#there were legit like 5 or 6 different kinds of animal tracks back there

[psychoticwillgraham]

I THINK that is a small deer track but I'm probably wrong

thank u!! honestly that’s what i thought too but that’s just really unusual for one to be this deep into a residential area. well ok, we have some woods just down and up the street on the side road that leads into the main drag of town, so yeah it’s possible. never heard of one on the residential streets tho and im rlly sad that I missed the lil guy :(

[stilydinski]

Anime Pretty Boys™️: A List

So basically no one asked but all of a sudden I felt the need to make a top 10 ranking list of some Pretty Boys in animes I could think of so why not share with the weebs.

To clarify: When I say Pretty Boys I mean pretty and not hot in general ! There are so so many more attractive characters out there but this is a list of guys that just look so incredibly beautiful it makes me want to bawl my eyes out. While I ofc would sell my organs for tons of anime boys, these are just the ones that make me go "mmhhhmm pretti" before thinking they're hot or whatever. I hope this makes sense aha ha.

10. Chisaki (My Hero Academia)

Those of you who haven’t seen the show might be asking yourselves what’s up with that mask but let’s just ignore it (masks are a thing everywhere now anyways right? man’s just staying safe ssjsj). Basically when I first saw this man I was speechless because wow his face is so ?? intense and pretty at the same time. The hair is casually messy, the eyes boring into your soul and the ear piercings are just hot. Also his style??? hot damn?? i mean the jacket he always wears looks so mf expensive and the suits like Yes Sir fuck me UP but at the same time he is so intimidatingly pretty that I wouldn’t mind joining the bad guys here. However because of the high hotness factor he’s lower in the list might be the dangerous aura who knows

9. Sesshomaru (Inuyasha)

Basically this man has more elegance than anyone could ever obtain. The way he always wears this fur thing on his shoulders just as a statement and never gets it dirty or loses it? an icon. Everything from the hair to let’s call it the “make up” to the outfit is just on point and you won’t ever catch the man slipping. This is the only character ever that could make me disregard the fact that he’s technically a dog demon and over 500 years old and just let him step on me.

8. Daisuke (Fugou Keiji: Balance:UNLIMITED)

I don’t think I need to say much here. First time I saw this man I was legit already on my knees without knowing a single thing about him. Some of you might say he’s more hot than straight up pretty but I beg to disagree because he is genuinely one of the most beautiful men I have ever seen. Now I do agree that in comparison he certainly can be considered more hot which is why he’s a little lower on the list however you can’t tell me that his face wasn’t shaped by God personally.

7. Usui (Kaichou wa Maid-sama!)

ON GOD if this man asked me to marry him I would not hesitate for a single second. Effortlessly pretty, the flavor is immaculate, never tasted anything like this before. Not only is he the perfect man but his face is so insanely pretty. Now Usui’s more of a casual beautiful because his face doesn’t necessarily have something outstandingly special but as a whole there is just not a single flaw.

6. Victor (Yuri!!! On Ice)

Now, you can’t tell me the hair doesn’t hit different. The man literally looks like a Greek God like that’s just a FACT we all know that, he knows that, Yuri knows that, the other Yuri knows that. Man's literally chosen to do the most elegant sport looking LIKE THAT as if he wouldn’t completely change figure skating forever. His face is so pleasing to look at because he just has this angelic aura around him that makes you think he came down from heaven personally to raise the bar for us all.

5. Yato (Noragami)

Let me just say what we are all thinking: EYES. I can’t think of anyone with prettier eyes and that’s for a good reason. Yato’s not a God for nothing, the godly looks are very evident even if he’s a little bruised up in the gif. His face is perfect, the hair looks elegant and yeah the eyes are just mesmerizing. Homeboy might be spotting a track suit at all times but damn he can wear it while living his Immortal Pretty Boy Life.

4. Guren (Owari no Seraph)

This one’s a funny one because let me tell you I know absolutely nothing about this man. I have not seen the anime and I barely know his name but I saw this man a few weeks ago and when I tell you I almost started crying I mean it. It’s hilarious how this man could be the biggest asshole who murdered my family and I’d still think he’s insanely beautiful. Now I sadly can’t get into this as deep as with this others because I have zero knowledge about him but the fact that he was the third person I thought of when making this list even if I don’t know him should say enough for now. Face is 10/10, he’s living that pretty boy lifestyle doing whatever it is that he does but god does he look graceful while doing it.

3. Shoto (My Hero Academia)

Now THIS. This is interesting because can you BELIEVE that this incredibly handsome boy does not even KNOW how pretty he is? Looking like that he would be allowed to have such a huge ego but he isn’t aware of the facts??? The two colored hair and eyes are both iconic and groundbreaking. His face just screams pretty boy in every possible way and on god i would do anything for him to realize that. Everyone in Class 1A knows how beautiful he is except him?? I could write you a three pages essay on how beautiful he is and that would just be the outer appearance without getting into his great personality. I would be ready to declare my love for him on 10 pages in four different languages but let’s not get into that now.

2. Akaashi (Haikyuu)

I honestly don’t even know how to start this. Akaashi is one of a kind. I lie awake at night thinking about the fact that he is so insanely beautiful and I wonder what the creators were thinking. Imagine you wanna create a volleyball anime and while drawing someone who is not even on the main team you come up with this? What kind of process goes through your head?? How could you publish a character like this knowing no other character you ever draw will ever live up to his pretty face? I wouldn’t know how to act. Looking at Akaashi is the most pleasing thing and the fact that he is not only crazy pretty but also has the best personality just sends me over the edge. No one’s doing it like him. This man can have my credit card, my house, my family and my liver, he can take it all and I would still worship him like the God he is, thank you.

1. Howl (Howl’s Moving Castle)

Ladies and gentlemen, may I announce the prettiest Pretty Boy of all time. This wouldn’t be a list of Pretty Boys without Howl. The man literally invented being pretty and god is he dramatic about it. Most of us probably count him to our childhood crushes. Remember when he said “I don’t see a point in living if I’m not beautiful” because he accidently dyed his hair black? I have never seen anyone this dramatic but of course his ego is big with a face like that I mean if I looked like THAT I would act up too. I would drop everything for this man and that’s on Sophie leaving behind her life to live in his castle yeah i know she didn’t do it for him back then but lbr i would. Anyways Howl literally said I support the ugly community but it ain’t me and it’s true, if you look up Pretty in a dictionary his picture will show up. I honestly don’t know what else to tell you because Howl leaves me speechless on a regular but that’s fine.

This marks the end of my list, please let me know if I forgot someone. If you made it this far with reading this mess thank you for keeping up with my amazed ass, i’ll go cry over how beautiful everyone on this list is now. I will probably regret the rankings in a week from now so don't mind them too much

[steve0discusses]

Yugioh S4 Ep 15: Yami Joins the Bay Area Tribe By Throwing a Riot About Sports on Caltrain

So as you’ve probably guessed because of my lack of posts--I got kinda busy with life stuff and just got hit with this really nasty flu at the same time. Yes, I am in a Coronavirus-affected area but no, I don’t have it and I am not dying (although I did do the right thing and quarantined myself anyway, much like a whole lot of the Bay who are just...working from home. Traffic’s been great.) It’s just that every January/February I tend to fall apart and get the flu so bad I lose my voice for 5 days. This year was 6 days. I just catch the flu a lot, but at least I get my shots so it’s not as bad as it would have been.

So, I took a hell ton of Nyquil and Dayquil and while I’m...functional...I don’t know if any of this make sense. So forgive my rambling. I usually ramble, today I’ll be like...hella rambling. About TRAINS.

So anyway, Lets talk about Yugioh.

Lets board a Californian train!

Yugioh has decided that out of every vehicle they’ve devoted episodes to--they haven’t done trains yet, so it’s train time. Train time...in America...which is not a great place for trains. Like I never really think about it but...people take the freakin Greyhound over trains. Which is wild, guys, the Greyhound is...it’s a state of mind. We ignore trains so much.

It’s just really funny that they left Japan to go to America to ride a train when it’s like...the show takes place...in Japan. The land of wonderful trains. But wtv, they wanted ye Old Western experience.

Anyway, Rebecca really wanted to go on the train with them, but everyone pretty much decided that children were no longer safe on this trip with Yugi and co. The fact that Yugi and co are also children is something I guess we decided to push under the rug. I mean Duke Devlin has a freakin job and a work Visa at 17 so...that’s adult enough, right?

(*in a very Roaring Camp Railroad Commercial voice, and over the dulcet sounds of a banjo* More TRAINS under the cut!)

And then Arthur decided to just really grill it into Yami for some reason.

I think it was mostly to act as a recap but damn, Arthur Hawkins just really seems to hate Yami for killing Yugi. Anyway, lets get a good look at our train.

Surprisingly for this show, they decided not to put us on the Roaring Camp Railroad through the Santa Cruz Mountains, instead, they put us on an actual legit commuter train, and it blew my mind because...it’s the CALTRAIN.

That’s my train! What’s my Caltrain doing in Yugioh!?!?

They even got the paint job right! This is absolutely the Caltrain!

We never update this train. So yes, it still looks like this over 10 years later. It’s very underfunded.

+++THIS IS TRAIN FACTS FEEL FREE TO SKIP TRAIN FACTS+++++

So the Caltrain was originally privately owned tracks--which is how they are really nicely laid out--a private company bought everything/pushed out the old owners before the place got developed. When trains went under, the tracks were purchased by the State and then given to Amtrack to manage. So, Caltrain is strictly property of the State Government but still run by the Federal Government at the same time. Don’t ask me how it works, I don’t know, I just pay my taxes and it goes vroom.

We’ve wanted to extend the Caltrain down to Southern California for a very long time, but because of corruption and a lot of people in politics refusing to expand the Bay out of the fear of maybe dropping our housing prices to reasonable limits, and the fear of making it way too feasible to get more children to Disneyland, the track has stayed roughly the same length for over 40 years.

Overall, It’s less drive time than this duel that takes up this next arc, I’m pretty sure. I’m gonna guess that the duel will be 3 episodes long because c’mon. This is Yugioh. It’s always 3 episodes long, like a Nintendo boss.

Anyway, all these train facts are things that are probably so weird and foreign to places that have ample trains--but in America, we just don’t have a strong train lobby compared to our auto lobby. So, I’m sure that people in Japan making this series thought “Oh they’re on a train--it can just go forever because why wouldn’t it be long? Aren’t all American trains connected?” but uh...it’s a short train. Like we’re talking like a few hours max, and that’s only if they’re starting from Gilroy.

I will say that BART is longer and has multiple tracks, so you would think they’d just take BART instead. But, it goes under the ocean for part of it, and we’ll get to why that would have been a very big problem in this episode later. Also, BART is very gross and no one wants to animate that outside of a horror movie.

But at least they didn’t go way out of left field and take the SF trolley. The Caltrain does actually go pretty fast. It...kind of makes sense. They did actual research into a real thing that we do have.

++++END RANT ABOUT THIS TRAIN AND HOW NONE OF THIS EPISODE MAKES SENSE BUT IT’S YUGIOH SO I WILL IGNORE THAT++++

And youknow...there’s something just so adorable about seeing desert mesas reflected in the window of the Caltrain. It’s just delightful. Because, in reality the entire stretch of the Caltrain is very densely suburban/urban, and the only place where it isn’t surrounded by city is when it’s flanked by the sea.

But yeah, just put mesas on it!

*freakin curtains*

Joey and Tristan hit the “dining car,” which I don’t think is a thing in any form of commuter train. These trains are for trips the length of about 1 extensive Puzzles and Dragons session on your phone, give or take.

(And man, speaking of, the Yugioh PAD collab was so good, guys. Ah man. Been wrecking like every dungeon in multiplayer ever since Bro and I both got a Yugi to put as our leader. He’s basically one of the best leaders in the game right now and I feel like people at PAD were huge Yugioh fans because they were like “what if we made...basically every Yugioh pull into a freakin beast that broke every dungeon in the game?”)

I can’t believe Joey Wheeler went thousands of miles from his homeland and was like “I better drink an American soda” and chose Orange. I mean he might be drinking an Arizona Tea, but I’m pretty sure he thought “ah, Kenan and Kel, right?” and just nabbed the nastiest soda that exists outside of grape.

I feel like I can still taste the orange soda I drank over 20 years ago. It is terrible. It is SO orange. Gross. But at the same time...good? I really don't know with Orange Soda. It’s probably gross.

Meanwhile, Tea decides it’s an appropriate time for Yami to work on his social skills. Now. When he’s visibly grieving after being berated by his Basically-Step-Grandfather and Rebecca.

And then we find out something I’ve never realized before, and it’s that Tea is really bad at social cues. Like maybe even worse than Yami. Like, I dunno how Pharaoh could look more like an angry cat/hedgehog but Tea was not picking up on it.

And y’all I’m not making that up, these are the topics Tea actually came up with for the guy who just saw his best friend die/was very implicit in said murder. Beaches and Bathing Suits.

She got over Yugi being dead like immediately.

Of course, this episode is kind of weird because, much like this show has done so many times already, these guys are still struggling to truly understand that Yugi is two people in one body. Tea sort of comes to this realization as if she...forgot that she has stepped inside his actual head and seen this for herself.

Or maybe it’s denial, but I’m thinking maybe the show did this for the new people coming to the show, to explain a rather complicated thing that took 3 seasons to cement in our minds. But still, it makes Tea seem very forgetful over a guy she should sort of be dating I guess.

Anyway it’s their first real fight. Kind of. I mean it’s hard to tell if anyone on this show is dating, and it’s equally hard to tell if they are fighting, too.

Well, first real fight if you don’t count Zero when Yugi tried to make out with Miho over a card duel, but I think we’re all doing our best to forget that ever happened. Yugi especially.

Or I guess that time she strangled him nearly to death in the nurse’s office when Shadi took over his body. That counts as a fight, right?

Ah. Now we’re on Caltrain.

Don’t take it the wrong way, Caltrain is actually our higher end safe train, compared to our other transit, BART, which will always sit you next to a weirdo, guaranteed. Caltrain--you can take a good nap on Caltrain. BART...you will never feel comfortable enough to take a nap on BART (also because there’s not enough seating room anymore)

But a lot of people who take the train are just freakin WEIRD. I used to take the Caltrain with my older brother (different bro than the bro of this blog, this is my chaotic neutral bro) because we both worked near the same place in downtown SF, and he would always take with him--I kid you not--a 2 liter bottle of Mountain Lightning for a snack.

For those not in the States, Mountain Lightning is the offbrand Walmart version of Mountain Dew. Yes. I know what I said. It seems dumbfounding as Mountain Dew is already an off brand of Sprite--the true lemon/lemon lime--but indeed, like Inception, you can always go deeper, and if there is a soda so bewildering and random, my older brother will be ON IT.

Anyways, my older bro is a train weirdo, so not only does he prefer Mountain Lightning to Mountain Dew, he would take out a 2 liter from his backpack, tilt back his head, and just chug the whole thing straight from the huge ass bottle in front of God and everyone on that train.

He’d polish it off completely on the ride there and the ride back, because my older brother has this weird medical problem where he can’t really feel pain and he has an insane metabolism and never gained weight until he was like 32, so he can just...chug as much soda as he freakin wants. So, at some point of the trip he would have to use the very tiny bathroom, and it would be very urgent, and he’d just scramble over me to get to the aisle and then kind of skip and hop all the way there on the rush hour train that was completely full of people.

Like, most people don’t even know that Caltrain has a bathroom--well now you know, and for several years there, it was just always taken by my brother violently pissing. That was us (well...him). My apologies.

In case your curious, now my bro has hardcore acid reflux, and all he needs to do is stop drinking so much damn soda, but it’s been very hard for him, so he has cut back to “diet soda”. This is still a lot of soda and it still causes acid reflux. His doctor is working on him.

And yes, Diet Mountain Lightning exists. That’s just so many steps removed from Sprite at this point.

Anyways, enough waxing long about train memories, lets get back to the show, because it’s not this season of Yugioh until there’s a problem with the commute.

Unrelated to Pharaoh punching the walls, everyone has “disappeared.”

My bro looked up the Wiki that says there's “no explanation for the missing train passengers” but we all know what that really means on this show, right?

So, how many people fit on Caltrain?

There’s just NO WAY they’re alive anymore, right? Like Yugioh went and killed 756 Bay Area passengers because...it’s a filler season!

I really feel like there’s just no way Seto or Bakura will ever catch up to Darts’ death count at this rate.

After this, we have ourselves this fun train-jumping trope.

Pretty sure it was the superhuman opposing force of Tea jumping from the back train to the front of the train that forced the back to lose all of it’s 100+ mph momentum and immediately come to a full and complete stop.

Not sure how Darts did this thing with the train separating. But he did. Or maybe it was Rex and Weevil? Either way, he somehow managed to do this well enough to strand Joey and Tristan on the other side of the line that now has no engine.

(course I say this like in 1400 AD the Bay wasn’t full of the Ohlone. this place was basically always developed because...the weather’s hella good when it’s not on fire.)

Now if you go East--southern Utah looks like this, and parts of me wonder if maybe the artists thought they were taking the train all the way to Florida. Did the English dub add “we’re taking the train to the airport” because they knew there was no one in their right mind in America who would take a California-Florida train?

I have no other explanation for why the Bay Area looks like this, than to assume that this is an alternate California where there never was a Loma Prieta Earthquake and also one where Seto and Pegasus bought out and destroyed both Steve Jobs and Bill Gates. Which makes Seto and Pegasus sound like just real true heroes, never paving any sort of way for Mark Zuckerberg to happen and unintentionally (or intentionally who knows) screw up our elections.

Or maybe that was entirely Darts? Maybe it was Darts who’s been eating up the Bay, harvesting nerd souls for the leviathan and knowing that no one will miss these Twitter developers if Twitter never happens in the first place. Especially if he’s just ghosting entire Caltrains willy nilly.

But anyway, fun fact about the Caltrain that the creators of this show didn’t know--the train is a push-pull train, so...It has an engine on both sides of the train. Joey and Tristan...still have an engine. It would have never stopped, even with Tea’s incredible backward momentum.

This is normal train stuff and is something you should always assume about a commuter train that cannot afford the time to reattach the locomotive in order to turn around, but we forget about this in TV shows basically all the time.

However, there are fantasy rules that we give to TV that we sort of don’t extend to other places. We suspend our disbelief for things like this train stopping in a track that would, realistically, have another train passing by in 10 minutes anyway. Things like rogue waves that topple over ocean liners. Or CEOs in Silicon Valley who have ass-length blue hair that is tied with one single hair precarious band.

The point at which we no longer can suspend our disbelief when it comes to TV is SO interesting to me. Because I’m fully willing to let go of the fact that Caltrain is A Push-Pull train because it’s still a fun trope although this can never really happen to you on...almost any train at all anymore. But if this were a movie? People would be losing their freakin MINDS. Look what they did after Star Wars. They lost their entire minds over force-field science that doesn’t even exist.

Like, maybe the people who made this episode really do know that San Jose is the 3rd largest city in California, and that this is a push-pull train, and that there are no mesas anywhere near the ocean of San Fransisco. Maybe they did know that--but they decided to suspend our disbelief by pushing this Wild Wild West fantasy aesthetic SO HARD so it makes it believable although this is just...so wrong. Mostly because...it’s fun TV. Not because it makes any sense, but because I would like to have fun instead of thinking.

Which is also how most romance novels work ps. But Yugioh, although *almost* understanding the key ingredient to how romance actually works, I will assume never figures that out.

I hope.

Also, Rex is here.

Bro would like to bring up that Red Eyes is not a rare card in the real world. So Rex is going out of his way to venge a card that costs...$4.50 at Target. That’s less than a meal at McDonalds. This card may have been in a Happy Meal at McDonalds.

*pictured here, the actual canyons of San Jose*

So something that’s interesting between Yami and Joey is that Yami gives in basically immediately and decides to duel Weevil, who would be very easy to just gently push off of this train. Joey on the other hand, looks down at both of his punching fists and is like “why would I bother?”

Not that it mattered, it’s just interesting that even Joey has more restraint than Yami, who has 0 restraint, apparently, when it comes to dueling cards.

Joey has more restraint that Yami, and Joey is the kid who has tried to punch out Seto Kaiba in nearly every conversation he has ever had with Seto Kaiba over the last 4 seasons.

Also, Tea is just standing on top of this train like it’s a completely normal day outside. Girl has no fear.

Wouldn’t these people be covered in bug guts? Like how are they not getting assaulted by so many flies and birds?

But because she has no decent cards the Oricalchos just kicks her out? I dunno. There’s a lot of weird physics in the next scene.

And she just grabs onto a moving train with her bare hands. I feel like Tea is just so woefully overpowered in this group but for the wrong game. I say this a lot. She’s like their One Punch Man but will never, ever know.

So anyway, that was a long time between updates and now I’m out of sync and behind on everything so...hell knows when the next update will be. Depends on the length of episode I guess? Bro really wants to get to what comes next soon though. He’ll pester me until I do it.

Now I can’t mention Mountain Lightning without sharing with you what you do with 2-4 liters of Mountain Lightning after your brother leaves and then just...doesn’t have enough room for all of his Mountain Lightning AND his baby in his car, so he just leaves it in your house.

It’s called Mountain Dew Cake <-(that is a link) and it’s actually pretty damn good.

I made this once and fed it to a British person and they were like “this is so decadent--what’s in this?” and I uh didn’t know how to respond to that other than “it’s really just Mountain Dew, I’m so sorry” and that was a lie, because it was full of Mountain Lightning.

Anyway, if you just got here, this is a link to read these recaps in order.

[deliriousabsol]

More Things Than You Ever Cared To Know About My Writing

This was originally posted by ‘vorchagirl’, reblogged by someone I follow. And I thought it would be fun to just outright answer these in a questionnaire type way, rather than as asks. So here we go =)

Feel free to do this yourselves if you like it. Just please remember to add the original poster.

Fanfiction Questions

Fandom Questions

1. What was the first fandom you got involved in?

Properly? Probably Pokemon. I’ve been writing fanfiction for it for years.

2. What is your latest fandom?

Funnily enough, Sonic, despite being a fan since I was like seven years old. I’ve just never seriously got into it since then until now.

3. What is the best fandom you’ve ever been involved in?

The Pokemon fandom. I’ve made some awesome friends in it.

4. Do you regret getting involved in any fandoms?

You hear things, but I’ve not really come across any toxicity besides the reaction to the Sonic Movie.

5. Which fandoms have your written fanfiction for?

A good few, but the only ones you’ll find are Pokemon, Sonic and Zootopia.

6. List your OTP from each fandom you’ve been involved in.

Zootopia - Judy/Nick

Sonic - Shadow/Rouge, Silver/Blaze

Pokemon - I don’t usually ship in Pokemon, but Jessie/James because reasons

7. List your NoTPs from each fandom you’ve been in.

Sonic/Amy. Sorry. Some art is cute, but it’s not my jam.

Shadow/Maria. I don’t ship animals with humans.

I also don’t ship yaoi/yuri pairings.

I do not poop on any ship. If it’s one I’m not fond of, I just scroll on and leave it be. Shipping can be pretty toxic sometimes, and I just don’t get it at all.

8. How did you get involved in your latest fandom?

I was writing Mask Behind the Monster and my husband’s aunt suggested I join a specific Sonic forum to post it in. So I joined the Amino and posted it, all nervous. The reception blew me away, and I met some awesome people, so I stuck around.

9. What are the best things about your current fandom?

The friends I’ve made.

10.  Is there a fandom you read fic from but don’t write in?

Probably. Can’t think of any off the top of my head.

Ship Questions for your Current Fandom

11. Who is your current OTP?

Shadow/Rouge. Also Infinite/Amy. This is because of my current writing projects.

12. Who is your current OT3?

None.

13. Any NoTPs?

We’ve been over this *looks up*

14. Go on, who are your BroTPs?

Sonic/Tails =3

15. Is there an obscure ship which you love?

Infinite/Amy. I didn’t initially.  But if it’s done right, and there are reasons for them to be together in that setting, then it works. 

16. Are their any popular ships in your fandom which you dislike?

Sonic/Shadow, Infinite/Gadget

I’m also not a fan of most Pokemon anime ships.

17. Who was your first OTP and are they still your favourite?

Knuckles/Amy. I still have a soft spot for it.

18. What ship have you written the most about?

Amy/Espio. I went through a phase... Read a couple of ‘fics and thought ‘Why not? Sounds like fun.’ XD

19. Is there a ship which you wished you could get behind, but you just don’t feel them?

Not really. As much as I like shipping, because I’m a fluff-junkie, I have to just like it.

20. Any ships which you surprised yourself by liking?

Again. Inf/Amy. This one took me by surprise.

Author Questions

21. What was the first fanfic you ever wrote?

Erm... if I remember right, Some cringy self-insert Pokemon ‘fic when I was like 14/15.

22. Is there anything you regret writing?

Everything I regret writing has been deleted.

23. Name a fic you’ve written that you’re especially fond of & explain why you like it.

The End and Mask Behind the Monster. I can’t choose one over the other. They were both written with a lot of meaning and emotion behind them, and I have a soft spot for both.

24. What fic do you desperately need to rewrite or edit?

I keep thinking about re-writing The End, but I worry it will lose its fire if I do...

25. What’s your most popular fanfic?

I think... THINK... it’s Mask Behind the Monster.

26. How do you come up with your fanfic titles?

To Title is hard. System:Reboot was a suggestion off a friend who I have lost touch with. Its working title is ‘Hacked’. A lot of my stories have preliminary working titles until I come up with something. The End was named after a song. Confectionary Conundrum was originally called ‘Sugar Snow’ which is the name of the sweet shop in that story. The Mainframe Saga’s Scrivener file is still called ‘Datastream’. Its separate books have been renamed as I’ve been ‘planning’ them out (as much as I plan).

27. What do you hate more: Coming up with titles or writing summaries?

Probably summaries, because FFNet leaves very little space to do so.

28. If someone were to draw a piece of fanart for your story, which story would it be and what would the picture be of?

I have actually had fanart, so this is hard to say. A lot of people like drawing my cyberpunk Infinite redesign which has surprised me.

29. Do you have a beta reader? Why/Why not?

My husband proof-reads my stuff, and then I question him on it. I don’t have a beta. I’ve thought about it, but I stick to a strict time-frame when it comes to uploads where I strictly give myself very little leniency. So if it wasn’t beta’d in time, I’d get a little frustrated and I do not like to pester people. I also worry I’ll be told to edit and cut a LOT, and I don’t like to butcher my ‘fics. I do that enough while I’m writing 8D

30. What inspires you to write?

My faith. That is a BIG one. You will find references and metaphors to my faith throughout my stories. Particularly in The End and The Mask Behind the Monster. Music is another huge inspiration drive. I’ve come up with entire scenes and even plots or sub-plots listening to music. I was just on a walk listening to some cyberpunk tracks when I got the spark for The Mainframe Saga.

31. What’s the nicest thing someone has ever said about your writing?

Oh boy. Where do I start? I think I was especially moved when someone told me they read The Mask Behind the Monster to their sisters.

32. Do you listen to music when you write or does music inspire you? If so, which band or genre of music does it for you?

Yes. A lot. I listen to a variety of stuff from Christian rock and EDM to cyberpunk instrumental tracks. Main bands are Thousand Foot Krutch, Family Force Five, Cruxshadows, Holon, Misanthropix, Scandroid and Celldweller.

33. Do you write oneshots, multi-chapter fics or huuuuuge epics?

It really varies. I lean towards epics. Even Glitched ended up being longer than planned, if memory serves, although it’s not epic length. The Mainframe Saga is made up of chaptered ‘fics, ficlets and one-shots.

34. What’s the word count on your longest fic?

I couldn’t tell you, because Scrivener crashes when I try to get the word count for System:Reboot XD

35. Do you write drabbles? If so, what do you normally write them about?

I don’t, but I have thought about it.

36. What’s your favourite genre to write?

Sci-Fi. Hands down.

37. First person or third person - what do you write in and why?

I prefer third person, particularly restricted third person, because it is easier to write about different characters. That way the reader knows what’s going on when the main cast do not. I was very surprised I enjoyed writing first person so much in Mask Behind the Monster, though. But I did leap into third person a couple of times to give a wider perspective.

38. Do you use established canon characters or do you create OCs?

I love creating OCs. But I will use canon characters in the Sonic fandom.

39. What is you greatest strength as a writer?

From what I’ve been told, character development.

40. What do you struggle the most with in your writing?

Violence. And tragic back stories. I have legit questioned my sanity when coming up with scenes that include this.

Also... when I write fluff... I kind of grind to a halt and struggle through it. Often interspersed with gazing from the window and thinking well further ahead than where I’m currently at. This often results in forgetting dialogue I think up during my garden gazing.

Fanfiction Questions

41. List and link to 5 fanfics you are currently reading:

I won’t post links because it is much too fiddly. But Guiding Light by Ambyssin, Heart Song by Suetonicsonic, Fall From Power by Lordius Dannius.

Hands of Creation by Namohysip, and The Curious and the Shiny by Nebula Dreams. Both of which I seriously need to pick up again.

I believe you can find all of them on FFNet.

42. List and link to 5 fanfiction authors who are amazing:

Same applies as above. Ambyssin, Suetonicsonic, Namohysip, Chibi Pika and Nebula Dreams.

43. Is there anyone in your fandom who really inspires you?

Ambyssin has provided some amazing constructive criticism on System:Reboot which has resulted in me making a terrifying antagonist out of Gadget the Wolf. I strongly hope no other antagonists will develop what I have nicknamed ‘Socket Syndrome’. His drive and commitment to his writing has been pretty inspirational, too.

But in all fairness, I think most, if not all, of my writing friends have been inspirational and very supportive. I offer digital high-fives to each and every one of you.

44. What ship do you feel needs more attention?

I can’t think of any. People should write what they like. And I believe if you want to read it, and it doesn’t exist, then you should write it yourself if you can.

45. What is your all time favourite fanfic?

Guiding Light by Ambyssin. It’s not often I fall in love with a fanfic.

Fall From Power by Lordius Dannius is another.

46. If someone was to read one of your fanfics, which fic would you recommend to them and why?

The End or The Mask Behind the Monster, because they’re pretty special to me.

47. Archive Of Our Own, Fanfiction.net or Tumblr - where do you prefer to post and why?

FFNet. I’ve been posting there for years. I’m iffy on AO3. I’ve considered posting to Tumblr, but my solution to that is to post links and artwork instead.

48. Do you leave reviews when you read fanfiction? Why/Why not?

If I feel I have something to say, I’ll post a review. I like to make sure I do so, though, and I have been known to make notes on my computer and post reviews in bulk to works posted on Serebii.

49. Do you care if people comment/reblog your writing? Why/why not?

I love comments, and I will try to respond to each one. Reblogs are totally welcome!

50. How did you get into reading and/or writing fanfiction?

I’ve been writing for many, many years. Since before I was ten years old. Pokemon likely got me into fanfiction. I can’t remember writing it for anything else prior to that cringy ‘fic I mentioned earlier (which we will never, ever talk about. Ever.)

51. Rant or Gush about one thing you love or hate in the world of fanfiction! Go!

I love the creativity behind it, especially OCs. Pokemon OCs are my favourites, particularly in PMD or Pokecentric settings. Both Sonic and Pokemon offer a lot of inspiration to create OCs as the worlds are both pretty vast. AUs and canon settings both offer massive scope for creativity. It’s seeing peoples’ headcanons and takes on the franchises that I really enjoy. Yes, I do like shipping, but a story does NOT need it to be a good story. It’s the way people tell it that matters more to me.

I know this says ‘one thing’. But I just want to make it clear, the one part of fanfiction I don’t like, is M-rated stuff. And I will not read it. It... bugs me when a ‘fic I’ve been enjoying suddenly changes its rating XD

(I do not own any of the fandoms or characters mentioned in this post) <- Nervous Nelly moment?

[shadyb00ts]

My Top 12 Favorite Pop Albums of 2017

Man, 2017 was a great year for pop music especially. This year was also when I started actually using Spotify, subscription and all, for the first time, so the new music I discovered just kept on piling up and I was so here for it. I decided I’d compile a top 12 list of my favorite albums, since it’s the end of the year, why not. And yeah I know the “normal” format is top 10, but bitch I have 12 favorites, whaddaya want. And even these I had to really narrow down. If you follow me on Twitter at all though, you probably know exactly what my number one album is. It’s an album that’ll probably be on many people’s number one spots, but I think I’ll do this list descending. This is also only the music that I’ve discovered personally, so if a big pop album/EP from this year wasn’t mentioned, means I either didn’t really like em that much or I have yet to discover them.

#12. BETTY WHO - THE VALLEY

Spotify | iTunes

I actually first heard of Betty Who through Troye Sivan’s song “Heaven” which she featured in. She strikes me as Australia’s equivalent of Carly Rae Jepsen because her songs are all just the completely infectious, bubblegum pop sound that I find irresistible. Some of my favorites from this album are “Mama Say”, “You Can Cry Tomorrow” and “Human Touch”. This is a great album to put on when you’re getting ready with your friends or just wanna jump around and be crazy. If you’ve never heard of her and you’re a pop music freak like me, this album is right up your alley cause it’s chock-full of bops. I’d also recommend checking out her debut album, Take Me When You Go, which has more of the Carly Rae-esque 80s-y feel to it than this one.

#11. TOVE LO - BLUE LIPS (LADY WOOD PHASE II)

Spotify | iTunes

Oh, Tove. What else can I say? If you love pop music then you know exactly why this album made the list and it probably made yours too. She is just the ultimate master of making unapologetically sexual bops. She’s always been very sex positive and seriously, the production on her songs is always spot on as fuck. I’d say “shivering gold” is one of the songs that I keep coming back to the most, as well as “stranger” and the addictive lead single “disco tits”, but this entire album is filled with solid and sultry pop songs that you can pop your pussy to any time. Tove is just always so unabashedly nasty and honest, I always love that about her.

#10. ANNA OF THE NORTH - LOVERS

Spotify | iTunes

One of the indie artists I discovered on Spotify which I’m immensely grateful for. Her music is right up my alley; modern yet very much rooted in dreamy, 80s-inspired synthpop. I pretty much like every single song across the board, but some of my favorites are “Money” which is a really cute song about warning a guy about dating a gold digger, and then “Feels” and the title track “Lovers “ which both just make me drift off into a dreamlike state every time and zone out, and I find most of the songs on this album have the same effect on me. “Dreamy” really is the perfect adjective to describe it. I strongly suggest checking her out if what I’ve described is your thing.

#9. BILLIE EILISH - DONT SMILE AT ME

Spotify | iTunes

I know this is technically an EP since it’s under 10 songs, however I couldn’t possibly skip out of putting it on my list. Billie Eilish is one of the biggest breakout artists of this year I think. I saw a tweet recently from someone who said and I quote, “Whatever ‘it’ is, Billie Eilish has it.” I agree 1000%. She’s got star quality all over her. Looks, talent, all of it. The thing I love about her songs is that her attitude is always present in every one of them. Like in “my boy”, when she’d go “WHAT” or “Alright, dude, go trip over a knife” in between the breaks, and in “COPYCAT” where she does this long, drawn out apology only to top it off with a “sike”. “party favor” is also a very interesting song since it starts off with an answering machine message and it gradually fades into the actual song, and I thought that was such a cool effect; her personality just shines through in her music and that’s what makes her such a star. I have a feeling Billie is going to take 2018 by storm.

#8. DUA LIPA - DUA LIPA

Spotify | iTunes

Yet another new artist who is just oozing with star quality. I had a bit of a slow-to-grow thing with Dua though, for whatever reason. I held off from actually listening to her debut album because I wasn’t really feeling the singles she’d released prior to it. I recognized that she had an incredible voice, but for some reason I just wasn’t warmed up to her enough yet. Enter “Scared to Be Lonely”, her duet with Martin Garrix, which I think is one of the best EDM songs ever made. When I heard that song, I was like okay let me just sit down and listen to this bitch’s album and see what she’s all about. And I was pleasantly surprised. I was surprised at how diverse this album was especially cause she explored a lot of different sounds for almost every song. “New Rules” will always be my favorite, because obviously. That followed by “Genesis” and “Begging” are just a few of the stand-outs for me. Just like Billie, I have a feeling 2018 will also be a big year for Miss Dua.

#7. MUNA - ABOUT U

Spotify | iTunes

God, I am so happy I found this group. I first discovered them through their song “Winterbreak” which I thought was so beautiful and melancholic, I had to dig up more of their songs. Even just thinking about this album gives me a feeling of joy because I just fucking love their music so much. It’s not even something I can explain, you just have to hear it really. The stand outs for me are, well shit, there’s a lot actually. As well as “Winterbreak” I also really love “So Special”, “Loudspeaker”, “I Know A Place” (which I think of as a queer anthem tbh and it is such an empowering, joyful song) and “Crying on the Bathroom Floor” (which has a pretty morbid subject matter but is I think one of the best songs on the album). Please please check them out and support them if you like what they’re giving. I can’t wait to see what they do next cause I am all aboard the MUNA train for sure.

#6. LANA DEL REY - LUST FOR LIFE

Spotify | iTunes

I thought for sure LFL would make it onto my top 5 but it just scraped it. I think when I first listened to the album I was a little too quick to say that it was Lana’s best album to date. I think I was just so wrapped up in the fact that she was back that the excitement and how much I stan for her had me caught up in the moment. I mean let’s be real, even though I do love all her albums, I think most people are in agreement that Born to Die will always be her best. I did really enjoy this album however, especially Lana’s new happier outlook and the fact that she’s a little more political with her lyrics. Even just looking at the album cover, you can tell that she’s in a much better place in her life My favorite song from the album is without a doubt “13 Beaches”, it’s just so stunning and so quintessentially her. Overall I was just happy to hear that she didn’t stray too far from her sound for this album; she’s still unmistakably Lana.

#5. KESHA - RAINBOW

Spotify | iTunes

The long-awaited comeback that at one point I honestly thought would never come. I remember the #FreeKesha movement and how horribly Kesha was treated in the entire case against that monster Dr. Luke. It made me sick how he literally owned her soul at one point, and I’m glad that now despite the fact that she isn’t fully free of his influence, she was at least able to work without him and produced this magical little album. When the video for “Praying” first dropped, I was in tears. In legit tears, because it was the perfect comeback. Her vocals in that song gave me chills, and even though those of us who are massive fans of her have always been aware of her vocal ability, I feel like Kesha always has to constantly prove to the world that she can sing all because for the longest time she was known as “the autotune girl”. While Animal and Warrior were really good albums in their own right and I have a lot of nostalgic affection towards them, I feel like Rainbow was the album she always WANTED to make, just like Joanne was for Gaga. It gave her a chance to truly showcase her talent, which people often forgot or didn’t even know she had. But the thing I love most about this album is that it comes from a place of triumph. I am so proud of my girl. I hope one day she’ll be free of her disgusting abuser and can truly be happy.

#4. ALLIE X - COLLXTION II

Spotify | iTunes

I hesitate to use the word “perfect” a lot of the time, but Jesus Christ I can’t describe Allie in any other way. Even when I first discovered her via her 2015 EP CollXtion I, I immediately described her music as “pop perfection”. Because that’s literally what she does. She takes everything that sounds good about current pop music and makes it her own. She is such a hit maker and it boggles my mind how underrated she is. I think her song “Sanctuary” from her first EP I would even go as far to say as one of the best pop songs I’ve ever heard in my life. IN MY LIFE. In this particular album, every song is a certified bop. “Casanova” is for sure my number one song from it because that production is so flawless it’s criminal. If you’ve never heard of her and are listening to her songs for the first time, make sure to hide your wigs because I’m telling you; they’ll all disintegrate by the time you’ve gone through her discography. Allie X is the real deal, and she deserves WAY more fame and success than she’s getting.

#3. SZA - CTRL

Spotify | iTunes

Okay, yes, I know that technically this is an R&B album, but it would’ve been criminal for me not to put SZA on the list. She joins Billie and Dua as some of the biggest breakthrough artists of the year. I don’t really know why I fell in love with SZA and this album so much, because it’s normally not the kind of music I go for or am interested in. But for some reason I got lost in her gorgeous voice and the insanely crisp production of the songs that I was just hooked the house down boots. Initially my favorite song was “Prom” because it was probably the most pop-sounding song out of the bunch, but it wasn’t long before I grew to love the entire album as a whole, which I didn’t expect to happen since it’s so out of my comfort zone. SZA has this honest way of writing that really cuts deep at times, for example in “Drew Barrymore” when she says: “I get so lonely, I forget what I’m worth / We get so lonely, we pretend that this works” that shit hit hard. It’s REAL. “20 Something” is another one of those songs that anyone in their twenties could probably relate to due its pure honesty. Ctrl was seriously the surprise hit of the year, and I can’t wait to see what SZA does next. I low-key hope her next two albums will be called Alt and Delete.

#2. LIGHTS - SKIN&EARTH

Spotify | iTunes

I have kind of a special connection with Lights. I first discovered her through her song “Savior” back in like, 2010-ish. I was in eighth grade at the time and it was a very tumultuous period in my life. I was in an Islamic school, I had zero friends and I was still coming to terms with the fact that I didn’t fit in with anyone and I never would. I was in a deep depression, and her debut album The Listening helped me through a lot of that period of time. While most people coped with depression through listening to music that mirrored those feelings, I dealt with it by listening to songs that were happy and upbeat. Lights’ songs at the time were adorable and cheerful, sort of akin to if Owl City had a female vocalist. Ever since then, whenever she would release an album, it always helped me out of slumps, and I became really devoted to her. I was obsessed with her follow up albums Siberia and Little Machines, and now Skin&Earth falls into that category. I adore this album, and it’s one of those albums that I have to listen to from start to finish all the time because I just love it so much as a whole. At this point I know she could never disappoint me, and she’s one of the girls I always look to for catchy pop sounds with beautiful lyrics. I love her dearly, and I implore you to go through her catalog if you’ve just now discovered her. She is a true pop gem.

Before we get to the #1 (which I’m sure is pretty obvious at this point), some honorable mentions, most of which are EPs. I’ve attached each of them with their respective Spotify links in case you wanna have a listen to any of em. In no particular order:

Astrid S - Party’s Over (EP)

Monogem - 100% (EP)

Khalid - American Teen (this one almost made the list)

Superfruit - Future Friends (this one too)

PVRIS - All We Know of Heaven, All We Need of Hell

Terror Jr. - Bop City 2: TerroRising

Terror Jr. - Bop 3: The Girl Who Cried Purple (EP)

Sigrid - Don’t Kill My Vibe (EP)

Daniella Mason - Daniella Mason (EP)

Echosmith - Inside a Dream (EP)

Phoebe Ryan - James (EP)

Charli XCX - Number 1 Angel

Fickle Friends - Glue (EP)

FRND - In Your Dreams (EP)

Paramore - After Laughter (another one that just scraped the list)

Transviolet - Kaleidoscopes (EP)

Zara Larsson - So Good

Lola Marsh - Remember Roses

Thomas Azier - Rouge

Halsey - hopeless fountain kingdom

Ralph - Ralph (EP)

Sabrina Claudio - About Time

Demi Lovato - Tell Me You Love Me

Vera Blue - Perennial

Brother Sundance - Honey (EP)

Fifth Harmony - Fifth Harmony

MØ - When I Was Young (EP)

Stalgia - NOMAD

EMBRZ - Progress (EP)

Aly & AJ - Ten Years (EP)

LP - Lost on You

Mothica - Heavy Heart (EP)

SAKIMA - Ricky (EP)

Ella Vos - Words I Never Said

I highly suggest checking these artists out. Just because they didn’t make the list, doesn’t mean they’re less good; my favorites just sorta overpowered them. Anyways, now that that’s outta the way, onto my not at all surprising number one pick.

#1. LORDE - MELODRAMA

Spotify | iTunes

I told you this was Melodrama. How could I not crown this masterpiece of an album number one? Ever since I first listened to it, I was adamant in saying that it would be THE album of the year and I’ve stuck to that. I strongly believe that it should win the Grammy, and deservedly so, because Lorde really outdid herself with this. I mean, holy fuck. When I first heard Pure Heroine I knew she was a talented writer and that was a great album, but I had no idea she was THIS talented. Melodrama really captured the depth of her ability and also how much she’s grown as both an artist and a person. Pure Heroine was all about teen life and coming of age, it was a very cohesive and uniform album and also a very influential album musically speaking, since Pure Heroine along with LDR’s Born to Die has such a heavy effect on the pop music of today. Melodrama still has some of that Pure Heroine charm but it’s unmistakably more adult, darker and grittier, and maintains the cohesive theme of the rise and fall of a relationship. I don’t know how Ella’s mind works but she writes like a dream. All of these songs are masterfully written, and her and Jack Antonoff make an amazing team. One of the songs in particular, “Supercut”, gives me a very euphoric feeling in a way that it makes me want to dance around while laughing and crying at the same time. It is very reminiscent of my feelings toward Gaga’s song “Gypsy” from ARTPOP. “Liability” is a standout in regards to songwriting also, because a lot of artists like to promote their work as “personal”, but this song and really this entire album is pretty much Ella baring her soul, and that’s as personal as “personal” can get. I’m just really in awe of her talent, and Melodrama deserves to top every “album of the year” list out there. It’s an incredible piece of artistry and I think decades from now it is going to be remembered as a classic.

[shslshortie]

Okay I'm going to make a post because I can't deal with everything that got asked/shat out my way

I am sorry for this rant, but I am legit ready to leave tumblr again. Like I forgot why I hated it so much, but lord is this an unhealthy environment for so many reasons. Mainly, because of discourse/call out culture. And I'm obviously not talking about being "PC" or anything, but just being an all around mean spirited person if anyone says anything that either 1) doesn't agree with you/your views/your fandom, 2) if anything is even slightly false or not entirely fact-checked, or 3) goes against most popular opinions without writing an entire graduate-level thesis about why you believe your opinion/view/observation is valid. Like if you want to complain or voice an opinion about anything, or even joke about something that you think is funny, you could very likely almost immediately be called out or even be sent WAVES of hate that usually is completely undeserved. Especially since people are hiding behind a screen of anonymity or at least behind an online persona, they don't think about the person on the receiving end of it. They don't think how their mean spirited comments or backlash could effect them mentally, and they don't even stop to think what else could be going on in their lives. Yesterday, (was it yesterday? I think it was yesterday, but GOD was it a long fucking day if it was) I made some posts after recapping through the Rost. Cup after I watched each medalist's short and long, as well as all the US skaters, big names, and for the men and ladies, almost all 11 skaters honestly. I love figure skating, and NO, unlike a lot of people wrongfully assumed, am not a part of the "fandom" and did not get into it because of YOI. Was a passion reignited from like a barbeque level flame to a bonfire with YOI's help? Yes. But would it probably have gone to a similar level with the Olympic season going into full swing? Highly likely. But anyways, I made some posts because I wanted to voice some observations, complaints, and things I thought were funny because tumblr is the only place I ever really rant/voice theories/talk about a lot of my interests, since I don't have any irl friends who are interested in almost half of the things I am. So, tumblr is usually the place that I dump these feelings/thoughts. Sure, one of them was a little off-color, and posted without thinking, but after about an hour (and like 3-4 replies I think), I looked back on it, and realized it didn't need to be posted out there, even if I didn't mean it to be mean. Does this mean I owed every single person who "called me out" for being uninformed, or for being mean, or for being whatever the hell I am a reply? No. Did I know that some things were answered over Twitter, or weibo (sp?) or Reddit, or whatever other gd social media that I don't use? No. Does that man I am uniformed and spreading lies or whatever? I don't think so, and that doesn't make me a fucking villain. I also deleted it, because I realized I was wrong. End of story, part 1. But then, the figure skating fandom found some of my posts/commentary/rants. (god forbid they somehow find this and attack me ALL OVER AGAIN, except for y'all that were part of this whole issue. I hope y'all see this, because it's not like I blocked you. Except for one tumblr user who blocked me because of my post? Like you do you, except don't reblog my post and block me so I can't see what you said, presumably about how I am a terrible person). And apparently 1) if you insult/don't like/say Y***** H**** didn't do his best/were disappointed in him, or if you like the person who won over him more... Then you deserve to die. And 2) if you even make a post about YOI or other anime, you are a fake fan who knows nothing. And 3) even mirroring almost the exact words of sports (specifically figure skating) commentators in your posts means nothing? Like it OBVIOUSLY means that you are making up bullshit to hate on skaters that are popular and are misinformed, right??? Or if you say one thing that was similar to an APPARENTLY problematic broadcast group, that nothing (including any commentary from official other broadcasts, because GUESS WHAT: it's hard to find recordings of all of the programs and exhibitions with English commentary, and there are usually 3-4 networks that have it, and SO MANY people upload different ones to YouTube) else you say matters or has any merit. I haven't even read all of the hate mail and submissions I received from this debacle. My mental health can't take it. I literally woke up for school the next morning, saw my notifications and couldn't get myself to stop crying from the anger/upsetness/trauma/depressed thoughts that bubbled up with all of it, and I couldn't even get myself to go to class because I was so shaken. Like visibly, physically shaken, to the point where I couldn't think straight and I literally had tremors from how upset and unstable it made me feel. Tumblr should be a place where I can voice my opinion on something I am passionate about without all this hate. I literally have no other place. Right now, irl, I got dragged into drama (not mine, I swear, I was just a witness and got pulled into the mess) with my honor society, and the girl who started it all is trying to pit the entire organization against me. I can't post anything on my finsta, and God forbid I even tried to post anything in Facebook. (Not like I would). I am already in a very dark place mentally and emotionally because of the trauma this is putting me through, and how unwanted, useless and disgusting everybody is making me feel. I shouldn't be getting that from strangers who just decided to make my life even more miserable on top of it. Legitimately, out of the 30-40 comments/asks/replies/submissions I recieved, only one person even tried to realize where I was coming from or to educate me on what I had done wrong or missed in my analysis. But some of their wording just mirrored all the hate l had recieved, or even other things I had been told in real life that just made me cry even harder and I still can't bring myself to reply to even the person who was civil. My one big point to anyone who sees this is (besides don't be a dick/cyber bully/create and stir up unnecessary discourse) is don't assume that people don't know what they're talking about? Or don't assume that they are fake fans? And don't make people spell every letter of their opinion out for you in a 12 page thesis if it doesn't comply with the tumblr norm. Cuz here are some fun facts about me that I don't normally publicize / post about on tumblr: Yes, I am an anime fan, but Jesus Christ I love/am a huge fan of WAY more than I am in the fandom for. I am honestly only in like 4-5 anime fandoms. Same thing goes for other things I like, such as Harry Potter or marvel. I can like things, A LOT, and be passionate about them without being in the fandom. That doesn't mean I don't like it or I'm not knowledgable on the subject. That doesn't mean that I am an idiot for not knowing a fact/opinion/theory that has made its way around the fandom, that I'm not a part of. YES, I am a HUGE SPORTS FAN. It was legitimately also my fucking career (as a sports reporter/journalist/broadcaster). Do I post on tumblr about Baseball or Football or Hockey? Almost never. Does that make me any less of a fan, or does that make me any less knowledgeable about teams and rules? No. Does that mean that I didn't play/participate in almost every sport growing up? (baseball for 6 years, I still play Intermural football, tennis for 3 years, volleyball for 4, soccer for 1, swimming for like 5 years, I tried track, even karate and some other random stuff.) YES, I AM FUCKING KNOWLEDGABLE ABOUT PERFORMANCE SPORTS. I have participated/competed/trained/still watch almost every kind of performance sport. Of course color guard and marching band has been the longest, and the thing I was best at (7 years), but I grew up doing all kinds of dance and I still do lots of dance, as well as TONS of my own choreography. I've done baton and cheer for about 1-2 years each too. I did gymnastics for 4 years — was I very good? hell no. But do I know about it and appreciate it? Yes. SAME THING GOES FOR FIGURE SKATING. I only had like half a years worth of lessons, and like 3 routines that I ever finished and performed with figure skating, but that is because it is an expensive af sport, and I had way more activities and sports that I was better at, more passionate about learning, and were more accessible. BUT did I grow up going to figure skating shows like Disney on Ice or Stars on ice? Did that stop me from waiting in line for hours to get Michelle Kwan and other famous figure skaters autographs? No. Did that stop me from watching almost every single minute of the 2014 and 2010 Olympics? No. Do I still remember watching parts of the 2006 Olympics with my parents and absolutely being ENTHRALLED and wanting to do that too? YES. I still remember watching the 2014 Olympics from my aunt's house when I was staying on a cot in her living room because my mother was in the hospital and CRYING when I saw Y* H* perform, break world records, and win the gold. It was a sense of normalcy and awe because everything else going wrong in my life didn't matter while I was watching these amazing athletes perform. And GUESS WHAT, since I'm not really a part of the Figure Skating fandom (just like I'm not in the musical theatre fandom, or in anything regards to hair or makeup) I don't post about my own hype or plans regarding how excited I am for things to come out. So nobody here on tumblr, or almost ANYONE knew how excited I was for this upcoming Grand Prix season for the first actual competition of the Olympic season. I watched almost every challenger series video, as well as the autumn winter classic and competitions of the like. Even the JGPF events in anticipation. But guess what: I literally have a note on my phone that has all of Team USA's competition schedules, and their scores that they have gotten so far (like at the COR), along with a list of my favorite international skaters, and other new skaters to watch. I was so hype, so excited, and I thought that maybe, since figure skating had boomed in popularity, thanks in part to YOI (but also, helped people be more vocal and open about how much they love the sport even if ex already did) I would be able to discuss the excitement with other people. But no. Instead of being able to say "omg I'm so excited for blah blah blah, I hope they make the Olympic team. But I also love this show concept and this other persons costume, and you also can't count out blah blah blah" and being civil with conversation among other fans... They instead will say " wow you like blah blah blah? But you said this about them, and that offends me so you're wrong, and you forgot this tiny detail from 3 years ago, and you like anime so you OBVIOUSLY only care about figure skating because of YOI. Take your bandwagon fan bullshit away from me and go kill yourself". So now, I am staying the fuck away from the figure skating fandom, I've literally left half of my choreography untouched for almost 2-3 months, don't want to read/finish any of my YOI fanfics, and will probably even have a hard time watching Skate Can this weekend (even though like 6 of my favorite skaters are competing, and I was so excited before). Guess I'll just have to annoy my snapchat friends with videos of skating and me screaming because of skating. Fuck you tumblr, and I doubt I'll make any more original posts outside of APO planning and reblogs in the foreseeable future,

[themusicenthusiast]

Friday, March 22nd, 2019 – Badflower Delights Dallas Fans with a Brief but Intense Performance at South Side Ballroom

Photos by Jordan Buford Photography 2017 was the year Badflower really began to introduce themselves to music fans, even if relatively few took notice at the time. 2018 was the breakout year for the quartet that hails from Los Angeles thanks to a massively successful single; and now, 2019 is poised to be a banner year for the young group who has suddenly found themselves at the forefront of the rock ‘n’ roll world. Their highly anticipated debut LP OK, I'M SICK (out via Big Machine Records / John Varvatos Records) had dropped one short month ago, an album that is certain to propel Badflower to new heights. And their first tour to promote that record found them on the road supporting Nothing More, that tour finding its way to Dallas on this Friday night, where, between those two, it was kind of difficult to tell who patrons were more excited for. Certainly the headliner was responsible for the majority of the draw at South Side Ballroom, but with Badflower having generated so much buzz at the moment, you could sense the curiosity and anticipation that surrounded their set. That was especially true since a lot of attendees had likely never actually seen Badflower before, and, at least like myself, were interested to discover if all of the hype surrounding them was appropriate or not.

They came armed with their own lighting, several panels with multiple lights on each one placed behind them, resulting in a performance that was reliant on creating an atmosphere; the front lighting being almost nonexistent. Simple as that was, it went a long way in terms of presentation; the four-piece outfit taking the stage promptly at 7:20 that evening, radiating a subtle confidence that said they were more than comfortable in a venue of this scale with several hundred people looking on at them. They quickly set things in motion with the lead track from their full-length, the manic sounding “x ANA x” kicking off the wild ride they had in store for listeners. The thing about Badflower is they can’t really be pigeonholed into one specific sound. Sure, they’re a rock band, though they incorporate various styles into their music, the lead track being as chaotic as the desperation that is heard in the lyrics. Perhaps what was most remarkable, the recording of that song sounds so authentic that one would think it might be challenging to replicate the urgency and rawness of it in the live environment, particularly in regards to singer and rhythm guitarist Josh Katz and what’s required of him as a vocalist. They pulled it off perfectly, though, even making sure the performance matched. During an instrumental break Katz abruptly dropped to the floor, laying on his back and shredding; while Alex Espiritu had plenty of room over on stage left and was frequently seen leaping into the air with his bass.

Hitting the key highlights from OK, I’M SICK, they also appeased any longtime and/or loyal fans with several cuts from the 2016 EP, Temper. The garage rock sounding “Drop Dead” was the first of a couple consecutive ones, and it was during that number that the spectators really began to get a look at what Badflower was truly capable of. A quick backbend Katz did at the edge of the stage, leaning over the pit that separated them from the audience soon turned into him stretching out across the relatively narrow gap, steadying himself with one foot on the barricade. A grin spread across his face as he attacked his guitar, putting on a brief clinic for a few lucky patrons as he brandished it close to their faces. It was a classic rock star move to be honest, and if anyone was still having doubts that dismissed them. Badflower was legit, and rather it was intentional or not, they were at least going to attempt to steal the show.

“How many of you have heard our new album?” Katz asked once they had knocked out another track. A great deal of fanfare acted as his answer. “Do you have an open mind?” he questioned, which was met with the same enthusiasm. “Are you sure?” he finished, suddenly sounding more cautionary, as if he hoped the concertgoers were truly ready for what they were about to receive.

“Die” minces no words, and no one seemed to care about the bluntness of it. A politically charged anthem that airs their feelings regarding the current presidential administration the delivery of it was teeming with venom. A nice touch given that sonically there’s something of a punk approach to that song, which served to really invigorate the crowd. Upon first listening to the record that’s a track that comes out of left field, sounding unlike anything else that Badflower has created, and that’s meant in the best possible way. It had that same effect in the live setting, no one knowing that powerhouse that’s marked by disgust and loathing was coming, and it struck with a fury. That blistering intensity allowed it to stand out as arguably the best song of their set, even rivaling – and in my opinion surpassing -- the beloved “Ghost” that has dominated the radio waves since its release. Before that hit single was performed Katz addressed everyone, mentioning that since this wasn’t their show, they didn’t have the time to go through a full set like they wished they could. He asked how many would like to see them back on that stage should they return. That was most everyone, making it rather feasible to think that Badflower will be headlining spaces like South Side Ballroom in the not too distant future.

33-minutes was all they got with Dallas on this trip, the last bit of that allotted time being filled with the primal “Animal”. Drummer Anthony Sonetti’s talents were prominently displayed at several points throughout the show, though that song was where he was at his finest, injecting a pure animalistic vibe into it. The carefully precise beats were akin to a beast stalking its prey, the more aggressive moments being about striking. It was a solid finish to what had been an excellent show. One that earned Badflower some new fans and made those that were already supporters more enamored with them, everybody wanting more. Sadly, they’ll have to wait for that, but hopefully it won’t be long of a wait. Considering Katz, lead guitarist Joey Morrow, Espiritu and Sonetti are still new at this – at least in regard to performing at shows of this magnitude – they handled themselves exceptionally well, already having refined themselves to the point that they’re best able to enrapture audiences of this size.

Their performance was both atmospheric and an all-out assault that did rock ‘n’ roll proud, striking a nice balance between the two. The stage was frequently bathed in a blue light, and with the other lights at the back of the stage steadily and continuously illuminating them it collectively created a nice aura, one that was complementary of both the fierce and more tranquil moments. Highlighting the diversity of their music was the creativeness that went into, every track being distinctly different yet unmistakable as the work of Badflower. That’s a rare trait for a band, and one that will serve them well going forward, because no matter how good a formula a band settles on is, listeners will eventually tire of hearing something that’s just a subtle variation of what they’ve already done. Perhaps their strongest quality of all is the fact that every song showcases the prowess of each musician in different ways. Morrow’s riffs were slick and bold, and he frequently outright shredded; while Sonetti was the constant guiding force even when his playing was more subdued, though he was at his best when he was crashing down on the drums and cymbals. The bass wasn’t always as audible as the other instruments, though Espiritu’s presence was undeniable and he was crucial in making their performance so dynamic. As for Katz, he’s quite the versatile singer, possessing a nice range from smooth and serene to angsty and vicious. Without question that is his greatest weapon: the range of emotions that he draws on, emotions that frequently bled through on his face as he sang, the passion for what he was doing evident.

Badflower is all they’re cracked up to be and then some, their rather quick rise from relative obscurity to experiencing some pretty respectable moments of success being well deserved. With a new LP to promote you can bet that they’ll be on the road a whole lot more this year. And hopefully Dallas will get another dose in the near future, too. Their current schedule is packed full of shows all the way through the summer. That includes scheduled dates all around the U.S. with some European gigs mixed in as well. The closest they’ll be getting to Dallas in the coming months will be a visit to Cain’s Ballroom in Tulsa, OK on April 24th and then June 21st at The Cynthia Woods Mitchell Pavilion in The Woodlands, TX, in case anyone wants to make a road trip. A complete list of their tour schedule can be found HERE; and if you have yet to get a copy of OK, I’M SICK, check it out in iTUNES or GOOGLE PLAY. Set List: 1) “x ANA x” 2) “Drop Dead” 3) “White Noise” 4) “Die” 5) “Heroin” 6) “Ghost” 7) “Animal”

[swimintothesound]

In Defense of DJ Khaled

I'm not one to defend mediocrity. Some things are just aggressively “alright” and DJ Khaled tends to be one of them. He's not an artist in the traditional sense of the word, in fact putting him in a box is actually kind of hard. He's a Snapchat-famous DJ, record producer, and meme machine with just a few more catchphrases your average Saturday morning cartoon character. While his musical contributions tend to be nothing more than shouting his own catchphrases in between (or directly over) a rapper’s bars, he also serves an important role as a Nick Fury-like assembler of talents.

In the wake of this year’s Grateful, I’ve found myself reflecting on DJ Khaled’s prior release with a surprising amount of fondness. While I won't defend mediocrity on an artistic level, that’s not to say there isn't a time and a place for it. The real problem is most DJ Khaled albums are the musical equivalent of throwing shit at the wall and seeing what sticks. Sometimes you’ll get a Drake-bolstered summer anthem, or strike gold with an unexpected artist pairing. But more often than not you’ll end up with a by-the-numbers hip-hop track that feels market tested as fuck and sounds like six different people all sending verses to each other via email over the course of months.

And I can't tell if it's nostalgia for summer 2016 or genuine appreciation, but Khaled’s skill as a musical host has never been more on a more impressive display than 2016’s Major Key. In fact, I’d go as far as to say it’s a flawless album. Now before you close the tab let me explain myself. I don’t mean flawless in that it stacks up to The Beatles or anything, I mean that every track on it is great and serves a different purpose.

While I usually hate track-by-tracks, I think Major Key is an album that would benefit from this type of dissection. There is honestly an impressive number of sounds being explored on this album. The collaborations feel fresh, and Khaled’s typically-shoehorned catchphrases actually fit into the album unobtrusively. It’s not high art, but it’s an incredibly-varied selection of songs that ends up feeling more like a curated summer playlist than a record by one man.

I guess that’s a point against the album since I’m basically saying Major Key is good because it doesn’t feel like a “DJ Khaled album,” but his skill here wrangling the number of artists and sounds is worth writing about. He’s a host and curator, and this album is the most consistent of his career. It’s commendable, especially when contrasted with the uneven follow-up we just received.

1) I Got the Keys (feat. Jay Z and Future)

Major Key begins with a fittingly-named banger that allows Jay-Z to don his jewelry and flex for the world once again. The track sees Future relegated to the song’s chorus while Jay-Z comes in with two of the best verses we’ve heard from him in years. While the recent release of 4:44 signals a more grown-up and fatherly shift in Jay’s sound and topics, it’s nice to have one (possibly final) send-off to Big Pimpin’-era Hov. Yes the chorus is repetitive, but 2016 was host to a rash of intentionally-repetitive Future-led choruses (including a second one later on this very album). I like that these songs are using Future for his unique textured voice as opposed to his tired lean-soaked raps. As a whole, the song has a hypnotic siren-like beat that Jay rides nicely and it ends up serving as a perfect energetic opener.

2) For Free (feat. Drake)

A Drake feature is practically a tradition on DJ Khaled albums at this point. In addition to the pair’s storied history, a Drake feature almost guarantees a song’s commercial success and a nomination for the elusive “Song of the Summer” title. Released as Major Key’s first single, the song did numbers but failed reach the pervasiveness needed to truly become the official song of the summer (despite Khaled’s claims on the song’s outro.) It’s still a nice bouncy Drake track that’s pool-party-ready, and furthered Drake’s exploration of the dancehall-esque sound.

3) Nas Album Done (feat. Nas)

On “Nas Album Done” Nas himself commandeers an entire track simply to spit bars for three minutes straight. With no chorus, and minimal intrusion from Khaled, this is a song of pure hip-hop proficiency that addresses the political climate of mid-2016. The title refers to Nas’ (still-unreleased) forthcoming album which will be his first in over five years. As such, this Fugees-sampling track serves as an appetizer for the bars to come on his next record.

4) Holy Key (feat. Kendrick Lamar, Big Sean, and Betty Wright)

Easily the track I’ve listened to most off of the album, “Holy Key” is a fast-moving and hard-hitting pump-up jam. The song that calls to mind Sean and Kendrick’s previous collaboration, the world-concerning “Control” which was a pivotal moment for the hip-hop scene as a whole. While “Holy Key” doesn’t quite recapture the fire of “Control” (a lot of time has passed since 2013) it does manage to capture a particularly-strong Big Sean verse and one of the most ferocious features of Kendrick’s career.  

5) Jermaine’s Interlude (feat. J. Cole)

After the abject fire of “Holy Key” things slow down a bit for a bit of a breather on the J. Cole-helmed “Jermaine’s Interlude.” It provides some much-needed pathos after the blitz of hyper-proficient verses on the first few tracks of the album. The interlude throws bone to the very specific yet ravenous fan base that J. Cole has cultivated since his breakthrough 2014 Forest Hills Drive. The mellowed-out track injects more of a “conscious” sound into Major Key that breaks up the album’s themes and showcases a surprising amount of well-articulated topics for an interlude.

6) Ima Be Alright (feat. Bryson Tiller and Future)

In the album’s most flaccid track Future and Bryson Tiller trade verses over a dreamy beat that continues the slower late night vibes of the last track. The song showcases a particularly-animated Future verse that’s sandwiched in between two remorseful Tiller hooks that discuss the pratfalls of fame. It’s capped off with a verse from Tiller and a surprisingly funny outro by Khaled.

7) Do You Mind (feat. Nicki Minaj, Chris Brown, August Alsina, Jeremih, Future, and Rick Ross)

From there the album continues its stretch of slower tracks with the overtly-sexy “Do You Mind.” The track combines Chris Brown and August Alsina vocals to create an earworm of a chorus that Alsina then commandeers for a short verse. From there the two throw to Jeremiah who adds a third layer of R&B sexiness before another chorus swaggers in. The track takes a hard turn as Future and Rick Ross come in with two short verses, but Nicki caps it all off with an incredibly-sung bridge right before the song’s end. It’s a radio-ready R&B track that sounds different than anything else on the album. With a packed guest list, this is a song “for the ladies” and it does its job well.

8) Pick These Hoes Apart (feat. Kodak Black, Jeezy, and French Montana)

As you would expect from a song with this title, “Pick These Hoes Apart” represents a shift back towards full-on hip-hop within the album. Featuring some of the most objectively-disgusting lines on the entire record, the song still gets some points for bringing together such a disparate group of rappers and shining a light on Kodak Black right as he was blowing up. It shows a lot of foresight on Khaled’s part. It’s also worth noting that the track features a great verse from French Montana who I’ve never particularly cared for, but he manages to utilize his brand of slurred half-sung rap here on a beat that sounds like it was made for him.

9) Fuck Up the Club (feat. Future, Rick Ross, YG, and Yo Gotti)

The album’s hip-hop mode is decidedly back in full swing on “Fuck Up the Club” which features the album’s second supremely-repetitive Future hook, a roster of legit street rappers, and an absolute banger of a beat. The track sees YG and Yo Gotti at the height of their powers after their high-profile releases of Still Brazy and “Champions” respectively. Everyone comes in with heat, and the track’s beat is relentless with little breathing room for anything besides explosive forward momentum.

10) Work for It (feat. Big Sean, Gucci Mane, and 2 Chainz)

Arguably one of the most star-studded tracks on the album, “Work for It” subverts expectations by being a bit of a slower track that finds Big Sean at the helm. It really does telegraph the sound on Sean’s upcoming I Decided. but remains a track that fits its other guests suitably. It’s apparent that the recently-released Gucci and always-humorous Titti Boi were both in “creation mode” on this track amidst a slew of their own 2016 releases. It may not change the Big Sean hater’s minds, but it’s a left turn that I didn’t see when first listening to the album.

11) Don’t Ever Play Yourself (feat. Jadakiss, Fabolous, Fat Joe, Busta Rhymes, and Kent Jones)

With a lineup of guests who are all in their 40’s (Kent Jones notwithstanding) I see “Don’t Ever Play Yourself” as the dedicated “oldhead” song on the album. Reminiscent of Compton’s “Loose Cannons,” or “One Shot One Kill” this track sounds like a different generation of rappers who all decided to hop on a track with one thing to prove: that they’re far from “too old this shit.” It’s apparent why these rappers have all stuck around, they all have different voices and at this point, they’ve honed their craft enough to make it all look effortless.

12) Tourist (feat. Travis Scott and Lil Wayne)

“Tourist” had been floating around the internet for about a year at this point as a semi-unfinished Travis Scott solo song. In its appearance on Major Key, we hear a remastered version with a surprise Lil Wayne feature added on and (luckily) little-to-no Khaled yelling. It’s a hazy track that retains the signature Travis Scott sound while echoing 3500’s drowsy unwinding instrumental.

13) Forgive Me Father (feat. Meghan Trainor, Wiz Khalifa, and Wale)

When Major Key’s tracklist was officially released a few weeks before the album’s drop, I remember one thing concretely: the internet’s reaction to this song’s feature list. First off: what a weird collection of people. Second: Wiz is washed. Third: Meghan Trainor? The “All About That Bass” chick? I don’t know why, but I’d like to pat myself on the back for believing that this song wouldn't be as bad as everyone was expecting it to be. I may just love being a contradictory fuck, and maybe it’s just because I went in with low expectations, but I find “Forgive Me Father” a corny, yet inspirational song that isn’t offensive in the least.

14) Progress

The last song on Major Key sees Khaled ceding Major Key to Jamaican singer Mavado. This is actually the second time this handoff has happened (with the third instance occurring on 2017’s Grateful) perhaps signaling a new inner-album tradition. It’s a tropical island song that calls to mind flashes of Khaled’s snapchat stories watering and talking to his flowers in a sunny yard. It’s a “full circle” song about progress that serves as the perfect conclusion to the album by encapsulating everything we’ve heard up until that point.

Major Key has a little bit of everything. Like most DJ Khaled records you could cherry pick single songs for the right mood, but it also holds together surprisingly well as an album. There’s no “journey” or “resolution” but you could easily sit down and listen to all 58 minutes of this and enjoy yourself. It’s a great summer album and has enough variation to keep you wondering (or excited for) what’s coming next. It’s a “playlist” before Drake did the same thing a year later. That’s not to say all DJ Khaled albums aren’t playlists (because they’re all like this) but Major Key is the first time it crystallized into something substantive that was fully enjoyable from beginning to end.  

In contrast, 2017’s Grateful is overly-long (21 tracks and almost 90 minutes) and released in direct contrast to Calvin Harris’ polished Funk Wav Bounces Vol. 1 which did the “DJ Khaled thing” in a better, more pointed way. But all this said I do believe Major Key to be a legitimately great hip-hop album that stands on its own. I’m honestly in shock I was able to write 1,000+ words about it, and I guess that endorsement speaks for itself more than my praise ever can.

It’s an interesting dichotomy because Grateful featured songs like “I’m The One” and “Wild Thoughts” which were unequivocally more successful than anything off of Major Key. It ties back to the discussion I carried out earlier this month about the crossroads between commercial success and artistic fulfillment. Major Key was no flop, but by all accounts Grateful is shaping up to be a technically more successful album. I think that Major Key stands on its own better on an artistic level, but there’s certainly a difference between the two records.

“I’m the One” has been an earworm (and chart-topper) since its release as a single in late April, I’ll give it that. But I’d still pick Major Key over it, even if it doesn’t have the “single power” of Grateful. And (to circle back to the original topic) I’m not saying Major Key is high art. This shit isn’t Abbey Road, It’s not Darkside, it’s not even Cat Scratch Fever. For as much as I wrote above, I still think this album is only one step above mediocrity on an artistic level. It will probably age horribly in a few years, it has some questionable lyrics, and as a whole, it’s just a good collection of tracks rather than a compelling vision carried out by one creative force.

The point is, even with all those things weighing it down, it’s great at what it needs to be. Grateful isn’t as good as what it needed to be (which was the same thing as Major Key), but in the end, they both pale in comparison to albums that were crafted with time, care, and artistry. I’m not saying DJ Khaled isn’t those things, I’m just saying Major Key succeeds in every goal that it sets out to do. It doesn’t aim high, so it shouldn’t be judged on that level. Major Key is a stellar collection of incredibly-varied tracks that bring together a wide roster of hip-hop artists large and small. No two tracks sound alike, DJ Khaled plays an excellent role as artistic curator, and everything comes together nicely. On that scale, it’s as far from mediocrity as you can get.

[steve0discusses]

Yugioh S3 Ep 43: Tea Can Just Knock Over Joey Wheeler With Her Index Finger

Guys guys guys, my favorite Character is back. That’s right--the storyboarder!

So this episode looked helllla nice for a Yugioh episode (again, this is Yugioh, it will win no awards.) It wasn’t as nice and fluid as the episode where they temporarily killed off Joey Wheeler, but I give it a good 2nd place.

You can tell we’re getting to the climax of the season because they’re throwing down their most entertaining art people onto the screen, giving us about 5 zillion dutch angle fashion close-ups of Marik’s cabbage face, and a whole lot of zany and hard to very hard to draw fish-eye lens angles of Pharaoh.

Also, everyone wears flared bell-bottom pants now. New stylistic decision, as decided just now. Everyone in pants now has flares. Even if their pants are cargo pants. How very 00′s. (my pants were flares from like birth until 2006, it was a good trend, super comfy, bring it back.)

(read more under the cut)

First off, Evil Marik decided to rewrite Marik history a little bit with some hilarious retconning that only the most evil Marik would think is legit.

I mean I was there when Marik was introduced and was a complete asshole all of S2. I remember when Odion considered murdering the hell out of his little brother because this Marik guy was such freakin tool and his Dad was an evil cultist bastard. I...I’m gonna go on a limb and assume that calling Marik a “loyal servant” is a freakin stretch. Marik made his choices. Yes, his bad side killed his Dad, but they have made sure to indicate that yes, this is the evil inside of Marik, something that he himself caused--but most of the things that Marik has done (with the exception of killing his own Dad) is still Marik. He did that.

The fact that his evil side can’t quite connect that his good side and evil side are at all the same however, is fitting for an evil Marik to think. More and more, Marik and Marik are becoming 2 different people, and this game is the deciding factor to finally give this guy full autonomy of his other half.

We’ve seen this type of contrast before with Bakura and Ryou--where Ryou and Bakura don’t really get along but have always been clearly different people, so the culpability of what they do tends to fall on Bakura. (which is a pretty GRAND assumption, I still think Ryou is a precious but absolutely still shady little bastard) So, it’s a little different that Marik considers himself two completely different people when it’s just...not the same. Marik’s alter ego is just an ego. More like how Yami was in Season Zero but a little bit more evil. Both Marik’s have the same upbringing and the same source.

It’s been kind of an interesting progression now I can look back on it, where slowly the two have been clashing to the point that they are in fact different, disparate people now. The fact that Marik points out how his situation similar to Yugi and Pharaoh being a host is almost like “well yeah, it would have been nice to see how the whole Season Zero Yami evolved into more of a separate person over time, I’m glad you inferred that, and I’ll never get to see it, thanks” But again, all that is inferred. Whether Yami Yugi eventually became Pharaoh over time or whether Pharaoh is a big retcon of Yami Yugi for the new series in order to keep the culpability for what he does off of Yugi Muto was never directly spoken in the show so it’ll be left to your fanfictions.

Meanwhile, Yugi has decided that they’re going to try and purify the Marik situation and save the good side. This is sort of the Yugioh thing, to dispel the bad forces from people and leave behind hollow husks, so yeah...it tracks. I mean...there’s very little Marik left to save, but it’s better than a husk, amiright? Better than what happened to freakin PaniK, RIP. I’m sure erasing over half of your identity will go over real well for Marik and be absolutely painless.

And then we had a lovely scene that, for those people doing scene redraws from anime, as has been a popular trend on art blogs lately--this is your episode for Yugioh. This episode’s got moody lighting, we’ve subdued all our weird ass colors into one concrete palate (remember how green the carpet used to be?) we got interesting elements of Marik being here despite being chopped into pieces. We got so many ellipses drawn in perspective (y’all I could write an entire posts just about ellipses but I’ll spare you). It’s like Yugioh gave itself a redraw.

I can’t believe this shot came out of freakin Yugioh.

Also, this guy was an ASSHOLE for the past 2 seasons but the show was like “time to make him likeable” and so they dropped some good ass cinematography and sung that sad backstory tune on the trumpet and you know what? It works.

+++++++++++++++RANT ABOUT REDEMPTION ARCS FEEL FREE TO SKIP THIS MASSIVE WALL OF TEXT++++++++++++++++++++++++

Now I think the arc of Marik is pretty simple and people are pretty chill with it. But, I’m gonna talk about villain redemption arcs just in general--gonna sidetrack a little from Yugioh for a moment. Partly because I watched 6 seasons of Once Upon a Time, which is basically Villain Redemption Arc Controversy: The Show.

It bothers a hell ton of people when TV shows have to make a villain redeemable, but there’s only one episode left so they put their hands up and say “but I swear the good side of him was always good” But, does that mean Marik’s going to make up for all the murder and sending people to the shadow realm? No. He never will. Even if Marik was completely his bad half the whole time, it still wouldn’t make up for the damage done. Dead people are...DEAD.

Marik can’t actually make any choices right now to redeem his character. All he’s doing is accepting he will never be a full person ever again. Hence why he is in slices and pieces, and in several shots is trapped either in an empty glass or a window. The choice to redeem him is entirely on other people.

And that’s the thing about redemption arcs that I want to bring up--how much of a character’s redemption relies on what the villains do to “Make up for what they did”, and how much relies on everyone else to redeem them. I think the tendency is for people to assume that the villains should be doing 90-100% of the redeeming, but unless they have a time machine--they can’t do any. Even if they freakin die to sacrifice themselves it’s still like “that character was basically little Stalin, right?

I’ve seen like a million ways to write a redemption arc, but none of them, not a single one that I can think of, can ever truly make up for the things the villian has done. There’s no way that Darth Vadar was suddenly going to become a good Dad, no matter how many Palpatines he can toss into a...whatever that was at the end of that movie. That’s the riddle behind what makes redemption arcs so engaging--By all cultural standards these villains should always be tagged a “bad guy” but, we, the audience, are being challenged to ignore those standards.

And I know a lot of people see redemption arcs as a quasi-religious sort of adventure into atonement, where we’re supposed to see ourselves as the villain searching for some type of forgiveness from a higher, most-likely-a-reference-to-Jesus-power, but I don’t really see them that way. Maybe it’s because, I dunno, I haven’t killed anyone recently or possessed other people’s minds or strung them up to anchors and dropped them into the ocean. But if you see yourself as a Marik, then go for it, I won’t stop you.

But, to me, a redemption arc is more of a question posed for us as viewers. Since it is impossible for the writers to ever fully redeem a character, the only ones doing the redeeming are the people watching it, who’s reaction will differ wildly from person to person, and that’s what makes it fascinating.

And like, that’s my thesis here at the very last paragraph of this long meandering rant. Redemption arcs aren’t about “hey is this person good enough to be redeemed (because that will never happen)” it’s “are you too good to redeem that person?” It’s a large scale experiment on the viewers watching and that’s why it makes people so freakin pissed and uncomfortable. Every redemption arc calls them out directly, and for some people it’s just like--the world ends or something. I have seen actual internet mobs develop over...a villain redemption arc. Which is weird.

And so I’ll leave it with my other spicy take that...you don’t have to redeem every villain when the question is asked. I mean these aren’t real people. The questions of “would you redeem this person” is asked entirely hypothetically. And that’s what makes up stories, not just the interaction of the people inside the stories, but when it affects the moral structure of the readers directly, and seeing how for some people, that can be a very intense and deep reflection. (which usually leads to a hell ton of either retconning fanfiction or a hell ton of really, really angry posts)

bro’s just told me that Yugioh is just a redemption arc for season 0 Yami Yugi. Bro and his spicy headcanons. This one holds some water though, lol.

++++++++++++END OF A SUPER LONG RANT ABOUT VILLAINS THAT I HELD IN FOR THE ENTIRE 6 SEASONS OF ONCE UPON A TIME, WOW A LOT OF PEOPLE HAD OPINIONS ABOUT CERTAIN CHARACTERS THAT THEY JUST EXPECTED EVERYONE ELSE TO HAVE, AMIRIGHT????+++++++++++

Anyway, back to jokes.

Again, Storyboarder just...nailing these weird ass shoes that are somewhere between a dress shoe and a boot. Shoes are hard to draw, y’all. This storyboarder. And they even made sure that the shoes looked very small and precious the way Yugi shoes would be. Little Cinderella size 5 Yugi shoes.

Oh finally.

So it was only a matter of time before the people who actually care about being possessed noticed this situation, it just took like...a season longer than I thought it would. I’ll be honest it was quite cathartic for them to actually address for the first time in what feels like a long time “SHOOT, GHOSTS!?!?”

Although it was kind of funny that the biggest reaction to all of this came straight from Joey. Yugi still doesn’t care, Tristan’s decided to just accept this, and Duke is just slowly backing away. But Joey’s going to try and do the work that Yugi should have done last episode.

HOT DAMN.

So, lets go over the Yugioh power chart here. Tristan can punch out Bakura. Tristan can also defeat Seto Kaiba with a broomstick. Joey can kick Tristan, even when Tristan is armed with a broomstick, so hard that Tristan flew through a metal door and bent it completely over backwards. Tea, however, can knock Joey completely over with one single index finger.

How has this girl ever been abducted? Was she just bored?

Bro wants to bring up that she once incapacitated a man with her butt. Just falling on top of a guy and hitting him with her butt of steel. Was she even in danger from the shipping container when she could just bat it away? She once choked out Season 0 Yugi Muto. She was always fine.

Credit to Joey, he keeps trying, and it gives us, for the first time, a sneak peek into what it must be like for Yugi and Joey to hang out on the offtimes that Yugi switches over and Pharaoh hasn’t quite gotten the memo.

This is in fact, the second time that she’s done this.

(meanwhile, sitting next to Odion, is one single cargo pocket floating in the air, gently smoking a purple haze like incense)

Welcome back Odion! I only now just realized how freakin jacked your neck is.

Like y’all his neck is wider than his head, hot damn.

Anyway, this show is secretly all about the power of big brothers, so I assume he’s going to start the mile long crawl to the top of the tower and then just...walk in...just walk right into a shadow game...?

...no one thought to stay with Odion? Like not even Serenity? Or at least leave him a weelchair? what the hell?

Odion always gets the worst wrap, this poor guy.

Anyway if you just got here, this is a link to read these recaps in chrono order from the beginning and watch my progression of knowing nothing about Yugioh to knowing a lot about random facts about Yugioh but still knowing absolutely nothing at all just like Socrates.

And here’s that shot of Marik for y’alls anime scene redraws, knock yourself out.