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#there was also something very symbolic in that the last song that played on the radio in the car was Ruoska
dreaminofu · 29 days
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BIG DAY TODAY FOR ME AND I JUST WANT TO SHOUT IT FROM THE ROOFTOPS ❤️
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harrysfolklore · 11 months
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grammy at wembley - bandmate!yn blurb
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gif by @londonharry <3
BANDMATE!YN MASTERLIST | MY PATREON
Wembley Stadium buzzed with excitement as the crowd eagerly waited for the big night to start. Feather boas, cowboy hats, pride flags and colorful signs were everywhere in sight in typical Love on Tour fashion.
Tonight was one for the history books. Harry was closing out a successful run of 4 sold out nights at Wembley Stadium, and his family, friends, colleagues and all kinds of loved ones came together to support him.
To celebrate said shows, Harry had a lot of surprises in store, including letting each of his bandmates be an opening act for a different show; and even though it took a lot of convincing, his girlfriend agreed to take part for the final night.
"I'm not sure, lovie. I mean people like what I do as your bassist but my own work? I don't know if they would like to hear that." YN said when Harry brought up the proposal.
"They would, because you're insanely talented and everyone deserves to see it."
And with a few more kisses and sweet words, YN accepted to perform and delivered an impeccable set that was loved by everyone in the stadium, specially Harry who greeted her as soon as she was off the stage and held her as he said how proud he felt.
Now, the band was getting ready to hit the stage together one final time, gathering around in a circle as they always did.
"Okay, I'm not trying to get sentimental over here," Harry spoke to his bandmates, "But these past shows wouldn't had been possible without you, so let's do it one last time for London."
"Let's go!" Pauli cheered hyping everyone, and then they were off to perform.
The evening went on filled with music, excitement and love. Harry charmed the crowd as usual and the band gave their best playing their instruments.
"I'd like to take a few second, no, not a quick second, a brief moment to introduce you to my wonderful band." Harry said into the mic and proceeded to introduce each of his bandmates, leaving his girlfriend last as usual.
"And finally, in bass and vocals, YN!" she waved out to the crowd, but surprise filled her face when instead of moving on with the next song, Harry continued speaking about her, "YN, you're not just my bandmate, you're also my girlfriend, my musical soulmate and my partner in crime," Harry said, putting a hand into his heart and making the entire audience become emotional, "Tonight is a very special night, and I want to give you something that is just as special, and celebrate with everyone here."
A trace of confusion flickered across YN's face, not sure about what Harry was about to do, she leaned closer and her voice came out in barely a whisper, "Harry what's going on? Don't tell me you're proposing becau-"
"I'm not proposing, yet," Harry interrupted her with a wink, "Just wait here."
He walked towards the side of the stage where a crew member handed her the a shinny item that YN and the rest of the crowd was yet to identify, it was when she took a proper look at the golden trophy that a wave of realization hit her body.
"No way, Harry. Is that?" YN said off the mic to him when he was next to her.
"It's your Grammy, baby. Came in the mail the other day and I decided this was the best way to give it to you," Harry shrugged, pulling her into his arms in hug, "Congratulations, bandmate."
YN pulled back to look at him, she was aware of the thousands of fans watching them but she still pulled him in for a quick kiss before speaking, "Thank you, this is magical."
Harry only pecked her forehead before speaking to the crowd again, "Give it up for YN! Grammy Award winner for her collaboration as a songwriter and producer in Harry's House!"
The audience broke down in cheers and screams as YN held her award up, and as the crowd continued to celebrate, she thought that the award not only symbolized a musical achievement, but also the strong bond she shared with Harry, one she wishes would last forever.
taglist: @lightsoutstyles @waitingroomharry @willowpains @straightontilmornin @sleutherclaw @gimsaysay @hazzassmirk @platinumbarbie143 @musicforcinemas @celesteblack08 @scntfrhs @eleanordaisy @lomlolivia @iceebabies
tell me if you want to be added to the taglist <3
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pastryleclerc · 9 months
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je vais t'aimer
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requested: yes/no
pairing: charles leclerc x fem!reader (one shot)
warnings: slow burn smut (the act itself is about two pages long, it's also my first!!), my bad english (and possibly bad writing), language, established bf/gf relationship, some fluff of charles and the reader making music together and being domestic towards the end, lots of text in between the lyrics - please imagine yourself singing in one go, reader is described to have brunette hair and blue eyes, mentions of death and dying, oral (fem and male receiving), p in v, unprotected sex (wrap it before you tap it, kids!) but reader is said to be on the pill, cock warming if you squint, also slight breeding kink towards the end, please comment if you find anything else and i'll add it to the list
word count: 4.846 words (with lyrics), 4.352 words (without lyrics)
a/n: hello guys 🥰 finally it's here - my first fic! i truly can't believe that i wrote an almost seven page long one shot but here we are. 🤩 the inspiration for the fic was "je vais t'aimer" by louane from the movie "la famille bélier" (the original was sung by michel sardou) - go and give the song a listen if you can :) i've proofread the text but i'm sure there will be a few mistakes, especially when it comes to grammar and commas, since english is not my first language. also, i feel like the ending is a bit rushed. 😅 feel free to let me know what you think as feedback and constructive criticism is always welcome 🙏 if you can find the symbolism used in this, i'll give you a cookie 🍪 in addition to that there's a hint to one of my favorite shows - leave a comment if you know what it is 😉 (italics = lyrics, brackets = translations) - here we go, i hope you enjoy this :) | *"Tonnerre de Dieu" is an idiom meaning something like "Bloody hell!"
🔎 directions | 🔎 masterlist
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The cool summer breeze coming through the window – which was left open after last night’s activities – softly grazed her skin. The warm sunrays that rested upon her eyelids awakened her slowly. It was an early Sunday morning in the Monégasque summer – almost too early for her liking – so she blinked a few times but ultimately decided to close her eyes again, hoping to get a few more hours of sleep. Trying to escape the rising sun she turned towards where she thought her lover would be laying, hoping to snuggle up to him while enjoying the last day of their free weekend. But when she reached out her warm, delicate hands, all she could feel were empty sheets that had started to become cold already, indicating that her boyfriend had been out of their shared bed for a while now. So much for staying in bed.
Slowly Y/N sat up, letting out a yawn while stretching her arms above her head. By doing so, her own sheets slipped down her body, uncovering her very naked breasts. She sighed to herself, memories of the previous night came flashing back shortly, making her miss the brunette boy even more. Her heart yearned for him, thinking about the love and intimacy they shared. So the young woman made it her mission to find her other half. She swung her legs over the edge of their shared bed – her warm feet meeting the cold floor – and walked into her adjacent closet, fishing a fresh pair of panties out of the drawer. Forgoing putting on any more clothes, she went back into the bedroom and picked up the shirt her boyfriend wore yesterday and slipped it on. She tried to open the door as silent as possible, already hearing the faint sounds of a piano, and went to the top step of the staircase. From there the young woman could see her boyfriends bare back as he played the keys with his delicate fingers. Y/N noticed how the muscles of his back, moved with the rhythm he created, absolutely mesmerizing her. She couldn’t believe how such a beautiful man was truly hers and decided to watch him a little longer before making her way downstairs with the softest steps she could possibly muster as to not make him aware of her presence.
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Charles Leclerc was up early. He didn’t understand why, as it was his weekend off and he had stayed up late the night before – he should be exhausted. Looking to his left, he saw his girlfriend and smiled at her sleeping form. His heart tugged at it’s strings at how filled it was with love for Y/N. His mind remembering the events of the night before. The look in her eyes gave her own love for him away, as he deeply stared into them while making sweet love to her. Their foreheads stuck together as they exchaged words of affection, some more dirty than others. For a second the young racing driver thought about waking the woman beside him up to take care of his now throbbing member but ultimately decided to not disturb her peaceful slumber. The brunette leaned over and gave his girlfriend a soft kiss on the forehead before he slowly, as careful as possible, sat up in bed and let out a yawn. He started to look for his boxers that should have been left somewhere in the room. When the Monégasque had found them he stood up and tip toed to the piece of clothing, which was laying by the bed post, and put it on. Before Charles left the room, he turned around once more and took one last look at the sleeping woman in their shared bed – half smiling at the sight – and made his way downstairs to work on his music.
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Long arms snaked around his torso and a kiss was pressed to his neck. „Good morning, mon amour,“ his girlfriend whispered sweetly in his ear. If he didn’t know what music sounded like, he’d probably say this might have been it – the angelic voice of the woman he loved. Charles body automatically leaned back in her arms and he rested his head on her shoulder. „Morning, mon cœur.“ he smirked at her, squinting his eyes while he looked at her. She kissed his stubbly cheek, her left arm moved to lay over his exposed chest: „Why are you awake already? I’ve missed you.“ The older man shook his head slightly and he was able to smell his girlfriends hair: „Couldn’t sleep anymore I guess.“ Y/N hummed in response. „So you decided to leave me all alone and replaced me with your piano?“ She mumbled in her lovers neck and left a hickey. Charles hissed. „You found me after all, didn’t you? How about you join me?“ He slid to the left and patted the now free space on the bench. The woman behind him grinned and wrapped her fragile fingers around his firm chin, turning his head to look up at her. Their eyes met, completely enamoured with one another. Slowly both started to lean in until their lips finally touched for their first official good morning kiss on this early Sunday morning. The drivers hand moved to lay on her neck, deepening the kiss as both of them let out a sigh. He took it as his opportunity to slip his tongue between his girlfriends parted lips, making out with her some more, until she pushed him back slightly by his chin. „I thought you had asked if I wanted to join you?“ Y/N smirked at Charles and got the biggest smile out in response, showing off his beautiful teeth. „That I did!“ His opposite giggled and gave him on last kiss on the cheek.
She moved away from him and sat on the bench to his right hand side. Turning his head to look at her, he asked her: „Would you like to sing for me?“, knowing she had the most beautiful singing voice in the world (but don’t tell George he said that, he’d fight him for his life trying to defend Lewis). Her head now turned to look at him too: „I’d love that. Can I make a wish.“ Charles heart skipped a beat at her question and he stared at her as if she hung the moon, the sun and all of his stars. „You don’t even have to ask, you know I’d fulfill you all your wishes without a second thought.“ The young womans eyes got teary hearing those words from her lover of two years, knowing he loved her as much as she loved him. „Je vais t’aimer, mon beau.“ Her boyfriends wrinkled as his lips spread out into a smile: „Toi aussi, ma belle.“ „No, idiot, the song from ‚La famille Bélier‘.“ She laughed loudly, infecting the other Monégasque with it’s brightness and who soon joined her, shaking his head. „I knew that of course.“ Smirking, Y/N rolled her eyes, knowing full well he didn’t. Charles eyed her from the side and cleared his throat while cracking his knuckles, before his warm fingers touched the cold piano tiles again to form the opening notes oft he 1976 tune.
À faire pâlir tous les Marquis de Sade (To make all the Marquis de Sade pale)
À faire rougir les putains de la rade (To make the whores blush in the harbor)
À faire crier grâce à tous les échos (To be shouted through all the echoes)
À faire trembler les murs de Jéricho (To shake the walls of Jericho)
Je vais t′aimer (I will love you)
Y/N tried not to look at Charles while singing the all too familiar song but she couldn’t help it. He was just so gorgeous. The way his fingers moved across the tiles amazed her, watching his forearms flex while doing so. A simple yet so effective move, which – in a dangerous mix with the obscene lyrics coming out of her mouth - went straight down to her core.
À faire flamber des enfers dans tes yeux (To make hell blaze in your eyes)
À faire jurer tous les tonnerres de Dieu (To make all the thunders of God swear*)
À faire dresser tes seins et tous les Saints (To have your breasts and all the saints raise)
À faire prier et supplier nos mains, je vais t'aimer (To make us pray and beg our hands I will love you)
His cheeks reddened hearing her sing those lewd words which were meant to be for him only at this very moment. Her hand touched his biceps, moving up and down, and it sent cold shivers down his back straight to his dick. He loved sharing such intimate moments with her, just the two of them – sometimes they watched a movie, other times, like today, they made some music together – but as soon as her long fingers moved across his naked skin, he always knew he was gone for and there was only one way this would end. And she knew it too.
Je vais t′aimer comme on ne t'a jamais aimée (I’m going to love you like you’ve never been before)
Je vais t'aimer plus loin que tes rêves ont imaginé (I’m going to love you further than your dreams have imagined)
Je vais t′aimer, je vais t′aimer (I’m going to love you, I’m going to love you)
Je vais t'aimer comme personne n′a osé t'aimer (I will love you like no one has dared to love you)
Je vais t′aimer comme j'aurai tellement aimé être aimé (I will love you as I would have loved to be loved)
Je vais t′aimer, je vais t'aimer (I’m going to love you, I’m going to love you)
The young woman put her head on her boyfriends shoulder while singing, as she moved the hand – which was wrapped around his biceps – to the veins on his forearm and finally landing on his right thigh. Slowly she caressed the exposed skin, making the bulge in his underwear grow. The air between the two lovers became thicker with sexual tension second by second. Charles just really wanted to hear her sweet voice sing but now he was about to hear even better sounds coming out of her mouth and her teasing showed just how close she was to giving him herself all over again. And he loved every bit of it.
À faire vieillir, à faire blanchir la nuit (To age, to whiten the night)
À faire brûler la lumière jusqu'au jour (Burning the light until the day)
À la passion et jusqu′à la folie (To passion and to the point of madness)
Je vais t′aimer, je vais t'aimer d′amour (I will love you, I will love you with love)
À faire cerner, à faire fermer nos yeux (To be identified, to close our eyes)
À faire souffrir, à faire mourir nos corps (To make us suffer, to kill our bodies)
À faire voler nos âmes aux septièmes cieux (To make our bodies fly into seventh heaven)
À se croire morts et faire l'amour encore, je vais t′aimer (To think you’re dead and make love again, I’m going to love you)
The words sung perfectly described the love they shared for one another. They were each other light in the darkness of this world, especially Y/N for Charles. She was his anchor and saving grace whenever he had a bad race and she was there for him through it all – the ups and downs of racing ever since they had been kids, the deaths of his father and Jules, the travelling, the distance, the winning, the losing and everything in between. Everytime they had sex it felt like the very first time. And everytime they finished it felt like they had died and gone to heaven. He was excited to feel this way again and he knew she felt the same way. Their passion for one another almost exceeding the point of madness where they couldn’t go long without seeing, touching and talking to each other and not turning crazy about it. Charles and Y/N burned for each other- their love a blazing flame that never seemed to die – they were the bane of each others existence and the objects of all their desires and wildest dreams. For the last chorus the young woman let all of those feelings out and every word was meant only for her Monégasque lovers ears – the one man she ever wanted to spend her forever and beyond with.
Je vais t'aimer comme on ne t′a jamais aimée (I’m going to love you like you’ve never been loved)
Je vais t'aimer plus loin que tes rêves ont imaginé (I’m going to love you further than your dreams have imagined)
Je vais t'aimer, je vais t′aimer (I’m going to love you, I’m going to love you)
Je vais t′aimer comme personne n'a osé t′aimer (I will love you like no one has dared to love you)
Je vais t'aimer comme j′aurai tellement aimé être aimé (I will love you as I would have loved to be loved)
Je vais t'aimer, je vais t′aimer (I’m going to love you, I’m going to love you)
Charles fingers lingered on the piano, finishing the final note. They stayed silent for a little longer, letting the past few minutes catch up to them, the only sound being heard were their breaths that were in sync with each other – mirroring the rapid beating of their hearts. The woman moved her right hand from her boyfriends thigh and placed it upon his chest. „I love you, mon amour, thank you for letting me share this moment with you,“ she whispered in his ear and left a kiss right below it. The racing driver next to her turned slightly and put his hand on her cheek, his thumb caressing the warm skin. „Anytime again, ma belle.“ His dimples showed due to the soft smile that made it’s way to his face. And also his girlfriend couldn’t help but reach out for him, letting her hand linger on the side of his neck. The two of them knew what was about to happen, so Charles put his arm around Y/Ns waist, pulling her even closer (if that was possible) and their lips radiated towards each other, as if they were two magnets, finally reuniting in a breathtaking kiss.
When they broke apart, Y/N took the initiative and took her sweet time kissing down his body, leaving a few hickeys on the way – from his cheek, to his neck and his abs, until she ended up on her knees in front of the piano, facing Charles‘ crotch. Looking down on his girlfriend, he moaned her name: „Touches moi, s’il te plaît…“ Smirking at that, Y/N let her hands glid up his thigh. „Of course, baby boy, let me take care of you.“ Slowly she caressed his bulge while maintaining eye contact before dropping her head to leave some more kisses on his thighs. Then she moved her hand into his shorts and boxers to free his semi-hard dick. Charles shuddered when her cold fingers touched his warm dick and he bit his lip to keep in the moan he so badly wanted to let out. „Don’t hold back, baby, I wanna hear you. Show me how good I can make you feel.“ The girl encouraged him while stroking his hardening length. „Mon dieu…“, Charles whispered under his breath and threw his head back. At that she smirked and stuck out her tongue in order to lick a long stripe up the underside of her boyfriends dick, sucking on his tip where she left another kiss. The brunette driver locked eyes with his girlfriend who just swallowed his precum and continued to watch her as her mouth wrapped around his length again and went further and further to take him in fully. „Oh.“ His moan spurred her on and she started bobbing her head up and down, as her hand went to massage his balls. Charles so desperately wanted to keep focused on the woman in front of him but he ultimately lost control and fisted his hand in her hair, in order to form a makeshift ponytail and started pushing her head down on his dick harder. „Chérie - I’m gonna…“ His breathy voice got cut off by a groan he couldn’t hold back. As if his girlfriend could sense it, she had moaned on his dick and stroked his thick thighs, silently telling him to come in her mouth. A few seconds later Y/N heard Charles let out an especially loud moan and felt his sweet cum shoot down her throat. The young woman released his dick from her luscious lips with a loud „popp“ and opened her mouth to show Charles that she had swallowed it all. With hazy eyes he smirked down at his girlfriend and wrapped his hand around her chin, his thumb lightly stroking her cheek. „Good girl.“ He leaned down to leave a kiss on her forehead, then helped her stand on her two feet again. „Let me return the favor, amour.“
Charles stood up and deeply stared into his girlfriends eyes while slowly taking steps forward, backing her up into the piano. „Cha…“ Y/Ns voice was desperate and she closed her eyes as he reached out his hands. She waited for his touch, which never came. He closed the lid of the piano, then returned his attention to the smaller woman, his eyes so full of lust for her. His head bent down and he feverishly kissed her which she easily returned, their tongues exploring each others mouths, as if it was the first time they made out. The racing driver put his hands on her butt and softly kneaded the skin there, before leaving a slap on her right ass cheek, making her gasp loudly. „Jump.“ He said with his signature wink. Y/N did as she was told and wrapped her legs around his torso, as he sat her on top of the piano. „You look so good in my shirt. Much better than I ever did, ma jolie.“ His girlfriend giggled and his hands glid along her curves taking them all in. Charles kneeled down until his eyes were lined up with her ankles. He left the lightest kisses up her legs, alternating between the left and right one, while moving his hands up their sides. When his eyes were on the same level as her core he pulled her crotch closer to his face by her hips. „Ahh!“ A squeal left the girls lips as Charles took her by suprise. The latter laughed slighty. „Excuse-moi, Chérie.“ All was forgotten though when he kissed her cunt through her panties before he pulled them down. The excitement rose in his chest and he licked his lips, whereas his girlfriend felt a certain anticipation, wating for him to continue. Moving his face closer to her already dripping core he left a longing kiss on her clit, as his right hand came up to assist him – one of his fingers went in between her folds collecting her juices. „So wet for me already, bébé.“ He then wrapped his lips around his own finger, tasting her. „And so sweet.“ Y/N was in a state of pure bliss already, humming approvingly. „All for you, ma vie.“ Charles nodded. „Yes, all mine.“ The Monégasque started sucking on her clit again, acting as if his life essence is made up of the sweet sounds that escaped her throat. One of his fingers finally entered her, moving in and out in a steady rhythm that coordinated with the way his tongue moved along her clit. It felt as though she was his instrument: His fingers moved delicately inside of her, playing out a tune of moans mixing with the breathy calles of her name, truly showing his artistic skills aside from the piano. Two of his fingers were inside of her now, preparing the young woman for later, as he alternated between scissoring her hole and stroking her g-spot.
As Y/N felt her orgasm approach, her hands flew to her boyfriends fluffy hair, pulling on the loose curls. „Charlie, ne t’arrête pas!“ She moaned, feeling the tight knot in her lower stomach starting to loosen up. Spurred on by the soft massaging of her hands he moaned onto her clit. That was the last note missing in their steamy melody pulling the girl over the edge as she came with a loud scream of his name, squirting her juices into his mouth. He lapped at her lower lips, trying to collect all the juices he could get, before rising from his kneeling position. Her uneven breaths started to calm down again as she noticed the state of his chin through half-lidded eyes and let out a shaky laugh. „I’m so sorry, mon Chéri.“ Charles slightly leaned over her, moving his hand to her back, as he wrapped her right leg around his waist to pick her up and get her into a standing position in between him and the piano again. „No need to be sorry, mon ange. I enjoyed every second of it.“ At the second sentence his voice lowered an octave, accentuating every word into her ear. He nibbled on her earlobe moving down her neck, leaving a small hickey there. „Should we move this to the sofa for the big climax of our wonderful duet?“ He asked into her neck, knowing the couch was closer. „Yes, please.“ She breathed out, her head still thrown to the side, letting Charles have his access to her skin.
He took her hand in his and lead her to the other part of their living room. There, she regained some control when he turned around in order to kiss her, and she put her hand on his chest instead, pushing him back into the soft pillows. Charles smirked as he was under her spell once more. He patted his thighs and his girlfriend smiled, placing herself in her favorite seat, facing him. Once more the two lovers found themselves lost in each others eyes, before slowly leaning in, their lips meeting in a loving kiss, much softer than the ones before. Y/N moved her hands along his abs once more, moving over his bare chest to his toned shoulders. His own hands found their way to her wast, moving towards the hem of her – no, his – shirt, slowly lifting it above her head and throwing it somewhere behind him. The sudden cold air made her nipples harden, sending a shiver down her back. Charles smiled up at her – taking in all of her naked glory – and licked his lips in anticipation. His right hand moved to her breast, his lips latched around the other. „Ohh, Char…“ The young woman moaned and watched him suck on her tits. The fingers of his right hand fumbled with the small bud before he went to switch sides. Wanting to feel more of him, Y/N rubbed her body along his legs. Smirking, he removed himself from her boobs. „So impatient, ma jolie.“ His girlfriend laughed. „I mean, can you blame me? Everything about you turns me on immensly. Mon dieu, je t’aime tellement.“ The heat of her bare core meeting the cold skin of his thigh – he had already forgotten that her panties still layed somewhere by his piano – reminding him about the truthfulness of her statement. „Je t’aime aussi, mon cœur.“ The two stared lovingly at each other once more before the woman moved her hands down to the waistband of her boyfriends boxers – the only article of clothing left to separate their most intimate parts – and she couldn’t stand his advantage at all. „Take them off, baby.“ He smirked and tapped his hands on his girlfriends waist to signal her that she would have to get off him first. Y/N lifted her butt so that he could pull the garment down, letting them hang by his knees.
With his underwear out of the way, the woman above him slowly sunk down on his dick, stabilizing herself by putting her hands on his shoulders. At the feeling of Charles length entering her wet hole, they both let out long moans. „Putain!“ Y/N placed one of her hands on his cheek, making him look into her eyes – then she started to move. Slowly she lifted herself off him and sunk back down. The two lovers found a steady rhythm, their bodies creating a sweet melody once more. Charles hands wandered to his girlfriends ass, leaving a slap there before he kneaded the soft skin, soothing it in the process. His love let out a yelp and started to bounce on top of him faster. Her hands now rested on his waist, as she let her head fall to his neck, making her body lean on his. The new angle made both of them feel the movements more intensly – their breathy moans and husky groans filling the already sinful aria of skin slapping on skin to it’s full extent. „Chérie…“ the driver moaned into her ear, kissing his girlfriends shoulder. „Regarde-moi.“ Y/N lifted her head look at her boyfriend, who moved on of his hands to the back of her head, pulling her closer and locking their lips in a desperate and messy kiss. As they pulled away for air, both could feel their orgasms approaching. With his hand, Charles kept the woman close to him, the sweat on their foreheads mixing. „I’m so close.“ She deeply stared into his eyes, nodding frantically. „Moi aussi, Char.“ Then he steard to trust his hips up into hers, supporting her sloppier movements. Suddenly all the different components became too much for her to handle – from his hands on her body, his dick filling her wet core, to their erratic breaths conjoining in lazy, open-mouthed kisses - her body overstimulating as it reached it’s climax. The relieving wave washed over her and she came with a loud, high-pitched scream of her boyfriends name. Her walls clenched around his dick, sending Charles over the edge too, who let out a deep growl followed by a hitched cry of her nickname. The driver still held her body close as she collapsed on top of him and he started stroking her back in order to calm her down.
It felt like minutes before either of them moved again – the Monégasque just enjoying the feeling of her naked breasts on his skin, his partner listening to the sound of his beating heart. Charles even thought about taking her again, but that’s a thing that could wait until later. Right now, all he wanted to do was staying right here with her in his arms. But his girlfriend had other plans, as she was the first to sit up again. At the feeling of Charles dick still inside her both let out a groan, before laughing. „Merde, I almost forgot about that.“ Y/Ns hands caressed his cheeks as she dipped her head to leave a short but sweet kiss on his lips before she tried to lift herself off his length. She hissed at the feeling of the cold air of the living room hitting her warm entrance and noticed the way Charles cum dripped out of her hole. „Mmh, I love seeing that.“ The man in question stood up and pulled up his boxers before he stepped closer to his still very naked girlfriend again and held her close. „Can’t wait for when you don’t take the pill anymore. Gonna fill you up all nicely until you’re pregnant with our child, mon amour.“ He whispered seductively in her ear. The woman tried hard to keep her composure at his words, but the goosebumps on her skin gave her away. She wanted to have a child with him, as much as he wanted it, but only after they had gotten married. Leaving a last kiss on his lips before going off to search the shirt she was wearing earlier, she switched the topic while looking around the room with Charles following her around. „I’m starving, how about breakfast?“ Y/N smiled softly at Charles before putting on the piece of clothing, having found it laying behind the couch. „Oh yeah, let me help!“ The driver beamed as his girlfriend passed by the piano, picking up her panties, turning around afterwards to face her boyfriend – laughing at him. „Surely, ma vie, I’ll let you cut some veggies but that’s it, idiot.“ Charles jokingly rolled his eyes. „I’ll do anything, as long as it’s with you.“ She blushed at his words, softly hitting his chest with a wink. „Sweet.“ The two of them pulled back the curtains and opened the windows on the first floor of the apartment in order to let some fresh air in, before going to the kitchen to fix their brunch.
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The two lovers spent the rest of their day cuddling on the couch, watching some movies and just enjoying each others company before ordering some takeout in the evening.
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disclaimer: all work posted on here with this disclaimer was written by me. i do not consent this work to be published or translated on other sites than my own (@pastryleclerc on tumblr or wattpad). picture credits to their rightful owners
copyright: ©️ 2023 pastryleclerc on tumblr, all rights reserved
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I've come to a realization about the current Izzy discourse.
A lot of us have been joking that a certain subset of Izzy fans have been watching a different show than we have, and I actually think that's quite literally the case. I saw a post talking about how good the song Run From Me by Timber Timbre was in s2e2, and there were comments talking about how it was "a perfect Ed/Izzy scene!"
That made me realize something. The scene where that song plays, if you remember, is when Ed is miserably, longingly staring at the cake toppers that look like himself and Stede, imagining getting married to Stede and making his choice to commit suicide while pushing the figures off the ship. Izzy is not there (it also plays at the end when Ed is goading the crew to mutiny on him, and Izzy is only in the last part of that scene). The song is, very obviously, textually meant to represent that Ed desperately wishes he could be with Stede but doesn't believe he deserves it. To believe earnestly that, in the text of the show, it's an Ed/Izzy scene means you have to be working everything in the entire show through the lens of this one side character and twisting everything to be about him.
Apply that same concept to a lot of the other things we've been seeing. The outrage that a main character (who is apparently the only member of x group on the ship, even though Izzy genuinely has few traits ((be they queer, disabled, whatever)) that are not shared by other characters) was killed off. All the fanfics about Ed and Stede failing at running an inn, and all the comments about how a bad ending as they're consumed by grief and incapable without Izzy "is the most likely outcome" for Ed and Stede, as if they're not the leads of a romcom. I'd been so confused about these takes because they're not something I think most viewers would even be able to take away from the show I watched.
It's literally that simple. It's like we're not watching the same show at all. You're not crazy if you think Izzy's death was a satisfying part of the narrative and a good symbol of Ed being able to move on from forcing himself to be Blackbeard; that's what the narrative wants us to think. We're literally just watching the show and getting the most obvious takeaways the narrative is pointing us towards.
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hilsoncrater · 3 months
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"no hints were dropped" ok not to be that person but here are the hints that were dropped regarding Colin and Trent being gay:
1. Colin mentioning Grindr in a joke
2. Trent touching the arm of a man in the background
Here is one of the hints that Keeley was bi (even though I do believe she's been canonically bi since season 1, but not everyone sees it this way)
1. Her desktop background was in the colors of the bisexual flag
Here were some of the hints that Ted was bi:
1. Bisexual flag colored triangles above his head in the hallucination sequence
2. Inverted pink triangle next to him in that same sequence (and you can't tell me the creators didn't know, when the Homomonument is based on that symbol)
3. Countless (countless!!!) comments about men's physiques ("huge muscular thighs all caked in mud", whistling at a picture of Pep, "look at that head of hair", "he's strong", "he looks like a Rodin sculpture in cleats", etc.)
4. About a man (Higgins) and a woman (Rebecca), he had to say: "that's a crowd I don't mind being smack-dab in the middle of"
5. Him checking Trent out in the pub in 2x07 (his eyes are up there, Ted!)
6. "It could go either way", "I contain multitudes" and other comments in this vein
7. Bi lighting as he entered the Yankee Doodle Burger Barn
8. Giving similar looks to the female waitress and the male waiters in that restaurant (including a waiter in a cowboy costume that looked like he belonged in a gay club, who tipped his hat at Ted when greeting him)
9. "That's cause you were put into a box", "That box ceases to exist today", the box in the hallucination sequence breaking into triangles (as in the bi triangles and the inverted pink triangke), "we've been playing too rigid", "our guys need freedom", "fast, fluid, free, with full support", the "box that one needs to break out of" being a prominent motif in season 3
10. Wishing Beard called him pet names ("Honey, is that an ingredient or something you just called me?")
11. His crush on Pep
12. The connection between Ted and Colin: "my whole life is two lives, really", both wearing orange in Sunflowers, "I just want to kiss my fella" (Colin doesn't say "fella" , but Ted says it all the time), Ted just needs to get inspired and Colin's play is "inspirational" after he comes out, as per the commentators
And so much other stuff that, had Ted not self-identified as straight (*cough* put himself into a box *cough cough*) , you could make the case that he was canonically bi.
Here are some of hints that there was a romantic connection between Ted and Trent:
1. They hit a lot of romantic beats, and not in the jokey self-aware way in which Roy and Ted hit them in "Rainbow", but in an organic and sincere way
2. They both checked each other out: Trent checked Ted out when Ted was changing in front of him, Ted checked Trent out when Trent came up to him in a pub and hit him with a pick-up line while his date that looked a lot like Ted waited for him outside
3. Did I mention that Trent was on a date with a moustachioed man who dressed in a similar style to Ted? Let's mention it again
4. In that very bar, during a 50 second long conversation, Trent managed to say the word "love" three times. I searched the word "love" in the transcripts of the episodes. There's no other instance in which its frequency is this high
5. "Love our chats" incomplete rule of threes
6. "Sport, it's quite the metaphor" (implied: a metaphor for love; see also "love's a beautiful game" from the song Ed Sheeran wrote for Ted Lasso), "Also makes for a heck of a nickname", "Good night, Ted", "Good night, sport"
7. The soft, romantic, melancholic song playing in the background of this scene, while Ted and Trent are the last ones left in the office, with lyrics such as "When your words begin to crumble like the sidewalks all around this crummy neighborhood / From the chalky cliffs of Dover / I'd come over, I'd start over if I could"
8. Trent wearing sunflower colors in the episode "Sunflowers" and in the finale; sunflowers symbolize Ted's home (it's not subtle). He's the only character dressed like that. I'm still looking for any other explanation other than "Trent is Ted's home"
9. Their constant flirting and the way they look at each other with incredible fondness
10. The entire episode "The Strings That Bind Us". It's structured around Ted and Trent's relationship, and the way Trent changed because of Ted (in season 2, Ted defined a soulmate as someone who changes your life forever). The red string metaphor. Ted points out that soulmates are connected by a string tied to their little fingers. Ted and Trent both extend their little fingers out in similar shots. They are connected by a huge block of red in their last scene of the episode. Ted makes several comments about other men that apply to Trent ("Look at that head of hair", "Frames his face nicely", "My favorite one, he was clean shaven"). Many more details that lead back to Ted and Trent: Nate tells the restaurant owner to tell Jade he said "Hello". Immediately after, Ted and Trent say "Hello" to each other. The map that Nate's father used to ask out his mom has the number 1.3 written on it and an illustration of two people at a table in a restaurant. Ted and Trent went to a restaurant together in season 1, episode 3. The last scene of the episode mimics a "Race for Love" scene from a romcom, with Trent chasing after Ted. Trent also does not say a word to anyone other than Ted in the entire episode. He is completely focused on Ted
11. "Trent, what do you love? Is it writing?" and Trent ends up writing a book about Ted and naming the manuscript after Ted and he only cares about Ted's opinion on it (he leaves the room when Beard starts reading, but stays in the office after hours just to watch Ted read. "I just wanted you to like it.")
11. Trent's crush on Ted, confirmed by Jimmy Lance (and also obvious in the show, if you ask me)
Now, why would I believe that none of these hints were intentional? Maybe some could be explained away, but all of them? The hints we got for Colin, Trent and Keeley were so much smaller than this, and those turned out to be intentional.
anon i wish i could offer you the response you deserve, but i cannot stop rereading this masterpiece & focusing on the portions of evidence you provided that i didn't even pick up on until you laid them out. holy shit
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noneorother · 6 months
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Season 2 is the tales of Crowley Hoffmann, *part 2*
I guess this has to be a series now too. Part 1 l Part 2
I'm doing a series on the (frankly) astounding amount of parallels between the Powell & Pressburger movie The Tales of Hoffmann and S2 of Good Omens. I really recommend part 1 first. 7. Green is evil So if you've wondered to yourself why Hell has changed so much, colour-wise in S2 vs S1, I have come with answers! Here's a fun comparison between the two hells :
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Now let's looks at the the evil admin exchange in the Tales off Hoffmann :
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(The Tales of Hoffmann, Lindorf takes the contract in The Automaton Ball)
Whenever something evil happens in "The automaton ball" sequence, the light changes to this sickly green. Colour is THE important symbolism in Hoffmann, so now we know green is evil. 8. All the main characters are present and accounted for I've already covered in part 1 how Crowley is Hoffmann, Aziraphale is Stella, and alluded to the fact that Lindorf (main bad guy) is the Metatron. Here's a more comprehensive list of all the characters, because they're all there. N.B. The same actors play multiple roles in The Tales of Hoffmann. Gabriel is Schlemil/Spalanzani/Franz Léonide Massine actually plays 3 characters in the movie : Franz, a housekeeper who sings the only funny song in the opera:
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He also plays Spalanzani in Venice : A high ranking double agent who's been crossed by the bad guy Lindorf before, and who is currently hanging around Stella in Venice. He also plays Schlemil in The Automaton Ball, who helped make Stella the automaton and helps put on the ball. He strikes a deal with Lindorf to sell Stella.
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Muriel is the assistant Andreas
Andreas doesn't have much of a role in the story, they are mostly worry free and eager to please. They are there to be bribed by Lindorf to give him the key to Stella's dressing room, and the note for Hoffmann. I say they because even though this role is played by a man, this getup is EXTREMELY ambiguous for 1950s England.
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Now look at the last scene of both the movie and S2 of good omens.
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Shax is Nicklaus
In both casting and character, Shax is obviously Nicklaus. The all red outfit is a dead giveaway, but even the haircut in hell is similar. Nicklaus is Hoffmann's buddy, but they don't actually move the story forward or help him much. The fact that they're everywhere in the story but not really DOING much except casting doubt is pretty telling.
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Beelzebub is the muse
Now we get into characters where's it's kind of important know know both the opera and the movie. The only character we seem to be missing in the movie version is Beez, but don't worry, I've got another male character now usually played by a woman dressed in Charlie Chaplin drag and their name is "The Muse". Basically, the muse in the opera is there to make sure Hoffmann does his job (being a poet) and isn't interested in the girl anymore (Stella).
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Jacques Offenbach: The Tales of Hoffmann, The Muse & Lindorf, S2E6 Beelzebub
The Metatron is Lindorf
Lindorf is a major bad guy in both, but movie Lindorf has had all of his lines removed at the beginning, so he's the bad guy in the sense that he's doing all these bad things, and is the antagonist in every minisode and in real life. But we never really find out why. His evil genius speech is cut out of the movie, but is very much there in the opera. He's a shapeshifter, and takes on the form of 4 characters in the movie, all of whom hurt Hoffmann by ultimately taking Stella away from him.
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Here's Lindorf spying on Hoffmann in the prologue. And the reveal at the end when he comes to take Stella to "the temple of the gods"...
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Here are his other three forms in the minisodes. By the way his name in the last one, I shit you not, is DR.MIRACLE. In each minisode he plays a pivotal role in removing Stella from Hoffmann, first by legal contract, second by convincing Stella to double-cross him for a shiny reward, and third by trapping Stella in a time loop and then straight up killing her and sending her to heaven (she gets resurrected no worries).
So my question for now is : Does the plot of season 2 ALSO follow the movie?
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Obviously, there's always more. Next post it's analysis time baby....
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tomhollandisabae · 2 years
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hidden feelings - bale!bruce wayne x reader
masterlist
fandom; dceu
summary; after trying so hard to push you away, bruce cannot help but confess his deepest feelings to you
warnings; angst, mature language, fluff
words; 2.5k
a/n; this is the third time i'm posting this because it's not showing anywhere 😭
please send me your requests !!❣️
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You and Bruce had been friends for many years. To be honest you, Bruce and Rachel had always been inseparable, but you and Bruce had an even more tight connection. So, when his parents were killed, you were the shoulder that he could cry on. You would spend so many hours trying to comfort him and show him that there was so much more out there, show him that he deserved the whole world. 
As the years passed by, however, your feelings for him changed drastically- from being friendly to more romantically. You always admired Bruce; how emotionally strong he was, how smart he was and in general everything about him. So, it is fair to say that when he disappeared you broke down.  
You felt as you had just lost your whole world. You'd always go to the Wayne Manor and ask Alfred if he had somehow come back, yet his reply was always negative. Until one day, when he had finally arisen from the dead. 
It was the happiest day of your life. Nevertheless, you realized that he had changed in so many ways. He had become more muscular, more serious and his whole demeanour was different. 
Sooner or later, you also caught up to the fact that he was hiding something away from you. So you comforted him, but it all ended up in a huge argument. He tried to shut you out of his whole life saying that he had no time for old friends and games now, that he had to focus on his company and other... women.  
That day he had broken you in so many ways. You tried to talk to Rachel, yet she told you that she had somehow cut of contact with Bruce too. Later on, she admitted to you that he was romantically interested towards her. She told you that she felt really bad about it, but you reassured her that she had nothing to feel bad about, after all it wasn’t her fault. 
He had made you depressed. You thought that he had finally broken you completely, until one day when you realised that there was something left of him inside your heart still.  
You were at the Wayne Manor, because apparently you were invited to his birthday party. Turns out Alfred had sent you the invitation. But you really hoped that you had never attended. The image of him with a beautiful woman; tall, slim, brunette, that was a perfect match for him, broke the last pieces of your heart that were left. They were dancing, making people look at them in awe, while you were standing in a corner of the enormous room, trying not to cry and make a fool of yourself. 
Now he had completely broken you. 
You couldn’t stand watching him with another woman for even a second more, so you run away trying to get as far away from him as possible. You didn’t notice that you had led yourself to a room that looked more like an office. A piano was placed at the far end and you walked towards it. You were indeed a very exceptional pianist and Bruce was always making sure to always remind you of that. 
You run your hands on the keys, starting playing his favourite song. You purred your whole heart on that song, tears running down on your cheeks, sobs leaving your soft lips. You took out your frustration on the piano keys, playing random notes, until you heard a thud and the bookshelves in front of you moved. 
You were left in shock, but decided to walk towards them pushing lightly. 
A long dark hallway appeared and you followed wherever it was leading. A few moments later you were in a huge white- modern room.  
You had no idea what this place was and why it was so well hidden. You walked up to a desk in the middle of that room and looked at the screen. There were many symbols that you didn’t understand and you leaned down to take a better look. However, without realising it you had pressed on a button and a big sound was heard from behind you. 
You slowly turn around to see what it was, but what you saw left you speechless. 
Batman's suit. 
Of course you had heard about the Batman. Who hadn’t heard about the Batman in Gotham? 
But why was Batman’s suit in Bruce's manor? Unless... 
Your thoughts were interrupted as the entrance where you came from opened and in came none other than Bruce fucking Wayne. 
Once he saw you, he stopped at his tracks. 
“y/n” he exclaimed your name in shock. 
“What...what is that?” you asked while pointing at the suit. 
“How did you get here?” he walked up to you. 
“By accident, I didn’t really mean to. You know how much I love playing the piano and there was one in y--” he interrupted your rumbling. 
“Are you a spy?” he raised an eyebrow while looking at you with abomination. 
You looked at him with wide eyes. He really had thought that you would ever betray him? 
“Me? A spy? To spy on who, Bruce? You? You really think that after everything we’ve been through, I would have backstabbed you like that?” you complaint. 
“I haven’t seen you in a while, you’ve probably changed.” he said and you huffed a sarcastic laughter. 
“May I remind you who was the one that wanted to end our friendship?” you raised your eyebrow. 
“So that gives you a reason to spy on me? Who are you working for?” you looked at him in disbelief. 
“Are you fucking kidding me right now? You were the one that pushed me away, I was trying to help you. You've...” you bit on you bottom lip to stop your sobs “you treated me as if I meant nothing to you, as if our whole childhood was just a dream and that fucking broke me.” a tear rolled down on your cheek. 
“You broke me, Bruce. There's nothing left of me anymore.” you said in a whisper. 
“And now... now you have the nerve to accuse me of such thing? After everything? Yes, I should be hating you, loathing you, but I don’t... I never did. Instead, I...” you stopped yourself before saying something that you would regret. 
“Instead, you what?” he walked closer to you. 
“Forget it” you turned your head, so that you wouldn’t be facing him. 
“Tell me” he demanded. 
“Why should I give you the satisfaction?” you looked up at him with sorrow “you don’t deserve to know anything. You don’t deserve to know what I've been going through because of you. You don’t deserve to know how I feel. You deserve nothing.” you saw sadness filling his eyes, but he huffed out a breath and shook that feeling away. 
“What are you doing here y/n? you weren’t invited.” he said afterwards. 
“Are you still blaming me for spying on you?” you exclaimed “but just to let you know, Alfred invited me, he thought that we could’ve a nice reconnection, but he was clearly wrong.” he sighed. 
“y/n, you can’t say anything of what you saw here to anybody.” 
“After everything I told you, you still really think that I would do such thing to you?” you wiped your tears away and he finally lifted his head up so that he could look you in the eye. 
However, the sight of you with puffy red eyes, arose a deep feeling within him that he had to feel for such a long time. His eyes soften and his shoulder fell in realisation of what he had caused. You looked so broken; indeed, he had ruined you. But why? Why would you let it phase you that much? You were the one that was giving him hope every single time and yet now here you were in front of him, completely hopeless. 
He hated himself for that.  
You were the only one, apart from Alfred, that was there for him at his worst. Not even Rachel was. 
And how had he thanked you for that? By destroying you. 
“y/n...” he whispered your name and placed one of his hands on your arm. 
“no...” you tried to back away from him, knowing that any kind of physical contact with him would end you, but he stopped you. 
“What have I done to you?” you saw in his eyes that he was hurt, but why? 
“Please Bruce...” you tried to get out of his grip, but failed. 
“I thought...” he started saying but took a deep breath as he got even closer to you and placed his palms on both your cheeks with a frowned expression. 
“I thought that back then I had made the right decision by letting you go. Trying to protect from all this, but I was so wrong. I was so hurt, trying to hide away my feelings was making things even worse. But what I did to you... I thought you’d be okay, that you’d leave a happy life without me, meet someone, get to know him like you know me, date him, marry him, have children...” you interrupted him. 
“No, no, I could never do that. No, there will be no one for me anymore... not after you” you whispered the last part while looking down, hoping for him not to have heard you, but he did. 
“Why?” he asked and you finally looked up. 
“Because I love you Bruce” a single tear run down on your cheek “I have loved you so much, for so many years. I was waiting so patiently for you to come to me, because I knew that you’d always come back, but once you did... everything had completely changed.” you confessed. 
“What had changed?” he asked you confused. 
“You had changed, Bruce. Not only that, but as I was trying to help you out with whatever was going on, you were pushing me away, until one day when you told, straight face, that you wanted to do nothing with me anymore and that you had other priorities” your voice broke towards the end. 
“Yes, that was true.” you looked at him in disbelief “and would you like to know what my first priority was and still is?” he questioned you and you looked at him. 
“You were, you are and you will be forever my first priority. Till the day I die, I'll be trying to protect you. I'm willing to risk anything for your safety, y/n” he admitted. 
“Why then? Why did you let me go?” you asked in despair. 
“I told you; I thought it was the right thing to do. I wanted to protect from any danger that Batman’s reputation would cause you, but I was so damn wrong. I should have never done that, because as much closer you are to me, so much more I can protect you and...” he paused “and because it hurt so much being away from you.” he bit his bottom lip while trying not to let his tears spill out. 
“Bruce...” you placed one of your hands on his that were still on your cheeks. He looked at you. 
“Why are you with all these women?” you asked. 
“Because I was trying to let go...” he replied. 
“Let go of what?” 
“Of you” he finally said “I wanted so bad to forget everything about you; your beautiful eyes that were shining every time you were happy, your beautiful smile that never ceased to not make my heart speed up, your intoxicating perfume, your way of always finding the right words to say, everything. I even try that with Rachel.” 
“Did you succeed?” 
“Not even close” he slightly smiled. 
“Bruce...” 
“I love you y/n. I love so damn much and I don’t know why it took that long to tell you, but I'm glad I did now. Even though I wished I could tell you first.” he chuckled and you bit your lip. 
“Kiss me” you said while looking at him. 
“y/n...” he tried to say but you wrapped your arms around his neck pulling him closer to you. 
“Prove to me that you really love me.” and that he did. 
Without wasting any more time, he pulled you towards him and his lips finally connected with yours in a very long-awaited kiss. You immediately lost yourself in the kiss. Chills run up your spine, your legs started trembling and your heart was about to burst out of your chest. But so was his. Bruce wrapped his own arms around your waist, biting on your lower lip asking for entrance, while he was backing you up against the desk behind you. His tongue slipped into your mouth and he started exploring it as your fingers tangled themselves in between his soft hair.  
His hand went even more south, on the back of your thigh as he hoisted you up on the desk making you spread your legs so that he would get between them. He pressed his whole body against yours, while you were feeling your lips going numb. As you had started running out of air, he disconnected his lips from your and started kissing along your jaw and down on your neck. 
“I love you.” he said between kissed “I love you so much” you threw your head back at the beautiful sensation. 
“Bruce...” you moaned out his name and in a nick of time his lips were back on yours, encaging you in a bruising kiss. 
“Master Wayne...” you suddenly heard a voice and Bruce immediately turned around to see none other than Alfred standing at the entrance completely speechless. 
You immediately pushed Bruce away, feeling embarrassed, while you jumped off the desk. 
“Alfred” Bruce exclaimed. 
“Your guests are requesting for you” he informed him while a mischievous smile made its way on his face. 
“Yeah, I'll be there in a minute.” he said and turned back to you when Alfred left “where were we?” he smirked at you, but you pushed away. 
“We were about to go back to the party because your guests are expecting you.” you smirked at him. 
“Well, I am with one of my guests now, am I not?” he raised an eyebrow while grinning at you. 
“Let me remind you that Alfred was the one that invited me” you told him. 
“it’s my birthday, though...” he pouted. 
“Okay then, birthday boy, if you go out there now, I promise you that you’re in for a long night tonight.” you winked at him. 
“Shit y/n, you can’t do this to me” he groaned as you started making your way out of the bat cave. 
“Watch me” you challenged him as you walked away while swinging your hips from side to side. 
“fuck” you heard him while running up to you. 
“you’ll regret that after the party” he said. 
“we’ll see about that.” 
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anxious-witch · 3 months
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Since I can't seem to stay quiet and I all but made up my mind to stay away from the tag for the next week or so, let's talk about recent discussions about jance and bokris and this...weird ship war that has been going on, shall we?
Under the cut bc while I am annoying, I will spare you the essay if you don't want to read it, god knows I write too many of these.
I don't know when we as a fandom got to a point where we are even fighting over which ship is more likely, more realistic and if the other ship is "more queer coded" or whatever the fuck. I was under the impression that the fandom is meant to be fun thing we do, but that we are all aware shipping is something that's made up. And that even if guys play into it or even if someone is indeed really dating we are aware that what we think about it is irrelevant. Factually, even if someone "was right" about the ship, our perception of it will be widely different than the truth of real people's relationship. Because these are real people, not fictional characters. They cannot queerbait, and jokes aside, even calling someone queer coded is weird, you guys. At the end of the day, we cannot assume someone's sexuality based on how they look.
As for the whole bokris-jance discourse. I don't even know why this is a thing? Bokris people, you got fantastic solo photos of both Bojan and Kris, full of symbolism and got the fire-water link between them that's just perfect for fics.
Jance people, you got joined photoshoot, with Jan and Nace clearly being very intimately connected, which you can interpret in whatever way you wish in fics and fanart. The fact that there are less pictures speaks volumes about how private whatever they have is.
Both have it's merits. Both have it's weight. I don't understand this aggression and fighting over art. Art all of them participated in creating by speaking with Damon about it before doing the photoshoot.
I have friends who ship jance more and I have friends who ship bokris more. The truth about both is that we simply don't know what's going on behind closed doors. Even more importantly, is whatever it is that we don't know worth losing the community we built here? I feel like every time I get into the tag, there is something new people are fighting over. This is just the last thing that seems relevant and that most people got involved into.
But genuinely, I am just tired. I hope things calm down when the new song drops, although god knows there will likely be a discourse over that as well, but hopefully...less than this.
And yeah, I do know this will probably get me blocked from one or the other side or both but let's just...get it over with. Since I feel like this will happen again, I might as well make my stance clear now. Which is-I am not picking a side. I don't think real people can queerbait and that they'd do a joined photoshoot if they didn't have a very deep connection to one another. I don't think they also need their virtue defended because they definitely knew people will speculate after this. But I also don't think this 100% means they are together. Yes, it sucks that queer people need to outright say these things, but I also wouldn't claim a straight couple is dating unless they publicly announced it.
So yeah can we all just please try to chill and do fun stuff again, please?
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milgram-tournament · 3 months
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MILGRAM Best Song Tournament, Round 2, Match 3 MAGIC vs. MEME
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Propaganda for both options under the cut!
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Propaganda for MAGIC:
MAGIC MY BELOVED MAGIC!!! Its one of the best MVs in the entire series, even including T2. Magic is visually stunning and has some fantastic art direction but also is very clever in how it conveys its themes and ideas. Magic doesn't really hide anything from you, not really. It's all symbolic but it Tells You Things. It shows you the abuse, it shows you the cat. There's a fun little relationship going on here where, In Magic. Amane's pain and suffering isn't taken seriously by the people around her and the Audience we are discouraged to take it at face value due to the fictionalized nature of Magic. It's so cool. I'm so fond of the song as well, it's one of the best in the series purely cause of the Layers in it. The implications of this Inability to be good is seeped into Magic. Amane knows this isn't reality, Magic knows it's a show, she watches it at the end. And it's so Sad to me that even in her fictionalized happy world she Cannot be a good girl. It's a standard completely out of reach for her and that idea is just conveyed so well visually.
Im not even talking about the goddamn cat yet- the cat symbolism goes Deep. That cat is HER it has the same wounds Amane has in Purge March. I- I cant talk about the intertextuality of Purge March and Magic here this is Magic propaganda only- I- there's so much good stuff to Magic. I Re watched it over and over again. It has some the Best Writing and Visual Communication in Milgram and I will Die on this Hill.
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shoutout to magic for having pretty props AND being vague as fuck about the crime! diversity win!
seriously though amane looks SO cute in it! the mv has such a pretty and colorful style and even with that it's able to show the horrors of what amane went through.
adding onto my last point. that scene where the cat is hyperventilating and you see the camera shaking???? that scene where the mascots find amane helping the cat and they're all standing over her? CHILLS. im repeating myself but the fact that they were able to portray the awful things amane went through in a genuinely emotional way while still keeping the cute cartoon look is soo impressive
there are SO many layers to itill the entire cartoony style making it look like a tv show… utilizing the cartoony effects and bright colors to show amane downplaying her own pain… the transformation after she gets punished barely changing anything to show just how manipulated she was from the start… ueueueue
ALSO ALSO ALSO THE SCENE AT THE END WITH AMANE STARING AT THE SCENE? OHHH ITS SO GOOD it adds such a feeling of dread and reminds you on top of this whole thing that all of this is truly horrifying! something is going on here!
this song is so catchy it gets stuck in my head CONSTANTLY
"Dear wise one, Am I worthy? Is it ok to spoil myself?" AMANE... UEUEUUEUE
the little ding sound effects in the instrumental?????
amanes voice is ADORABLE
THE INSTRUMENTAL IN THAT PART WHERE SHES HELPING THE CAT HAS THAT GODLY TYPE SOUND YOUD TYPICALLY ASSOCIATE WITH CHURCHES AND STUFF AND I DONT KNOW HOW TO EXPLAIN IT PROPERLY BUT JUST RELISTEN TO IT AND YOU WILL KNOW WHAT I MEAN. ITS SUCH A NEAT DETAIL
i could go on about this mv for days but i am not a theorist unfortunately. just. magic sweep
Propaganda for MEME:
"MeMe is fantastic because it plays off the audience’s assumptions about Mikoto as a character and tells a “double story”. There’s layers to it and it’s deliberately deceptive in the way it presents the events out of order. Even the instrumentals themselves tell a story. The shift from piano in the second chorus climax is so good - and the way they combine in the last chorus, plus the addition of a violin culminates the song perfectly."
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"For propaganda: I love meme so much because even the music alone tells as whole story. It goes from heavy metal to calm to heavy metal to calm and that happens a few times and then there’s an epic and creepy intermission with an amazing guitar and a scary of sound of Mikoto’s heavy breathing. And then the psychedelic music and BAM the final chorus. The final chorus of meme just gives me the absolute chills. Like it’s the calmer chorus we see earlier but with epic symphonic metal and an amazing build up and climax like it’s perfectly encapsulates a story through music alone I just love it so much. Also it’s literally called meme lmao."
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"I could go on about the motifs in MeMe - like identity loss, living and dying, dreaming etc. It's a song, more than with any other character, about the inner self and what hides from the surface. Of the fear that comes with one's identity and place in the world being challenged and crumbling. The intricate designs on the tarot cards have so much depth to them"
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hikennosabo · 3 months
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#tristampparty day 12, episode 0: high noon at july
LAST DAY OF @tristampparty ALREADY LET'S GOOOOOO
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bang, bang!! nai liking movies is such a cute little detail, (it's in the manga too!!) i don't think it gets talked about enough. he went from thinking gunslinging heroes were cool to guns being a coward's weapon...
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i still can't really fully wrap my head around the higher dimension... it contains the "core" of the plants and... it's where plants pull matter and energy from...? yeah i CANNOT fathom it actually
also like. how did humans even discover how plants worked and what they could do. assuming the lore is the same as in the manga (for what lore there is in the manga...) and humans created plants. who what when where why how. humans made plants and use plants every day yet they're such a black box... uuaaaaa (steam comes out of my ears from thinking too hard)
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zazie's priority lies with the planet itself and whether or not worms will be able to continue to live and thrive on it, but i wish we got to see more of what the worms need to like. actually live and survive. they have a hivemind so they can't truly "die" (i guess unless every single worm is wiped out), but what do they need to live? we see that the giant worms eat humans, but what did they eat before humans crashed on the planet? tomas? other worms? do they photosynthesize? do they need to breathe? humans use worms for food and resources, but what exactly would knives have do to the planet to make it unlivable for the worms?
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the song that vash sings is... the song knives plays on his piano. in the original/98, the song that was important to vash was rem's song. here, that... may or may not be the case...? vash says the song "just comes to him," but in this scene he's forgotten rem... then again, the song isn't what helps him remember her.
there was a theory post from a while ago that posited this song is the voice, or... frequency of the plants(?) which could very well be the case. vash and knives taking that frequency and singing or playing it in a way humans can hear... rem was onto something when she called them a bridge.
i wonder how much of this scene is an actual memory. maybe vash did sing that song, and nai heard it, and they played it on the piano together. and that's why knives continues to play it in the present day.
maybe i'll go eat some rocks.
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this is reminding me of... in the manga when vash escaped from the ark and knives was begging him not to go. it's... yeah, pretty much the same. different scenario, but the same.
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this sequence is so gorgeous... once again i'm asking how people ever thought this anime looked bad. lmao.
BUT MY MAIN QUESTION IS THIS!!! IS THIS REALLY REM SPEAKING TO VASH HERE? we know that in trimax, ghosts kind of exist, right? like tesla appearing to the twins, wolfwood appearing to livio... is this a similar case? what's happening on the "outside" is meryl's voice reaching through to vash, right? so is this more like, meryl's presence reminds vash of rem, so this is what vash wishes he could hear from her? like is this coming from his subconscious? or... is it really the spirit of rem somehow...
i'm overthinking it. i'm overthinking it.
i wonder what rem's ghost would say to knives.
i'm obsessed with the fight that comes after. OBSESSED. screencaps don't do it justice, i love the weightiness, the camerawork, the choreography... IT'S JUST FUN TO WATCH!!!!
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THE BITE HAS BEEN POSTED SO MANY TIMES BUT I LOVE IT SO MUCH IT'S SO FUNNY. outside of when they were kids, this is the most they've acted like siblings this whole show and i love it.
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why are his boobs so big
and then there's the wings. the wings... and their context. manga readers know. they're a symbol of, hmm... not forgiveness, but... the first step to it, maybe. the love between them. flying to safety. supporting each other. being side-by-side. right?
they're using their wings to fight each other right now, so i'm sure the plan is to hit us with the wings again at the end for maximum emotional impact. the fact that they both have one wing each makes that extremely fucking obvious, i think. (remember in the manga vash sprouted 2 wings at first, which he couldn't sustain)
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I JUST LOVE THIS SHOT. IT'S SO COOL.
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oh. ohhhhhhh.
it's so interesting that the angel arm comes from vash combining(?) the cube with his gun... does this mean angel arms can't manifest normally? like, do you need the cube? or does the cube just make it easier? and what about knives, can he manifest his?? like this can't be the one and only appearance of the angel arm in tristamp, right, we're gonna need it again for the fifth moon and the ark escape, right??
(assuming those events will even happen in tristamp, but fifth moon AT LEAST is like. a constant in all timelines, i feel. like how time travel stories have "nodes" that can't be changed, right? but this isn't actually that kind of story. so who knows.)
...huuuuhhhh and i just noticed vash's prosthetic arm disappears when he manifests the angel arm. umm... i'm not entire sure what that means. is it because his gate was in his left arm...?
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hey where'd she get those binoculars
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crunch crunch crunch crunch crunch crunch crunch (i'm chewing on rocks)
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CRUNCH CRUNCH CRUNCH CRUNCH CRUNCH CRUNCH CRUNCH
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CRUNCH CRUNCH CRUNCH CRUNCH CRUNCH CRUNCH CRUNCH
"since when have we been so different"... kills me in so many ways, but... in episode 3 vash says that knives hasn't changed. ("since that time," he says, which i assume is referring to the flashback scene in episode 9.) and knives says right back at you. but here, vash is basically saying, who are you. you're unrecognizable to me now. that's literally what he says in the dub. and again knives says right back at you. "you haven't changed." "i could say the same of you." "who are you?" "who are you?" they're brothers. they haven't changed. they've changed so much. they know each other better than anyone else. they don't recognize each other anymore. they love each other. did they ever really know each other?
crunch crunch crunch crunch crunch crunch crunch.
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when i first watched tristamp the significance of this all was lost on me. i didn't know any context.
i didn't know that the original trigun started with july already destroyed. i didn't know vash's original bounty. i didn't catch the insurance department mention, or who eriks was, or chronica, or what it meant that the earth fleet was going to arrive, or this being numbered "episode 0"... nothing. all of it went completely over my head. oh i knew milly though. milly is forever.
but now i'm people who know. and i think orange's decision to adapt the story like this, to make it a prequel... is fucking ballsy and cool and i respect it.
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that being said, i still don't understand what zazie is talking about... and how they know this. i don't understand all the scifi technobabble with chronica at the end either... what i'm assuming is that the earth forces are keeping tabs on the higher plane(??) and/or on gate readings(?) and... were alerted to what was going on that way? does "crossing over the wall of light" just mean they're using warp drive? why can't zazie talk normally.
uagh. what a fucking journey, man, and it hasn't even begun yet. glad i got to rewatch and go a little crazy. i think the fixation is beginning to fade a little bit (it's been long enough, this is how my brain cycles through things) but the brainrot never truly goes away. girl with plant twins icon gets emotional about the plant twins once again, more at 11.
ty to @revenantghost for organizing i had fun!! :'D
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flamingphoenixfox · 9 months
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So… I’m obsessed with Warframe. Especially the Solaris. Back in early 2022, I was wandering around Fortuna with the goal of finding and translating text that wasn’t on the wiki yet. That's when I noticed what appears to be hidden text on some of the posters!
If you look closely, you can see it. It’s almost like there are letter indentations in the paper (I've traced some of the indents so they are a little more visible—unsure of accuracy).
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Transcription Key: (Printed Text) [Indented/hidden Text] Transcription: Image One: (The Orb Vallis: Fortuna) [Solaris United: Unite ??] Honestly I couldn't figure out all of what was on the same line as Fortuna on the posters. It might just be "United" again or "Unite" and some diamond symbols they use for binary - it's just too difficult to see to say with any certainty. Image Two: The black/dark blue poster at the top of Image Two is the same poster as in Image One. The pink/red poster says (Fortuna) [All workers must log extra time with formsmen/forms.] I don't really know what the last word is. It could be formsmen or forms with a mistaken "n" or something else. There might even be something hidden on the same line as Fortuna with this poster as well. I see hints of stuff, but that could just be my mind playing tricks on me after I've been staring at these for hours. Image Three: (Fortuna: For Sale Tools Weapons Food Supplies) [Solaris United: For Sale Tools Weapons Food Supplies]
These specific words and phrases don’t seem to exist anywhere else, so instead of being a glitch (insert joke about Warframe glitches here), it’s probably intentional - both from a game design perspective and a lore perspective! It's fascinating to consider, given the social environment in which the Solaris are forced to live. Under the control of Nef Anyo and the Corpus, they would have to be very careful with how they pass around information, and secret text would be a great way to do this! I think this is a good example of subtle world-building by DE, and I really appreciate them for that!
Speaking of more world-building—they also have additional signage that hints at other stalls available somewhere in Fortuna:
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Transcription: (Kinoko) (Hanaset's Bar) (Aphrodite's Tavern)
I really wish these were places we could visit! Wouldn’t it be nice to order food that offers a temporary buff or rewards standing? You could visit the bar or the tavern and listen to different Solaris pub songs or eavesdrop on new conversations about SU! Access to additional vendors in general would just be great! Like, y’know, a clothing shop for example! (I’m actually working on that particular concept myself, but that’s a topic for a future post lol)
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accio-victuuri · 8 months
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SBMS Clowning Series ☀️ v.4
I can’t believe we’re so close to the finale which is episode 36. It’s always so fast when these dramas are released but i’m not complaining that we got it faster than his other dramas. We also have a lot of content — from photos, bts and interviews. 💪🏼
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The reason why I want to make this part of the round up is this scene in SBMS, it’s the last scene that the crew shot which is when SY and JB were watching fireworks. Especially the line JB said. I think i’m not the only BXG who thought of XZ’s wish for WYB when they heard this : “I hope you don’t come to the complicated and boring world of adulthood soon. It means i hope you grow up slowly.”
It’s a pretty popular CPN that the long bday messages are made by ZZ so to hear something similar in the show is sus. You can say that it’s a usual “wish” or that ZZ is not the scriptwriter. and that’s right. However, ZZ has improvised a couple of scenes in this drama. ZZ has worked closely with the scriptwriter and director of the drama — so we cannot remove the possibility that he may have brought up this line or idea.
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there are instances in this drama when we CPNd and thought that ZZ improvised it and we were right. for example accidentally holding JB’s hand @ the subway or the thing about you s/o being your “charger”. so i’m not gonna be surprised if one way or another we get a confirmation about this. 💓
anyway, moving on to other stuff…
SOME SIMILARITIES/ Coincidence:
• “Eating” the tissue after eating. Normal people will just wipe it or will do that but not for long like they do. With the examples, it looks like WYB does this more and GG was infected. Lol.
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• The BGM of recent douyin posts from both sides is the same 🙃. I don’t know how popular this song is now in douyin, cause this is tiktok after all certain sound clips become popular and everyone start using it. But it’s interesting that it’s videos posted the same day.
some are saying that since the SBMS post was “romantic”, this is WYB’s answer. He is matching the BGM. Also the caption ( YBO official ) had a star emoji in it. Why didn’t he just make it the sun 😂😂😂 I think the star can be connected to the Douyin update from the day before, where ZZ was holding a star toy.
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• This will make the most sense to those who watched the recent episode, but there is a scene where SY asks the “bear” if Jian Bing is the most beautiful and it lights up meaning yes. Lol. That kind of shamelessness in praising reminded us so much of WYB!!!!!
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• XZ WHERE DID YOU LEARN THIS MOVE HUH? Is this one of your improvs? I’m screaming!!!!
It’s like he got tips from the things WYB did before, who was younger than him and what worked to make him like/love the gremlin more. 🤣🤣🤣
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• For some next level clowning, in ZZ’s weibo video post — what number do you see? 8? 👀
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==============================
Interview highlights. This covers ZZ’s recent content for SBMS promos. Ones that remind us of bjyx clues and symbols. Just to disclaimer that the purpose of this is not to portray ZZ as someone who can’t be his own person. How we always have to connect things back to WYB in everything he says does not mean any harm. It’s all CPN. We are very much aware that ZZ is his own person. 😌
SINA INTERVIEW:
What stood out to me was when he talked about evaluating himself everyday so he can improve. This is something similar that he has with WYB. They only want to be better and expand their skill set. They are also open to criticism.
There was also a part where he talked about equality in relationships when there is an age gap.
“being equal in any relationship, no one is higher or lower than anyone else, everyone is in a very fair and equal relationship and in getting along.”
Do you have some experience in this ge? I have to say they are equal — especially in spoiling each other. ^^
AND LASTLY HOW HE expressed his interest in playing a charming and cute villain. Lol. He said a couple of times already, someone please listen. WYB already did Mister Ye who is sort of the villain. I hope ZZ can play something like that too.
RUXI INTERVIEW
His answers tend to very similar in these interviews and i think that’s largely because the questions are similar. Especially they ask about his experience in the drama or his interpretation of Shengyang as a character.
But in this interview, he was asked about being an actor and his answer 😭😭😭
I’m definitely still on the road to acting and becoming an actor myself. This road is still very long. I have to walk it step by step in a down-to-earth manner. It’s more interesting to me.
I mean. Just look at the tagline of my blog. Yep, the road ahead is long. We will be here for you ^^
FOX FACTORY INTERVIEW
How he talked about memorizing his co stars line as well. Some CPFs are speculating that this started with CQL. It’s because him and WYB were sharing one script book. Which btw, he never did again with his other co stars.
THIS PART which made me giggle. They were asking about the heroine he would want to play with and he completely goes back to his desire of playing the villain 🤭 If you don’t wanna answer it, just say something else. Of course a co star is important, but I think for ZZ, he is more into his role as an actor. He is focused on himself.
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Also this one. A very thrifty GG! Practical. It’s in line with the fake rumors that he scolds WYB for impulse buying 😅😅😅
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-END.
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some-triangles · 10 months
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The song that's been in my head for the last month and change is Beeswing by the folk-rock legend Richard Thompson. It's become kind of a modern folk standard - in Ireland, particularly, as far as I can tell. Richard Thompson is one of those people who you suspect of being a genius and also of being an asshole. He's got a famous Bitter Divorce Record to his name but he may be the only person to have recorded one with the woman he was divorcing. He has never been as famous or as rich as his talent would suggest he should be and he seems very aware of it.  He’s one of my favorite guitarists.
Beeswing itself is your classic song about a girl which is actually about the guy singing, his regrets at the road not taken, growing old, etc.  Here’s Richard:
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Man, I’d like to be able to play like that.
It isn’t the first result that comes up when you search for Beeswing on YouTube, though.  That one belongs to Christy Moore:
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Christy is another folk-rock legend, but he’s even less rich and famous than Richard.  He’s a leftist and an Irish republican, also, whereas Richard is your standard liberal who wasn’t too proud to accept an OBE.  In this video Christy never mentions who wrote the song - he’s only singing it as a tribute to his dead friend, who liked it - and he also fixes it.  He removes Richard’s beautiful but showy guitarwork, rearranges the verses, snips little words here and adds them in there.  He streamlines it, clarifies it, takes out the weirdly violent part, and manages to make the song, in some way, about its putative subject.  I wonder if he did this pointedly or if he was just a craftsman at his work. 
In doing this he created a fork in the song’s history.  There are covers of both versions online - for the most part, the polished ones follow Richard’s, the raw ones follow Christy’s.   Some of the latter seem to be reaching for a third subject of the song, which isn’t wistfulness for a girl who symbolizes an imagined lost freedom or genuine tenderness for the actual woman but anger at the system that makes you pay such a steep price for the chains that you refuse.
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So the Irish own this song now. 
This post doesn’t have a moral - it’s just me clearing out my latest mini-fixation to make room for the next one.  But it’s always good to remember that you lose ownership of your art the second you put it in front of other people, and that it doesn’t ultimately matter what you meant by it if someone looks at it and sees something better.
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fionajames · 6 days
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anzac day -> lest we forget
I would like you to do me a favor, and try to picture a scene in your head. Attempt to picture a land of mud and heat, blistering your skin as you merely stand. Head to toe in thick uniform, you and your troops stand in preparation for the landing. Imagine the moment you receive the order, sent to run over those muddy hills, bullets flying your way as they seek to kill.
This is what the landing of Gallipoli felt like for the 16,000 ANZACS on the 25th of April, 1915. The conditions of Gallipoli of course grew worse over the time of the campaign, with the heat or cold, disease, unsanitary conditions, terrible food and of course, the daily deaths of fellow soldiers taking its toll.
I figure I ought to explain what ANZAC means before anything else. ANZAC stands for Australian and New Zealand Army Corps, and was the title given to the armed forces who fought in the Gallipoli campaign during World War 1.
ANZAC Day is held on the 25th of April, the same day the ANZACS landed in Gallipoli that fateful morning. 2,000 soldiers were killed or wounded upon the first day, and those who weren’t killed were left weak. 
The Gallipoli campaign lasted until the eighth of January, 1916. A total of 8,159 ANZAC troops lost their lives. As sick as it sounds, the death toll isn’t very high. Gallipoli was important for many reasons, including that it was the first major amphibious assault in modern warfare. But it’s also so important because it was seen as a failure, and yet the troops kept going. The soldiers were seen as the bravest of them all.
ANZAC Day is held all over Australia and New Zealand, ceremonies and marching alike to remember the fallen and the serving. We do many things to commemorate the soldiers fallen and alive, some being the Dawn Service and the other numerous marching and ceremonies of course.
Another thing about ANZAC Day are the flowers. Most notable of these are poppies, famous among Australians and New Zealanders for ANZAC Day. Poppies were among the first flowers to grow back on the Gallipoli front, and ever since then they have been a symbol of hope and remembrance for the ANZACs. Another is rosemary, which means fidelity and remembrance. Many people will be wearing poppies and rosemary on ANZAC Day, a sign of their remembrance to the fallen and those who served. 
This is a poem by John McCrae called 'In Flanders Fields'.
In Flanders fields the poppies blow
Between the crosses, row on row,
    That mark our place; and in the sky
    The larks, still bravely singing, fly
Scarce heard amid the guns below.
We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
    Loved and were loved, and now we lie,
        In Flanders fields.
Take up our quarrel with the foe:
To you from failing hands we throw
    The torch; be yours to hold it high.
    If ye break faith with us who die
We shall not sleep, though poppies grow
        In Flanders fields.
Something that happens here is we play a song called ‘The Last Post’, which is then followed by a minute of silence. During this minute of silence, we remember the fallen, dead, wounded and survived. 
It would be a great favor to me if you could reblog this, no matter if you're Australian or New Zealand. No matter where you're from. ANZAC Day is about remembering war, the fallen and the survived.
Lest we forget.
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paladin-n-cleric · 2 years
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finally elaborating on this theory 🫶
i saw the post abt the california dreamin’ foreshadowing and immediately ran to find meaning for white rabbit
which!! by the way!! is the very first song to play in stranger things (excluding the original scores)
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it plays in this scene, where we first get insight into the magnitude of el’s powers.
i have a s5 finale concept where we get insight into will’s powers and he and el, who started the show, will finish it together, while this song plays; it was the first song in the show and will therefore be the last.
anyway! i wanted to find symbolism in the lyrics, which are very strange because the song is about alice and wonderland, or the aftermath of having psychedelics, or the social experiments of mind expansion through drugs. it fits the story, clearly.
this is one of my favorite songs in stranger things, and after looking more closely at the lyrics i pieced some stuff together!
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it’s just. DO YOU SEE THE VISION
oh and also!!!!
”when the men on the chess board get up and tell you where to go”
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potential “it was all just a game of dnd” or something ?????
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Just thinking about the line from My Boy Only Breaks His Favorite Toys:
I'm queen of sandcastles he destroys
A lot of people have touched on Taylor using castles and palaces as a symbolic representation of her career, body of work, specifically those stolen works and versions of herself. They're locked away in a high tower and separated from Lover - TTPD Taylor.
The tension at the end of Bejeweled, when she walks smiling onto her balcony only to quickly show her castle on fire was, in my opinion, easily overlooked. Was she burning it down or had it already been burning down without her noticing? A stone castle on fire would require some orchestration.
Fast forward to TTPD, the line above from MBOBHFT stuck with me because the "boy" here is destroying her sandcastle. Sandcastles are a study in impermanence. We build them as an incredibly basic recreation of the real, impenetrable, almost indestructable thing. But we do so knowing they can't last, they won't. Eventually the tide will wash them clean away or the wind will erode at the structure until it turns back into sand.
That means "the boy" in question is preemptively destroying something that wasn't supposed to be forever anyway.
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The first thing about this song that lit up my brain like a firework was the lyrical parallel to Cruel Summer. I mean, if Taylor uses the word "toy" in a song you know it's gonna be sassy af, ok? A girl takes notice.
Fever dream high in the quiet of the night You know that I caught it Bad, bad boy Shiny toy with a price You know that I bought it -------------------- The sickest army doll Purchased at the mall Rivulets descend my plastic smile But you should've seen him When he first got me My boy only breaks his favorite toys
Now, I have had my speculations (as have many others) about Cruel Summer not being a love song, but a PR-ing song. I almost immediately thought the same of MYBOBHFT.
Fortunately, the Barbie movie covers a lot of ground for the "why is using a kind of Barbie-Ken like dynamic excluding a romantic narrative?" Because she's Barbie, he's just Ken, Ken is basically an accessory. Anyway I think this song is absolutely talking about several people or experiences/problematic Hollywood structures etc. in a very smart twisting narrative.
"Fever dream" is playful here in the same way she uses "sickest. " The doll isn't sick and the narrator of Cruel Summer isn't running a temperature. "Shiny toy" and "sickest army doll" feel like even clearer parallels — one "with a price / You know that I bought it" and the other "purchased at the mall." I like the reversal of "You know that I caught it" and "When he first got me" because catching isn't as active as buying. Something happens to you if you catch a fever or something is thrown at you - and that feels like an entirely different he that "got" her. Another play on words because that sounds like ownership and tricking.
I was so confused by sickest army doll at first because she sings it in such a (Lana coded) morose way. I was trying to imagine a sickly Army Barbie? But I think the smart way she's written these lyrics (please read her lyric booklets they are incredibly sneaky, brilliant works of poetry) she's not referring to the "me" as an army doll. In fact what's an "army doll" little kids think are rad? Hm... a G.I. Joe?
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The bait and switch of it all, the sandcastle-like metaphors, continue with the above. It sounds like "there were so many reasons why we should have been together forever." But word choice is where this poet shines.
"Litany" is one of those words that always registers to me a "a list" but it's actually got religious roots (of course - this album has so much of that): a form of prayer used in services and processions, and consisting of a number of petitions.
It can also mean "a prolonged or tedious account," which is why you hear an expression like "litany of complaints"... Got it so you had a tedious amount of prayers and petitions *checks notes* for why you could have "played for keeps" THIS. TIME. Have there been other times? Oh right, yes, she's "just repeating herself."
Play for keeps is another one of those terms we use, but don't always know it's full definition. One such definition is "to do something seriously and without showing any mercy."
This sounds less like holding onto a lover who wanted to leave or mistreated you, though I think that should also another lens to view this story... perhaps change lover to authority figure... and more like two people who struck an agreement (one that upheld some good christian values?? too far?) to battle something together... and one of them couldn't stick it out. Perhaps because "he saw forever so he smashed it up"? He was a Bolter too.
So she just wants to be put back on her shelf so she can go through the cycle all over again. In fact, pull a string and she'll repeat the lines she knows so well. Copy+paste.
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"I used to switch out these Kens, I'd just ghost" to "I felt more when we played pretend / Than with all the Kens" with her GI Joe? I mean lumping a "lover" into a category with Kens and any kind of doll purchased isn't the most loving way to refer to them lol. And I can't help but notice she's only ever played pretend with all the Kens. But what do you do with your shiny toy when they don't want to play anymore?
The lyric video is simple, but each line comes up one at a time and "breaks," floating pieces falling out of frame. At the end we pan down to see the collected debris.
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A pit of broken words.
Also worth noting you can see among the blurred graveyard of words a couple of them are crisp/hidden. They're "Boy breaks his only favorite" or "favorite only"... or his Favourite?
Anyway, we come back 'round to the sandcastle metaphor that got me started. I don't think Taylor's princess castle and her sandcastle are a perfect one to one match symbolically. A stone castle was built with the intention of lasting forever, if it catches on fire that would be surprising... more akin, to me, to her career or Taylor TM?
A sandcastle, however, can't last forever, it's not meant to, but you still build it knowing that. Like an arrangement, contract, role, etc. business or otherwise. For someone to snuff out a sandcastle before time or tides or the inevitable does that for you seems needlessly harsh. Even a short-lived imitation can mean something if you enjoyed building it. In fact, that's the only part that gets to live on once a sandcastle is washed away. And it seems like even that part was ruined.
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