#there are just a lot of things to point out and i keep! getting!! excited!!!

[rollinouttahere-writes]

AS2L Intro

I finally got it done! The intro for this concept has come to fruition. Unlike Lucky Break, this won't be completely linear and will just kinda jump around to random events that I feel are worth writing.

Ace, Sabo, and Luffy x Child Reader

5.5k words

Grown ups did a lot of things that you failed to understand the point of, and even more things that you found unpleasant. There were even some things that managed to be both. Namely, family reunions. You didn’t get why they needed to do this every year. You already saw them often enough since you all lived pretty close. So why do you have to spend a whole day with them at some park? It doesn’t even have a playground. Boring!

Small pebbles tumbled through the grass as you kicked them. At the moment, you were far away from everyone else, having had quite enough of your cousins’ teasing and hair pulling. Between not getting along with any of the people here that were your age, and the aforementioned lack of a playground, you were bored out of your mind. Possibly even dying of boredom. 

As you keep walking aimlessly, you notice a sign out of the corner of your eye. Having nothing better to do, you go over to inspect it. It reads “Horseshoe Trail” in big, bold letters. There’s a picture of what you assume is the trail itself beneath it. Much like the name implies, the trail is shaped like a horseshoe, going out and coming back to an exit not far from here. You look to your left and squint, and you’re pretty sure you can see where it lets out.

Maybe going for a walk in the woods would be fun? It had to be more exciting than kicking rocks all day. You hazard a glance back at the pavilion where your family is gathered. No one seems to be looking your way… This should be fine. You make up your mind quickly and hurry onto the trail before anyone can tell you not to. 

This will be fine. Besides, you’ll probably be back before anyone even notices you’re gone. The trail didn’t look that long in the picture.

The trail is a refreshing change of pace. You stare up in wonder at the tall trees on either side of the trail. Other plants and flowers decorate your surroundings, making for infinitely more interesting scenery than the bland grass of the main area your family was hanging out at. You don’t get why none of them thought to go walking through here. It makes you feel a little special to have discovered something new and exciting.

There’s a lot of noise in the woods. From the rustling of leaves as squirrels dart around, to birds singing, to insects chirping. It’s all enchanting to you. You hum happily as you wander down the path, not a care in the world. 

You’re walking for a while, a lot longer than you thought you would be. It starts to dawn on you that the trail was perhaps longer than you originally assumed. You start to feel nervous about how mad your parents will be if they notice you wandered off. Looking back, you wonder if it would be better to just turn around, or if you should keep going. The end can’t be that far away, can it?

A fallen tree is next to the path, and you walk over to sit on it while you try to figure out what you should do. You fiddle with your pink, frilly dress that your mom insisted you had to wear, tugging and picking at the seams nervously. Mom was definitely going to be mad when you got back… Maybe it wouldn’t hurt to just keep going even if it does turn out to be longer?

The sounds of foliage moving behind you snaps you out of your anxious daze. You tense up. Whatever it is sounds bigger than a squirrel. Slowly, you look over your shoulder and towards the source. Bushes shake as something works its way through them. You want to run, but you’re rooted in place by your fear. The bushes rustle louder as whatever is in them is about to pop out. Your tiny hands fist the fabric of your dress painfully tight.

A furry creature suddenly springs out and lands on the log next to you. You yelp and fall backwards off of it. The creature creeps closer and… meows?

You sit upright and finally see the animal for what it is. A cat. Instantly, your fear melts away and you squeal excitedly, “Hi, kitty! Can I pet you?” You stand up and reach out to the cat, only for it to hop off the log and start walking away. “Hey, wait! Come back!” You start walking faster, following the cat into the woods.

“I promise I’ll be gentle!” Your attempts to reason with the cat were moot, it just kept walking. Occasionally it would look back at you, but it didn’t stop. It hadn’t hissed at you yet, though, so you keep following it. You didn’t even realize how far you were getting from the trail.

Your dress keeps snagging on branches from the local shrubbery, slowing you down significantly. With every pause you take to rip your dress free, the cat gets further and further away, but you don’t give up.

It isn’t until you trip and fall over a root sticking out of the ground that you officially lose sight of the cat. You whine and slowly push yourself up. Your foot hurts from getting snagged on the root, the sandals you were wearing did nothing to protect you. It takes a minute to get back up onto your feet, and when you do, you realize that it isn’t just the cat that you’ve lost sight of.

The trail is nowhere to be seen. Tears begin to well in your eyes as you’re hit with how bad this is. How stupid could you be to have run so far away from the trail? Your parents are going to be so mad when they find you. You whip your head around wildly as you walk backwards, looking for literally any possible hint of the rail.

Suddenly, the ground dips behind you. Your arms flail as you try to catch yourself, but the ground is too slippery for you to get any traction. The next thing you know, you’re falling backwards and rolling down a hill. You scream and try to catch yourself on something, but you’re too disoriented to be able to hold onto anything for longer than a split second. Rocks and bushes attack you as you violently tumble down the hill.

When you mercifully roll to a stop at the bottom, your head is spinning and everything hurts. You whimper as you roll onto your side and try to get up. Something wet drips into your eye and stings, making you flinch and rub at it. You pull your hand away and see that it’s stained red with blood. Just like that, you burst into tears and sob loudly. You cry out for help, screaming for anyone to come to your rescue.

But no one comes.

Then, because today wasn’t awful enough, loud thunder sounds through the forest, and it begins to rain. Cold droplets fall and soak into your dirty, torn clothing. You sniffle loudly and force yourself to stand despite your body screaming at you to lay down. Sitting in the rain sounds terrible. You need to find somewhere dry to wait this out.

Looking around, you don’t see anything nearby that you could hide under. Seeing as that you’re already horribly lost, you pick a random direction and start walking. Well, more like limping. Your already sore ankle is now swelling, and the straps on one of your sandals ripped off during the fall. It’s barely hanging on and is more than a little uncomfortable to walk in. You trudge forward, sniffling and crying as you stumble through the woods in search of shelter.

It feels like an eternity before you see something through the trees that piques your interest. It looks like a small building isn’t far from here. Your tears dry for the first time and you smile, thinking that maybe you were closer to where your family was than you thought you were. You hurry as much as your pained body will allow.

The closer you get, the more your smile fades. The building you were looking at was some abandoned, broken looking shack. There weren’t any other buildings or signs of people in sight. Despite your disappointment, the rain pelting you encourages you to go inside the shack regardless. 

The door had fallen off and was laying outside of the structure. You step on it as you go inside, and it creaks loudly under your weight. Your disappointment only grows as you see that the roof had caved in. Rain was pouring into the dilapidated shack, leaving only one corner of it somewhat dry. You press yourself against the shelf in the dry spot, shivering in your wet clothes. 

Deciding that your sandals were more of a painful hindrance than a help, you unbuckle and kick them off. Next, you slip off the once cream colored cardigan your mom had insisted you wear with your dress. It got all torn up and covered in mud from your fall, plus there was some blood on it from the cuts you got. The frilly dress you had on was in a similar state. Your mom was going to kill you for ruining the outfit she picked out for you just for today.

Given that it was already ruined, you scrubbed your face with the sweater, trying to wipe away the blood you felt on it earlier. You wince as it touches a particularly tender spot on your head and pull it away. The sweater is now smeared with even more blood and dirt. You sigh and toss it next to your discarded sandals.

With nothing to do, you sit in the corner and wait for the rain to stop. Your stomach growls loudly, which makes you remember something. Reaching into your pocket, you are ecstatic to find that the candies your grandpa had slipped you hadn’t fallen out during your tumble. You smile softly and unwrap a piece of chocolate before popping it into your mouth. At least you have one good thing going for you. You look around the shack while you savor the chocolate, and your eyes are drawn to a box on the shelf next to you.

Having nothing to do, you pull it off and start rifling through it. There are some old flashlights, duct tape, and some ropes in it that you carelessly toss behind you. At the bottom of the box, you see a tiny key and a jewelry box. You grab both curiously and wipe off the dusty box. One of those cool skull-things that you see on pirates ships is on it, which only makes you more curious. Giving the box a shake, you hear something rattling inside of it.

Trying to open it didn’t work, so you put the small key into the keyhole. Much to your relief, it fits and unlocks the jewelry box. You pry it open and find a necklace inside. It feels extremely brittle in your hands, and it has the same pirate skull on it as the box. There is a piece of paper in the box, too. You pick it up and unfold it, finding that there is something written on it.

Congratulations on your lucky find

I wonder what desire you have in mind

Close your eyes, make a wish, and break the pendant in two

Whatever you want most will come to you

Now that was exciting. You looked at the apparently magical necklace in your hand with a surge of joy and intrigue. Maybe getting lost wasn’t so bad afterall! You kick your feet as you try to decide on a wish. You suppose that you could wish to be back with your family, but… did you really want to waste your wish on that? Did you really want to use a magical wish to be teleported back to your parents that will definitely be furious with you.

This is your wish. Why shouldn’t you use it for something that you want? But what do you want? To have more fun? To have a family that actually likes you? Those things would be nice. Would it be okay to squeeze two wishes into one? There’s only one way to find out.

Closing your eyes, you say your wish, “I wish to have fun with a family that loves me.” With that said, you snap the necklace in half. You keep your eyes closed for a few more seconds, then crack one open and look around. Nothing happened.

Both of your eyes open and your cheeks puff out into a pout. Why didn’t it work?! You got your hopes up and everything! Today was the worst! Who would leave a fake magic necklace here to trick someone? That’s just mean!

You’re about to throw the broken necklace away from you, but then something happens. You start to sink into the ground, with your legs disappearing in mere seconds. You flail, trying to pull your legs back up, but you can’t and you’re sinking down even more. What’s happening?! Were you sitting in quicksand?!

In a last desperate attempt, you grab onto the shelf next to you. You’re already up to your neck, only your arms and head are still free. You let out a high pitched scream, hoping- praying that someone will hear you and come to your rescue, but the shelf you’re grasping tips over, plunging you into darkness.

You expect the quicksand to drown you, but that isn’t what happens. It feels like… you’re floating. In the air. Experimentally, you wave your arms around. There is nothing around you. Death not being imminent did calm you slightly, but not entirely. Not when you were seemingly floating through some weird darkness. It felt like you were falling, however gently, so maybe if you wait long enough you’ll end up… somewhere?

Was this happening because of your wish? Was the necklace mad about you trying to squeeze two wishes into one? You whimper and curl into the fetal position as you fall, feeling stupid for making a magic necklace mad at you. Hot tears well in your eyes and drip down your cheeks as you cry to yourself.

Abruptly, your descent ends and you feel solid ground beneath you. Instead of pitch black, you can see a soft light peeking through your fingers. You pull your hands away and look around. You’re in a forest. But… it doesn’t look like the forest that you were just in. The trees are massive; way bigger than any that you’ve ever seen. It also sounds different. The woods that you had just been walking through sounded mostly quiet minus some birds chirping, but this place was much louder. The bird calls sounded different and more plentiful, and you could hear plants all around you rustling. Whatever was moving them sounded huge. 

Pressing yourself up against a nearby tree, you look around frantically, looking for any sign of other people. You saw nothing but more trees. Worse yet, it was starting to get dark. Your heart was pounding in your chest and you felt like you were about to start crying again.

Your hands flex nervously, and you’re distracted when you feel something in the palm of one of them. You look down curiously and open your hand. Your face scrunches in confusion when you see some weird looking necklace staring up at you. It’s got a skull and crossbones on it, and the skull looks like it’s biting something between its teeth. Maybe a stick or something? You flip it over in your hand and examine it closely.

You’ve never seen this thing before. Why do you have it?

Before you can ponder this mystery further, you hear a loud growl. You snap your head up and look around. You don’t see whatever made that noise, but you aren’t about to wait and find out. The necklace is stuffed into your pocket and you turn around to face the tree you’re standing next to. It isn’t easy, but your terror about becoming a snack to whatever made that noise motivates you to scale the tree faster than you would have expected. You climb until you find a cluster of branches that you can settle into securely.

The sun was setting fast, and the forest was rapidly becoming too dark for you to be able to see anything around you. You press yourself into the branches while rubbing your exposed arms. The wet dress you were in was doing nothing to keep you warm, and you found yourself wishing you still had your sweater. Even if it was soaked and torn up, it would be at least a little better than this.

Animal calls resounded all around you, ones that you’ve never heard before. You don’t understand where you are. You were just lost in the woods at home. How did you wind up in this strange forest? Was it just a different part of the woods that you’ve never seen before? How had you never noticed these huge trees before? Well, you suppose your mom has said that you don’t pay attention very well…

Another growl cuts through the air, but this one is from you. Your stomach takes the time to remind you that it’s been a while since you last ate. Digging around in your pocket, you pull out a few more pieces of candy and start eating them. It’s not like there’s anything else you can do right now. You need to find your way out of these woods, but you’re too scared to do it in the dark, so you’re going to have to wait until morning.

Your parents are going to kill you when you finally get out of here.

The night passes by slowly. With how noisy it is, and how scared you feel, sleeping is almost impossible. You do eventually nod off, but you’re awoken by a ray of sunlight shining right into your eyes. You whine and rub at your eyes before cracking them open. Light is filtering through the leaves and all the way down onto the forest floor.

Movement catches your attention, and you snap your attention to it. Much to your relief, it’s just a small bird that is perched on your knee and watching you curiously. It has green feathers on its body and colorful feathers forming a large fan-like crest on its head. The bird’s head tilts and it lets out a series of whistles before leaning down to peck at the frills of your dress.

“Hi, birdie. Do you know how to get out of here?” You knew that a bird couldn’t answer your question, but it was nice to talk to something.

The sound of your voice made it glance up at you again, but it quickly ripped a frill off of your dress and then flew away. Yeah… that was about as helpful as you thought it was going to be.

After giving your surroundings a thorough scan to make sure there wasn’t anything scary nearby, you climb out of the tree. You wince as the tree bark digs into the soles of your feet. Much like your sweater, you find yourself bemoaning the fact that you ditched your sandals. You reach the forest floor and look around warily. You weren’t able to see any houses or anything from up in the tree, so you had no idea which way to go. So, you just started walking in a random direction and hoped for the best.

Your stomach growled again. You checked your pocket for more candy and after rifling through a bunch of empty wrappers, you found one last piece. As hungry as you were… you felt like it would be dumb to eat your final piece of candy now. It’s stuffed back into your pocket as you resolve to save it for later.

What feels like hours pass, and you have yet to see so much as a trail, much less a person or building. It’s starting to feel hopeless and like you’ll be lost forever. You stop and sit down on a rock, wondering what else you can possibly do right now.

That’s when you hear it. Crying. You’ve never been so happy to hear that sound before. You scramble off of the rock and run in the direction of the noise, feeling a sense of relief that you’ve never felt so intensely before. You bound through some tall grass and find yourself in a small clearing. There aren’t buildings or anything like that in sight, but there is someone here. A boy with black hair is sitting in the middle of the clearing and crying into his knees.

Taking a look around, you don’t see anyone else here. This isn’t exactly what you wanted to find, but maybe he knows how to get out of this place. The boy doesn’t appear to have heard you stomping through the grass, so you approach him carefully and call out to him.

“Hello?”

The boy flinches and whips his head around to look at you. He stares at you with wide, teary eyes, and his face has dirt smeared across it. You think that he’s about the same age as you. It looks like he’s also had a bad day.

When he doesn’t respond, you take a few more steps towards him. You try talking to him again, “Are you okay?”

He sniffles loudly and wipes at his face with his arm, “I’m okay… I’m just lost.” Your heart sinks upon realizing that he’s no better off than you are and won’t be able to help you. The boy looks up at you hopefully, “Do you know the way out?”

You avert your eyes and shake your head, “No… I’m also lost.” That little bit of hope he had in his eyes dies instantly and he hangs his head again. It makes you feel bad that you can’t help him. You crouch down next to him, “My name is (Y/N), what’s your name?”

The boy sniffles again and speaks in a quiet voice, “I’m Luffy.”

“It’s nice to meet you, Luffy. I don’t know the way out of here, but maybe we can be lost together?” The proposition hardly sounds appealing, but it’s not like either of you have any other options right now. Not being alone will be better than nothing.

Luffy looks at you again, then nods and starts to stand up, “Yeah… we can be lost together.” As soon as you’re up, he grabs onto your hand like it’s a lifeline. You two start walking again, but it’s obvious that he’s still upset.

Something about his sad face makes you want to do whatever you can to make him feel better. You think hard as you walk with him. Then, an idea pops into your head. Candy makes you feel happy, so it should do the same for him, right? You pull out your last piece of candy, saltwater taffy, from your pocket. You stare at it for a moment, feeling conflicted. While you are hungry, you want to do the right thing.

Holding out your hand to Luffy, you present the taffy to him, “Do you want some candy?”

This makes Luffy come to a halt and stare at the offering. You pull your hand from his and unwrap the candy for him before holding it up to him again. That seems to snap him out of it and he quickly snatches it out of your hands and eats it. The fast movement startles you slightly. He must’ve been really hungry, too.

Finally, he grins at you, “Thank you! Do you have any more?”

You look down, now feeling a little guilty about snacking on your candy all night long. “No, I’m sorry. That was my last piece.”

Luffy blinks in surprise, “And you gave it to me?” You nod, not really seeing it as a big deal. It was just one piece of candy. Before you can blink, Luffy lurches forward and hugs you tightly. You’re lifted off the ground a little, then dropped back down. He pulls away and smiles widely at you, “Let’s be best friends, (Y/N)!”

Best friends? Just for some candy? Well, he seems nice, and you could always use more friends. You return his smile with one of your own, “Yeah, let’s be friends.”

With the new friendship established, you and Luffy resume your trek, but now he is much more bubbly and talkative. He’s rambling about pirates when he suddenly looks around and lights up, “Oh! This looks familiar! I think we’re almost out!” Luffy breaks into a sprint and you’re forced to run to keep up. Rocks and plants dig into your bare feet, making you wince, but you feel a surge of joy at the prospect of getting out of this stupidly big forest.

Finally, the trees thin out and both of you are free. A small town can be seen in the near distance. It doesn’t look familiar at all, and definitely isn’t your hometown. Was it a nearby town that you’ve never seen before? You guess you and your parents don’t get out a lot, so that makes sense.

Luffy doesn’t give you much time to catch your breath before he’s running again. As you run through the town with him, you notice how weird it looks to you. None of the roads are paved, and you can’t see a single car. It looks super old, like something out of a history book. Where are you right now?

You’re forced to make a hard right as Luffy turns and runs into one of the buildings. You stumble in behind him and look around the place. It looks like a restaurant or something. You’re dragged towards a counter while Luffy calls out, “Makino! I made a new friend!”

A woman with green hair is behind the counter and smiles warmly at Luffy before flicking her attention to you. Her smile drops instantly and is replaced with a look of concern. “Oh dear, are you alright?”

Oh right, you did get pretty dirty and hurt from your fall yesterday. You look away sheepishly, embarrassed to be looking like a mess. Your mom would definitely scold you if she could see you right now.

“This new friend of yours must be pretty great if you haven’t even noticed me yet.” A new voice cuts in. You look up as a man with red hair and a straw hat spins around in his seat. He has three scars over one of his eyes that you can’t help but think look really cool. Like Makino, his relaxed grin drops when he sees the state of you. One of his hands reaches out and pulls something out of your hair. A small twig with a leaf on it. He raises a brow, “Rough day, kid?”

“Shanks!” Luffy abandons you to clamber up to the man, and you’re left standing alone and feeling very self conscious about your appearance as you notice even more people staring at you.

Makino comes out from behind the counter and crouches down next to you. Her warm smile is back and she starts wiping off your face with a wet rag. “Why don’t you tell me your name, sweetie?” You mumble out your name while avoiding eye contact with her. She hums in acknowledgment, “(Y/N)? That’s a lovely name. Now, can you tell me what happened to you?”

“Well… I wandered away from my family because I was bored, and then I got really lost in the woods because I was chasing a cat. Then I fell down a big hill and got all dirty and hurt.” Saying it all out loud made it sound really dumb.

“And when did all of this happen? Just a little bit ago?”

“No, it happened yesterday, and then I was lost in the woods all night.” You winced as she wiped at a gash on your head.

“You were in that forest all night?” Makino looked shocked at your statement.

“Yeah… I tried to find my way out, but I couldn’t, so I slept in a tree until morning.” Again, you felt embarrassed about your situation. How stupid were you to get that lost all because you wanted to pet a cat?

Makino still appears to be shocked by your story, but she tries to force another smile onto her face. She stands up and takes your hand, “Come into the back with me. I have some spare clothes for Luffy here, and I think they’ll fit you.”

The prospect of having clean clothes sounds amazing to you, so you follow her without any protest. When you’re in the back of the restaurant, she takes the time to clean off the rest of the blood and dirt from you before giving you some clothes to change into. The shorts and t-shirt are much more comfortable than your tattered dress, so you can feel your mood lifting instantly just from having them on. You were still barefoot, but you weren’t about to complain. Makino examines your discarded dress with a puzzled look, then shrugs and tosses it into a bin.

You’re guided back out to the main part of the restaurant, and placed in a seat next to Luffy. Shortly after that, a plate of food is placed in front of you, as well as in front of Luffy. He happily digs in, but you hesitate, “I don’t have any money…” 

Your concern makes Makino chuckle, “Don’t worry about that, it’s on the house. You look like you could use something to eat.” Her words were enough to demolish your already weak resolve, prompting you to start wolfing down the meal. It tasted amazing and was a relief to your empty stomach. It didn’t take long for the plate to be completely clean.

As soon as you're done, Makino comes back over to you and starts asking questions. “What do your parents look like? Do you think they’re nearby?” You tell her that they probably aren’t around here and rattle off a description of them. She frowns and doesn’t seem to recognize them based off of your description.

Shanks chimes into the conversation, “What’s their ship look like? We just docked a little while ago, I might’ve seen it.”

“Ship? My parents don’t have a ship.” The question confuses you. There aren’t any big bodies of water around your town as far as you know. Why would your parents have a boat?

“Oh? So you’re local?”

“No, I’ve never seen this place before.”

Makino perked up at that, “You aren’t from Goa Kingdom, are you?”

You shake your head, “I don’t know that place.” You tell them the name of your hometown, but all that does is make everyone look confused. Everyone looks around at each other, silently asking if anyone recognizes the name. It would seem that no one does.

“Well, if you aren’t from around here, then you definitely got here on a ship. Did your parents get a ride here from someone else?” Shanks stares at you more intensely, as if trying to find answers written on your face.

“We weren’t on a boat, we were just at a park.” The questions were starting to frustrate you. Your town had to be nearby. There’s no way you walked that far.

Shanks stares at you hard, then his eyes drift up and focus on the gash on your head. He sighs and relaxes his expression. “Your parents are probably lurking around the docks, you should try looking for them there.”

Luffy sits up straight and turns to face you, “Oh! I can show you where they are!” He hops down from his stool and doesn’t wait for an answer before hauling you off of your own seat. You’ve barely made it out of the restaurant before another person runs out after you.

“Wait! I’m coming, too!”

You look over your shoulder and see a girl with red and white hair running after you two. She looks to be a few years older than you. 

Luffy smiles at her, “Hi, Uta! Why are you coming with us?”

Uta reaches out and pokes his cheek, “Because I know that you only offered to go so you can sneak onto Shanks’ ship.”

“Nuh-uh! I want to help (Y/N)!”

She rolled her eyes and lightly shoved his shoulder, “Yeah, right. You’re definitely going to sneak onto the Red Force as soon as you see it.” The two start bickering amongst each other, not paying you much mind as you all make your way to the docks.

All of this is very confusing and overwhelming. You have no idea where you are or how you got here, but at least the people you have found have been really nice. This situation wasn’t great, but it could certainly be worse.

At least you made a new friend.

[am-i-the-asshole-official]

AITA for killing my character and quitting a D&D game I was part of?

Apologies in advance but this is going to be rather long, I'll put a TL;DR at the bottom.

So this all started about eleven months ago when I (14, she/they/he) started getting into D&D, and joined a D&D group thanks to a friend of mine we'll call T (14, he/they). The group was made up of about five people total, but the main people in this situation are me, T, and the DM who we'll call N (15, he/him).

Now when I was making my character, T was helping me out by letting me describe what sort of character I wanted and suggesting different races, classes etc to make it work how I wanted, and what we ended up with was a Pact of the Undead warlock. The backstory of my character was that their older brother died defending them from an invasion of the village they lived in.

My character managed to make contact with their spirit in the afterlife and formed a "pact" with them, gaining power in exchange for letting him "look after them" (i.e. keep watch over them from the afterlife, protect them from harm, all that sorta thing). T told me to run the final concept past N but that they were sure it'd be allowed and that the pact idea was really sweet.

So I told N about my character and the backstory idea like T suggested and N seemed really on board with the whole thing, though he wanted to make a few slight changes to things in secret that would come up during the campaign, to make things more exciting I guess.

I told him I was alright with that, as long as nothing about who the pact was with and what it was for changed too much. He assured me that it wouldn't and that he'd get back to me on what changes he was planning, but he never did, and at the time I just put that down to him being busy.

The campaign starts, and for the first few months things are going pretty good. I do notice that a lot of NPCs, in fact nearly every non-child NPC, seems to be flirting(?) with my character, but I don't think too much of it at first, she is a young elven woman with blonde hair and silver eyes and everyone in the group has said that she's very pretty.

It isn't until one of the others who is also playing an elven character points out that they've been on the receiving end of essentially racism towards elves from NPCs who have simultaneously been showering my character with compliments that I start realizing how frequent and honestly rather obsessive it is, and as mentioned, just how many of the NPCs are doing it.

Then we get to T's character arc, exploring his character's backstory and helping them with things that come up. However, there are certain characters that are introduced that, out of character, T reacts rather negatively to, and when I ask him outside of session what's going on he confides in me that N is changing elements of his backstory that he'd told him he didn't want changing. As an example, T wrote that their character's mother was never part of their character's life growing up.

One of the characters we met was the character's mother, who was instead apparently a very prominent part of their life and cared greatly about them "not that they ever noticed". He also changed the character of T's father from "kind and caring man who did his best to raise his child alone and teach them how to defend themselves" to "stubborn, angry and neglectful father that is constantly disappointed in his son", which completely blindsided and upset T.

T also said that he'd tried talking to N about this but that the response had ended up being, to put it bluntly, "I'm the DM so I have the final say in things". This started to worry me, especially when I realized that N had never gotten back to me with his "proposed changes" to my backstory.

So I sent him a message, but because I didn't want to drag T into my own business with N I decided to say something along the lines of "hey, did you ever figure out what you wanted to change about my backstory?". He messaged back and said that he'd figured it out, but that things with school were so busy that he hadn't had time to sit down and properly write it all out to send to me yet, but assured me that he would by the time T's arc was over.

Several more months passed with no further word from N about my character's backstory, and as T's arc wraps up there's this idea that starts getting brought up, of how demons often exploit the grief of mortals to latch onto them and claim their souls by impersonating the dead person.

The others in the group all latch onto this and start speculating about how exactly the demons use impersonation to claim souls, except for T who gives me this rather worried look from across the table, and it suddenly hits me that this is probably meant to be the opening of my character arc.

I pull N aside after the game is over for the night and ask him directly if this is the opening to my character arc, and he says that it is, but not to worry because the demon thing is, to quote, "just being brought up to get the others interested". I remind him about what I told him about not wanting anything to change about who the pact was with and what it was for, and ask him again what changes he's made to my backstory.

He promises he'll have a full list to me by the start of next session, that we'll have time to sit down together and discuss it all even, and that he won't do anything I don't want him to do. Despite my concerns and the fact that he has already said several times he'll send me this list without doing it, I decide, like a fool, to trust him, even though in hindsight I had absolutely no reason to by this point.

The next session rolls around, and of course there's no list, instead a lot of NPCs who start voicing concern whenever my character brings up the fact she's a warlock, or her dead brother, especially if the pair come up in quick succession. One of the other characters figures out what's going on and asks if they can basically cast some sort of spell to determine if a demon's got control of my soul, which N agrees to, and the spell determines that yes, that's exactly what's going on.

I immediately confront N, mid-session, and tell him outright that this isn't fair, that I told him I didn't want him to change this part of my backstory, and I wanted him to change it back immediately or I wasn't going to play anymore. He started on this long-winded response basically summarizing as "I'm the DM, I can do what I want".

This is the part where I may be the asshole, because well, I saw red in that moment, and decided I not only wanted to follow through on my threat of quitting, but also do something to ensure that my point was driven home.

I fired off a quick message to T on my phone warning him what I was about to do, and while the others were talking about what to do to help me I loudly announced that my character was stabbing herself through the heart, which N had previously ruled would be an instant method of death if carried out.

Silence falls over the group. N tells me that I need to roll to see if I even hit, which I argue (with T backing me up) that if my character is willing to get hurt then it's automatically a hit. N tells me that I need to roll to see if I even pierce my heart. Okay, fine, I roll, and as luck would have it I roll a Nat 20. N attempts to send me just to death saves, but I remind him (again, with T backing me up) that he'd ruled that this was an instant death.

So then he tries to have an NPC cleric show up and revive my character, but T brings up that the soul has to be willing to return to life for that to work, and I immediately say that my character wouldn't even be able to consent to that if her soul was held by a demon, nor would she even be willing if she could. Then I tell N directly that he can consider this my official resignation from the group and walk out, and T follows along behind me after a few minutes.

Ever since then N's been blowing up my phone, fluctuating between begging for me to rejoin the group and promising that he'll do things differently this time, and calling me a selfish bastard for "ruining the fun". T still goes to sessions occasionally, though I think now it's just to spectate, and he's said that maybe things went a little far with the character death in hindsight. And honestly, I'm not exactly proud of how I acted now either.

TL;DR -- I joined a D&D campaign where the DM has made unwanted changes to my character's backstory, despite my attempts to communicate with him, so I retaliated by killing my character mid-session and refusing to let him revive her before quitting. AITA?

[spooky-pop]

Hey found your blog and your punk rock broppy au. Got to say love what I see so far and what to know more about it like. What movie does this au take place?

When rock branch and poppy meet again after all these years apart what was their impression on each other?

Was it love at first sight ? If not who fell for who first?

Is creek in this au and did poppy have a crush on him like in the canon? What’s branch thoughts about his siblings? Is branch fully loyal to the rock tribe including twt barb plan?

Does branch get jelly of creek or hickory when their around poppy like he did in canon? That’s all I got for now.

Thank you so much!! I also really appreciate the questions and am so excited to answer them since I've been working more on this AU behind the scenes. There are a lot of details and plot points I just have not figured out yet, so there's a chance some things could still be changed, cut out or just tweaked a tad. I don't mind sharing more about this AU since the comics are already in progress haha

Excuse the text wall, haha!

-This takes place around the Trolls 1 timeline, then maybe a little into Trolls 2. The Bergens are still a danger and Branch still accompanies Poppy to save the Snack Pack. Instead of him finding the will to sing again in Trolls 1, he works on facing his past and traumas with Poppy to finally find his happiness.

-When Branch left pop village he was probably around the age of 9 or 10, he and Poppy definitely had some kind of a bond as children but as years passed, they both tried to focus on their own lives by trying to move on and forget about what they lost/left behind. They re-unite in their 20s, and since this AU follows RomCom tropes, they have a similar vibe to Trolls 1 Broppy. She wants to know more about him, and he is very secretive about it all and keeps his distance. There's a lot of banter between them. Very much begins like they dislike eachother but time will fix that :)

-It was not love at first sight for them, but Branch was the one who fell first, and the hardest. He tried to keep that hidden behind his tough exterior though, because he CERTAINLY didn't want to show that he had fallen for the princess of pop, exactly what he swore he wouldn't do since he was done with pop village. Loving her meant he would definitely have to revisit his past he tried running from, which scared him. But he finds comfort in Poppy that he was not provided in many years.

-Creek is in this AU (not much), and he and Poppy are good friends who do flirt a little, she does have a crush on him. Branch absolutely hates him, and of course, becomes a jealous that someone else is fond of the Princess.

-In this AU, Brozone was still a thing and they still broke up and went different ways. They just never contacted Branch again. Branch is very fueled by his anger and resentment, because essentially, they did abandon him and still never returned when he needed his family. (His brothers COULD return in the future, but at this point in my AU, their whereabouts are unknown)

-When Branch left Pop Village, he sort of became a wanderer until he happened upon the Rock tribe. Nobody really took him in, he just made himself at home and they accepted him. He purposely kept his distance from some trolls and focused on himself. Sort of living his life on autopilot. He is still a pop troll at heart, he wouldn't have felt that Barb's plan was right either. The Rock tribe does have heavy influence on him in his personality and his appearance, but inside he is still the Branch that came from Pop.

-And again, yeah! He absolutely gets jealous still, it's a big part of his character haha.

There is so much lore and other stuff I've planned and thought out, also a lot of points I excluded because I don't want to reveal them yet. But I can't wait to make some mini comics sowing som of these scenes :)

[oldhalloweentape]

🪨Venture (OW II) x (gn) reader ⛏️

(Love Language Pt. II Edition!)

(Not my picture!)

(Here’s Pt. II, I’ll try to get a crack on the other pieces I’m planning on doing soon! For now, enjoy this!)

Their love language: Physical Touch, Quality Time, Gift Giving, and Words of Affirmation (Pt. I here!)

Gift Giving

- Alright so, we all know that presence of Venture is a gift itself, they also love giving you other gifts. This love language is the most obvious one when it comes to Venture, they just love giving things to people.

- And, you being their number one you’re no exception, you get the most stuff in all honesty.

- The amount of rock kids you guys have alone tells all you need to know.

- Their gifts specifically either hold a lot of sentimental value, or they saw it and went, “Yeah, reader would like that.”

- They take mental note of everything you like, even the littlest of things, like if you walk past a shop and something catches your eye, something unnoticeable for most, but to them? They’ll come back later to see if they can get it for you.

- Overthinks about what to get you when it comes to special gifts for the holidays, with Valentine’s Day, the day dedicated to stuff like this being the perfect example.

- They just want to give you something that you like, what you’d get use from however you see fit, and something that signifies how much they care for you and that’s reasonably a very hard thing to do.

- But also, they love receiving stuff from you in return, they do not care what it is, but the idea of you taking time to get them something is just so wonderful to them.

- Though it’s definitely a bonus if it’s based on the things they like, for example, new expedition tools, camping gear, hell even their favorite ice cream.

- Eventually, it gets to a point where you guys have specific spots at your places dedicated to some of the various gifts you’ve gotten each other and it is honestly the best.

Words of Affirmation

- Another obvious one, they’re a naturally very positive person and they just love to encourage people (besides Mauga of course), so obviously wouldn’t be weird to have uplifting words being thrown at you by them.

- There’s the usual “You’re doing great!” And “Keep it up, you can do it!”, but the more personal words of affection like “You did so well, I’m so proud of you mi vida!” Is understandably reserved for you.

- They take pride in being your partner and they make that abundantly clear by their words, and doing it right back at them is a great way of shooting an arrow in their heart and a lovestruck giggle from them.

- They have so many pet names for you in both English and Spanish, switching from both languages interchangeably, sometimes if they’re feeling overly excited they even end up changing from one language to the other in one sentence alone.

- The pet names are: Mi corazón, Sweetness, Mi vida, Amor, Babe, and other affectionate and personalized things but these five are the most used.

- If you guys work together, whether it be at Overwatch or as a fellow archeologist, I think alongside being encouraging and supportive of you they like complimenting and flirting with you. Mostly because physical PDA isn’t the place for both, they make do with being with you and fawning over you lol.

- That and they just love talking to you and getting your honest reaction to their honey-coated words.

- They just say anything that comes to mind, they don't see the point of refraining from doing so after all.

- Again, love letters are a part of this, scribbling down what they're feeling at the moment, and by the time it's done it's like affectionate word vomit.

- It doesn't matter though, they mean well and it's usually the cutest shit ever.

(Alright!! Here we are, Sloane is really bringing something out of me that is hellbent on being consistent for once and I gotta say, I like it. Hope you guys do too.)

[waynes-multiverse]

Plastic Hearts – Part 23

Pairing: Director!Dean Winchester x Actress!Reader

Series Summary: Los Angeles, 1985. Y/N’s a young actress without any success, hopping from one failed audition to the next until one desperate mistake brings her to her breaking point. Dean Winchester, on the other hand, is a grade A asshole and washed-up director at the end of his career, known for his godawful slasher movies in the 70s and his love for blow, booze, and women. Lost in the toxic Hollywood life, their paths cross when one hopeless little wrestling show changes their trajectory.

Chapter Warnings: +18, language, smut, fluff, angst, quiet hurt & a touch of heartbreak

Word Count: 5.7k

A/N: Oh, you'll hate me again for ending it like this. Have fun, guys 😂

<< 22 || Spotify Playlist || Series Masterlist || Main Masterlist

23. Every Breath You Take

“More?” Dean offers the half-emptied wine bottle and holds it over Y/N’s glass as they sit around the dinner table. The actress throws him a raised look with a little smile playing on her lips.

“Are you trying to get me drunk? You don’t have to. I’m already sleeping here,” she points out in amusement.

“Yeah, but when you’re buzzed, you let me do more shit.” The green-eyed director smirks.

“Ew, Dad!” Claire groans next to him. “I’m right here. This is why I don’t wanna do family dinner with you guys.”

“This was actually a nice idea,” Y/N says with a smile so bright it shows her dimples. “Thanks for cooking tonight. Perfect way to start our last week of filming.”

Dean’s heart stings slightly at her words, but he covers it with a tight smile. The last three weeks passed by rather quickly, and each week, he grew more worried, more nervous, more depressed, and more anxious. This was it. Seven more days before it all imploded. Six more nights before he might not see her again.

He has been wracking his brain, trying to come up with solutions to save the show – to keep her. Cas and Jo are out on fairs, networking with networks and showing their tape to other producers in hopes of getting picked up by someone else, still without any success.

“So, uh, any plans so far? Heard some of the girls are going to auditions, looking for other jobs,” Dean notes and nurses his beer. He doesn’t hold it against them. It’s the business, after all, and everyone’s trying to survive and find their next paycheck.

Y/N bobs her head and sets her wine glass down. “Yeah, actually. I was thinking about taking your advice and going to New York for auditions. I like the idea of doing theater or maybe even a musical.”

Dean forces a supportive smile on his face and hides the heartbreak in his ribcage. “Yeah, you should. You’d be great at it.”

“But, uhm, for now, I’m actually driving to San Diego in a few days for an audition for a musical. I’m not gonna get it, but I figured it’d be fun,” she tells him, and even though she downplays it, Dean can see the excitement sparkling in her eyes.

“Oh, c’mon, why wouldn’t you get it?” he encourages her. He promised himself he’d always be her cheerleader, no matter his own feelings on the subject. He’s trying a new thing these days – it’s called being less selfish.

But God, he hopes she gets it. San Diego is a lot closer to LA than New York.

Y/N snorts into her glass, chuckling. “It’s a Sondheim musical, Dean. I’m not expecting to get it. It’s just good practice.”

“Aiming high, huh?” Dean laughs despondently and takes a big gulp of beer to choke down his tears.

Dammit, Dean thinks. He wishes he could call the dude and tell him what a great woman and actress Y/N is. He’d be lucky to have her in his production. Maybe the director could bribe him to hire her? Would that take things too far?

“How are you gonna get down there?” Dean’s eyes drift to the leg in a cast that rests on a chair next to him.

Y/N gives him a shrug of her shoulders. “I don’t know. Take the bus?”

“I’ll drive you,” he says with a swig of his beer. See? Supportive. He’s really proud of himself, although he wishes he were a lot drunker right now.

“Ooh, uh, Claire, I borrowed two dresses from Alex for you. I put them in your room. You need to pick one for your Winter Formal,” Y/N tells his daughter with a bright smile.

But Claire shakes her head with teenage defiance. “I don’t need a dress. Jack and I are going ironically.”

Dean’s brow furrows in confusion as he blinks at his kid. “What the fuck does that mean?”

Claire rolls her eyes in response and groans. “Ugh, Dad, you’d think for someone who lived through counterculture, you’d understand.” With that, she gets up from the dinner table and takes her empty plate to the kitchen sink.

“I know what she means,” Y/N mumbles nonchalantly.

Dean’s bewildered gaze darts to her. “Really? What?”

Y/N coolly shrugs her shoulders as she sips on her wine before she sighs defeatedly. “Fine, I don’t know. I just wanted to sound cooler than you,” she admits with a cute smile.

Dean snorts a laugh. “Yeah, good luck with that.”

“I’m going to bed. Good night! Don’t be too loud!” Claire yells before the door to her room slams shut.

Dean watches Y/N as she leans back in her chair with a blissful sigh and empties her glass. She has pretty much spent every night at his place since the hospital. At this point, the director has gotten so used to it that he wouldn’t know what to do with himself if one night she didn’t. Why can’t it stay this way?

He never thought he’d be someone who wants to have family dinners every night.

“Too tired for dessert?” he asks with a wiggle of his eyebrows and his signature smirk.

Y/N laughs lightly. “I wish one of these days you’d offer me actual dessert,” she quips.

“Like what? Chocolate cake? Pie? I’d actually love some pie. Maybe we should get one for tomorrow night,” Dean muses, chuckling.

Y/N grins mischievously at him and leans her elbows on the dinner table, resting her chin in her palms. “Maybe you can eat pie off of me.”

Dean curls his lips, his cheeks blushing at the idea alone. His dick seems to like it, too. “God, I love… your brain,” he quickly corrects his course before the wrong words slip out.

And it’s not like it isn’t true. While Y/N hasn’t been able to act and tumble around the ring, she’s been coming up with storylines and basically coordinated matches for the past three episodes. She’s also constantly by his side and mans the booth with him. If Dean didn’t sleep with her and like her, he’d actually be scared she’s coming for his job. She’s pretty much directing at this point, and he just lets her because, well, did he actually ever care?

But his declaration is only a small part of the truth, the full truth being that he loves more than just her damn brain and has for a long while. He’s been trying to say the words for weeks now, started and stopped a hundred times, and tried to pack his feelings into a coherent sentence that honestly shouldn’t be more than three words long.

However, those are some big three words. Monstrous for Y/N. And deep down, Dean knows she might feel like he does, too, but can’t admit it and doesn’t know what the hell to do with it. To her, this little arrangement between them is nothing more than friends who fuck. Only Dean’s aware that they’re actually in a deeply serious relationship, which is maddeningly ridiculous.

But hey, if he keeps his mouth shut, they might make it another five years like this without Y/N running away, so that’s something.

Dean then rises from his seat and offers his hands to Y/N. Her leg is still in a cast, so she has been wobbling around on crutches or hopping clumsily across a room. It’s pretty darn cute.

“Thank you,” Y/N says gratefully as Dean helps her up and slings her arm around his neck before he fully hoists her into his arms. She giggles as he carries her into the bedroom. “You don’t have to do this every night, you know. I can walk just fine.”

“Says you, but truth is, you’ve never seen yourself walk on these things. It’s pathetic,” he teases her and plops her carefully down on the bed.

He flings off his shirt and removes his jeans and underwear as Y/N unbuttons her blouse. The mattress dips as he climbs into the bed and helps her discard her pants. It’s routine at this point, but Dean has really started to cherish the stability. Every morning when he wakes up and smiles at her, he loves knowing that he’ll fall asleep right next to her at night all over again.

Gently, he spreads her legs and slots between them. His lips find hers in the moonlit dark and kiss her with deep affection and burning love, always pouring his whole heart into each kiss and hoping one of these days it’ll stick.

Grabbing a condom from the nightstand, he rolls it over his throbbing length and positions his dickhead at her entrance, slipping into her tight channel till she’s full of him. Her lips part as the same little gasp escapes her that he hears every time he enters her. He loves hearing that noise almost as much as he loves to hear the big one when she comes and the medium ones in-between.

Sometimes, Dean makes her come before, but on nights like these, when she’s already had half a bottle of wine, he rather works quick. While wine makes her louder and more daring, it also renders her quite sleepy.

“Fuck,” she sighs and closes her eyes with a euphoric smile, her pussy gripping his cock tight as she clenches around him. “You’re always so good at that.”

Dean smiles amusedly. Wine makes her chatty, too. “I haven’t even done anything yet, sweetheart,” he remarks.

“Well, I guess I just-… I just love your cock,” she says bluntly and grins up at him. “And those lips.”

See? Wine.

“These ones?” Dean asks teasingly and leans down, pulling one of her nipples between them till she squirms.

“Uh-huh, yes…” she moans softly and cards her hands through his hair, causing a groan to pass his lips. “And that tongue.”

“This one?” Dean lets his tongue roll over that same nipple till it peaks, feeling her arch her back underneath him.

“Yes, and God, those hands and fingers…” she almost whines.

“Those two?” Dean snakes a hand between their bodies, two of his fingers finding her clit and drawing tickling circles.

There’s no more strength left for words. She bites harshly down on her bottom lip and nods vividly. Her cunt clutches him tightly, eliciting a giddy chuckle from him. He loves making her squirm.

Three more squeezes, and he knows he has to move before she grows impatient. He knows her well by now, knows every little detail about her, and loves that he does. They haven’t even been able to do half the things he wants to do to her due to her current injury and inability to move (or bend) as freely.

And yet, he’s still not fucking bored, not in the slightest. He keeps waiting for it, but it never comes.

On the contrary, he appreciates the feeling of knowing someone so deeply and intimately as he knows Y/N. She has become a part of his soul, and he doesn’t know if he could ever cut her out without severely hurting himself. He’s not sure if he could survive a wound this deep.

“Dean, please…”

That was the fourth – like clockwork.

Dean manages to thrust twice before loud punk rock music shakes the walls and drowns out every noise in the entire house. Hell, the whole neighborhood can probably hear it.

Frustrated, his head drops momentarily to Y/N’s shoulder as the actress snorts a giggle. He can feel her body and cunt trembling around him, but not for the reason it should.

“Claire!” Dean shouts angrily. “Turn that fucking music down! Y/N’s trying to sleep!”

“No, she’s not!” his kid yells back through the wall and the unbearable music. “I know you guys are having sex! I don’t wanna hear anything!”

“We’re not having sex,” Dean barks and watches as Y/N gapes at him in sheer playfulness.

“Wow, you lie like that to your kid?” she teases him.

“What d’you want me to say? ‘I’m sorry, you’re right. I’m inside of her now’?” Dean retorts wryly, making Y/N burst into uncontrollable laughter as she snorts into his shoulder. “Can you please stop laughing while I’m trying to fuck you? My soldier’s already retreating.”

But Y/N only laughs harder at that, tears streaming down her cheeks as Dean’s lips purse with a sigh through his nose. She then exhales a deep, long breath, trying to calm herself. He’s seen her do this very move a hundred times during an acting scene.

She clears her throat and tries to force a more serious look onto her features. “How about a little Russian motivation?” she says in her infamous accent and smiles when his cock twitches in agreement. “Maybe some oral manipulation, yes?”

“Oh, fuck yeah.” Dean grins and leans down to capture her lips. “God, I love yo… your pussy,” he quickly corrects himself once more. That was a close one.

Alright, don’t look at him like that and don’t judge him. He’s trying. He really is.

But Jesus fucking Christ, he loves living these days. Who knew his forties would be the best time of his life?

With a big yawn, Y/N rubs her eyes and stretches her arms over her head. The shower in the main bathroom is running with Dean already in it. She grabs her crutches and hops to the window, opening the blinds to let some sunlight in.

She takes a deep breath and enjoys the morning silence for a moment, her gaze drifting out the quiet neighborhood. It has never been this peaceful in the motel. The last three weeks, she has really appreciated waking up in Dean’s bed. She knows she’s probably overstaying her welcome at this point, but he hasn’t kicked her to the curb yet, so she hasn’t been in a hurry to return to the motel, either.

He was right – the memory foam mattress is fucking heaven, especially with a broken ankle.

All in all, she imagined being benched for the show would be a lot worse than it is. Dean’s done a great job of incorporating her anywhere outside of the ring. She’s helping with storylines, training, directing, producing – really anything that could use a few tweaks. The green-eyed director is unfashionably nice to her. Maybe it’s the sex or their friendship or a combination of both. Either way, she’s grateful for him.

However, there’s this tiny voice inside her head that keeps telling her there’s a reason why Dean’s been so nice, and it’s not just the sex. It’s certain kisses and touches and looks – especially the looks – that make her believe there’s something lying underneath the surface. An iceberg so gigantic it could sink the Titanic. Whenever she catches his clandestine gazes from her periphery, there’s this inexplicable feeling that creeps through her veins.

Her peace is disturbed when excessive knocking and an uninterrupted ringing of the doorbell draw her attention to the front door. A part of her expects to find her best friend behind it. Only Jo could be this ruthless and obnoxious.

Y/N hurries to the door as fast as she can, which isn’t fast at all, considering she’s on crutches. Everything is just awkward and slow these days, but she’s been practicing moving around in hopes of joining the show again for the final episode. Billie and Donna have been helping her, too.

But as Y/N opens the door, she’s not greeted by the familiar blonde but by a brunette stranger instead. The only similarity the woman shares with Jo is that she’s incredibly hot and angry, too.

“Can I help you?” Y/N asks with a look of bewilderment, although she shouldn’t be surprised to find a mad woman on Dean’s doorstep.

“I’m Lisa Braeden. I’m looking for my daughter,” the woman says, somewhat impatiently.

Oh.

“Uh…”

Y/N stumps for a moment, eyeing the woman in front of her closely. So, this is Claire’s mother. Dean’s ex. She tries not to feel insecure around her, but it’s hard, considering the woman is a bombshell with perfect curves and flawless features. And if she looks like that now, Y/N wonders what she must’ve looked like seventeen years ago.

The actress suddenly feels very exposed in only the director’s flannel. Truthfully, she looks like she just crawled out of a gutter. Maybe it’s the fact she has just woken up and is sporting major bed-head, but Lisa probably thinks Dean took in a homeless person. The cast and crutches don’t help, either. And then, Y/N wonders why a part of her cares at all what the brunette thinks and reminds herself it’s not a competition.

“Dean? Dean!”

Her voice carries a certain amount of panic that’s probably uncalled for. Yet, it helps. The shower turns off, and not a minute later, Dean stands next to her with only a towel wrapped around his waist, his broad chest still glistening with droplets of water.

He does know how to make an entrance.

Dean’s brow is deeply creased when he takes in the woman at the door, lacking a sense of recognition, however. “What the fuck is all that noise?”

“I’m the fucking noise,” Lisa replies dryly. “I’m here for my kid.”

“Oh…” Dean stumps as well. Then, he swallows thickly and gives her a nervous smile. “Hi, uhm, I’m Dean Winchester.”

“I know who you fucking are, you moron,” Lisa huffs, shaking her head. “You got me pregnant. Where’s Claire?” When neither Dean nor Y/N answer, Lisa rolls her eyes and waltzes past the two inside the house. “Claire!”

“Sure, come on in,” Dean mutters under his breath and shares a wide-eyed look with Y/N, hoping for some guidance.

The actress eyes him up and down, pensively licking her lips. “Maybe you should get dressed.”

With some pants and a shirt on, Dean and Y/N have retreated to the kitchen and sip quietly on their cups of coffee while Lisa and Claire scream at each other. It’s a classic mother and teenage daughter battle. Claire fights for freedom, while Lisa fights for control.

“I had sex with that woman seventeen years ago. Now she’s in my house, yelling at my kid,” the director voices his thoughts out loud, a hint of trepidation shimmering in his green eyes.

“Yup, life has a way of catching up with you. Kinda learned that this year,” Y/N notes with pursed lips and sends him a smile. “But hey, they’re your family now. Kinda nice, right?”

“I can’t tell if you’re joking,” Dean huffs with a bitter look and watches Y/N place her mug in the sink.

“I should probably go. Leave you guys to figure this out,” Y/N announces, one hop on a healthy foot away from walking out the door. “I’ll call a cab.”

“No, don’t! You can’t leave me here alone with them,” Dean pleads, the sheer panic and desperation visible in his eyes and audible in his voice. His gaze bores into her. “C’mon, I need you. This is one of those, you know, friendship moments. Like abortions and getting over coke addictions.”

Y/N lets out a small sigh. How could she leave him after everything he’s done for her? She basically has no choice but to stay and help him through this. “What d’you want me to do? Mediate?”

“I don’t know. Maybe.” Dean shrugs helplessly. “I just know I’m gonna say all the wrong shit at the wrong time. Please. I don’t wanna lose my kid. Help me.”

As she catches his gaze, there’s that inexplicable feeling creeping through her veins again. This time, it even tugs on her heart.

“Okay, uhm, alright. I’ll stay,” she promises him, offering him a small smile of comfort.

Unbeknownst to her, though, Dean comes close to saying the three ominous words once more. It’s getting harder every day to keep them inside. How long does he have until he bursts? He feels like a ticking time bomb.

“Maybe we should all sit down and talk?” Y/N suggests as soon as Claire has stormed into her room and slammed the door in upset.

“About what?” Lisa barks, half-annoyed as she rests her hands on her squared-off hips. “She’s been lying to me for months.”

“Okay, in my defense, she told me you were crazy,” Dean explains with an innocent shrug.

“I don’t care if she told you I beat her and locked her into the basement. If a kid has run away from home, you call their mother,” Lisa retorts furiously.

Dean purses his lips in defeat for a moment, especially when Y/N seems to agree. She’s kind of his moral compass, but he’s not ready to accept his loss yet. “Well, you didn’t call me to tell me you were having a kid. My kid,” he argues and knows it’ll probably backfire. He can tell by Y/N’s frown.

“Oh, excuse me for not calling the guy who didn’t stay for breakfast,” Lisa counters with an eye roll.

Dean’s brow furrows, shaking his head. “I don’t think that’s what happened.” Granted, he’s been high for two decades now.

“I asked if you wanted pancakes. You said, ‘No, thanks, but that was fun.’ And then you got into your car and bolted, never to be seen again,” Lisa recalls, frowning.

“Uhm, that sounds like it was a long time ago,” Y/N interjects in his defense, chuckling nervously. “He’s a different and more mature person now.”

Dean’s heart swells to twice its size. It’s probably the nicest thing anyone’s ever said about him. Although, he can tell she only said it to win Lisa over. She’s a good actress, making even him believe her words. But she’s helping him, so it’s the thought that counts.

“Thanks for the input. Who are you again? Are you his fucking maid?” Lisa arches a brow at her, eyeing her up and down.

“No, she’s not my maid,” Dean replies fiercely but then doesn’t know what else to say. Girlfriend? Lover? Friend? Nothing sounds right. “She’s my, uhm, she’s my actress. She’s my… You know, she’s… She’s Y/N.”

At that, Y/N’s brow draws together in the middle with a tilt of her head. Dean surmises that answer probably sounded even weirder.

“Yeah, I can see you’ve changed so much.” Lisa scoffs sarcastically and folds her arms over her chest, her patience running low.

Y/N subtly clears her throat, deciding to step in. God knows the director needs all the help he can get. “Okay, uhm, it doesn’t really matter who I am,” she says and shares a look with Dean, who anxiously chews his bottom lip raw. “What matters is that Dean has really connected with Claire over the last few months. He’s enrolled her in high school, she has joined AV club, she’s got a really nice and sweet boyfriend.” Dean grimaces at that last part, but Y/N skillfully ignores it and continues, “They’re going to Winter Formal tonight.”

“Yeah, I’m chaperoning,” Dean announces proudly. “This dance is very meaningful to her.”

Lisa snorts a laugh, clearly amused. “My kid does not go to dances.”

“Yes, I do!” Claire suddenly stands in the middle of the living room with the brightest smile. It’s freaky, really. She gleefully holds up the two dresses Y/N brought over last night, feigning her excitement. “Which one should I wear?”

Lisa and Dean disagree on the dress choice, but when Y/N sides with Lisa, Claire takes the hint and quickly disappears back into her room.

“It’s just one night, and it will give you two some time to catch up. Figure this out,” Y/N advocates suggestively.

“Yeah, what she said,” Dean agrees and clears his dry throat, wishing he had a bottle of booze in his hand to calm his nerves. Man, in stressful situations like these, he does miss coke sometimes. But fucking Y/N has been a great substitute, so maybe he’ll just do that as soon as that crazy woman leaves his house again. “Look, I get that you’re angry. But I’m really trying here, okay? She’s doing great at school, I gave her a curfew… I wanna make up for lost time,” he explains sincerely. Y/N sends him a proud smile.

“Fine, one night, but tomorrow we’re leaving,” Lisa relents with a sigh. “I’m not gonna indulge this fucking father-daughter fantasy,” she huffs and then finally storms out of the house.

Y/N exhales a long sigh of relief. “Well, that went better than expected.”

“You think?” Dean checks insecurely. He doesn’t know what he would’ve done if Y/N hadn’t been here to support him. “You’re coming tonight, right?”

Surprised by the request, Y/N’s brow meets her hairline. “You want me to go to your daughter’s Winter Formal with you?”

“Yes, obviously,” Dean states matter-of-factly and blinks at her. “You can’t leave me alone with that woman.”

Y/N heaves another sigh as she looks at him. “Okay, fine,” she surrenders.

Sitting on the bleachers of a fully decorated gym, Y/N realizes she has kind of missed high school. At least, everything used to be much simpler back then. Your crush would ask you to go steady, you’d say yes or no, and then you’d be broken up shortly after prom.

Adulthood is complicated. People are complicated. And love is goddamn unfathomably complicated.

“It’s so weird seeing her with her first high school boyfriend,” Lisa notes with a small sigh next to her. “I still remember her drawing with crayons. Now, she’s running miles away, lying, and making out with a boy.”

“Yeah, teenage romance is a lot more intense,” Y/N says, chuckling softly.

“She won’t wear a dress to my wedding. Refused to. Screamed bloody murder,” Lisa says thoughtfully. “But after spending a few months with her estranged father, she suddenly puts one on.”

“People are complicated,” Y/N reiterates her earlier sentiment.

Claire is complicated. Dean is complicated. And Y/N? She might be the most complicated of all.

“My fiancé is not,” Lisa says, a delicate smile playing across her lips. It’s enough to show her happiness. “I always used to date these guys that would run so hot and then completely cold the next minute. I never knew where I stood. It was exhausting.”

“Yeah, I get it…”

Y/N’s eyes drift to Dean as he chats with one of the other dads by the buffet. She doesn’t know what the director wants from her. She doesn’t know what their relationship even is. One minute, it feels epic, like a love so legendary it should only exist on the silver screen. And the next minute, it feels trivial, like it should’ve never existed at all.

But Dean’s not the problem. Deep down, she knows what that creeping feeling in the pits of her stomach is. And she knows she’s not ready for it. Truth is, Y/N has no idea what she wants and feels lost. Because if she admits one thing, it’d mean the end of another. If she stays in LA for a guy, what would that mean for her career? She doesn’t want to end up like Jo. She’s finally about to have it all, only to realize both at the same time are a mere dream.

And worst of all, even if she did know what she wanted, she’s doesn’t know if she deserves it.

“So, what d’you do, son?” an older man next to Dean asks. He’s already balding and gray, as is the scruffy beard he’s sporting. His suit jacket with a name tag that reads “Chaperone” looks a little worn and sleazy, too. The director figured he’d be one of the oldest dads here, so this guy comes as a pleasant surprise.

“I’m a director of a women’s wrestling show,” Dean replies and takes a sip from the fruit punch. None of the kids have spiked it yet, which is quite the disappointment. What’s happening to today’s youth, huh? “And you?”

“Oh, nice.” The man nods with a smile and pulls out a business card from his suit jacket, handing it to Dean. “Bobby Singer. I own a small chain of strip clubs, although my wife Ellen would probably like me to tell you I’m a small business owner.”

“Got it.” Dean chuckles and glances at the card in his hands. “Bobby’s Body Shop. Oh, hey, I know this one! ‘Where the girls are hotter than the asphalt,’” he quotes the club’s tagline proudly, grinning. “I’m there all the time! Actually got one of your girls in my show.”

Bobby chuckles. “Well, next time you’re there, ask for me. I’ll get you a discount.”

“Thanks.” Dean smirks. And Cas claims you can only network on the fucking golf course. “Oh, hey, you should catch one of our shows. It’s our last one this week. It’s pretty badass. We’re over at the old gym in Watts.”

“Alright, I’ll see you there,” Bobby says with a smile.

Dean’s eyes then drift to Y/N on the bleachers. Last time he checked on her, she was still chatting with Lisa, but the brunette has since left. And as he glances at her now, Y/N has found herself encircled by a group of horny teenage boys, causing his brows to draw together and meet in the middle. They’re like fucking vultures.

“Shoo!” Dean barks sternly at the young men as he approaches the group and watches them scurry away with their tails tugged between their scrawny legs.

With an amused smile, Y/N arches an eyebrow at him. “Glad you’ve decided to join me. It was getting crowded. I’ve turned down about twenty offers to dance.”

“Look at you, you little heartbreaking cougar,” Dean retorts with a teasing smile. “You’re gonna turn me down, too?”

“I have a broken ankle. Did you forget that part? I can’t dance,” Y/N replies.

“Oh, c’mon, that never stopped you before. ‘Sides, I’ve got two working legs and can’t dance, either. So, what d’you say, huh?” Dean holds out his hands for her to grasp.

“Fine,” Y/N relents and grabs his hands, hopping to her feet. “Let’s do some awkward swaying.”

“That’s the spirit.” Dean laughs and rests his palms on her hips, helping her stand as she locks her arms around his neck.

“Is that what you had in mind?” Y/N asks teasingly as she looks up and meets his gaze.

“Kinda.” Dean dips his head and catches her lips, deepening the kiss with his tongue slipping inside her mouth.

“Dean,” she scolds him softly with blushed cheeks and a giggle that surely won’t keep him from doing shit. “There’s people here. Teenagers.”

“So? It’s nothing they wouldn’t do,” Dean remarks mischievously. “And no one’s here that we know. Claire’s caught us like a million times already, and Lisa doesn’t care. C’mon, we never get to do those things in public,” he appeals with a wiggle of his brows.

“Alright,” Y/N surrenders with a small sigh and a smile, tiptoeing up on one foot to press her soft lips back on his. She feels him breath into the kiss, cherishing every second of it. His hands wander from her hips to cup her cheeks, causing her to almost topple over as he forgets that he’s been steadying her. “Whoa, Dean!”

Her giggle interrupts the kiss as she tightens her grip around his neck before he moves his hands back to their place on her hips, offering her support again. She leans her head against his chest, and he rests his chin on her crown.

“Sorry, got carried away there for a moment,” he apologizes with a snicker, pecking the top of her head gently.

“Yeah, that happens with you sometimes,” she teases and buries her head deeper into his shirt. “Your heart’s beating really fast. Are you on something again?”

Dean wants to say it’s love, but that sounds too fucking cheesy.

“Nope, still clean,” he replies instead and doesn’t take offense in her question. “Just nerves, I guess. There’s something I wanna tell you,” he says and licks his lips, swallowing thickly.

Y/N looks up and finds his green eyes, her brow knitting in curiosity. But there’s a perceptive shimmer in her orbs, and Dean knows she can already anticipate what’s coming next. Judging by her shift in weight, he can tell she doesn’t want him to say it out loud.

“Shit, uhm…” She squeezes her eyes shut and fumbles for an excuse. Dean gives her a plethora of time to find a believable one. “I have to go. I promised the girls we’d work out a plot for the finale together tonight, celebrate our last week.”

Dean’s lips quiver but manage to find a smile. “You sure?”

Reluctantly, Y/N still nods and lets out a tense breath. “Yeah.”

It feels like dancing around a big, pink elephant between them. Both of them pretend it’s invisible, although it’s painfully not. It’s even roaring or hooting or whatever the fuck elephants do.

“Alright, I’ll drive you to the motel,” Dean capitulates with a resigned nod.

“No, uh, stay,” she tells him and clumsily hops back to the bleachers to grab her crutches. “I’ll get a cab. You should spend your night with Claire. Figure things out with Lisa.”

“Okay,” Dean caves once more but then grabs hold of her, pulling her to his lips. The kiss is fervent and heated and desperate. So fucking desperate. “One for the road,” he says with a painful smile as he draws back. He doesn’t want to admit that it might be the last one they have shared.

Y/N’s look tells him she feels the finality, too. It’s the epilogue of the best book he’s ever read. The end credits of his favorite movie. The final episode of a show he loved.

“I’m sorry,” she says quietly with a hesitant lip bite and a harrowing swallow.

“Don’t be. Have fun, okay? I’ll see you tomorrow,” Dean says and sends her one last weak smile before he watches her walk away with an aching heart.

24. Don't Dream It's Over – May 4

Honestly, even my cold, cold heart weeped at the end there. Poor Dean 😢💔 But as you can guess from next week's title, we're not done yet 😉

TAGS:

Everything Jensen: @alwaystiredandconfused @xlynnbbyx @lyarr24 @deans-spinster-witch @blackcherrywhiskey

@deansbbyx @foxyjwls007 @ladysparkles78 @roseblue373 @zepskies

@agalliasi @yvonneeeee @hobby27 @iamsapphine @globetrotter28

@mxltifxnd0m @lacilou @feyresqueen @suckitands33 @onlyangel-444

@syrma-sensei @perpetualabsurdity @deans-baby-momma @yoobusgoobus

Everything Dean: @SnowAyumi

[cevansbaby-dove]

Old school love

Pairing:Steve RogersX 40s!reader

Summary: When Steve goes back in time to return the stones him and Bruce run into You and Steve falls in love.

Thanks @angelbabyyy99 for this idea

"Are you sure we should do this Cap? what if something goes wrong? what if your stuck there?"

bruce says as he types something on the time travel machine.

"You worry so much Banner! All i'm going to do it return the stones and see Peggy then i'll come back"

Bruce shakes his head and says. "okay it's ready" Steve steps up and says. "you can come with" Bruce looks at Bucky and he Buck says. "I can keep an eye on things here go on"

Bruce walks up and says. "so exciting!" Steve chuckles and nods at bucky and bucky says. "Three..two..one" BLIP

Steve looked around the room he was in, was this a hospital? or the army base?

He walks around looking and sees someone he knew...Peggy. His first love but then his eyes meet yours. You tilt your head and say. "Excuse me"

Bruce says. "oh God here we go" You walk up to Steve. "Can I help you sir?"

"uh...I uh...we I mean...yes you can Y/N" he looks at Bruce and he says. "Fine"

he drags you into a hall and says. "Um hi...i'm um..Steveie Roger..." You giggle. "haven't heard that name before but ok"

He smiles and says. "Do you trust me?" You look into his blue eyes and you slowly nod. "I feel like I know you....how do I know you?" Bruce says. "two minutes!"

Steve says. "Follow me" you three rush to the check point and say. "Sir what are we doing?" Steve looks around. "come on come on buck!"

BLIP.

You were back at the tower and Bucky smiles. "Um...Steve that's not Peg-" Steve takes your hand as you walk off the platform. "I know buck" You look around and say. "was I just kidnapped!?"

Steve says. "No no y/n your safe..." "Safe!? how is this safe!? my god" you walk down to the living room and see Nat and Tony. Tony smiles.

"well hello there" He said. You stood there and feel steve's hand on your shoulder you push your shoulder away and say. "Stay away from me!" You rush out of the tower and Steve sighs.

"what happened to getting Peggy back?" Steve looks at Tony. "I never liked her like I love Y/N she died two years ago but this way...I have her back"

Nat smiles. "wow you kidnapped her? that's new for golden boy"

Steve looks at her and says. "Stay out of this!" He storms out of the room and gets into his car and knows exactly where you went...your home.

He doesn't see you there so the second place he can think of...your gravesite..no you wouldn't go there...would you?

He drives to the gravesite and sees you at your own. He gets out of the car and walks to you. "How did...I...die?" he kneels by you. "on a mission...one I asked you to join...God I blamed myself for it years after you left...I never healed from it...please y/n stay with me"

You look at him with tears in your eyes. "I don't belong here....She did..not me"

Steve looked at the field beyond the graves and didn't say anything. You look at him. "What's your real name?" He looks at you. "Steve Rogers."

You nod slowly. "What were we?" He sits down and sighs. "friends...almost more until it was too late" You sit by him. "So why bring me back?"

He blinks. "I can't live without you y/n the team moved on from you but...I never could and when I saw you I just..I knew you had to come back"

"Let me go Steve please" You place your hand on his cheek wiping away his tears. "If you love me...let me leave this city and head back to the base-" "The base is no more y/n..it was gone years ago" You look away from him. "So what shall I do then?" You lean your head on his arm. "i'm dead so I can't be around people..can I?"

Steve chuckles. "new name?" You look at him. "I'd like that Steveie" he gasps softly at the nickname you always called him.

He might have lot the old you but he is with the new you and he was more than happy to have you back in his life.

tags:@nicoline1998enilocin @cutedisneygrl @patzammit @k-slla @armystay89 @bookishtheaterlover7

[devswritingcornerorsmth]

overwatch ratings based on how they would date

did this a while ago but spent too much time on it for it to not be posted. this is just a personal opinion and personal ratings based off lore and bias tbh. this will be updated with every hero (if I remember to lol)

Tanks:

D.VA: 6/10. Caring and loving, fun gaming dates, but gets recognized a lot, and if it came down to it she’d choose her job to protect south korea over her lover

Doomfist: 4/10. He’d be a gentleman but probably only in it for sex or to be a sugar daddy. He’d treat his “lover” with respect tho so not a total loss i guess.

Junker Queen: 7/10. After the shit she’s been thru i think she doesnt really want a partner cuz shes afraid they’re just using her to get to the throne or that she’ll lose them. She’s protective and caring but also a bit overprotective to the point where it’s like okay calm down. Also might get into a few fights but eh.

Orisa: 0/10. she thinks it would be cute to be in a relationship but knows she cant be in one due to being the “protector of numbani”. so no.

Ramattra: 8/10. Deadass depends if it’s an omnic or not. If his lover is an omnic he will cherish them and take care of them, knowing that they’re one of the few things he loves in this life. If it’s a human then theres some. Problems. He doesnt open up easily and while he’s still protective and caring he can sometimes get very distant towards them because he fears that they only got close to him to use him or kill him.

Reinhardt: 9/10: Perfect gentleman. Treats you with respect and love, and cherishes you no matter what. -1 is because he can be really loud sometimes even when he doesnt mean to be

Roadhog: 5/10. I think of him as aroace but he would try and give it a shot just to feel what it’s like. Hes very quiet but also very calm. He would listen to his lover and do his best to help them, but he moves around a lot thanks to junkrat now and might cut off communication with you just to keep you safe when he's on the run

Sigma: 5/10. A real gentleman, would treat his lover with respect and kindness and love. Only downside is when he has one of his mind breaks and breakdowns. He forgets who he is and just focuses on violence. Also his control of gravity in that state is very fucky so if he’s having a breakdown his lover might get throw to the ground. He feels like jackshit afterwards and probably realizes it’s best not to have someone he cares about so close to him

Wrecking Ball: 0/10 no. he would simply not even if he wanted to. Aroace hampter 

Winston: maybe a 1/10. i feel like he doesnt want a romantic relationship with anybody and just wants friends (aroace monke)

Zarya: 6/10. Protective and caring but would focus too much on her job. would also pick her country over her lover if it did come down to it

Mauga: 8/10: Would treat his lover right and give them anything they asked for. Free beach house, gifts, and a loving, protective, obsessive bf. -2 because slight yandere vibes and can get too possesive-

Damage:

Ashe: 6/10. Partners in crime kinda thing but if you’re not really into that stuff she’s probably not that into you. She has BOB watching you when she cant during a fight but shes always next to you when she can be.

Bastion: 0/10. Dude just wants to live in the woods with his bird he doesnt want that stuff.

Cassidy: 8/10. Southern sweetheart. Treats his partner with love and respect. Only downside is that he’d be out a lot doing his job, but he would let somebody else do it to be with you if it’s a special occasion or if he really wants to stay with you.

Echo: 2/10. Not big on romance but would try it out for science. Sadly in the end it’s not real love so. Oof

Genji: 9/10. Probably doesn’t want a relationship at first because of his body but he gets used to it and opens up his heart. Honestly very good boyfriend would be there to listen and help you with stuff. -1 cuz he might be out doing overwatch stuff a lot and also might not be the most exciting person to be around if you're a hyper person.

Hanzo: 6/10. Can’t see him getting in a relationship after everything thats happened but if he did he’d be kinda bad at it but you could tell that he’s trying his best.

Junkrat: 5/10. I love him but i cant really see him *staying* in a relationship for long. He doesn’t know how to stop sometimes and can get really annoying really quick but he loves making things for his lover and would do his best to keep them away from the dangerous bombs. He loves them a lot but doesn’t know how to turn the love down. Really clingy so if youre into that cool.

Mei: 9/10. Absolute sweetheart. Loves you to bits and takes you out to her favorite restaurants and stuff. -1 cuz you had to have a long distance relationship due to her being in Antarctica and the fact she slept for years with no communication with her lover-

Phara: 4/10. Cares about her job more but would be an okay girlfriend, doing the basics.

Reaper: 1/10. He’s done with love and would probably just just be a sugar daddy or just be there for sex. Even if he did find himself feeling something he’d ignore it and move on

Sojourn:5/10. Not interested in dating or finding love but if it finds her she’ll go for it. Pretty nice girlfriend, makes sure to take care of her lover but does focus on her job a lot more sometimes.

Soldier:76: 0/10. Not interested and has made sure to break off any past relationships. Doesn’t want the people he cares about to get hurt. So he still cares but doesnt go see them.

Somba: 7/10. Would be a pretty good girlfriend if she wanted to have a relationship. She keeps all people she cares about far away and unaware of her deeds at Talon. So a long distance relationship until she can take some time off to go see her lover and vibe.

Symmetra: 3/10. Doesn’t know how to even start a relationship and doesn’t really want to. Her job is important to her so she wouldn’t want distractions from it.

Torbjorn: 6/10. His wife and him had a few children and have been married for a while so he’s probably got the whole love thing covered.

Tracer: 9/10. Probably one of the best on this list. She’s loving and caring and makes sure to spend a lot of time with her partner. 

Widowmaker: 3/10. Last partner she had was um. killed by her so. +3 if you could break down her walls and see the real her but very low chance

Venture: 8.5/10: Would talk to you about rocks, fossils, and everything else they can think about. They’d even let you name rocks around the house. -2 cuz they’ll talk your ear off about rocks n stuff while also bouncing around everywhere. They can also be gone for long periods of time but always makes sure to call. If you can deal with the infodumping and adhd then 9.5/10 for you 

Support:

Ana: 5/10. She doesn’t want a relationship but she’d be very loving and caring to her lover.

Baptiste: 8/10. Great boyfriend, lovers needs always come first and he’s very open and always has an ear out to listen. -2 because he’s constantly on the run and the relationship could get stressed.

Brigitte: 5/10. Mostly focused on her work but would make a pretty good girlfriend if she finds the right person. The relationship would mostly be a test one because she lowkey doesn’t understand it.

Kiriko: 4/10. Would love to be in a relationship but protecting her home is more important than finding love to her.

Lucio: 9/10. Actual sweetheart. Would make music for you and would cancel shows last second if something came up and you needed something. If you need anything he’ll be there to help.

Mercy: 8/10. She’s really focused on her work but no matter what would take time to come stay with you for a while. -2 because sometimes too focused on work and sometimes doesnt have time to see you for a long time.

Moira: 0/10. Not looking for a relationship and would probably lie just to get you strapped to a table and butchered.

Zenyatta: 7/10. Would make a decent boyfriend but he can’t have relationships due to being a monk. He’d be there to listen and to give advice when you needed it.

Liveweaver: 9/10. Perfect boyfriend in every way. Like no competition. -1 cuz he's on the run from multiple governments so he won't be able to talk all the time or be with you much to his dismay. multiple texts a day tho

Illari: 4/10. Tbh I can't see her getting into a relationship after everything. She's too scared that something will happen with her powers again and hurt her lover

[lazuliquetzal]

Whee Fight Scenes! (This Is A Seirei no Moribito Advertisement)

For the past couple of years I have been almost exclusively writing fanfiction for action-fantasy video games which has led to me developing opinions on writing fight scenes. I used to hate writing them because what even happen fight, really, like what the hell??? But now I’ve learned to tolerate them! Sometimes I even enjoy writing them! So now I will share my wisdom with you. 

(Disclaimer: This post was written so I could avoid writing a fight scene.)

My credentials: I occasionally write fight scenes in my action-fantasy video game fanfictions, and I have seen Seirei no Moribito the anime several times. I do not claim to be an expert on fight scenes, but I do claim to love Seirei no Moribito to bits.

Part 1. The Set Up

There’s this excellent anime about a mercenary on a life-long quest for redemption who ends up taking a cursed prince under her protection. It’s about unraveling propaganda and colonialism, and also about kicking ass. The first time I watched this anime, when I got to the episode 3 rice field fight, I thought, “holy shit, I see now that a good fight scene requires not only a kick-ass fight, but also narrative/emotional build up in order to give the scene weight and tension.”

Like, lots of anime have excellent and extremely iconic fights, but this was the show that really made the writing aspect of it stick in my brain. Seirei no Moribito is also an adaptation of a book, which might why this stood out to me: the way its fight scenes are constructed are not as reliant on the actual visuals so much as they are on everything else (the animation for the fight is gorgeous, too, like, just watch this show please it’s so good). That said, I haven’t actually read the book. But I have seen this show several times and the rice field fight gets me so hype.

(And also every other fight scene. I’m never over episode 13. If you have to watch only one (1) episode of Seirei no Moribito, watch episode 13. But also, don’t do that. Watch the entire thing you coward.)

Anyway. What’s going on in Seirei no Moribito episode 3?

Part 1a. The Narrative Stage

Ep3 is early on in the series. The rice field fight is not the first action scene, but it is the first fight scene. This is what we know going in:

Balsa, our main character, is a formidable mercenary with a practical mind and a strong sense of honor. She has sworn to protect Chagum, the prince of the Empire. Her goal is to keep Chagum alive at all costs, because saving his life is crucial to her personal goal of redemption.

The Emperor (Chagum’s father) has dispatched his elite warriors to kill the prince, as they believe that he is possessed by an evil water spirit. Their goal is to kill the prince because the evil water spirit is a bad omen for the empire, and they believe that killing the prince will save the kingdom.

Balsa’s spear is damaged, and she is outnumbered. She has the disadvantage.

We are, of course, rooting for Balsa and Chagum at this point in the story. Balsa’s our main character, she’s super cool, and child assassination is a bad look. We know that Balsa is strong: we’ve seen her do athletic stunts, and it’s been alluded to that she is extremely skilled with the spear. This fight is the first time we get to see her use it, so it’s very exciting to the viewer. We want to see her in action.

Part 1b. The Emotional Stage

Chagum doesn’t have much of a personality at this point: we know he’s a child prince, and we know his dad wants to kill him. So we don’t know him well, but he’s already sympathetic due to circumstance.

When Balsa and Chagum get to the rice fields, they are almost home-free. They’ve spent a lot of effort trying to redirect the emperor’s warriors and the plan almost worked. We are extremely close to safety, so the fact that this is when the emperor’s elite catch up is very tense and frustrating.

All this puts the audience in the mindset of: oh man, they’re so close, I really need Balsa to win! I don’t want the kid die! You can taste the safety, you are almost there—it’s the type of tension that gets you invested in the outcome of the fight.

Part 1c. The Physical Stage

The first half, and the faster-paced portion of the fight takes place in a rice field at night (a classic). Wide open, with water to splash in, and nowhere to hide. It’s right on the edge of the thick forest, which gives Balsa and Chagum an immediate goal: get to the denser terrain so that they might break line of sight of their pursuers.

The second half of the fight is less of a fight and more of a close-up, emotional moment of action. It takes place in a clearing by the edge of the forest.

The physical location of the fight ties in with the short-term goals of the characters: the open field forces Balsa into direct confrontation even though she wants to run, and the clearing by the edge of the forest gives Jin (one of the emperor’s warriors) the illusion of privacy when he tries to kill Chagum, and it gives Balsa cover to hide until she can intervene.

Part 1 – TL;DR

Even before you get to the actual fight, the setup of the fight has inherent tension and intrigue. One can reasonably assume that Balsa and Chagum will survive, because this is episode 3 of a 26 episode anime. But you don’t know if her damaged spear will hold out. You don’t know why the emperor wants Chagum dead. You don’t know if Balsa will kill the emperor’s guards, or if she’ll be able to make a clean getaway with the prince. All these uncertainties create mystery, which creates tension. And tension is what makes the fight fun.

Part 2. The Purpose

I mentioned earlier that this is the first actual fight in the show.

It’s the payoff for a bunch of little questions that have cropped up so far. How strong is Balsa? Is she good enough to win, even when outnumbered? What does her fighting style look like?

A lot of action stories have big fight early on, and that’s because a well-done fight scene squeezes in a massive amount of characterization. In this fight, we learn a lot about Balsa, and we learn a lot about the Emperor and the difference between the Emperor and the people who work for him.

Some questions that get explored: How do they think under pressure? What kind of fighting do they do? Are they strategic? Reactive? Brute force or trickster? How do they solve problems? How far are these people willing to go to achieve their goals?

There’s a moment in this fight when Balsa is wounded, and the emperor’s warriors retrieve Prince Chagum. Balsa ends up retreating into the forest. Jin says something along the lines of: she’s a mercenary, she works for money and she’s already been paid; she won’t risk her life to come back and get the prince.

But she does. Even though she’s been wounded, and even though she had the perfect opportunity to walk away, she comes back and saves Prince Chagum at the expense of her own health. Balsa keeps her promises; Balsa’s personal quest for redemption is more important to her than her life. We know her, now!

Fight scenes are great for characterization because it’s a deviation from status quo. A person’s default state is not “battle,” and stories thrive on extraordinary circumstances. “How does this character change/act/perform under pressure?” is a really great characterization question, and a fight scene is the opportunity to show the answer rather than tell it.

Fight scenes are also great for thematic debate. You get the opportunity to literalize the conflict between different philosophies via characters fighting each other. EZ story moment. You know that one Howard Ashman quote about how, in musicals, the characters sing when they’re too emotional to speak? That’s what fight scenes are to me. The characters fight when they can’t talk to each other.

And then, of course, a fight scene is also moving the plot along. The conflict is happening, information is being exchanged/discovered/buried. Some characters life, some characters get hurt, some characters die. A fight scene is a way to physically bring characters to the state they need to be in for the story to progress (in the right emotional state, the right physical state, the right location, etc). Lots of things going on, which is good—you want all of your scenes to be purposeful.

Part 3. The Details

All of that had to do with the zoomed-out, overall story view of the fight (how the fight fits into the overall story). I am now going to continue to gush about the episode 3 rice field fight up close (how does the fight scene work in isolation). Because Seirei no Moribito rocks.

Part 3a. The Setting

I already mentioned the open rice field/dense forest dichotomy and how that affects the characters’ short-term goals. It’s also a great choice to establish Balsa’s superior technical ability with her spear. The rice field is wide open and relatively flat—no obstructions or distractions, with everyone on equal ground. There are no tricks to pull, no environmental quirks to exploit: this is a clean fight between Balsa and the emperor’s warriors. When she comes out on top, it’s because she’s better than them.

Depending on the character, it might be better to change the terrain. Have the stealthy warrior fight in a forest, where they can appear and reappear and use their sneakiness to their advantage. Put a trickster in a situation where they can improvise traps. There is an aspect of your character that you want to show off, so set the stage so that they can show off. It’ll be totally badass and fun.

Part 3b. The Short-Term Goals

When you read a story, you can reasonably assume that the protagonist will stay alive (especially if you are not near the end of the story). Knowing the outcome can make a story stale if you're not careful. You can lose tension if there’s no risk. Some stories try to create a world/tone/atmosphere so that anyone can die. A lot don’t because that’s a little depressing.

My friend @yellowocaballero has an excellent post on this regarding OP protagonists, but to summarize: if you know the protagonist is always going to win the physical fight, you have to make the win condition not about that. Balsa isn’t OP, but giving characters goals beyond “win the fight” can make a fight so much more interesting.

In the rice field fight, Balsa does not have to defeat the emperor's warriors: she has to get Chagum and herself away alive. Her goal is to make a clean getaway. When the warriors show up, she makes the decision to confront them, and her goal is not just to win, but to win so decisively that they won’t be able to follow her. When Chagum gets caught, she changes her goal to ‘keep him safe at all costs, no matter the harm done to myself’, and she gets seriously wounded. She can succeed in some goals, but fail in others, and the story reacts and keeps changing. It’s the same principle behind why rolling a nat 1 is so entertaining in D&D. The more you fail, the more creative you have to get. 

Part 3c. Monkey Brain

There is just something so cool and so satisfying and so fun about seeing a character kick ass. There is also something very cool and very satisfying about seeing a character get beat up. The rice field fight has it all: Balsa kicking ass, and also getting beat up. It’s fun! Fight scenes that know exactly why they are cool are just so good. Hell yeah, overindulge and use every single weapon despite how impractical they are. Yes please show someone pulling off an unrealistic move for the coolness factor. Absolutely include the explosion-that-would-definitely-kill-but-doesn’t. 

Part 3 — TL;DR 

If you want the fight to be cool, make it cool! Set it in a cool place! Give your characters opportunities to show off! Make it interesting by changing the win conditions! Conflicting goals forces characters to prioritize and it makes scenes fun!

Part 4. Words???

Unfortunately, as mentioned, Seirei no Moribito is an anime and I haven’t read the book so I cannot analyze and gush about its prose in this section. Otherwise, the advertisement would continue. You’re safe for the moment.

Re: prose, there’s probably a post out there that goes over the language of fight scenes better than I ever could. I write with the diction of a middle-grade author because I read PJatO too much as a child and it rewrote my DNA. This is not a bad thing, this is just a fact. So I’m just gonna fire off fight scene writing advice I heard from around:

Filter words — if you want a more immersive reading experience, you want to avoid filtering the action through the narration. So use sentences like: “Her arm hurt” as opposed to “she felt her arm hurt”. But if you’re trying to distance the reader, like recreating the feeling of shock/dissociation, then filter words would help achieve that effect.

Make the rhythm of your prose match the energy of the fight. Short and choppy feels fast in the brain. Long and wordy feels overwhelming. Fragmented sentences and run-ons are chaotic. Customize the vibes.

Establish the important details of the setting beforehand so that you don’t have to stop the action to describe the specific placement of a relevant tree stump. I think I heard this one from Brandon Sanderson on a podcast somewhere, but I think about it a lot when I write because blocking is hard enough and it's even harder when you have to stop and attempt to translate the movie in your head into words. I can’t tell you how to block a fight scene. We need to find someone else who is smarter that can tell us.

Part 5. The Point

Fight Scenes are Fun, actually. They can be really effective if you set them up properly! If you know what you want to do with them, you can arrange it to be as cool as possible! You don’t have to be in a visual medium to make fights fun. You just have to figure out how to translate the cool bits into prose, which I think is mostly done through giving your fight cool shit on both the macro story level scale and the micro scene level scale. 

Also, watch Seirei no Moribito.

[ninashiki]

hiii im the op of the post of things that would be dope to be ... i luved your tags so much & if you were to expand upon it in poetry i give u full permission to make use of any of the ones i mentioned 🙏 i love ur mind & i hope u have a good day

oh omg hi!!!! tysm for the permission! im honestly not a great writer (tho i am good at critical analysis), but your post really inspired me! so thank you for your mind ^_^ i have 3 poems + a short story due on Tuesday so im super grateful for any inspiration that helps me develop them further. the idea would work even outside of poetry, the convo starter of like "i think it would be so cool to be x" would be a great way to develop charas in a short story. i honestly didnt think anyone would be interested in my writing so ty for the encouragement...! if anything comes out of it i will be sure to post my work

[arthur-r]

as usual i am up late into the night planning my future when i should be: getting a good nights sleep so that i even have a future!!

[bubbieboy]

i think it’s fun that blossom and buttercup butt heads the most vs brick who targets boomer and more or less gets along swell with butch

[m00ngbin]

Ugh my face hurts right now I went to the alligator farm and had a lot of fun oh woe is me

[roachemoji]

tl;dr all my ST live blogging

i love Dustin

Joyce Byers is my mom

I think I'd sacrifice myself to bring bob back????

El is autistic and experiencing comphet (and more!!)

I hate Ted

I hate Billy

Polyam would solve some things

I am staring at Max with my transgenderfication beam eyes

I didnt pay attention to everything i should have but tbh i think thats okay and im going into this knowing damn well im gonna rewatch it and find a lot of shit that I missed and find connectionsi was suppose to look out for aDKJ

Also get to read some of the mutual's Big Thoughts and have them make more sense bc ik who the fuck they're talking about !!!!!!!!!!!!!!!!!

[ao3commentoftheday]

Do you have any advice and how to write a long fic?

I'll encourage long fic writers to add on in the notes, but as someone who tends to prefer short and medium-length fic, I'll tell you how I go about it.

Get a premise that you just absolutely love. You're going to be writing this thing for months, if not longer, so you want it to be something you're willing to spend a lot of time thinking about.

Embrace subplots. You'll have your main plotline that you want to see through from beginning to end, but you can also weave in some subplots here or there. The way I do this so that I don't get lost down a rabbit hole is that I always make sure that every chapter has at least 1 thing that moves the main plot forward and then if I want to spend 1-2K with some side characters doing something fun I can do that as well. Subplots can extend for the length of the full narrative, but they can also just last a chapter or three. If you're used to writing short fic, these might give you that familiar feeling of "completion"

A chapter is only as long as it needs to be. Don't get hung up on having a consistent chapter length. Don't get hung up on hitting some arbitrary number every time. Instead, figure out what the next part of your story needs to include and write however many words it takes to get that chunk across. Varying your chapter lengths is a normal thing to do and not something to stress about.

The next thing that I find important personally may or may not be relevant to you, but I find that I can't plot anything in much detail. If I get too into the nitty gritty with my plotting, it just feels like I've already written it. I need to keep it at the level of "And then A and B meet C and hijinks ensue." I can figure out the particular hijinks later. It's the characters meeting up that's the next important thing for me to figure out. Getting too far ahead of myself is a death knell for me in writing long fics, but there are other writers who swear by it. Test out different ways of approaching it and see what works for you.

As someone who tends to write more briefly, another feature that's common to longer fics is more extensive descriptions. People spend time painting visual pictures of the setting or the characters or the actions that are happening. Write the more bare-bones style that focuses more on dialogue (if you're like me) and then go back and read through what you've just written and see if there are opportunities to add in more detail. This can lead to some really interesting characterization choices and also help you out with worldbuilding.

When it comes to worldbuilding, you don't have to get it all on the page. You just need to share what's relevant for the reader in that moment and what is useful to lay out now so that it's already there in a future chapter. You can have an encyclopedic knowledge of how your world works in your head, but it's not actually necessary. No one is going to be quizzing you later - and if they do, you can always figure it out at that point.

Most important for me when I'm trying to get myself to the end of a longer fic, have a friend or a group of friends who are also into what you're writing - or at least willing to hear you get excited about it. Being able to get excited about your work is so important. It's like a bottle of water being handed to you on mile 10 of a marathon.

[peachesofteal]

Light On - single mom/neighbors fic Simon Riley/female reader 🎄 @glitterypirateduck’s December challenge: O Christmas Tree

"What about this one?"

You're standing next to a giant tree, one that's probably double your height. "It's a little big but-"

"I don't know if that will fit in your flat, sweetheart." You huff, hands on your hips, and Emmaline wiggles where she's snuggled against him, tucked up on his chest inside his arms. You've got her in some sort of snow suit, like a baby marshmallow, capped with a red knit hat that ties under chin to keep the ear flaps down, and even though she clearly hates it, and looks a little ridiculous, he knows the whole thing is keeping her warm in tonight's frigid weather.

"Okay. What about this one?" The one you're pointing to now is smaller, but sparse, a little prickly looking. He shakes his head. "You don't like any of them!" You protest, and Emma grunts, babbling some sort of nonsense.

"'m just doing what the boss here is telling me to do." She looks up at him, eyes bright with a little bit of snot beneath her nose, and he wipes it away with his thumb. "There you go, baby girl. I gotcha."

"She's not the boss." You step close with a shiver, close enough that he can see the fog of your breath, peek of your neck beneath your scarf, and he reaches out to pad his fingertips across your chilled cheek.

"Cold?" You shrug.

"A little." You dip forward to give Emma a quick kiss on the cheek, and at the same time, he ducks down, pressing his lips to the crown of your head. He's never going to get used to this. Never. Even now, in this moment, he can't believe he's walking a tree lot with you, debating which one to choose. Him. Simon Ghost Riley, picking out a Yule tree with you and the baby. His family.

There's a bang in the street. A car backfiring, probably, but it's enough that it startles someone else on the lot, and they shout, the combination like a shot of adrenaline to his heart, focus and intensity taking over, his movements shifting to autopilot. His hand covers Emma's head, curling forward at the same as he tugs you into his body with a firm arm around your back, essentially immobilizing you, keeping you close in case- "Simon." You say his name softly, gently, fingers holding onto his forearm. The touch grounds him, reminds him to breathe, and he relaxes slightly. "It's alright. We're okay, we're at the Christmas tree place. You're okay. You're with us." With you. With you and Emmaline. At home. He closes his eyes, repeating it in his mind, twice, three times, for good measure, before he trusts enough to uncover the baby's head and let go of you completely. You smile when he does, bright, beautiful, sweet, still working you touch against his arm, not stepping away.

"I'm sorry." He tries to explain, but you shake it off.

"Don't be. It's okay." You loop your arm through his, sticking close to his side. "Want to keep looking?" You ask, nonchalant, and he's overcome with emotion so strong it could bring him to his knees.

"Yeah, but I... I want..." he stumbles over it, words failing, and you wait, patiently, turning into him so you can look up at his face.

"What is it?" Holiday lights glow behind you, twinkling colors mixed with frosted whites, strung together across trees and posts and big red and green signs, 'O Christmas Tree' playing over the speakers that line the perimeter. He's never been one for holidays, never really cared about any of it, all the excitement lost on him, most of the celebrated days spent alone. But now... with you, with the baby, he feels the magic. He thinks he can even see it, in you, in Emmaline, and he's filled to the brim with the wonder, the anticipation for it all, to experience it all for the first time like this, with his angels.

"I want to kiss you." He says the same words he gave you a week ago, outside on the balcony, and you give you him the same smile, warm and welcoming, lips curling upwards with happiness.

"Please." You beam, and he obliges, your lips parting for his, getting lost in the taste of your mouth, decadent honey dripping across his tongue. You make him dizzy, make him stupid, make him so weak for you, and all he wants is more. He wants it all, wants everything you'd give him, and he has to hold himself back, cognizant of Emma in his arms, pulling away regretfully after five seconds that could last five hours, or days. Years. You clear your throat. "Well, okay, uh- should we?" You motion to another row of trees, and he nods with a laugh.

"We should."

Later, after the tree has been decorated, dinner has been made and cleaned up, fire started in the fireplace, Emmaline has had her bath, and you've changed into your pajamas, he sits on your couch with you curled into his side, both you and the baby asleep. It's late, and the lights are out, and he thinks he probably should have woken you to get you both up into bed, but he can't bring himself to shatter the moment, the silence, the fire, and the sounds of your breathing, face barely illuminated by the glow of the lights. He stays right there, listening to the crackle of the logs, staring at the tree, watching the two of you breathe, heart so full he thinks it could explode. This is it, he thinks. This is the magic.

[bitternanami]

something i think is really interesting about dungeon meshi is the cast's respective views on food as the story progresses. the way many adventurers get through the dungeon is to eat when they Must, but mostly rely on healing magic to keep going when they're tired or beaten down. death is something you can buy your way out of, here.

having these lower stakes when it comes to running yourself too hard has made a lot of people in this setting kind of devalue food and what it does for you.

im not all the way through the manga yet, but so far i really like how it goes about debunking that mindset.

long post under the cut, cw explicit discussion of disordered eating. textual depiction of unhealthy methods of dealing with it. please be cautious!

it seems like to most folks, food is either a decadent luxury, like when the governor offers mr tance a feast as a show of power and wealth, (although he is the only one who actually eats in that scene as he talks about his ambitions);

[id: the governor and mr. tance talk politics and hierarchies, while the governor eats from a bowl. mr. tance's meal is not visible behind a speech bubble.

"so you believe the sorceror is an elf?" he asks.

"i can't say with absolute certainty," mr. tance replies, "but the spells are not ones dwarves and humans typically use." /end id]

like the painted-royal feasts laios tries to partake in that never actually nourish him...

[id: laios, fresh out of the living painting feast, surprisedly holding his grumbling stomach /end id]

or, to the working class, it's pretty much exclusively fuel. i'm thinking about the scene where kabru's party, ostensibly intended to be our view into how adventuring Typically goes for most people, is shown preparing to go to the dungeon by like. walking up to someone and ordering 'a weeks' worth of rations.' purely functional.

[id: kabru enters a store, and the merchant says "welcome!"

kabru says "i need a week's worth of rations for six, and two days' worth of water."

"sure thing." the merchant then reaches behind him and grabs a large cube-shaped package, wrapped in nondescript cloth and tied in place. it thumps onto the counter in front of them both. /end id]

when kabru hands mickbell his food for the trip, he complains about how heavy it is on his back. it's a necessary liability.

we also see chilchuck, in an early chapter where there isn't much food to go around, grumbling about how he used to be better at not noticing when he was hungry. he's frustrated that he's more attuned to his bodily needs, now that he's starting to fill them with regularity.

[id: chilchuck, the only one awake, sits in his bedroll and glares at the timekeeping-candle burning down in front of him while he listens to his stomach growl. moving to find his canteen and fill himself with water instead, he thinks to himself, "my stomach has gotten weaker. i used to be able to go two days without food." /end id]

(like im not even gonna lie this is a big mood. the healing process is really really annoying)

even laios, early on, working out the logistics of going back for falin, considers his expenses and ultimately the thing he decides to save money on is their food supply. like, even the guy most invested in eating as an experience kind of just assumes he will Figure It Out. its what hes eating, not how hes eating it that matters to him at that point.

[id: marcille looks down at the ingredients they've gathered, the walking mushroom and the scorpion in an unappetizing heap on the ground, and asks laios "so how exactly do we eat them?"

he responds "let's just cook them, like normal." /end id]

but its here that senshi introduces the idea of food as art and as healing. its exciting and its fascinating for laios, getting to taste the creatures hes been reading about and fighting, but i dont think it would ever really help him feel full if not for this.

[id: three panels of laios tasting the scorpion hotpot, looking stunned, and then excitedly telling senshi "delicious!"

senshi matches his energy, asking "isn't it? isn't it?" /end id]

pictured: guy who had resigned himself to kind of just doing his best rediscovers the joy in something tasting really fucking good

what they did last time isnt going to work. falin is gone, and constantly anesthetizing their pain and healing through their weakness is no longer a realistic option for the party. in order to make it through they must all relearn how to eat well, one by one and as a group over and over again, because its either that or nothing.

one of my favorite depictions of this idea thus far is when marcille is seriously low on health and mana, and both of these problems are mitigated by taking care of herself, and trying to get iron and protein

[id: marcille, looking sickly, wakes to laios saying, "marcille, marcille, can you sit up? we've got something nice for you."

she watches senshi grill pieces of kelpie liver on a low fire, while laios ties a bib around her neck. /end id]

and drinking a bunch of dead water spirits. she gets the idea, she's supposed to get in nutrients and it'll help her feel better, but in aiming for the quick, inefficient fix, namely chugging that shit down like she heard it was good to Stay Hydrated and decided that would be the thing that fixes her,

[id: marcille throws back a cup of boiled undine-water, her face red. laios asks, "do you really need to drink it that fast?"

she gasps out "...the magical energy stored in nature spirits is actually quite hard to absorb. even if you drink a lot, the majority of it is excreted without being absorbed," and takes another drink. "that's why i need to drink as much as i can."

laios says weakly "you'll get water poisoning," but marcille only stops when senshi puts a hand on her shoulder and says,

"it's easier to absorb nutrients if ye digest them with food. that's a fundamental rule of nutrition."

marcille says, "senshi..." contemplative

and he holds out a bowl of tentuclus and a thumbs up. "let's get cooking!" /end id]

she doesn't immediately realize the answer is that she needs more than that. she's been working hard. she needs care, and she needs nourishment.

once she gets that, though, she makes her boiled water into a stew, and she works to make that stew as good as she can, and everyone can have some.

because in dungeon meshi, to feed yourself or allow yourself to be fed is treated as performing a kindness for yourself. food is what propels you, but there is also an art and a joy inherent to the process of making it; in the way you feel when you've had enough to eat.

[id: senshi watches as chilchuck and marcille eat and excitedly hash out plans.

"i've got a good feeling about this! maybe it'll work out!" chilchuck says

marcille responds, "well it's easier to feel optimistic on a full stomach!"

senshi smiles, proud. /end id]

^^^ i want to put this image on my wall

when you're working through disordered eating habits, you really do have to keep learning this shit. (in my experience, learning about cooking is one of the best ways to do so.)

i'll have to see if my thesis holds up as i continue, but i think one of the reasons the portrayal here resonates with me so hard is that ryoko kui puts most of her characters at eye level with me on this. they're all working at it, too. the text and i are both commiserating, and encouraging each other, 'have some more, you'll feel better.'