#theme: health

[gildedoak]

Episode 7: Beignets!

I rewatched S2E2 of Helluva Boss ("Seeing Stars") and got hit with that BANGER of a line from Loona about dads having issues and messing up all the time but still caring. VIVZIE, I am sensing a THEMEEEEEEE.

And thank you for all the lovely comments thus far! I'm so tickled to see how many folks connect with this, whether you're from the American South or not. Food is such a core love language for so many people.

SOUTHERN COMFORT FOOD SERIES Chicken and Waffles Sweet Tea Peach Cobbler Hushpuppies Crab/Crawfish Boil Gumbo (plus character notes!) Beignets part 2 Shrimp and Grits Cornbread Biscuits and Gravy Pecan Pie/Sugar Pie Fried Catfish ??? - Season 1 Finale

Description under the cut!

[IMAGE DESCRIPTION: Radioapple comic

PANEL 1: (Lucifer sits atop a barstool-like chair on his balcony at the hotel. He's curled up in on himself, quietly crying with his head in his arms as he slumps over the marble balustrade and his tail curled around his ankles.)

PANEL 2: (Alastor gently sets a large platter of fresh beignets next to Lucifer's arm, and Lucifer glances up, looking miserable.) Alastor: (offscreen) You're not a bad father, you know.

PANEL 3: (Alastor strikes a jazz-hands pose as a canned laugh track emanates from his cane.) Alastor: Granted, YES you did fail spectacularly! You fail A LOT. But...

PANEL 4: (Closeup of the lower half of Lucifer's face as more tears fall down his cheeks.) Alastor: (offscreen) ...you're consistently, SINCERELY trying. And that is incredibly important.

PANEL 5: (closeup of Alastor's right eye in profile) Alastor: It's certainly more than my father ever did.

PANEL 6: (Alastor reaches over and places a hand on Lucifer's, which is still clutching at his upper arm. Though we can't see Lucifer's face, he's sitting a little straighter, looking up at Alastor.) Alastor: (offscreen) Or yours, for that matter.

END DESCRIPTION]

[canisalbus]

I really appriciate how often Machete is depicted struggling and feeling like a burden, while still being loved and supported by Vasco. It gives the top tier angst of "i'm not good enough, I'm not worth it" but you frame it in such a way where it's clear that's just how he *feels* and is not how things really are, but also it's so nice to see someone who struggles quite often in a loving and unique relationship that suits them. The narrative of not being able to love or be loved unless you're consistently healthy is really tiring lol.

.

[poorly-drawn-mdzs]

Having the Pool Dream again, handsome?

[sharoscylla]

I really want to get at least like 50 responses to this poll :3

[hyperrealisticblood]

big fan of how the two biggest theories about wally right now are "wally is some kind of evil manipulative mastermind cognitohazard" and "wally isnt evil hes just autistic. hes just like that"

[starry-bi-sky]

Sketch dump! I havent done one of those in a while. These are all from June-July while I was on vacation.

First we have Layal! The delightful Mother of Monsters, aka the Ghost Zone’s most evil mama bear AND my take on a fem!danyal dan! I like to imagine she could pummel Dan into the ground, but that stands true for any and all of my au Dans. Bc i am INCREDIBLY biased.

She mostly lives on her island in the Ghost Zone, taking in monsters of the Infinite Realms of all kind and raising them as her own. Surprisingly enough, she does genuinely love her children. That’s about where her love ends. She stole the minotaur, his name is Asterion.

Then we have Daini-Yel! He’s from an au i’ve never actually talked about on here. He’s literally just Danny for an Epic!-inspired au. He's an unknown entity in the newly released open-adventure, odyssesy-inspired game "Nautilus", and he is not a part of the game's code :). He showed up three months after the game's initial launch, and was discovered during a live when a streamer was on their way to fight a boss much similar to Circe and the streamer accidentally took a detour and found his pathway (of which did not previously exist).

He's very friendly! And offers you, the Captain, a strange liquid with even stranger powers called "Ektolai", in order to help you fight Circe. His whole vibe and creation is literally just the song "Wouldn't You Like" from Epic. If you run into him enough times at the start of the game, you can convince him to join you on your adventure as part of the crew. He's a powerful ally and a very good friend, despite his strange awareness of the world around him...

Oh, but be warned... just like the rest of your companions, your actions have consequences and what you do affects their opinion of you. Daini is no different! Your close allies can quickly become enemies.

[anistarrose]

This isn't something I would describe as a prominent or even intentional theme, but there's something fascinating to me about how TAZ Balance characters associated with composing and performing music are almost entirely correlated with either being forgotten, or having an incredibly warranted fear of being forgotten.

Johann is obviously the latter. I have an ongoing fic about his parallels with Barry — who plays piano, and who is the character we see spend the most time knowing he has been forgotten by people dear to him, and grappling with it. And I've seen the Johann and Lup dynamic get well-deserved attention in AUs where she lives, and they get to relate to each other as violinists — yet the parallels are at their strongest in canon, where Lup is the "most" dead of all the undead characters, the "most" forgotten, the most reduced to a near-invisible specter haunting the narrative, and the most like Johann's worst nightmare.

There's even a parallel with Davenport, who is a beautiful singer, and whose life story and dreams and achievements are all completely erased. So that's three different characters whose forgotten stories — which Johann obviously does not know — still serve to silently justify Johann's fear of the same fate, emphasizing just how likely it is that it could come to pass. How yes, it would be that horrifying.

And as a non-musician, but an artist of a kind myself... it all resonates. The fear of one's legacy being forgotten is a common fear in general, but it has a particular type of teeth to it for us creatives, who shudder in terror at the thought of a masterwork — that feels like a piece of one's soul — being forgotten, let alone cut short by untimely tragedy.

But that's why I treasure, so dearly, that all of these musically inclined characters — Barry, Lup, Davenport, Johann — are not forgotten permanently, but instead immortalized by the Story and Song, no matter the varying degrees of alive and dead that they wind up in the end. I treasure the parallels between these characters that say being forgotten is a grounded, reasonable thing to fear; that it is scary — but that no matter what, memory will still find a way.

[absolutely-not-my-main-blog]

Dennis Reynolds + Textposts/Tweets

+ bonus, this weird image the guy who smokes weed by the gas station accidentally sent me instead of the movie meme he meant to, which I immediately spun to be Dennis-related of course.

[mininovia]

drabble [1]

c.w. f!reader, fluff-ish, hurt and comfort, mental health themes like depression, depressive episode, self-isolation, self-deprecation; just todo being todo

todo aoi is the most stubborn man on earth.

granted, it comes more from a place of idiocy than it does his unwavering determination, but it’s almost inspiring how he refuses to back down in anything he says or does. over-confident and bold. nothing ever feels impossible when it comes to him—and it’s double so when it involves anyone that he cares about.

and whether you both like it or not, he’s grown to care for you.

so you shouldn’t be surprised when, after missing over a week of classes and refusing to communicate with anyone outside of sparse texts between miwa and momo, he’s determined to find out where you’ve been hiding and demand why. he’s got an inkling, of course, but he wants to hear it first-hand from your lips.

and you’ll come to appreciate it, later down the line. because even when you’re at your worst, stuck in bed and refusing to get up to even shower or brush your teeth, he’ll be outside your dorm knocking so damn hard you’ll have to open the door to not wake up your neighboring classmates. doesn’t even blink when you open the door, disgruntled and messy and oozing self-deprecation.

just one look and he knows. stares you down with his arms crossed, announcing brazenly, “get dressed. i’m taking you out right now.”

he doesn’t care if you’re taken aback, or if you’ll refuse, or if you're seconds away from threatening to call utahime-sensei to kick him out of the girls' dormitories. he won't budge. practically tells you he won’t let you continue to rot in your room, waste your days stuck in this abysmal, crushing cycle.

and he'll wait, after you agree. lingers outside the hallway by your door, leaning against the wall with his arms crossed. quiet. even if it feels like an eternity, he'll be out here for as long as it takes for you to get ready.

just for you.

[stars-and-branches]

|Dark Rise, C.S. Pacat|Gallant, V.E. Schwab|Under the Whispering Door, T.J. Klune|Divine Rivals, Rebecca Ross|Tumblr user @stardustemotions |

[anitalenia]

₊ ⊹.𖥔 ݁ ˖ 𝒉𝒆𝒂𝒓𝒕 𝒇𝒓𝒂𝒎𝒆𝒔 . ݁₊ ⊹ . ݁˖ . ݁

credits to me. feel free to use and save. of course credit would be appreciated but it is not required. I’m just making these for fun <3

[thedickgraysons]

i’d cooled down a bit but now ive seen the most outrageous slideshow on tiktok and im back on my “the way parts of the acotar fandom talk about addiction, depression, sexual assault and abuse is so damaging and i sincerely hope none of you ever interact with someone who struggles with mental health” bullshit.

[illegiblewords]

Almost current in Dawntrail, I make some references to plot stuff under the cut but this post isn't mainly about Dawntrail. This is an analytical rant. There are people who disagree with me that I adore/respect to bits who have done brilliant stuff from angles I wouldn't take. People shouldn’t stop doing what they’re inspired to do according to whether I like or dislike something. This post qualifies less with 'I think' and 'I believe' statements/is a little harsher because I'm venting though. Proceed at your discretion.

Features critical/darker discussions of Venat and Hermes with brief mentions of Zenos.

I really, genuinely think a lot of people are only getting pieces of what's going on in FFXIV.

The story still isn't black and white. Characters very, very often are not what they advertise themselves to be. Neither the cast nor fans are immune to misjudging.

Hermes is not as compassionate as he presents himself. There is an enormous discrepancy between what he professes and the choices he consistently makes, both with regard to other ancients and creations. I do believe he was genuinely miserable but he is basically Satan from Paradise Lost, who wonders why he alone was made unsatisfied with obedience and perfection. Who recognizes there is difference in himself compared to others but is conflicted about whether this is a defect or higher calling. Satan sees himself as inherently 'other' above all else and Hermes is just the same. The shared snake imagery isn't a coincidence either.

Everything I've seen points to Hermes being a narcissist who does not have instinctive empathy in a society where empathy is the most valuable quality a person can have. He strives to have more empathy than all other people without truly understanding what that means. It's why he projects his anger and hatred onto the wolf creation as it dies instead of offering it any kind of comfort. It's why he sends Meteion into space to suffer pain, death, and despair as a high empathy being who challenges all concepts of what it means to be alive… instead of presenting her to the Bureau of the Architect, where her very existence might instigate star-wide reform for how all other creations are handled. For his ego, he needed to be the only one with extensive knowledge of dynamis. He needed to be the only one with answers from on high regarding the nature of life. That was far more important than Meteion's wishes or well-being, and the creations he claims to love are expendable for this purpose. He frequently oscillates between seeing himself as beneath all other ancients and the sole, divinely powerful judge/jury/executioner of all living things. Like Satan from Paradise Lost he can't be grouped with those around him. He can't be just one of many ancients dealing with fears, doubts, despairs. He MUST be exceptional above all else. I'd argue the main reason he accepts the Warrior of Light at all is because we do not appear as a fellow ancient to him--he sees us as a familiar, and therefore inherently without equal authority and agency compared to him. When we are useful to his worldview he uses us and when we aren't we're disposable.

I've seen people claim that Hermes is just anxious and that's why he didn't submit Meteion. You don't opt for genocide and decree all of humanity as immoral and unworthy of mercy without even allowing your targets a voice to answer out of anxiety. You certainly don't do that while having specifically gone out of your way to avoid any steps that might have given room for more charitable judgments. Hermes opted to destroy everyone because it was what he wanted to do, but it didn't fit his self-image as a benevolent and empathetic person to do so. That's why he made a loophole via memory erasure.

Venat, further, is not a hero. She's gray at best and in all likelihood a pretty dark shade of it. Light motifs and crystal mommy themes do not change this. She not only decided, independently, that Hermes' genocide was an appropriate course without allowing anyone else room to discuss or address the issue--she actively denied everyone else knowledge of what happened or even basic information about dynamis (LET ALONE METEION'S LOCATION) so they could deal with the issue effectively. She passed judgment on the entire Convocation because of Hermes' appointment without once judging herself for withholding information on his true character. There is a reason Emet-Selch called her out for being immediately ready to see herself as a morally correct messiah of the star. He wasn't wrong to do so. And especially after Endwalker I think Venat grossly misunderstood not only what led to worlds self-destructing on a philosophical level (never mind Meteion's emotion amplification powers), I think she misread her own star and its people. Pursuit of purity and certainty was what led to the destruction of worlds. The total absence of pain is just one form that can take, but it isn't necessary for a world to be in perpetual agony to avoid that. Venat dismissed the despairs and struggles of her own fellow ancients because there was no room for them in the view she had of herself and her world. If she didn't see them they didn't exist, but even when she did see them they didn't count enough to sway her judgment. Venat had to be the most correct person and she didn't allow even as Hydaelyn the possibility of making mistakes or unwarranted cruelty to others. She is 1000% guilty of 'ancient hubris'.

Venat might be a more middling gray, in my view, depending on whether she'd been trying to shield as many people as possible from tempering with the traveler's ward only for most of the star to become tempered by Zodiark post-summoning. There are a lot of repeating phrases between Elidibus, post-Final Days ancients, and the lunar shades that I think point to mass tempering. Venat would have grounds for assuming people had homogenized views, prayers, and voices if the star was largely tempered. If they weren't, I think she becomes pretty sinister for how she deals with people's post-Final Days trauma. Her injustice toward the ancients in that case would just happen to be in a way that benefits the shards.

The Zodiark plan prevented life from going extinct. It was necessary. Zodiark's tempering and the subsequent sacrifice spiral were not deliberate I suspect, seeing as Zodirk was the first primal EVER. People have been consistently misreading the loporrit quote on this to try and argue that Zodiark didn't temper the Unsundered.

The line states that Venat used a different summoning technique to the one utilized by Ascians. Venat's technique specifically does not temper people. The Ascian method does. If Venat's technique was used to summon an entity of Zodiark's magnitude (whose power could not be resisted according to Emet-Selch) there might be a slight tug toward tempering despite the technique being much safer.

This is not saying Zodiark didn't temper anyone. It's specifically saying that despite Venat having a safe technique, Zodiark's summoning was on such a monumental scale that even Venat's technique would carry some risk.

Meanwhile, Lahabrea has been getting set up for years as someone who has been dehumanized, judged, isolated, and misunderstood. This has continued to increasing degrees through Dawntrail. It has been going on since A Realm Reborn. The sheer consistency of it is insane at this point. There is a HUGE gap between how Lahabrea emotes and what he's actually feeling. His choices reflect this and it is demonstrated firsthand in Pandaemonium.

No one seemed to think it was weird that Lahabrea was ready to commit a pseudo-suicide by killing Hephaistos. No one seemed to catch that the 'pseudo-suicide' in the lyrics to Scream referenced Lahabrea, as did the 'shadow left far behind' line. People contorted themselves into pretzels trying to say that Scream was not about him. Nevermind that Pandaemonium is the Lahabrea raid, in which all other characters were supporting cast to flesh out Lahabrea. It must be mainly about Hegemone and Agdistis! If not them, it must be mainly about Erichthonios!

The man's entire story is about being dehumanized, dismissed, invalidated, and excluded while suffering severe mental illness. It's kind of horrendous that fans are continuing to do this to him on a meta level.

Lahabrea has a long history of Abrahamic imagery. If the Warring Triad mirror the Unsundered, Sephirot as the Tree of Life maps to the Kabbalistic process of creation. The game explicitly and correctly references this in the attacks used. The lyrics to Fiend track for Lahabrea as does the association with Id issues, and there's symbolically significant overlap between muscular/multi-armed Sephirot (where multiple arms reference the boddisatva Guanyin, who uses those many arms to help those in need) to muscular/multi-armed Zodiark as Lahabrea's creation. And Zodiark being Lahabrea's creation is indicated in Akademia Anyder. People have been trying to attribute Zodiark to Hermes because Hermes hijacked him in EW and it drives me nuts.

Meanhwile, what did Pandaemonium do?

Paired the Tree of Life to The Tree of Knowledge of Good and Evil. There's a ton of snake, fruit, and mouth imagery in Pandaemonium. Athena is Eve offering Lahabrea as Adam knowledge of good and evil via the soul bonding. Lahabrea has been afraid of himself as an extremely powerful ancient (which I've analyzed before, tying to Emet-Selch too), particularly given he's in a position of power. He reflects the societal idea that someone with his aetherial strength and authority cannot afford to be selfish or he risks causing immeasurable harm to others. Result is that Lahabrea is absolutely terrified of being selfish in any capacity, even on a basic healthy level. Athena meanwhile is a purely selfish being. Like I believe is the case with Hermes (and am positive is the case with Zenos)--she does not have instinctive empathy. Athena deliberately psychologically violated her husband by forcing him to acknowledge understanding selfish desire through her perspective, then compounded it by exploiting his lack of self-confidence to say he was bound to be just like her for understanding such selfishness. She's not an authority on that, but Lahabrea sees himself as personally less than Athena and is not at that point equipped to argue on his own behalf.

Anyway. Abrahamic connections, Hegemone has the snake imagery. Agdistis has the tree and the fruit. Athena is Eve. The soul bonding is the fruit of knowledge of good and evil. Hephaistos uses a ton of snake imagery too. Lahabrea is covered in symbolism both on a personal psychological level and tied to traditional symbolism via the hand of god acting upon the world, the eye of god watching the world. For savage, one arm is covered in eyes. This is his role as Lahabrea employing power for his people. The other arm, his personal desires/needs, is long and thin and malformed/not really functional. He covers his heart with a pair of wings for protection and reduces himself, weeping, to DNA because that's the only value he sees in himself. He'd rather be that than himself as a person because at least as DNA he's wanted for something. Lahabrea doesn't think anyone would ever give a shit about him on a personal level.

When Hephaistos is defeated, there's a reason Lahabrea is shaken when he states that Hephaistos' goal was never to raise himself high. That was what Athena wanted and what she told him he'd want. All Hephaistos wanted was his family back and to be loved. That was the moment Lahabrea had to introspect and realized Athena wasn't correct about his motives. Her declaring something about him didn't make it true.

Erichthonios is convinced he has a cruel and indifferent father for much of the raid. We see him twist neutral-to-kind gestures as malicious in front of us, as with Lahabrea allowing him to go to Pandaemonium as a child but insisting he know spells to protect himself. Erichthonios takes Lahabrea's insistence as believing he's not good enough instead of wanting him to be safe. We also see Erichthonios construe something that actually points to Lahabrea being depressed (giving himself no credit for completing the phoenix and advertising nothing only to be surprised by coworkers throwing him a celebration anyway) as him scorning Pandaemonium for not sharing the achievement with them. Erichthonios was taught to do this by Athena, and Athena likewise twists Lahabrea's self-image as a form of psychological abuse from the moment he approaches her in the soul bonding scene. She cites his status and accuses Lahabrea of thinking himself morally above others for descending to Pandaemonium and judging her. It never occurs to Athena that Lahabrea would try to stop her because he loves and wants to protect his son.

People are projecting their own personal beef with parents behaving poorly to assume Lahabrea is an uncaring father. He's not. He's extremely mentally ill and Erichthonios was groomed by an abusive mother while having no concept of what Lahabrea's mental illness would even look like... let alone how to deal with it.

Lahabrea explicitly thinks Erichthonios is better off with the false memory of a mother who abused him than having him present as a father because he considers himself so personally worthless. He can only see his presence as a detriment in his son's life. He is a short step from the kind of suicide people commit when they think other people would be happier and less burdened if they were dead. 'They might be sad for a while, but ultimately they'll be better off.'

I'm not even bringing out my citations right now. This isn't an Archon Thesis because I want my evidence properly assembled for that. But I recently saw someone try to frame the Convocation and Zodiark plan as uniformly awful, when the reality is doing nothing would have resulted in life going extinct. And if we're talking about zodiac signs mapping to Convocation members, there are more layers to it than 'Ascians = bad versions of the zodiac'.

Ex. The duality (two fish) and creativity associated with Pisces both apply to Lahabrea, but the emotionality does too. It isn't obvious at first but when you look it's there. Lahabrea has hidden strong emotions consistently through a variety of methods across the game. Sometimes it's reserve, sometimes it's aggression, sometimes it's hysteria. But when you look at the surrounding circumstances from his perspective, it makes perfect sense how and why he'd emote that way. It has never been safe for him to be emotionally vulnerable.

One of the earliest moments of 'villain laughter' from him we see is at Carteneau. His assistant waits quietly for him to finish. At that point Bahamut had been unleashed in yet another action that goes directly against Lahabrea's own morals, but is necessary to the Ardor. The sundered respond by invoking Lahabrea's phoenix as protection for humanity against a primal Lahabrea helped orchestrate. On some level people instinctively believe Lahabrea can and will protect them despite his failures, their own reincarnations, and thousands of years passing. It's ironic and horrible but this kind of irony has been happening to Lahabrea over and over again. If he doesn't laugh the dude's going to cry and (again) it isn't safe for him to do that.

(Also as the only Ascian to ever refer to Zodiark as 'master', Lahabrea is A) very tempered B) continuing a pattern of thought/behavior/worldbuilding where he puts his people first and himself dead last C) not talking about Athena. Lahabrea says in-game he had no earthly idea Athena was in the Heart of Sabik. I do think Heart of Sabik effected him by magnifying his desire to save his people and redeem himself in the face of survivor's guilt. It might have influenced his phrasing too. I have theories about what Lahabrea did at Praetorium but blowing it up was not 'the ultimate magic' by any means. I'm pretty sure he used it as a Themis and/or Zodiark backup drive, which Athena's presence at Anabaseios proves is possible anyway. He doesn't need to know about her to figure it out.

People have tried to say Athena is Lahabrea's god instead of Zodiark. Especially given the history of abuse and Lahabrea's own repeatedly shown priorities/actions, that take is pretty appalling imo. Completely dismisses how devoted he has always been to his people to destroy his will and identity altogether on a meta level.)

Even if we strip shit down to the most bare bones narrative form and ignore evidence--where motives and arcs are concerned 'oh Lahabrea has always been evil/uncaring/sociopathic/self-absorbed and stayed that way forever after' is bad storytelling. That would require a 'failure to change' arc as literal or spiritual death. That arc form ties to death because life requires accounting for/adapting to new experiences. If a character fails to do that (for better or worse) that character is stagnant and effectively not living. Such arcs require meticulously showing the process of rejecting experiences though. Zoraal Ja actually approaches the form a bit when we see him repeatedly taking nothing from the trials he undergoes, but his trajectory becomes 'change for the worse' after losing to his father's shade. None of the Unsundered are set up with that arc form, Lahabrea included. It wouldn't offer any insight, fit with what we know of the ancients and their values/society, or carry any emotional impact. Trying to go that route without setup is just bad storytelling and makes characters less believable. But yeah. Tl;dr I really, really wish people paid more attention and examined words vs actions vs surrounding circumstances vs motives.

[starrysharks]

magical girl ward

[moonchild-in-blue]

If I had a dollar for every band originated from a multi-instrumentalist / drummer duo of two best friends, lead by a sad pathetic wet cat piano man who writes the most gut-wrenching lyrics, with lore regarding the aformented frontman's darker side, who also uses black body paint and masks (on ocasion), and incorporates so many genres that made it impossible to properly classify it, I'd have two dollars, which is not a lot, but it's weird that it happened twice.

[florissaurus]

Sickness you can't See.