comics as an art form make me insane. they’re so difficult to do well. there’s so many different ways to make sequential art work and most of them are deeply unintuitive. onomatopoeia that feels completely ridiculous to put down often reads seamlessly. panels on a page become a fractally nested image composition challenge that’s only possible to lose because if you do a good job no one will notice. you have to direct the readers’ eyes on a specific path across the page but also account for the fact that they won’t follow it. comic time isn’t linear. if the order of events isn’t crystal clear the story becomes incomprehensible. sometimes you need to do this on purpose. all this for a medium almost universally considered less effective than animation and less respectable than plain text. even its own name doesn’t take it seriously
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I love how TLOU HBO uses colors…
Before Sarah dies the colors are a lot warmer, a lot “kinder”, almost
But when she dies, and it transitions to present day, the colors get colder. More stark.
But Ellie’s colors are warm
And you see that contrast…
…then you see their color schemes come together
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Eyes Wide Shut (1999) dir. Stanley Kubrick
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realized that both the beginning and the end of the happy paris stage of Loumand's relationship has this same contrasting orange to blue/green color scheme. and like. the visual metaphor of Armand literally leaving his cold, lifeless world behind him and choosing the bright, golden warmth of life with Louis instead of killing him like he was supposed to in that tunnel. but as soon as he chooses the coven over Louis, he separates from the warmth like oil in water that was never supposed to be there. and now he's back out in the cold. I'm normal about this, btw.
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The Adventures of Baron Munchausen (1988)
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