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nileqt87 · 3 years

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Ramblings about Lucifer referencing Bones, “Close your eyes.” and shows influencing each other

That was never just a Bones reference being made and the season finale admitted it.

https://www.youtube.com/watch?v=jv_1dJk5yEM

David Boreanaz played the ironically-named Angel on Buffy the Vampire Slayer and Angel: the Series. His character has *so many* parallels with Lucifer (far more than Booth outside of the law enforcement/crime procedural connection).

Angel's spinoff also has noir crime drama aspects mixed with the supernatural starring an immortal protagonist with a dark past and infamously villainous reputation fighting evil as a supernatural private detective in the City of Angels (a city known for its dark underbelly juxtaposed with fame and glamor, broken dreams and chasing eternal youth) and navigating human law (including the LAPD and evil lawyers) while not legally existing.

Angel also fell in love with a blonde human heroine (Buffy Summers) after lifetimes of self-destructive, not-so-heroic behaviors (getting his soul back did *not* make Angel a hero and human Liam was a lecherous drunk with unfulfilled ambitions and father issues) who inspired him to become a better man and make human connections.

AtS made heavy use of sprawling nighttime Downtown L.A. cityscape shots, which Lucifer also shared an abundance of.

During both of their first cases, they failed to save the troubled blonde girl they were trying to help (Tina and Delilah, respectively). They also have a connection inside the LAPD through a blonde cop who also takes their identity secrets pretty badly (Kate Lockley in Angel's case).

Note that Buffy not only screamed (twice, given it repeated during her memory loss in Halloween), but also came after Angel with a crossbow when she thought he'd attacked her mother (it was Darla), so Chloe taking the Devil face reveal (Monster Reveals are iconic old horror imagery) poorly to the point of considering poisoning is par for the course. However, it only took Buffy seven episodes instead of three seasons to get the identity reveal via seeing the horrific second face (arguably also an accident on Angel's part).

They are metaphorically or literally Hell's angels. They also had long stays in Hell or a hell dimension.

Lucifer and Angel are also both Prodigal Sons with long-held grudges against their long-absent fathers (patricide in Liam/Angel(us)'s case) and they're later faced with a situation where they have unexpected, thought-impossible offspring who show up as adults (neither got to raise their miracle child) wanting revenge. Yup, major Connor/Rory parallel there.

Angel is also in a constant struggle with the Powers that Be manipulating his fate and free will (like Lucifer, he's a champion of free will no matter the cost) and making him prophecy's bitch.

Bones famously got jokes about how Booth is Angel getting his Shanshu (made human), since the character is given constant Angel-isms like references to a dark past having killed people (Booth is also named after a historical murderer, in addition to having been a sniper), both being Catholics full of Catholic guilt (note that the Buffyverse is most accurately polytheistic, though Angel does face off against a take on the antichrist--Angel has constant biblical imagery/themes and not just because of vampire iconography), kicking down doors (just not off their entire frames--LOL), turning on a dime and threatening people up against walls, constant wink-wink references to the Buffyverse (familiar casting, references to the Hyperion Hotel, etc...), etc...

The Lucifer finale used the words "Close your eyes." right before Lucifer is sent to Hell. This is literally the BtVS season 2 finale where Buffy kisses Angel and sends him to hell for a century with a stab to the gut (see the season 5 finale, not to mention Lucifer giving up his life for Chloe's à la I Will Remember You).

Note that D.B. Woodside was on BtVS (playing Robin Wood, whose Slayer mother Nikki Wood was killed by Spike). Aimee Garcia was in both episodes of AtS (Birthday--she's older than she looks!) and Bones. See her also playing a cross-wearing religious girl on Supernatural who was slaughtered in a police precinct by Lilith. Kevin Alejandro was also in an episode of Bones.

Tricia Helfer was in an episode of Supernatural playing a ghost who reenacts the night of her death every year. BtVS also had an episode along those lines, but with Buffy and Angelus possessed (not to mention Phantom Dennis!). Lucifer having Dan as a ghost is yet another thing they all have in common (ditto referencing Ghost, Patrick Swayze and/or Unchained Melody--Vincent Schiavelli a.k.a. Ghost's subway ghost was Jenny's uncle Enyos, whom Angelus killed).

Lucifer name-checked Castiel and Supernatural referenced Lucifer using their Lucifer (crime-fighting angel in L.A. made it a double-reference whammy). Supernatural returned the favor again by having Castiel forced to sing in Enochian. Lucifer's reference to his singing voice was already a zing about Misha Collins having to put on that monotone gravel voice and Enochian being far from melodious.

Russell T Davies was quite heavily inspired by the Buffyverse when he revived Doctor Who and spun off Torchwood, so there are absolute tons of Buffy, Angel and Spike respectively in Rose Tyler, the 9th/10th Doctors, Captain Jack Harkness and Captain John Hart (right down to the actor). School Reunion is the episode where the Buffyverse inspiration is most on the nose, complete with Anthony Stewart Head saying "shooty dog thing" in a school setting and a Mayor/Angel-esque speech about the curse of immortality. The Time War gave the Doctor a huge genocide-level guilt complex. Note that the creator of DC comics' version of Lucifer, Neil Gaiman, has also written for Doctor Who and is also the co-creator of Good Omens (the show is brimming with Doctor Who Easter eggs thanks to David Tennant). A barely-recognizable Tom Ellis played Martha Jones' ex-fiancé Tom Milligan during the Year that Never Was, as well.

A lot of shows take inspiration from the Buffyverse and you've probably seen some of them. It isn't just the copycat vampire romance stories either.

Angel's forerunners in turn were a mix of guilt-stricken, rat-eating Louis de Pointe du Lac (his Jekyll/Hyde-esque alter-ego Angelus is closer to the pre-retcon, fully-evil Lestat de Lioncourt, who got woobified into an antihero rocker not unlike Spike--the entire Fanged Four mirror Anne Rice's character lineup), sword-wielding, immortality trope-influencers Connor/Duncan MacLeod of Highlander fighting for the Prize of humanity (akin to Pinocchio becoming a "real boy"--see also Barnabas Collins of Dark Shadows, though he was before vampires became antihero superheroes, not just sympathetic antivillains) and Nick Knight of Forever Knight (vampire detective).

Additionally, Tom Welling was famously the longest-serving Clark Kent of them all (Smallville) on the old WB (there's that DC comics connection, too), so it's not just a Fox shows thing (though Fox, not just Warner Brothers, did indeed own the Buffyverse). One of the least-known things about Clark is that he also has an immortality problem where he wouldn't age parallel to Lois (they wouldn't be able to have kids either) without a workaround. The Kryptonite line directed at Cain/Pierce by Lucifer was quite on the nose! Lucifer and Smallville sort of crossed over even further in Crisis on Infinite Earths, so Tom is canonically the face of both Clark and Cain in parallel universes of the DC multiverse.

Supernatural had quite recently had their own takes on Cain (played by Timothy Omundson, who also played God Johnson) and the Mark of Cain when Lucifer did it. Dan's killer Le Mec was, of course, Rob Benedict, who was God a.k.a. Chuck Shurley, the ultimate villain of Supernatural. Richard Speight, Jr., who was archangel Gabriel/Loki the Trickster, directed a lot of Lucifer's later episodes in addition to being a prolific Supernatural director.

Supernatural and Lucifer use the exact same font for their titles (Supernatural Knight).

The X-Files (which Supernatural referenced constantly) and Supernatural also had stories about nephilim (see the apocryphal Book of Enoch). Lucifer ultimately had two nephilim (forbidden interspecies offspring of angels and humans), even if not saying so as a known concept. Connor can also be compared to the vampire equivalent of being something like a dhampir, though he's not quite that (mostly-but-not-quite-human offspring of two vampires instead of a human/vampire hybrid--see Blade for an actual dhampir). Supernatural has also covered the even rarer cambion species (human/demon hybrid).

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tanjamikaelson · 3 years

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LOVE FOR ETERNITY - PART 94

MASTERLIST

PART 94: | THIS IS THE PART WHEN YOU RUN, EXCEPT IF YOU’RE A MIKAELSON |

It didn’t take long for Kol to get a call from Rebekah and when she told him that Elijah was killed he knew that his fun was over. He took a private plane and flew to New Orleans where the rest of the Mikaelson’s were.

As he walked into the courtyard he saw Rebekah who was waiting for him. When she heard him she turned towards him and rushed to hug him. After a moment she pulled away and saw an unfamiliar girl standing behind Kol.

- “Who is she?” Rebekah asked him.

- “Just a girl I turned.” Kol replies.

- “So your new plaything.” Rebekah remarks, crossing her arms.

- “I’m not a play thing and I have a name, you know.” Claire retorted.

- Rebekah raises her eyebrow at her, “You sure know how to pick them.” she says to her brother, “But why did you bring her here, this is family business?”

Rebekah didn’t even know the girl, but she knew that she didn't like her.

- “She goes everywhere with me.” Kol tells her.

- “Natali isn’t going to be happy that you turned her.” Rebekah reminds him.

- Kol smiles at her, “I know. Make up sex after a fight always does the trick.”

- “Oh I see, that’s your brilliant plan.. you are just going to make her mad even more.” Rebekah says, “It’s not enough that you killed her family.”

- “That was a thousand years ago, she should be over it by now.” Kol told her, and quickly changed the subject, “I hope that you didn't spend all your free time looking for me.”

- “Actually I didn’t, I was with Eric.” Rebekah tells him.

- Kol raises his eyebrow, “With Eric, huh?”

- “You have something against it?” Rebekah asks.

- “I don’t. I know he likes you.” Kol told her, “And I know that he knows that if he hurts you he’s a dead man.”

- “I can take care of myself, Kol.” Rebekah told him.

- “I know you can, little sister.” Kol says.

- “Why are you so nice to me all of sudden?” Rebekah asks.

- “You don’t want me to be nice?” Kol asks back.

- “I’m just asking because you were so rude over the phone when I just wanted to know how you are.” Rebekah told him.

- “Well, I told you I’m fine.” Kol brushes her off.

- “Here we go again.” Rebekah remarks, “We both know that’s bullshit. You are trying to hide how you feel with girls and booze.”

- “All right! Chitchat's over. Can we slaughter someone now?” Kol replies, not showing any emotions.

⚜ ✡ ⚜ ✡ ⚜ ✡

EARTH 2

After not feeling welcomed at the compound anymore Natali and Kai went back to a bar called “Happy hour”. It was empty now after the police were there to investigate.

- “In a parallel universe? How did we end up in a parallel universe?” Kai asked.

- “I’m not sure, but it could be because we didn’t use real virgin blood, so the spell didn't work exactly how it should.” Natali explained.

- “Well that makes sense.” Kai says, “I had a feeling something would go wrong.”

- “Right, because you are such a smartass.” Natali remarks.

- “Don’t blame it on me, you are the one who said that we can just purify blood.” Kai reminds her.

- “It was the only way and you know that.” Natali tells him.

- “Okay, what’s done, it's done.” Kai told her, “We are just lucky that we are alive.”

- “And from here we can go back to our world.” Natali says.

- “We don’t have power from the prison world.” Kai told her.

- “We’ll figure something out.” Natali said and went to a bar to make them some drinks, “But for now let’s open this bar for business again, with a proper name,”

- “I have a feeling Mikaelson’s aren’t going to like that.” Kai tells her.

- “Enough with your feelings. I don’t care what they like.” Natali says and hands him a glass of bourbon, “And you know what else we can do?”

- Kai smirks at her, “I’m all ears.”

- “We can make some vampires, I can bet lives here are pretty boring without us.” Natali tells him.

- “I never turned anyone, so I’m down for that.” Kai told her.

- “Really? Never?” Natali asks.

- “Well it’s not like I had enough time to do that.” Kai said.

- “Well then, we’re going to have so much fun.” Natali tells him and raises her glass so they can click glasses.

⚜ ✡ ⚜ ✡ ⚜ ✡

EARTH 1

Rebekah and Kol walked into a room where Klaus and Freya were standing besides Elijah’s dead body.

- “So how did this happen, did Marcel bite him?” Kol asked.

- “You didn’t tell him?” Freya questioned Rebekah.

- “She didn’t tell me anything, so speak up.” Kol says.

- “Well first of all you are probably wondering why we are in New Orleans..” Klaus spoke, “Vincent called Freya to tell her that three in a new enemy in play and that Marcel is missing..”

- Kol cuts him off, “So you came here to help find the one thing that can kill us?”

- “Kol, there’s more to the story.” Rebekah tells him.

- “Fine, I’m listening.” Kol said.

- “New Orleans witches made a lethal thorn that can kill us, Freya thinks that it was made from his blood.” Rebekah told him, “He didn’t finish the job so they are doing it instead.”

- Klaus looked towards his brother, “One scratch from the rosebush is lethal to us. Freya has tracked down the eight that remain, including the main plant. Here, in the Ninth Ward.”

- “So we have to burn them all and murder the witches.” Rebekah says.

- “Right, what could possibly go wrong?” Kol says sarcastically.

⚜ ✡ ⚜ ✡ ⚜ ✡

- “Like stealing candy from babies.” Rebekah says as she was throwing pieces of wood into the fireplace.

- Kol pulls a chair to sit in front of a man, “Yes, but I'm not finished with this one.”

- Klaus sighed in frustration, “Well, hurry up. We still have more ground to cover.”

- “What is the point of interrogation? We know their motives. New Orleans witches despise our family. They always have.” Rebekah pointed out as Klaus lit a match to start a fire.

- “Because you are beasts.” The man started, “Evil atrocities against Nature. Your kind has ruined this city.”

- Kol grabbed him by the chin, “Yes. I'm the worst of the worst. So tell me, who’s going to save you from me?” he taunted, letting go of a man who simply laughed.

- “Go ahead, kill me. My life ends for a greater cause than you can ever fathom. The Hollow has risen. Nothing can stop her. Not you, not even the Ancestors, despite what they might claim.” His words caught their attention.

- Klaus throws a piece of wood right through his chest, “I thought he'd never shut up.”

⚜ ✡ ⚜ ✡ ⚜ ✡

- “You shouldn’t have killed that guy before we found out more about the Hollow.” Rebekah says as the three of them walk into the next location with the dreaded thorns.

- “He wouldn't have revealed anything to us anyway.” Klaus tells her, “But my guesses are she’s the one who gave them the idea to make leithal thorns.”

- “You’re right.” They all hear a familiar voice coming from another room.

- “Marcel?” Rebekah asked worriedly.

- “What are you doing here, Marcel?” Klaus asked.

- “I woke up here a few minutes ago.” Marcel replies, “Witches used my blood to make thorns that can kill you, and I know why they killed Elijah, they needed a large enough sacrifice to bring Hollow back.”

- “So they just let you go?” Kol asked.

- “It’s not like they need me for something else and he can’t kill me.” Marcel replied.

- “Well they could’ve used you like bait.” Kol suggested, then he looked at Rebekah and Klaus, “It’s best for us if we go somewhere where we’re safe.”

- “And leave other thorns to the witches so they can use them against us?” Rebekah questioned.

- “If you want, feel free to continue, but I’m leaving.” Kol says and runs away.

⚜ ✡ ⚜ ✡ ⚜ ✡

MASTERLIST

Tags: @mikaelsonsmagic @p3nny4urth0ught5 @cute-freak27 @ias-born @superhalsteads @characterobsessed @hinata7346 @luiza-4-ever @huntress1428

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amplesalty · 3 years

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Halloween 2021 - Day 5 - The Invisible Ray (1936)

Doesn’t that just sound like a bad magician? “Ladies and gentlemen, introducing...The Invisible Ray!”

Ah, this takes me back. Back in year 0 of this horror marathon business, before this blog was a thing, it was kinda heavily skewed towards the ‘classic’ period; Dracula, Frankenstein, The Mummy..all that Universal 1930’s type stuff. Amongst that first run were a pair of films starring both KARLOFF and Bela Lugosi; The Black Cat and The Raven. I remember them both being quite good, both having this sort of rivalry between their two characters. The Black Cat moreso with a young couple caught in the middle of a heated feud between KARLOFF and Lugosi’s characters. Whereas The Raven has KARLOFF as more of a de-facto good guy as he plays a reluctant henchman to Lugosi’s character. Not that that level of power translated off screen, with Lugosi’s star beginning to fade but I remember reading something about KARLOFF insisting on some parity in pay between the two in one of their movies when the studio tried to lowball Lugosi so good on you, KARLOFF.

Neither have much to do with the Edgar Allan Poe stories they take their names from, outside of Lugosi’s character in The Raven having an obsession with Poe and adapting various means of torture from Poe stories. There have been plenty of Poe adaptations throughout the years but the other big uptick in them was in the 1960’s with a series of films directed by Roger Corman, often starring Vincent Price but with other big names sprinkled in like KARLOFF, Peter Lorre and Lon Chaney Jr. Plus a relatively early Jack Nicholson appearance in The Raven, which was shot at the same time as The Terror. That bloody bird!

So, yeah, it’s good to see one of these KARLOFF/Lugosi films again. Apparently there are eight films that featured both of them so I’ll be halfway there now on them. This also has Carl Laemmle Jr’s name attached, albeit in a minor way as he’s listed as ‘presenting’ the movie. I’m not sure if that ever means anything. It’s like when Tarantino ‘presents’ something, did he have any actual input on the film or was he just shining a light on something he personally liked because he has so much power and influence?

The movie’s foreword is an early indicator of the more science-fiction leaning nature of the movie which catches you off guard a little with the people involved and the timeframe we’re working in. Feels like the 50’s was more when the whole sci-fi thing took off. Also, since when was science a verb?

Certainly has the feel of that classic ‘old, dark house’ horror thing early on as we start with the Rukh household awaiting the arrival of some of Dr Janos Rukh’s (KARLOFF) peers who are to bear witness to his new discovery.

KARLOFF has clearly been eating his crusts to get curls like that, normally he’s a slicked back kind of guy. And it’s kinda weird seeing both of them with facial hair. Oddly though this is one of the rare times that Lugosi plays a good guy, this is a clear violation of the parallel universe protocol:

Normal universe – clean shaven – good guy Parallel universe – goatee – evil

This early version of Dr. Doom is a bit naff. Are you making a great scientific discovery here or doing a spot of welding?

Apparently Dr Rukh’s invention is a telescope that is able to see into the deepest reaches of space, but can also pick up on vibrations left by the events that have taken place and he can then project that as a moving image that shows an asteroid crashing to Earth millions of years ago that can help him pinpoint the crash site and allow him to discover new elements inside the asteroid...wait, what?! Is this like that time on CSI when they solved a murder by getting sound out of something someone made in pottery class because the grooves could be played like a vinyl?

We then pivot sharply into the great plains of Africa where our team have set off in search of what will become known as ‘Radium X’. Oh yes, I think that’s on the periodic table next to Hardtoobtainium. And I’m specifically trying to avoid animal cruelty by not watching Cannibal Holocaust, don’t come around here with your dead leopards and talk of how many rhinos you’ve shot. I must say I’m a little wary of this sudden introduction of all these natives carrying spears and wearing bone necklaces, I just don’t feel like I can trust a movie made in the 1930’s to be sensitive on it’s portrayal of other cultures.

Thought it does present us with the best actor in this picture, look at those bug eyes! He’s like Africa’s answer to Marty Feldman.

And that’s just his reaction to a piece of scanning equipment going off, him and his mates are definitely going to be worried when this white devil makes a demonstration of his new found Radium X and it’s ability to melt pure stone. Looks like a portajohn backing up...

He then promptly turns his cosmic ray gun on all the locals when they tell him they want to go home. Sure, you can leave, you’re not going to get very far though. Dude, there’s like 12 of you and he’s given some of you rifles. Just jump him when he’s asleep.

Dr. Rukh finds that evening that he’s suddenly turned an interesting shade of neon yellow and can be seen by anyone in a three mile radius so either this Radium X is highly poisonous or Rukh has been running in opposition to Vladimir Putin. This poisoning leaves him so irradiated that merely touching another living thing is enough to kill it. Dr. Benet (Lugosi) is able to make a serum for him but can never truly cure him, he must regularly take this serum or otherwise he will revert to this killing machine type state.

But, in his eagerness to not spread this poison to his wife, and his general upholding of the man code to never air ones medical problems, he generally acts a bit surly and tells her to piss off which see views as him not loving her anymore so he promptly shacks up with the young explorer type who came with them to Africa. Worse yet, Benet and crew have taken a sample of Radium X to show at a scientific conference in Paris. Between losing his missus and thinking that other people are taking all the credit for his work, Rukh is just slightly annoyed.

It’s not all bad though, he is able to use this new element to cure his mother’s blindness. I like how his first reaction upon learning that Radium X has irrecoverably changed his life, leaving him one missed injection away from imminent death, is to shoot it directly into his mother’s face.

“Patients won’t like being shot in the face.” “They’ll like what I tell them to like.”

Whilst sulking outside of the church that his ex is getting re-married in, he spots a series of statues of saintly figures and imagines them representing each of the 6 people on the African expedition, vowing to destroy each of them until only he is left. Marvelous invention this Radium X, it can melt statues and cure blindness. Do you have to put special filters on that ray gun of yours depending on the situation? That’s a malpractice suit waiting to happen if you mix those up.

Dr. Benet is a little suspicious when one of their party dies suddenly for no explainable reason so takes a few ultraviolet photos of the victims eyes in order to study. And wouldn’t you know what he finds?

Bullshit! Nevermind the ultraviolet camera, this is more like the dues ex machine camera. I know this is science fiction and all but what is this, 1936 or 2036? Or maybe they’re just able to make the most detailed contact lenses known to man.

Eventually, when Rukh finds himself unable bring himself to kill his former love, he is confronted by his mother who smashes the serum and condemns him to death as, going unchecked, the Radium X within him will destroy his body. Sensing the end coming, Dr. Rukh dives out of the nearest window and promptly erupts bursts into flames, now left as little but a pile of ash on a damp Paris street. It’s a shame really, dozens of people spontaneously combust every year, it’s just not widely reported.”

This one was okay, definitely a different vibe compared to other Universal stuff at the time with all the science fiction and Africa based stuff but it does still travel down that ‘descent into madness’ thing that they often fall back on and it’s always fun to see KARLOFF and Lugosi, especially when they’re together. But, if we’re strictly talking about the KARLOFF/Lugosi pairing, I’m definitely leaning towards one of their other outings like Black Cat, Raven or Son of Frankenstein. There’s just something not right about Lugosi playing some normal, if he’s not being unhinged then you’re not really getting what you came here for.

#Halloween 2021 #The invisible Ray #KARLOFF #Bela Lugosi

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bartramcat · 3 years

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CSI, GUNSMOKE, and STAR TREK: Of Reboots, Remakes and Reinventions

So this whole CSI revival thing has me meditating on a whole bunch of unrelated TV shows, and the tendency of networks to try to replicate success.

Back in the dark ages, when I was a kid, networks were filled with Westerns and Sitcoms and Variety Shows. (Thank you Ed Sullivan for introducing me to so many different kinds of music and comedy I never would have sought out for myself.) I'll admit right now that, for the most part, I hate sitcoms. I'm not even a big fan of comedy films with the exception of Howard Hawks' breakneck version of screwball. The only two sitcoms I maintain a high regard for are The Dick Van Dyke Show and Get Smart. It's the writing. (Get Smart was never a true sitcom; it was a weird pastiche of parody and satire.)

So that brings us to westerns, a form I also tend to dislike, with the exception of Gunsmoke. In many ways, it is the quintessential western, by virtue of lasting so long, and, in others, it's not a western at all but a vehicle for morality plays and character studies in a western setting. At its core is a group of diverse misfits who come together to make a family; despite often unsavory or tragic backstories, they were united in their search for truth and justice and their love for one another.

I think one of the reasons Gunsmoke survived so long was twofold: the core characters and its ability to reinvent itself. Early on, the morality plays were more black and white, good versus evil in a very raw, harsh environment. The term that most comes to mind is stark, although the relationships among the principles were already complex. As Dodge grew, the "bad guys" became more complex, blurring the lines between good and evil. While some truly evil folks still turned up, there were more shades of gray, more bad choices, often born of desperation in an unforgiving landscape, than simply being "born bad." In the latter years of the series, while there were still episodes that explored the relationships among the principles, many episodes were character studies of either Dodge residents or transients.

Surprisingly, the black and white hour long episodes between 1961 and 1966 are some of the darkest TV has ever produced. Happy endings were not part of the formula. Some I would characterize as downright nihilistic. Not your stereotypical TV western. Several TV historians attribute this bleak depiction of frontier life as contributing to the declining ratings in the early to mid 1960s; the show would have been cancelled had it not been for Mrs. Paley, whose favorite show it was.

Gene Roddenberry once said that Star Trek was Gunsmoke in space. On a universe level, he was perhaps talking about frontiers: Gunsmoke was set on the American Frontier and Star Trek "the Final Frontier." Within the show itself, however, it too is about a group of diverse misfits who come together to make a family. It is perhaps worth noting that much of Roddenberry's early TV career was spent in westerns.

(As an aside, I was watching The Long Voyage Home a couple of months ago, and I started laughing out loud at an exchange between Spock and McCoy. My brother asked what was that funny. I said that the whole scene was so Doc and Festus. And it was.)

The original Star Trek was a failure as a TV series. It only lasted 3 years with no great ratings. Yeah I was one of those who wrote letters to NBC when they threatened to cancel it after the 2nd season. The characters and the concepts within it, however, had made an indelible mark on the consciousness of a generation.

For the most part, I hate movies based on TV shows, since I regard the TV and movie experiences to be basically incompatible. Both are on film, but that's where the similarity ends. I also loathe reboots. Star Trek is the only franchise that achieved success in both: the film and the reboot, primarily, I think, because the vision remained the same throughout all of its manifestations. The movies based on the OG show are not a redo but a continuation of the story of those characters first introduced in 1966. And I think as a TV series that TNG was actually better.

CSI has always reminded me of a weird combination of Gunsmoke and Star Trek, mainly because of the whole make a family thing. And the common bond among the family members. There are parallels that can be drawn among characters in all of the shows, but they are, for the most part, analogous at best.

As a TV show, I think CSI lost its way after Grissom left. Gunsmoke never lost Matt, and Star Trek never lost Kirk. The two earlier shows held onto their core characters for their entire runs, well almost. When Amanda Blake decided to take a year off from Gunsmoke in the 20th season, the show had a void. While the overall ratings were still good, I suspect the coveted women 18-49 demo took a huge hit.

For the most part, for me, TV shows are just TV shows. There are those I enjoy as in the moment entertainment. Rarely do I think about them after the credits roll. My go to show is Law and Order. It's comfortable. But I never connected to any of the characters in any substantial way. It is a true procedural. Criminal Intent is a whole other ball of wax, but that's due to Vincent D'Onofrio's Bobby Goren, who is easily in my Top Five of TV characters.

I'm not sure why CSI went so wrong after Grissom left. I suspect a large part of it was not only actor turnover but writing turnover. A loss of continuum both in front and in back of the camera. Initially, I think they were beset by panic: in an effort to fill the Grissom void, they decided to make it about Langston and not the team. The more fractured the team, the more fractured the show.

At the risk of offending some folks, I never cared about Langston, Russell, Finn or Morgan. Compared to the original team, they always seemed more caricatures than characters to me. In the later seasons, even Catherine, Nick, Greg and Sara seemed to lose a lot of their dimensions.

I have no idea what the CSI reboot will be trying to be. On the one hand, it could be trying to be TNG, but then what are Gil and Sara doing there? They certainly can't be part of a found family, since their family isn't included. There has to be some kind of viable backstory for them suddenly to give up whatever it is they have been doing to come back to the lab to save the day.

(In some of my potential scenarios, I suppose it possible they are globe-trotting NatGeo explorers engaged in scientific studies of whales and sharks, birds and bees, but they retain the Vegas residence to which they return to write up their treatises, thereby maintaining contact with the goings on at the lab. Yeah that's pretty far-fetched too.)

I suppose my fondest hope is that we will learn that several of the original CSI writers and production staff have signed back on, so that something of the original vision can filter through.

Shows can reinvent themselves. And they can be successful in different manifestations. In order to do so, however, there needs to be consistency in design and execution. There needs to be a coherent vision in terms of what the show is trying to do and to say.

And there really, really needs to be cast chemistry.

Here's hoping.

#csi vegas #gunsmoke #star trek #reboot #reinvention #csi

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babywarg · 4 years

Text

Ironstrange Bingo Entry 22: Fresh

Title: Seven Days in Love

Summary: In the last few days, Tony had fallen asleep a number of times. He always woke up a different Tony Stark.

But each Anthony Edward Stark was in love with some form or another of Stephen Vincent Strange.

Notes: This one is a bit long. It’s also unbeta’d, but I’m in a rush to make a bingo before the deadline tomorrow. Making a separate post for that.

I’ve been in sort of a writing drought because of busytimes, and a couple of big life stuff. That’s why I’m happy to have eked this out. It’s an important piece to me, not the least because it attempts to tie together some of my other fics.

That may sound a bit confusing 😅 I hope you’ll see what I mean when you read the fic.

***

Day One

Stephen reluctantly woke to Wong’s voice calling his name.

He was still recovering from yesterday’s difficult battle; what could possibly be so urgent as to sacrifice his invaluable rest time for --

“It’s Tony Stark,” Wong announced.

Stephen bolted out of bed.

***

He opened a portal to the Avengers’ compound in upstate New York.

The first people he saw were Bruce Banner and Steve Rogers.

“What’s wrong with him?” Stephen asked.

“Doc,” Bruce Banner tried to greet.

“What’s wrong with him?” Stephen said again, urgently.

The two looked at each other. Steve Rogers drew a deep sigh.

“See for yourself,” he grimly answered.

He led Stephen to a secure area of the compound, which served as a sort of brig.

***

Tony was there.

He was pacing the sealed, sterile room, fidgeting, looking around. Very clearly, his brain was working on overdrive.

“He’s been asking for you by name, but he’s been saying some...weird things in addition.” The upset was clear in Steve’s voice. “Wouldn’t calm down. We’d already drugged him and he fell asleep, but he was agitated again when he woke up.”

“We don’t want to give him any more sedatives,” Bruce supplied.

“Let me talk to him,” Stephen said quietly. He was determined to sound like he knew what he was doing.

They let him into the room with Tony. Tony’s entire face brightened up as he walked in.

“My lord!” Tony exclaimed, right before running up to Stephen and falling to one knee in front of him.

He took Stephen’s hands, kissed them. His grip on Stephen’s hands afterwards was so very tight.

“You came for me.” Tony’s eyes were wet with tears of gratitude. “I knew you’d come for me.”

Stephen stood motionless, his face unreadable. Behind him, outside the door, Steve and Bruce stared, uncertain if they should step in.

Both spectators were only certain of two things: there was no harm imminent.

This was just so very weird.

Tony seemed to interpret Stephen’s silence as contempt. The contempt of a superior.

He dropped his gaze and began to stammer.

“My lord...I know, I know I am but a humble armorsmith, but...”

“Who is it that you think I am?” Stephen asked, as gently as he could.

Tony stared up at him in complete surprise and befuddlement.

“The most powerful sorcerer in the twelve realms,” he soon answered, slowly. “Is this a test, my lord?”

***

“Tony’s mind has been flung across parallel universes.” Stephen had rejoined Tony’s confused and anxious friends outside. He had finished assuring Tony that he was in the sterile room for safety...and that he would not be kept there long. “This must have happened during the last fight. The one I’d asked the Avengers not to interfere in," he acidly stressed.

This was what had happened: Tony Stark had learned that Doctor Strange was fighting an interdimensional evil threatening to eat up the world, starting from New York...and he gathered the Avengers to help, even if Doctor Strange had expressly warned him and his team to steer clear.

And Tony had done it to save New York.

Just that. No other reason.

This foolhardy act cost Tony his psychic foothold on this universe. And now his consciousness was bouncing unmoored between parallel universes.

“You mean alternate dimensions?” Bruce ventured.

“Not dimensions,” Stephen proceeded to explain. “Dimensions are different planes of existence. Parallel universes are different versions of the same existence. Other ways that the same lives could turn out.”

“How can you be sure that’s what’s happening to him?” Steve Rogers demanded. “It could just be delusion. Some sort of brain damage.”

“It’s not,” Stephen sighed. “I know the universe he’s talking about. He mentioned the ‘twelve realms.’ There’s only one reality where that exists.”

“He wasn’t talking about those ‘twelve realms’ earlier this morning, though,” Bruce pointed out. “He was saying something about...what was it again?”

“About,” Steve said tentatively, “finding you and Peter Parker and bringing you back...before some guy named Thanos destroys everything.”

That was it, Stephen said aloud: that confirmed it. There was a parallel universe that had an alien superbeing named Thanos. A villain of literally cosmic proportions.

And if Tony’s brain was in this universe before he slept...it would appear that he jumped universes between naps.

It was obviously a magic matter. And magic was Stephen’s department.

He managed to convince both of Tony’s worried friends that the Sanctum was the safest place for Tony to be. At least, while he was looking up ways to fix it.

***

[ Read the rest on AO3 ]

#ironstrange #ironstrange bingo #iron man #doctor strange #tony stark #stephen strange

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joannalannister · 6 years

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Hi there! I've been meaning to ask this for awhile now, but I was just wondering what you think Jon's reaction to finding out Daenerys is his aunt will be? I mean, in my mind, it *could* go either way ... he could just not care bc of the whole Targaryens wedding family all the time, but I'm not entirely sure. I've been waiting SO LONG for my ship to sail, and tbh, I really don't care that they're nephew/aunt, but yeah. I just wanted to get your take on it!

In the books, I think that Jon is going to find out about Rhaegar and Lyanna in TWOW, before he meets Daenerys. So I don’t think “Daenerys is my aunt” is the familial relationship he’s immediately going to focus on, although I’m sure he’ll figure that out eventually. I think Jon has to grapple with the fact that Ned isn’t his biological father, along with the fact that his biological father Rhaegar disappeared with his mother Lyanna, who was underage at the time of her disappearance. And then this disappearance ignited a chain of events that caused Jon’s Uncle Brandon’s and his grandfather Rickard’s deaths. Not to mention a war.

Quotin myself:

idk if I would be so quick to dismiss Jon’s feelings. I think the emotional impact is kind of the whole point of the story. GRRM says he’s writing about “the human heart in conflict with itself”. It’s the emotional struggle that we relate to, more so than wielding a magical sword and slaying ice zombies. It’s R+L=J that is going to play a significant part in Jon Refusing the Hero’s Call. Jon has created a fantasy about Ned and his mother, and the pain of having that fantasy ripped away, of finding out he was Rhaegar’s design, a piece of Rhaegar’s prophecy, is gonna be a really big deal to him. Jon has to work through these feelings, and decide to save the world because he chooses to, and not because it’s something on Rhaegar’s survivalist checklist. Rhaegar was doing things because he thought it was required (”it seems i must be a warrior”), because some dusty prophecy said so. Jon’ll do it because it’s right and it’s what he chooses, and his emotional journey is gonna be the whole point of twow/ados.

See also. Also also: #r plus l equals j

So that’s. A lot of stuff for Jon to work through in TWOW.

And I don’t actually think that Dany is arriving in Westeros until near the end of TWOW, and I think that she’s going to be in the King’s Landing / Dragonstone area.

Perhaps Jon will meet her there idk, perhaps not. I personally like the idea of Jon going south trying to find the Tower of Joy and spending 40 days and 40 nights wandering the Dornish desert (I would like to learn more about Dorne), but instead GRRM will probably opt for a metaphorical desert of the heart. Regardless of whether it’s a physical desert or a metaphorical one tho, I think the problem remains the same: the rejection of evil. Instead of Satan appearing to Jesus Jon, it’s indifference and despair that Jon must reject.

To quote Elie Wiesel,

The opposite of love is not hate, it’s indifference. The opposite of art is not ugliness, it’s indifference. The opposite of faith is not heresy, it’s indifference. And the opposite of life is not death, it’s indifference. Because of indifference, one dies before one actually dies.

Indifference, to me, is the epitome of evil.

What hurts the victim most is not the cruelty of the oppressor but the silence of the bystander.

This is what I think ASOIAF is all about - having the courage to speak out and oppose what is wrong in the world. (This is why that theory about Tyrion losing his tongue is so heinous.) We see people speaking out when Tyrion stands up for one little girl, in Jon saving wildlings and letting them through the Wall in spite of the bigotry that will get him killed, in Dany freeing slaves, in Sansa speaking on Dontos’s behalf, and the stuff all the other heroes do.

And we see a lot of evil happen in ASOIAF when people stand by and look the other way and do nothing - like the Kingsguard.

(Remember Rhaella. Remember the men of the kingsguard who looked away. Remember Daenerys, who “dare not look away” when people are being raped or mutilated or murdered.)

“All that is necessary for the triumph of evil is that good men do nothing.”

Remember the call: “ARE THERE NO TRUE KNIGHTS AMONG YOU?”

“Only silence answered.”

That’s really what I think Jon is going to be dealing with in TWOW - the temptation to sit it out and do nothing as the War of the Five Kings resumes and the Wall falls, and the ice zombies invade.

The temptation to answer all this with silence.

(Like, if you asked me to describe how I think TWOW’s going to be like … I think it’s going to be like that moment in a movie when you’re holding your breath in anticipation and horror.)

I have a tendency to resort to Wheel of Time quotes when I run out of ASOIAF quotes, but I honestly think of these two series as sisters in the epic fantasy genre so anyways. In WOT there’s this prophecy related to the salvation of the world, “The grave is no bar to my call.”

When ADOS asks, “ARE THERE NO TRUE KNIGHTS AMONG YOU?” Zombie!Jon has to choose to answer the call, despite his death, despite everything that happened to him.

So anyways … The temptation to answer all this with silence … while I think Dany’s story is going to parallel Jon’s throughout TWOW, I think the very earliest they’re going to meet is at the very end of TWOW, and maybe not until ADOS.

So by the time Jon actually meets Dany, I think he knows full well who she is, and who he is.

Sidenote - I do not think that Rhaegar and Lyanna got married in the books because

I believe Jon’s story is about coming to terms with who he is, and that includes being a bastard - just not Ned’s bastard.

I do not think GRRM would undermine and sideline Dany’s claim to the Iron Throne like that, when Dany’s story centers around a choice between her people vs her throne. It would make her final sacrifice at the end that much bigger, if it includes the throne that she must give up.

So when Jon and Dany finally meet … I think it’s all going to be very chaotic and desperate.

Also. Jon will be an undead fire zombie in the books, so let’s.

Let’s not forget that.

Because I think that is going to be Very Important.

I would say that death … or zombification … or whatever word you would like to use for the experience of being murdered and resurrected … is going to be a much bigger issue for Jon and Dany’s relationship than simple incest.

I think throughout GRRM’s body of work – not just ASOIAF, but everything – there’s this theme about … about … the boundaries of love, but more importantly, the breakdown of those boundaries that stop us from loving each other. It’s A Song for Lya. It’s the spider loving a human woman in Tower of Ashes. It’s Vincent in Beauty and the Beast.

It’s GRRM saying that love is boundless.

So with Jon and Dany … I’m hesitant to speak here because GRRM has so much left to write … I think that Jon has to realize, with Dany’s help, that death doesn’t stop you from loving.

Think about what Jon’s been through.

He was murdered. Betrayed by his own men.

Murdered because he wouldn’t leave the wildlings to die on the other side of the Wall. Because he let them in, in his love and his compassion for humanity. Murdered because he loved a wildling girl. Murdered because he loved his sister, and he wanted to go save the girl he thought was Arya.

Like, you can get into all the political reasons behind Jon’s assassination, but in the end? I think it was about love. Bigots like Bowen Marsh lack that kind of love.

And Jon died for it.

I think Bran’s AGOT vision is a metaphor for Jon in TWOW: “Jon sleeping alone in a cold bed, his skin growing pale and hard as the memory of all warmth fled from him.”

Warmth is love.

Remember, “The real enemy is the cold.” The cold is slavery, abuse, murder, cruelty. The cold is all the ways that people hurt each other. The cold is indifference, despair. The cold is the absence of hope. The cold is death, dehumanization.

So in TWOW, I think Jon’s going to have a lot of problems letting people in.

I think Undead Jon rejects love. I don’t think he’ll remember what it is, and that’s what will make him initially reject his savior role. That’s why he’ll initially be indifferent to humanity’s fate. Zombie!Jon just can’t find it in him to care anymore imo.

You can’t step up and save humanity if you don’t love humanity.

I think Dany has to warm Jon up, so to speak.

Because humanity is fire (life) and the Others and their army of the Undead are ice, and the song of ice and fire is the war between humanity and the Others. With Jon zombified and, worse, indifferent … refusing the call … he’s an (unwitting) agent of the Others, and Dany has to save him. I mean, Dany has to save everyone, but she has to save Jon first. She has to make him remember what it means to be human.**

Like, Mel is going to bring Jon back pretty quickly imo, but … what is life worth, “when all the rest is gone?” Being back isn’t enough. Dany’s going to make Jon live again, as she never could for Drogo. (That’s gonna be a nice bookend, @GRRM, if we ever get to read it.)

Like, ASOIAF is about second chances. Samwell failed to release the ravens on time in ACOK, but you can bet he’s gonna release them on time when it really counts. Dany couldn’t make her Sun and Stars live again in his undead state … but you can bet your ass she’s gonna make Jon Snow live again.

I don’t know exactly how that’s going to happen, but I really, really, really don’t think Jon and Dany bang until they’re beyond the curtain of light, in the Other World Faerie Realm Lovecraftian Parallel Universe of Nightmare and Death.

If Westeros has a version of Adam and Eve, two people alone and in love at the birth of the world … well, I imagine Jon and Dany as the inverse, two people alone “at the end of all things”.

Imagine Belle’s magic mirror, Galadriel’s basin of water, Saruman’s palantir … the Sony JumboTron … whatever far-seeing device the Others can use to demoralize Our Heroes … imagine Jon and Dany watching all the dead and dying as Winterfell’s outer curtainwall falls. Imagine them watching when … I don’t know … someone in a critical defensive position betrays them. Imagine Grey Worm dying. Imagine idk horrible things. Disheartening things. Imagine Our Heroes losing heart. (The human heart in conflict with itself!)

(I think the Others are smart and I think they understand psychological warfare. Look how they play with people.)

Jon: “I am glad you are here with me, Dany. Here at the end of all things.”

Not a happy conversation, maybe, but a human one. Both of us needed someone, and we reached out. […I] made love to her as fiercely as I could. Then, the darkness softened, we held each other and [pushed] away the night.

–Dreamsongs

Did it matter to Adam, that Eve was born of his rib? That’s why this issue with incest is so irrelevant to me when it comes to Jon and Dany - I think the circumstances are going to be so weird, so wild, they’ll make that fish-fucking movie look normal.

Jon is a zombie. They’re going to be in a Lovecraftian Universe. It’s the end of the world. Dany and Jon being related is not going to matter.

In this Other World, this alien Lovecraftian dimension, I think Jon and Dany are the only two humans in this whole Other universe (with the possible exception of Tyrion, but Tyrion’s really a wildcard, more morally ambiguous than either Jon or Dany imo and therefore much more difficult to predict).

And so Jon and Dany reach out to each other – they have sex – as a celebration of their humanity, an act of defiance against an alien species that wants to destroy humanity.

And this act revitalizes them, gives them their second wind … and they can go do … whatever it is they need to do … to defeat the Others.

Love, life, salvation … there’s so much bigger stuff at stake here than “She’s my aunt”.

So no, I don’t think it will matter to Jon.

I have more Jon/Dany thoughts here, if you like: #jdmeta

**When Aemon gives Jon that “Kill the boy” speech, I think the mistake Jon makes is that he thinks he must kill his humanity. He pushes his friends away, he becomes isolated, he heartlessly steals Gilly’s baby. It’s cold and cruel … almost Tywin-esque. And I joke about Tywin being a golden cyborg, but that’s what toxic masculinity is … it’s a denial of humanity. I think Dany will have to help Jon remember what it’s like to be human.

#asoiaf #a song of ice and fire #princesspudding #replies #lannister thoughts #jon snow #jon x dany #dany x jon #jdmeta #endgame #asoiaf themes #the meaning of asoiaf #daenerys targaryen

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dalekofchaos · 6 years

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What I love and hate About Moffat’s Doctor Who

Much like I did for RTD’s Era, I will be listing my What I love and hate about Moffat’s Doctor Who.

What I love

Eleven. Ten will forever be my Doctor but Eleven has a special place in my heart! I will always remember him in my heart, I will cherish the memories I had that he was The Eleventh Doctor, I will always remember his epic sense of fashion, his triumphs and sad moments, his eccentric childishness both as him and as a way to trick you and then you realize Eleven is truly terrifying. I will always remember Eleven as The Doctor!

Twelve. I love Twelve. He may have had some poorly written episodes given to him, but Capaldi still handled it like the professional he is. Twelve brought back the sternness of One and the dark manipulator of SevenI Capaldi’s ability to portray the extremes of human emotion make him, perhaps, one of the most skilled and diversely talented actors to take on the role. One of the most joyously mesmerising facets of Capaldi's interpretation of the role is the level of sincerity and gravitas with which he approaches every scene - it doesn't matter if the Doctor is being funny, Capaldi plays the Doctor with a sense of naturalism and realism which has breathed new life into the part. While Smith and Tennant each had a wonderful sense of humour in the role, Peter has taken the opportunity to play the straight-man when it comes to scenes involving a degree of comedy, making the Doctor all the more funny for it. I also love Twelve because I liked the fact that his sheer introduction brought back the idea that older actors (and now actresses) can play the character. Having been a lifelong fan himself, Capaldi would have accepted the role knowing full well that his life would never be the same again. Aside from this willing acceptance of the renown that comes with the role, Peter seems to be one of the warmest and most genuine actors to adopt the guise of the Time Lord. He regularly speaks warmly and at length of the entire history of the programme, not just the series since he joined. His knowledge and passion for the shown and it's fans is truly moving as Capaldi is regularly warm and inviting to those fans that speak to him in the street. Some actors can be somewhat short with their fans, especially if they're having a tough day, but Peter seems to be welcoming and charming regardless of the circumstances. In short, he's nothing shy of the perfect ambassador for the show. The Doctor was indeed in safe hands and we will miss Peter dearly.

Moments like The end scene of Vincent And The Doctor and Twelve’s brilliant anti-war speech in The Zygon Inversion.

Amy Pond and Rory Williams I loved Amy and Rory. Amy Pond is an incredibly layered, wonderful, and flawed character. She is brave and independent, she is scared of abandonment and commitment, she is rude and yet compassionate. She has a knack for creative problem-solving and can make connections other people can’t, whether it is realising the truth about the star whale or figuring out how to defeat the Weeping Angel.She has had a difficult life, but Amy is always changing and growing, as she holds onto the contradictory pieces that make up her own histoy. We watch her learn to love and to trust. We see her struggling with keeping up with both her travels with the Doctor and the normal life she comes to value. She experiences joy and loss and she just lives, passionately.What is so exceptional about Amy’s ending isn’t that she chooses Rory; she likely would have made the same choice two seasons earlier. But for the first time it feels like a decision that she can be happy with. Because she no longer is “the girl who waited” - and the Doctor didn’t keep her from growing up, he just became part of her story to get there. Rory is awesome. He’s one of my favorite companions ever, despite being on and off at times because of small things like being dead. Rory is smart, cool, actual husband material, and he keeps The Doctor humble. I adore their relationship. Amy and Rory loved each other. Their relationship is what made series 5 and 6 great. Beautiful soulmates and The Ponds are beautiful. I think my favorite part about the Eleventh Doctor, Amy, and Rory’s time together was the fact that most of the other companions in New Who were always talked down to. Not that the Doctor didn’t respect them. He did, immensely. But he was always the one to explain something, always the one looking smart, always the leader, always the one saving the day. But in the case with the Doctor, Amy, and Rory, the Ponds were the ones figuring things out and saving the day while the Doctor tripped as he tried to simultaneously put on a bowtie and eat a fishstick. And that’s beautiful.

Clara Oswald Clara Oswald is a perfectly ordinary sweet natured girl, who’s compassionate and caring, who has shown herself to be quite independent on several occasions, who takes care of children simply because she knows perfectly well what they are going through, and saved the Doctor on so many occasions just out of the goodness of her heart. Clara Oswald is a scared but very clever girl, who becomes very good at playing the most dangerous of situations to get advantage and gets addicted to that thrill. From the beginning, she parallels the Doctor, with her whole era basically being a female Doctor origin story.

Bill Potts. Bill was wonderful. Finally, a companion who is not a forced plot device, Bill is finally a companion who is special just because The Doctor considers her special cause she’s The Doctor’s friend. Bill is a proud gay woman of color. Her introduction is brilliant, hella adorkable, Has immense respect for the Doctor without ever defining herself around him like so many other companions, strong and stands up to him without ever seeming condescending or ‘you may be the Doctor but I know you better than you know yourself’ and all the slapping him. The Doctor and Bill have the healthiest Doctor/Companion dynamic. Has a clear inferiority complex but never takes it out on the people around her. Her first reaction to seeing depressed Heather is to sit down and ask her what’s wrong, because that’s what she feels is right. Basically so incredibly kind and selfless to everybody. I love Bill so much

The Paternoster Gang. Anytime Vastra, Jenny and Strax are on screen, it’s instantly gold. A trio of associates to the Time Lord who didn't have hokey origins or contrived resurrections. They emerged fully formed and unexplained; Vastra was a lizard serial killer, Jenny was her servant/lover and Drax made some funny jokes about not being able to understand human biology.

Missy Michelle Gomez was so deliciously and hammy evil. I loved every moment she was on screen, it’s a shame The Doctor Falls ruins it. In her first two appearances she was firmly established herself as a force to be reckoned with. Suffice to say, you wouldn't want to meet this renegade Time Lord in a dark alley. She'd sing "Oh Missy you're so fine" and then obliterate you on sight. After taking a selfie with you, of course. Plus Missy always looks her best when she’s ready to destroy the world! When she gets her lipstick out, you know that something rather unfavourable is about to hit the timey-wimey fan. Anyone can kill someone but it takes a special sort of person to do it with as much attitude as Missy. After all, if you're not going to zap someone to death looking your best, you might as well not do it at all. It's rule one, guys. Though I do wish they just called her The Master. If Moffat doesn’t think she couldn’t keep calling herself The Master, I’m pretty sure he’d rename Thirteen The Nurse.

Simm!Master’s glorious return! Simm!Master returned and it was perfect! It was both what the fans of Classic Master wanted and what Simm wanted. John Simm always wanted to play a dark and evil Master, it was RTD who wanted Simm to play a dancing and giggling lunatic who acted like Frank Gorshin’s Riddler on crack. Pure and utter hatred for The Doctor and no regard for anyone but himself. Absolutely glorious. It’s just a shame that Simm!Master will not return and an even bigger shame that the surprise of Simm!Master’s return was spoiled by the trailer and bad make up and inability to hide Simm’s voice.

The Guest episodes in RTD’s era and the new monsters. All the guest episodes are great. Moffat is good at writing monsters. Moffat is responsible for creating the best monsters in New Who. The Weeping Angels, The Empty Child, Vashtra Narada and The Silence were all good. The sad part is Moffat is good at writing guest episodes.

What I hate

Plots that go nowhere and abandoning established ideas for his plots and just making up as he goes along. Moffat tends to introduce plots and either never intends to go back or explain them or abandons them altogether. In series 5, it’s introduced that Th Alliance, a group of The Doctor’s worst enemies all worked together to put The Doctor in the Pandorica, who brought them altogether, when and how are they joined together and when are they gonna return? Never brought up again....Okay? When we all heard “Silence Will Fall” it gave us a sense of wanting more. And in the series 5 when River went to Amy’s house in The Pandorica part 1 ending, I saw Omega symbols everywhere. This led me to believe that Omega is tied into the cracks in the universe and The Silence and maybe we would see Omega in series 6 and maybe The Silence were created by Omega. It never happens. The Silence are a religious order. It STILL could’ve worked because there were STILL Omega symbols all over in A Good Man Goes To War. And once again, nothing, I don’t know if Omega was ever planned to return but something was dropped. Moving on. I thought that the reason why The Doctor’s name was shown to be this terrible thing in New Who is because The Doctor used his real name to Timelock The Time War and saying it would unleash The Time War on the universe and...his name is dropped like it’s nothing. The Silence with a flip of a hat decide to join The Doctor despite it being their goal to kill him because...reasons. So glad that was resolved so easily. How did The Doctor and Clara escape The Doctor’s timestream? Never addressed. John Hurt’s character. I always thought he was gonna be The Other considering the 50th was coming up and it might be the Cartmel Masterplan. He’s a Doctor between 8 and 9 and was the one who fought in the Time War? Okay. Okay when Missy started appearing and when she talked about Clara “I chose you well” I got the hint that who this big bad was, that she created Clara to use against The Doctor, this led me to believe that Missy was The Rani. “Oh she’s the Master, but instead of calling her The Master we call her Missy now”....kay? The Master chose their name like The Doctor, I’m pretty sure they would not change it because The Master changed genders, but whatever. The Hybrid. Something so horrible that The Doctor left Gallifrey “it was The Doctor and Clara” are you fucking kidding me? Oh it gets better, The Doctor doesn’t even care that he found Gallifrey, all he wanted was Clara back despite Clara being content with dying. No seriously you fucking asshole, you wasted my fucking time with either dropped storylines or shit you made up cause we all fucking know you did not know what you were doing.

River Song The issue with River Song is she is simply an awful character. River stokes The Doctor’s PTSD really bad. She is a character forced upon both the audience and The Doctor. River is a character who kills at the drop of the hat and makes a Dalek scream for mercy. Yeah, call me old fashioned but showing mercy to a Dalek is more compelling. She encourages The Doctor to kill, and reveres him as some untouchable genocidal god, and constantly pushes herself onto him sexually, even though he pulls away. River Song is Steven Moffat’s Ebony Dark'ness Dementia Raven Way. And there’s the fact that River is predatory. If it was a male character constantly coming on to the much physically younger female character, and being naked and doing so despite being asked not to do that like.... people would have freaked out and called River out for being a predator and had a fit, but because she's an older female and he's a younger bodied male this is... somehow badass and empowered? Oh and let’s not forget the fact that River is somehow part Time Lord? Being born in the fucking TARDIS does not make you part Time Lord. Jesus fucking christ, JENNY is more Time Lord, at least that makes more sense. And the revelation that River is Amy and Rory’s daughter makes no sense. Rory was erased from existence. How can River still be their daughter if Rory died at that point? But moving on. I hate that she is used as a plot device. Oh, by the way she can fly the TARDIS, and oh by the way, she can flipping regenerate. I’m sorry, but River Song should, by NO means, be able to regenerate. She pops in to get the Doctor in and out of trouble and then disappears to who-knows-where/sometimes prison. And fixed points in time? Excuse me? No. I mean, really. That was absurd. Special rules do not apply to her. Moffat is just trying to make her look cool and I am not sacrificing good writing for image. River Song is a sociopath whose entire life revolves around The Doctor, there is not ONE SINGLE decision she has made for herself. She goes around with a gun, shooting things, causing genociide and we’re meant to believe the Doctor is actually ok with that? Giving her a gun does not make her a strong, independent woman. It makes her a sociopath with a gun. Her smugness annoys me to no end. Fucking spoilers. Fucking hello sweetie. Her sensuality is forced. She has no chemistry with Matt Smith. Her line in the wedding of River Song. I’ll suffer if I kill you-more than the entire universe-yes. How selfish can she get? She is constantly rubbing in her knowledge in not only the Doctor’s face but the companions. It’s like when Moffat took over he wanted to one up RTD so he made River who lets everyone know how awesome she is, how well she knows the doctor, how she can fly the Tardis so well (you turned the “handbrake” off, congratulations) She has no reactions to her parents dying. And finally she is meant to be this brainwashed sociopath who exists to kill the doctor and in the space of literally 30 seconds she changes her mind. A lifetime of brainwashing and trauma and pain and she gets over it in 30 seconds. Like I said, I shit you fucking not River Song is Moffat’s Ebony Dark'ness Dementia Raven Way. And yes, the marriage. It was forced. The Doctor flat out states that he doesn’t want to marry her and she pressures him into it because it’s the only way she’ll let him touch her. If there is any kind of pressure, blackmail or abuse to get someone to marry another person, the marriage is forced. The Doctor was absolutely pressured into participating because not participating would’ve ended the universe. Here’s the difference between Rose Tyler and River Song. Rose Tyler was a character who existed and had a romance with the Doctor. There was NO love at first sight. it was not Predestined, or anything like that; it was just some crazy old alien being like “oi, you wanna go and see all of time and space?” and rose was all, “yeah, why not!” and they were BEST MATES FIRST. they were just two best mates flying around in their stolen TARDIS, having a laugh, and then when the Stakes Were Raised rose kind of went - oh fuck. i love him. and the doctor went - oh fuck. i love her. it was just a natural, mutual caring and it was just two nerds, both of whom would raise HELL for the safety of the other while saving the universe together. River Song was a character who existed TO have a romance with the Doctor. We are instantly told, not shown by the first meeting that River is important to The Doctor. Someone The Doctor would give his screwdriver to and tells her his name. And eventually they meet again and she kills and The Doctor is okay with it...for reasons. No one ever bats an eye that another genocide happens, but whatever. “Never be cruel or cowardly” apparently The Doctor overlooks why he chose his title when River is around. Honestly, The Doctor would never fall in love with someone who would risk THE ENTIRETY OF SPACE AND TIME because she didn’t want to kill him, i.e. river. he would NOT love someone like that, much less he would certainly not marry her because of it. Okay. Why is River the only one who knows The Doctor’s name? You might say that River does have a life outside The Doctor cause she’s an archaeologist, yes, but that is barely shown. What do we really know about River? Even though she’s not consistently characterized, we do see that she’s violent, crazy, arrogant, overly sexual, sassy, and even bossy. Not much is known about her that makes us actually love her except that we are supposed to love her because of the Doctor. If I could change River’s character, it would be this. River should have been like a future companion who was mentored by The Doctor. Like Seven mentored Ace. In which he becomes like a father to River. She is hateful to him at first because of the conditioning done to her by The Silence. The Doctor saves her from herself and makes her a better person and slowly mentors her, I kind of got that impression when she told Rory about herself in The Impossible Astronaut. I would have prefered a father/daughter relationship more than a romantic one. And River getting over trying to kill the doctor in just one episode (Let’s Kill Hitler) didn’t really take advantage of the weapon turned companion plot, and it was such a waste! It’s so frustrating how much potential there was there to really tell a story, and instead they just rushed it and made it into a nonsensical mess, rushed into a mystery and rushed into a forced romance. And we will never be free of River, as long as Moffat guest writes for Doctor Who, River will always be there. Even when she is being sent to her death, River Song’s presence is forced upon us in series 10 and no matter how much we want her to go away, River will never leave. Fuck Moffat for forcing River on us.

Moffat’s perception of The Doctor. Moffat sees The Doctor as this angsty vengeful authoritarian god. The Doctor is important because They are the one being trying to make a positive impact in the universe not because they’re a god/angel/cosmic authority/vengeful deity

The Doctor’s Name. Since when does the Doctor’s name matter so much? He chose his own name, Doctor, for a reason. It stands for everything he believes in. and that’s what matters, not his birth name, they weren’t gonna do the Carmel Masterplan, so it really doesn’t matter. Furthermore, how could the Doctor’s name bring about the end of the universe? I just…I don’t understand? I’m really trying to and I can’t, because it makes no sense. Before Steven Moffat took over, The Doctor wasn’t this prophesied space messiah that all the evil beings in the universe were hell-bent on destroying because they knew that his name had catastrophic properties. Never explained why and all mentions of why his real name is important is thrown away, thus once making something built up entirely pointless.

The Silence Genocide. Here’s the difference between how genocide is presented with the Ninth, Tenth and Eleventh Doctors. The Ninth Doctor has the opportunity to destroy the Dalek Emperor’s fleet with the delta wave generator, but it would be at the cost of the humans and Jack on the game station. He couldn’t bring himself to commit genocide a second time, he would choose to be coward over a killer anyday. With Ten, he had no choice but to destroy the Racnoss and commit genocide, but he was ashamed of himself. The Silence had been on earth for thousands of years and had influenced human history and helped get humanity to the moon. One of them killed a human. The Doctor sanctioned a genocide of an entire race with a smile on his face and turned on by his psychopathic future forced wife(jesus I wish I was making this up) and the humans just go along with it, The Doctor might as well have just told Cletus to burn a cross on The Silence’s yard. What was The Silence’s crime exactly? furthering Man's achievements? I can only assume that no one knows about the killing of Joy in the toilets, but if the Doctor did its a bit harsh to wipe out a whole race because of the actions of one. I mean, holy shit we have a jail that is capable of holding aliens established in the beginning of the episode and apparently killing them all instead of holding them all away is preferable.

Apparently sexual assault is funny if a woman forces herself on a man. If someone forces themselves on you without your consent, it is assault. It happened with Amy(while she was on her way to being married), it happened with River, it happened with Clara, it happened with Tasha Lem, and it happened with Missy. It was not funny in absolutely any time, yet this immature fucking jackass always plays assault for laughs. If this were an older man forcing himself on a younger woman, there would be outrage. and the creepery of women who meet fully grown men as little girls falling hopelessly in love with that same grown man, usually throwing themselves at him and forcibly advancing on him. And him sexualizing them when they're adults when literally like 5 minutes ago for him they were children, it’s really vile.

Moffat’s inability to break the New Who companion formula with Clara. When we were first introduced to Oswin Oswald, I sincerely thought we were finally getting a new type of companion, FINALLY a companion from the future and not just another modern girl from the UK. Then Oswin was revealed to be a Dalek and she died. Sad but I thought she was a great character and I really wanted her to start traveling with The Doctor, Oswin and Eleven had great chemistry and unfortunately it was wasted potential. Next, we get Victorian Clara. Finally, a companion from the past. Her story was so great and once again good chemistry with Eleven and once again I wanted Victorian Clara to travel with The Doctor and she dies. What happens next? We are once again forced to have a “the companion must be special to travel with The Doctor plot device” and we have Clara Oswald from modern UK. Okay, fuck you. You complete and utter fucking moron. Not every goddamn companion needs to be from the modern UK. The Doctor has traveled with companions from the past, from the future and even aliens, hell, two of his companions were Cybermen. The Doctor traveling with a companion from the past or future works.

Moffat believes companions should only be female. Gee, it’s not like Ian Chesterton, Steven Taylor, Ben Jackson, Jamie McCrimmon, Alistair Gordon Lethbridge-Stewart, Mike Yates, John Benton, Harry Sullivan Adric, Vislor Turlough, Mickey Smith, Captain Jack Harkness, Rory Williams and Danny Pink don’t exist or are important. Seriously fuck you, the male companions are just as important as the female companions.

Death always being teased but never executed upon and made ultimately pointless in the end. Rory has been dying in three fucking seasons until he actually dies in series 7. His death in series 5 was actually great. Then, when Amy and Rory ACTUALLY die in Series 7, it makes absolutely no sense and there are so many plot holes around it, it can be avoidable and The Doctor could simply just travel to a different part of the country in the TARDIS and just go back to New York on plane or car. Their death is completely avoidable and comes off as Moffat saying “He can’t save them because shut up” The Doctor let Amy and Rory go at the end of series 6. That is all you had to do. LET THEM GO, their deaths were avoidable and if you wanted to write them off, let them go. The most interesting Claras died and the last Clara died but was stupidly brought back despite the fact that Clara was content with dying. Ashildr had a great death protecting her people and of course deus ex machina technology makes her immortal. Even Heather, a girl from one episode had a good emotional death, is brought back in the finale. Bill Potts had possibly the worst possible fate. Bill was shot and everyone was shocked. Like damn, Bill is dying and the next thing we know is she is being converted into a Cybermen and who knows The Doctor is being forced to deal with the fact that he led his friend to a fate far worse than death. The emotional pain is there...and it’s ruined. Bill is fine and gets a happy ending like Clara and Ashildr. River is dead AND WE ARE STILL NOT FUCKING FREE FROM RIVER SONG! I don’t know why the fandom perceives Moffat as bad as George R.R. Martin, Moffat is a coward when it comes to death and never sticks with death, everyone HAS to come back and the deaths for every companion is undone and makes their deaths and sacrifice completely pointless. The reason Adric dying worked SO WELL is because he stayed dead and Adric’s death was a sacrifice and it worked. If Moffat was headwriter for Earthshock, I’m pretty damn sure he would find a way to undo Adric’s death. Death has no consequences in Moffat’s Who.

Until Bill Potts, every companion ALWAYS had to be special because the plot demanded it. Amy was “the girl who waited” River was River and Clara was “The Impossible Girl” no one could be special cause they are special to The Doctor, they had to be related to the plot

Day Of The Doctor was not celebrating 50 years of Doctor Who. It celebrated New Who and The Time War. It only celebrates The Time War and Moffat’s Who. It makes Not only that, it makes it black and white, it makes The Daleks the true evil of The Time War and erases the culpability of The Time Lords. Remember it wasn’t just the Daleks who were the cause of The War, it was The Time Lords themselves who started The Time War when they convinced Four to try and stop the Dalek creation in Genesis Of The Daleks, it’s very important to understand that it wasn’t black and white and make the Time Lords the innocent party. And Day Of The Doctor ignores that and ignores that Rassilon wanted to erase all life and make The Time Lords beings of higher consciousness at the cost of all life in the universe.

Mishandling The Time War itself. Throughout series 1-4 The Time War was built up as this horrible war that was so horrible that if it did not end, it would’ve destroyed life itself. The Time War NEEDED to be more than a generic Sci-Fi battle. in the novelization of the episode Rose,

The Time War was meant to be bigger and more horrifying.“this wasn’t a fight like laser guns and spaceships and explosions, this was a filthy, stinking war that changed reality itself.” Instead, it became a generic Sci-Fi action movie. Instead of the enormous time-traveling, inconceivable concept that was painted. The Time War prior to the 50th was something that we COULD NOT CONCEPTUALIZE because it was not fight like a normal war, it spanned galaxies and time. The true tragedy of it wasn’t that the Daleks were going to destroy Gallifrey or Arcadia, it was that THE DALEKS AND TIME LORDS BOTH WERE RIPPING THE UNIVERSE APART WITH THEIR WEAPONS. You cannot show that. So instead, we got shitty action movie explosions. When I got real interested about the Time War before series 6, a fan trailer showed a concept that The Daleks wanted to capture the Eye Of Harmony and insinuated that the Daleks went to war with the Time Lords to gain Gallifrey’s resources so they can gain mastery over space and time. That alone is more compelling than “Daleks just wanna exterminate the Time Lords” it was lazy writing, even more so by portraying the Time Lords as the innocent party. The Time Lords tried to get The Fourth Doctor to stop their creation and The Seventh Doctor manipulated Davros into destroying Skaro. There is no innocent Time Lords, retconning their actions throughout classic who and ignoring Rassilon and the High Council’s plans was complete and utter lazy writing. Rassilon and the High Council were as scary and menacing as the Time Lords from War Games and Rassilon was a fearsome genocidal demigod. Choosing to ignore that was seriously dumb. Let’s go over Moffat’s depiction of children of Gallifrey and how he portrays the Time Lords waging War. Ignoring the concept of looming is dumb. “children of Gallifrey” I was just so mad when I heard about this. looming made Time Lords more alien and it is an interesting portrayal of Time Lords being asexual. Ignoring that, the concept of Time Lord Children is really dumb, Time Lord children carry stuffed rabbits. Because Time Lords children = Human children. Oh wait. Then Moffat’s concept of how The Time Lords would wage war. Time Lord soldiers have helmets. Time Lord soldiers have helmets to protect them from the rubble. There is rubble. Things are burning. No, I mean things are literally burning. Things are burning because the Daleks are shooting ray guns and the Time Lords are shooting back using their super advanced … ray MACHINE guns!!!! Just to remind the audience, the Time Lords are a superior race with power over time itself. The Time Lord soldiers have walky-talkies. No really, they do. When Time Lords make art, they make it in 3 dimensions. When Time Lords make war, they make it in 3 dimensions. “Have you ever thought what it’s like to be wanderers in the Fourth Dimension?” Masters of time and you decide to make them have ray-guns? This isn’t the fucking Terminator. And also, it ignores the fact that The Doctor witnessed Gallifrey burned. The way The Time Lords were portrayed in DOTD, was just lazy.

Sonic Sunglasses. I believe that the sonic screwdriver needed a long break. It worked for Five-Seven so it would work for Twelve. I like the sonic screwdriver but I hate how they constantly made Ten and Eleven dependent on it and turned it from a time lord device that can open any door to a magic wand that can perform a deus ex machina. What happens instead of Twelve relying on his intelligence and wit? He gets a downgrade and gets himself Sonic Shades. It worked like the screwdriver, with a few added bells and whistles to justify this downgrade. One of the most noticeable problems with the glasses was that, unlike the screwdriver, their effects weren’t visible. Doctor Who is ordinarily a visual program that has always drawn attention to its colorful sci-fi/fantasy moments. Also, unlike the screwdriver they weren’t exclusive used by The Doctor, making them far less special. Clara, Ashildr and Osgood all donned the specs during the limited number of episodes in which they appeared. In series 10, the glasses committed their greatest sin. After the events in Oxygen rendered The Doctor blind, instead of having him deal with the extent of losing one’s vision, he popped on his magic glasses, thus cheapening the experience. While they didn’t restore his vision, the tech provided him with enough guidance to dramatically lessen the full extent of his blindness. Sadly, if the writers had allowed The Doctor to go 100% blind, the sheer vulnerability of such a powerful character could've made the Monk Trilogy a much stronger arc.

Hell Bent undid Clara’s sacrifice and made Day Of The Doctor completely pointless. Hell Bent STILL leaves a bitter taste in my mouth. All this mystery around The Hybrid and it was completely pointless. Gallifrey was completely wasted. We were given hope that The Doctor would see his home and his people again, but instead of The Doctor restoring Gallifrey, finding Susan, Romana, Leela and Ace again, Gallifrey is reduced to background noise and The Doctor doesn’t even care that he’s home. It was all just to bring back Clara. Clara was content on dying to save Rigsy. Clara paid for her mistakes by trying to emulate and be The Doctor. Heaven Sent was brilliant, it showed The Doctor trying to struggle without Clara, it was emotional and brilliant. Not only is her death undone and Gallifrey is reduced to background noises, Clara is rewarded by her actions by becoming a faux Doctor with a TARDIS and her own companion in Ashildr. This is the complete opposite of what should have happened. She gets rewarded for trying to become The Doctor when she shouldn’t be. She should be paying for it, that’s the whole point. Clara isn’t The Doctor, what makes her different is her primary strength and that’s why they need each other. Clara dying was the only good way to end this character and it ended up as a copout. It took her agency away and because Moffat could not let her go he had to bring her back, thus making Face The Raven and Day Of The Doctor completely pointless

Because Moffat STILL will not let River go, he has a portrait bigger than his own granddaughter’s Susan Foreman. There is no way within time and space that The Doctor will never believe River Song is more important than his own granddaughter. In my opinion, he should have picture frames of Rose, Jackie, Mickiem Jack, Martha and Donna, The Ponds and Clara along with Susan, but only River gets the big special picture. Fuck Moffat and his petty favoritism

Nardole For the majority of series 10, The Doctor was followed around by a cue-balled whiny crying cyborg known as Nardole. He first appeared in the 2015 Christmas episode with a purpose and then proceeded to just sort of hang out afterward with no discerning purpose. Then midway through series 10 in the episode Extremis, his purpose was explained. He was just a reminder that River Song is still there. We can’t be free of River no matter what and because of that we have to sit through this unbearable, annoying screaming robot. Kamelion is better than him and that should show you how bad Nardole is, but unlike Kamelion who had issues cause the robot malfunctioned and only lasted a few episodes, we suffered through the entirety of series 10 because of Nardole.

Bad make up and giving away Simm!Master in the teaser ruined the reveal. The series 10 trailer spoiled that John Simm would return as The Master at some point. However, since he didn’t appear in the first ten episodes, it became a given that’s he’d appear sometime during the two-part series finale. And while they might have been saving him for part two, it was likely they’d want to utilize him for the entire story arc. So with all that in mind, a character that looked and sounded like John Simm in heavy makeup appeared about 15 minutes into the penultimate episode, The World Enough and Time. Some viewers may have been as shocked as The Doctor and Missy were by the reveal, but it could’ve been handled better. Simm did his part by disguising his voice and mannerisms. Yet it feels like a lost opportunity with an easy enough fix, if anybody had cared. The whole thing could’ve been avoided by either not including The Master in the trailer, or by disguising Simm in even more makeup and prosthetics.

Ignoring Simm!Master’s character arc in End Of Time. I don’t like End Of Time for a majority of reasons, but even I understand that Simm!Master had an arc in End Of Time. Sure, he mostly wanted revenge for what Rassilon’s done to him, but he still saved The Doctor, he considered The Doctor’s offer and had a realization that maybe he doesn’t have to be bad. Simm!Master had sane moments in his insanity which all had in some way the Doctor involved, showing him listening, with tears in his eyes. And in The Doctor Falls, he is completely unchanged. Acts as if the character arc never happened, Simm!Master is sexist for no reason. Time Lords have no real concept of gender inequality. The Master had respect for Jo Grant, Nyssa, Tegan and Martha Jones and never harbored sexist attitude for them, he had ill feelings as an enemy, that’s it. Made to hate the Doctor so much he’d rather die than standing with him - Ignoring the fact that’s exactly what he did in The End of Time Part 2 and also the fact that the Master’s main goal over everything else was always his own survival. So he dies unredeemable, learns nothing, uncaring asshole, and completely disregards his character development in "The End of Time and all just to make Missy look good.

Missy had no reason for wanting to change and my annoyance at the name change. I don’t see or understand why Missy wanted to change. Obviously they are gonna give her a redemption story for...reasons. What are the reasons you might ask?...Shut up. Well, we obviously need her to fight her demons so why not give her absolutely no reason to want to change (except “I want my friend back” which apparently wasn’t enough reason for any other Master) I seriously do not understand why Missy would want to change. Missy/Master would want to fight a common foe with The Doctor and later betray The Doctor later and their game would go on as it always goes. Missy had no motivation, every chance The Doctor gave her, she always went back to her old ways. Missy’s “change” simply comes off as “let’s praise Missy She’s changed!! Why? Who cares. Motivation? Character development? Nuances? I can’t do that, I can only create a contrast between new and old so crass, everyone will see the change! Shut up and stop asking questions!” If Missy returns, I want them to stop calling her Missy. Call her The Master. The Master chose their name like The Doctor, I’m pretty sure they would not change it because The Master changed genders. You don’t just change that name. She can very well still call herself The Master, there is no reason why, they cannot call her The Master. Changing gender is not a reason to change the title The Master chose to be called as such as they believe they can rule and subjugate the universe. But The Master should at the very least return as a villain, despite the forced change.

The Daleks and Cybermen are misused and overpowered. The problem with the Daleks is that Moffat has no idea what he wants to do with them. This video explains it perfectly. When the Daleks returned in series 5, they returned with an awful new look but they are still the biggest threat in the universe and the emotional trauma and hatred with the Doctor is there. Then, The Daleks go away and nothing is done with them. In series 7, Asylum Of The Daleks they return. They are not treated like the unstoppable force they were once in Classic Who or in Davies’ Who or even in Victory Of The Daleks. They are instead treated like another monster of the week. It’s not a big deal for The Doctor to face them anymore, he doesn’t seem to have any kind of reaction to them still operating or prospering in the universe. So now with no explanation Skaro is apart of the universe again despite the fact that it was destroyed in Remembrance of the Daleks, there is a Dalek parliament, thousands of them exist, they have their own asylum(apparently the Daleks are too scared of their own malfunctioning Daleks) and they have death camps. Dalek death camps and The Doctor doesn’t care. Dalek death camps and The Doctor has no reaction to nor does he want to help anyone in the camps. While the execution of Evolution of The Daleks wasn’t very good, Dalek Sec was right that the purity of the Daleks would always destroy them in the end and must change if they are to survive, but that is no longer relevant. The tone of the Dalek appearances after Victory Of The Daleks shows their menace is no longer there. The Doctor goes from being enraged and consumed by grief by seeing The Daleks, to not feeling anything nor caring that the Daleks having death camps across the universe. The Rusty thing just didn’t work. The only thing that did work was the “you are a good Dalek” line. The Daleks have lost their menace and if The Doctor doesn’t care or show any fear or hatred towards them, then why should we as an audience care? As for the Cybermen. The problem is they are just the Cybus Cybermen with the symbol removed, the same monotone “DELETE” the only difference is they are too overpowered and well they are apparently Iron Man now thanks to the Nightmare In Silver all rocket boots and detachable limbs and superspeed. In Dark Water/Death in Heaven they are nothing but Missy’s slaves with no autonomy of their own rather than a true force to be feared. It hasn’t helped that more often than not, modern Doctor Who has repeatedly decided the only way to beat the Cybermen is to overwhelm them with the power of love, a trope the show falls back on far too often. What made the Cybermen scary in Classic Who is when they were first envisioned, they were meant to be a chilling extrapolation of what creators Dr. Kit Pedler and Gerry Davis saw as the future of prosthetics and cosmetic surgery, humankind chopping bits of itself until what was left was more machine than man. Only their very first incarnation, the Mondasian Cybermen has ever tangibly captured the gruesome, tragic roots that sit at the heart of the concept behind them as monsters. Tomb Of The Cybermen also showed them as a true threatening monstrosities. So when the Mondasian Cybermen do return, Bill is converted and what happens? Bill retains consciousness and apparently it’s not enough to have the Mondasian Cybermen, Moffat just HAS to bring back his overpowered Iron Man knock off Cybermen. No true and utterly terrifying new designs, just the overpowered Metallic Gary Stu Iron Man Cybus Cybermen. So as usual Moffat has a genius idea and manages to ruin it in the end.

Moffat’’s sexist garbage ruined The First Doctor in Twice Upon A Time. I have seen EVERY First Doctor serial and One is not sexist at all. I get it, the sixties were a different time, Since the First Doctor was of that era, he wanted the audience to laugh at how different things were back then. Especially with the constantly horrified reactions of Twelve at his former’s self’s behavior. So what’s the problem? Short answer, it’s because the First Doctor wasn’t like that. Not even remotely. And this is the story that takes place before One’s regeneration, apparently Moffat doesn’t care about all the character development One went through with Ian and Barbara, he just wanted bad humor that goes against One’s character just so he can appear as the better party “see? My Doctor is better than Classic Who” no, asshole, The First Doctor was not at all like that One wasn’t a walking ball of sexism, he was a curmudgeonly grumpy old space grandpa who lightened up with his first human contact, grew warmer and closer to them and learned to help rather than… eh.. smash people’s skulls with rocks.

The real problem with Moffat is that Moffat is a good writer, capable of being a great one at times, but a terrible showrunner. Steven Moffat was a man who in the beginning had some marvelous ideas, and much like another BBC writer Terry Nation. When writing scripts once or twice a year were completely brilliant, but when stretched to almost write an entire series single handed, the outcome suffered. Doctor Who used to be a show full of heart, courage, emotion, character driven, cared more about the heart of the show and character than the concept of the over-complicated plot that will eventually be dropped at the end of the series. And honestly sometimes Moffat’s fans sound like Rick And Morty fans “To be fair, you have to have a very high IQ to understand Moffat’s Doctor Who." that’s what most of y'all sound like. After watching the teaser for series 11, I am finally really excited for Doctor Who. It feels like everything it used to be, everything that made Classic and Davies’ Who great. 13 and her new friends I cannot wait and finally it feels like Doctor Who

#Doctor Who #New Who #Anti Moffat #Anti River Song #Eleventh Doctor #Twelfth Doctor #Amy Pond #Rory Williams #Clara Oswald #Missy #Simm!Master #First Doctor #Bill Potts

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honeylikewords · 6 years

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what are your favourite marvel villains and why?

That’s a really interesting question, and thank you for asking!

For me, I’m not that into villains. I don’t actually like the whole “grey-moral ‘is he good is he bad’?” schtick. I mean, sometimes it works, but more often than not, it doesn’t. I don’t need to write a whole essay about why I think villain-woobifying can get really gross and not actually develop a deep character but rather just play at the idea of “median zones of morality”, so instead, I’ll just give the best answer I can.

Marvel movies, on the whole, suffer from really objectively one dimensional or illogical villains. For example, Thanos, the super hyped UltraBaddie, is really just… very bland. His reasoning for universal-level genocide isn’t even that well thought out.

Just googling “marvel villain problem” yields nearly ten million results in just 0.49 seconds! Read some of the articles here, if you want! Marvel really has struggled with trying to dimensionalize characters (whether heroes or villains), and sometimes, the efforts just fall flat.

But, of the roster of villains we do have, here are ones that I liked, presented in two categories: objectively interesting and compelling villains, and just rowdy guys who are fun to watch.

Compelling Villains:

1. Erik Killmonger, Black Panther. There’s a LOT to say about Erik Killmonger. Erik is widely regarded as the first (and possibly only) breakout, deep, and complex villain of the MCU. But he still suffers within the narrative form because, in the end, they just… kill him. It just ends abruptly. But the themes he introduced, the concepts, the practical reality of what a person pushed this far by societal hatred and personal suffering can do? It was amazing to watch.

Obviously, Erik isn’t a good guy. The story didn’t set him up to be redeemable: the writers were conscious of making him aggressively anti-female and violent in a realistic, frightening way. But they also set him up to be sympathetic. One could see how a man brought low by the world would start to think the way he did.

Erik broke the mold for Marvel, and while I have a lot of feelings (complex and counterintuitive ones) about his arc, he’s far and away the best the MCU has produced in terms of legitimate, fascinating, deeply human villains.

2. Wilson Fisk, specifically in DD s1. Technically, Wilson Fisk is part of the extended television/Netflix MCU, but he still counts, in my opinion. Fisk was the first time I ever found myself actually rooting for the bad guy and wondering “wait… is he… not evil?”

I cried for Wilson Fisk. I ached for his sadness. I wanted him to be happy and to be with Vanessa. I felt awful that he lost Wesley. I felt for him and it confused and scared me, and that’s awesome work on the part of the writers. I’m a firm believer in doing good and being heroic no matter the cost, so I rarely sympathize with villains, but, wow, Fisk caught me off guard.

Seeing the little boy he was and the trauma he went through, the way he actually was just a boy trying to help, save, and protect his mother and, in his later life, the city that raised him, was heartbreaking. Watching him go through the immense tragedy of his life stirred deep sympathy in me.

He was intimately human and so strangely sweet, so honest, so vulnerable, that it became hard for me to see him as a bad man. I wanted him to change, to turn around, to pull out before it was all too late. And that’s what makes him such a hugely fascinating villain.

Maybe it’s because Vincent D’Onofrio, himself, is autistic, and he intentionally played Fisk as also being on the spectrum. Maybe that rang true to me and I felt that connection and tenderness and love and the overwhelming sensation of a world so vicious that you just want to make it quiet and calm by whatever means necessary. But whatever it was, and however the writers accomplished it, that feeling, that intense emotional level of “please, please don’t, I don’t want to see you go astray like this” stays with me long after that season ended.

(Here is a good article talking about the representation of Fisk and why it can be dicey and unsafe to make villains disabled, but why it worked in this situation and why it matters.)

And, now, RowdyBoy Villains Who Are Pretty Fun But Not All That Deep, Really:

1. Ego, The Living Planet, Guardians of the Galaxy 2. Ugh, what a weirdo! But super funny. Ego’s big fight with Peter is both a combination hilarious, pitiful, weird, and legitimately sad. Ego is such a strange bird and seeing Kurt Russell play this freakazoid was a fun, quirky ride. Ego may have been an ass, but he was at least fun to watch being an ass. Plus, my dad likes his beard. Great job, Ego! I guess?

2. Grandmaster, Thor: Ragnarok. Oh my GOD, I unironically love Grandmaster. Everything about Grandmaster is great. Everything. He’s just such a sore thumb and such a wonderful addition to the MCU. Jeff Goldblum in swishy gold pleather with a melting stick, improvising half his lines and just being like that all the time? God, I love Grandmaster. I’d die for Grandmaster. I want more Grandmaster and I want it NOW. Out of all of these, he’s my actual favorite and someone I actually like. Like, oh my god, he’s just such a perfect character. Praise be to Grandmaster.

3. Loki, Thor: Ragnarok. Sorry, gotta say it, but I hated Loki up until Ragnarok. Every single other iteration of Loki skeeves the hell out of me and is just gross to me. The first time we meet Loki in Avengers, he’s a direct N*zi/F*scist parallel. No way, no how, not a chance am I gonna give that kind of creep a shot. I’m sorry, but no, get away from me. Plus, his enormous fanbase of fangirls cooing over him and woobifying him and making him out to be some sorry angel when he was a greasy genocidal maniac was just revolting.

But then came Ragnarok, and, finally, Marvel got Loki right. Or, well, more aptly, Taika Waititi got Loki right. Thank you, Taika, for redeeming the entire MCU by your damn self.

Loki is a trickster god, not a god of death or violence or war. Loki was, in the original myths, just a tricky person who liked to change their gender/sex, their shape, their dang species, all just to have a romp of a time. Loki wasn’t some N*zi affiliate god of bloodthirst. He was just an asshole who played pranks and got pregnant a lot. You heard me. Read all about it right here. And here. And here, too, for good measure.

So when Ragnarok rolled into theatres and presented us with a funny, human, sympathetic (and likely queer-coded) and genuinely appreciable Loki who just was kind of the epitome of “useless Slytherin; desperate to get their way but shite at getting it sneakily”, I finally learned to like the guy.

I don’t love him, don’t get me wrong, and he’s certainly no one I admire, respect, or am attracted to, but at least now I can stand him. I can appreciate him somewhat. I can see good in him that simply wasn’t present before.

Plus, he’s just actually funny. Like, Tom Hiddleston has really solid comedic timing and great expressions, and once all that ridiculous melodrama was cast aside from the earlier Thor movies and replaced by an attitude of genuine humor, Loki’s snarky, selfish, stupid-ass side finally got the spotlight and I actually enjoyed watching him do his stuff.

Sorry there aren’t many legit villains on here: again, I tend to despise villains and I don’t see much value in pretending they’re “deep” for being monstrous. Sometimes a bad thing is just bad, and we don’t need to pretend it’s more than that.

Thank you for asking, and I hope this answers your question, or at least gives you more insight into what I like to consume in my media!

#messages #about k #AKA: I HAVE OPINIONS A LOT #Anonymous

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echodrops · 6 years

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Voltron or Final Fantasy 7?

In my last Voltron post I mentioned that Voltron Legendary Defender is really just Final Fantasy 7 with robot lions, so I wanted to elaborate on some of the comparisons.

Obviously this is mostly facetious; there are still several note-worthy differences between the two series, and if you want to get technical, Voltron certainly existed before Final Fantasy 7. However, it’s pretty obvious that someone on the writing team for Voltron Legendary Defender has been influenced by the plot and characters of Final Fantasy 7.

I mean...

We start out our story with the world in the clutches of an evil dictator, who by all rights, has no logical claim to the parts of the universe he controls, except that he has consolidated access to a seemingly unlimited supply of energy, which gives him military and utilitarian power over the hapless masses. (Also, bonus for their outfit color schemes matching almost exactly.)

The energy that these two scumbags are powering their military forces with is not just any energy, no sir: it’s actually the lifeblood of planets, the force that keeps worlds and everything on them alive.

In one of the most blatant cinematic parallels of all time, they forcefully draw out and refine this energy, using it for various purposes from powering their cities, building massive weapons, to creating armies of typically monstrous super soldiers, usually hopped up hard on the energy drug.

Meanwhile, our evil dictators rule from the thrones of their conspicuously ring-shaped dark fortresses that continue to slowly drain the life and peace from everything in reach.

But everyone knows that any villain worth his salt is backed up by an even more morally bankrupt and terrifying Mad Scientist:

Whose preoccupation with a calamity from another world

and penchant for creating horrific chimeras of flesh and machine

is about to cause everyone to have a very, very, bad day. Now where else have we seen pink glowing eyes, hm...

Of course, evil never reigns without opposition, so we have to have the consistently-out-of-focus-for-the-rest-of-the-series band of well-intentioned extremist rebels:

Although they talk a big game, their biggest accomplishment seems to mostly be getting themselves blown up.

They certainly aren’t responsible for killing their respective evil dictators, for example. Nope, that honor goes to:

The mysterious light-haired pretty boy with weird bangs, cat eyes, a sword, and a big ass chip on his shoulder over his parentage. He seems calm and rational, even sophisticated and princely--but it’s a thin veneer hiding a life-time of trauma and horror, and one wrong reveal about the identity of his mother could tip him over the edge into no-holds-barred madness. A dangerous free agent whose loyalties are questionable and whose existence is inextricably tied to the calamity from another world. He thinks He is among the last of the ancient mystical race of Cetra Alteans, who were eradicated by the creature from the other world, who infiltrated their society by possessing some of their closest allies.

Lotor also has shades of Rufus Shinra: seizes command after his father’s death, possibly still evil but everyone loves him anyway, commands a Quirky Mini Boss Squad:

Featuring in order: the One Who Rushes Into Everything, the Most Competent Right-Hand, the Quiet One, and the Plucky Redhead.

Of course, when the world needs saving from certain doom, a most beloved band of bizarre heroes will arise to answer destiny’s call:

The Stringy Inherited-Sword-Wielding Hero With Wack Hair

It’s a running gag to refer to him as a lone wolf and disinterested in other people, but under his prickly facade is a much softer, confused boy who is struggling hard with identity issues. He’s forced into a leadership role for which he is particularly ill-suited, and even though most people will leave the game/the show with the impression that he really grew into his leadership, the sum total of his accomplishments is actually causing far more trouble than would have occurred if he had just stayed home.

His obsession with finding and defeating light-haired pretty boy causes everyone no small amount of grief and then he ends up siding with said light-haired pretty boy anyway...

Can’t overcome the fact that he is deeply connected to the very thing he must defeat; he has Jenova Galra genes that lead him to question his role in the universe and whether or not he is a monster.

Incurably socially awkward country boy. Let’s mosey!

He learned everything he knows from:

The Black-Haired Best Friend with a Scar on His Face

Older, wiser, and in every way more competent than the stringy hero, this guy, complete with noticeable black and purple color scheme, is REAL hero material. He’s been through it all: held captive for year(s) by the mad scientist, “upgraded” and experimented upon with intentions of creating a true Super Soldier, something-something clones everywhere something-something... He has the good attitude and the powerful loyalty necessary to be a shining example of a white knight for the princess and is the standard which stringy hero knows he will never exceed. Stringy hero looks up to this guy more than anyone in the entire world, and this guy would give it all--even his life--to protect the people who mean the most to him. Complete with dramatic mid-series meaningful haircut!

Despite being a fan favorite, the creators spend more time writing this guy out of the series than they do actually using him to his best potential...

Shiro also has some shades of Vincent Valentine: atoner who fears he has become a monstrous tool for the enemy, despite his deep-down incredibly good heart. Some people like to pair him with the Genki Girl.

Mostly seen in the company of:

Princess Last of Her Kind

Don’t let her soft looks and pink color motif fool you! The “princess” is a strong, independent girl who does what she wants, when she wants, up to and including sacrificing herself to save the day when all the other heroes fail at life. As the last of her mystical and mysterious race, she possesses strange magics that allow her to feel the life force of all living beings and tap into the very energy that Shinra the Galra Empire are harvesting. Capable of wielding a staff, her actual greatest strength is her healing magic, which has the power to bring an entire planet back from the brink of death.

Her people were destroyed from within by betrayal at the hands of the calamity, and their sole remaining Plot MacGuffin, the white materia Voltron is the only thing left that can save the world. Despite being technologically advanced beyond all reason, her people were ancient peacekeepers who still, inexplicably, built stone temples.

The Promised Land Oriande is not a faerie tale.

Strongly flower-themed:

Then we have:

The Brilliant Young Rascal

As a character, Pidge isn’t actually a one-for-one to anyone in FF7. Yuffie’s acrobatic stunts and mischievous Genki Girl personality embody one obvious part of Pidge, but Yuffie lacks Pidge’s tech-ish brilliance and competent follow-through. In that regard, Pidge is actually somewhat closer to Red XIII: smart, inquisitive, and usually mature, their deep inner-conflicts, especially regarding the fate of their fathers, reveal their weaknesses and the truth that they’re still young, uncertain people who fear for the future of their world and sometimes feel helpless in the face of the staggering tasks put before them. They are deeply attuned to nature but also raised by someone whose technology is capable of revealing incredible truths about the universe. Both of them are also fish out of water when it comes to befriending new people, and they often feel like they do better on their own than trying to rely on people who aren’t part of their trusted family.

Courage the Cowardly Cat

Although it’s certainly tempting to compare Hunk to Barret, based somewhat on appearance and even, to a certain extent, on personality--Barret is a huge softy underneath who just loves his family and wants to do right in the world--Hunk has much more in common with Cait Sith, the robotic cat/moogle combo who is secretly an alter ego for the brilliant architect Reeve Tuesti. Cowardly and often the butt of jokes from teammates and enemies alike, Cait Sith is frequently underestimated and flies under the radar, allowing him to keep his own secrets even while sticking his nose in just about everyone else’s business. Although he’s not initially sold on the heroes’ goal of saving the world, he soon has a change of heart that makes him into a fast and loyal ally. Despite the fact that he’s made of “fluff,” in the hour of greatest need, it’s Cait Sith who steps up to rescue everyone, essentially single-handedly saving the world.

His creator is an incredible and genius engineer who longs to use his creations to better the lives of common people, but he’s also sarcastic and unafraid to tell it like it is, even if that means he’s telling his own allies where they’ve messed up badly.

His predictions about the future always seem to come true...

The Emotional Backbone of the Party

Don’t get me wrong, both Lance and Tifa are formidable fighters on their own, whose talents shine in different areas of combat than the traditional sword-wielding heroes. But their greatest strengths actually seem to lie in their ability to support their allies. When stringy hero falls into despair and falters in his leadership, it’s this right-hand role who steps up to bear the weight and get the party back on track. The voice of reason and drive, Lance and Tifa are go-getters who won’t let anyone settle for giving less than their best, and they definitely aren’t willing to sit around listening to tired old excuses when they could be out saving the world. Razzle Dazzle time!

They are both influenced strongly by their families and tend to listen to the feelings and struggles of others much more than they are willing to share their own feelings and fears. The others come to rely on them as an emotional crutch, whose central job it is to reassure, validate, and empower the team, sometimes at the cost of their own happiness.

But they weren’t always this way, and in fact, in the past, they happened to be a bit shallow and excitable, with a penchant for throwing themselves into situations which were way, way too far out their league and for rarely, if ever, listening to good advice. Head-strong and romantic, they started out as dreamers before the war took its toll.

They definitely had a rocky beginning with their stringy hero--they were not friends--but, by the middle end of the series, have grown and matured as characters into a strong person who not only helps guide the hero but also holds up better in the face of all the trauma and suffering the party experienced.

Even being such a central character, they get a bare minimum amount of dialogue, leading many fans to interpret the character however they see fit, causing both Lance and Tifa to become common stand-ins for the fans themselves.

(Despite both losing their place as the “heart of the party” to the “Princess,” they never become jealous of her.)

And finally:

Coranic The Mechanic

Coran and Cid Highwind don’t have that much in common in terms of personality, except both being extreme dorks with notable accents, but I wonder how much of that is because Voltron is a kids’ show and Cid’s chain-smoking, curse-laden, women-abusing attitude just wouldn’t fly in a place like that. In terms of story role, they fill the exact same niche: the older male mechanic who advises and leads when needed to, despite his advice often seeming eccentric at best to those he’s trying to lead. He’s in charge of flying the ship while the others race off into danger, and if you lay one dirty finger on his baby, he will probably throw you overboard.

Tough as nails, despite all appearances, but also tried, true, and loyal to a fault. Won’t give up, even in the face of insurmountable danger, and gets a big kick out of killing bad guys. Impeccable timing for dramatic last second saves.

PHEW, got ‘em all!

In case you need anything else to convince you that you’re watching an at least partially repackaged story, don’t forget the:

Bizarre Egyptian-themed ancient stone temple where the mystical race of the Cetra Alteans kept the deepest secrets of their magic.

Really unlucky magic rock from space.

Gigantic killer robot beasts.

An overly-drawn-out and somewhat poorly explained clone plot line that just leaves the fans even more confused.

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And OF COURSE: infamously long unskippable summoning sequences.

tl;dr:

If you’re in the game of predicting where Voltron’s future plot might go, you would not be misguided to go play FF7 as fuel for your predictions. And if you’re a Voltron fan who still hasn’t played FF7... What are you even doing with your life? Get out of here!

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milfmaddiebuckley · 3 years

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So much of her life had changed within the span of four years and though she could never not be grateful for that, she can't help but wonder if there was just something about her that was destined to cause pain to herself and those that surrounded her. Maybe there was some sort of Buckley family curse that she didn't know about, one that had stolen Daniel long before his time and almost took her and Buck with it many times since. Perhaps it was just her that was cursed, perhaps in a way Doug had been right and maybe she was the problem, not anyone or anything else and she hates it because all she ever wanted to do was help people. All she had ever wanted to do was create joy when people needed it most, she wanted to help people in their darkest moments or when they were scared and needed reassurance and she had done that. She had done it in her eight years as a nurse at Mercy General Hospital back in Hershey, she had done it in her two years as a 911 operator during her time at dispatch, but then she had been caught up in her own dark moment and had quit her job to try and get the help she needed for herself.

It had been one hell of a struggle, but she had officially been diagnosed with postpartum depression eight months ago and, with the help of her Howie - her rock through it all, she had managed to regain a sense of belonging and direction. There were bad days and sometimes they were so draining and exhausting, leaving her physically stuck in bed for sometimes days at a time, but they were becoming fewer and fewer and maybe that was when she should have started to become suspicious. Maybe that was when she should have remembered that happiness was only temporary, but it's too late now.

Surely there should be some rule in the universe that says that there's only so much pain a human can experience in their life until something gives and maybe that rule wouldn't even help her in this scenario, because she was the thing that was about to give. Or maybe that rule only applies on different dates, because she does know what today is and judging by the look in his eyes, he does too and she knows that him doing his research certainly won't be of any help to her. Three years. It had been exactly three years since she had last been in a situation all too similar to this one and she knows that he has the upperhand in more ways than one because she had been trying to reel in from flashbacks ever since she woke up, and that had been the reason she had left the apartment in the first place. She had been intending to distract herself, to go and get even more presents for Jee's first birthday party in just over two weeks time, to go outside and get some fresh air in an attempt to ground herself, reminding her that she was safe and loved and she had survived. But, apparently the universe had other plans for her and if she wasn't certain of that before, she is certain of it now as she stares into the same pair of eyes that remind her so much of her late husband's - dark and inherently evil - and though she can't help but notice every similarity, she knows that this is different.

The only thing she can fully comprehend right now is the sensation of the cold steel pressing against her neck too tightly, a parallel to the way it had happened to her three years prior, not deep enough to draw blood, rather...a warning of what's to come. Except she doesn't know what is going to come because this wasn't Doug, it was Vincent, and the only person who truly knew what he was capable of was Tara, just as she was the only one who truly knew what her late husband was capable of behind closed doors. Though she also can't help but remember how her husband had killed a man in cold blood and almost stole the life of another. She had never expected that of him, she never would have thought that he was capable of killing anyone other than her in her time with him, but he had and maybe that's what causes her stomach to churn and breath to hitch as she dares herself to maintain eye contact.

"Tara's dead. She overdosed and it's all your fault. You were the one to put all of these crazy ideas in her head, you were the one that tried to convince her that she could leave me. We weren't meant to end like that, we were meant to grow old together and live happily, but I guess that that's over now. And it's all your fault, Maddie."

She can feel the bile rising in her throat, her whole body trembling as he takes another step towards her and pushes her further back against the wall, towering over her in a way she knew too well. The news of Tara's death is devastating, but it didn't really come as a surprise to her. She had seen for herself the situation the other woman was in, she knew what Tara must have been experiencing under the roof of a house that was meant to be called home, and she had learnt just how much the amount of domestic violence crimes and calls had increased over the last year or two, especially with the pandemic and lockdown. It still feels as if the universe is laughing at her though, because she had done everything she could to try and get Tara out of that situation before it did become too late, she had faced the repercussions for her actions and though she knew that she couldn't truly make the other woman leave, she had thought that she would. But now...now it's her turn to experience the same level of pain and fear that she had what simultaneously feels like yesterday and a whole lifetime ago. Now, she has to try and protect the people she loved the most from it, the same people that didn't deserve this. It pains her to think that Chim and Jee will likely be sitting in the living room right now, merely fifteen yards away with the exception of the wall that separates them, waiting for her to come home.

There is no doubt within her that she will do anything and everything to protect them, but it's only now she realises that she has a few things to come to terms with first before she accepts her fate.

And that was her baby girl, the same one that caused her so much joy and anguish over the last eleven months, one week and five days since she had been born. Her baby Jee. Perhaps if she had been in this situation a few months ago, she would have struggled to see the light at the end of the tunnel and found it so much easier to just give up on her family, but she had fought so hard for the life she had now, she had fought so hard to get to the place she is now, and that place was one of constant love. The same girl who was about to turn one and surpass the age that Buck had been when Daniel had passed away. A part of her can't help but wonder if she had been forced to get all of the pain out of the way before such a crucial point in her daughter's life, so that she doesn't screw her up in the way that their parents had, but a part of her also can't help but notice the irony in the fact that it was only when she had stopped questioning her ability as a mother that she was to be taken away from Jee forever. She can't see herself getting out of this one, not alive, and maybe it's her own fault for wishing death upon herself so many times in the past. Mostly it had been with Doug, when she thought that it was a much more merciful option than continuing living but there had been moments before and after when she questioned it all and perhaps this is punishment for doing so.