Text
THE SAG AFTRA STRIKE IS OVER
OH MY GOD
THIS IS NOT A DRILL. THEY GOT A FAIR DEAL. FILMING SOON FOR ST
#byler#stranger things#sag aftra#sag strike#im actually in denial#the official website says its over#officially ending on the 9th#if im wrong please lmk#OH MYGOD
112 notes
·
View notes
Text
I really do need to talk about how I feel Luka, Mizi, and potentially Ivan are genetically engineered in some form, sjfkskckwk-
#dee p thoughts#like theres been imagery here and there but its like. time and energy nscjdjckd-#and the whole point is that theyre kind of like. show dogs cjsjfjsjdkw#mizi is the most blatant as much as they may try to pass her off as main character syndrome she had pink hair as a kid and the blue was dyed#on AS AN ADULT...#I will never get over how theres CURRENTLY a section/advertisement on the official alnst website for the ''Human Multi-shop'' saying#''Choose whatever you like.'' under a picture with dna on it AND UNDER IT IS LUKA...#fine this can go in the tag#alien stage#vivinos#alnst
17 notes
·
View notes
Text
YOUTUBE MUSIC
Hey! The ellipsis button (⋮) is broken!! AGain!! I just realised The Existential Threat by Sparks has an official album version and I'm trying to clean up my halloween playlist by replacing videos with actual official releases, but I CAN'T!!!! FIX UR SITE
#youtube music#yt music#rant#/hj#i say that cuz obviously youtube music or youtube or google or alphabet or whoever works on the website version of youtube music obviously#ren't on tumblr and it's a joke but i've got an irrational fear that it'll be taken as me being internet illiterate because that has happen#d to me multiple times and then i add a bit saying im not serious and then people are like “i get that nitwit” (paraphrasing) but ig it has#'t happened to me on tumblr yet so um#what was i saying?? oh yeah yt music is a necessary evil#walkertalkers#btw if ur on android then you can go onto the website of youtube music and click the ellipsis button by the link itself of the website like#to the right of the url and then you can just get the website as an app instead of whatever the yt music app team cooked up and i think it#sed to have that as a feature on chromebooks but it disappeared once the actual app version released but idk i've already got it#youtube music is good because you can listen to songs on it that aren't officially released like take on me literal edition by DustoMcNeato#or the most mysterious song on the internet (which i'll add to my halloween playlist once the ELLIPSE BUTTON WORKS!!!!!!!!!!!!) but it sux#uz it's a subsidiary of youtube (proper) whcih is so glitchy like for example i watch my videos on youtube (proper) at 2x speed but on cons#le or tv the video and audio don't sync and now i've been getting my ads on youtube (proper) at 2x speed which like props youtube if its on#purpose but it probably isnt because google is evil and its nice but i get music videos as ads on youtube (proper) (and also yt music but t#at doesn't matter cuz you don't have speed modulation on yt music cuz that'd be stupid) and so i can't hear the song right cuz IT"S AT 2X S#EED!!!!!!!!! by the way watching youtube at 2x speed is good cuz double the content per time but also don't do it because it screws over cr#ators cuz watch time.#i should probably stop listening to the existential threat by sparks on repeat
6 notes
·
View notes
Text
playing science telephone
Hi folks. Let's play a fun game today called "unravelling bad science communication back to its source."
Journey with me.
Saw a comment going around on a tumblr thread that "sometimes the life expectancy of autism is cited in the 30s"
That number seemed..... strange. The commenter DID go on to say that that was "situational on people being awful and not… anything autism actually does", but you know what? Still a strange number. I feel compelled to fact check.
Quick Google "autism life expectancy" pulls up quite a few websites bandying around the number 39. Which is ~technically~ within the 30s, but already higher than the tumblr factoid would suggest. But, guess what. This number still sounds strange to me.
Most of the websites presenting this factoid present themselves as official autism resources and organizations (for parents, etc), and most of them vaguely wave towards "studies."
Ex: "Above And Beyond Therapy" has a whole article on "Does Autism Affect Life Expectancy" and states:
The link implies that it will take you to the "research studies" being referenced, but it in fact takes you to another random autism resource group called.... Songbird Care?
And on that website we find the factoid again:
Ooh, look. Now they've added the word "some". The average lifespan for SOME autistic people. Which the next group erased from the fact. The message shifts further.
And we have slightly more information about the study! (Which has also shifted from "studies" to a singular "study"). And we have another link!
Wonderfully, this link actually takes us to the actual peer-reviewed 2020 study being discussed. [x]
And here, just by reading the abstract, we find the most important information of all.
This study followed a cohort of adolescent and adult autistic people across a 20 year time period. Within that time period, 6.4% of the cohort died. Within that 6.4%, the average age of death was 39 years.
So this number is VERY MUCH not the average age of death for autistic people, or even the average age of death for the cohort of autistic people in that study. It is the average age of death IF you died young and within the 20 year period of the study (n=26), and also we don't even know the average starting age of participants without digging into earlier papers, except that it was 10 or older. (If you're curious, the researchers in the study suggested reduced self-sufficiency to be among the biggest risk factors for the early mortality group.)
But the number in the study has been removed from it's context, gradually modified and spread around the web, and modified some more, until it is pretty much a nonsense number that everyone is citing from everyone else.
There ARE two other numbers that pop up semi-frequently:
One cites the life expectancy at 58. I will leave finding the context for that number as an exercise for the audience, since none of the places I saw it gave a direct citation for where they were getting it.
And then, probably the best and most relevant number floating around out there (and the least frequently cited) draws from a 2023 study of over 17,000 UK people with an autism diagnosis, across 30 years. [x] This study estimated life expectancies between 70 and 77 years, varying with sex and presence/absence of a learning disability. (As compared to the UK 80-83 average for the population as a whole.)
This is a set of numbers that makes way more sense and is backed by way better data, but isn't quite as snappy a soundbite to pass around the internet. I'm gonna pass it around anyway, because I feel bad about how many scared internet people I stumbled across while doing this search.
People on quora like "I'm autistic, can I live past 38"-- honey, YES. omg.
---
tl;dr, when someone gives you a number out of context, consider that the context is probably important
also, make an amateur fact checker's life easier and CITE YOUR SOURCES
4K notes
·
View notes
Text
ok so putting together a really good climbing system would be the most complex thing ive done
#its just...a lot#if i copied over all the cplusplus i wouldnt understand the extra steps.... i wouldnt be able to debug it if anything went wrong....i might#have to build a simpler (but still very complex) climbing system and improve it with the clearly superior logic in the cplusplus version -#like seriously this person has gone over all edge case - and it really does look very very good#ugh this is a huge subproject.....all for some climbing............all for some climbing#to which i will then need to add a dash and somehow find out how to disable the normal climbing haha#truly this is the reason that i think; maybe its agood thing i didnt go into IT and developing websites or whatever because damn - my#maths disability makes things really hard#not arithmatic - maths.....#i say disability i mean inability no official disability or anything but compared to people who CAN do maths it is basically a disability#i simply cannot do it#maths operations are a black box to me#my stuff#personal#dont wanna open unreal engine because the computer will freak....sigh
1 note
·
View note
Text
i keep seeing posts about BDS going around, so im making one of my own that says why BDS is calling for certain brands to be boycotted because for some reason no post going around says that information except when it comes to mcdonalds?
links to pages about it on the BDS website will be provided
transcripts in alt text
link
link
link
i wrote this post because i saw a post saying "only boycott these three companies to help palestine!" but the three companies listed arent even on the official BDS websites list (which you can find here), which i found very bizzare
also, on the BDS websites list of companies to boycott, theres a link to connect with BDS organizations in your country to know any brands in particular being targetted in your country. it requires you to input your email, so do be aware of that
personal note thats not required for the post under a readmore. if a palestinian comes on this post you must listen to them over me as i am canadian
post written november 1st 2023
(and, a personal note: while its not stated on the page, any money earned from purchasing israeli fruits and vegetables would probably, well, go to israel, and any that the government collects from the sales would likely also be used to produce weaponry to be used against palestinians. thats actually why i assumed israeli fruits and vegetables was being boycotted before reading the page! although, of course, since its not listed on the page and i dont know much about government take this personal note with a grain of salt and critical thinking)
3K notes
·
View notes
Text
So apparently the version of the "Isn't It Bromantic" interview that gets passed around isn't the full thing
So after seeing a tumblr post I can't find, about two and half hours of intensive internet digging, and one purchase from a sketchy second-hand site later (full story under the cut, I promise it's interesting, but also long), I got the physical magazine and scanned it
So here you go: the full "Isn't It Bromantic?" TV guide interview with Robert Sean Leonard and Hugh Laurie
Feel free to repost wherever you want- I want people to be able to find the full thing
SO, as for how I found it:
I saw this tumblr post forever ago that I can't find anymore because tumblr is just Like That with a cropped screenshot of an interview with Hugh Laurie and Robert Sean Leonard. In the interview, they're asked about the "bromance" between their two characters. Leonard makes an annoyed comment about how "everyone [is] obsessed with homosexuality", followed by the interview apologizing and Laurie immediately jumping in with, "No, no, let's talk about it. Wilson and House have an unusual relationship so you have to explore…" and the screenshot cuts off there. Cue funny comment from the OP about the interaction, roll credits.
Except, as these things tend to do, it ended up becoming a bit of a brain worm, and I wanted to find it again. But I couldn't find the tumblr post. I looked absolutely everywhere, and in the process of looking everywhere, I found what I thought was the original interview- a blog post with the full quote from the actor. I didn't think too much about it, I figured it was just a short quote given to a popular blog in 2008. There's a magazine cover above it, but I don't think too much about it, because I'm focusing on the quotes in the article instead of the rest of it.
So I send screenshots to a couple friends to make jokes, and it probably should have died there.
However, late at night I end up thinking about that interview again, because of course I did. I start to think about how it's weirdly formatted for, what I assumed at first reading, was just an entertainment news blog reaching out for comment and getting a response. So I pull up the screenshots of the article (because weirdly enough, the old-ass blog only loads on mobile) and look at it again.
This is when I realize that this isn't an original piece from a blog interviewing these two after reaching out for comment. This is a blog post quoting and commenting on a full interview from a magazine, which I had originally thought had just been the inspiration for the piece.
So naturally, I go looking for the magazine.
Luckily, the name of the magazine is displayed on the cover, and so is the title of its main piece. This should be easy to find, right?
Wrong.
This is an interview in a physical magazine. From 2008. October 13th, 2008, to be exact.
I know this exact date because searching the article title and magazine name leads me to an archive on the TV Guide website.
Of covers.
And nothing but covers.
I spend like forty-five minutes searching everywhere I can think of on the web. Internet Archive, the TV Guide website, any search result that comes up when I search any combination of the words "House" "Interview" "Bromantic" "Bromance" "TV Guide" "Archive" etc. Over and over, all that's coming up are that original blog post and the cover from the official gallery.
The only things I could find online were:
The cover and date of the issue on the TV Guide website
The original blog post that was screenshotted in the original tumblr post
Another blog post that had a much shorter version of the quote, references something Leonard says from later in the article, and makes a comment on the nature of his reaction to the term "bromance"
An entry on Leonard's IMDB page's "interview" list mentioning it in title only
And:
5. A single listing for the issue on what seemed to be a second-hand site that looked like it hadn't had its UI updated since the mid 2000's, with a listing with no date or additional information besides what issue it is.
This is the only listing anywhere. I checked every other second-hand site I could think of, and then some that only came up through google searches. There's not a single listing for that issue on any of them. There were plenty of listings of TV guide magazines, including one that seemed promising because it included issues from that year, but it was missing all of October.
It seemed like the only listing for this issue on the entire internet was this one copy on this one obscure website. For all I know, this was listed in 2008 and abandoned, and just never got marked inactive. It could also be a complete scam.
A few quick google searches show that that website seemed to be legit, albeit a bit loose on quality control (which makes sense, this website seemed like the kind of thing you'd have to use the Way Back Machine to access). It also had an option to pay via PayPal, which meant I could file a chargeback if need be.
It was $11.50 when you include shipping.
So at about half past midnight, I bought the listing.
Naturally, about an hour later, I manage to actually find a scan of the interview. I had to follow a link in the comments of a post on FanPop, taking me to an old wordpress blog, and I'm sitting in front of the damn interview at last.
But something doesn't make sense. Why would their cover story only be two pages of text that aren't even full pages, and why would it cut off so strangely? There was no concluding sentence or paragraph, even though it started with a fairly long lead-in. It also led right up to the edge of the page, which felt like there should be more to it. There were more images in the interview than text, and the fact that there are so many of them and they clearly did a whole photoshoot indicated that they had them on hand for a while. The silly string one, for instance, I imagine probably had to require a couple takes, which means cleaning off Wilson's hair and face, adjusting makeup, etc. for it. Meanwhile, the conversation itself seems like it could have taken ten minutes total. I could have been totally wrong and that was where the article ended, but I couldn't shake the feeling that there might be more.
So I hold tight. A couple days pass with no update, and then the PayPal purchase gets updated with a tracking number. Promising, but it could still be a scam. Whether or not I get the actual magazine becomes a source of anxiety for the next week.
Until today, when I get told it was delivered. And when I opened the envelope it was sent in: there it was.
When I tell you I was happy stimming in my bedroom just holding the damn issue in my own hands... And then opening it and finding out that I was right, there was a missing page... I was elated. I still am, just typing this.
So I spent half an hour getting my scanner to work, and I give you the above issues.
Like I said above, feel free to repost however and wherever you want. I want all this to mean something.
In the meantime, I have two more House-themed TV Guide magazines coming to try and get articles from.
#i am so psyched to have found this you have no idea#house#house md#hatecrimes md#malpractice md#gregory house#james wilson#hugh laurie#robert sean leonard#tv guide#magazine#interview#house interview#isn't it bromantic#hilson
3K notes
·
View notes
Text
"In an unprecedented step to preserve and maintain the most carbon-rich elements of U.S. forests in an era of climate change, President Joe Biden’s administration last week proposed to end commercially driven logging of old-growth trees in National Forests.
Secretary of Agriculture Tom Vilsack, who oversees the U.S. Forest Service, issued a Notice of Intent to amend the land management plans of all 128 National Forests to prioritize old-growth conservation and recognize the oldest trees’ unique role in carbon storage.
It would be the first nationwide amendment to forest plans in the 118-year history of the Forest Service, where local rangers typically have the final word on how to balance forests’ role in watershed, wildlife and recreation with the agency’s mandate to maintain a “sustained yield” of timber.
“Old-growth forests are a vital part of our ecosystems and a special cultural resource,” Vilsack said in a statement accompanying the notice. “This clear direction will help our old-growth forests thrive across our shared landscape.”
But initial responses from both environmentalists and the logging industry suggest that the plan does not resolve the conflict between the Forest Service’s traditional role of administering the “products and services” of public lands—especially timber—and the challenges the agency now faces due to climate change. National Forests hold most of the nation’s mature and old-growth trees, and therefore, its greatest stores of forest carbon, but that resource is under growing pressure from wildfire, insects, disease and other impacts of warming.
Views could not be more polarized on how the National Forests should be managed in light of the growing risks.
National and local environmental advocates have been urging the Biden administration to adopt a new policy emphasizing preservation in National Forests, treating them as a strategic reserve of carbon. Although they praised the old-growth proposal as an “historic” step, they want to see protection extended to “mature” forests, those dominated by trees roughly 80 to 150 years old, which are a far larger portion of the National Forests. As old-growth trees are lost, which can happen rapidly due to megafires and other assaults, they argue that the Forest Service should be ensuring there are fully developed trees on the landscape to take their place...
The Biden administration’s new proposal seeks to take a middle ground, establishing protection for the oldest trees under its stewardship while allowing exceptions to reduce fuel hazards, protect public health and safety and other purposes. And the Forest Service is seeking public comment through Feb. 2 (Note: That's the official page for the proposed rule, but for some reason you can only submit comments through the forest service website - so do that here!) on the proposal as well as other steps needed to manage its lands to retain mature and old-growth forests over time, particularly in light of climate change.
If the Forest Service were to put in place nationwide protections for both mature and old-growth forests, it would close off most of the National Forests to logging. In an inventory concluded earlier this year in response to a Biden executive order, the Forest Service found that 24.7 million acres, or 17 percent, of its 144.3 million acres of forest are old-growth, while 68.1 million acres, or 47 percent, are mature."
-via Inside Climate News, December 20, 2023
-
Note: This proposed rule is current up for public comment! If you're in the US, you can go here to file an official comment telling the Biden administration how much you support this proposal - and that you think it should be extended to mature forests!
Official public comments really DO matter. You can leave a comment on this proposal here until February 2nd.
#united states#us politics#conservation#climate change#sustainability#forests#old growth forest#national forest#carbon emissions#climate action#climate crisis#forest service#biden#biden administration#public comment#good news#hope#it took me soooo long to hunt down the actual public comment link#by which I mean like 10 minutes but like#that's too long! especially considering I am way better at navigating language and bureaucratic websites like this#than A LOT of people#why tf can't you just comment on the Official Website For Public Commenting?#aka regulations.gov#baffling#anyway the good news is I did find it so pls do go ahead and submit a comment if you can
3K notes
·
View notes
Text
Recent Developments Regarding KOSA (February Edition)
Some folks may have been following the recent congressional hearings on internet content and content handling, which involved big names in the industry. Given both the topic and the timing, it comes as no surprise that some of those involved in it have been trying to push the Kids Online Safety Act both in terms of congressional and public support. It's gone through some superficial changes but the heart of the legislation that makes it a threat to free speech on the internet is the same.
Quick reminder that if it does pass into law, it will allow various states to:
Block access to / sue the providers of any information on abortion resources
Block access to / sue the providers of any information on gender affirming care and transition resources
Censor any talk of what is happening in Palestine / Sudan / other regions threatened by genocide, as well as any protests against such treatment
Monitor and surveil internet use in general, both in terms of what people say and in what they search for
Allow state attorneys general the power to arbitrarily criminalize content with no appeals process
Allow conservative states to get a head start in pushing their Project 2025 agendas
The good news is that this legislation has been pushed back over and over again throughout the whole of 2023, and 2024 is an election year with a LOT of seats up in the air, meaning that the danger of losing voter support carries much more weight than it normally does. In other words, we pushed this back before and we can do it again. You can find the contact information for the senators from your state at the official Senate website, and given the timing of the hearings any such calls / messages / letters should have a somewhat greater impact than they otherwise might.
Remember to be polite and respectful, and to phrase your concerns in such a way that it aligns with the politics of the senator you are calling; conservatives WANT to restrict access to stuff like abortion services and HRT, so you have to scare them with something else, like gun control. Be sure to do your research on who and what has bought your senator and tailor your complaints accordingly for maximum impact. For most democratic senators, the abortion rights issue might be enough on its own, since they've been watching the GOP step on that rake every election since the Supreme Court overturned Roe v Wade and they want that to work for them, not against them.
2K notes
·
View notes
Text
See, here's the thing about generative AI:
I will always, always prefer to read the beginner works of a young writer that could use some editing advice, over anything a predictive text generator can spit out no matter how high of a "quality" it spits out.
I will always be more interested in reading a fanfiction or original story written by a kid who doesn't know you're meant to separate different dialogues into their own paragraphs, over anything a generative ai creates.
I will happily read a story where dialogue isn't always capitalized and has some grammar mistakes that was written by a person over anything a computer compiles.
Why?
Because *why should I care about something someone didn't even care enough to write themselves?*
Humans have been storytellers since the dawn of humankind, and while it presents itself in different ways, almost everyone has stories they want to tell, and it takes effort and care and a desire to create to put pen to paper or fingers to keyboard or speech to text to actually start writing that story out, let alone share it for others to read!
If a kid writes a story where all the dialogue is crammed in the same paragraph and missing some punctuation, it's because they're still learning the ropes and are eager to share their imagination with the world even if its not perfect.
If someone gets generative AI to make an entire novel for them, copying and pasting chunks of text into a document as it generates them, then markets that "novel" as being written by a real human person and recruits a bunch of people to leave fake good reviews on the work praising the quality of the book to trick real humans into thinking they're getting a legitimate novel.... Tell me, why on earth would anyone actually want to read that "novel" outside of morbid curiosity?
There's a few people you'll see in the anti-ai tags complaining about "people being dangerously close to saying art is a unique characteristic of the divine human soul" and like...
... Super dramatic wording there to make people sound ridiculous, but yeah, actually, people enjoy art made by humans because humans who make art are sharing their passion with others.
People enjoy art made by animals because it is fascinating and fun to find patterns in the paint left by paw prints or the movements of an elephants trunk.
Before Generative AI became the officially sanctioned "Plagiarism Machine for Billionaires to Avoid Paying Artists while Literally Stealing all those artists works" people enjoyed random computer-generated art because, like animals, it is fascinating and fun to see something so different and alien create something that we can find meaning in.
But now, when Generative AI spits out a work that at first appears to be a veritable masterpiece of art depicting a winged Valkyrie plunging from the skies with a spear held aloft, you know that anything you find beautiful or agreeable in this visual media has been copied from an actual human artist who did not consent or doesn't even know that their art has been fed into the Plagiarism Machine.
Now, when Generative AI spits out a written work featuring fandom-made tropes and concepts like Alpha Beta Omega dyanamics, you know that you favorite fanfiction website(s) have probably all been scraped and that the unpaid labours of passion by millions of people, including minors, have been scraped by the Plagiarism Machine and can now be used to make money for anyone with the time and patience to sit and have the Plagarism Machine generate stories a chunk at a time and then go on to sell those stories to anyone unfortunate enough to fall for the scam,
all while you have no way to remove your works from the existing training data and no way to stop any future works you post be put in, either.
Generative AI wouldn't be a problem if it was exclusively trained on Public Domain works for each country and if it was freely available to anyone in that country (since different countries have different copyright laws)
But its not.
Because Generative AI is made by billionaires who are going around saying "if you posted it on the Internet at any point, it is fair game for us to take and profit off," and anyone looking to make a quick buck can start churning out stolen slop and marketing it online on trusted retailers, including generating extremely dangerous books like foraging guides or how to combine cleaning chemicals for a spotless home, etc.
Generative AI is nothing but the works of actual humans stolen by giant corporations looking for profit, even works that the original creators can't even make money off of themselves, like fanfiction or fanart.
And I will always, always prefer to read "fanfiction written by a 13 year old" over "stolen and mashed together works from Predictive Text with a scifi name slapped on it", because at least the fanfiction by a kid actually has *passion and drive* behind its creation.
274 notes
·
View notes
Text
𝐭𝐡𝐞 𝐧𝐨𝐫𝐭𝐡 𝐟𝐚𝐜𝐞 [gojo satoru]
synopsis: in every other universe and lifetime he has yet to lead, megumi will always cherish the painfully brief time he felt the warmth of a proper family and would have gladly referred to himself as the son of the strongest.
pairing: gojo satoru x f!reader | song inspo: chemtrails over the country club, scott street | visuals: megumi’s jacket
warnings: angst-ish, canon-compliant violence (mostly caused by our pookie wookie megumi who doesn’t tolerate scumbag bullies), mentions of bullying, and possible (bc i’m delulu) character death. | a/n: i just want megumi to have one last moment with his dad please, gege, i’m on my knees here. also hehe, get the title? ya’ll get it? someone please shove that arctic-haired freak to the NORTH! 🥹
Nobara Kugisaki is the classic definition of an Instagram girlie with a passion for fashion.
Honestly, she could appropriately appraise clothes without a second glance, and she could differentiate big fashion brands just by the fabric and silhouette alone even without a brand logo.
It happened on a Monday afternoon while she and Yuji were having a quick coffee in the lounge. Yuji is currently playing one of his Nintendo Switch MMORPG games that he bought from the mall last Saturday while Nobara was scrolling through her phone, swiping left as she watches her mutuals’ Instagram stories. The trio is incomplete today since Megumi mentioned he’ll be running some errands with you and Satoru today.
After positively getting envious of Mei Mei’s supposed extravagant shopping trip in Ginza today, Kugisaki promptly mutes any stories from her for a full twenty four hours. Then, as she swipes left yet again, she nearly drops her phone on the ground which would pretty much set her off on a rampage because she just got its LCD screen fixed. But luckily, she holds onto it.
“Fushiguro has an Instagram account?!”
Yuji himself hits pause on the game he’s playing and leans over the table to see what Kugisaki is talking about. No way. Fushiguro? That sulky, couldn’t-be-bothered-to-care-but-I-actually-do-care embodiment of teenage angst having an Instagram handle? What would he even post on there?
Their questions are answered as Fushiguro’s feed pops up, and it’s filled with his pictures, but that’s not the issue. The two dunderheads didn’t seem to mind that in every photo, Megumi looked like a magazine cover boy, what caught their attention is the apparel he’s wearing.
“What the hell?! He’s wearing Arc’teryx?” Kugisaki couldn’t believe it. She zooms in on the candid shot of Megumi in what looks to be a ski resort and an audible gasp escapes her throat. No way. No frigging way. She does a quick image search and sure enough, she is redirected to Arc’teryx’s official website. See? Kugisaki never misses when it comes to fashion.
Yuji’s eyes nearly pop out of their sockets when he sees the price tag. “One thousand five hundred US dollars?!”
“And look at this! He’s literally tagged in Gojo and Y/N-sensei’s stories.”
Sure enough, the first they see is Satoru’s story which has a video of you picking out new clothes from the rack for Megumi to try on in the fitting room. You looked so cute and teeny tiny next to the teenager and Kugisaki giggles at the thought you walking around with two literal giants in the mall, one of them being your ward and the other, your arctic-haired husband of three years.
“There’s another one!” Itadori says excitedly. The next is a story you took, it’s a photo of Megumi and Gojo, their backs turned and their hands fully occupied by shopping bags, seemingly unaware of the camera. In the photo, they’re checking out new sneakers in Onitsuka Tiger’s storefront window. In a flash, Kugisaki switches off her phone, and immediately begins to head out the door. “Hey, where’re you going?”
Nobara knows that particular galleria, it should be in Tokyo Midtown. “Out, maybe I could borrow Gojo-sensei’s or Y/N-sensei’s credit card!”
“Are you sure you don’t need me to come along?”
Gojo chuckles under his breath. It’s honestly amusing how you won’t normally ask that, given his newfound title as the strongest Jujutsu sorcerer of this generation. A skirmish with a grade two cursed spirit? Pfft. That’s practically child’s play to your white-haired boyfriend. A rogue grade one cursed spirit that turned out to be a special grade? Maybe you’ll sneak some bandages in his bag just in case. Bottom line is you wholeheartedly trust Satoru will always make it out of a mission in one piece.
But here you were seemingly more tense than usual which is incomprehensible because today’s hardly dangerous mission is simple.
Track down the son of Toji Fushiguro.
“I think I got it, babe.” Satoru leans his head in through the rolled down car window to plant a kiss on your forehead. He pats your cheek lovingly, setting off in the direction of the house after taking one last confirmatory look at the address written down in the file sheet. “Well, let’s hope he’s nothing like his dad. Promise you’ll check on me if I don’t come back in an hour?” he teases.
You lightly slap his wrist. Sometimes you wonder how you fell in love with this literal man-child. He’s just so insufferable. Gorgeous in every way but insufferable all the same. “I’m pretty sure a six-year-old boy isn’t gonna try to murder you. If he does, let the record show that I sympathize with him completely.”
“You meanie!”
Sticking his tongue out at you when you blow him a kiss, he disappears into the small street adjacent to the neighborhood’s main road. Coming here, Satoru was uncharacteristically nervous. At the rest stop earlier, you watched the scene tensely from the convenience store window. For once, the obnoxiously loud sorcerer was quiet, hands in his uniform pockets, his cerulean orbs trained on the pavement, his foot kicking the asphalt pebbles on the ground, deep in thought.
To be honest, he had no obligation to make the journey here even if this entire affair was born from Toji Fushiguro’s final words that sounded almost like a desperate plea. “In two or three years, my kid will be sold off to the Zenin clan. Do whatever you will with that.” Satoru doesn’t know why — he’s not exactly the brightest when it comes to his interpersonal relationship skills so he could be wrong about this — but those twenty one words sounded more like four simple words: “Please save my son.”
And so, in a matter of only thirty minutes, you spot Satoru from afar, his hand protectively around his would have been assassin’s six-year-old son as they walk back to the car. Looks like the little boy had made his choice.
And you could see with the way Satoru protectively held Megumi back from crossing the street on a green light that he has also made his choice. Just thirty minutes ago, you were bantering with the version of Satoru that would be reluctant to go out of his way to help someone, now, you were face to face with someone new, someone who has been changed almost in a blink of an eye.
Stepping out of the car, you make your way towards the pair, a faint smile on your lips at the sight of Megumi’s tiny backpack slung over Satoru’s shoulder. Your boyfriend gently nudges Megumi over in your direction, introducing him and you crouch down to meet the little boy’s hesitant eyes. “Hi there, Megumi.” Your voice is as carefully gentle as a psalm, you didn’t want to overwhelm him more than he probably already is. “I’m Y/N.”
“Hello.”
“Ice cold,” Satoru whistles, ruffling Megumi’s hair. But you figured that would be the case. A quiet breath of laughter comes from Satoru when you smile endearingly at the kid’s curtness.
As the three of you settle into the backseat, you and Satoru share a fond look when Megumi who has acted all guarded and silent the entire ride home from Chiba begins to drift off to sleep, his arms hugging his backpack but he was dangerously teetering off the seat, so Satoru gently picks him up, allowing him to lay his tiny head on his shoulder.
“He’s gonna stick around with us for a long time, huh?” you whispered, rubbing Megumi’s back as he slept soundly in Satoru’s arms, the three of yu blissfully unaware of just how much your life has changed. You came to Chiba and there was only you and Satoru, now, you were three. And though you know Satoru doesn’t intend to step in as a guardian, you could tell he was slowly settling into the inevitability of that fact. This boy needed a new start, a home, and people to guide him as he grew.
“…Yeah, he will,” Satoru answers, his eyes filled with wonder himself. Earlier when he first met Megumi, he told him to become strong enough to keep up with him.
But for now, maybe this was enough.
For the most part, Megumi is a good kid.
He diligently helps you with the housework without needing to be told twice the same way he diligently trains under Gojo’s tutelage. He studies hard despite only being in primary school, and he’s well-mannered in every way…at least to you, the kid won’t pass up the opportunity to scowl and call Satoru a lanky freak when he’s being pestered by him.
Because he’s so young to be sleeping in Tokyo Jujutsu High’s dormitories, you and Satoru settled into the idea of renting an apartment near the campus premises. Since you and Satoru are eighteen years old now, it was high time that the two of you start growing into your roles as functional adults which means leasing an apartment, paying the bills, growing your careers and taking your relationship to the next level.
Of course, you and Satoru both piled in cash when it comes to raising Megumi. Satoru mostly shouldered rent, monthly utilities and Megumi’s tuition, being a rich guy like him, those were practically small beans to him. You, on the other hand, shouldered the groceries, Megumi’s clothes and other needs.
One day, while on your way to pick up Megumi, you pass by the trendy Daikanyama district due to a road closure leading to the Ebisu district where Megumi’s primary school is. The inconvenience is nothing short of serendipitous as you and your boyfriend really did need a quick breather and some time for yourselves.
“I feel like I’m gonna turn into a wine dad very soon. Who would have known enrolling a kid would be that tough?” Satoru huffs, his hand protectively around your waist as you walked past boutique after boutique. “Like how am I supposed to know what his blood type is for the school clinic record?”
You hummed, sneakily stealing a kiss from him to which he responds to by pulling you closer, and pretending to bite off your ear. “For all the school knew, Megumi is ours. That would explain why they felt a little icky towards us when they saw how young we are back in that parent-teacher meeting.”
“Mmph, fair point. A cute son will come from a handsome father after all—“
“—Oh please. You’re okay at best.”
“You didn’t say that last night when I had you all folde—“
“—Please do not finish that sentence in public.”
Digressing, Satoru sighs, planting a contrite kiss on your warm cheek as the two of you leisurely walk down the picturesque lane of Tokyo’s very own version of Soho. Once you reach the main road, a certain outerwear apparel store catches your eye. You stop in front of the store window, looking curiously at the displayed winter items. “Megumi’s birthday is coming up soon, no? We should get him something nice.”
“Hmm? Oh right, the 22nd is coming up,” Satoru hums thoughtfully, leading you inside the store. There, the two of you split up to look for a nice gift for Megumi. There, he is approached by a staff member who asks if he’s looking for anything in particular. Satoru clears his throat, nodding. “I’m looking to buy a gift for my son.”
Somehow, you heard that from across the store and you shoot Satoru an amused look when he refers to Megumi as ‘his son’.
“Right, and how old might he be? We have a batch of new arrivals that came in today. They’re perfect for kids aged four and above.” At that, you rejoin Satoru and the sales staff leads you to check out the items at the front of the store. You and Satoru sort through the rack and find one that the two of you agree on: a fleece two-toned gravel winter jacket.
After paying for it, the two of you rush to get to Ebisu elementary school. Making your way to the gate, Megumi instantly spots you and Satoru, the latter being very difficult to miss since he pretty much towered over everyone else.
“Hi, kid, d’you have fun today?” you crouch down to give Megumi a hug. Between you and Satoru, you were the more clingy one towards Megumi, there’s hardly any hesitation in your heart when you pull him in for a warm embrace or carry him in your arms. Luckily, he didn’t seem to mind one bit, but if Satoru did any of the those things to him, he’ll probably headbut him.
“It was fine,” Megumi says shyly once you pull away. “Oh and I got a hundred on the math homework you helped me with.”
“You did?” you smiled. “I’m so proud of you, Megumi.” Satoru smiles, going to ruffle Megumi’s hair only for the little boy to duck away from his hand and hide behind you.
Chuckling at the kid’s antics, Satoru concedes, putting up his free hand in surrender while his other one held onto the gift bag you got. Megumi reads the name of the store: “The North Face”. Following Megumi’s gaze, Satoru grins, handing Megumi the bag. “Here, we got you something. Call it an advanced birthday gift.”
Megumi’s expression screamed: “You didn’t have to.” but you don’t miss the look of surprise and gratitude that shined through his features. You gently nudge him to open it and his breath hitches in his throat when he sees the gift you got him — the first gift he’s ever received.
“Happy birthday, Megumi,” you and Satoru greet the little boy, with Satoru helping Megumi to try it on.
That was the first time Megumi initiated a heartfelt hug and the first time he ever included Satoru, his little arms trying their hardest to include the two of you, so you decide to help him out, and your and Satoru’s arms engulf the little one.
“Thank you.”
“I don’t know what happened, but I’m headed there now. Alright, see you soon. I love you.”
Everything happened so quickly. One minute you were in Tokyo Jujutsu High’s teacher lounge organizing the first years’ missions for the next few days when you receive a call from Ebisu elementary school, informing you that Megumi got into a horrible fight and was now in the school clinic ready to be picked up, the next you were dashing out the door hurrying over to the school with your heart pounding in your chest.
There, you are the quintessential picture of a frazzled mother looking for her son in the school clinic.
“Y/N!”
“Megumi,” you breathed, your eyebrows knitting together in worry. Gathering him into your arms, you sit on the tiny hospital bed. “What happened? They said you got into a fight? And where’s your jacket?” He was wearing the jacket you got for him this morning when you and Satoru dropped him off, actually, he’s been wearing it a lot, indicating it’s one of, if not his favorite jacket.
Before Megumi could even speak, it looks like the kid that he got into a tussle with had already tattled on him to his mother and now said mother is furiously berating you and Megumi, not caring if anyone else in the clinic could overhear the scandalous remarks she’s throwing your way.
“I want full disciplinary action against this boy!” the middle aged woman all but screeches to the school’s principal, pointing an accusatory finger at Megumi who doesn’t flinch but you hear him sniffle. He’s never been yelled at like that before.
“Ma’am, please, let’s settle this like two rational adults—“
“—Oh I will, I can’t say the same about you! Are you not the least bit ashamed that you couldn’t teach your son good morals?” She then theatrically goes to place her hands on her son’s shoulders. And you have to be honest, with that bruised lip of his alongside his bleeding nose, Megumi had done some serious damage to the boy.
“I — Megumi is a good kid, not once, have we ever seen him hit someone for no reason—“
“—So you’re saying it’s my son’s fault yours is emotionally unstable? This boy doesn’t need a good talking to, what he needs is psychological intervention!”
“Alright, can everyone just please calm down?” The principal, too, seems visibly uncomfortable with the vile words the other parent was spewing at you like machine gun fire. “We’re all here to fix the problem, not make it worse.”
Pinching the bridge of your nose, you could tell this conversation has reached an impasse. Clearly, there’s no way you could reach a mutual understanding of what should be done to resolve the issue.
The older woman looks at you in disdain, grumbling under her breath at the humiliation of being scolded, “What should I even expect from an irresponsible woman who got knocked up before she was even an adult?”
“Don’t you dare talk about my wife or my son that way.”
Megumi looks up, tears in his eyes when Satoru strides in, his normally shining blue eyes dark with a fury that cannot be quelled. You can’t even feel the butterflies that went wild in your stomach when he accidentally referred to you as ‘his wife’ without so much as a stutter because you’re honestly this close to chewing the vile woman out. It didn’t matter if she insulted you, but if she does so much as insult and make your boy cry, you and Satoru will give the weasel a matching patch on her scalp where there should have been hair had you not ripped it out.
But now was not the time to prove her right.
People have always judged you and Satoru for being acting parents at such a young age, often giving you rude stares when you’re out and about doing the most menial of things like shopping at the supermarket or spending some time in the kōen, people found your current situation disgusting, borderline immoral, which is why you initially had trouble looking for an elementary school that would properly entertain you, Satoru and Megumi and not dismiss you three as a bunch of kids playing house.
“Satoru…” you rub your boyfriend’s arm soothingly.
“Babe, she insulted you and ‘Gumi,” Satoru whispers sadly. “I can’t just let her do that.”
All of a sudden, Megumi’s voice cuts through the tension in the room. “Daisuke was being mean. He ruined Hana-chan’s project and made her cry.” At that, the kid named Daisuke bites his lip, his skin turning pallid at the revelation. “And when I told him to apologize, he and Kaito…” Megumi whimpers, trailing off. He averts his gaze from your and Satoru’s, feeling guilty.
And right then and there, the story becomes even clearer when an unexpected witness comes to Megumi’s defense.
“Megumi-kun? We found your jacket, it’s not too damaged, but you may want to have your mama and papa wash it when you get home.” The school nurse walks in and hands you the ruined jacket, it had been cut all over but since it’s fleece, the damage isn’t too bad, not only that, it had crayon marks all over it and it smelled of the dumpster.
“…Daisuke and Kaito ruined my jacket and I punched him,” Megumi sniffles. “I’m sorry.” He wasn’t apologizing for punching Daisuke, that much you could tell, he was apologizing to you and Gojo for supposedly not taking care of the gift you two got him just last week.
The vile mother scoffs at your son’s apology. “Save your breath, you little liar—“
“—He wasn’t talking to you,” Satoru glares at the woman, effectively shutting her up. “Come on, we’re going home.” With that, Satoru, being careful with him given his sprained wrist, carries Megumi out the clinic. You offer the principal a polite nod, indicating that you’ll cooperate with any sanction she seems fit for Megumi, Kaito and Daisuke, before following Satoru and Megumi to the parking lot. A melancholic smile appears on your lips when you hear Satoru reassuring Megumi that you’ll just wash and mend the jacket once you get home to which, Megumi only buries his face in the crook of his father figure’s neck.
If there is one good thing that happened today, it’s the fact that you proved to yourself and to each other that, no one in this world is allowed to hurt or insult your family.
Satoru wakes up to an empty bed and he doesn’t pretend to wonder where you are. He stays like that for a full minute, simply staring at the ceiling while your side of the bed slowly loses its warmth. He knows you’re hurting, and he knows just how much this entire ordeal has taken from you. First, you had to deal with him being sealed in the Prison Realm, now this…
You really just couldn’t catch a break, could you?
Slowly, Satoru gets up and pads across the hallway, entering a painfully familiar room. The owner of the room has only since recently moved out, but for ten years, this room is one he normally frequented with you, whether it be on Christmas mornings to greet the little prince that occupied such a special place in your heart or on nights when the three of you just simply needed to hold each other, searching for comfort, while you slept.
The door creaks open and Satoru’s eyes well up with tears, his heart plagued by the same emotional turmoil that was haunting you day in and day out. “I just want our boy to come home…I want our son back,” you cried as you held the jacket Megumi had outgrown, the same one he wore almost everyday that winter when he first came to live with you and Satoru.
Instantly, Satoru sits next to you on Megumi’s bed, hushing your cries, kissing away each agonizing tear that slipped from the confines of your sorrowful orbs.
“He must be so scared,” you sniffled, picturing Megumi in the darkest crevices of Sukuna’s soul, trapped and alone. “I don’t even know if he’s alright, if he’s even slept at all or if he’s being tormented by Sukuna day in and day out. What if he’s in pain? What if he’s cold?” you sobbed into your husband’s chest, your cries growing more desperate with each hour Megumi isn’t home safe.
“Shh, shh…I know, sweetheart…I’ll get him back, I promise I’ll bring him home.”
Or he’ll die trying.
Somewhere in the void, Megumi Fushiguro is in a state of catatonic stasis. Is this what limbo feels like? He just wants to sleep, to give in and let Sukuna’s soul consume him.
It’s so cold…so…cold.
No! He can’t give up, more than his desire to tap out and just live and let die…he wants to go home where he belongs.
You and Satoru must be so worried about him and he was worried too, what if something had happened out there while he was here? What if…something happened to the two of you when he hasn’t even done a thing to thank you both for all the love you’ve given him throughout these years? So with his last inch of consciousness remaining, he spends it on a silent plea.
“Mom…dad…please come find me.”
#gojo headcanons#gojo satoru headcanons#gojo satoru x reader#jjk gojo#gojo x reader#jujutsu gojo#gojo satoru#gojou satoru x reader#gojo x you#gojo x y/n#gojo satoru x y/n#gojo satoru x reader angst#gojo angst#gojo satoru angst#jjk angst#jjk drabbles#jjk imagines#jjk headcanons#jjk x reader#jujutsu kaisen x reader angst#jujutsu kaisen x you#jujutsu kaisen angst#megumi angst#megumi fushiguro#megumi fushiguro angst#jujutsu kaisen#jjk x you#gojo x reader angst#gojo satoru x you#gojo x y/n angst
959 notes
·
View notes
Text
i know its a classic. possibly cliche already. but i do wonder about Tumblr In The Death Note Universe probably more than i should
2 notes
💅 toxicbff Follow
if i see one more post attributing kira's powers to ~supernatural powers~ instead of the obvious fact that the cia is doing a coup I'm going to start giving You the heart attacks
💅 toxicbff
of course i saw the news how does that not prove my point further
the idea that all the police around the world could be mobilized by one single person is ridiculous (just look at this list of how many civilian militia there are globally)
heart attack victims don't seize the way "lind l tailor" did
i don't know how to tell you that You Can't Kill People Just By Knowing Their Name And Face because this is Real Life and not the newest grimdark marvel villain
people need to stop being scared of the ~bogeyman in the closet~ and wake up to the fact that usamerica is trying to take over the goddamned world
💅 toxicbff
im going to kill you all and nuke this website
#sayonara you weeaboo shits
2,925 notes
👾 lets-go-geeks Follow
DO TRUMP NEXT
🕵🏾♀️ penny-penelope Follow
LIKES TO CHARGE REBLOGS TO CAST
16,375 notes
❤️🔥 lovesickened Follow
i know its stupid but im so fucking scared for my brother i heard that seven people died this week at the prison he's in and iinjust dont kenow what to do ihate him for ehat he did to mom but i never wanted him to die
#vent tw #delete later
0 notes
🏎 fastandyurious Follow
if i get a single more comment about why i don't tag "genderbend" on my kiratective fics i'm going to blow up the entire building. we don't know EITHER of their genders. why don't YOU tag your mediocre yaoi genderbend instead
🔆 sparkling-world Follow
…OP, you realize the news reports all consistently use "he," right?
🏎 fastandyurious
of course i do???? just because you see something on the news doesn't mean you have to believe it?????? they don't have any information on kira yet but i'm supposed to believe the fbi knows their gender already??????? also kira is literally a fucking girl's name my classmate in elementary school was called kira
🔆 sparkling-world
Kira comes from the Japanese romanization for "killer," it isn't gendered whatsoever.
Also, evidence shows the majority of serial killers are male, so I'd argue that the statistics favor the fujoshis here.
🏎 fastandyurious
well evidence shows that female serial killers are just more fun to write about and I'd argue that you're ignoring my fucking POINT which is that we DON'T KNOW KIRA'S GENDER and if people don't want to read lesbian kiratective they can FUCK OFF MY BLOG
🥚 i-offer-eggman Follow
I offer you an Eggman in these trying times.
🔮 I-stands-for-le-gay Follow
@lashitpostcalligrapher yo can i get "the statistics favor the fujoshis" on my tombstone
#fandom: kira rpf #ship: kiral #never heard it called kiratective before… #also uh. prayer circle for op's classmate lmaoooo
2,107 notes
💃🏻 modelingmadness Follow
BOYCOTT EIGHTEEN MAGAZINE
THEY ALLOW KIRA-SUPPORTING MODELS AND ARE COMPLICIT IN THIS MASSACRE
SOURCES HERE AND HERE (TRIGGER WARNING: KIRA DISCUSSION)
PUSH BACK AGAINST HEART ATTACKS
🧚🏽♂️ harubaru Follow
golly gee ^_^ suddenly i feel like taking to the high seas in a way that the eighteen company cant get profit from. oh no ! who left this link here
🐦⬛ kuro--misa Follow
thanks for the link but jesus fucking christ man what happened to free speech. misa-misa's parents were killed by a burglar who kira punished. did you all expect her to just sit there, look pretty, and say nothing about it?
you people only like models when they're nice pictures for you to consume. you only like them two-dimensional and smiling and hot. the second a woman actually speaks her mind she's thrown to the wolves
💃🏻 modelingmadness
DID YOU NOT SEE MY BANNER YOU PIECE OF SHIT
#BLOCKED
140 notes
🐦⬛ kuro--misa Follow
lol. lmao even
#they blocked me but whatever #official eighteen site just said misamisa wont be in the next issue #(eighteen sucks but i kind of want to use it more out of spite now) #so much for apologism huh? #god. i feel sick. #hasn't she been through enough.
1 note
🥷🏻 kira-imagines Follow
Imagine you're going home after a long day. Suddenly there's a sound. "Huh? Whose there" you ask, dropping your keys on the floor. Then you feel it. A knife pressing in your neck.
"Don't move kitten" Kira purrs behind you. "You're all mine now…"
#kiraxreader #kiraxoc #kira #kira rpf #kira investigation #kira fucker #kira fudger #kira lover #kira haters dont touch #kira haters please touch #kira supporters please touch #l
5,733 notes
asahi-the-student-deactivated201
Hello, everyone! My little sister told me about this microblogging platform (I admit, I'm a Twitter refugee) and that many of you are discussing the Kira investigation on here. I'm really interested in hearing what your thoughts are!
💋 sunny-sayu Follow
let the record show he lasted like. a day
#i think it was the imagines that did him in #bro is so sensitive :p
15 notes
kiyomitakada
the world could be beautiful
[ @deathnotetober day 14: trigger ]
#death note#light yagami#sayu yagami#misa amane#lawlight#by uh. technicality.#does 'trigger warning' fit the prompt i hope it does…#also there are two (2) rickrolls in this post#the other links are all to actual fun stuff :3#good luck#deathnotetober#edit: fixed the FUCKIGN reblog dividers GOD DAMN IT#unreality#caps#edit 2: fixed the reblog dividers again theyre transparent now#…………wow i really just. spent four hours on this huh.#maybe i am experiencing slight mania#only slight#death note tumblr
262 notes
·
View notes
Text
About An Official Spiderverse Artist...
Please do not just scroll past this post; read it.
If you guys follow me on twitter, you probably already know.
But if you dont or still want to read this anyway - here you go:
I aint big, but I got a growing platform that I see as important for me to use as a force for things that matter.
So here I am.
And I got something to say about a certain "artist".
There are so many fucked up people who call themselves artists who are so heavily worshipped by us who both get and or dont get outed in the world for things they do and for their general piss-poor behaviours and persons.
Im here to talk about one in particular (and certainly wont be the last).
There is an artist that basically EVERYONE here has seen art from before, printed in the official Sony artbooks too.
If you have seen this:
Then you have seen this artist before.
His name is Alberto Mielgo. He goes by @/pinkman_himself on twitter.
He is a HUGE part of the art direction and stylisation of the spiderverse movies, if that isnt already obvious. Because he was the former original art director of Into The Spiderverse.
Yes. Former.
Cuz he got "mYsTeRiOuSlY fiReD" from Sony 2 years into pre-production and completely removed from the project.
You may have also seen this character before:
Yes. THAT asian character from Netflix's Love Death + Robots, from the episode "The Witness".
Familiar? Yeah. Because this episode was also made by the same guy, Mielgo.
I aint going to talk about what happens in that episode and hesitate to encourage anyone to watch it - cuz all it basically is is a megalo-misogynistic, assault "glorified for the sake of aRtT", racially fetishised showcase of this crazy makeup/haired bdsm stereotyped asian girl sex worker who essentially gets murdered over and over and over after running for her life completely naked through the city for all of us to see for some fucking reason.
BUt yeah anyways, you can see it in the first pic, but Ill put it here to show more clearly - this here is NOT the character from LDR. But I can understand why you might think so:
Yeah. You read that name in the bottom right corner correctly. This is Peni Parker. His concept art of Peni Parker. A 13 YEAR OLD CHILD. Lookin suspiciously like and dressed as the adult person from LDR with ALSO the crazy hair, make up - WITH AN O-RING CHOKER AND BALL-GAG LIPSTICK (BDSM).
13. year. old. child.
This man only sees east asian women this way.
He likes them crazy, sexy, broken--
and young.
Cuz this man also wrote this on a now-deleted post on his website:
Yeah. He, this whole ass middle-aged white cishet male spaniard thirstin for kids since he was 18 for 12 year old girls.
Cuz 12 year old girls are a fuckin "KNOCK OUT" when they grow up, when they ripen up into adulthood, to this man Alberto Mielgo, aka @/pinkman_himself, this creature.
And if auctioning NFTs isnt bad enough (cuz yes, ofc he does that too - its literally the first option on his website) -
His entire fucking portfolio is of drawing women he had sex with.
His fucking PROFESSIONAL PORTFOLIO is all of painting and drawing women in very compromising, questionable ways of the VERY SAME WOMEN HE HAD SLEPT WITH THROUGH HIS LIFE.
They look as creepy as they are.
But the scariest part?
While I myself had only just found out about this some days ago as of writing this, some of us have known about this man and his antics for years.
And he keeps getting greenlit by the industry, over and over and over; winning awards, getting respected, praised, admired, even by fellow at-home artists like many of you out there if you dont already do so.
And nothing will happen to him cuz he is a white cishet male artist who has money and a following and connections and influence and power.
So yeah.
I just wanted to talk about a certain official Spiderverse artist to just let yall know there are freaks everywhere, and that no matter how small it is, it's people like me and you who need to do what we can to keep up awareness and warn our communities and protect our most vulnerable.
My suggestion is to take heed of what I said, ask questions about everything you will ever see again from anyone around you, no less the industry, THINK for once, and actually give a fuck.
Keep away.
Do not support this man.
But the decision is ultimately yours.
Stay awake, yall.
-------
(His face, publicly available as his imdb profile):
scary.
#have your truth but do not go harass this guy#jodido pedazo de mierda.#alberto mielgo#reblog to spread the word#likes dont do a lot#stay awake.#across the spiderverse#across the spiderverse fanart#into the spider verse#ATSV#ITSV#spiderman#spiderverse#concept art#art#psa#artists to block#marvel#sony#animation#pinkman_himself#love death and robots#netflix#im fucking tired of this shit.#dont miss this man for his artstyle - just take his artstyle for yourself and make it your own.#if you are a decent human being#you are already leagues better than this shite could ever be.#just take his technique and make it better by making it your own. thats it.#we wont miss you mielgo.#bai.
2K notes
·
View notes
Text
A long overdue update:
Hi everyone. Long time no see. I literally have not opened Tumblr since the last time I posted here. Hope everyone is doing ok. Figured I owed y’all an apology and explanation for kinda just vanishing.
First, I did in fact get a car! It’s a 2015 Nissan Versa Note. I don’t particularly like it but a friend gave me a deal on it that I couldn’t turn down. Once my life stabilizes I’m probably going to sell it and buy an old truck, maybe a 70s Ford. I’d love a little sports car or a land yacht but rear wheel drive is a bit impractical for brutal New England winters, and the Jeep really put me in Old American Truck Mode. But yes I have a car now!
Second, unfortunately this is an official notice of hiatus. When I last posted saying I was taking some time off it was because I had just had an incredibly stressful move and did not have the energy to keep this blog up. I figured I’d take some time to get settled in, relax, and then pick this back up after a week or two, but the last month has been really rough - the short version is one of the people I was living with turned out to be a pretty horrendous human being who managed to get everybody living in the house essentially kicked out via sheer drama. Within a month and a half. It’s a long story but tl:dr if you quite literally slander a property manager with heavy unfounded accusations of horrible crimes, they’ll probably bail from the whole situation. And since they’re gone the landlord has to hand ownership of everything over to a company that’s forcing everyone still here to vacate. I’m now fighting to not have to live in aforementioned Nissan Versa through the aforementioned brutal New England winter. On top of that, I’m a retail manager so we’re going into our busiest most stressful season, so that’s been an extra level of exhaustion.
So what does that mean for this blog? Well, as I said, I’m officially going on indefinite hiatus, as are the projects I was working on in relation, including the reference website. I’m really sorry, I’m just way too stressed and dealing with way too much. If I could, I would just hand off administrative power to someone else, but this is a sideblog so I can’t hand off login credentials without also giving access to my main/personal account. It’s my biggest regret of this account, but when I started it I never expected it to blow up the way it did back in September - I had no reason to expect to need it to be its own entirely separate blog. I love what I was doing here and I thought that it might even be a nice distraction from everything going on, but the upkeep required with this blog is just more than I can deal with right now. I hope that things settle down soon and that I can genuinely come back here and enjoy what I was doing, but I just need literally anything to level out in my real life and to not be in 100% survival mode, because at the moment I literally do not have the energy to pour into this.
Anyway. Sorry for the long post, I’m not good at not being overly verbose. I’m really sorry for kind of abandoning this project, and I hope I can get back to it relatively soon, it just might be a while.
In the mean time, I hope those of y’all who I turned onto cars as a potential hobby find some other good outlets! I highly recommend Donut Media’s series “Up to Speed” on YouTube, as well as the channels Regular Car Reviews, Doug DeMuro, Garbage Time, and Aging Wheels. All great YouTube channels that are both informative and very approachable and fun.
Godspeed and much love. Hope to see y’all soon
- Identifying Cars in Posts admin ❤️
1K notes
·
View notes
Text
Announcing Sonic Supernova 2025!
Hello all!
I'd like to announce that planning for the fandom event Sonic Supernova 2025 is officially underway!
What is Sonic Supernova?
Sonic Supernova (Supernova for short) is an unofficial community event made by Sonic fans for Sonic fans, where artists and writers collaborate in teams to create unique fanworks for the Sonic the Hedgehog fandom over a creation period. During this time period, participants can also get to know one another in the social space created for the event, i.e. a Discord server. The end result is a fandom-wide, celebratory event aimed to contribute an explosion of fan content to the Sonic the Hedgehog community over a publishing period during which each team's creations are released.
What's special about Sonic Supernova?
Supernova takes inspiration from Big Bang events! Big Bangs are a popular and well-known format of fan-organised experiences. We wanted to make an event inspired by the Big Bang format but with aspects of it adjusted based on what fans like you and me would like to see in a collective fandom activity. Hence, instead of an explosion kick-starting the universe (Big Bang) we're naming our event after the explosion of a star that gives off light to a degree of a billion times more than our own sun (Supernova!).
For starters, we want Supernova to prize creators first in their humanity and their autonomy. Art is powerful. Stories are powerful. It can be as liberating, cathartic, relieving, and thought-provoking to read them as it is to create them, giving us the space to explore concepts and situations safely and at our own pace. So, to support a wider range of creative possibilities for our participants, Supernova will allow creators to make mature-rated content as an option for the event. Proper tools and moderation will ensure only adults who opted in will be able to submit and see mature works.
We also want to do team-ups differently for Supernova. In Big Bang events, artists and writers are typically teamed up via a blind match-up where artists select from a list of anonymised summaries of each writer's story. While this has its draws, our team is looking to implement different team-up methods where artists and writers get to be more aware of what project they're signing up for and who they're working with. The end goal is that participants are given the absolute best chance to be fully satisfied with the project and people they end up with for a creation period that will last a few months.
While it's still in its early days, we're also discussing features to make Supernova a memorable time for our participants, including making our own website for the event and offering exclusive digital art goodies for everyone who participates in it.
Above all, we at Supernova aim to put creators first. What we can say about the goals of Supernova—what we as organisers aim to accomplish—are the following commitments:
Bridging together creators in the Sonic fan community
Respecting the depth, diversity, and humanity of our creators
Upholding fans' autonomy to choose what content they wish to make and/or see
Organising the event in a transparent and considerate way
Ensuring creators' safety and no tolerance for harassment
Can I participate in Sonic Supernova?
Yes! Everyone will be able to participate in Supernova. All you need is a Discord account, an AO3 account if you're a writer, and a love for Sonic the Hedgehog!
As we're allowing fanworks with ratings ranging from general audiences to mature ones, we're working on a robust, thought-out system that supports creators' autonomy by ensuring people will only be able to see what they opted for. This will apply both for the Discord server hosting the event and the final, published works.
The event isn't restricted to visual artists and writers only. If you're passionate about making GIFs, graphics, music, animations, knitting, sculpting, or anything else, Supernova is more than open to you, too!
When will sign-ups open?
Unfortunately, we don't know just yet. We're still in the planning stages and we want to take the time to make sure we get things right, including getting community feedback on an interest check form so us organisers can make decisions with your wishes at heart.
We'll provide more information as we get closer to milestones in our development stages (like when we open sign-ups for the event!) and fully welcome questions, comments, and feedback from other Sonic fans! Feel free to contact us at the following accounts:
@blurredblu
@franticmelody
@soft-anomaly
We hope to hear from you either in our inboxes, or through our sign-up form once it comes out!
On behalf of the Sonic Supernova organising team,
umi
(a.k.a. blurredblu/shizuumi151)
215 notes
·
View notes
Text
Anna Merlan at Mother Jones:
By the time J.K. Rowling, Elon Musk, and Donald Trump were falsely referring to her as a man, the lies about Imane Khelif had already traveled halfway around the world. Last week, two Olympic boxers—Khelif, from Algeria, and Lin Yu-ting of Taiwan—were subjected to brutal international scrutiny about their sex and gender, and whether they were entitled to compete in women’s events; the attention on Khelif became particularly acrid after her opponent, Italian Angela Carini, quit 46 seconds into their bout, declaring that she had “never been hit so hard in my life.” A photo of the two women exiting the ring, Carini in tears, Khelif casting a glance, was widely shared, with people like Rowling—who’s promoted transphobic views for years, but has denied being transphobic—offering heated and derogatory commentary about Khelif. “Could any picture sum up our new men’s rights movement better?” Rowling tweeted. “The smirk of a male who’s [sic] knows he’s protected by a misogynist sporting establishment enjoying the distress of a woman he’s just punched in the head, and whose life’s ambition he’s just shattered.”
While the attacks on Khelif are of a piece with familiar recent Western controversies over who is allowed to participate in girls’ and women’s sports, many of the articles and individuals magnifying the debate relied on or relayed the claims of a discredited group with strong ties to the Russian government, a deep grudge against the International Olympic Committee, and a seemingly vested interest in proving that the IOC-run games are, as the group’s leader has claimed, a venue for “sodomy.”
In trying to unravel what led up to this moment, many individuals and news outlets cited a statement released by the official-sounding International Boxing Association, which stated that both Khelif and Yu-Ting had previously been disqualified from competing in the IBA-administered Women’s World Boxing Championships in March 2023. The women were barred from that competition, which took place in New Delhi, following tests the organization has not publicly clarified, citing privacy rules. At the time, IBA president Umar Kremlev told a Russian state news agency that the women had been found to have “XY chromosomes” and claimed the two had “pretended to be women” and “tried to deceive their colleagues.” Even if the IBA’s findings were true, having XY chromosomes does not automatically make someone male—women with Swyer syndrome, a rare genetic condition, have XY for instance. Nor are XY chromosomes proven to constitute an “unfair advantage,” although that is exactly what an IBA official claimed in a press conference on Monday. One pediatrics expert told NBC in 2009—one of the innumerable times this issue has been raised in women’s sports—that such a claim was “malarkey.”
[...] When Khelif and Yu-Ting were disqualified by the IBA back in New Delhi, skeptics questioned how it benefited Azalia Amineva, a Russian fighter. The women were not ruled ineligible until after they’d already competed and Khelif had won a bout against the previously undefeated Amineva. While IBA officials said the sequence of events was due to a week’s delay in being provided testing results, as the Associated Press has pointed out, the decision meant the Russian fighter’s perfect record was retroactively restored. Kremlev isn’t shy about expressing a broad fixation on gender and sexuality, with him, as the sports website Defector has pointed out, decrying the IOC on YouTube for promoting “outright sodomy and the destruction of traditional values.” In the wake of the Paris games’ opening ceremony, he blasted the spectacle, which featured queer performers, as “pure sodomy,” while saying the IOC “burns from pure devilry” and that its president is a “chief sodomite.” He also claimed that “men with changed gender are allowed to fight with women in boxing at the Olympics.” (Videos with such remarks have been helpfully subtitled in English to draw a wider, Western audience.) Last week, Kremlev announced the IBA would give $50,000 in prize money to the defeated opponents of Khelif and Yu-Ting.
[...] The Khelif affair captures English-speaking transphobes with rigid ideas about the nature of womanhood picking up on a politically motivated campaign from a discredited organization at open war with the IOC. Indeed, right-wing organizations in the United States, including the Independent Women’s Forum and CPAC, via its chair Matt Schlapp, have paid for sponsored posts on Musk’s X platform, calling her “a man“—posts that appear when users search for information on the controversy.
The International Boxing Association, which is a Kremlin-led body led by Umar Kremlev that is permanently banned from being the sanctioning body for Olympic boxers, has instigated a transphobic war against cis women boxers Lin Yu-ting and Imane Khelif.
The IBA issued politically-motivated disqualifications of the pair in 2023 that don’t stand up to scrutiny.
#Imane Khelif#International Boxing Association#2024 Paris Olympics#2024 Summer Olympics#Transphobia#Angela Carini#Lin Yu Ting#Umar Kremlev#IOC#International Olympic Committee#Boxing#Women's Sports
148 notes
·
View notes