#the wonderful story of henry sugar review

[agentnico]

The Wonderful Story of Henry Sugar (2023) Review

As the new dawn broke, my eyes fell upon the streaming interface of my Netflix account, and at that moment it was that I noticed it. "What's this?" I cried. "Another Wes Anderson film already?" I drank my cup of water to catch my breath. "But it's only been a month or two since his last one!" I thought. I stood up and slowly applauded Mr Anderson for his dedication to his busy schedule. "Right then, let's get to it." And with that, I sat back down and happily sighed in preparation for the unorthodox piece of storytelling whimsy that awaited me in the next 38 minutes.

Plot: Henry Sugar, a wealthy man, decides to take on an extraordinary challenge - he wants to master an extraordinary skill in order to cheat at gambling games.

I'm in the minority when it comes to my opinion of Wes Anderson's most recent film release - Asteroid City. Even though I enjoy Anderson's uniquely symmetrical and colorfully vibrant directing style, I did find that movie came off a bit too obnoxious and pretentious for my liking. That has not swayed me away from the talented director though, as The Grand Budapest Hotel is still one of my favourite indies to come out this century (if you're a collector such as myself seek out the superb Criterion release of this) and by the way managed to make the colour pink look cool before the Barbie blockbuster came about, and Moonrise Kingdom is an innocent coming-of-age comedy that used humour to deliver its internal message about 'the end of childhood', but presented not as a loss, but more-so a compromise. Wes Anderson is a tour-de-force with his own distinct vision, so individuals such as him should be cherished in modern-day cinema that is saturated with unoriginal mediocrity. So for Asteroid City, I forgive you, kind sir.

With The Wonderful Story of Henry Sugar Wes Anderson returns to adapting Roald Dahl's works, and seeing as how in the past he so fantastically brought to life in stop-motion Fantastic Mr. Fox, it seemed like the return is a welcome one. And indeed Henry Sugar is a most delightful little Netflix short film, that very much reinstates the fact that Anderson and Dahl are a match made in heaven. This starts right with the title, as with The Wonderful Story of Henry Sugar Anderson sets out to tell a story literally. In the film, all the characters also narrate everything they do and say, as such at times you feel like you're listening to an audiobook. You can literally watch this movie with your eyes closed and you'd still know exactly what happens. Ironically, seeing with your eyes closed is a primary theme of this short. But also you would be doing yourself a disservice keeping your eyes shut. The production design is impeccable with the entire thing feeling almost like a live theatre performance. With the set design and scene transitions, Henry Sugar exudes a distinct theatrical vibe, adding a layer of whimsical charm. And the moving sets are wonderful to look at, with the colors and detail nothing short of superb. The entire thing is simply overflowing with creative charm.

This is Benedict Cumberbatch's first entry into the Wes Anderson verse, yet it is shocking that it took this long to happen, as the Sherlock alumni is known for his fast-talking swift line delivery, and with the amount of dialogue Anderson always gets his actors to churn out in every scene naturally makes Cumberbatch appear right at home. Even at this short's rapid 38-minute runtime, Cumberbatch manages to add layers of depth to the peculiar Henry Sugar, from the small facial expressions as his character processes certain revelations. The rest of the ensemble does their part to add to the whimsy of the whole piece, with Dev Patel shining especially with his delivery of the fourth-wall-breaking narration, fast-talking his lines of dialogue with brisk elegance, and in the same breath managing to throw in the "I said" and the "he cried out loud".

All in all A Wonderful Story is a mesmerizing dance of wit, wonder, and whimsy that is aesthetically pleasing, and the story itself is an enjoyable little bedtime tale that, though not particularly deep. Look, cynically speaking it's a story about a man who reads a book and then learns a technique that allows him to easily make money. That's about it, however, it's the overall presentation and Anderson' touch that makes this the delightful piece of tapestry that it is. If you're a Dahl and Anderson enthusiast, I mean, there's really no excuse then for you to miss this.

Overall score: 7/10

[afabstract]

The Wonderful Story of Henry Sugar Review

Benedict Cumberbatch, Ben Kingsley, Ralph Fiennes, and Dev Patel come together for the live-action adaptation of Roald Dahl's 'The Wonderful Story of Henry Sugar' by Wes Anderson. Read our brief review to determine if it's something you'd like to stream.

⭐⭐⭐ Rating: 3 out of 5. Sneha Jaiswal (Twitter | Instagram) Phew! “The Wonderful Story of Henry Sugar” by Wes Anderson is based on a short story by Roald Dahl and turned out to be a slightly stressful watch because it’s only 37 minutes long but rife with constant narration and dialogues. Furthermore, the actors speak at a pace that makes it feel as though you’re watching the film at double…

[elennemigo]

Benedict Cumberbatch´s year in review ✧ 2023.

“Don’t be afraid of failure, that’s only learning, don’t be afraid of being yourself, that’s the single most unique thing you have, and keep trying.”

[tinyreviews]

This was a new movie I’d thought I’d watch. I didn’t realise it was a Wes Anderson movie at first. But at the first scene change, I knew it was.

Roald Dahl's The Wonderful Story of Henry Sugar (or simply The Wonderful Story of Henry Sugar) is a 2023 American fantasy short film written, co-produced and directed by Wes Anderson, based on the 1977 short story of the same name by Roald Dahl. It stars Benedict Cumberbatch as the titular character alongside Ralph Fiennes, Dev Patel, Ben Kingsley, Rupert Friend and Richard Ayoade. 

[mylifeincinema]

My Week(s) in Reviews: October 21, 2023

It's been a while... Here's what I've been watching.

The Wonderful Story of Henry Sugar (Wes Anderson, 2023) The Swan (Wes Anderson, 2023) The Rat Catcher (Wes Anderson, 2023) Poison (Wes Anderson, 2023)

I dropped the ball and didn't get around to reading Roald Dahl's stories before watching these, but it was hard enough waiting for all four to release on Netflix, so I definitely wouldn't be able to wait to get my hands on the stories. From my understanding of the source material, though, these are all perfectly peculiar adaptations, staying true to Dahl's voice and heart. All four short films shine unique light on Wes Anderson's strengths as a filmmaker and storyteller, and it was a pleasure to witness. The Rat Catcher is very likely my favorite of the bunch, with a bizarre story and characters, including an award-worthy turn by the always fantastic Ralph Fiennes. Second best would easily be The Wonderful Story of Henry Sugar, which highlights Anderson's knack for idiosyncratic storytelling, grabbing hold of the viewer and honoring the source material by keeping it intact. Poison was an experiment in suspense, and both Anderson and the cast delivered completely. I definitely wouldn't mind seeing him venture into more tense material in the future. And, despite the jaw-dropping performance from Rupert Friend, The Swan was probably my least favorite, over-utilizing its narrator storytelling to the point where I felt detached from the story. There's just so much to love throughout the four of these shorts, though. Unsurprisingly, the production design in all four is brilliant, and I especially loved how interactive Anderson & Co. got with it all, here. The stagehands and creative handling of props stoked the imagination. Robert D. Yeoman's (and even Roman Coppola's) cinematography was singularly stunning. And the cast was pure perfection. The aforementioned stand-outs are only the beginning; everyone here was working at the top of their game. I know they're shorts, but don't be surprised if you see Fiennes and Friend - as well as Dev Patel and Ben Kingsley - popping up in My Best of 2023 lists. I really wish I could've experienced these in a cinema, but when it comes to Wes Anderson, I'll take whatever I can get, whenever and however I can get it. The Wonderful Story of Henry Sugar: 9/10 The Swan: 7.5/10 The Rat Catcher: 8.5/10 Poison: 8/10

Totally Killer (Nahnatchka Khan, 2023)

The overreactions to the way the teens in the '80s behaved got annoying real fast and shone a horribly unflattering light on just how disinterested people of her character's generation are with taking context into consideration when spouting their attention-hungry pontifications. Then again, that's probably the point? So, good job? The cast was okay. The kills were dull. The horror wasn't scary. The comedy wasn't all that funny. The writing in general is lazily paper-thin, and the stakes damn-near nonexistent. - 3/10

The Creator (Gareth Edwards, 2023)

I gets some extra points for being an 'original' sci-fi film in a landscape of sequels, reboots and additions to the MCU, but sadly those wind up being pretty much the only points it ends up with. Despite being 'original', every single aspect of this film feels like a tired rendition of a significantly better film. And worst of all, it's all just completely forgettable... I literally forgot Allison Janney until checking IMDb, just now. Sturgill Simpson was a standout, though. I look forward to seeing him again in Killers of the Flower Moon, this week. - 4/10

Fear Street: Part One - 1994 (Leigh Janiak, 2021) Fear Street: Part Two - 1978 (Leigh Janiak, 2021) Fear Street: Part Three - 1666 (Leigh Janiak, 2021)

They function a little too much as more a limited series than even a trilogy, so they lose some points for that. However, all three are quite good. The best is the first, of course, working the most as a standalone. It also has the best kills and characters, and a tone that most successfully mines the scares out of the material. The second has a good setting, but the extremes of the characters detract from the tone. And while the third works best in its back half, when it completes the storyline set up in the first film, the 1666 section is enjoyable enough in its depiction of just how absurd the 1600s puritan belief system was. 1994: 8.5/10 1978: 7/10 1666: 7.5/10

Enjoy!

-Timothy Patrick Boyer.

[sixtiesgogobootz]

The Wonderful Story of Henry Sugar (2023) dir. Wes Anderson

★ ★ ★ ★ ★

I am literally speechless, this was absolutely perfect. I remember reading this story as a child and being completely captivated - Wes Anderson's rendition of this story has captivated me once more.

He clearly has a love for literature, having his characters narrate their own actions as well as the story. Through words he creates part of the atmosphere and pitch-perfect pacing, setting a lovely rhythm and cadence, and an almost comfort; and we feel the absence of words in a pause more profoundly as a result.

Again we see Wes Anderson employing the russian doll-like conceit of the story within a story within a story; the execution of which is on an exponential scale with each new film he directs. The stage sets and in camera practical effects bring to mind the play in Asteroid City, although this time done as an audience might actually watch the play rather than as half imagined. The entire environment is held inside the confines of a set. Although we can see between the cracks of backdrops and even stage hands interact with the characters we are never distracted - our attention always captured by the story at hand.

The thought and care gone into this film shines through with each scene. The detail is absolutely insane, multiple tiny moments sparked absolute delight. I'm sure on a rewatch I will spot things I hadn't noticed before, a pandora's box constantly revealing new treasures.

Absolutely impeccable and dare I say Wes Anderson's best film to date. It's certainly instantly become one of my favourites!

[mogwai-movie-house]

Wes Anderson: The Roald Dahl Stories

An unforeseen surprise gift from Wes Anderson: four short films made for Netflix adapted from the stories of Roald Dahl, all starring the same core cast of Ralph Fiennes, Benedict Cumberbatch, Ben Kingsley, Dev Patel and Rupert Friend. Collected together, they make up the running time for a second Anderson movie of 2023, but I don't think they would have worked particularly well as such, mostly because of the patchy nature of the three shorter ones, as we shall see.

Best by far, and longest, is The Wonderful Story Of Henry Sugar ★★★★★★★☆☆☆, a 40-minute tale of a man learning supernatural powers and what he decides to do with them. Though made on a smaller scale, I actually found it to be a more enjoyable and stronger film all round than the 'proper' Anderson film of the year, Asteroid City, and it has everything one delights in with the work of that director: sumptuous colour, quirky humour, and endless attention to detail.

The other three, Poison, The Rat Catcher and The Swan ★★★★★★☆☆☆☆, are considerably shorter (around 15 mins), noticeably weaker, and, I have to assume, made on a tighter budget. It was strange to realize almost immediately while watching Poison that I'd seen the same story only last year, in a Dahl-scripted episode of Alfred Hitchcock Presents, from back in the 1950s. The mood, of course, was entirely different and Wes Andersoned, but the ending was weirdly and needlessly changed and so left without a pay-off, petering out to nothing, making it the weakest of the three and of Anderson's films in general.

Having said that, all three still visually look fantastic and are made with a good deal of idiosyncratic imagination, that you will never be able to find anywhere else, so all are worth a watch at least the once.

[moviewarfare]

A “QUICK!” Review of “The Wonderful Story of Henry Sugar (2023)”

Wes Anderson is such a wonderful director. His distinct style is so unique and so incredibly charming. This new short film is Wes Anderson's second foray into a Roald Dahl story. The usual flair of the director is still here but this movie is different from what he normally does.

The movie feels like a book that is being read to us but with visuals that are like a theatre show. Every character says what they are thinking and what they are feeling. We can see people moving the sets and moving things onto scenes.

It can be difficult to get used to and the pacing is incredibly fast. However, I oddly enjoyed the whimsical and unique telling of the story. It was a wonderful story and more should know the story of Henry Sugar.

For more reviews like this visit:

https://moviewarfarereviews.blogspot.com/

[oneofusnet]

Screener Squad: The Wonderful Story of Henry Sugar (and 3 other stories) THE WONDERFUL STORY OF HENRY SUGAR (AND 3 OTHER STORIES) REVIEW How lucky are we that we get not 1, not 2, not 3, but 5 new projects from Wes Anderson in 2023?! Along with Asteroid City earlier this year, Wes Anderson has released 4 new short films on Netflix based on the works of Roald Dahl. The Wonderful Story of Henry Sugar is the main short released which stars Benedict Cumberbatch as the titular Sugar. Sugar, initially a selfish well-to-do gambler, develops the ability to see without using his eyes leading to riches beyond his imagination. Yet, he finds… Read More »Screener Squad: The Wonderful Story of Henry Sugar (and 3 other stories) read more on One of Us

[thejewofkansas]

The Weekly Gravy #158

Crash (2004) – **½ Available on: Amazon Freevee Crash has been a punchline since Jack Nicholson announced, to his unconcealed surprise, that it won Best Picture. It wasn’t just that it beat Brokeback Mountain (which won Director and Adapted Screenplay) and was widely seen as a cop-out choice by an Academy that didn’t want to vote for the gay cowboy movie; it was also a divisive film, with some…

[legionnaireslover]

This review describes my feelings exactly!

Here's a wonderful review of "The Wonderful Story of Henry Sugar" with a focus on BC!

[oswlld]

oswlld's media wrap up: the oscars

note: i am trying something a bit different this year, so bear with me as i figure out how i want to format this. i wanted to spend more time sharing what i consume, beyond what i rb, and put my thoughts in one place. ✨ = personal fav

—

The Barber of Little Rock, YouTube (watched on 2/17) A sharp take on the economic injustice in the town divide of Little Rock. Very concise with its message, “A tree is known by the fruit that it bears. So, if I don’t see any fruit, I don’t see any impact. If you have money and you have wealth and you can’t create impact, what’s the point?” — Island in Between, YouTube (watched on 2/19) Loved the updated storytelling of displacement and crisis of identity when COVID-19 is thrown into the mix. I hope the families that have been torn apart due to COVID measures have/will be reunited soon. — Pachyderme, Vimeo (watched on 2/22) The medium matched the tone of the story wonderfully and the pacing was well executed. — The Last Repair Shop, Shortverse ✨ (watched on 2/23, pictured left) SPECTACULAR! Truly shines on every level. The only short that made me tear up in the end. — Invincible, Shortverse (watched on 2/25) The actor who portrays the protagonist is so talented! If he continues to nurture his acting, I can’t wait to see what he does next. — The Wonderful Story of Henry Sugar, Netflix✨ (watched on 3/2, pictured right) I truly believe this deserved the win, it was magical from beginning to end. It makes me want to backtrack and see the other Roald Dahl shorts. — Ninety-Five Senses, DOC+ ✨ (watched on 3/3, pictured top) This one took me by surprise! Beautiful storytelling and utilization of the theme and medium to its fullest potential. Very much worthy of its nomination, bravo. — Ridder Lykke, Shortverse (watched on 3/6) What a delightful way to end the shorts journey. The most unique, original take on grief that left me smiling.

Watched Nai Nai & Wài Pó (review here) and Letter to a Pig last year.

—

Nimona, Netflix (watched on 3/2) I am a simple person, I see those big brown eyes and I buckle. What a wild journey it has been to follow the development of this film and I am so happy for Nate and everyone involved. — Rustin, Netflix (watched on 3/4) One of the very few instances where I really wished a movie was produced as a limited series. I want his story to be fleshed out more, I wanted to feel the full weight of what that march did for him and for history. Colman Domingo’s charm shines in this role. — Elemental, Disney+✨ (watched on 3/7, pictured bottom) If you told me this time last year that this movie would leave me sobbing at 1am, I would have told you you were crazy and to get some rest. What else is there to say that others haven’t said already. I am so happy that the younger generations have this alongside the likes of Moana and Turning Red. — Poor Things, Hulu (watched on 3/11) This was… a film. I did like the aromantic aspects of Bella Baxter and the dynamic she has with Max. Still trying to sort through my thoughts, but the fact that it still can make me think is… something. — The Holdovers, Peacock✨ (watched on 3/12, pictured top) I love me a great ensemble cast and everyone was on the top of their game with this gem. The director, cinematographer, production designer, and colorist work together seamlessly. Fantastic, truly extraordinary. — American Symphony, Netflix (watched on 3/20) I had this film on my radar before the Oscar noms were announced, so I anticipated tackling this movie hoping it was part of the doc category. In the end, I chose to tackle this movie despite its only nom under Original Song. Having tackled the Documentary categories, this would have been one of the weaker ones amongst the docs I’ve seen but still a very worthy story to tell.

Watched Barbie and Spider-Man: Across the Spider-Verse last year; I hope to still catch Oppenheimer and Robot Dreams later this year.

—

Perfect Days, In Theaters ✨(JAPAN, watched on 2/15, pictured right) This was the only Oscar nom that I caught in theaters this year (whereas the majority were on YT/streaming). This movie will hold a very special place in my heart having experienced this in theaters with a great group of people. Wim Wenders deserved this nomination, this is one of his best. — Bobi Wine: The People’s President, Hulu (UGANDA, watched on 2/28) I am so glad I watched this movie. This is a true heavyweight of a film. So much passion, pain, and tenacity. — 20 Days in Mariupol, PBS (UKRAINE, watched on 3/6, DNF) I will be completely honest, I almost made it to the end but could not watch the last 20 minutes. During the Oscar speech, when the filmmaker said he wished he didn’t make this film, I felt every word of that. It is so, so hard to watch but NECESSARY. — El Conde, Netflix (CHILE, watched on 3/8) Of all the noms I had to catch up on this season, this was the only one that landed on mid for me. It is as advertised, a dark horror comedy, but it doesn’t challenge itself. The cinematography was its best attribute. — Four Daughters, Netflix✨ (TUNISIA, watched on 3/23, pictured middle) I’m positive this was the BEST thing I watched this Oscar season. I want to 🎶siiiiiiiiiIIIINNNGGGG all the highest praises🎵. I am obsessed with the way the filmmaker brings us a half step back behind the camera, showing all facets of the story in front of and behind the camera. I want to talk about it more but it’s better to go into this fresh. I’m obsessed, I’m obsessed, IM OBSESSEDDD. — Society of the Snow, Netflix✨ (URUGUAY, watched on 3/24, pictured left) If this movie came out ten years ago, my only wish is that hellsite would have obsessed over these boys the same way we did for all my Les Amis. The cherry on top was seeing that Michael Giacchino composed the score. What a way to end the Oscar watch journey this season.

I hope to still catch Io Capitano and The Boy and the Heron later this year.

—

Trigger Warnings for films mentioned :

INVINCIBLE : su*cide attempt (drowning)

POOR THINGS : medical dissection of the human body, su*cide (jumping)

BOBI WINE : illusions of torture, gun violence, hostage situations

20 DAYS IN MARIUPOL : graphic visuals of war tactics, amputations, child death, panic attacks

EL CONDE : beheading

FOUR DAUGHTERS : allusions to sexual abuse with a minor(s)

SOCIETY OF THE SNOW : graphic plane crash trauma, cannibalism

[seerofmike]

Mike's Media Medley--April 2024

henlo and welcome to my monthly diary review thing where i talk about movies/shows/games i experienced for the first time this month. there are a lot of things i watch/play throughout the year that i really like but don't ever get the opportunity to talk about due to the restrictions of my 7 game/7 movie restrictions on my end of year list + the fact i limit movies to 2024 releases. this list encompasses movies and games from any time period that i watched or played for the first time ever this month.

feel free to reply to this post with things you think i should watch or play!

here are some things i watched and played for the very first time this april:

2024 movie/show releases: Monkey Man, Civil War, Abigail, Fallout

non-2024 movie/show releases: Alien (1979), My Octopus Teacher (2020), The Wonderful Story of Henry Sugar (2023)

games: fallout 3 (2008), the battle of polytopia (2016), let's build a zoo (2021), mineko's night market (2022)

my thoughts on all of them below, in alphabetical order--movies/shows first, then games:

Abigail (2024)

this movie was honestly pretty fun. enjoyed it more than i was expecting tbh, i used my membership tuesday price on this cuz i did not feel like paying full price for a ticket to see this. kind of thought it would be just dumb "ooh evil kid" shock horror

and like. don't get me wrong it is definitely ooh evil kid horror but the twist is given relatively early with only minor padding for a bigger twist later. thought it was decently funny and it works well enough as a singular movie but i don't see it warranting a sequel which the ending might be building up to. and though it was fun everything was like. Fine. directing was fine. acting was fine. music was fine. probably would not see it again but did not hate my decision watch it

60/100

Alien (1979)

YES this is really my first time seeing Alien, i am pretty unfamiliar with basically everything about Alien, nothing i say will probably be new

first off the sound was like. really quiet? and idk if it's because my theater had the volume too low or if that's the way it was mixed--it is an old movie after all--but i couldn't hear a lot of the dialogue and i feel like it would've boosted my enjoyment of the movie a lil more but i did really like it

specifically the art direction and set design. the alien planet and the ship, the fossilized skeleton on that big chair all with this really distinct weird black mechanical look that is also like. weirdly alive. and how that extends to the nostromo having parts of it as the movie progresses that looks like the alien. biomechanical is i think the word for it? its awesome. epic, even. makes u paranoid

big fan of the directing as well. very claustrophobic at some scenes. the refusal to show you the alien in full for a while. reaction shots instead of direct sight of the gore and horror (the cat when the janitor dies, ripley hearing parker and lambert die as she runs)

the thing that detracts from the movie for me is the sexual violence undertones. just simply not a fan

p good, might need to rewatch with subtitles to appreciate a bit more once i understand the actual plot lmfao. also this movie is very sweaty just like love lies bleeding. maybe i like sweaty movies. 80/100

(more under the cut)

Civil War (2024)

this movie was not very good

i was not going to see it and then i heard that it was less a typical war movie from the perspective and soldiers and shit that it was more about war correspondence and that piqued my interest as someone who used to want to be a journalist. turns out it's not even that much about war correspondence either. the main characters are war photographers but it all feels like. pretty surface level?

not to mention i understand the intent of keeping the politics of a theoretical civil war part 2 vague so as to not actually incite any specific kind of rage or controversy from either side but like. its a civil war movie. about war correspondence and photography.

the emotional hook of the movie just does nawt work for me. the young photographer lady is incredibly dumb. why does she do the things she does. why does she jump between the cars like that when she's so obsessed with the main lady. i had other gripes with her but i dont even remember all of them because this movie is already a distant memory. the bonding between them does nothing for me and just feels really forced and corny.

that being said there are some nice shots in this movie. it's well-directed but the sound design is really fucking carrying. all of the gunshots are LOUD and impactful and i think that really helps with the conflict where the wishy washy centrist politics fail.

30/100. not the worst movie ive ever seen but i would not watch it again.

Fallout (2024)

yeah yeah the show is really good. acting is good all across the board. was fun seeing the fun references / easter eggs to fallout. i was particularly interested in norm's side of the plot and lucy was a really refreshing protagonist. i think maximus was the weakest of the main plotlines but i'm hoping they go somewhere with his darker side because while i think it was the weakest i think he has the most potential

like lucy and the ghoul are pretty squarely set on their own sides with their own clear morals (or karma, good and evil) but maximus is someone who wants to be a good person but is often just. not good at being a good person. he's naive and not very competent at his job tbh but is still being heralded as a new wave of the brotherhood of steel. very interested to see where all that goes.

enjoyed it a ton. 85/100

Monkey Man (2024)

dev patel really made a movie about the healing power of trans people and he's awesome for that

good action flick with some scathing political commentary that i wish i was more well-versed on indian politics to say something substantial about but i could Feel the contempt for modi/the bjp and hindu nationalism as a whole

it's shot & edited sooooooo frenetically and i think this works a lot of the time HOWEVER at some points it is like. an active detriment. i never really feel nauseous when movies use shaky cam but this movie's camera is not just shaking. that shit is rocking. vibrating. particularly when he's outrunning the police thats when it gets Bad

otherwise i really enjoyed it. the action hits. the aesthetics and cinematography are probably my favorite of everything i watched this month! that being said i probably wouldn't watch it again just because i'm not the type to rewatch action movies like these i think ive only ever seen john wick the one time

75/100

My Octopus Teacher (2020)

it was fine. it's a documentary idk i don't have much to say. doesn't really feel right rating it but i watched it and the visuals were breathtaking but like it doesnt rly have a plot or anything. its neat. nice background thing to put on while you do something else

The Wonderful Story of Henry Sugar (2023)

yeah yeah. unique color palette and color grading. directed well to suit the framing device. everyone and everything is smartly positioned onscreen.pretty good performances from people who have to just dump like 60 lines of dialogue on you all at once. yall know this one is good its wes anderson go watch it its 40 minutes long

75/100

video games:

The Battle of Polytopia (2016)/Let's Build a Zoo (2021)

putting both of these games here because i really don't have a lot to say about them, i played them both very briefly. in let's build a zoo's case, literally for five minutes. the battle of polytopia was boring and after like two runs i was like ok welp that's it for me. i did play the mobile version so that might be part of the problem but idk i don't think the gameplay loop would've grabbed me even if expanded. let's build a zoo had atrocious UI and controls on console and i immediately got pissed off trying to build an enclosure and uninstalled

Fallout 3 (2008)

i am not immune to propaganda

is this game good? not really but my favorite elder scrolls game is oblivion so you should know i, for one, love bethesda jank. love walking around in a big ass world full of weird people and discovering places and just taking a look around. frankly i don't care if i died five times to the same pack of super mutants. i'm having a good time.

not super deep into the main story and have only completed about ten quests but i'm into it

Mineko's Night Market (2022)

man i like. really wanted to like this game. it has a really cute art style and a good sense of humor, and i like management and sim games. unfortunately it just failed to grab me. i had a chuckle or two for the first hour i played but after that i was just really bored running around looking for flowers and i quit before i even got to attend the actual night market. i played it through my dad's gamepass and i usually end up quitting games quickly due to buying them on steam and needing to decide if i like them or not under 2 hours. otherwise i try not to quit games that early unless they're super boring or glitchy/unplayable. unfortunately even without that time limit looming over my head it just wasn't really doing anything for me.

if u got this far into reading this i love u

[elennemigo]

For the year in review ask game: 12 & 14

Hi!

12- What gifset made you feel the happiest to work on? (link)

ONE of the gifsets that made me the happiest this year, was no doubt the first one I could make for "The Wonderful Story of Henry Sugar". For the simple fact of being the first new work of him we had a in a long time! yes finally!!!

14 - What gifset was the most difficult to make? (link)

I think it was the Barbie-Doctor Strange crossover, yeah. (close 2nd this Henry Sugar set for giftober)

Thanks for asking!! 😘

GIFMAKERS YEAR IN REVIEW ASKS

[herecomesthefirstday]

herecomesthefirstday's year in review

Big things: Published a paper & a letter with my job, moved out of my parents' house and in with my boyfriend, stopped having a job, started watching One Piece, flew to Atlanta even though I hate flying, caught up with One Piece

TOP 20 FILMS OF 2023 / more & more year in review (music, TV, books, games) under readmore

Bottoms

Past Lives

Polite Society

The Holdovers

Oppenheimer

John Wick Chapter 4

Spider-Man: Across the Spider-Verse

Rye Lane

Killers of the Flower Moon

May December

Barbie

Mission Impossible: Dead Reckoning

The Pope's Exorcist

Asteroid City

Theater Camp

The Wonderful Story of Henry Sugar

You Hurt My Feelings

Poor Things

They Cloned Tyrone

80 For Brady

BEST SHORT OF 2023: Take Me Home

Songs on repeat / movies I watched and rated 4.5 or 5 stars / books read / TV watched / games played by month

January 🎵 Marigolds - Kishi Bashi American Teenager - Ethel Cain 🎬 Hail, Caesar! (2016) 4.5 Embrace of the Serpent (2015) 5 Fail Safe (1964) 4.5 Honorable mention: The Best Years of Our Lives (1946) 3.5 📚 World War Z - Max Brooks 🔁1/16 Gideon the Ninth - Tamsyn Muir 1/18 Harrow the Ninth - Tamsyn Muir 1/23 Nona the Ninth - Tamsyn Muir 1/26 📺 Dark

February 🎵 Partita for 8 Voices - Roomful of Teeth God Is a Freak - Peach PRC 🎬 Third Kind (2018) 4.5 Showgirls (1995) 4.5 Lord of the Rings trilogy (2001-2003) 🔁 5 📚 The Memory Police - Yōko Ogawa 2/7 Authority - Jeff VanderMeer 2/15 📺 Crazy Ex-Girlfriend 🔁 Bloodline S1

March 🎵 Not Another Rockstar - Maisie Peters 🎬 Banshees of Inisherin (2022) 4.5 John Wick (2014) 🔁 4.5 John Wick: Chapter 3 (2019) 🔁 5 Honorable mention: 80 for Brady (2023) 3 📚 Acceptance - Jeff VanderMeer 3/4 How To Hide An Empire - Daniel Immerwahr 📺 Crazy Ex-Girlfriend 🔁 Yellowjackets S1 🔁 S2 Poker Face Defending Jacob

April 🎵 2 Be Loved (Am I Ready) - Lizzo Daytona Sand - Orville Peck Little Dark Age - MGMT 🎬 John Wick: Chapter 4 (2023) 4.5 Honorable mention: Rye Lane (2023) 4 📚 How To Hide An Empire - Daniel Immerwahr 4/1 📺 Succession Grey's Anatomy Yellowjackets

May 🎵 Home - Diana Ross Lipstick Lover - Janelle Monáe Gloria - Laura Branigan 🎬 Polite Society (2023) 5 The Joy Luck Club (1993) 4.5 Crank (2006) 4.5 📺 Succession Grey's Anatomy Yellowjackets White Lotus 🎮 Tears of the Kingdom

June 🎵 Lipstick Lover - Janelle Monáe Movin' Out - Billy Joel 🎬 The Fabelmans (2022) 4.5 Casablanca (1942) 🔁 4.5 Spider-Man: Across the Spider-Verse (2023) 4.5 Deep Blue Sea (1999) 5 What We Do In The Shadows (2014) 🔁 5 📺 White Lotus Grey's Anatomy Marriage The Bear 🎮 Tears of the Kingdom

July 🎵 My House - Diana Ross Both Sides Now - Joni Mitchell 🎬 Lady Bird (2017) 🔁 4.5 Pacific Rim (2013) 🔁 5 Whiplash (2014) 5 The Watermelon Woman (1996) 4.5 Howl's Moving Castle (2004) 🔁 4.5 Oppenheimer (2023) 4.5 📺 The Bear Grey's Anatomy Black Mirror What We Do In The Shadows Foundation 🎮 Tears of the Kingdom Rocket League

August 🎵 It's All Coming Back To Me Now - Celine Dion Adagio in D Minor - John Murphy 🎬 Marcel the Shell with Shoes On (2021) 4.5 📺 Foundation Only Murders in the Building Grey's Anatomy One Piece 🎮 Tears of the Kingdom We Love Katamari 📚 The Name of the Rose - Umberto Eco

September 🎵 American Pie - Don McLean 🎬 Bottoms (2023) 5 📺 One Piece Foundation Grey's Anatomy 🎮 We Love Katamari 📚 The Name of the Rose - Umberto Eco (9/9) Stone Butch Blues - Leslie Feinberg (9/26)

October 🎵 No One Comes Close - Infinity Song New Body Rhumba - LCD Soundsystem No One Dies From Love - Tove Lo 🎬 Past Lives (2023) 5 Deep Blue Sea (1999) 🔁 5 📺 One Piece Grey's Anatomy Lupin GBBO 📚 Arsène Lupin, Gentleman-Thief - Maurice Leblanc (10/26)

November 🎵 Liability - Lorde Together in Electric Dreams - Philip Oakey & Giorgio Moroder 🎬 Annette (2021) 4.5 Electric Dreams (1984) 5 Honorable Mention: Light & Magic (2022) 4 📺 One Piece Grey's Anatomy GBBO The Crown Mindhunter 🔁 📚 The Uranium Club - Miriam E. Hiebert (11/16)

December 🎵 Isumagijunnaitaungituq (The Unforgiven) - Elisapie Butchered Tongue - Hozier Christmas Baby - Infinity Song Home For Christmas - Infinity Song 🎬 The Holdovers (2023) 4.5 x2 Take Me Home (2023) 5 - short Pro Pool (2022) 4.5 - short Mamma Mia! (2008) 5 🔁 Mamma Mia! Here We Go Again (2018) 5 🔁 The Muppet Christmas Carol (1992) 5 🔁 Honorable mention: The Quiet Girl (2022) 4 📺 One Piece Grey's Anatomy Only Murders in the Building New Amsterdam Frieren Mobile Suit Gundam: The Witch From Mercury The Crown Pokémon Concierge 🎮 Fall Guys Super Smash Bros. Ultimate 📚 Station Eleven - Emily St. John Mandel (12/25)

[mylifeincinema]

REVIEW: Wes Anderson's The Wonderful Story of Henry Sugar, The Swan, The Rat Catcher & Poison...

Finally got around to watching Wes Anderson's The Wonderful Story of Henry Sugar, along with its companion pieces, The Swan, The Rat Catcher and Poison, last night.

I dropped the ball and didn't get around to reading Roald Dahl's stories before watching these, but it was hard enough waiting for all four to release on Netflix, so I definitely wouldn't be able to wait to get my hands on the stories.

From my understanding, though, these are all perfectly peculiar adaptations, staying true to Dahl's voice and heart. All four short films shine unique light on Wes Anderson's strengths as a filmmaker and storyteller, and it was a pleasure to witness. The Rat Catcher is very likely my favorite of the bunch, with a bizarre story and characters, including an award-worthy turn by the always fantastic Ralph Fiennes. Second best would easily be The Wonderful Story of Henry Sugar, which highlights Anderson's knack for idiosyncratic storytelling, grabbing hold of the viewer and honoring the source material by keeping it intact. Poison was an experiment in suspense, and both Anderson and the cast delivered completely. I definitely wouldn't mind seeing him venture into more tense material in the future. And, despite the jaw-dropping performance from Rupert Friend, The Swan was probably my least favorite, over-utilizing its narrator storytelling to the point where I felt detached from the story.

There's just so much to love throughout the four of these shorts, though. Unsurprisingly, the production design in all four is brilliant, and I especially loved how interactive Anderson & Co. got with it all, here. The stagehands and creative handling of props stoked the imagination. Robert D. Yeoman's (and even Roman Coppola's) cinematography was singularly stunning. And the cast was pure perfection. The aforementioned stand-outs are only the beginning; everyone here was working at the top of their game. I know they're shorts, but don't be surprised if you see Fiennes and Friend - as well as Dev Patel and Ben Kingsley - popping up in My Best of 2023 lists.

I really wish I could've experienced these in a cinema, but when it comes to Wes Anderson, I'll take whatever I can get, whenever and however I can get it.

-Timothy Patrick Boyer.