ps!ghost is very interested, to put it mildly. can't seem to stop re-watching your debut video that was released a week ago. it's always the same premise. black leather couch casting. nice little bird in a modest dress or shirt and jeans who gets undressed because the "director" has to take in measurements and the like, only to end up getting railed from the back with their pretty face pressed into the cushion.
it's a thing male viewers like. they love to watch a professional break in the new girl. he, though, not so much. he doesn't go for the new girls. doesn't like to be the one to test the limit like others do. (big cock anal on their debut? ghost finds it a bit much.) he hears one tiny gasped ouch and he's not finishing the shoot.
no, what gets him going is the enjoyment one can get during sex. it's why he ended up in this business in the first place. he likes sex. a lot.
likes to have men, women, young and old alike writhing beneath him gasping his (stage) name due to the pleasure and not because a script said to. and the benefits of working in the porn industry means that he gets paid doing what he likes, and can stay safe while doing so.
this is where you come in. the only reason he'd sat down to watch your video at all is because you'd been given a contract by the same company he is under. he's bound to come across you at a later date, might as well learn what he'll be eventually working with.
and he's hooked. whatever initial nervousness you might've had at the very beginning (because this is your very first professional shoot, of course) bleeds from your shoulders once price, the lucky bloke, gets his hands on you. you're a bloody natural.
and you enjoy it. there's no faking the way your nails bite into price's scalp when he licks at your pussy through your thin knickers. you gently wrap your hand around his fingers that's rolling your hardened nipple, giving it a gentle squeeze. he's doing it too rough. you buck your hips into his face, riding it even though you're the one on your back.
ps!ghost has to swallow the mouthful of saliva when he notices strings of creamy white sticking to price's body hair, a frothy ring around the root. the best part of all of this, is that you're giving as good as you take. you're no passive participant. you could, under price's big bulk, just get folded in half and do nothing other than feel the sweet burn of his cock stretch you, turn you inside out.
but you don't. you know exactly what you like and how you like it. you look for your orgasm, make sure it happens under your manicured fingers or price's thick ones. you don't let him be too rough on you nor too gentle.
simon loves it. you're new to this. you could've just accepted what he gave you without so much as a peep of complaint and gone home to soak in an epsom salt bath. but you didn't. you didn't let him pinch your sensitive clit, didn't let him mindlessly claim a fistful of hair.
but you did open your pretty mouth so he could spit in it (fucking lovely, it was) and let him keep your soft hips in the air as john's pace turned frantic and the best of all (in his very biased opinion) you crossed your ankles around his waist to keep him there as he fucked you full of his come.
(had simon been there, he would've begged for a taste if he had to.)
he feels a bit desperate, after. can't get you out of his head. the thought of your slick pussy hot around his cock is what gets him to finish at times. the other times, it's your video. he swears he's found his equal (sorry, soap) one that'll forget that he's supposed to be putting on a show for the viewers.
sorry price, he's about to unfuck him out of your pussy until all it'll ever remember is simon.
(what he doesn't understand is that he's about to forget more than the viewers. why is price watching yall again? it's almost intimate the way you let him fuck you on a creaky mattress. he's drunk on the smell of you, your hair, your cunt. lost all thought when his fat cock slid with relative ease into your wet heat and all he'd done was let you make yourself come on his fingers and tongue as many times as you'd pleased. you'd latched onto his neck, maybe out of habit or whatever, it doesn't matter. he'll be telling the makeup artists to leave the bites you left. he earned every single one. and where he usually pulls out because it's easier to clean up for everyone? you'll not be wasting a single drop. it appears he has a lot bit of a breeding kink.)
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What runs/stories do you recommend for someone starting WW? Could you please be specific (/nicely)
Yeah ofc!
My Wonder Woman Starter Recs (specific style 😎)
First stops: for an initial introduction to Wonder Woman, I'd generally recommend going to at least one of three places first. These three are:
Wonder Woman: Historia: The Amazons by Kelly Sue DeConnick
Wonder Woman: Year One by Greg Rucka
Wonder Woman: the Hiketeia by Greg Rucka
Of these I generally recommend reading Historia first, as it's a retelling of the origin of the Amazons as a race and how Diana came to be (so it essentially starts from the beginning) and is also the most recent of the them (if that means anything). Something to note about Historia though is that it's a DC Black Label book, so it's events aren't strictly canon in the main DCU and there are some changes and new elements present. I don't think this is something that should discourage anyone from reading it though, it's the best WW origin story out there, and even in strict main canon over the years her origin is one that has had many fluctuations and small (& sometimes big) changes. WW:Historia is three prestige format (longer) issues.
You'll notice the third book there is WW: The Hiketeia. Hiketeia is a great book if you're looking for a view into Diana as a professional and experienced hero. It's a graphic novel so standalone and not too long, and has a great Diana and really interesting plot (Diana vows to protect a young woman and finds herself pressed against the wheels of Greek Tragedy). This is also the first work with Diana done by Greg Rucka, one of her most prolific and loved writers. A sampling of this work (and also Historia) I think gives a good guide to where to go next in terms of runs on her main title.
Wonder Woman: Year One is the second book on the list up there, but I'm mentioning it last here as it's a bit more complicated in terms of format. Unlike other year one books, WW: Year One is actually a series of issues on her main title, showcasing Diana's arrival to man's world in Rebirth (and also current p sure) continuity. The issue numbering for this one is strange (only the even issues 2-14 on WW (2016)) so I recommend looking for this in trade form if possible.
These 3 books I think give a taste of some of the best standalone stuff in the Wonder Woman mythos, and give the reader a good idea of where they may want to go next in terms of longer runs on the title. So I'll break that down here as a Step 2.
STEP 2: WHERE NEXT?
Here I break down some highly recommended runs based on what they have in common with the standalone books from step 1. As a rule, these runs are going to be much longer than the above and generally more connected to the wider DCU and other books. Look for the italics to see the introduction to each new work. Explanation paragraphs follow after each italic/bold rec.
Curious about Greek mythology in WW and the Amazons' origins after reading Historia? Liked the prescence of a supporting cast and Diana learning about Man's World from Year One? Willing to read a longer run? I recommend: Wonder Woman by George Pérez
George Pérez's time on Wonder Woman totally reinvented the character after Crisis on Infinite Earths, and is fundamental in establishing many core concepts of her lore. At 62 issues, 2 annuals, and a 4-issue crossover event at the end (War of the Gods), it's definitely a commitment to read, but it's the most enduring and well-loved run on Wonder Woman for a reason--it's just that damn good. Lots of focus on mythology (although with a lighter tone than Historia) alongside Diana learning her role in relation to Man's World & establishing herself as a hero and ambassador. Pérez's run also has almost-certainly the most expansive and developed supporting cast in WW comics, something that really drives the emotional core of the series, especially in later issues. Obligatory note that this series was written between 1987 and 1992 and contains some very occasional aspects that I thought were in some way dated/uncomfortable etc. while reading (details of Cheetah's origin, depiction of the Bana-Mighdall, Hercules) but despite that I still highly, highly recommend this run. The word fundamental cannot begin to describe it.
Liked the experienced Diana of the Hiketeia? Interested to see her attempt to balance the high stakes responsibilities of an ambassador and superhero? Looking for some really badass moments and fights? Haven't read enough terrible tragedy? I suggest: Wonder Woman by Greg Rucka 2003 EDITION.
Some of Diana's coolest moments of all time are collected here. Also one of her most controversial. The 1st Rucka run is very much the story for anyone who liked the Diana of the Hiketeia and the tragedy of that and Historia. 2003 Rucka Diana is a Diana tested, forced to make decisions that are anything but easy, and live with the consequences. She's extraordinarily capable, but her enemies know that and are prepared to that end. This run, along with the Pérez run, rank among my favorite Wondy comics of all time (those and Historia are my top 3). This run is such peak Diana, especially in terms of sheer badassery. Her final confrontation with Medusa is in my opinion perhaps the greatest Wonder Woman fight scene of all time. Her encounter with Athena in the second-to-last issue breaks me every time. Cannot recommend this book more.
*a note abt this run is that it is more context-dependent than the other ones listed here, as it's the run that finishes out the Wonder Woman vol. 2 book and so has some guest appearances from characters introduced in other prior runs (Artemis of Bana-Mighdall, Cassie Sandsmark, and Vanessa Kapatelis, to name a few). I read this run before knowing much (if anything) about any of them, and still enjoyed it a lot, so I wouldn't be worried about this really but just thought I'd mention it.
Rucka's 2003 run is published from Wonder Woman (1987) #195-226. You can also find it in trade and I believe(?) omnibus. Sometimes the Hiketeia is included in collections of this series, as the 03 run is thematically similar in many places, just with a much deeper look at Diana and the world & with higher stakes.
Liked the specific characters and plot threads of Wonder Woman: Year One? Want to see what happens with Diana's exile, or learn more about Barbara Ann? Want a Diana in between the extremes of young and highly experienced? Wonder Woman by Greg Rucka 2016 EDITION may be for you.
...yes I'm putting ANOTHER Rucka book on here. He writes a great Diana, what can I say. This run is the same one that Year One came out of, just the follow ups to that story and versions of the characters. I have this run listed as separate from Year One though, as there's some really big time skips since the events of that first volume. A lot of time has passed since then, and there's more history between the characters, not all of it without drama. This run continues to be weird with the numbering, as well as some artist changes, so I definitely recommend looking into reading this in trade format (physical or digital) if at all possible. My recommended reading order is WW 2016 by Rucka vol. 2 "The Lies" (Wonder Woman: Rebirth Special #1, followed by 2016 main title odd numbered issues 1-11), then Rucka 16 vol. 3 "The Truth" (odds 13-23) then Godwatch (evens 16 through 24) followed by 25? But The Truth and Godwatch combine near the end so that doesn't really work either. This run is so good but recommending it is such a pain because the numbering is so all over the place. On God I never know which order to read this in. Going to revoke my previous statement and say read it as Rebirth Special 1, then only odds 1 through 11, then from 13 through 25 normally. That may lead to some weirdness as you read because the two stories take place at different times and have different art styles, but they come together at the end pretty dramatically so I think it's less confusing to read it this way? Maybe? So strange bc this is one of the go to good starter runs and yet it's set up so unintuitively. If someone has a better way to read this then let me know and ill edit, ik this explanation is super confusing bc neither way to read it is totally ideal imo and I feel I definitely read it in a weird order.
Going to call that a good rundown of some of my greatest recommendations in terms of Wonder Woman comics. If anything wasn't fully clear here or anyone (not just anon) has questions or wants to talk abt WW comics/my choices feel free to send as many asks or dms as you want. Have a good day everybody, & as Diana says, may the glory of Gaea be with you <3
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If megumi asked uzhsjdhshd omg I totally see it tbh him wanting you, but I don't think megumi would ever ask yuuji to share you, in any type of way at all. (not trying to push my own hc here!!) I feel like yuuji himself would be the one asking megumi. Yuuji knows that he's yours just as much as he knows you're his. And he loves you too much, a lot, it's purest type of love he has ever felt for anyone. And megumi is his best friend, he loves him just as much, right? Yes, not the same love between you and him ofc but yes. And I have no idea what they were doing but yuuji's just says, kind of out of the blue, that he'd let megumi fuck you. The reason being exactly cause he knows you're his, and you're just so so good that he needs to have someone to talk to (about you and always so respectfully) and who better that his best friend?
you’re opening the pandora’s box that is itfs + reader…. god…..
okok i agree. if you’re dating yuuji, megumi would never ask, yuuji would be the one to bring all three of you together. definitely because he loves you and you’re his, and he loves megumi too, so it just makes sense that his two favorite people also get to have each other—but also, yuuji can tell megumi likes you, and he can tell you think megumi is attractive and since yuuji’s so nice, what kinder thing to do than to set you two up so he can watch (: he definitely enjoys being the mediator, also enjoys the somewhat awkward air between you and megumi, how yeah, maybe it’s a little taboo that the two of you are about to make out while you’re boyfriend watches, but yuuji likes that too… also he likes knowing that you both like him. like how lucky is he that his best friend and his girlfriend adore him so much :(( you two together makes so much sense in his head, because he talks to megumi about you, and he talks to you about megumi, and now, he can just pour all his love for both of you out at the same time
but also…. i’d like to think that yuuji’s maybe not so nice when it’s the other way around—when he and megumi get together first, and you’re megumi’s best friend. he’s not mean, but he does like to tease... how naughty of megumi to ask out yuuji knowing he’s still got a crush on you, and god does yuuji like to tease him about it :/ jerks him off and taunts about how he knows megumi’s dirty little secret—that he’s in love with his best friend and fantasizes not just about having you, but about watching his own boyfriend fuck you too…
yuuji knows megumi would take his feelings for you to the grave if he could (he’d have done the same with his feelings for yuuji if yuuji wasn’t the one to ask him out), but where’s the fun in that! you and megumi are sooo cute together after all, so yuuji doesn’t mind trying to get you two to confess to each other too. uses his proximity to megumi to get closer to you, takes advantage of his bubbly disposition to be physically affectionate with you, uses megumi’s feelings to his advantage to tease, to wink, to smirk whenever you and yuuji hug a little longer, when he texts megumi that he’s meeting up with you for lunch, when he gives you his jacket and doesn’t ask for it back… there’s so much fun in watching megumi blush and whine and get off at the thought of his best friend and his boyfriend together. and the thing is, yuuji genuinely does like you, too, he sees what megumi sees in you, and he thinks megumi is crazy to have not asked you out before, but he supposes everything happens for a reason, because now, this way, yuuji gets to be there and watch it all happen under his guidance. there’s something about the power, about being the bridge between you two even though you and megumi have known each other for much longer, about being in control of a dynamic that could have, but wouldn’t exist without him…
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in regard to the icemav convo about american made cars: I think it would be funny if after mav gets his regular license, ice buys him a truck that they can use for transporting stuff to the hangar and when he gifts it to mav all the man can do is laugh bc stamped across the ass is MAVERICK. It’s a 2023 ford maverick (in area 51 bc I’m partial to that color)
and mav likes it, but he doesn’t love driving it bc it’s so big (and he just likes being a passenger princess too much), so ice drives it mostly which inspires a whole lot of jokes about ice liking having maverick’s name stamped on his ass. bradley gags from the other room every time.
if it matters to u, i agree with this hc 150% on rhetoric grounds. thank god for your mind.
however i would like to raise the issue that recent american pickup trucks have become non-useful, overexpensive, and suburban-coded in a way i think ice and mav would reject. the ford maverick was built with the intention of dropping kindergarteners off at school, not of actually doing hard labor. see below infographic for what I mean.
It’s a fucking travesty. Trucks are so ugly and useless now. the maverick is not immune to this. (maverick below)
what good is having a fucking truck if it can’t even hold two REGULAR ASS BIKES in the bed. & when the bed is empty the chassis is unbalanced in a way that leads to more accidents etc. (tbf that was true in the 70s/80s too but im feeling more hateful towards modern trucks rn). In short—the modern American pickup truck is no longer useful, it’s a way to virtue signal to other Americans that you *think * you know what hard labor is, even when you’re driving around in a glorified odyssey with a teeny tiny bed that can barely hold a couple bags of mulch for the back garden
ice & mav don’t even have any little kids anymore, i think they’d consider a backseat useless & a waste of space
SO i would like to offer you a Compromise, which is that ice & mav buy either (or both) a 1974 ford maverick AND/OR a 1990 ford maverick
for the Funny Name & coolness factor (& the “making Bradley vom cause of how cute his parents are” factor), and then soup up, like, a 1984 Chevy C10 for actual towing/hauling purposes.
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