alcohol, but you can tell.

You can see how his eyes linger on you for longer than usual, notice the clinginess that usually comes with him being in that state. And one thing that you loved was how he became more vocal.

Yes, he was a quiet drunk, but less quiet than when he is sober; and you relish in his soft sighs and hums as he nuzzles into your neck, unbothered by the presence of the others.

Zelda smiled at the sight of you two, but the others didn't seem to take notice. Sidon and Yunobo were in deep conversation, while Riju was idly talking about jewelry to Zelda.

Link wrapped an arm around your waist, hand settling on your hip. He seemed intent on keeping his face in your neck, and you recalled him once telling you that you always smelled good.

"Hmm..." Link sighed, squeezing your hip. You continued to stroke his hair.

Even though he became more daring when he was drunk, he'd still never touch you in a sexual way in even a semi-public context. You knew he just wanted to be closer to you. (Sometimes you wondered in amusement, if Link would attach himself to you, given the opportunity.)

Link looked sleepier than anything, and you brushed gently along his ears, coming to a decision.

"Everyone, it's been amazing to meet with you all and catch up, but I think it's about time we turn in for the night." You smiled, helping Link up, who neglected to let go of you. Whether due to trouble keeping upright or simply a desire to touch you, you didn't know.

Not that it really mattered. All you were worried about now was getting your boy to bed. 

[eddiezpaghetti]

It has come to my attention that SOME OF YOU who read my last Byler post remain UNCONVINCED. So I'm gonna tack onto it this:

I'm older than fucking God and air, and I've been out and proud since 2007. Yes, I know what homophobia is, and yes, I know what queerbaiting is. I know about Supernatural and Teen Wolf and Sherlock and blahdyblahdyblah. No new ground is being covered here. I thought I made that clear in the original post, but, clearly, I did not.

I am aware of queerbaiting and homophobia, and I'm still wholeheartedly certain in Byler being canon anyway.

Okay, so there are three types of relationship I want to discuss when it comes to queerbaiting. They're all, like, "queer relationships that could have happened, but didn't".

First off, queer-coding. This isn't really a thing so much anymore, but it still crops up every once in a while. I'd argue it probably happens most with male-male relationships in family shows these days. First example that comes to mind is Mr. Smiley and Mr. Frowny from Steven Universe. You can't make a relationship canon because some shitty overhead bastard overhead said no, so you get as close as you can without compromising the show. Can't make someone gay? Well, now their comedy routine is a blatant allegory for a romantic relationship. Boom-shaka-laka. This is something I don't see being a problem with regards to Stranger Things, but I want it to be there as contrast, a demonstration of one of many things queerbaiting is not. However, one could argue that, thus far, Will Byers is, canonically, queer-coded. It's pretty fucking heavily implied in the show, and the creators have confirmed it, and you're gonna be able to see it if you're not FUCKING BLIND, but word of god is not technically canon which means that interviews don't technically make something canon, blahdyblahdyblahdyblah, technicalities, Robin has been explicitly stated in the text to be queer while Will has, thus far, not, outside of good ol' Show-Don't-Tell. Of course, anyone with two brain cells to rub together can tell that that's going to change by the end of Season 5, but, hey, for what it's worth, I'm throwing this out there.

Alrighty, Thingamajingama Number Two: "Oops, I accidentally made the greatest love story known to man." AKA, a genuine, honest-to-goodness mistake. Unfortunately, we do live in a heteronormative society. Sometimes people who don't think about being gay much write a friendship that's incredibly compelling and don't even consider the possibility that it could have been read as romantic. Something something Top Gun something. This is, again, not queerbaiting. This is Steddie, this is Ronance, this is Elmax, this is your favorite flavor of non-canon ship this week, this is not Byler. The creators know DAMN well what they're doing. They've talked about it. We know this. Nothing new here.

Which brings us to the topic of discussion here. Actual queerbaiting. This usually starts out as an "accidental greatest love story", and then reacts to fan response. And when I say "reacts", I mean like a goddamn chemical reaction. Like bleach and ammonia, bitch. It's noxious and it's gonna kick your fucking ass without mercy. This is when a creator is like, "Hey, let's get our queer audience invested, but we're not actually going to give them what they want because our straight audience isn't here for that/we personally think it's gross/we don't give enough of a shit to want to research a goddamn thing to write a real gay character," blah blah blah whatever excuse they want to come up with this time.

And when you think "queerbaiting", I want you to think "bullying". Because that's what it is. It's lucrative bullying, like beating us up and taking our lunch money, but it's bullying all the same. And it's a real goddamn thing, even if people misuse the word a lot, often when they mean one of the two above, sometimes when they mean "bury your gays", which is another homophobic thing entirely that I'm not going to get into here. Queerbaiting is the thing we're focused on, and it's real, and it's bullying. And here's the reason I want you to think of it as bullying:

They

Think

It's

Funny.

They are actively making fun of us.

That's why Dean had the "Cas, get out of my ass," line in Supernatural. It's why the "Do you like boys?" line happened in Teen Wolf. It's why "Lie with me, Watson," happened in the RDJ Sherlock Holmes movies. Because "It's just a joke, mate." "It was just a prank, bro." "You didn't really think it would happen, did you?" "You should see your face."

So here's probably the biggest reason I don't think it's specifically queerbaiting in this specific instance of Will Byers and Mike Wheeler.

Stranger Things has never, not once, made a gay joke. Ever.

Every single time queerness comes up, it's dead serious.

Lonnie calls Will a fag, and the show is not at all reluctant to show what a goddamn horrible person he is. And when Hopper latches onto that, it's not as "Hahah, is he gay, though?" It's because he's trying to determine a potential motive for Will's disappearance, and even if someone had interpreted it as a joke, Joyce immediately has a line that functions as snapping her fingers in front of the audience's face and yelling "FOCUS" when she says "He's MISSING." Basically outright saying "This isn't funny!"

Troy calls him a fairy, along with targeting Lucas and Dustin for their skin color and disability respectively, and Mike gets damn near murderous. Troy is portrayed as a goddamn monster and the show portrays it as justice when El makes him piss his pants and later breaks his arm.

Steve calls Jonathan "queer" as a slur and gets the shit beat out of him for it.

Billy's father is revealed to be homophobic and abusive in the same breath.

Mike says "It's not my fault you don't like girls!" and we're shown how devastated Will is and Mike immediately follows him to beg for forgiveness.

There is a joke in Robin's coming-out scene, but it's not at Robin's expense. It's at Steve's. Specifically for being heteronormative.

Jonathan has multiple scenes where he's trying so hard to tell Will that he's always going to love him as he is, whether he's gay or not, without pressuring him to come out before he's ready.

Even when there's a little bit of ribbing at Robin's expense, it's always because she's an awkward nerd who's nervous around pretty girls, just the same as Lucas and Dustin are teased when they both first develop crushes on Max, and even then, even then, it always comes as a package deal where they make fun of Steve's girl problems at the same time.

Stranger Things is an emphatically pro-gay show. It may not be the core point of the show the way it is in, say, Our Flag Means Death, but there is nothing less than respect for its queer characters. Its queer characters are always taken completely seriously. No one is making fun of us. They never have. That's why I have serious doubts that this is queerbaiting. It would come completely out of left field for the bullying to start in Stranger Things' final season.

So it's not at all likely to be queerbaiting because queerness is taken completely seriously. The creators have talked about Will's queerness, at least, so it's not an accident. And queer-coding would be silly to expect from this show when it's already on its final season. Like, what is Netflix gonna do? Cancel it? Not to mention all the explicit queerness that's in there already. And no one's gonna "What about the children?" a show that's had sex scenes in it since the first season.

There's no fakeout here. It's gonna happen. Breathe.

[lazylittledragon]

don't you love when you Just stopped feeling guilty about eating the things you like and then one of your parents drops the "i'm concerned about your diet"

[iris-drawing-stuff]

More Milgram Danganronpa stuff. I tried to emulate those character illustrations (IDK if that's the proper term for it) that they have for each character that they use in the intro.

I also made title cards for him the the style of each game. I know I probably could have just found a template online, but they didn't feel accurate enough for me.

Without background below the cut.

Also each DR character (with some exceptions) has a symbol of their former highschool on their design. The V3 title card has it so I had to make one for Mikoto. It's just a really simplified hanged man tarot card, but I think it looks fine. The leg is a bit thick but eh.