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We'll forever have the scars
x. you take everything from me.
She wants to see you, she knew that. She just had no idea what to say.
Just fucking stop, and he asks that of her as if it’s so easy.
It should be. Sophie knows it should be.
“It’s just dinner.”
“I’m on shift.”
“I know.”
But it hangs in the air, until Sophie lets the sword fall upon her own head. “Dinner then. I’ll switch off with someone on cover.”
She hears the delighted laugh in Rhaenyra’s voice. Sophie hangs up the phone, leans against the shelf in the dark of the linen closet.
She shouldn’t have to stop, even if he asks. But Aegon wasn’t wrong, he kissed the palm of her hand and he asked her to stop and she thinks she wanted to, in that moment she wanted to. She believed in that moment, it would make sense.
Aegon asked her to stop, so this is her trying.
We'll forever have the scars. @ AO3.
It's been a good ride, who knows where it goes from here.
#aegon ii targaryen#aegon x oc#aegon ii x oc#modern aegon#rich people problems is a good way to summarise their lives#hotd fic#aegon fic#warning for daemon being daemon#Sophia Catherine Devereaux#the fall of the house of devereaux#that's basically what i should call this entire series if I actually write the follow up#it's been real yall#where does it go from here i have no idea#yes that was the ending i always had in mind#rei fic#we'll forever have the scars#devereaux cinematic universe
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!!!Spoilers for the Percy Jackson Series Episode 2!!!
I personally (as a Luke apologist), LOVED how percy talked in the second episode regarding the gods and their role as parents.
Most notably with the night time scène where percy burnt the blue candy as an offering to his mom (note how it was to his mother, because she's the one he wanted to talk to and not his father who he, at that point still didn't know). In that specific scène Percy literally voices what Luke stands behind. His resentment towards a father, who is alive and well, and very powerful, who didn't come to help him or his mother who he supposedly should have loved.
Percy talks to his mother about how he will bring the Gods down from their high and mighty places so they can be equal. It's literally everything Luke stands behind and I love how that scène showed that in the earliest moments Percy spend at the camp, he was actually very close to following down the path Luke ended up on.
I remember often feeling like maybe I read the books wrong, or interpreted Luke and his situation wrong. I've always been very convinced that Percy and Luke were two sides of the same coin, they both could've ended up on each other's paths. And the only reason why Luke was deemed the evil bad guys, was literally just because external factors manipulated him into thinking there was only one way, I've always seen Luke as more of a victem than an actual perpetrator (making me love the moments in the books that compared Percy and Luke's points, showing how they basically felt the exact same towards the gods). But from some of the fans I always felt this intense hatred and just general distain towards Luke, almost writing him off as just a bad guy that no one should like, when there is so much depth to him as an antagonist.
That made the scène of Percy, using a method to pray to the gods, to pray to his mother all while condemning the gods, so powerful to me, you could've literally swapped Percy and Luke in that scène and it wouldn't have made a difference (considering if Luke's mom was still sane like Sally is, btw on that note image how easily percy would've turned into the antagonist if his dad dared to do to Sally as what Hermes did to May, just saying).
Anyway this was an analysis of something that had always been on my mind, and even more so after that second episode, it felt like it really confirmed to me that Luke really is a subject to his enviorment, because how can Luke and Percy have the same goals, but can only one of them be called a hero. I'm so happy to have seen it reflected to perfectly in the series, that when I saw it, and I heard that music swell up in the background, it stuck with me the entire day and I just had to put it down, so thank you to anyone that read this far, I appreciate your interest in my rant about how Luke is actually very tragic and I love him hahahanfndnfndnd
#percy jackson the last olympian#Percy Jackson#percy jackson#PJO#pjo#pjo disney+#pjo disney#percy jackson series#pjo analysis
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All My Ao3 Series
To my surprise and delight, I have been getting some comments and kudos on some really old fics lately. I don’t know if this was prompted by my clumsy foray into tumblr, or Locklyle week, or just new people finding the fandom. Whatever the reason, I know my back catalog is long and shall we say, eclectic? So I thought I should maybe do some explaining for the new folks (and for the old folks who have spent the past year watching my insanity with amused tolerance). I’m going to start with my many series, in alphabetical order, of which there are three basic kinds: continuous stories, fics that live in the same universe, and collections based entirely on vibe (I just like organizing things, okay?). I hope this is helpful to someone 😀
After: A One Bed Wednesday Series
This is a true continuous story and I recommend you read it in order. However, since it follows the events of canon, as long as you’ve read the books, it will probably make sense in almost any order (except perhaps the last fic, which ties everything together).
Black Winter Melancholy
This one is all vibes, though the first two fics are meant to be companion pieces. I actually wrote another from Holly’s pov but it’s been languishing in my WIPs folder longer than almost any other fic.
Curtain Call - Performing Arts AU
This is a continuous story, however I know many people have read Winter’s Tale without reading Curtain Call and said it was fine. Winter’s Tale is probably a little better written (I was very new to writing when I wrote Curtain Call) and includes every Christmas trope I was able to cram into it.
From the Mixed Up Files of Lucy Joan Carlyle
These are stories that fit into book canon and are narrated by Lucy, doing my best to copy her voice straight from the books. These are really fun to write 🙂
Flares and Flashes: Lockwood & Co. Drabbles and Ficlets
This is barely even vibes, this is just little ficlets that do not in any way go together and should probably not be read together. I don’t know why I have a series for these 😂
Lockwood & Co Consulting (Post Canon Collection)
These live in the same universe of post canon. I had been inspired by works like The Dying Light to write a post canon fic where Lucy and Flo go to therapy and their relationships with their boys progress. However it was a lot of ideas and no coherent plot so it’s now a series and anything post canon gets thrown into the mix.
Lockwood & Co. TV Adaptations
People either love these or refuse to read them. Yes, they are scripts, but I’ve tried to make them as readable as possible, similar to reading a play. If you are here because you are a) a huge fan of the show, b) a huge fan of the show who is incredibly sad not to have season 2 by now, c) a huge fan of the show who found the book characters jarringly different on first read, or d) all of the above, these are for you. I would encourage everyone to at least give them a try. If you can get into it, I really think you may find you love it.
What Dreams May Come: A Collection
Vibe collection! Angsty dream fics. Includes some fics that are in other series too, I just can’t stop writing dreams and nightmares.
After writing these down I feel like I need to 1) add a cot3 series for the cot3 babes, and 2) maybe get rid of the drabble/ficlet series. Also, many of my best fics aren’t in series at all and I have no idea how people find their way to those. By the tags, I would hope?
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Hello, I’m a fan of A Poison Tree! Your Aegon, Alyssa, and other OCs are really lovable. What I love the most is that you don’t blindly glorify the Targaryens but shed light on the people under the dragons.
So I became curious, who is your favorite non-Targaryen female character? If you had the chance, which woman would you want to put at the center instead of the Targaryens? I’m really curious about your thoughts on the non-Targaryen women.
Oh goodness, I am so glad you like them! I love writing OCs, there's so much freedom to be had with them!
And I have a love-hate relationship with the Targaryens, haha. I would never call myself a Targ stan, but I do admit that they are a very intersting bunch, especially in regards to their complcated relationships with each other and the world at large. And I think they are infinitely more fun when youy take them as flawed characters like any other, and ignore the propaganda of divinity as propaganda, lol.
I’ll assume for the purpose of this asks, that my favorite female non-Targaryen character is for the F&B/HoTD era (for ASOIAF, it’s Sansa, hands down, followed closely by Arya/Cersei/Catelyn/Brienne. Honorable mention to Melisandre). I have a soft spot for Johanna Westerling doing her own thing in the Westerlands for basically the entire Dance. And actually, Jeyne Arryn is such a girlboss for dodging marriage her entire life, having a live-in girlfriend AND concocting her own succession crisis. Love that for her.
And it’s so funny that you’ve sent me this ask, because I’ve been working on a series of one shots centered around the women of the Dance. The one that’s the furthest along is the Alys Rivers one, but I have a Helaena and Mysaria one both started. The Mysaria one has been particularly fun, as I’ve chosen to lean more into book canon and include Mushroom who could have known Mysaria personally (they were both in many of the same locations at the same time)
Her grandmother gave her a beautiful name. Mysaria. It means “grace,” a good name for a dancer. She is glad for it, for her mother would have named her Timpa, which only means “white,” in High Valyrian. An unimaginative woman, her mother. The Andals twist up her name, in their unelegant tongue. Lady Misery. Simple people, with simple minds and simple thoughts. She came out white haired and red eyed, like a rat that should be drowned in a bucket in the street. When the midwife wipes away the stickiness of birth, the women look at her. “At least she is not dark,” said her grandmother. “What is wrong with her?” asked her mother. Her grandmother looked her up and down, as her mother sighed. “I suppose Timpa will have to do.” “No,” Grandmother said. “It will not do at all.”
For the Alys Rivers one, I've chosen to make her the unacknowledged bastard of Lyonel Strong by a servant woman, making her the older half-sister to Harwin and Larys (and to Jeyne and Joyeuse, my take on the unnamed sisters.) I'll include a snippet of my progress, so you can see I am actually working on things!
Here is a truth: her mother is no witch. She is only an herbwife with a way with beasts, but there is no magic there. Only a gentle hand, and a stillness. Mother can hold so still and so quiet, it is as if she is not even there. “Mine own mother knew the old ways of the woods,” Betta would sigh every so often. “She did not teach them to me. I am too much of my father.” Alys’ grandmother could curse with black iron and black salt, could curdle the milk of cows as it squirted into the milkmaid’s pails, could make a man’s prick fail to rise, according to the taunts of the other children. Bastard, witch spawn. Alys learned to throw her fists fast and early, to break noses, and bite down on hands that pinched.
The Dance era actually has a lot of female side characters that are ripe for expansion! I think there's a real dearth of Sara Snow fics, actually, when shes got great potential if you decide to take her as real (lol). She's going to be a major figure in my North fic, the body forgotten, possibly even as a PoV character.
There are a lot of "canon OCs," characters that are mentioned and named, but no further details are given about, that you can basically run away with as far as you want. The Four Storms, Jessamyn Redfort, etc etc etc.
(I’ve got two asks about the Maris fic in my inbox, so I’ll answer those seperately lol and expand on my Four Storms thoughts there)
I have a tentative list for my Ladies of the Dance series, but at the moment I want to get the first three one shots done before I start anymore. I have a bad habit of having waaaaay too many WiPs at one time.
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Fallen Stars Fic Notes
So, Fallen Stars has officially come to a close. It's been a pretty wild ride, haha; as per usual, it spiraled out of my control, length-wise (surpassing Dandelion Seeds...remember how I said I hoped I'd never write anything that long again? Yeah. That worked out.), but I'm happy (and pleasantly surprised) that so many people came on the journey with me.
So! As seems to be tradition now, I have some notes for the fic. Some behind-the-scenes stuff, some thoughts about post-canon--stuff like that! Putting it under a read more, because these tend to get long.
So as usual, we'll start with the playlist! This one I ended up doing a lot of playing around with, haha; there were several songs where it's like, "The vibes are right...but do they fit this moment/this character in the story? Does the order work? Should I use song x or song y?" I eventually ended up with something I'm relatively happy with, haha, even if not every song fits perfectly. There are actually a lot of honorable mentions for this one (since I, you know...played around with it so much) but probably the biggest are: Guilt by Nathan Wagner, Monster from Epic the Musical, Fight the Tide by Jonathan Young and Colm McGuinness, and Southern Star by Gregory Alan Isakov.
(Seriously, Fight the Tide was put on and taken off the playlist so many times--)
I know I've mentioned this places before, but: sometime circa summer 2021, I was thinking about doing a story following Brain through his time in Scala ad Caelum. Basically, it'd be a short (like--nine-ish chapters) series that explored Brain's grief and guilt and how he eventually adjusted to being in Scala. The story would've been called "May We Find Our Happiness," and was planned to be worked on once both On the Edge of Daybreak and Dandelion Seeds were finished. ...And then Missing Link was announced, and I went, "Oh! That's going to be explored in canon! I don't have to write it myself!" and the idea was shelved.
And THEN. Fast forward to winter 2023. It's...without going into too much detail, my mental state was Not Great. And I tend to process/cope with things by...well, writing. And...well, what better way to work out things than by using two of my favorite characters? The thought for this "proto-Fallen Stars" was that it would be a what-if AU for what would've happened if Skuld had ended up in Scala, and that it would follow Brain's and Skuld's entire lives through that time period. Despite the premise, this was also intended to be a relatively short series--roughly four to five chapters. It was intended to explore the idea that like--sometimes you don't heal fully from things, and your life doesn't turn out the way you wanted it to, but that doesn't mean you can't find happiness despite everything. ...And then I started writing the first chapter. And ran face first into Plot (i.e. the corrupt council). And very abruptly realized, "Oh, no. Oh, no, this is going to be LONG. And...probably not focus entirely on the time period I want it to." And so I shelved it. Again.
AND THEN. The Missing Link impatience was getting to me, haha. And there were a lot of ideas from both of the "proto" versions of the story that were genuinely very interesting to me from a writing perspective. And then I made this post (and a couple of follow-ups) with the hopes that it could satisfy the writing demons. ...It did not. So I went back, finished (and revamped) the original first chapter, and posted it. And, well--here we are!
The current iteration of Fallen Stars really does take a lot of inspiration from its predecessors. Darkling!Brain was actually the planned end for "May We Find Our Happiness" (though he wouldn't have died in that version; his new-found friends would've pulled him out of it, though he'd keep the gold eyes, like in Fallen Stars), the corrupt council's been a staple since the beginning, and obviously, the AU takes the same basic premise as proto-Fallen Stars.
I knew Fallen Stars was going to be longer than the initial ideas I had, but like...I still didn't expect it to be this long. Like--roughly 30 chapters, and about half the word count. Let it be known that I cannot accurately estimate a story (or chapter's) length, ever.
While there were certain Big Things that I had planned since the beginning (ex. Brain's death and resurrection), there were also things that ended up getting made up on the fly and/or cut because it seemed like it'd work better for the story. One of the big things is that, originally, Master's Defender was going to be used to help create the Land of Departure; essentially, during Darkness's attack, one of the abandoned islands would've split off from the world, and Brain would've used Master's Defender to chain it back together, so to speak, and give the Scalan refugees somewhere to go. That was cut because it felt like it would make Brain a little less desperate to make his sacrifice, and after that, it ended up feeling...kind of out of place? Plus, I felt like I hadn't done a good enough job foreshadowing that (though you can find some hints, if you're looking).
(The world they end up does still end up becoming the Land of Departure, though.)
Also, Luxu was originally going to be possessing Lodur. (Which is why time seems to slow down around him whenever things get intense! And also plays into the "narrator" thing--Lodur is a storykeeper, after all.) I'll leave it up to all of you guys to decide whether you want Lodur to be Sigurd's deceased brother, Sigurd to have been wrong about Luxu taking his brother's body, or for "Lodur is Luxu's vessel" to be non-canon.
While I finally decided to leave it out, I did think about doing an epilogue. I played around with a lot of different ideas for how that'd go, but it generally fell into three basic ideas: 1) Skuld, Brain, and the rest of the crew roughly a decade after the end of Fallen Stars, 2) Xehanort and Eraqus (as like...five-year-olds) interacting with the remaining crew, or 3) Ven and Lauriam finding stories about Skuld and Brain in the distant future. I do like all of these, but I ended up feeling like it kind of...glossed over how much time it'd take for them to repair Scala and heal, so I ended up going with the current ending instead--which is hopeful, but still leaves room for the struggles that may follow.
THAT SAID. There's a non-zero chance some of those epilogues may show up as one-shots. I like the idea of exploring some post-canon scenarios in the Fallen Stars-verse (in particular, the first year after everything, since there's...a lot that the main crew go through). That said, I'm also not going to promise anything on that front, since it'll largely depend on my time/energy levels/inspiration.
(Also, feel free to ask me about post-canon stuff, in case I never get around to writing things; a lot of stuff changes around, haha, but I do have Ideas.)
"Do you want to hear a story?" has been planned as the final lines for a long time, haha. One, because it acts as a nice book-end for the story. Two, because it's kind of like...symbolic. Skuld is the one who said it, and is the only character besides Luxu to (kind of) break the fourth wall, so this was like...representative of her taking control of her own story. (This is also, for the record, why the "Do you want to hear a story?" narrator parts don't show up again after chapter 40; Skuld is the narrator now.)
The title was actually going to be the name of the first chapter. I was struggling to find a title I liked (I didn't want to use "May We Find Our Happiness" since, uh...that ended up as a chapter title for On the Edge of Daybreak, when I still thought I wouldn't do a story in Scala), and ended up brainstorming ideas for the chapter title instead. I'd landed on "Fallen Stars" because like--Brain and Skuld were "fallen stars" in the sense that a lot of people who are displaced from fallen worlds in the KH series tend to, uh...fall out of the sky, but also in the sense that they were legends who were, very suddenly, being made human in the eyes of Scala. And then it hit me that, "Wait...that'd work great for a fic name." And then it was repurposed, haha.
And...I will probably cut off the notes there, haha. Fallen Stars has been fun to work on, and it's weird to think that it's finished (unless, of course, I end up doing those one-shots). Thank you for coming on this ride with me; I hope you've enjoyed it!
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(Bad) Fangame Idea: Metroid Menace 1
A post or two ago, I brought up that some time last year I came up with a trilogy of Metroid fangame ideas trying to figure out where the series could go after Metroid Dread and instead created something truly deranged. This post will be outlining the first installment in this insanity only my mind could conjure up. It's also the most fleshed out of the trilogy, but somehow also the most reasonable. And also the only one I wrote down in detail, though I do still have all of my old notes for the other two. Strap yourself in, this is gonna be a wild ride.
(Side note, I remember specifically writing down that in this continuity Other M is non-canon just so I could recycle some of the ideas I liked from it without them being linked to that abomination, so if you pick up on that at any point, probably specifically if I write up Menace 2, yea.)
Prepare for Samus robots, way too many bosses, unnecessary explanations for things nobody cares about, lack of explanations for things you would actually care about, rehashing of ideas the series already did to an absurd degree, two (technically three) Ridley knock-offs, a Samus boss fight, and the general vibe of what I imagine Metroid pages look like on Fantendo... If you were high.
Doppler, Our Protagonist
Okay, so, one of my ideas here was that the Metroid Menace trilogy follows a different character instead of Samus. At this point, we know the Federation is shady and Samus has seen some of that already, but she hasn't seen the bigger picture. Whatever that is. Remember how, in Federation Force, they were trying to make something as strong as Samus' Power Suit but for their soldiers?
They took notes from that incident... And pivoted to making robot replicas, instead, for some reason. Doppler, derived from Doppelganger and the Doppler Effect (I had no better ideas and yes I know the Doppler Effect has no reason to be part of the etymology but at the time it sounded cooler than Doppel), is the most recent model, and for some reason I always imagined them as having Dark Samus' color scheme. Is Doppler the titular Menace? I dunno.
The head GF official overseeing the entire project, Aurlets Onora Unison (That name has a reason to be like that, I promise, it only comes up in Menace 3 though so... I'm just gonna call him Aurlets for now.), has Doppler shipped up to a space station modeled after a standard Samus mission to test & train it. They just built an entire Metroidvania up there. Now that I think about it, I might've accidentally ripped off Metroid Confrontation. Does anyone even... Know? About Metroid Confrontation? Whatever, Doppler is there now, and Aurlets acts as their ADAM, explaining the plot of the simulation.
The Plot Of The Simulation
Space Pirates stole an Aurora Unit. They have it in this space station base now. There are Metroids and X parasites, there, too. Don't ask how they coexist. Of course, they're not actually Metroids, but Mechtroids, robotic recreations that are/should be only capable of sapping electricity, and Z, GF experiments based on a sample of X they got from Samus or something that only eat & mimic certain things with a specific DNA piece placed by the GF and remain docile until attacked or shown a pre-registered threat, such as Doppler. The Feds tried to play this safe, obviously.
There's multiple sectors, each with specific tasks for Doppler to clear before being allowed to unlock the next area, all connected in a generic, undecorated hallway in the center of the space station. I have the tasks all written down, but nobody cares, they were all pretty basic like Find This Thing or Kill This Thing or Kill These Things, that type of thing, and this post is going to be pretty long anyways. The areas were also all just basic themes and loosely based off Super Metroid: Underground, Overgrowth, Heatstroke, Frostbite, and Base. I don't know why that was the naming scheme, or why Maridia froze over.
Timeline of Interesting Things That Happen / Cool Boss Ideas I Had
Alright, starting with Underground. You may have caught onto this from my previous posts, but I... Don't know how to do bulleted lists in Tumblr posts. I tried my best- Wait, no, I figured it out.
Doppler can't absorb Z, so after killing Arachnus-Z you just... Walk through to the next room and the Morph Ball is on a Chozo statue. Which I find pretty funny.
The Missiles are missing from the room they're supposed to be in. You can break into the ventilation and escape to an "out-of-bounds" sector of the space station, where a rogue, earlier model of Doppler, Doppler-2 (We follow Doppler-5), is with the stolen Missiles. You somehow defeat them with just the Beam, but they run off instead of being destroyed.
The Elephant Bird is here, of all things, but instead of collapsing into a Core-Z or something it's it's "original form", some unseen creature that's puppeteering the Chozo Statue it's in that escapes whenever you break it. I think I wanted to do something more interesting than the Torizo?
Each area has Mechtroids scattered around to destroy, with each one going up to the next tier like in Metroid 2, but this one starts with the Larval Mechtroids to pad it across all 5 areas.
And now, Overgrowth:
There's a Wave Trooper from Metroid Prime as a miniboss to obtain the Wave Beam, instead of a regular enemy, which I still find kinda neat. Probably really screws things up to have the Wave Beam so early, though, I would probably fix that.
Yakuza-Z is for some reason ground-bound? Only getting off the ground by climbing up it's webs to shoot projectiles at you? It's entire thing was that it's a jumping chaos spider, why did I...
Not only do you see signs that someone's been through this area before, I sure do wonder who, but sometimes when you enter a room you can see a Little Birdie fleeing before you can get close to it. Oh no.
I don't really have anything interesting to say in-between these. Heatstroke.
For some reason I really liked the idea of elemental Spore Spawns as a recurring miniboss across this entire series, and it starts here with the Flamespore. I think it happens like 5 times.
An entire boss is killed ahead of time, specifically the Mecha-Crocomire. You can just... Go get the Grapple Beam without any difficulty.
The Ice Trooper drops the... Ice Missiles. What?
If you saw my Meet the Space Dragon posts, you'll remember Metroid 1 had an unused Fake Ridley as a miniboss. They're here as the official GF test to see if Doppler can take on a Space Dragon, though it's obviously hilariously weaker than the real deal.
It initially looks like, to get the Plasma Beam, you just face off against a Plasma Trooper, but then a Mystery Creature instead ambushes them, devours them, and makes off with the Plasma Beam. You chase it out of bounds, kick its ass, it spits the upgrade out and skitters off. Oh no.
Aaand Frostbite.
It looks like you'll finally get the Ice Beam by fighting another Ice Trooper (But you already have the Ice Missiles, why would you need both), but then the Trooper's frozen by the Freezespore. Yup.
Another dead boss is just out and about, this time Serris. It's not actually supposed to be guarding an upgrade, you just find it.
It looks like the Super Missiles are being guarded by a Power Trooper, but then Doppler-2 blows them up with a Power Bomb and steals the upgrade. You get an actual showdown with them, resulting in the ice under them shattering, throwing them underwater, and then re-freezing above them, trapping them underwater without a Gravity Suit. At this point, Aurlets fesses up that that was a failed prototype that went rogue and kept escaping the "playground", so he had an Omega Mechtroid deal with it, but it was somehow reactivated, albeit without it's abilities. Looks like it had a grudge on its successor. But it's gone now. Probably.
You can actually find a part of the sector that isn't frozen, for some reason. I don't know why I wrote this down, it might've been to imply there was a place Doppler-2 could've escaped to?
The Screw Attack is guarded by the Terminus, a giant boss version of the Genesis, named as such because it was the last animal retrieved from SR388. I don't think Doppler was supposed to encounter it, that sounds like a valuable specimen, I don't know why it's here. It was probably just an AM2R reference.
By The Way, There Are Superbosses If You Backtrack
Side note before Base. Exactly what it says on the tin, though there's other non-superbosses to backtrack for.
An Omega Mechtroid in each area.
A Zeta Mechtroid in Underground, meant to be fought around the Heatstroke state of progression, because it gives you the Baby Mechtroid, which helps attack enemies, heals Doppler with stolen energy, and even eats Z somehow. I think my idea was the Federation made this one specifically able to do that and not the rest of the Mechtroids, but why would they even give Doppler this in the first place? And why make it optional?
Wait, what the fuck, you had to actually go through each area to get keys to Base USING THE SHINESPARK? I have fun making ideas that are intentionally miserable to go through, but that's horrible. I'm pretty sure I made it a separate upgrade from the Speed Booster, too, for some reason.
Underground's superboss is the Queen Mechtroid, lodged in the background wall for some reason, probably to differentiate it from the Metroid 2 boss fight a bit. It drops an upgrade for the Baby Mechtroid that lets it drain energy from regular enemies... Oh, god, does that imply GF figured out how to replicate the actual Metroids doing that?
Overgrowth's superboss is an Elephant Bird rematch, for some reason, and it has a Core-Z second phase this time around. It drops the... Beam Coil? Which is a damage increase? I know that was meant to explain it's violent behaviors, but... Why a coil?
Heatstroke's superboss is Klaw, the Mystery Creature from earlier all grown up. Once again, he's not in the actual intended area for Doppler. Twice again, if you remember my Meet the Space Dragons post, you'll have seen the Ridley-2 design and my headcanon that each Space Dragon has a unique ability. This guy breathes electricity, and drops the Shock Beam, which paralyzes enemies. Which is kinda useless when you should have the Ice Beam by now.
Frostbite's superboss is the... Jelzap-Z? Okay, I guess. It drops the Regeneration Suit, which regenerates your health & missiles while in the water. Because that's totally not overpowered.
The Wave Buster, Ice Spreader and Flamethrower from Prime are all hidden upgrades, and I have no clue how they'd work here because this is a traditional 2D Metroid game with beam-stacking.
I mentioned in the Google Doc for this idea you can find more out of bound areas with juicy lore, but didn't elaborate on the juicy lore. How could you do this to me, me?
Base, Basically The Most Chaotic Climax I Could've Written
Ok, you open up Base. It's Tourian, obviously. Instead of going around the area, completing a list of tasks, it's just get from Point A to Point B and kill everything in your way. Along the way, some of the Space Pirates you fight don't turn into Z, which were previously how the GF were cloning so many enemies for the area, so that has concerning implications.
Remember the stolen Aurora Unit from earlier? It's set up to be Mother Brain here, and you can even see the giant body for it a few rooms before the fight. But as it goes to raise it up for the second ohase, it gets blown up from some Super Missiles off-screen. Place your bets now, who is it? You're wrong, it's not Doppler-2, IT'S SAMUS.
Cue an intense remix of the SA-X boss theme (Which I wrote down as a way to make it unclear if this is Samus if this idea were brought to fruition but... I'm just gonna tell you it's Samus, this is a Tumblr post) as you fight her in a state of panicked confusion, probably, as a pre-recorded message from Aurlets congratulating you on completing the mission plays in the background which was just meant to be a story beat at the time but is hilarious looking back on it. He also mentions that Doppler should now enter a capsule in the next room to officially end their mission and join the Galactic Federation. Samus has a weakened version of the fucking Super Metroid Hyper Beam for some reason, according to my notes, and when the fight starts the Z from the (obviously fake) Aurora Unit is absorbed by the Baby Mechtroid and somehow gives Doppler the "Aurora Suit", which is basically this game's equivalent of the Omega Suit from Fusion or the Metroid Suit from Dread. Don't ask, I was on another level when writing this, apparently.
The fight ends, and both Doppler and Samus jump away from each other, exhausted and confused, only for a SPACE PIRATE SHIP TO BURST THROUGH THE WALL WITH ANOTHER SPACE DRAGON ON IT. This one is Talon, and breathes ice as an Ice Ridley reference (Again, if you saw Meet the Space Dragons you'll remember that), and it lashes out at both Samuses, as he's also confused. This seems pretty dire, right? You didn't get healed after the Samus fight, but instead the Baby Mechtroid somehow saps life energy from Talon and heals both Doppler and Samus, who now fights Talon alongside you for the final boss fight.
Yeah, what's going on is that the space station is being sieged by Space Pirates just as you went to fight the fake Space Pirates, which is why Klaw was running around earlier, he's Talon's son. Talon is the one leading the raid, the newly appointed commander of the Space Pirates after Ridley's death, and Samus just happened to respond to Aurlets' distress call about this and got very confused when she saw Doppler, but now she has bigger fish to fry.
You beat Talon's boss fight, but he is still ready to throw more punches, so instead Samus blows up a wall of the space station with a Super Missile, revealing the vacuum of space, which Talon is immediately launched towards. He holds onto the walls, still not wanting to give up, so Samus jumps into his mouth in her Morph Ball and Power Bombs his ass... Or, well, his mouth. He freaks the fuck out and is launched off into the distance towards the planet the station's orbiting, and since Doppler & Samus both have Gravity Suits they're completely fine. Samus' Fusion/Dread ship flies up, and you're given... Multiple ending choices, huh.
You go back to that capsule from earlier and become an officially licensed Galactic Federation robot soldier to send on bounties instead of Samus, as Doppler should be physically unable to distrust them and thus is preferable over Samus if another Fusion situation ever pops up.
You go with Samus, who for some reason mentors Doppler and the two go on missions together for a while.
You steal Talon's ship from earlier and go on your own, which doesn't make sense since Doppler was specifically designed to not have free will, but whatever. This is the canon ending, because of course it is.
OR you can try and kill Samus, resulting in a Metroid Suit Samus superboss fight where you defeat her and join the Space Pirates as an elite soldier because I wanted a really fucking dumb ending just to entertain myself, I think. You're not healed after Talon, by the way.
And then there's a post-credits scene where it's shown Talon can fly in space, just like Ridley, and willingly retreats to the planet the space station is orbiting, which you can visually identify as Twin Tabula, a planet namedropped in Prime 1. I think you could visually identify it, anyways, because wasn't it namedropped on a hologram of the system Tallon IV's in? Also, I think it was that one in specific because Doppler could be viewed as a twin of Samus, or something.
Conclusion
What the actual fuck?
If anyone shows interest in this, I'll be more than willing to write up Metroid Menace 2 and 3, which are... Somehow even rougher around the edges, and even more patently absurd, it'll be a lot of fun. I will spoil that, if you couldn't already tell, our Space Dragon duo will be the recurring antagonists, and Doppler-2's arc isn't over either, which would've been much harder to catch, actually.
I told @bean-counter29 I'd @ them with this after they mentioned having a similar idea, so there you go. A much stranger finale than playable SA-X versus Samus, I'd say.
#metroid#fangame#fangame idea#metroid fangame#metroid menace#i doubt this idea would ever need it's own tag but just in case
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I do have several questions about publishing serious non-fiction with a trade press... My first question is affiliated, and is about whether you're still in academia or not. If you're not, I'd be interested in hearing how you go about your work - whether you have peer reviewers etc. and whether you know them from uni (either as classmates or professors) or not.
Secondly, how did you approach finding a press? Did you have a draft finished when you secured your deal, and what are the major differences a trade press versus university press request/demand?
I'm sorry for the load of questions by the way, I finished my MA degree in history (medieval) last year, I miss doing the research and writing, and you're really the first person I've seen online who has found a trade press. I considered asking you some of those questions before actually, so I kinda jumped on the chance with... much enthusiasm, lol.
First, affiliation. I ~identify~ as an independent scholar. However, as you know, connections and status mean everything in both academia and the publishing industry (and as an academic writing for a trade press, you have to demand respect from both), so I always make my credentials very clear:
MA in Modern Jewish History from the University of Maryland, thesis defended on first try with no revisions; I also name drop my adviser and certain committee members depending on who I'm talking to.
MLIS from the same institution, focus in Archival Science.
Seven year's employment as an archivist and content creator at the American Jewish Historical Society at the Center for Jewish History
Six figures of followers on social media
The combination of education, platform, and work experience is particularly important for convincing agents and publishers that you're a worthwhile investment.
In terms of reviewers, I networked with and cold emailed two well respected academics in my specific subfield(s), and just asked them if they'd be down to peer review my work. I will be paying them out of my own pocket. The press doesn't require this as, as far as they're concerned, I'm the expert; but it's something I require for myself. It's important that this book not simply present a strong, readable, gripping narrative, but that it's also accurate and rigorous.
Now on to your second question. For serious nonfiction the first step is to get a literary agent. Literary agents sign clients for non-fiction based on book proposal and ~two sample chapters. They neither want nor expect the entire manuscript at this point. The agent is the party who has the relationships with acquisitions editors at the major publishing houses.
Once an agent signs you, you do some editorial work together, if necessary, and then you go on submission. The "on sub" process is basically your agent doing a series of targeted sales pitches to acquisitions editors. If an acquisitions editor wants to buy the project, they will have to present it to their team(s), and argue in favor of investing in the project; ie, they have to convince potentially multiple teams that this project will make them money.
The book proposal is an incredibly weird, complex piece of writing, and I advise hiring an editor to work with you on this. The best editors/consultants for book proposals tend to be what I call "behind the scenes big shots." These are usually people with journalistic training, who ghostwrite for a lot of very big names. These editors do not come cheap. In fact, I paid for mine with a round of crowdfunding y'all helped me with a few years ago. If you're interested, I could potentially put you in touch with mine.
Now once the proposal is ready and you've workshopped your query letter, you need to do some heavy research and make a list of lit agents you think could be a good fit for your project. You should have an A List, B List, and C List, and send them out in batches of 5-10 to keep this manageable. I can answer further questions about this research process, if you'd like.
The getting-an-agent process is probably the hardest part. It took me five years to get from "Holy shit this is my book I'm gonna do a book," to "I have an agent and we're going on sub." It's HARD and you'll really be forced to reframe how you understand success and failure. Like, the first time I got a personalized rejection with feedback I fucking PARTIED. A personalized rejection is huge, and FEEDBACK, omg.
The big difference, is that for academic presses you need a PhD and a genuine intervention in the historiography. For trade press, you need to convince multiple parties that the project can sell, and that you're qualified to write it.
Now some candor: you have to be incredibly single-minded to push through this process. Like, to the point that you're willing to sacrifice your day job and let your health fall by the wayside. Which leads us to: privilege!
It's very difficult to be able to put all your single-minded energy behind this process if you a. are not independently wealthy; b. are not married to a person with a lot of money; or c. do not have well-off parents who are able to support you. I can honestly say that, if I were not in category c, the process would have been much slower; I'm not even sure if it would be happening yet.
My publisher's advance--which was generous for a first time, untested writer--over one year was enough to MAYBE cover my health insurance and my monthly storage unit; I also have two part time jobs. And that's it. My parents handle the rest [ETA: to clarify, I do live with them]. Publisher's advances are not something you can live on unless you already have clout, or fame. And if you have a one year deadline, your writing will be full time. I'm not telling you this to discourage you. Professionally I have found myself in many fields where the silent part is "we assume you have family/spousal wealth because lol no one can live on this amount of money." It's not okay and it pisses me the fuck off. I feel like, if I didn't make this clear, I'd be complicit in maintaining those structural inequalities. I don't know how to dismantle them (it's gonna take way more than one person) but saying the quiet part out loud is a start. Anyway, hope I answered all your questions and also didn't discourage you! Also, you never need a reason to ask me about this stuff.
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UPDATE: c!wilbur content + another poll!! Read carefully.
So the poll hasn’t finished yet, but it seems that the majority will be okay with c!wilbur works. I WILL, however, wait a while before posting so people can take a break and fully separate the c from the cc. In the future, if you do NOT want to see c!wilbur content but do not want to block me (I will be trying to write for other characters, after all), here are some options:
Block the tags “c!wilbur and c!wilbur soot X reader”
Unfollow me and follow the not-yet-created tag of “sweaty writes— not Wilbur”. I will be tagging any of my non-Wilbur works with that tag, so following it without following me will expose you only to the non-Wilbur works (if any arrive). You may still have to block c!wilbur X reader tags.
If neither of these work for you, unfollowing and blocking is a valid option. I won’t be upset, promise :)
As for the actual c!wilbur content— good news! Y’all get to choose the bur variation I will write for after my break. Each option has its own pros and cons, so READ THEM CAREFULLY!!
POLL IS BELOW ALL THE WRITING!!!!!!
(before reading; there is nothing wrong with morally gray characters— I love them actually— but some people might not want them associated with any bursonas after what the cc did)
anyway, the options:
Faebur
Pros: This bur is not affiliated with the content creator in any way. In addition, the nature of the fae will allow me to never mention his name (he will be referred to as “your fae friend” or by a nickname such as “Twigs”, and never “Wilbur”). His appearance will also have some supernatural aspects that distinguish him from the cc (gold eyes, pointy ears, yada yada).
Cons: I have only the barest idea of what to write. So. It will take a while. Like— a WHILE. Also, the fic will probably focus on descriptions, so some physical aspects similar to the cc’s will appear (lanky, tall, brown hair, yada yada).
Chefbur
Pros: Also not affiliated with the cc! This one is my own creation. It is basically a Ratatouille au. He will also be called Wilbur Craft (full name Wilson Craft) instead of Soot. I already have some notes down for the development of the fic, and parts one and two are already posted. Cons: He will be called “Wilbur” throughout the fic, and his appearance is obviously very similar to c!wilbur (that is, a cartoonized/stylized version of the cc. Not the same. Probably will make his eyes hazel or something. Or not mention them at all idk).
Revivebur
Pros: I wrote this one so long ago (over a year) that it is borderline ooc, which might me helpful for some. Also, I have it written and ready to go (ALTHOUGH I will still take a break before posting it). Cons: it’s c!wilbur (derived from the cc’s creation), and the fic deals with themes such as forgiveness / loving someone despite their misdeeds that made everyone hate them, which… is not a very good thing to be associating with Wilbur soot rn. Even though it’s the c! And completely separate from the cc. Also the writing is kind of bad,,,
Siren (1)
Pros: I have a good chunk of the story written out, and he will be referred to as “siren” and not “Wilbur” (but not for the entire story). Siren is also not affiliated with the cc (someone else’s creation).
cons: I have hit a complete roadblock with it and am struggling to figure out how tf I should progress the plot. Also, siren in his civilian form looks a lot like the cc (similar argument to chefbur). Also, it has similar themes to the revivebur story (even though they aren’t as pronounced). Siren is a literal criminal (supervillain) whose literal murder/arson/treason/etc charges are overlooked (even though he’s still a respectful person), and that might not sit right for some rn.
Siren (2):
Pros: idk really his name isn’t going to be mentioned for the first few parts (only referred to has “siren” and not Wilbur)
cons: I have some very specific ideas for this series, and I love them a lot (even though they deal with some dark topics), but do not know how to string them together yet. May take a very long time. Also neither Siren nor the reader are very good people (but they try their best. And the reader improves a little). May take longer than the faebur one.
Lmanbur
Pros: no morality discussed. Just two idiots in love. I have a sequence of events written out, so I won’t struggle to figure out what comes next. ..
cons: ..however I will struggle to find how to put it into cohesive paragraphs since the outline is pretty barebones. Lmanbur is another character originally created by the cc, and his appearance follows a similar path as chefbur and civilian siren (I may give Lmanbur some pointy ears though). Also. The fic has no nsfw at all, but it is definitely a lot spicier than whatever I’ve posted on this blog, and I’m. Not sure if it belongs on this blog. Please reach out to me if you are an ADULT and willing to be a sensitivity reader to discern whether it’s actually suggestive or just my Catholic upbringing.
With that being said….,,,,
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what’s one of your favourite scenes from a writing project?
I'm guessing this is asking about my writing projects rather then all writing in general?
My favorite writing project in general is house of scorpions not because it's that good but just because it was very foundational for me and was one of the first books I read in completion. It's a story about a drug lords clone who was raised thinking it was born out of a need to see the old lords vanity, but was in actually born for a completely different reason (won't say because it's a good enough book that I would recommend it for others to read it, the world building was quite cool and interesting and taught me a lot about writing in general)
But if we're talking about person writinf projects that would be really hard
because writing for me isn't just novels and books or even a written form of media
stuff like comics and plays that I wrote also counts as writing for me and if we're looking at all that I really can't choose
and honestly none of them are finished and some are so different in format that you can't really judge them in any meaningful criteria that are comparable
take for example trying to compare a song I wrote to a semi illustrated comic story ish thing concept I thought of
one is music and the other is another compound of media that's inspired by folding paper screens and how they have both images and poetry or messages
well I guess even then I do have an answer to which one is my favorite scene is
it's not the best scene, well maybe it is but I might be too biased to it to accurately judge it. But my favorite piece of writing scene I wrote is actually divided into 2 pieces of media that depicts the same scene
it's from my story called ToV Day Stars
well no sorry it's from the prequel
uh
well ok it's after the prequel called "Dear Mr Blue" but before the Tov Day Stars series entirely and its technically just a continuous story from Dear Mr Blue but the format and media of the story changes (collection of letters to a comic) but the scene itself I'm thinking was never illustrated and only ever written in long form literary text or poems.
It's a scene at the end of the prequel section of the story (technically there's stuff after the ending but that's just to get it to match up directly with the start of the main series and not actually a cohesive story for the narrative. It ends with this scene for that actual story) -I'm sorry for the rambling I'm horrible at explaining my own work.
And in this scene the main characters Divinity and Octavia are in a park and the sun is setting and Octavia has dementia and is dying and Divinity is an immortal. Octavia dosent remember him, she thinks he's her brother. Divinity goes along with it, the sun is basically gone, then she falls asleep, the sky is beautiful and shes beautiful and it was calm and sweet and he let's her go away. And the scene when written has no inner dialog because it was a translation of what the comic would express. So it's just a written description of her dying basically, but it wasent sad, bittersweet maybe but it was written to be a pleasant ending. Then there's a companion piece which is a sonnet which is written with the inner dialog of this scene (canonically written after she dies) and it's just filled with this toxic vile obsessive writing blaming her death to be murder claiming that she shouldent have died if she actually loved him, that their love should have been enough for either her to live forever with him or to force the laws of the universe to allow him to follow her to death. That by her dying she was taking away such a big part of himself that she was cursing him to live broken and incomplete and butchering him anyways even without death. It's written with language that erases the I in us. That the relationship devolved into us being one being, one thing, one identity that I can't even see myself as part of it, the us we have is just you and by you dying you are killing everything about me that makes me me and makes us something.
I really like it because it's just plain sad
it's one of the most depressing and bitter pieces of writing I have ever written
it's almost romance but not quite it
the love was real sure but maybe there was too much of it
the love consumed him?
And I feel like you can see that in the text
that feeling of desperation and devotion that even when she died he couldent even feel grief anymore
it was anger and hatred and fury and it was most importantly blame
and additionally to this outside of the text itself there are layers of build up to this scene that makes me like it even more
dear Mr Blue is a series of letters being sent back and forth between octavia and divinity
octavia here is a 20 something year old youngster inventor that's getting funding from "Mr Blue"
Divinity is an alien from outer space (yea sorry my stories are weird) known as phonixes who decided to copy the human form to gain their level of cognition (they were copying birds before) but accidently created the byproduct called emotions (which they didn't like for reasons that would take too long to explain in this already convoluted explanation) but Divinity, was someone who was uncharacteristically unemotional despite being a very good replica of humanity
so they used his "special" attribute to make him study human emotions and find the purpose of it to see if there is actually a use that is useful to them (if it had anything to do with survival it would be meaningless cause they can't die) or if it wasent then knowing the purpose will help them get rid of it (which they know is possible from Divinities own lack of emotions) Octavia is one of these experiments divinity made to try and study the uses of emotions and it's value (she is not the first one, many have died before her)
and eventually she ends up being the one to make the concept of emotions make sense to divinity
and after that he spent decades learning how to feel them and cherish them and value them
and when they meet again divinity is a love sick fool who idolized the person who gave him the ability to see the world the way he now finds beautiful. While the other is a bitter 40 something who thinks the other stole the best years of her life, and not only that made her obsess over her own work for many years after which made her miss her own sisters death. Thinking he stole away her life and her values.
So it's flipped from how they end
their love ends in the same dynamic but the roles are flipped
but the added misery of the times where it was beautiful
where it was wonderful
and the fact that after she died he also slowly lost himself and his emotions and his love for life and humanity
the story started and ended in the same way in its entirety
and that scene for me really is the climax of all that
I think that it's a great scene showing mortality and the horrors of being consumed by obsessive devotion and just the decay of time. It personally effects me a lot personally because I think the worst thing that could ever happen to someone is dementia or any other affliction that slowly makes the person not only lose their physical body but their mind as well.
Not just death but decaying before you even stop breathing.
And also coupled with the idea that everyone dies the way they're born (this story has a lot of Buddhist themes) and all beginnings lead to all ends.
It's also 2 characters that's inspired by my own parents
I'm not calling their love obsessive devotion but my mom is a person who tells me she only married my father because he annoyed her enough that she gave in and my dad loves my mom so much he views her as the center of his world and tries to fulfill her every need.
And I was inspired by their love to write this story.
And also it was written as a coping mechanism from my fear of death
the prequel and main series is all about death, memory, purpose and meaning.
So in general this series is my favorite and the one I put the most effort and thought into
So this was just the first scene that came to mind honestly
I think the scene of lutangalos mom talking to the peacock cult dude is probably a more compelling and better written scene in general
like in an isolated scene
or the James and ari scene is also a good contender for favorite because of personal significance not because of quality or appeal.
But no I do think that scene where octavia dies and the story between divia (that's their ship name by the way) is one of the better written things I've ever made
I'm sorry if this was incoherent I'm pretty tired today and my brain is not working, thank you for the question I would love to answer more but I cannot promise coherence. THANK YOU
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I still can't believe Rick did that to Percy that author really kicked the shit out of his oc not even letting him get a full school year of no war drama fucking his life over at age 16. Percy is only fucking 17! He would be learning about trig and failing to read a shakespeare classic in class, if he ever could be in class!!!!! I started this post to re write the hoo events let me re route
This actually got super long so ha! So glad mobile had read mores now
So what I think would have been great is if Rick really had to bring in a Roman camp and all that shit then I would have him START at the Roman camp! The first book should open with Leo, because he's already favored by Hera cuz she babysat him, having a demigod dream around the last day and day after of the titan war, because we are going to start RIGHT AFTER
Leo, however, is missing his memories and is on a bus with Piper, who is a daughter of VENUS (isn't the whole thing with, um not Remus and Romulus but Adonis right? He was a founder of Rome right and a son of Venus? It just works) and the bus is attacked by monsters. Hedge is a faun, he's Roman, and basically calls for back-up, the closest Roman patrol shows up but not before Leo has to fight monsters off himself. He kills one dramatically and Jason is the first/last face he sees
In this, Jason is not Praetor. I'd like to imagine he managed to beg off being made Praetor until he turns 16 next year, because the idea made him want to bite people and he did bite Octavian and Reyna. Reyna, in my eyes, is like 17 going on 18 while Jason is 15 going on 16. Jason has an oblivious crush on her and she likes him as a faithful companion, like if her metal dogs could give tactic strategy feedback and make her laugh with snitty comments. Much more student who is a black belt but not a teacher and then a student who's a brown belt. I don't know back on track that's why Jason is on border patrol and not doing boring Praetor things
Also that nicely sets Jason up to go through the war and come out the other side as the Praetor so he might actually enjoy it this time
Back from that commercial break, the first book would basically be the quest from the lost hero but with changes to suit the divergences I've made but still mainly following that plot. They return to Camp Jupiter and celebrate and Leo finds Bunker Nine, hidden in the San Franciscan hills. I remember reading something about Rome loving Vulcan but could totally be mistaken, but that all would gel really well. On Pipers side of things, Tristan has moved into New Rome after Enceladus concussed him so hard he is blind so the Mist isn't bothering his vision. It's really hard because her father just got horribly injured, but now can be with her more often and not do stupid films, of course he wants to return to Hollywood so it's a lot of tense non arguments and treasured quality time
Book 2 would then open with Percy, the entire book is a classic fully him book like the og series. Something like: Look I don't want to waste my time or yours, we both got plenty to do. You know everything since last summer back. The more recent stuff, this past school year was okay! I got put into a couple of remedial classes, and had to deal with plenty of remedial monsters, but overall August to May? No big problems. Even arriving early back to camp had been no problem. I did it to help all the other counselors and Chiron get camp ready to shift from half-gear/winter mode to full gear/summer mode with easily quintuple the campers ready to show up. As the only Poseidon camper and the living hero of Olympus' everlasting ass, I probably could have gotten away with not helping. Annabeth asked me to, so it was a no brainer. June though? Oh boy."
And in JUNE they get Grover bringing back two demi-gods (usually he's busy being a teenage satyr equivalent lord of the wild [HE IS 28 IN TLT RIGHT BUT THATS SUPPOSED TO BE EQUIVALENT TO A HUMAN 12! HE STILL SO YOUNG]) but he ran into these two and uhuuhhhhh needed to bring them right away. And it's Frank and Hazel!!! I love Frank but the fact that he comes out a somewhat legible and not totally weird character is a miracle. He is the son of a minor god, who didn't want him going to CHB because of the shit conditions for non Olympian kids but then Frank somehow befriended a monster kid but then the monster parents tried to eat him and now that he knows his scent has gotten stronger and just bc demigods can't use phone doesn't mean monsters can't they can text their cousins and be like hey fresh meat coming your way. They probably love playing mobile video games and doing crypto trading. Anyways
On the run, he runs into Hazel. She is our lost Roman! Hera took her time with Leo and unfortunately did a rush job with Hazel. She got memory wiped, but Hera ran out of time to set up her arrival to CHB properly, and just drops her in Frank's path. (Tangent: With Frank and Hazel, I've made my feelings pretty clear, canon ages can't date, at least not till they're in their 20s. Again, like that's not something I have a problem with, bc 3 years isn't enough to really view that younger kid as baby comparatively the age just doesn't match up till their 20s. but.......) given they are demigods, I would space out their relationship the full five years to the end of the second series, so she's 18 at least.
That's right, FIVE YEARS. don't try to fucking do all that shit in one year!!!!! You're saying Gaia is this huge big bad but in a span of ONE year where no one actually fights HER she doesn't seem nearly as good a villain as Kronos! He had the pizzazz!!! The villainous razzle dazzle!!!! Because he was given time (ha...ha). I expect at LEAST as much for a BIGGER BAD. It just fucks with the pacing.
Anyway! Hazel has always had dreams and a connection to the Earth, so she's enjoying the newly constructed Hades cabin (where Nico is really fucking confused but really happy?) And also having terrible nightmares and sometimes sneaking off into the rockiest area of the woods like it's in a stream but huge boulders like st peters village creek and she sneaks off there sometimes but that's only after sleepwalking there after the dreams. She is really worried about this possible...familiar.....danger and protective of her new family so she goes back out there repeatedly to think and try to meditate
Percy, both really enjoying befriending Hazel but also somehow the only one finding her suspicious, is working himself into a tizzy because you know how he is with friends and with Silena's death and everyone else's anniversary coming close he has. A lot on his mind. So one night he's out at the wider part of the creek practicing his 'waterbending' and generally being upset, and he does have a sense for Earth so being so close he can feel the small tremors Hazel is putting put and he tracks her upstream
Confrontation time
Percy is already freaked out and Hazel is already in a weird place so she thinks he's a monster through her earth sense, yes she can have that she deserves it, so with her eyes closed she send a little rock spike at him out of fear, which he thinks is her attacking, so he fights back, Hazel comes to/opens her eyes and gets frightened and accidentally entombs Percy. She's able to bring him back up after a second, but oh man that second was possibly the single scariest second ever completely pressed in by dirt on all sides. Suffice to say he gets more fighty bc that's who Percy is, but Hazel manages to freeze his foot and explain herself and Percy calms down pretty well. Really fucking miffed and still has shivers running down his spine every heartbeat, but he's a reasonable guy, a nice dude. He has also been having visions, and between the two of them, figure that something is going to attack this other camp that exists, somewhere on the West Coast, and by a Giant and it's army
Phew! End scene, sheesh. Can you imagine how fucking long this would be if I actually wrote it out? Christ in hell.
They go to sleep! As all good demigods should at Night. The next day, Percy and Nico shove their tables together and Annabeth crouched in as does Frank, because his parents cabin hasn't specifically been done up yet. Oh hm maybe he could have his mortal soldier (booooo) mom and Nike? Doesn't matter, he still likes archery and still eventually figures out his shapeshifter shit. His candle, I think I want that honestly would work better as like, if Frank chose to save someone and took their punishment and he was given that candle. Or something. So at brunch they figure out the pieces, and then when Chiron comes over they think he's going to reprimand their shitty pavilion tableware manners, but nope he just says Rachel needs to see them in her cave
NOW Rachel gets to make a nice little debut with her cave. I honestly. Honestly. Honestly can't remember how it went it tlh if they went to her cave or the big house. Ik Jason went to the big house at some point but it's not relevant to the current topic. Anyways I get to spend an ungodly amount of time waxing about a the artsy fartsy/hippydippy sacred oracle cave of a teenage billionaire heiress which I don't care if there's a kind of canonical description this is my Rachel's cave now. So that would be like, at least half the chapter, the other half is her giving the prophecy after winning at just dance 3.
Anyways then they have a prophecy so they are sanctioned to go to find new Rome! Given the dreams, Nico Hazel and Percy go on the quest. Originally it was going to be Frank but "There's no way I'm letting you go off on another quest with my sister without making sure she's safe myself". Oof, sometimes I understand what writers mean when they say the characters have their own voice sometimes. So whenever they iris message to camp, Frank and Annabeth will be (not) enjoying figuring out his demigod abilities and just generally Frank gets to enjoy camp a little (but barely because he's very worried about his camp crossing buddy being out there without him, despite being protected by two mega powerful demi gods and being pretty strong herself, he still wishes he could message her every day, but it's not practical. Only when the questers can afford to.)
Now in New Rome: Leo, flames, Jason, wind, Percy, with a real big cool boat, they honestly make short work of the whole Alaska situation. That's more of a side thing that Percy signs himself up to do. I think they get incredibly weird in the way a bunch of future openly bisexual men would as traumatized super powered teenagers with a duty and repression around other teen like them who are also hot. NOTHING really happens, Percy is SOLIDLY dating Annabeth at the time, and Jason is too Roman and Leo is too repressed. But yknow. Solidly gay lockeroom vibes like if any of then ever saw that one id magazine of the jock and skater dude their minds would shut down for at LEAST 2 meals worth of time. But yeah they just have a fun jaunty time freeing Thanatos.
Back to Percy, he is enjoying seeing Nico come out of his shell, but also Nico is acting strangely too, but in a completely different way then Hazel. One is entangled in something dangerous, while the other is withholding something dangerous. It's driving Percy batty because after getting paranoid about Hazel earlier he doesn't want to say or push anything, and Nico is his little brother, and Hazel is his little sister, so this is practically a family road trip as far as he is concerned (he hopes) (desperately) (trying to distract from the alternative). Percy doesn't witness this, but at some point Nico comes out to Hazel and reveals his crush on him, and Percy just picks up on "something" being different. Obligatory questers send off at the Jackson household, filled with cookies and great parenting. Really a good way to lower everyone's guard to all the bullshit about to hit their ass. At this point, they are just trying to get cross country, and trying to link up with the Romans and warn them. They arrive on the same day Leo completes the Argo and Octavian butchers, like, 30 build-a-bears. Special edition ones too. Nico, at this point, has left because Hazel is pissed. She eventually remembered Nico at Camp Jupiter and there's a whole thing about that (fun little throw in about Norse and Egyptian from Percy's experiences in the ensuing conversation) so soon as they arrive safely to New Rom, he leaves immediately back to Camp Half Blood, reports, and, I dislike Nico going to Tartarus and getting captured so for right now he has been locked in his room by Hades for mentioning even doing that and he is a having a gay fume
Back in Rome, Hazel is recalling her life there, she had been there for several years, she had a few friends, and Reyna had begun to mentor her on the horse before Hera kidnapped her. As much as she loved CHB, she had never expected anything else and had put work in to feel at home among the golden hills of New Rome.
Okay also while I'm thinking of it. The fact that older Romans don't serve in the army but all the trick or treaters do? Fucking lunacy. But I want to worldbuild on this bullshit before I yank it out: what if the divinity in a demigod is strongest the younger they are, the closer their share of divinity is to the god. this is how you can get a baby Percy killing a snake in his cradle. But usually this means that a demigods peak years is 5-18, instead of a mortals 18-30. Like, of course just because they get older doesn't mean their power completely fade or anything, and of course in examples of extremely powerful demigods no one knows exactly, but, just spitballing, that's why so many monsters come after the kids, when imo they should be stronger when they are adults. So they are just less tasty as they grow through whatever divinity they were given, like expired jerky instead of filet mignon. So the 15 year old demigod serving in New rome's army is going to be to an aged out demigod of the same parent what Percy is to usual demigods. Just that much more in tune. The alternative is totally keelhauling the system and installing adults everywhere but I'm disinclined to that option
So Annabeth and Frank are in CHB, Hazel and Reyna are in New Rome, Jason Leo and Percy are in Alaska, and Nico is MIA at the moment. At this point, the prophecy of 7 is given by Rachel and after picking up Hazel, the Argo swings back to Long Island and then onto Greece.
Nico pops back up in New Rome, with warnings and looking to apologize to Hazel, but everyone is over the Atlantic. He accidentally ropes himself in to helping Reyna as Octavian is getting unruly. I think my Octavian is a total bastard but he isn't conspiring to get Rome and Greece to fight he is genuinely fucking concerned about them fighting and is acting out
I don't get why Annabeth had to get the Athena Parthenos at the exact same moment the whole Gaia is awakening it seems very stupid of Athena, so unless I'm forgetting something this is my made up reason: Athena gives Annabeth the OPTION of undertaking it at the same time or, if everyone survives, doing it later. It would be best to do it now though because she will already be in the Ancient Lands and then if Annabeth is able to recover the Parthenos it will allow Athena to regain complete control over her Minerva form and then, she SAYS to Annabeth, she would be able to help the questers since she won't be spread in two different directions. THAT is what convinces Annabeth to try and find it because Athena's aid would be invaluable for the rest of the quest
Then, when Annabeth and Percy fall into Tartarus and the Parthenos is recovered, Athena is able to manifest in front of the 7 (five). She is expecting to congratulate her daughter and bestow her blessing upon her and give everyone else a little boon, but then no Annabeth. This actually really pisses her off, and when she notices Percy is gone too and asks and they say he DELIBERATLY went in after Annabeth, well this helps boost the worthiness of the sea spawn in Athena's eyes, although this totally fucks everything up bc those two are basically the power players of the 7.
I'm kind of wishy washy on the minutiae of the of the house of hades, I honestly only gave a shit about the 411 in tartarus so no big change ups for the 5 just generally their shit goes easier with Athenas help
Annabeth and Percy are going through it of course. My personal theory is that the rivers of the underworld mess with peoples mortal souls and bodies when people interact with them. the cocytus leaves a more lasting mark on their psyches, and the phlegethon actually slowly eats at both of their mortality. If a normal person tried to drink from it, their human soul would wither away (like peeing on a flower), but with their divine side much more durable, both Percy and Annabeth's souls are growing unbalanced. Percy even more so, as I think when the Styx blessed him it burned away all but that anchor of mortality, and then when the Little Tiber washed away the blessing (which is BULLLLLLLLLLLSHIIIIIIIIIIIIIT) his mortal soul is already spread thin and that's why when they get to Akhyls, he is able to crack past his mortal barrier and develop his powers in ways he shouldn't be ABLE to. MY Annabeth, also, doesn't have that shitty reaction to Percy SAVING them. Her mortal soul is boiling and releasing steam vapors it will never get back, so her mind has both never been more tortured but also never been clearer and faster in her life. She is able to get Percy to back off, but just so she can manipulate Akhyls properly and get her to actually help them with Percy as the knife to the throat. In/After Tartarus Annabeth is very much the cleaning/sharpening/and polish to Percy's sword edge.
Annabeth also messes with Bob/Iapetus, poking at his memories and paving the way for him to remember Percy, but doing it in a way so that Iapetus which actually like them by the time he remembers. This is mainly to show off Annabeth being different from her usual self, to have a Percy pov of him being uneasy of Annabeths ability to turn someone around and re-arrange their thinking with just some conversation. This is also because I want Small Bob to go up to the surface and be her big murder cat and if Iapetus genuinely liked her I can see him giving them the cat monster as a token of good faith and fRiEnDsHiP but it ends up being something that gives Annabeth part of her humanity back because she realizes the real impact she had on him and now she has a monster pet to take care of just like her boyfriend (this set up parallels very nicely I'm loving this now)
The Blood of Olympus would probably end up being REALLY different just because the canon book sucks so hard. And I think I'd make a plot point of Zeus breaking the Styx promise to free Calypso, I'd have it become that all of this is actually his fault because by not following the promise the consequences were Gaia waking up enough for all this to even happen. Actually this would set up nicely a next series of dethroned Zeus look at how easy that all falls together fuck I love this idea. It would take so long to write though maybe after I retire I could write it. Also how stupid is it for the gods to work with their own kid against the literal BANE of their existence? Fucking switch up the teams!!! It doesn't make any sense to me and then you could get some really interesting fight scenes and dynamics like I would have it so Percy ends up fight alongside Athena and Annabeth alongside Ares, Jason with Poseidon and Hazel with Zeus, Frank with Hades more on and so on
For that last paragraph I wanted to elaborate so I looked up a list of Greek mytho giants, but it had so much more fun info then I was expecting and has lead me to realize that the defeat of the giants should be a collaborative effort between both the Roman and Greek camps and the gods that would truly be the best way to tie up the huge finale of evil bosses, would free up some of the huge hitters to actually fight Gaia directly, and would be a fucking great fight finale that would unite both camps under one banner of the gods and OOOOH THIS is so smart my brain is shaking like a chihuahua
And then yeah! Series wrapped. Take that Rick, longer time frame, more drama, more battles, and doesn't clumsily fumble everyone's character
If you have read this far I am kissing your cheeks and hugging you thanks for having fun with me!!!!
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❃ FEZCO ❃
Chapter four: Lovers Rock —❃
Series masterlist
Chapter warnings: cursing, car crash, sex mentioned, everything with teotfw and with euphoria
Authors note: I just loved writing in fezco’s pov. Don’t forget to like, comment and repost, enjoy guys!
—❃
Things didn't always go entirely to plan on my journey with Alyssa.
“Do you think it's gonna explode?” I asked, turning to Alyssa as she rolled her eyes at me.
“It's not a film.”
True. If this was a film I probably wouldn’t be a drug dealer.
—❃
“Whoo! Yeah!” Alyssa cheered, practically jumping in her seat as I drove us farther away from the house. I couldn’t help but smile at her joy.
“Guess what freedom smells like?” Alyssa asked, raising her eyebrows at me.
“What?”
“Cow shit.” She grumbled, turning to her window as we both chuckled.
“Seat belt.” I reminded, as she turned to look at me with a smirk.
“Fuck seat belts.” She sassed, making me chuckle as she began laughing uncontrollably. You couldn’t help but laugh back with her.
“So what do you wanna do?”
“I dunno.” I replied, shrugging my shoulders as she raised an eyebrow at me.
“Because we can literally do anything, Fez.”
—❃
I’m not sure why out of all the things we could do Alyssa chose laser tag. But you sort of just have to go along with her when she makes choices. I think I really liked that about her.
“Gun! Gun! Gun!” She shouted, shooting her laser gun at me as she ran around the corner room.
Ironically, I was not in my element.
“Come on! This is shit!” She shouted, staring at me as she sighed with defeat, realizing I wasn’t exactly thrilled to be playing laser tag.
—❃
After getting escorted out after Alyss a decided to make out in the middle of the court, she decided we should go get some food. I’ve noticed Alyssa was really good at annoying people.
“Thank God I smashed my phone.” She grumbled, speaking with her mouth open as she shoved her face with food.
“What?” She asked, noticing the slight smile on my face.
“Nothing ma,” I stopped to chuckle. “Nothing at all.” It wasn’t nothing, I just really liked the way she looked.
“I bet my mum's been calling nonstop. Stupid bitch.” She grumbled, turning to me again.
“How long till your parents call the police?” She asked, making me stop in my tracks.
“Oh um, I don’t have any parents.” I explained, making Alyssa’s face drop.
“Im so sorry, I didn’t know.”
“Hey, it’s cool ma. How could you know, you know?” I asked, making her nod.
“Yeah.” She stopped to take a deep breath before stuffing her face again. “My stepdads probably gonna report me for stealing his car. Dickhead. I like food.” She said, trying to change the subject as I stopped to chuckle at her.
“My mum says that if food were her boyfriend, she'd be in an abusive relationship. She says it like it's a joke, but it's not.”
She stopped talking, looking down at her plate with wide eyes.
“What?”
“Did you bring money with you?” She asked, making my heart drop.
“Didn't you?”
“Yeah. I just spent it at Laserkill.”
“That was all your money.”
“I didn't have to pay for you. I was being fucking polite, actually.” She hissed. Making me breath out as I tan a hand down my face in worry.
“What are we going to do?”
“Well, it's just food.And we haven't eaten all of it. You haven't. The only rule with these things is that you never steal from a small or independent business.” She explained it as if she knew everything, I could tell that she didn’t.
“Whose rule is that?”
“My dad's. He's basically Robin Hood. He breaks the law, but he's really moral. Places like this are all run by the Man.”
“What man?” I asked, making her stick her head out as she rolled her eyes.
"The Man" man. The Man who, you know, owns all the oil, forces Chinese children to make smartphones and hates Palestine. Are you gonna be a pussy?” She asked, and I sighed again. Showing willing was the best approach with Alyssa.
“No.” I said, getting up quickly and leaving as she hurried to get her things off the table.
“Shit. Nice one.” She cheered, following me out to the car.
“Seat belt!” She said, making me smirk in response.
“Fuck seat belts.”
The smile she gave me nearly took me out.
“We should have sex.” She suggested, causing me to raise my eyebrows.
“What, now?” I asked, looking back and forth between her and the road.
“Yeah. Take your top off.”
“Shit, alright.”
I sort of just went along with things when Alyssa wanted to do things.
“Should...Should we stop?” I asked, worried about the road. She just simply chuckled in response.
“No. Keep driving.” She said with a smirk.
I wasn't sure sex was something you could just go along with, especially not as a man.
“Stop! I think I'm stuck.” I shout, pulling my shirt over my head as we tan head forst into a tree, the car crashing as my eyes widened in horror.
“Shit. Why are you laughing? We just crashed the car?” I reasoned, but she just kept laughing.
“What the fuck are we gonna do now?” She asked, taking a deep breath to stop her laughter as I shrugged.
“Do you think it's gonna explode?”
“It's not a film. Come on.”
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Let's Talk Whump No. 10
Welcome to Let’s Talk Whump, a series of interviews that spotlight the amazing people in our whump community. I’m Malice and I’ll be your host.
Today we have @suspicious-pools-of-blood joining us to share his whump story!
Tell us a fact or two about yourself!
I'm a butch (he/him) and I enjoy rock climbing, leatherworking, and losing my entire goddamn mind over Xena: Warrior Princess.
What does whump mean to you?
To me it can range anywhere from a trope to a vibe involving some kind of hurt. I definitely consider angst to be whump.
How did you find the whump community?
It was actually very straightforward; I was up one night and the word "whump" kept rattling around my brain, I'd probably seen it tagging a fanfic at some point, but I didn't know what it meant, so I looked it up and found a definition followed by the Tumblr community. Specifically, it was albino-whumpee's writing that came up, so I was introduced to whump and box boys and WRU all at once. I stayed up all night reading their stuff and then made a sideblog and dove in, dragging my OCs down with me.
Do you think your views on whump has changed? Maybe the way you consume whump media?
This community was basically my first foray into reading original fiction online instead of just fanfic, and now that's definitely what I read most.
Favourite whump trope?
One of my favorite tropes is carewhumpers--not of the bad caretaker variety, but more whumpers who don't let whumpee have any caretaker but whumper themself. Relatedly, I like captor bonding (not sure if that's an actual term, but that's what I call it because the term Stockholm syndrome has a super gross history), as well as intimate whumpers, nsfwhump/noncon/dubcon, slavery, power imbalances, etc. Also a big fan of a whumpee who internalizes their hurt hard enough to become a whumper against a new whumpee, continuing the cycle of violence and abuse rather than the typical whumped-turned-whumper trope where the two characters just switch roles. I really like the mental/emotional side of whump, seeing how both whumper and whumpee feel about what's happening, why whumper does what they do, and how the whump changes both of them as people.
And your favourite piece you've written?
Really hard to pick, but currently I'll have to go with Not You Too and its companion piece Wish . It's more angst than any physical whump, but it's an important piece for developing and understanding the psyche of my main character.
What's your writing style like?
Oh man, calling myself out here on this one. Don't be like me, kids. Often times I find that not being sober helps me get over mental blocks that prevent me from getting the words onto the page. It depends on what I'm writing, but usually a couple bourbon old fashioneds or an edible get me into the mood to write, night time, lights off, candle lit on my desk, relevant OC or WIP playlist playing. I'm trying to get better about that though because needing to be intoxicated to write is not good. I try to write regularly but usually I just end up sitting in front of my Notion board for hours on end while procrastinating on work I should be doing.
Is there anything you struggle with writing?
Cisheterosexuality is fuckin impossible for me to write. I have no experience with it so I'm profoundly confused when I have to write about it for plot reasons
Is there anything you're working on at the moment?
The current piece I'm working on is my main character's first time sleeping with another woman. I am, if nothing else, committed to realism in writing, so I did spend more time than I wanted to today remembering my own first time and cringing but hey, at least I got the vibe!
Do you have any writing advice?
Make some lil guys and rotate them in your mind; literally no one can stop you
Shout out time!
@winedark-whumpk-whump has some truly fantastic stories and was really encouraging when I was struggling with engagement and feeling self-conscious about my original content.
Anything you'd like to add?
Thank you so much for this interview, this was lots of fun!
Thank you for joining us, @suspicious-pools-of-bloodod ! It was great to have you here!
And to all you folks at home, have a whump-derful day!
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Another question that comes to mind - how did you come to title the book and series? Do you have thoughts on how it has evolved?
When I first sat down to seriously consider this series and my characters and world, the first idea I had at the core of it was "these are people who have gone through things people should not, and there are characters very different to each other that by the end of the series, probably have little in common, except for one thing: they are made from clay, as all living things are." I took inspiration from Greek myth and how humans were built from clay and given fire. Hence, I started off wanting to name my series Bones of Clay. Didn't really like it so much, neither did my friends when I posed it to them, and so I settled for a while on Hearts of Clay, which seemed more fitting to the themes and the romance sub-plot that's always running underneath it all. Because the whole mix of this series' aesthetic, I guess, is a bit of a strange one. It's the 1920s of another universe, where dragons are real and almost every magical thing you can think of, but there's also a fantasy mafia of werewolves, but also a royalty plot, but also there's a cult, but also also there's romance and saving the world from great evil and prophecies. This is kind of why it has to be a series with shifting focus. And because the books follow Zena Moralis' journey through all that, I named each book, in order: The Return, The Rise, The Tragedy, and The Fall. With each book's purpose quite clearly, explicitly set out for both her and some other characters, including Geronimo.
Nearly a month ago, I decided I had to rewrite the draft I had because nothing was going the direction I wanted and since the months I had left it abandoned my style had changed and so had a lot of my ideas and direction. By then, I had quit things with my writing partner, and it helped spur on this idea that I wanted to make my series anew. It needed a new name. I actually recruited my sisters to help me when I was outlining in my notebook. I sat down on a bean bag and said I needed them to give feedback on some book title ideas I'd jotted down. From there, we narrowed the list and the themes and direction -- they insisted on knowing what the series is about, basically, and all the key events of each book -- and we came up with a new titles: Bones Of A God, Skin Of A Jewel Snake, Blood Of A Moon, and Heart Of A Clay Hourglass. From there we went: these are all ingredients to something, but what? And in the end, it was unanimous that this was what made a Moralis. Specifically, Zena Moralis. It's the weirdest, kind of hair-brained, out-there things considering I have not written out this entire series yet, but it made me decide that this would have to be the Moralis series. Because, Moralis: bones of a god, skin of a jewel snake, blood of a moon, and heart of a clay hourglass. Geronimo is indeed the other main character, but this is still Zena's story.
A lot of the original ideas have carried over, as you can see. If we played word association with how I think of the series, it'd look something like: hourglass, immortality, time, love, betrayal, politics, blood, forests, myths, gods, siblings, patricide, loyalty, swords, sun, compass, stars, void, war, grief, death. The very earliest draft I ever wrote of this was when I was about 13, and even back then there was political drama and looming war, but also love and, well, dragons and strange fantasy plants and pink bees that drink fruit juice that I called "berry blies". I have to say, 13-year-old me was on another level. And until now, I was planning to write this series as Young Adult and then let marketing put it into YA Fantasy or Sci-Fi or Supernatural or wherever it wanted the books to go. But with all the stuff I want to do, the topics and themes I want to tackle, it just makes more sense for it to be an adult series. I feel we have a lot of (possibly questionable at times) YA fiction books, and some trashy adult ones that are either too stuffy or full of toxic contemporary romance or just fairy porn. I know some that aren't (Leigh Bardugo's Ninth House and Hell Bent comes to mind) but I wanted to add to the area in my own way. Folks always say to write what you'd want to read, and I'd want to read adult fantasy, because I've grown past the teenager stage and, honestly, have been finding it harder to relate to some of those YA books even now when I've barely hit 20. Roundabout way of doing it, but this genre sort of change also influenced the titles.
Admittedly, the titles of the books feel like they border on too fantastical at times, but they fit better than the old ones did. It seemed too boring to have such plain titles.
All in all, my thoughts on how this has evolved is... it's kind of incredible. And I'm a little scared that the longer I leave this world and these characters (it's already been about 7 years), the more it will change still, and then I will never be done with it. I'm kind of at a point where I want these books done and out to the world so that I can have new ideas for new worlds and stop expanding this one, otherwise it feels like too big a beast for me to write, period. The way the titles have evolved reflect too how much more this series is coming into itself though. I build this story, of course, but at the same time the naming process and the writing feels kind of like an excavation where the more I write and alter things just a bit, the closer we get to the true image I see in my mind.
Anyway, sorry for a bonkers long response, whoops. Hope it answered your question! <3 (As you can see, I love rambling about my work)
#moralis series#bones of a god#skin of a jewel snake#blood of a moon#heart of a clay hourglass#zena moralis#moralis#geronimo#naming the series#writing
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(For the fandom meme!) 1, 12, 14, 22
(From this ask HERE)
Thanks for the ask, Shreedle! I'm so excited to answer!
Also, spoilers for the following series: SDR2 and Fruits Basket.
The character everyone gets wrong.
Teruteru Hanamura from SDR2. Look, everyone focuses on his perverted nature, which I do not blame them. The series goes out of the way to focus on that part of him quite heavily in the introduction and beginning part of SDR2.
What people neglect to see is the tragedy of Teruteru's backstory. All he wanted to do was cook and make his mother happy. He wanted to ease her burdens and pain. Sure, he embellished his accomplishments but he's a teenager. Of course he's going to hype himself up to be "cooler" because he's afraid of his peers rejecting him. Heck, adults do the same thing, so I do not hold that too much against Teruteru.
Canon also seems to ignore the potential Teruteru holds as the Ultimate Chef. Yes, they used it for Ch. 1 and the Trial, but there was so much more they could have done with it.
This has led me to form my Secret Teruteru Agenda. Every time I write him I write Teruteru as someone whose love language is food and cooking for his friends. I write him as a little flirty but as he grows older he realizes the errors of his perverted teenage self. Basically, I'm secretly 100% advocating Teruteru in my stories. I'm not sorry.
12. The unpopular character that you actually like and why more people should like them.
I'm not sure if I should read this as "a character that people find polarizing" or "a character most would not say are their favourite." Regardless, I'm going to answer both.
A character that I like but is polarizing is Akito from Fruits Basket. I'd never, EVER try to defend Akito's actions through majority of the series. What Akito does to the Soma family, particularly the Zodiac + Tohru is unacceptable. Akito is an abusive, horrible monster through the entire series and I'm perfectly fine with multiple characters not forgiving Akito in the end. What I can say about Akito however is, I find the parallel of Akito's backstory to the Zodiac fascinating.
The Zodiac in Fruits Basket ultimately represents "immortality" and "never changing". Change is a part of life and the Zodiac not allowing relationships to organically grow ultimately makes it a curse.
Akito is a victim of parental abuse and neglect from her mother. Studies show that victims of abuse are likely to continue the cycle, thus creating something that never changes.
Again, not trying to excuse Akito's actions. Just saying I find the parallels to Akito and the Zodiac very fascinating. I also think Akito has a lot of character depth to explore, which I'm glad the series tried to touch upon.
For a character that most wouldn't say is their favourite but I like, I pick Hirotsu from Bungou Stray Dogs. I love older characters who are badass. I also love that he's had to deal with a lot of BS (from Soukoku) yet he has survived that era of his life.
14. That one thing you see in fics all the time
Well, this ask is called "choose violence" ask game so I think this means I can complain about the main thing that turn me off from a fic? If so...
Dialogue not on a different line. Please, I already have to suffer through this pain at work at least twice a year. Don't do this to me during my free time.
22. Your favourite part of canon that everyone else ignores
My favourite part of canon that most ignore is when I see regular characters in a fantasy/shonen/magical power setting and I think "I wonder what they think of the situation?" It doesn't matter if they don't know or know if the main characters have powers or not. I'm just so into Outsider POV as a writing trope that I consistently think this. Bonus points when the magic is a secret though. I love that with all my heart.
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About time I introduce myself
TL;DR Luna's nonsense about herself. Feel free to reblog!
If you're looking for my original posts or my fics:
The tags are #psyluna.txt (for fandom info posts, writing tips, and posts like this one it's the first but you get the idea) and #psyluna.fic (for fanfiction). #psyluna.ask is for ask games and answers. #psyluna.png is for image edits, art, and memes.
The tag for when I get fanart is #I GOT ART. Bless all the people who have ever made something for me, I would like to give you the entire planet, but I'm poor, and taking care of a planet is too much work. So all I can give you is more fanfiction.
If I translate something that's not my work, the tag is #translation I just did.
From lurker to occasional reblogger to regular shitposter to… I don't know. The sky is the limit. Nice to meet you! I created this account in 2019, together with my return to posting fanfiction. I wrote fanfiction on again, then off again, for years, since I first picked it up at the fresh age of ten.
I was never a people person, nor did life make me a public figure, thank goodness. I'm not made for the spotlight, so I didn't see a point in blogging here myself. Anyway. I wanna do it now. Buckle up.
My name: the IRL one is so lame that I won't tell you. Call me psy, luna, or psyluna, as you wish. It fits me better.
My age: I was born in 1995, just so that I don't have to update this yearly.
Pronouns: I go by she/her. Gender is a myth. So is being internet famous.
My home country: I hail from not-so-distant, not-so-unknown Brazil.
Languages I speak: English is my second language (Portuguese is my first), and as per local standards, I can speak and write in English quite well. Before you ask, I write fanfiction in Portuguese and translate later, for reasons I'll disclose if anyone asks. I had basic Spanish in school and can still read/listen to it okay, can't write/speak it anymore. Japanese is my hobby language of choice. I plan on becoming more proficient if everything goes right.
My writing: it was always my favorite way to express myself. It's how I organize my thoughts and communicate with the world. Consequently, I wrote lots and lots all my life, even if not fanfiction, just personal vents. I got better in speaking out loud as I became more confident, less self-loathing, and ran out of fucks to give.
Should you talk to me: I enjoy chatting more than I enjoy people. It's not that I don't like people… Okay, let's not lie here. People are troublesome, even myself. I'll willingly talk to people who talk to me, and even start conversations at times, but getting attached and forming bonds isn't a default expectation. That said, if you wanna talk to me, please do.
Miscellaneous: I was somewhat raised by the 2000s internet. Meaning, I was there for a lot of memes and chaos, too. I miss some things and not others.
You won't see me engage with drama and discourse a lot. I keep many personal opinions private or restricted to close friends, as one should separate personal life from public life. To be honest, no one cares much what I think (again, thank goodness). Won't ever bother putting up a DNI list.
I usually follow back. If your blog is blank (as in you don't reblog anything), I might follow back if I know who you are.
Among other artsy things I like doing: drawing (not too well), singing (okay to well), playing a few instruments (okayish), typesetting (pretty well, actually). If cooking counts, then cooking.
My fandoms: I've been obsessed with lots of things along the years. For every phase, I bookmarked lots of fanart and wrote a bit of fic. My interests come and go. They're mostly anime/animated series and video games. I'm also a “mild kpopper” and a dormant rock/metal enthusiast.
My favorite characters: too many to count. They mostly fit the “well-meaning but kind of a jerk” archetype. They don't have to be morally gray, but can be. I don't vibe with stupid characters a lot. My favorite works of fiction are a bit or very tragic. I love bishounen/bishoujo in character design. My ships are based on if I like the chemistry, not much on the characters' genders.
As for my writing strengths: I'm good at putting one word in front of another and finding mistakes. That's the gist of it. Many writers struggle with low productivity and procrastination, and that isn't my curse, fortunately. I can work with a preexisting idea and propose solutions, maybe even add a thing or two. I'm also very critical of things and quick at noticing patterns.
As for my writing weaknesses: I don't think my ideas are too innovative, and while that doesn't matter a lot in the bigger picture, it makes me a little sad. I recycle ideas and themes a lot and hope no one notices. Whenever I'm forced to create, instead of working with preexisting things, I go ughhhh. I used to joke about how I had one idea worth writing every six months. It's been different these days, and I took notes of all nice ideas I've been having, but it's pretty recent. I'm also bad with prompts I don't click with.
The rest like prose, characterization, style, etc. is up for debate, and to some degree, a matter of personal taste. I like to think I can adapt to the needs of whatever I'm writing.
Do you write original fiction? Yes! I'm just not very far into them. I won't disclose much about it, though. Not now, at least. Some are more slice-of-lifey, others are more fantasy-like.
You can find my compiled social media and writing profiles in this carrd. If you don't feel like clicking on the carrd, here are the fic sites:
Archive Of Our Own (most up-to-date, missing older works and personal vents)
Fanfiction dot net (not very up-to-date because I hate this website)
+Fiction, formerly Nyah! Fanfiction (in Portuguese only, has lots of old stuff and vents)
I have a Wattpad account with nothing posted.
I'm used to talking about myself, since nine times out of 10 I'll be brooding in the corner and people get curious. I don't know why exactly that is. Hope you could get to know me better!
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hello! its paper. been a while hasnt it? i keep meaning to send an ask just to say "hi! im still here!" but i keep forgetting. so i figured id send one now! i do have a sort of question tho. i havent been too aware of your recent interests but the newest one, team starkid i think it is, does seem cool. theyre like musicals right? so im asking if theres like a specific one i should start with first or if i can just go to whatever basically. bonus points for summaries of the plots :]
PAPER ANONNNN ITS BEEN SO LONG ITS NICE TO SEE U AGAIN!!!!!!! hope ur well!!! u caught me at the perfect time actually i am in the exact mood to activate Infodump Attack
SO !! team starkid !! they r a group who writes & performs original musicals. these range from parodies like Twisted (Aladdin, but from Jafar's POV) to the thing theyre most known for- the Hatchetfield universe
Hatchetfield is the name of a town on a fictional island in Lake Michigan in which this series/these musicals take place. Within the Hatchetfield universe there is TGWDLM, Black Friday, and Nightmare Time. Everything in the Hatchetfield universe is best described as horror comedy, and it does get quite dark at times.
TGWDLM (which stands for The Guy Who Didn't Like Musicals) is where I would recommend you start. It's the easiest for a new Starkid viewer to understand, is almost entirely self-contained (bonus lore from other content is FUN but not at all NEEDED or important to understanding anything). It tells the story of Paul, the titular Guy Who Doesn't Like Musicals, and what happens to him when a meteor crashes into Hatchetfield and causes everyone to start singing and dancing! I would honestly recommend it anyways just because it's a really fun watch regardless. Warnings: guns, character death, [fake] blood & guts, body horror, mind control. Also, a song near the beginning has very explicit (sexual) lyrics.
Black Friday is best viewed as a sequel to TGWDLM. It gets a little more into the lore and sets up more of the overarching world. I honestly like Black Friday better than TGWDLM, but it is also even darker & more lore-heavy. Also it can be confusing on your first watch. It follows various citizens trying to buy a new toy called a Wiggly for Christmas, and the subsequent events that causes. Warnings: death, [fake] blood (not a ton! Less than TGWDLM), what could easily be seen as mob mentalities/near mind control, guns, what could be seen as stalking/hunting people.
Nightmare Time is best seen as a series of podcasts/seperate "episodes." You can listen to just the audio if you want, you won't miss anything important (although the actors are AMAZING so I would definitely say watching it is worth it). There are two seasons, which have 3-4 episodes each. They elaborate a LOT on the lore/world of Hatchetfield. If you need individual tws, they should be in the video descs. I will warn you the Hatchetfield series is very dark. I love it and it is a LOT of fun though! Latte Hatte is the #4 cause of my homosexuality (/silly). also nb rep that i as a nb person very much enjoy!! also more of lauren lopez being iconic. also a KILLER theme song.
Also recommended outside of Hatchetfield are Trail to Oregon & Firebringer. I personally don't love the amount of toilet humor in Trail to Oregon, but it's still a fun musical and the acting is phenomenal as always. Firebringer has iconic songs, a HILARIOUS narrator character, leabians, and Lauren Lopez as the lead. there is literally nothing more you could ask for. it's perfect. Gods I love Lauren Lopez she's so iconic.
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