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#they are so. i always preferred them over johnlock for a reason
wonderlandsakura · 26 days
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Ok for some reason my brain is hyper focusing on Johnlock again like I won't regret it 2-3 business days from now when I come out of it with 5 new open AO3 tabs (out of my already 156 open AO3 tabs not counting other unfinished/unread fic/fic I've not caught up on, full disclosure) for fic that I probably won't finish reading and/or while being unable to find the. Very Specific. fic I want to read and just having like an open half-filtered tab... But Anyway.
Here's a Very Rare Johnlock Post from me lol
Imagine after all the seasons are over and Johnlock are old and have finally talked about their feelings and properly, actually, gotten officially together
(and subsequently gotten married in like 2 months cause Sherlock filled out the paperwork while John was not actually at home and then actually having a discussion about it when John finds out it happened cause Sherlock casually mentions it and actually agrees after Sherlock mentions (read: steamrolls over him, anxiously) them practically already being married by common law and just officialising it for the tax benefits... they only have a proper wedding, maybe on their/an anniversary when Mrs Hudson finds out probably 6 months later or sth and complains,, but I've gone on a tangent again)
Anyway Rosie is a teenager, with after-school activities and a phone.
I'm just imagining Sherlock dragging John out on a murder case (read: date) and deciding to feed him midway through (like always, tbh,, sth sth that post about feeding the depressed man that tends to forget to eat but I digress)
So Rosie gets a text and a voicemail from the two of them (cause Sherlock prefers to text and tell me John is not the sort to leave voicemails, like he would have put it on the voicemail machine if they had one he's so old man sometimes)
And it goes something like:
[Text from Papa]
Ragù Bolognese, Angelo's, 7pm. Hugs. -SH
[Voicemail from Dad]
"Hi honey, it's Dad.
Sorry we won't be able to make it to dinner with you, your father's got a case and you know how he gets...
Anyway, Mrs Hudson is going out tonight remember, so your Papa is booking the usual table at Angelo's for you... You still like the Spaghetti Bolognese right?
Don't worry about us, we'll eat before we get home. And the reservation is at 7, so don't be late. This will probably take a while so don't wait up either and go straight to bed young lady, you hear me?
Anyway I've got to go, loveyoubye."
Anyway I think it would be very cute, like they love and care about her, even if they're old men who laugh at crime scenes and whose ideal date is trying to catch a murderer together, and they show it by taking a moment to make sure she's fed with her favorite food even when they're busy solving crime, so yeah.
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Can I ask you a Ship ask game?Albert/Louis; Sherlock/John; Bond/ Miss Hundson
I have another ask for Bond/Miss Hudson so I'll answer the first two here and tag you in the one where I answer that one!
I'm going to go with Don't Ship It for both Albert/Louis and Sherlock/John, but like most pairings in this series, it's a very loose No. To bring back an old fandom term, my only personal NOtps in this series are the bio sibling pairs. So like, I probably could enjoy either of these ships if someone tempted me with a really good fic, they just don't call to me particularly.
Don’t Ship It - Albert/Louis
Why don’t you ship it?
They don't interact all that much really, and even if they did I think their connection would lack a lot of what makes a ship interesting to me. Sherliam and Mycal are fun for the whole cat-and-mouse dance of manipulation and scheming, and in Sherliam's case particularly, for their playful delight in each other. Albert/William intrigues me with its angst potential: the pseudo-religious pedestal Al puts Will on, their mutual desire to die, the way it's like...they hate what they've made of each other while also loving each other. I don't think Albert/Louis would necessarily have any of that. Louis is the most practical and grounded and the least suicidal of the three, so I guess it's just...not dramatic enough for me? 😅 Again, that could be flavoured by how hard a time I have shipping Louis with anyone. I'm not saying he's boring: I adore Louis. In fact, maybe what I'm really saying is that he's interesting enough on his own: he doesn't need to be paired off in my mind.
What would have made you like it?
Louis being a little crazier maybe? He gets kinda scary with the knives, but I always feel like he's ultimately very much in control of himself (with the possible exception of around Sherlock, which is probably why that ship has managed to win me over). It's like I want my ships to either be Really Sweet Actually...OR Horrifyingly Destructive *cough*Hannigram*cough* and I think shipping between any combination of the Moriarthree almost automatically needs to lean towards the latter, so I'm gonna need them to be hella unstable in order to ship them. 😅
Despite not shipping it, do you have anything positive to say about it?
I mean, maybe Louis could be really good for Albert. A voice of reason and caution and hope. But he can be all those things as his brother too, and in this particular case I think that's the way I prefer it.
Don’t Ship It - Sherlock/John
Why don’t you ship it?
Weirdly, I've just...never really shipped Johnlock? Admittedly I haven't consumed a lot of adaptations, but...I didn't get super into it in the books, I could never really figure out why people shipped it in BBC Sherlock *collective horrified gasp, sounds of torches being lit and pitchforks being lifted in the distance* and the other adaptations I've seen now and again never really won me over to it either. The only notable exception is the RDJ/Jude Law versions. Those two had CHEMISTRY. *dreamy sigh* Anyway, I guess I'm usually a fan of Johnlock as either the best of besties or like...queerplatonic life partners? Which I guess is a form of shipping too!
What would have made you like it?
John being less straight? LOL no shade whatsoever to anyone else's interpretation of the character, but I just don't really headcanon this version as being anything but straight.
Despite not shipping it, do you have anything positive to say about it?
Their friendship is wonderful. John is such a good influence on Sherlock, and contributes in so many beautiful ways to his character development. They are necessary in each other's lives. They have a deep and powerful love, and I think I sometimes don't appreciate it enough. I personally see it as a platonic love, but all of those things are certainly also a good foundation for a ship.
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inthememetime · 3 years
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Do they text? Gandalf + The Company (and bonus Dís & Tauriel)
Thorin: Yes, but only when he's in a happy or normal mood. When upset, he calls or it's complete silence. He prefers texting to calling in general.
Dwalin: No. In fact, every time someone texts him, he just calls them or physically goes out to find them and talk face to face.
Oin: Yes, he does. He didn't when texting first came out, but due to his hearing loss, he finds it really useful.
Gloin: He is in 5 group chats right now, and spamming all of them with pictures of his children's sporting events, family vacations, and baby pictures.
Bifur: Not really. He uses a Nokia flip phone from the 90s. When he does text, he amazes literally everyone by how fast he can do it on that little thing.
Bofur: Yes, but there are so many autocorrect mistakes that nobody can understand him half the time.
Bombur: He thinks texting is too impersonal, and prefers to call or meet face to face. He will happily make an exception for sending pictures of food.
Balin: Yes. Especially when dealing with work, because he's a fan of CYA, and texts are, legally speaking, written and can be used in a court of law. Everyone is always surprised due to his age.
Dori: V e r y s l o w l y. W I t h l o t s o f e r e r s. C a n y o u j u s t c a l l m e ?
Ori: Yes! He loves to text because he's a little quiet and shy over the phone or face to face.
Nori: No, and he doesn't for the same reason Balin does. The only times he texts are answering texts from Ori or when he needs an alibi.
Fíli: All the time. To friends, family, pretty girls, pretty boys, pretty people in general. He's also the main one Thorin calls over to translate Bofur's autocorrects. He also texts people back to back one word by word until they respond if he feels like being a jerk.
Kíli: Yes, and outside of family, it tends to be strange conversations. Fíli is pretty sure dinosaurs are code for something in his and Tauriel's convos, but he is a paleontology major and she's a biology major, so maybe not? And why is he talking about ships and cannons so much? Thorin does not ask him to translate txt spch because once, Kíli told him LOL meant Lots of Love, and then he got a lot of angry calls from relatives when his grandfather finally kicked the bucket passed away.
(Dinosaurs are not code, but ice cream flavors are! He doesn't even eat ice cream, he's lactose intolerant.)
Tauriel: Pretty much exclusively to Dís, Kíli, Fíli, or Legolas. And she is a Forensic Pathology major, thank you very much Fíli! 50% of her convos are school or fic and fanart related with Kíli, the other half is for everyone else. She likes to send him pictures of half completed fanart and make him guess what it will be.
Bilbo: Usually, yeah. He's bad about getting distracted and forgetting he had a text though thanks to ADHD, so it's best to call him if you need something ASAP.
Gandalf: This man has to keep up with so many people. He's in 12 group chats, regrets all of them, and yet still asks for gossip.
Dís: Yes. She is also the only one who does understand Kíli's texts about ships and canons. They have a long running bet on how many Destiel, Johnlock, Tasertricks, and Matt/Foggy references they can make before anyone picks up on it.
This is also the reason Kíli has two AO3 accounts. He posts the cute, family friendly ones on the account his mom know about, and his...less family friendly ones on the other.
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gallavictorious · 3 years
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i very much enjoyed your take about how mickey might have bottomed for other people than ian, because i personally find it very likely and it generally seems like an unpopular opinion. a lot of the time in fandom (not just this one) people seem to expect bottoming to be something super ~special~, and they tend to treat it like an act of indredible trust reserved for the love of your life, instead of a simple preference in bed. for some people it might be, i guess, but i've literally never met a bottom who feels that way. seems weird to me to expect mickey, of "liking what i like don't make me a bitch" fame, to be someone who thinks that. prison is different simply because in there he seems to see sex as a means of establishing dominance/power, not pleasure. idk that's just what makes sense to me
Hiya, nonnie!
I totally agree that the whole top/bottom discourse can get wildly out of hand (Johnlock shippers, I am looking at you), with all sorts of significance tied to who tops and who bottoms. It should be noted, however, that this doesn't just happen in fandom (even if it sometimes happens a lot in fandom) but that these discourses are prevalent in the ”real” world as well: there are all kinds of ideas floating around about what being a top or being a bottom says about you as a person and about your relationships. Rather than being construed as something that you do, it's often seen (primarily but not exclusively by straight people) as something that you are, and while I don't doubt that there are gay men who do identify strongly with being a top or a bottom, in my experience, as in yours, most don't particularly. It's one of many aspects of sex; it's a thing that you do; and one you might have a clear preference about, but you also might not. It isn't necessarily tied to trust, or at least not more so than any other sex act.
Disclaimer: I'm not actually a gay penis haver, I haven't done any extensive research on the topic, and I don't tend to discuss the details of my friends' sex life with them, so I don't know this. Anecdotal evidence, my dears. In general, however, I think it's a good practise to assume that what a person likes in bed doesn't necessarily say a lot about what sort of person they are, the same way having a certain type of food preference doesn't. (We're putting aside, for the moment, the fact that taste is often at least partially shaped by ones culture becuase I feel that will only muddy the waters on this particular topic.)
All that said – and this is where I suspect you'll stop enjoying my take; sorry about that, nonnie! – I think that for Mickey bottoming does have a lot to do about trust, at least initially. Not in the sense that it's something super special and precious that he wants to reserve for his one true love or anything like that, but in the sense that I believe that Mickey, as a result of the enviroment he grew up in, is very, very aware of the assumptions sometimes made about bottoms (usually by straight people). I've actually written halfway extensively about Mickey's relationship to his own sexuality before, so for a longer and even somewhat coherent explanation of my thougths on this, please check that out.
Here, let me just note that Mickey might well know that liking what he likes doesn't make him a bitch, but he's also highly cognizant of the fact that others might thinkit makes him a bitch, and he can't afford that (especially not in prison; I think his main motivation for fucking me there is mostly to just get off - and it's a good opportunity to actually do it with men without revealing himself as gay - rather than to establish dominance, but he exclusively tops because doing anything else would mark him as a bitch). Except with Ian he chooses to risk it, repeatedly, and I think that does signify a rather large amount of easy trust.
The thing is, though, that I think that after having what he had with Ian and living openly as a gay man, I think Mickey has come to a place of self-acceptance (and, significantly, to a place where the worst has already happened and he survived it) that allows him to truly not give a damn about what anybody but the people close to him assumes, which makes bottoming less of a trust thing and thus no longer something he only feels comfortable doing with Ian. (Which doesn't mean he's comfortable doing it with just anybody he's fucking; see Byron.) I have some thoughts about what this means for his stay in Mexico (LGTB+ unfriendly cartels and all), but I'll get back to that in response to another ask I got on this topic.
So yeah, I think that Mickey probably has bottomed for other people (and that this is a somewhat unpopular opinion in the fandom) but only after he had been in a proper and official relationship with Ian – and I do think that trust is a pretty important component of the whole thing in this particular case; not because bottoming is inherently something that requires extra special levels of trust, but because of Mickey's awareness of prevalent discourses surrounding it.
Finally, I want to note that we'll never know what Mickey did or didn't do before he hooked up with Ian, or what he did or didn't do while they were apart. We can argue one way or the other until the cows come home, and I think we can build a pretty strong case either way, but at the end of the day, it comes down to preferences and what we think makes for a more compelling interpreation. This is the one I vaguely favour (at this time, at least; I've been known to change my mind over time or if a more compelling theory is presented to me); if you prefer another, that's perfectly fine and reasonable. I'm very happy to discuss this and as always I'd love to hear other people's thoughts, but I'm not looking to get involved in any messy fights over it. (Not directed at you, btw, nonnie - loved the ask! Just a general PSA for others who might stumble across this!)
Oh, and other sweet nonnie who sent me an ask on this subject: I'll get back to you with a proper response within a few days! I've saved some thoughts especially for it, so while you already know that we don't fully agree on this, I hope you'll find it somewhat worthwhile. :)
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simplyclockwork · 4 years
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Hi! I love, love, love your stories! They're really helping me through some hard times. I wonder if you could write a fic where it's near the beginning of the series, and Sherlock is being very sad and distant from John because he hates that John is always dating these women because he loves him. And maybe John confronts him and it all comes out (no pun intended) and it's sweet and happy johnlock after angst. I'm over 18 so smut is fine (as long as it's bottom Sherlock which I prefer). Thanks!
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Hi, Anon! Thanks for your patience on this fill - I was busy all last month with National Novel Writing Month, and am slowly getting back into prompt fills. I hope you’re well, and that the fill is what you hoped for! 
You can read the fill below the line break, or on Ao3 here.
Please feel free to send me prompts again in the future 🥰
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The atmosphere in the lab was thick enough to cut with a bread knife and growing thicker with every silent minute that passed. Sherlock sat scowling down at his notes, stubbornly ignoring John’s fretful pacing.
It was a little over a month since they’d become flatmates, and things were not working out the way Sherlock hoped. When they’d met, he’d taken to John at once. But he’d resolved to keep his distance, and when John made a pass at him, Sherlock had been far too out of touch with the dating game to catch on until after he’d brushed aside any chance at pursuing a relationship.
At the time, he’d been too embarrassed to take back his statements. After the case, he’d thought. He would address the miscommunication once things settled down.
But then there was another case, and then another, and then it was too late because John was dating. Not only was he dating, but he brought his dates home. Paraded them past Sherlock in what he imagined wasn’t possibly meant to be retribution for Sherlock’s rejection, but which certainly felt like it.
Penance. It felt like penance.
Halfway to Bart’s, the frustration and burrowing sadness had poured out of Sherlock like water from a burst dam, and he’d spewed a flood of venom like nothing John ever saw from him before.
It left both of them smouldering like smoking craters, with John stunned and confused, and Sherlock horrified by how he’d deduced John within an inch of his life. How he’d shouted at John in the back of a cab about the disappointing sex John seemed to be having, how he’d gained a quarter-stone — which he desperately needed after losing weight following his injury — and how he would never amount to anything greater than a part-time locum doctor.
It was cruel, he’d been cruel, and Sherlock knew it.
But, staring at the notes and figures in front of him, he couldn’t find the words to take it all back. So he feigned distraction in the form of research and let John stomp and pace and mutter under his breath until Molly appeared and kicked them both out so a group of students could use the lab.
“I don’t know what your problem is,” John began the second they were alone in the hallway outside the lab, “but you’re a right bastard today.”
Instead of responding, Sherlock quickened his pace. His legs were longer than John’s, and he was a master at escape, and he did his best to leave behind the angry storm cloud that had replaced his flatmate.
He severely underestimated John’s tenacity.
With a sound not unlike an approaching thunderstorm, John stomped after him. “Oh, don’t you dare!” Sherlock moved to side-step him when John caught up, but they’d reached the lift, and there was nowhere to go.
Rookie mistake. He should have gone for the stairs.
Frustrated, Sherlock stabbed at the down button, praying the lift was close. To his relief, it rose from the first floor at once, and he sighed, knowing he only had to weather the storm of John Watson for a little longer. Then he could jump into a cab and disappear.
“Sherlock.” John’s quiet growl was difficult to ignore. But the lift dinged before he could speak, and the doors slid open, providing the perfect avenue for escape.
“Come along, John,” Sherlock said in a bored voice, sweeping into the lift without so much as looking John’s way.
The storm cloud followed on his heels. John crowded in close, his anger erasing his usual respect for personal space.
“You git,” he huffed, jerking his chin upward to meet Sherlock’s eye. “I don’t know what your bloody problem is today, but you’d better explain what that was right now.”
“John,” Sherlock said in a placating tone. His eyes were on the floor numbers, silently urging the lift downward. He just needed to buy time, talk some nonsense and leave no room for John to butt in.
He opened his mouth to do so when the lift shook, made a sharp grating noise, and ground to a halt. The lights flickered and died before the emergency lighting came on, slowly glowing to life with a low hum.
Oh, god, no, Sherlock thought, panic rising. No, no, no, don’t do this. His mouth snapped shut with an audible click of teeth. “What happened?”
Next to him, John frowned up at the emergency lights. “Power outage?”
Blowing a frustrated sigh out through his teeth to release some of his building anxiety, Sherlock nodded. “Seems like it.” He prodded at the darkened buttons without much hope, unsurprised when they failed to respond. “We’re stuck here.”
“Good,” John snapped, and Sherlock shot him a scowl.
“How is this good, John?” he demanded, only to back away when John advanced on him again.
“Because there’s nowhere for you to go, which means you’ll have to bloody well talk to me like an adult.”
Sherlock’s expression soured enough to curdle milk. “Oh, is there something we need to discuss?” he asked, feigning ignorance.
It was the wrong move. John’s thunderous face darkened further. The ever-present tremour in his left hand stilled, and Sherlock’s eyes dropped down to his motionless fingers with dawning horror.
Oh, he was in for it now.
“Where the hell do you get off,” John began in a low, dangerous voice, “ripping into me the way you did in the cab?”
His eyes fixed on the unlit control panel, Sherlock pressed his lips together and didn’t answer. Maybe if he ignored John long enough, he’d lose interest and give up.
Again, he was wrong.
“Don’t give me that,” John huffed. He stepped closer, getting right up in Sherlock’s face as much as he could with the height difference between them. “Don’t give me the silent treatment, Sherlock. What you did, those things you said, they were uncalled for.”
Sherlock held his silence, now staring over John’s head, and John’s mouth twisted downward.
“I put up with a lot, you know.” A change in John’s tone, an unexpected softening, made Sherlock glance at him in spite of himself. Seeing that he had Sherlock’s attention, John’s lips twitched to the side in a humourless smile. “Severed heads in the fridge, toes in the crisper — yeah, sometimes I make a fuss, but not as much as someone else would. I make my little fuss, and then I let it go because I know it’s part of who you are. It’s part and parcel of living with you, and while I don’t love finding body parts in the fridge, I live with it.” Eyes narrowing, John paused to make sure Sherlock was listening. “You hear me? I live with it.”
Staring down at him, Sherlock blinked. He kept his lips pressed together and waited.
John seemed to gather his thoughts before he spoke again. When he did, his voice was even softer, almost low enough to make Sherlock lean forward to hear. He resisted, instead straining to catch the words.
“What I don’t plan to live with is… is… whatever that was.” John waved his hand toward the lift doors as if indicating outside. He poked a finger into Sherlock’s chest. “I don’t know what bug crawled up your arse and died this morning, Sherlock, but I know it wasn’t my fault. So don’t take it out on me.”
The words, it wasn’t my fault, struck Sherlock like a physical blow. He stiffened and reared back, pressing into the railing running the length of the lift wall. Eyes wide and unblinking, he stared down at John, drawing up to his full height to better loom over him.
“Not your fault?” he repeated in a low voice. “Not your fault?”
But John refused to be intimidated, and he held his ground, jabbing his finger harder into Sherlock’s chest. “Yeah, that’s what I said, or weren’t you listening?” His voice dropped into a sneer, a passable imitation of Sherlock’s harshest tone.
To hear himself mimicked threw Sherlock for a loop, and he gaped. By the time he came back online, John was off and running, ranting away as he tapped his fingertip against Sherlock’s sternum.
“...and if the body parts aren’t bad enough, there’s the noise and the mess, and that mad thing you do with your violin where you make it sound like a bloody cat is dying in our flat, and—”
“Oh, and you’re the best flatmate ever to exist, I take it?” Sherlock interrupted. His cold voice cut through John’s words like an icy wind through thin fabric.
John went silent and still. Eyes narrowed, he said, “Didn’t say I was perfect, but if you’ve got a problem, you can damn well speak up. I’m not a sodding mindreader, am I?”
Annoyed to be shut down so thoroughly, Sherlock clenched his jaw and looked away. “This conversation is over.” He folded his arms over his chest to block John’s jabbing finger.
“It bloody well isn’t,” John growled, trying to pry Sherlock’s arms apart for some unfathomable reason.
Sherlock tried to shift away, but his back pressed harder into the railing. Flustered, he snapped, “What exactly are you trying to do here?”
“I don’t know!” John said, his voice rising as he threw his hands into the air. “God! You really are the most annoying bloke alive, aren’t you?”
Piqued by the insult, Sherlock hissed, “At least I’m not desperate!”
John frowned. “Who is desperate?”
“You!” Sherlock bit out, jabbing a finger toward John’s face. John leaned back, his frown deepening.
“Excuse me? How, exactly, am I desperate?”
“Oh, I don’t know, John, let me think.” Sherlock’s voice dripped with sarcasm. “Maybe because you’ve lived with me all of one month, and you’ve already managed to drag half of London’s female population through our flat while trying to get off.” He hissed the last, pushing as much disdain as he could summon into the words.
John stared at him. He stared at him so long that Sherlock thought his eyes might burn two twin holes into his face. Just as he began to shift from one foot to the other, John burst.
“This is about me dating?” He sounded confused now, caught on the defensive by Sherlock’s revelation. “What do you have against me dating?”
Pushed to his breaking point, Sherlock snapped, “Everything.”
His confusion only growing, John blinked. He tilted his head to the side. “But why?”
The words poured out without cessation, Sherlock at the mercy of both his frustration and a month of suppressed emotions. “I hate it. I hate every single one of them, every woman that you parade through our flat. It’s never-ending, John! I swear, if you’re doing it just to punish me, then well done! You’ve succeeded — I’m properly sorry for rejecting you. Is that what you’d like to hear? Shall I say it again? Sorry, John, so sorry.” His voice was hard and acerbic, pushing the apology toward mockery instead of anything genuine.
He opened his mouth to go on, but John held up a hand, clapped it over Sherlock’s mouth, and said, “Alright, shut up a bloody second. Let me catch up.”
His lips mashed against John’s palm, Sherlock stared daggers down at him.
“Okay, let me get this straight,” John began slowly, looking at Sherlock from beneath a furrowed brow. “You’re angry because I’ve been dating, and you don’t like that I bring them back to the flat? No, shut up, I’m not finished yet.”
Sherlock scowled. He considered biting John’s hand before dismissing the idea and subsiding.
John’s eyes searched Sherlock’s face as he went on. “So you don’t like that I’m dating, and you’re sorry for rejecting me? Also, you think I’m punishing you?” Frowning, John shook his head. “But when have I ever…” he paused, going deadly still as their eyes locked. “Are you talking about Angelo’s? That first night?”
Sherlock didn’t move, didn’t so much as breathe, refusing to validate the guess. But John figured it out on his own.
“Sherlock,” he said slowly, bemusement spreading over his face, “you rejected me. Remember? You said—”
“I know what I said,” Sherlock growled, shoving John’s hand away from his mouth.
John’s confusion only seemed to increase. “Then what are you—”
“Nevermind, John!” Sherlock turned his head away, frustrated that the lift wasn’t moving and he couldn’t escape.
“Oh, no, I’m not gonna do that,” John replied, his hand dropping to Sherlock’s arm. “Not until you explain what’s going on here.”
Sherlock pressed his lips together and glared at the wall. He felt John’s gaze on his face, still searching, and his jaw clenched.
“Hold on…” Something flickered in John’s face, the rising glimmer of realization sparking in his eyes. “Sherlock… do you…” He paused and wet his lips in a nervous tick Sherlock caught from the edge of his vision. “Do you have feelings for me?”
“Feelings,” Sherlock repeated in a hiss, pushing a depthless disgust into the singular word. “What sentimental rubbish, John. As if I—”
Before he could spew more ire and venom, John grabbed him by the lapels and tugged him down, cutting off his words. Rocking forward, Sherlock opened his mouth to ask what John was doing, but then John’s lips were on his, and Sherlock’s brain ground to a halt.
He took in the sensory input through a narrowing sense of awareness. Each thought struggled to make its way into his mind. The first thing he thought was soft, and the last was wet, because John opened his mouth and swept his tongue over the seam of Sherlock’s lips, and the rest disappeared beneath a rush of physical reaction.
By the time his brain finally rebooted, John was leaning back and breathing heavily with his eyes fixed on Sherlock’s mouth.
“You utter git,” he breathed, the warmth of his exhale hot against Sherlock’s lips. “Why didn’t you say anything?”
Dazed and still several steps behind, Sherlock blinked. “I,” he tried and had to clear his throat, to John’s visible amusement, “I thought it might be too late.”
“Well, speak up sooner next time, then,” John teased, the sheer 180 degree shift of his mood making Sherlock’s head spin.
Frowning, he said, “I thought you were mad.”
“Oh, I’m furious,” John said, eyes flashing. His fingers wiggled, grip tightening on Sherlock’s lapels. “And I think you’re going to have to make it up to me.”
“Oh?” Sherlock’s voice wavered, nearly wheezing from his lips. “How am I going to do that?”
John’s eyes dropped to his lips again, half-lidded and lingering. “I’m sure I’ll think of something,” he murmured.
This time, when he pulled Sherlock back down for another kiss, Sherlock was ready.
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tea-at-221 · 4 years
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The TJLC Debacle: 3 years out from S4 and counting; the copyright mini-theory; so much salt I’m bloated; but in the end, there is peace (I love you Johnlockers)
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Ugh, don't even talk to me about Mary.
Don't even talk to me about the way Mofftiss have said they're sick of responding to fans on the subject of Johnlock. Of how they've said they're "not telling anyone else what to think or write about them" (as if they could stop us; as if they even own Sherlock themselves. Do keep reading, because this point becomes much more relevant and in-jokey later on). Don't even mention how they've bitched and whined incessantly because--god forbid--fans got *really really* into their show and emotionally invested.
They're so eager to discount all the beautiful little moments they wrote as accidents. And Arwel, who planted all those props, continually demonstrates that he's on their side (a not-very in-depth-analysis of his Instagram account and the way he interacted with fans towards the beginning of the pandemic showed as much, but I think maybe he’s grown a bit wiser and quieter since at least in terms of Johnlock and all things elephant-related. I don’t know for sure because I stopped looking.)
Anyway--they'd actually prefer for us to celebrate our own intelligence, is I suppose a charitable way of looking at it: our ability to make connections between things in the show; our metas on symbolism; our insightful fanfic; etc., and denounce them as the bad writers that they ultimately are.
More under the cut.
(This post may be of interest to you especially if you came to the fandom a bit later: multiple links to things of relevance/quotes/explanations appear both within and at the end of this entry.)
Because what makes a writer good?
Well, an ability to make people feel an emotional connection to their work, for one. I know this is just my own perspective, but if not for Johnlock, all my emotion about the show would evaporate. There wouldn't be much else there. Other people might get something, but I wouldn’t. Is some of the writing witty and entertaining regardless of any inferred/implied Johnlock? Yeah but, eh, a lot of shows have some good writing and I just don’t give a damn about them.
What makes a writer good?
Not making promises to the reader/viewer that they'll never keep. Plot holes, leading dialogue ("There’s stuff you wanted to say...but didn’t say it.” “Yeah”) never followed through on, puns that are apparently, I suppose, unintentional (e.g. "'Previous' commander?" "I meant 'ex'").
Uh, not writing continual gay jokes that aren't actually pointing toward the inference that people are making them because there's actually something going on there under the surface. (How about just don't make those jokes ever.)
Not being, apparently, oblivious (? questionable) to the queerbaiting they're engaging in *as they’re writing it.*
Acting like their LGBT audience is in the wrong/the bad guy, instead of choosing to remain respectful in the face of dissent. Instead it's just, "we never wrote it that way" / "We never played it that way."
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A lot of those other mildly witty shows don’t actually blatantly drag their most passionate fans face-down through the mud the writers themselves created. Imagine that.
I'm not even a fan of Martin Freeman anymore, for the way he handled the whole thing (getting angry, the comments he made about how the fans made Sherlock “not fun anymore”...apparently Martin’s packing up his crayons and going home?)...no offense to anyone who is still a fan of his. I don’t make it a habit to drag him. I do to some degree understand his frustration with having the whole situation taken out on him--he’s just an actor in the show--but I simply wish he’d remained as cool and professional about it as Benedict Cumberbatch instead of pointing at the fans. You’re pointing in the wrong direction, mate.
What also irks me at the end of the day is this: the subsection of people who legitimately responded badly to the TJLC/S4 debacle and went above and beyond to harass the writers and actors/actresses on social media are *few and far between*, but we've been lumped in with them by what feels like...everyone, Martin included. TJLCers/Johnlockers (not the same group, but often treated as such) have been made to look like a bunch of rambunctious, immature, demanding children time and time and again in the wake of S4.
They'd rather, what, suggest John was so in love with Mary? THAT was the relationship they wanted to uphold in that show as so significant and...what, a demonstration of how honorable it is to respect your heterosexual relationship despite, you know...ANYTHING?
Yeah sorry, I don’t believe in that. John’s text-based affair, whether a disappointment for some as to his supposed character, was a very human reaction and I kinda sorta feel like I would have reacted MUCH more strongly than that had I been John. But nope. He stayed with Mary and was *ashamed* of his wandering eye. Ashamed that maybe he wanted to be admired by someone. I can’t think of a scene, off the top of my head, where Mary ever interacted with John without belittling him in some way--if not with words, then with consistently patronizing glances.
The message here is that heterosexuality is not just acceptable, but VALUABLE, however it manifests--but god forbid anyone see a queer subtext. (Why are lgbt+ writers some of the very WORST offenders where this is concerned? And they defend it! Is this childhood nostalgia/Stockholm Syndrome of the very fondest variety or what? Gay angst is all they got if they got anything at all, so it’s still good enough as far as “representation” goes?)
They really want to tell the story of John as so emotionally/mentally fucked up that he surrounds himself with unstable people time and again. They never give any reason *why* he might do that (which they could have done even soooo subtly), or delve into his past--just, apparently it's okay to assume that Sherlock's comment about "she's like that because you chose her" is exactly that.
No. Sherlock and Mary are NOT the same. Not...*remotely*!
Mary is underhanded and evil. She lies. She manipulates. She schemes. Her “love” is based on selfishness, and her assumption that John is a simpleton and hers to mold. She's in it for herself.
Sherlock hides. He prevaricates. He feels. He loves John. He does fucked up things in the name of love, but always for the benefit of those he loves. When he screws up, which he obviously does, it’s painful to us as the audience because we see that it is painful for him when he recognizes and regrets it.
I have never seen Mary regret anything. Those crocodile tears at Christmas? More manipulation. Inconsistent with anything else we were shown about her as a character.
To even think for a SECOND that people could ship Mary and John and mentally condemn John for cheating on Mary AFTER SHE SHOT HIS BEST FRIEND...as if marriage is the be-all-end-all free pass in which every sin must be forgiven until the end of time...as if John broke any covenant with his wife beyond those she broke from the very moment she walked into his life *with an entire fake past.* Is just. Well. It's asking us to accept gaslighting as healthy, loving, normal, *preferable* behavior, so...given the source that message is coming from, it's all a bit meta.
THAT. Is insanity. Maybe Mofftiss are the sociopaths.
How these men could write characters they themselves understand so little (or tell us they understand so little because their emotional maturity has yet to surpass that of the average three-year-old’s), I will never know. I can only imagine that they have absorbed, by osmosis over their lives, real and nuanced human behavior...then churned it back out again in their writing unaware, a bit like psychopaths who teach themselves what "normal" people do so that they can pass as psychologically sound in regular society.
Remember, we *are* talking about men who do these sorts of things:
Moffat says that Sherlock is celibate and that people who claim he's misogynistic when he does things like make Irene Adler imply she's attracted to the detective (even though she's a lesbian) are, ironically, "deeply offensive" (despite lines like "look at us both" in Battersea. We aren't your therapists, Moffat--we don't care what you meant, we care what you said, and what you *said* was clear. *Implying* it does not let you off the hook).
Gatiss has proclaimed that "I find flirting with the homoeroticism in Sherlock much more interesting" than the idea of ever making a show addressing LGBT issues. (That link is to a reddit forum, and I can't find the original interview anymore, but I assure you I had seen the actual article myself ages back and can't find it online again now along with some of the Martin quotes I wanted to link to. And nevermind what Gatiss has done with LGBT shows/issues since--my focus here is on what he has said, versus what he and Moffat have since claimed regarding their queerbaiting.)
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Here’s a transcript of this screenshot:
"...many people come up and say they didn't realise." Despite this lack of public awareness, being part of the gay community is clearly important to Gatiss: "The older I get the more I want to give something back. I mean, I keep meaning to do something." When asked if he'd be interested in making a series about gay issues his response was enlightening:
"No, I don't think I'd make a kind of gay programme. It's much more interesting when it's not about a single issue. And equally, I find flirting with the homoeroticism in Sherlock much more interesting. Of course this reflects the grand picture of everyone's strange make-up; there are good gay people and bad gay people. I wouldn't like to make an issue film around the culture of being gay."
Instead Gatiss' interest seems to lie in making a drama where sexuality is, if not mundane, part of the wider framework: "I'd quite like to do something about a quite happy, ordinary gay person who's just incidentally gay. For example, a three-part thriller for ITV where the lead character just happens to be gay; when they finally go home, say 45 minutes in, and they had a same sex partner. That to me would be genuinely progressive. It wouldn't be a three-part gay thriller for ITV. It would be that this character just happened to be gay."
--End article quote.
And instead, who is canonically gay in the series? Well, Irene Adler. The innkeepers at the Cross Keys. And perhaps most notably, the *villains*, because that's a helpful trope: Moriarty and Eurus are, in S4, both implied to be at least bisexual.
Any character should be able to be any sexuality, this is true. But can we have some main characters, the good guys, give some good representation? Can't we start making that the standard, rather than the villains and the background characters? Because so far, that is the exception and not the rule.
Writers need to be aware of the damage they are perpetuating. We are not quite in a world yet where any character should be able to be any sexuality but isn't, yet we have no problem with saying the villain is LGBT+ or looks different/functions differently than much of the viewing audience.
"Male friendship is important and valid, not everything has to be gay"--this is a popular point with casual heterosexual viewers (and, to my chagrin, some of my LGBT+ friends) who don't fully grasp what "queerbaiting" is, often even when it's pointed out to them.
The lens of heterosexuality is real. My first time through watching BBC Sherlock, I didn't see the Johnlock at all. I had to look for it and read about it. When I saw it, the lens was lifted for me, and it changed my life and the way I view things forever (and for the best).
But back to my point about how little Mofftiss seem to understand their own story/most ardent fans, and then on to my other theory: in S4 it must be that they dropped their “psychopaths emulating empathy” act and indulged in their own "insane wish fulfillment" by doing away with all of the meaning, continuity, and sense. Right?
So, here’s the alternate theory. One which is not, please remember, in their defense.
Remember that S4 is what Mofftiss are *happy* to have us believe is what they'd do with these characters, given the chance to do whatever they wanted. I repeat, in Moffat’s own words: “Insane wish fulfillment.”
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Okay I get it, this pasta has been over-salted.
Without further delay: MY COPYRIGHT RESEARCH THEORY THAT EVEN I DON'T PUT MUCH STOCK IN AND WHICH DOESN’T MAKE UP FOR THEIR CRUELTY EVEN IF TRUE
Part of me also raises an eyebrow at S4 as perhaps an example of the effect of the Conan Doyle estate on any modern production in the US. While it’s true that all of Sherlock is part of public domain in the UK and has been for quite a long time, Gatiss and Moffat still talk about it being partially under copyright. Specifically, the last 10 stories. I’m supposing that this means that because Sherlock airs internationally, or due to whatever contract the BBC has with the Doyle estate, they are still limited by the copyright as to what they can “publish”.
The Doyle estate is known for being a pain in the ass when it comes to abiding by copyright law as everyone else knows and practices it. They’ve tried to argue, for example (in 2013 and, much more recently, with the advent of Enola Holmes), that because Holmes and Watson were not fully developed as their final selves until the conclusion of all 10 stories still under copyright, then perhaps the characters themselves should still be protected, basically, in full.
It’s true that certain elements of the remaining stories are still under copyright here in the US (Watson had more than one wife--uh huh, we have that to look forward to, Johnlockers; the Garridebs moment is still under copyright--yeah, I’m getting to that too; and Sherlock didn’t care much for dogs til later so that’s not allowed either, fuck off Redbeard), but the estate’s problem in 2013 seemed to be based around a fear that *gasp* some day--if not right now!--anyone could write a Sherlock Holmes story in any way they pleased, changing the characters however they wished to and giving those characters “multiple personalities.”
See the following excerpt from the Estate’s case:
“...at any given point in their fictional lives, the two men's characters depend on the Ten Stories. It is impossible to split the characters into public domain versions and complete versions.”
(Click for full transcript.)
Obviously, by this point, that’s been done in multiple iterations. So I dunno. Their argument was *more* than muddy to begin with--they just grasp at straws to stay in control, it seems.
But okay. Backing up: wasn’t there sort-of a Garridebs moment in S4?!?? you cry. Yep. But imagine this: the Conan Doyle estate taking Mofftiss to court to argue that they depicted the Garridebs moment--a moment still under copyright--in The Final Problem.
Did they, though? Did they really?
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The fandom cried out about the ridiculousness--the utter disappointment--of that moment when it was shown. It was not what we would have expected/wanted. We didn’t see John injured, Sherlock reacting with tender outrage to the good doctor’s attacker.
Instead we saw some ludicrous BS that was as bad as the clown with the sword-gun-umbrella. More of that.
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I think Martin probably found that it was easy to produce real tears when he thought about how fucking terrible the S4 scripts were.
Ahem. Yet, this all seems very Mofftiss-flavored in terms of humor.
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I can all-too-easily imagine them saying, “HA. We’re going to show some of these supposedly copyrighted things--and if they take us to court, they’ll be laughed out of the room.” Could that explain some of the overall S4 fuckery?
Sherlock wasn’t supposed to like dogs til later stories, as previously mentioned-- is that why Redbeard pulled a “Cinderella’s carriage” and transformed into a pumpkin (Victor Trevor)? Hmm. Sigh.
It...doesn’t actually appear that the estate has any qualms about taking laughable stuff to court, I mean...*shrug.* They have the money to do it, and money is the name of the game, because you’ve got to pay for rights (cha-ching sounds).
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Yep, it does seem that the estate is open to the copyrighted materials being made reality, but who knows for what price or with what caveats. The BBC isn’t, so far as I’ve ever heard, known for throwing money around. Early Doctor Who would be so much less entertaining if they’d had any sort of budget. (And in fact, more of the older episodes would exist, but apparently the BBC--in part to cut costs--reused some of their tapes.)
My bottom-line bitter is this: Mofftiss do like to amuse themselves. To please themselves and no one else, as they’ve shown time and again. Sure, they could do whatever they wanted with S4...and they did...but they were also cruel about it, and that’s what I’ll never forgive them--OR the BBC--for.
A lot of fans gave up after series 4. I was very nearly one of them. I was angry, like just about every other Johnlocker and/or TJLCer, but I was really truly heartbroken. I couldn’t look at fanfiction. My days were full of bitterness and I keenly felt the lack of the fandom outlet that had become so essential to my mental well-being. I didn't know how to overcome the disparity between TJLC and what the show actually was. I didn't know how to separate the things I loved so much from the shitty writers and the way the BBC handled things with their whole response letter (that atrocious, childish blanket response they sent to everyone who complained about S4, not just the Johnlockers/TJLCers. Related to your complaint or not, if you filed one post-S4, this was the response you got). I still boycott BBC shows/merchandise, just by the way.
I tried to link to the blanket response letter but the link didn’t want to work (it’s an old reddit post; I had difficulty finding a copy of the letter elsewhere though at one point it wasn’t so hard...Google is weird these days y’all...tell me it’s not just me) so here’s a screenshot:
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Transcript:
“Thank you for contacting us about “Sherlock”.
The BBC and Hartswood Films have received feedback from some viewers who were disappointed there was not a romantic resolution to the relationship between Sherlcok and John in the finale of the latest season of “Sherlock”.
We are aware that the majority of this feedback uses the same text posted on websites and circulated on social media.
Through four series and thirteen episodes, Sherlock and John have never shown any romantic or sexual interest in each other. Furthermore, whenever the creators of “Sherlock” have been asked by fans if the relationship might develop in that direction, they have always made it clear that it would not.
Sherlock’s writers, cast and producers have long been firm and vocal supporters of LGBT rights.
The BBC does not accept the allegations leveled at “Sherlock” or its writers, and we wholeheartedly support the creative freedom of the writers to develop the story as they see fit.
We will of course register your disappointment.
Thank you for contacting us.
Kind Regards,
BBC Complaints Team
So how about that? *Did* they “register our disappointment”? We can actually check that. The BBC’s website has a monthly summary of complaints received. So what did they receive in January 2017, the month S4 aired?
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Huh, what do you know. Sounds like that blanket response was exactly the “fuck you” it came across as.
But the show--the FANDOM--had filled a need in my life, and so I had to own that and make it mine, or just...let something in me die: something that felt like an actual vital organ. I had to decide that these characters mean something to me beyond what anyone else tells me they should. I had to accept my own perceptions as truth, as I do with everything else in my life. I had to overcome the idea of canon as law (BBC Sherlock isn't canon anyway; ACD is canon. BBC Sherlock is, in the end, badly written fanfiction--or--worse?--decent pre-slash fanfiction distorted by consistent lies and the hazing of the LGBT audience, topped with the dumpster fire of S4′s incoherent nonsense).
I had to take the good and throw away the bad, just like anyone else who chose to stay. The good bits of the show...dialogue, yes. Plot points, yes. These awful writers did write some good stuff sometimes.
They just broke all the unspoken rules of what not to do to your audience. And then did and said everything they could not to apologize, and to justify their own failings. Which, in the years since I began shipping queer ships beyond any others, I have unfortunately experienced more than once.
So, my vulnerability has been yeeted into the vacuum of broke-my-trustdom: no one can tell me what things should mean to me. I will decide.
I decide that all of the FUCKING AMAZING writing in the Sherlock fandom is a staple in my life that makes it worth living. And that that's okay. And takes precedence over anything the writers or anyone else associated with the show could ever say or do.
Johnlock can not be taken away. It doesn't belong to them. It never did, even if they brought us to it. It belongs to us. To the group of amazingly creative, brainy, empathetic, resourceful, vibrant, resilient people who make up this fandom.
So thank YOU, all of YOU, for giving me Sherlock, Johnlock, and TJLC.
I am SO SAD for those who never found a way to make peace with this fandom again. Let me just say that I understand that inability entirely.
I am fortunate that I found the ability in myself to cling to the joy (something it has taken my whole life to be able to do). I hope others will who haven’t yet but wish they could.
Let Mofftiss and whoever sides with them stay angry and bitter and vicious, always looking over their shoulders for anyone who dares to whisper about subtext.
I’m proud to be part of what they’re whispering so angrily about.
Thanks for sticking it out if you made it this far. I know this was very self-indulgent and rambly.
Articles of interest:
A Study in Queerbaiting (Or How Sherlock Got it All Wrong) by Marty Greyson
“We never played it like that.” - Martin on Johnlock
Henry Cavill on the Enola Holmes lawsuit
More on that--and by the way Sherlock isn’t allowed to like dogs
The way Sherlock creators told fans Sherlock & John aren’t gay is so rude
Especially for those new to the fandom who may not know the distinction between TJLC and Johnlockers and want to know more about TJLC's evolution/what it is/meta through the years
Moffat's view on asexuality, offensive to me in particular *as* an asexual person (same article where he claims he isn't misogynistic): "If he was asexual, there would be no tension in that, no fun in that – it's someone who abstains who's interesting."
Yet he says Sherlock isn't gay or straight and that he's trying to keep his brain pure which is a "very Victorian attitude"
(Nice historical research there, Moff--actually the Victorians were sex-positive).
Sherlock fans were robbed of the gay ending they deserved
Benedict Cumberbatch has lashed out at his Sherlock co-star Martin Freeman over his negative attitude towards fans
BBC complaints January 2017
Martin Freeman: 'Sherlock is gayest story ever'
From 2016: UNPOPULAR OPINION: "Sherlock" Isn't Sexist or Queerbaiting; It's Actually Trying to Stage a Revolution
Queer-baiting on the BBC's Sherlock: Addressing the Invalidation of Queer Identities through Online Fan Fiction Communities by Cassidy Sheehan
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Heya Steph! I was wondering, you have so many fic rec lists and read so many, do you have on or a few johnlock fics you could always reread? Like, they are that good you can read them over and over...
Hi Lovely!!
AHHHHHH ACTUALLY, I’ve made a list for this before, but you know what? IT NEEDS A PART TWO because I actually pulled a lot of fics off of it to keep it shorter, so WHEE THANK YOU for giving me a reason to share even more of the fics I ALWAYS go back and never tire of!!
TOP 30 READ AGAIN FICS Pt 2
See also:
Top 30 Read-Again Fics (March 2019)
Top 20 Fave 40K+ w. Fics (April 2017)
Ten Fave Short Johnlock Fics (Easy Reads April 2018)
25 Fave Johnlock One Shots (April 2018)
Top 10 Fave Fics (September 2018)
Another Top 10 Fave Fics (June 2019)
Two To Tango (The Cold Hands, Warm Heart Remix) by igrockspock (T, 1,207 w., 1 Ch. || Domestics, John Whump, Worried Sherlock) – When John is wounded while pursuing a suspect, Sherlock refuses to leave his side.
Take My Hand, Knot Your Fingers Through Mine by patster223 (K+, 2,003 w., 1 Ch. || H/C & Friendship, Whump) - "I know this is an inconvenience for you, but I would really rather you were awake right now, John." John is unconscious, and Sherlock decides to talk to him anyway. Sherlock/John pre-slash.
Let Go by thisisforyou (G, 2,743 w., 1 Ch. || Friends to Lovers, First Kiss, Fluff, Anxious / Worried Sherlock) – In the end, separating John's things from Sherlock's in the chaos of their sitting room is like pulling a limpet from a wet rock. Especially when the rock is clinging on for dear life, because Sherlock doesn't want to let go. Short, fluffy h/c Johnlock oneshot.
And as the seasons change, I love you more by Teatrolley (NR, 3,219 w., 1 Ch. || Fluff and Angst, Est. Rel., Marriage / Proposal) – A year in the lives of John and Sherlock, essentially.
Measuring Damage With the Fujita Scale by teahigh (T, 3,548 w., 1 Ch. || First Kiss / Time, Vacation / Holidays, Friends to Lovers, Bed-Sharing, Pining Sherlock, Sherlock POV, Angsty Fluff, Scars, Awkward Talks) – John goes back into town, into the storm, and Sherlock realises he forgot to say, “I just want to be alone with you.”
Last Christmas by Mazarin221b (T, 3,911 w., 1 Ch. || Fluff, Pining Sherlock, First Kiss) – That Earth-shaking revelation, then, leads to a problem, and one that Sherlock realizes should be solved quickly, before John’s dates turn into girlfriends or boyfriends, because sometimes girlfriends or boyfriends can turn into wives or husbands while your back is turned. Every time John hums happily at the mirror as he shaves, splashes on a little gift cologne Mrs. Hudson bought him for Christmas, Sherlock is drawn back to that night by the fire, and the way John’s touch had made the world stand still.
Because Blah Blah Blah Happy by cwb (E, 4,578 w., 1 Ch. || Fluff, Cuddles, Kissing, First Kiss, Requited Love, Pining Sherlock) – John is entirely done with the milk situation and gives Sherlock a list of shit he's pissed about. Sherlock sets out to make John happy. John is happy. Sherlock makes his own list. They are both very, very happy.
In Which "John" Becomes a Synonym for "Help" by asignoftwo (T, 7,391 w., 1 Ch. || Injured John, Worried Sherlock, Fluff) –  After the fall Sherlock returns to Baker Street and is reunited with John. When John is injured on a case Sherlock is faced with the reality that he could lose John again, and it tears him apart.
I'm Pretty Sure This Changes Shit by cwb (E, 7,672 w., 1 Ch. || Fluff, Cudding, Doctor/Patient, Accidents, Pining Sherlock, Blow Jobs, Oral / Anal, BAMF John, Minor Injuries, Dev. Rel.) – Sherlock finds increasingly ridiculous ways to get John to patch him up after hurting himself.
I can’t pretend by Salambo06 (E, 7,692 w., 1 Ch. || Fake Relationship, Victor Trevor, Jealous John, Miscommunications, Bed Sharing, Love Confessions, First Kiss/Time, Anal, BJs) – They had arrived more than a hour ago, and the moment they had walked inside the hotel reception, John had understood why Sherlock hadn’t wanted to come. Two men, posh suits and expensive watches on their wrists, had come to greet them with sharp remarks and badly hidden mockery, and John had seen red. Sherlock hadn’t said anything, mostly ignoring the two men entirely, and without thinking twice about it, John had slid an arm around Sherlock’s waist and introduced himself as his husband.
Sibling Rivalry Or Fighting Over John Watson By Jessa7 (T, 8,085 w., 1 Ch. || Romance / Humour) – Mycroft is just as much of a genius as Sherlock is. He keeps randomly kidnapping John for chats, and the locations get better. Cue Sherlock’s younger sibling complex rearing up and jealousy ensues.
High Tide by stardust_made (T, 8,540 w., 1 Ch. || Jealousy, Angst, First Kiss) – A little favour Sherlock stupidly agrees to do for Mycroft leads to John meeting a handsome, affluent man, who is going out of his way to woo him. Sherlock struggles with the situation and with his own reactions to it. Part 1 of The High Tide Series
The Newlywed Game: Johnlock Edition by patternofdefiance (E, 9,020 w., 7 Ch. || Fake Rel., Friends to Lovers, Humour, Romance, Smut) – What it says on the tin: John and Sherlock pretend to be married in order to be contestants in a Newlywed Game. Of course it's for a case. Of course it doesn't stay that way. Part 8 of I Blame Tumblr
The Devil You Know by PipMer (T, 9,300 w., 1 Ch. || Friends to Lovers, Romance, Holmes Brothers, Jealous Sherlock) – The Holmes brothers are behaving oddly. John is dazed and confused. In other words, it's business as usual at 221B Baker Street. Except when it’s not.
Drive by lifeonmars (M, 9,537 w., 1 Ch. || Virginity, Awkward First Times, Minor Injuries) – John and Sherlock are stranded by the roadside, and John is injured. They need to spend the night in the back of a humvee. Sherlock is confused. John is understanding.
Their Great Reward by BeautifulFiction (T, 10,095 w., 1 Ch. || UST, First Kiss, Fluff) – Boxing day, in John's opinions, is the worst day of the year. Christmas is over, the tree is wilting and stripped of gifts, and there's a week of dead-time until the clean slate of the new year. However the combination of a blizzard, a power-cut and Sherlock might just make it a day to remember.
I Used to Live Alone Before I Knew You by etothepii (T, 11,052 w., 1 Ch. || Winglock || Angels / Demons, Supernatural Elements, Occult) – Where Mycroft is an angel, Sherlock is a demon, and John is still John.
The River Variations by withoutawish (T, 11,619 w., 1 Ch. || Soulmates, Emotional Hurt / Comfort, Three Garridebs, Romance, Light Case Fic, Near Death Experience, Angst and Fluff, Dark Humour) – John Watson never knew that he wanted a ‘no toast in the mornings’ normal until he realized what an honor it is to be destroyed by Sherlock Holmes.
Pleasure to Burn by scullyseviltwin (E, 17,863 w., 1 Ch. || Firefighter AU, Firefighter John / Arson Investigator Sherlock, Slow Burn, Pining, Case Fic-ish) – “If you’d kindly stop knocking about in there and destroying all of my evidence, it would be most appreciated!” John groaned and for a moment rested his head against the side of the truck. Of course he was the only captain left on the scene, which meant he would have to be the one to deal with the arson investigator.
Checkmate to a Castled King by LaSuen (T, 18,290 w., 1 Ch. || Friendship, Hurt / Comfort, Sick Sherlock, Rev. Reich.) - John dies. Or at least everyone thinks he does.
Vena Cava by SilentAuror (E, 27,452 w., 1 Ch. || HLV Fix-It, Romance, H/C, Angst, Infidelity) – Sherlock has been shot in the chest; John has been shot in the heart. Though everything is broken, they do their best to heal the wounds that Mary left on them both.
Our Enthusiasms Which Cannot Always Be Explained by withoutawish (M, 32,961 w., 1 Ch. || Christmas, Fluff and Angst, H/C, Post-TRF, Case Fic, Mild Gore, Sherlock Whump) – The list that is tacked haphazardly on the refrigerator of 221B reads, ‘Kidney(s), and/or a full cadaver (preferably male, late 30s, under six feet tall), bag of fresh toes, sixteen cow’s eyes (corneas retained), dual exhaust hand –held flame thrower, an unopened first edition copy of Joseph Conrad’s 'Heart of Darkness', and no less than ten abhorrently gruesome murders in the upcoming month.” The one neatly hanging next to it simply reads, “Sex.” One of these lists is not John Watson’s. If John Watson were to put what he really wanted in list form, to live in a land somewhere beyond ‘almosts' now that Sherlock Holmes has indeed returned to him, he would never be able to look his flatmate in the eye ever again.
That Partitioning of the Things of Youth by wearitcounts (E, 35,353 w., 7 Ch. || Humour and Angst, Post-TRF, Fake Relationship, UST / RST, Friends to Lovers, Jealous John) – Victor Trevor is in town, and nobody's happy.
The Boy Who Drank Stars by kinklock (E, 36,157 w., 4 Ch. || Howl’s Moving Castle AU || Witches and Wizards, Slow Burn, Magic, Jealous John, Happy Ending, Bed Sharing) – “I’m looking for a castle,” John informed the scarecrow. “A moving one.”Except that, as it turned out, it was not a moving one at all.
A Week is Just Seven Days Isn't It? by scifigrl47 (T, 39,906 w., 4 Ch. || Humour, Friendship/Bromance, Stroppy/Bored Sherlock, Undercover/Army John, Texting, Pining-ish Sherlock, John Whump) – When John heads overseas for a week, Sherlock's forced to fend for himself. It goes about as well as anyone could have anticipated. Which is to say, very, very poorly. Don't worry, things'll be fine in just seven days.
There's Someone On Your Shoulder by halloa_what_is_this (NR, 41,215 w., 6 Ch. || Pining Sherlock, Introspection, Daydreams, Sherlock Loves John So Much it Hurts) – Sherlock trips and falls head over heels in love, makes a lot of lists and stares, stares, stares.
The Norwood Love Builders by flawedamythyst (T, 47,798 w., 9 Ch. || Fake Relationship, Slow Burn, Post TRF Angst) – Sherlock and John go undercover to solve the murder of Joanna Oldacre, but things are complicated by the many feelings John has been repressing in the wake of Sherlock's faked death and return.
The Green Blade by verityburns (T, 72,929 w., 15 Ch. || Casefic, Bromance) – As a serial killer hits the headlines, the police are out of their depth and the next victim is out of time. With faith in Sherlock Holmes at an all time low, this is a case which will push loyalties to the limit...
Breakable by MissDavis (E, 117,627 w., 34 Ch. || Established, Fluff/Angst, Depression, Paralysis, Happy-ish Ending) –After John is seriously injured, Sherlock struggles to figure out how to help him, keep himself sane, and maybe, just maybe, get their life back to the way it's supposed to be. Part 1 of Breakable Not Broken
A Further Sea by i_ship_an_armada & ShinySherlock (E, 125,492 w., 23 Ch. || Historical Pirates AU || Enemies to Friends to Lovers, Doctor John / Pirate Captain Sherlock, Sailing, UST / RST, Masturbation, Action / Adventure, Mild Angst & Peril, Romance, Shaving, Molly/Janine, Bottomlock, Hand / Blow Jobs, Past Drug Use, Slow Burn, Mild Violence, Facial Shaving, Happy Ending) – Here be a tale of adventure for both body and soul, but beware if ye be not of stout heart, for this be piratelock, ya savvy? Luckless ship's surgeon John Watson takes a chance, and finds himself eye to eye with The Ghost, the scourge of the seven seas and a definite thorn in the side of the blaggard, James Moriarty. But when John finds there's more to this most cunning pirate than be meetin' the eye, he has to choose... is it a pirate's life for him?
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Mouse’s Reclist (#2/?)
It’s time for a second reclist! Here’s the first, if you want. This is again in no particular order. Title, author, pairing, and fandom will be listed, as well as if it’s a WIP.
The first few are going to be Snarry, because my reading list recently has basically consisted of entirely Snarry. Why? Because I fucking love Snarry. Sue me.
Angels on the Moon by Writcraft - Harry Potter/Snarry  - The aftermath of the war is almost as difficult as the war itself, Harry is a mess and Severus is a reluctant survivor forced back to Hogwarts to recuperate from his injuries. When a brick-bonding spell goes awry, Harry and Severus are forced to confront hatred, misunderstandings and a new and unexpected intimacy which takes them both by surprise. Notes: This is the classic-style Eighth Year!Fic, which has long been my favourite trope in the HP fandom. It’s an especially loved trope of mine when it comes to Snarry, too, as I am problematic filth, and teacher-student relationships are my jam. It’s also a classic bonding!fic. But the way it handles the tropes is just… *chef’s kiss*
The Man Underneath by maraudersaffair - Harry Potter/Snarry - Severus is a secret Auror and must always be disguised. When Harry Potter becomes his new partner, Severus struggles hiding his true identity and burning attraction. Notes: This is more bottom!Snape than top!Snape, which I know isn’t to everyone’s taste. However, it’s fucking fantastic, and as someone who has a cathartic and self-fulfilling love of “char A is ugly and has a shittonne of self-hatred and yet manages to score super hot char B” (something that I struggle with myself and still worry how I manage to keep my own gorgeous partner over), this is perfect. Not that I even agree with J.K.’s assessment on Sev’s ugliness. I like the “goth filled with churning angst” look. 
a forest, dark and deep by bleedcolor - Harry Potter/Snarry - Once, many years ago (for that is when all great stories begin, many years ago; we never consider we might be in the midst of our own great story) there lived a boy. But wait, you might say, there is nothing special about a boy living, many people do and never amount to much of anything. You would be right, but you would also be wrong, because this story is not about a boy who lived, but The Boy Who Lived, and that is all the difference. Notes: Harry is cursed and must go on an adventure to the Fountain of Youth to find the cure. I cried. I cried a lot. I cried a lot a lot a lot a lot. Happy ending, though! Fairy tale fic. One of the best fics to read if you want magic in the HP universe portrayed more like magic in ancient medieval history tends to be portrayed: mysterious, Eldritch, Occult-like power that requires strange and sometimes dangerous rituals to harness.
you like making me work for it by bottlefamebrewglory - Harry Potter/Snarry - “Before what, Mr. Potter?”//Before Snape had looked at him, drunk and miserable without knowing why, and told him that he could change his future if he wanted. Before he had pulled Snape out of the darkness he’d been determined to drown in. Before the memories. Before he’d looked into Snape’s eyes and watched him die.//Harry didn’t often change his mind, not about people. He’d been accused by Hermione more than once of being stubborn, even prejudiced. And, once upon a time, he’d thought he’d known exactly who Severus Snape was. But that had changed and Harry was no longer that boy anymore, just as Snape could no longer ever be just his hated professor.//“Before,” Harry said again, more finally.//Harry was pretty sure the fact that everyone never thought he’d live past seventeen was at least half the reason becoming an actual adult was so goddamn strange. Severus just wanted to get on with his life now that it was free of controlling old men.//Or, five times Harry flirted with Snape and one time Snape flirted with Harry. Notes: @snapedefender‘s most recent masterpiece. Post-War!fic, one of the best of. Harry worms his way into Severus’ life, as he always does. Also he has a big crush. Their interactions are golden. Everything about this is golden, in fact. It’s just delightful. Read it, please.
How the War Was Won by avioleta - Harry Potter/Snarry - Severus Snape should be dead. Instead, he wakes up after the Battle of Hogwarts to find himself quarantined in a house full of Gryffindors, waiting for Harry bloody Potter to save the world…again. And Severus must be going crazy because he can’t seem to stop thinking about Potter. (Or, where Harry needs a distraction, and Severus doesn’t refuse.) Notes: War Doesn’t End with The Battle of Hogwarts!fic. And it’s by avioleta, a longtime and well-loved Snarry writer. Well-loved for good reason! They know what they’re doing, and it shows. I’ve long loved “Harry and any number of Slytherins are holed up together and must get along” as a trope, and this nails it perfectly. Another fav was in my previous reclist, Hauntingly by ObsidianPen, where Harry is holed up with Draco, Sev, AND Tom! Fun times!
Chasing Ghosts by DictionaryWrites - Harry Potter/Snarry/WIP - “I guess I’m not ready to join the land of the living just yet,” Harry says. “Need a little more time here at Hogwarts, with all the ghosts. You know what I mean?”//In the aftermath of the war, Harry doesn't feel ready to leave the safety of the castle, and to go out into the world at large: he wants to stay. The Room of Requirement - with great reluctance - grants his wish. Notes: Adult!Harry wakes up in the Marauders Era and becomes a teacher, all while he tries to figure out the nature of spacetime. TIME TRAVEL!FIC! That’s in all caps because I love and adore time travel!fic with all my heart. Again, more of a bottom!Snape story. I used to think I preferred top!Snape, but bottom!Snape has come into my heart with a passion as of late and showed me I’m not always going to want Snape to nail Harry into his mattress. This also shows more of Snape’s backstory, with mentor!Lucius and all, which is a fav of mine as well.
OKAY! Enough Snarry, yes, sorry. Moving on!
Love Potion #9 by murderlight - Bleach/GrimmIchi - Gifted with a horrifying box of potion-laced chocolates from Urahara in the hopes he might feed them to somebody, Ichigo thought all the excitement for Valentine’s Day was done with. Then Grimmjow had to get snacky.//A story in which Ichigo is entrusted with the scientifically altered affections of his once-enemy, and might just discover some of his own. Notes: I love the goddamn love potion/love spell trope. This one highlights the dubcon nature of making someone fall in love with you (even on accident) a lot more, but still makes everyone’s feelings feel genuine and real. And of course it ends happily. And there’s no noncon, if that’s not to your taste. Ichigo is a good boy and does not stroke that pussy until that pussy is entirely free from Kisuke’s experimental serums. Yes, I made that pun.
The Edinburgh Problem by snorklepie - Sherlock/Johnlock - “A nice holiday, just a bit more...murdery. ” John said drily.//“Yes! The best kind of holiday!” Sherlock beamed. “So we won’t get bored!”//After he separates from Mary, John returns to Baker Street. Following a request for help from Sherlock's cousin Violet, the detective and his blogger take a trip to Edinburgh. John discovers more about the Holmes family and Sherlock than he bargained for, but tries not to run screaming. Notes: I fell in love with Violet immediately. I am so gay. If you are also attracted to women, you will probably join me in falling in love with Violet. She is amazing, and very Holmes. But a more balanced Holmes. Well, as balanced as a Holmes can be. I love case fic, I love Sherlock Holmes in general because of my adoration for murder mystery (yes, I am a forensics major, thank you for being able to clock me very obviously), and I love deep backstory and family bonding. It’s a long, long ride, but it is undoubtedly worth every single minute.
The Loss of Flesh and Soul by deuxexmycroft - Sherlock/Johnlock/Abandoned WIP - Five years after John Watson puts the murderous Sherlock Holmes behind bars, a vicious copycat killer emerges. A reluctant John is pulled out of retirement to seek the expertise of the only man who can help, a man who has developed an unsettling obsession with John himself.//Crossover with Red Dragon/Silence of the Lambs Notes: It’s Hannigram but Johnlock, what’s not to love? Sherlock’s characterisation in the TV show is already unsettling enough (well, in the beginning, but I like to pretend Sherlock doesn’t exist past S2), so adding in a little Hannibal Lecter is fantastic. Yes, it’s an abandoned WIP. Yes, that hurts like hell. But it’s so, so worth it anyway. Seriously, this is one of the best executions of serial killer!Sherlock I’ve seen in fandom, and given how fucking gigantic the Sherlock fandom is, hopefully you can see how big of a thumbs up that is imho!
Sinking the Land by emungere - Sherlock/Mystrade - Three weeks ago, Mycroft Holmes picked Lestrade up outside New Scotland Yard and made him an offer he'd been unable to refuse, despite his best judgement. Mycroft had sucked his cock, dropped him off at home, and Lestrade hadn't heard a word from him since.//Now, the door of the black car swung open as Lestrade drew level with it. He could just see Mycroft's profile, hawkish nose and shallow chin limned by the orange glow of the streetlight. Notes: Porn WITH plot! That’s the best way to take your porn, imho. One of the best ways I’ve seen the Mystrade relationship developed. It’s just so real. And Lestrade is so head-over-heels, which is my favourite way to take my Lestrade :p.
Clark Kent, of Krypton by TerresDeBrume - DCEU/Superbat - Batman crashes on Krypton a few days before the Turn of the Year celebrations, and Kal-El's life takes a sharp turn to the left, on a path that will, ultimately, lead him to becoming Clark Kent. Notes: Krypton Wasn’t Destroyed!fic is always, always, always my favourite. Sci-fi mystery again, yes. If you saw my first reclist, then you understand that I am always going to fall for a sci-fi mystery fic. This one develops Kryptonian culture beautifully, and equally-as-perfectly encapsulates what “Clark Kent Pretending to Be a Mild-Mannered Reporter, but on Krypton” would actually look like.
Q It Again by writerofprose - Star Trek/QCard - Picard thinks his position, as captain of the Enterprise, plays the largest role in Q's obsession with him. Q would like to take that bet, even if Picard wasn't making one. What say they try it again, from the start? Without the captain nonsense? Notes: A poignant take on Q’s weird fixation with Picard. Not that anyone can blame him. I mean, shit, the man is Jean-luc Picard. Anyone would be fixated on him. Q uses his Q powers to explore Picard in multiple alternate universes, and erases his own memories in order to come in unbiased. Picard gets to keep his original memories, and those of the AU. Does Q still like Picard as much when he’s not at the helm of the Enterprise?
American Outlaws by manic_intent - Red Dead Redemption/Morston - “Bounty’s for one ‘Jim Milton’,” Sadie said, as she got close to the man under the oak tree. “Wanted for murder, robbery, and unnatural acts.”//“Unnatural what?”///“Don’t got details on here.” Sadie passed the folded up poster to her hunting partner. “You all right?”//Arthur Morgan didn’t answer her as he smoothed open the poster. He was aggressively smoking a cigarette, his second, judging from the stub on the grass. Notes: I loved RDR and RDR2 so much that I wrote my own fic in the fandom, despite knowing jackshit about late 1800’s America. It was only a ficlet, in order to hide how little I remember from my contemporary history classes, but much more talented people than me took on the burden of whole-ass novels. Here’s everyone’s fav BNF manic’s take on a fix-it Morston, pre-RDR1 but post-RDR2. It’s excellent. Who doesn’t enjoy forbidden love historical romance? Especially with a delicious helping of age gap. If you’d like Vandermorgan or even Vandermorston, check out more of manic’s stuff, and also kriegersan, who is another long-time fav of mine. 
Every Deckerstar fic by wollfgang. But especially a softer beginning, an amnesia!fic, and if you saw all of me, a true form!Lucifer!fic. You know, since angels are described as weird Eldritch beings in ancient texts. Both tropes are my favourite. Also that latter one has monsterfucking and we are all monsterfuckers here.
A Modest Proposal by ignaz - House M.D./Hilson - Tritter's case against House still depends on subpoenaed testimony from Wilson. To save House from losing everything, the doctors of PPTH decide on an unusual solution, which in turn leads to unexpected consequences. This is a story about the sacrifices we make that turn out not to be such great sacrifices after all. (Contains spoilers for everything up to and including "Merry Little Christmas.") Notes: Work 355 on the AO3. It’s that OG. And for an OG slash fandom, too. Well, not Star Trek levels of OG, but it’s a fandom based on Sherlock Holmes, and ACD did come before Star Trek! You’ve probably read it. It’s the OG Hilson Pretend Marriage!fic. But I had to rec it because when I get bored I watch House on Amazon Prime (or the thousands of clips they upload to YT nowadays), and I always am struck by HOW GAY HOUSE AND WILSON ARE OH MY GOD. I can never watch it with Mum in the room, though, because she was in the medical field before she retired, and the unrealistic nature of how House characters behave (and some of the medical procedures) make her SOOOOOO peeved. Though doctors, especially surgeons, were apparently huge egotistical dicks at times. Maybe not kill your own patient levels, though.
In A Place Where No One Appeared by Gefionne - Star Wars/Kylux - Following the destruction of Starkiller Base, General Hux is ordered to remove a wounded Kylo Ren to a place where he can recuperate. Knowing nowhere else to house him safely and discreetly, Hux takes Ren to his family’s estate on Arkanis. He anticipates adding this experience to the already long list of abhorrent memories he has of his childhood home, but six weeks in company with Ren turns out to be something quite unlike Hux expected. Notes: The imagery is so fucking vivid, I love it. The entire world of Arkanis is just lit up so beautifully in Gefionne’s words. This takes a little liberty with Hux’s backstory, given there wasn’t too much out at the time, but it’s so fucking good, I’d prefer its canon to the actual one, lmao. 
all that you love will be carried away by coldhope - Star Wars/Kylux - Supreme Leader, the oscillator is failing. The collapse has begun. There is nothing that can be done.//Hux, sent to retrieve Kylo Ren from the dying Starkiller Base, has lost almost everything, and has little patience or tolerance left for anyone or anything--particularly not Snoke's pet pseudo-Sith and his amateur theatrics. But you do the job that is in front of you, to the best of your ability, and you hold on as long as you can. Notes: One of the first Kylux fics, and one of the best. Their relationship is just so real here.
London Calling by SectoBoss - Overwatch/WidowTracer - Recaptured by Overwatch, Widowmaker is sent on a mission to assassinate a high-ranking Talon agent in London. It should be an easy mission – get in, take the shot, and leave. But when Tracer’s your getaway pilot a lot of things can go wrong, and things like 'subtlety' and 'discretion' tend to be the first casualties. Now, lying low after the mission goes awry, the pair of them have to survive in the city until Overwatch can get them home. Notes: Written when OW was in its heyday. And before the fandom was qqqquite as bad as it became. A WidowTracer case!fic, with Amelie as the reluctant good guy, which is always the best trope and I don’t take concrit on this point.
To the Victor, The Spoil by Annakovsky - Hunger Games/Haymitch/Katniss - No berries, no mockingjay, no rebellion. Katniss killed Peeta in the arena, and now she has to live with herself like every other victor. Notes: An old fandom, an older fic, back in the day when nobody complained about fucked up dark!fic. And fucked up dark!fic this is. Rape, age gap, age gap rape, Katniss losing all hope about the future, etc. But damn, it’s good.
The Want of You by MKK - Star Trek/Garashir - Julian Bashir is not quite sure yet about his feelings toward his enigmatic new friend Elim Garak. So when they both show symptoms of a mysterious illness, it seems they'll now have more time apart to ponder the future of the relationship. Their symptoms worsen, however, and to their shock, they discover there's only one way to effectively and inexplicably ease the pain: getting physically closer and closer - and closer. Notes: A forced bonding!fic where Bashir doesn’t actually know Garak all that well. As in, set very early in the canon. Very early. Which is my favourite way to read this beloved trope, because the whole fun of it (imho) is characters who barely have a grasp on each other’s personalities being forced to learn them.
Timeshare by astolat - Harry Potter/Drarry - “It’s not for long,” Hermione said. “By the time we get back to Hogwarts, the Unfettering Brew will be ready.”//“Listen to you!” Ron said. “He’s got to get through a month with the Dursleys and a month at Malfoy Manor. With Draco Malfoy.”//“Yeah, thanks,” Harry said, because he hadn’t just spent the last week contemplating just how much more horrible his summer holidays were about to be than they’d ever been before. Notes: Another forced bonding!fic, this time by AO3’s own founder. I love it. I love it, I love it, I love it. Their interactions here are perfect.
Speaking of Drarry, here’s a Veela!Draco fic I’ve recced before, but I don’t believe was in the original masterpost.
Talk to Me by Saras_Girl - Harry Potter/Drarry - When the usual channels of communication are shut down, the most surprising people can find a way in. A strange little love story. Notes: Harry is temporarily deaf and blind thanks to a misaimed spell. Draco takes care of him, in secret. Identity porn at its best.
Semaphore by DevilDoll - MCU/Stony - "I’m trying to like you, Tony. You’re just making it very hard." Notes: I wanted to rec another OG. One of the first Stony fics in the MCU, and still one of the best. It holds up very, very well and is worth a read if, by some miracle, you haven’t already.
Prisoner’s Dilemma by AvocadoLove - MCU/Stony - After taking the airplane down in the Arctic, Steve wakes to find himself imprisoned as a human test subject. With no idea where in the world he is, his only ally is a fast-talking inventor in the cell next door. Something’s off about Tony that Steve can’t put his finger on, and it’s obvious Tony doesn't fully trust him either. But to escape they may not have a choice… Notes: IDENTITY PORN! And it’s by an author I adore. AvocadoLove has pioneered the MCU MattFoggy fandom, and also donated their efforts and words to Stony. It’s the best. And it’s canon divergence! Which is another favourite trope, and one I can’t ever seem to stop writing myself. I have a lot of appreciation for it.
Speaking of MattFoggy, all of theapplepielifestyle’s works for the pairing are amazing. And all of their works in general.
Belief Space by magicasen - Marvel 616/Stony - The Time Gem appears not when it is wanted, but when it is needed. Steve learns this the hard way.//(Or: an Infinity #6 AU where Thane refuses his birthright and the Avengers are doomed - until the Time Gem shows up within Captain America's grasp.) Notes: A 616!Stony fic, if you’re craving something in the comics rather than the movies. Still with Civil War angst and Stony angry tension, just this time it’s even more painful, because their friendship in the comics!verse was beautiful and their fallout even more devastating.
This time tomorrow (where were we?) by dorcas_gustine - Marvel 616/Stony - Tony goes to see Wanda, and suddenly Steve is alive and there are Skrulls! Or maybe Tony is just going crazy. Nothing happens in this fic, until the very end. Seriously. There's a lot of talking, mostly at inopportune moments, Tony's views on the acceptable gifts to give people are slightly different from everyone else's and he spends more time than would seem necessary being (half-)naked. What else is new? Notes: More 616 for your Stony needs! Tony time travels into a word pre-Secret Invasion and decides to fix things his damn self.
despite the threatening sky and shuddering earth (they remained) by praximeter (Zimario) - MCU/Stucky - “They really didn’t want the mask to come off.” Hill thumbed through the scans, and pulled out a film that she then handed over to Sam, face mostly expressionless but for the flat line of her pursed lips.//Sam accepted the film and held it up to the light, angling so both he and Steve could see it, squinting at the outline of the Winter Soldier’s skull, and the blips of unnatural white that showed up, God, in his brain, not to mention about half his teeth, plus the mask, with its thin protrusions—//“Those are pins,” Steve realized. He looked over at Hill. “The mask—it’s nailed to his face.”//Hill’s face was as unmoved as ever. “Like I said. They really didn’t want it coming off.” Notes: TWS Identity Porn!AU. Gore, given that the Winter Soldier’s mask is literally stuck to his face. But it’s excellent.
Simple by Osidiano - MCU/Stucky - Written for the capkink meme; "To the Winter Soldier, there are basically three kinds of people in the world: superiors, mission support, and targets. He doesn't have the context to understand things like friendship. So what he sees in the Smithsonian exhibit and what little he remembers or feels about his past, he interprets in that light. He thinks that Steve must have been his handler during World War II. That the reason he couldn't kill Steve and the reason he was smiling in the museum photos was because Steve was a good superior who treated him well (or at least didn't hurt him like Pierce and Rumlow, which to him might be the best he can imagine).//Thinking he understands the situation, he decides to report to Steve. Cue misunderstandings, confusion, and heartache for both of them." Notes: Bucky taking a while to snap out of TWS mode is one of my favourite tropes. This fic executes it perfectly.
Bridge Over Troubled Water by soniclipstick (veriscence) - MCU/Stuckony/Phlint - Ultron is destroyed, the Avengers are in disarray, and the Winter Soldier is still in the wind. Steve knows that he has to fix the ever-growing ocean of distrust between Tony and himself, so he takes a leap of faith and tasks Tony with the most important thing: finding Bucky Barnes. But it takes a pair of sexy but stolen hand warmers, several robots, Hawkeye and countless selfies before Steve realises the immensity of what he's set into motion. Notes: I would die for Stuckony as a ship. It’s one of my favourites to read and to write, and this fic here encapsulates it quite frankly in the best way. 
Strange New Worlds by Leletha - Supernatural/Destiel/Sabriel - AU…THE FUTURE: Humanity survives everything, spreads to the stars, and finds it needs to know where it can land. Enter interplanetary explorers Sam and Dean Winchester…and sentient starships Gabriel and Castiel. Then ships and crews start disappearing out in the black and, as usual, all goes straight to hell. Notes: I corresponded with Le’letha when they originally wrote this fic, and my love for it has only grown in the years since. Sci-fi mystery, yes. Dude, Castiel is a sentient spaceship. That itself is premise enough.
In His Image by Anonymous - Supernatural/Sabriel - Kali can breathe life back into a corpse, but what exactly is Gabriel now? Gabriel flits around various centuries trying to work that out, Dean has another powered-down angel and a little brother to look out for, Castiel has forgotten how to trust, and someone keeps sending Sam annoying little notes on his laptop. Oh, and Bobby would like to remind you all that there’s an Apocalypse still going on. Covers season 5 from Gabriel’s death to the finale. Notes: My favourite Sabriel fic. God only knows why the author abandoned it. I have their original name, but it doesn’t feel right to reveal it when they made the conscious choice to anonymise. Let me just say that they were a favourite of mine.
If You Were the Last Woman on Earth by Vali - Doctor Who/Thoschei (Twissy) - Just because your best enemy accidentally destroyed planet Earth is no reason to refuse her hospitality. Written for the Only One Bed fanfic challenge. Notes: That last note doesn’t even begin to cover how wonderful this fic is. Tropes are irrelevant, this captures them perfectly. Still one of my fav ever Thoschei fics. Now just get me one where The Master calls our titular hero Theta Cubed Sigma Ex Squared Lungbarrow, please.
A Wealth of Sorrows by evelynwaaaaah - Dragon Age/Solavellan - Things are getting back to normal in Skyhold now that Corypheus is gone. Until the Inquisitor collapses in mid-conversation.  Notes: Solavellan is still a ship I would die for. This fic will make you ship it, if the game didn’t already. And this is coming from someone who romanced Cullen on my first playthrough.
Reclamation by copperbadge - Harry Potter/Background Jily and Wolfstar - In an alternate universe, one man still struggles with a moral decision made many years before. Notes: What if Tom Marvolo Riddle wasn’t quite the same maniac of the canon!verse and was accepted to the position of DADA professor? By the esteemed copperbadge.
Truth and Illusion by penny_dreadful - Mahou Shoujo Madoka Magica/MadoHomu/KyoSaya - “I’ve, um, been dreaming.” She closes her eyes because it’s easier to ignore Mami and Homura’s stares. “In, in my dream I’m still in bed, but I-I’m not alone, Sayaka’s next to me but she’s not breathing, she’s—”//She’s pale and cold and pretty in the same way the stained glass windows of Kyoko’s father’s church are pretty and she’s lying so still she can’t be anything but dead. But in her dream Kyoko still curls around her, soul gem in hand, keeping her warm, keeping her safe—//“—she’s dead, I didn’t even know her that well and she’s dead and in my dream I’m so, I’m scared that there’s nothing I can do.” She opens her eyes. “But there really is nothing I can do. She’s already gone, and we left her there.” She stares hard at her hands. “We weren’t really even friends.” Notes: Not really a fix-it for MadoHomu, but certainly one for SayaKyo. Homura does more spacetime bullshit. Kyouko remembers.
~~~
I think that should cover it for now! That took me ageeeees, and I have games to go waste my life on and fics to write now lmao. Let me know if you want a third installment!
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swissmissficrecs · 6 years
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Best Fics of 2018
Once again, this was a bumper year for fan fiction in the Sherlock BBC fandom*, with a few very long-anticipated fics coming to completion alongside some recent smash hits from established authors and even a couple of newer and lesser-known writers hitting it out of the ballpark. My picks are all, unsurprisingly, long, plotty, angsty Johnlock fics, featuring in particular post-series 4 fixits and Parentlock along with AU's, especially other professions and fusions/crossovers. What they all have in common though, is being of absolutely stellar quality not just in the technical aspects of the writing, but also the handling of themes, the character work, and the emotional impact. Any one of these could be a published book, and perhaps in the near future, some actually will be!
* (I also snuck in one ACD series because it’s my list and I can.)
My caveat as always: this list is obviously skewed toward my own personal preferences and reading habits. There are plenty of other fics that I loved, and even more that I simply didn’t get around to reading (yet), so it’s not a judgment if your favorite (or one you wrote) isn’t on here. Think of this as a sampling rather than a definitive list. I hope this will help you to re-acquaint yourself with fics you loved, give a chance to others you may have skipped the first time round, and possibly discover something entirely new and astonishing.
So here they are, in descending order of length:
The Men Who Talked Between the Words (439746 words) by Odamaki Rating: Explicit Relationships: Sherlock Holmes/John Watson, Mycroft Holmes/Greg Lestrade Summary: John expected to be a father some day; he expected to have the house, and the wife and the nice suburban job. Sherlock never expected to have children, in part because he never expected to make it past 30. As it turns out, you don't get a choice. Crammed into Baker Street with a baby, John struggles with single-parenthood and his own fears, while Sherlock treads the fine line between doing too little and saying too much.
Gravity (English Version) (282983 words) by kirin_calls Rating: Explicit Relationships: Sherlock Holmes/John Watson, Greg Lestrade/John Watson, Sherlock Holmes/Victor Trevor, John Watson/Victor Trevor Summary: Part 1: When John takes up mixed martial arts training, he doesn't expect it to lead to a new relationship. But there are darker things afoot at the gym, and John is soon drawn in deeper than he wants. When an old flame from Sherlock's past turns up, it's time for everyone to declare their loyalties... and for John to finally discover where his heart truly belongs. / Part 2: John is struggling with his loss. Plagued by nightmares, his life gone topsy-turvy, he is no longer able to lead a normal existence. As he seeks out some stability, some way to slowly pull himself up out of the morass of his grief, old rivals become friends and details about Sherlock's past come to light, leading John to discover something strange that won't let him go.
Radioactive Trees In A Red Forest (280332 words) by Maribor_Petrichor Rating: Explicit Relationships: Sherlock Holmes/John Watson Summary: John Watson is what happens when a man can no longer see a reason to go on. John Watson is what happens when a man starts to let go. "It is what it is." John Watson is what happens when what "it is" becomes too much to bear. This is a story of the life, death, and resurrection of John Hamish Watson.
The Bluest of Blue (196473 words) by SinceWhenDoYouCallMe_John Rating: Explicit Relationships: Sherlock Holmes/John Watson, Molly Hooper/Greg Lestrade Summary: John Watson's 10th season as a Denali National Park Ranger was shaping up to look like all the years before. Until a special team from Europe was flown into the Park for a summer-long wolf-tracking research project, and the head of that research team was wearing a perfectly tailored suit.
Scar Tissue (192179 words) by J_Baillier, 7PercentSolution Rating: Explicit Relationships: Sherlock Holmes/John Watson Summary: John has scarcely recovered from his Afghanistan tour when Sherlock is injured at work, putting their already strained relationship to the test.
A Game of Hearts (162553 words) by zmethos Rating: Mature Relationships: Sherlock Holmes/John Watson, John Watson/OMC Summary: Seven stories written circa 2010, after the first series/season of Sherlock but before Season 2. Therefore, none of these stories reflect anything from Season 2 onward! Think of it as an alternate timeline or something. Slow build of a relationship between Sherlock and John. Gets quite dark in places. [Note: This is an AO3 repost of a fic from fanfiction.net.]
Drift Compatible (130546 words) by J_Baillier Rating: Explicit Relationships: Sherlock Holmes/John Watson Summary: A washed out war hero struggling with his past. A prodigy who wants nothing to do with his family legacy. Both are looking for something—and someone—worth fighting for in a world where human civilisation is constantly under threat.
The Burning Heart (119461 words) by May_Shepard Rating: Mature Relationships: Sherlock Holmes/John Watson, John Watson/Original Male Character(s) Summary: When Sherlock dies, John Watson feels like his life is over too. He’s completely shut down, until Mark Morstan, a new nurse at John’s medical clinic, catches his attention, and helps him uncover the long buried truth of his attraction to men. Although he’s certain he’ll never get over Sherlock, John plans to move on, and build a new life with Mark, unaware that Sherlock is not quite as dead as he appears, and that Mark is hiding secrets of his own.
Maintenance and Repair (106650 words) by patternofdefiance Rating: Explicit Relationships: Sherlock Holmes/John Watson, John Watson/OFC Summary: John wants to explain the rush of sensation and data, which is just another form of sensation (or is it the other way around?). John wants to say: Augmentation circuits report temperature, pressure, various forms of quantitative input. Sudden changes are reported as pain, since sudden changes are dangerous, and pain is the quickest way to encourage reflexive extraction. But all John can manage is, “Nng.” Because this sudden touch is not reporting as pain.
The Wedding Garments (105390 words) by cwb Rating: Explicit Relationships: Sherlock Holmes/John Watson Summary: This is the story of a young consulting detective who wants nothing to do with marriage and an army doctor who wants to find true love. It's 2020 post-Brexit England and the British government is encouraging arranged marriages. Candidates meet through state-run agencies and date in hopes of finding love (and tax benefits). Sherlock doesn't need or want a spouse, at least not until John Watson shows up. Hesitant to give in to his more carnal urges because of the way they derail his mind, how will Sherlock progress toward the more intimate aspects of a relationship? The answer lies in a very special wedding gift.
Kintsukuroi (91822 words) by sussexbound Rating: Explicit Relationships: Sherlock Holmes/John Watson Summary: “I love you.” Sherlock sees the words hit John with almost physical force. He reels back a little, jaw twitching and eyes filling. “I love you,” he repeats, a little softer, a little more gentle, as earnest as he possibly can. Because they’ve been teetering on the brink of this thing for years, and it had become painfully obvious over the last few months that they were at a tipping point. This had to happen. Now it has. Now they can see where they end up. The tears in John’s eyes spill over, and he wipes at them angrily. “Do you even know what that means?”
Missing Pages (78852 words) by PlaidAdder Rating: Teen and Up Audiences Relationships: Sherlock Holmes/John Watson, Mary Morstan/Violet Hunter Summary: This is a group of interlinked short stories (most between 2000 and 7000 words) which tell the story of how Holmes and Watson really came to be separated at the Reichenbach Falls, and how they found each other again. Each story is in the form of a document--a letter, a journal, a surveillance report, an affidavit, etc.--which is linked to one or more ACD canon tales, and which tells us something about that story that was changed or suppressed in Watson's published account of it. Holmes/Watson, with glimpses of other relationships.
Summit Fever (78782 words) by J_Baillier Rating: Mature Relationships: Sherlock Holmes/John Watson, James Sholto/John Watson, James Sholto/OFC Summary: After graduating from medical school, John Watson followed his heart to the Himalayas. Ten years later, he's a haunted cynic working for his ex-lover's trekking and mountaineering company. Will leading an expedition to Annapurna I—the most lethal of all the world's highest mountains—shake John out of his reverie, and who is the mystery client added to the group at the last minute? 
The Vapor Variant (72684 words) by 88thParallel Rating: Mature Relationships: Sherlock Holmes/John Watson, Mycroft Holmes/Greg Lestrade Summary: Little did Sherlock know that the vapor to which he exposed John was a bioweapon— containing a bioengineered hybrid virus. Now, John is fighting for his life in the early stages of encephalitis, and it’s down to Sherlock and a team of scientists to save him, if they can only find him first. Sherlock needs to keep fear and guilt from getting the better of him if he’s to salvage his relationship with John—and that’s assuming the love of his life even survives….
Roommates are for little people (69055 words) by alexxphoenix42 Rating: Explicit Relationships: Sherlock Holmes/John Watson Summary: John was looking forward to seeing his friends back at uni, but a new year brings new complications, not the least of which is a dorm room with only one bed, and a stroppy roommate with an utterly spectacular arse. God, John doesn't need the headache.
Masters of Ink (67482 words) by Indybaggins Rating: Explicit Relationships: Sherlock Holmes/John Watson Summary: John has a triple-coiled tattoo machine in his hand and a row of inks at the ready. He has gloves on, a willing client in front of him, and a detailed stencil. He is ready to win this bloody competition. Except he’s competing against Sherlock Holmes... First-meeting-on-a-reality-show AU, Ink Master edition! There is expert tattooing, slightly less expert flirting, and two men falling hard. But John is married, and they can’t all win.
floating through a dark blue sky (58872 words) by Lediona Rating: Mature Relationships: Sherlock Holmes/John Watson Summary: Of course, I’d seen his films and always thought he was, well, brilliant -- but, you know, a million miles from the world I live in. *** Or, when John is the owner of a travel book shop and the famous Sherlock Holmes stops in one day. [Notting Hill fusion]
The Wolf (55817 words) by Laur Rating: Explicit Relationships: Sherlock Holmes/John Watson Summary: Sherlock gets it wrong. Days, months, even years in the future, Sherlock’s oversight during the Baskerville case will continue to torment him, but nothing about that night will ever be as painfully vivid as the memory of John’s screams. This is how it begins.
Christmas Time After Time (41473 words) by PlaidAdder Rating: Teen And Up Audiences Relationships: Sherlock Holmes/John Watson, Mary Morstan/John Watson, Clara/Harry Watson Summary: John's not really big on Christmas; and this year, the first after Mary's death, he's not feeling it. Everyone's away, Sherlock's on a case--alone--and Rosie's asleep. But that's all right. He's fine. He'll just have a quiet Christmas Eve by himself, drinking in front of the telly. Only out there in time and space, there's another Doctor who thinks that sounds like the saddest thing ever. And she's going to do something about it. Thirteen takes John on a whirlwind tour of Christmases past and future. The more he learns about this time travel thing, the more John starts to wonder: how did his current timeline become...what it is? And might these alternatives hold the key to a less miserable present, and maybe a brighter future?
Whiteout (37041 words) by SinceWhenDoYouCallMe_John Rating: Mature Relationships: Sherlock Holmes/John Watson Summary: A documentary crew follows the Matterhorn aerial rescue team from Air Zermatt, profiling the mechanics, pilots, and paramedics as they save patients on the infamous mountain. Their camera may catch more than they're looking for, however, when it comes to a certain paramedic named John Watson. . .
The Winter Garden (31211 words) by Callie4180 Rating: Teen And Up Audiences Relationships: Sherlock Holmes/John Watson Summary: As Sherlock nears the end of his career, he's given the gift of a cottage in Sussex. The honey from the beehives out back is amazing. Almost...magical.
A Home for Us (30583 words) by sussexbound Rating: Mature Relationships: Sherlock Holmes/John Watson Summary: He has been on the road for two years, and he is exhausted. He’s almost accepted that he will never see London (John) again—almost. But then there are nights like tonight, where he is weak, and all he can think of is the warmth of the flat they once shared, the crackle of the fire in the hearth, the teasing smile playing at the corner of John’s lips, the boxes of half-eaten Chinese takeaway balanced precariously in their laps. He aches at the memory of it, at the realisation that it is something he may never experience again.
Another Auld Lang Syne (30234 words) by DiscordantWords Rating: Mature Relationships: Sherlock Holmes/John Watson Summary: There had been years of missed chances.
A Singular Friendship (28679 words) by agirlsname Rating: Explicit Relationships: Sherlock Holmes/John Watson Summary: Sherlock is closer to John than anyone has ever been. It's almost like a relationship - but John isn't gay, so it's clearly not. Not even when they hold hands and hug every day, not even when they sleep in the same bed, not even when they cuddle every morning...
Stradivarius (20298 words) by Berty Rating: Explicit Relationships: Sherlock Holmes/John Watson Summary: Life goes back to what passes for normal at 221B Baker Street. Sherlock's back and his scars have faded. John's still a confirmed bachelor and his nightmares have mostly ceased. So why are there awkward pauses and uncertain glances? Why are they both on their best behaviour? It's been a long, cold winter in London and there's more to come before spring arrives.
One Good Scare (17381 words) by blueink3 Rating: Mature Relationships: Sherlock Holmes/John Watson Summary: Mummy invites Sherlock, John, and Rosie to the country for her birthday, which just so happens to coincide with the annual Harvest Festival, an event Sherlock loathes. With John seemingly making the wrong move at every turn and with ghosts hiding in each of their closets, what will it take for their (Halloween) masks to finally come off?
Oh, my friends, it's been a long hard year (11914 words) by splix Rating: Mature Relationships: Sherlock Holmes/John Watson, Mycroft Holmes/Greg Lestrade, Mr. Chatterjee/Mrs. Hudson, Sherlock Holmes' Father/Mummy (Sherlock) Summary: Christmas is rubbish this year.
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johnlockficclub · 5 years
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Discussion Recap - Author Q&A
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Hey guys! This past Sunday we did our Q&A with @atikiology, author of State of Flux! Thanks for taking the time to chat with us - it was a pleasure to chat with you @atikiology! 
What inspired you to write State of Flux? (other than all love a good slow burn) @inevitably-johnlocked
State of flux was definitely the first Johnlock fic I ever started to write. I don't think it was the first I published, but it was the fic I wanted write when I first got into the fandom. This was my very first fandom, and I had been reading fic for over a year before i even considered writing one on my own. I think my primary motivation was just to... write THE ONE fic I always wanted to read.  I just poured everything in it i wanted John and Sherlock to experience at the time, just, all the scenes and tropes i loved in one fic. I never expected it to get the kind of attention it did, and I didn't even have any fandom friends at the time, so I didn't really expect anyone to read it at all. It was just the quintessential post-S3 scenario in my head, and I wrote it down.
What was the one favorite of all tropes that you included. The thing you most wanted changed? @elwinglyre
Hmmmmm i'm not sure what my fave trope is. All of them, probably.  But them being cold and wet and having to take their clothes off and cuddling for warmth. Cracks me up now, five years later, that I actually wrote this. to add to the trope question: There's a lot I would write differently these days, probably. But like, some of the key characteristics are still the same. Like Sherlock's insecurity about being enough and not really believing that John could love him. God I still feel like this is a key feature of slow burn fics in every way lmao
It was an interesting choice to use a timeline format, because even though the fic was relatively short, it felt longer because of the set passage of time.  What were your thoughts in choosing to write it that way? @sherlock-nanowrimo
I honestly don't remember how i came up with the time stamp format. But I remember the writing process. I had this sheet of paper with the various time stamps I wanted to include, and notes for each one. And i didn't write them one after another, I ticked them off after i had written them in a somewhat random order. That's probably weird but it worked best for me at the time. Writing this fic was a pretty monumental project for me, or it felt like it. I don't think I'd ever written anything longer than a school essay in English before, so.... it took ages and when i was stuck with a sentence or a paragraph, i just continued writing somewhere else. Lmao I have no idea if this is a good explanation.
You mentioned before about writing Sherlock's insecurities - was that why you chose to write from his POV, so we'd get that look inside his head? @sherlock-nanowrimo
Okay, firstly about Sherlock's insecurities, and about how much of a role they play in this fic. When I reread state of flux today, i think John and Sherlock are both a bit out of character. Not in a terrible way, but they're a bit... too soft I suppose. Or too openly soft. They wouldn't really let stuff get to the surface like this, I think. Also, I've come to think that the EXTREME slow burn I loved in the beginning, when I first joined the fandom, is a bit exaggerated. Like, would two grown men who are clearly sexually attracted to each other share a bed without having sex for literal months? Uuuuh probably not? I'm not sure if I would write it like this again. But I'm totally okay with my own interpretation of these characters at the time, and the way i wrote them, because it still fits them, even if my interpretation has changed slightly over time. Mainly because I was a lot younger (I was 19-20 at the time) and I had a lot of insecurities in the area of emotional and sexual experience, and Sherlock has always been the character I identified with most. So, not to get deep here, but yeaaaaaa there's a lot of ~20 year old me in this Sherlock, probably.
It's the issue I'm sure we've all come up against - in the modern world, where it's perfectly legal and acceptable for two men to get married, what reason can there be for them to not pretty much instantly be inside each other's pants? @wildishmazz
The thing about slow burn is: it's always been so important to me that John and Sherlock, both in their own way, have so many inner obstacles to overcome, before they can enter a relationship that's ultimately rewarding. Like, there' s so much character development that has to happen I suppose - not for them to love each other (they already do) - but for them to figure themselves and each other and their miscommunication the hell out. There has to be some sort of a gradient, because they're both so fucking emotionally stumped that, if they were in each others' pants immediately, it would just spiral into a disaster afterwards.
So obviously you've written some fantastic stories since this one. Which POV do you like writing from the most? @inevitably-johnlocked
I don't know which I actually prefer, but I find writing Sherlock sooooo much easier. I have this distinct Sherlock voice in my head. It's hard to describe but I find it incredibly fun to look at people or objects or situations and figure out a way Sherlock would see them. It's like a game, trying to focus on some weirdly specific details first, before even looking at something as a whole. That's how I do it at least
Along with these questions, there was also some lovely discourse regarding the positives of slow burn fics, as well as encouraging @atikiology to return to the dark side of Johnlock. We loved chatting with them and it was a great fic. We look forward to seeing you guys for the next round!
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the-signs-of-two · 5 years
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I made a post yesterday asking if you would be interested in hearing my thoughts on Sherlock and the Sherlock fandom in light of the recent influx of Good Omens-stuff, which has made some people in the Sherlock fandom afraid that the fandom is dying. I received nothing but positive responses, which both surprised and delighted me to no end, so here we are.
This is going to be a bit of a long and rambling one, so strap in.
First of all, I need to talk about some personal stuff that I haven’t really talked about on this tumblr before. That is my Asperger’s (I was diagnosed less than a year ago, I’m still processing it and I haven’t received an “official diagnosis”, just the word of a psychologist specialising in girls and young women with Asperger’s – just putting that out there). I know a lot of people in the fandom have similar problems, so I’m not sure how much I need to explain. But I do want to say that the way Asperger’s is generally written about and portrayed online (on sites like Wikipedia or the like) is, in my opinion, often very negatively worded and gives an exaggerated idea of what Asperger’s is, at least when it comes to milder cases such as me.
A characteristic of Asperger’s is what’s known in English as “restricted and repetitive interests”, which I find to be a very negative term. I much prefer the Danish term særinteresser (“special” or “peculiar” interests). Basically, it means that a lot of people with Asperger’s develop a keen and often very intense interest in a certain quite niche subject – if you’ve heard Cabin Pressure, think of the way Martin obsesses over planes and memorises an enormous amount of plane trivia.
For me, it’s always been an abnormally strong obsession with various media. I’ve obsessed about various franchises through the years, but Sherlock and Sherlock Holmes has been the one and only for at least 4-5 years now. It doesn’t necessarily mean that my interest is stronger than other people in the fandom who spend a lot of time and get a lot of enjoyment out of Sherlock, but it certainly is stronger than the average fan and it has some, shall we say, specific expressions. I LOVE talking about Sherlock – I find it really difficult to describe the kind of excitement and positive energy I get from talking Sherlock, but think of the way children get excited when they do something they love and the excitement is just bursting out of them. I don’t need something new to talk about either. I write meta when I get a good idea or I get inspired by other people’s meta and throw in my two cents, but generally speaking, I don’t need something new to discuss in order to discuss Sherlock. I just want to talk about it! I try to keep it to a minimum on here because I think people… wouldn’t really… care…, but I’d love to discuss things like what I think characterises Sherlock and John, what I look for when I watch a Sherlock adaptation in the characters and in the relationship between the characters, my top ten Sherlocks, my top ten Johns and my top ten adaptations (side note: if anyone is interested in that, PLEASE drop me a comment or an ask, I’d be absolutely delighted).
So… all that to say that I consume Sherlock and Sherlock Holmes and participate in the Sherlock fandom because it gives me an immense sense of satisfaction as well as an outlet for my excitement that doesn’t bother my surroundings. That is what I think the core of fandom is and always should be: enjoying and celebrating what you love unapologetically in a safe, supporting environment, where you don’t have to rein in your feelings in fear of negative social consequences. And I think that’s always very, very important to keep in mind – it’s all about enjoying what you enjoy.
In my opinion, all fandoms should aim to promote that enjoyment and reduce negativity. Of course it’s the internet – negativity is hard to get rid of completely. But, speaking only for myself, I’m here to have fun.
That is why it will always be my opinion that no matter what you ship, that should be met with acceptance and respect. I don’t ship Adlock or Sherlolly (just to mention two prominent ships in my fandom that I am not a part of), but I would never ever argue that shipping Johnlock is “better” or “more correct” than shipping anything else. Shipping Johnlock is simply my preference and, frankly, I don’t consider it my business what other people enjoy. I can join them in loving the show as a whole and then we may go our separate ways when we want to talk shipping. I hope and believe that Johnlock might be made canon someday. But even if it does, I don’t think that matters much when it comes to shipping. Johnlock becoming canon matters for representational reasons and for the people who already ship Johnlock, but shipping is separate from and can live without “the canon stamp of approval”. What’s canon and what’s not doesn’t legitimise some ships relative to others because, again, shipping is about enjoyment and I think everyone ought to be free to enjoy whatever the heck they want to enjoy.
That applies to other fandoms as well.
As a quick disclaimer, I haven’t watched Good Omens. I probably will at some point, it looks really good (but I’m not gonna lie: I’m mainly interested because of Benedict, Mark and the setting).
So… Good Omens. You can probably guess what I’m going to say: people may enjoy whatever they enjoy. Some might leave Sherlock behind and make a full transition to Good Omens. Some might be really into Good Omens now and return to Sherlock in a while. Some might just be experiencing a short crush on another fandom and return to Sherlock very soon. Some might just be dipping their toes into it. As Moriarty would say: It’s all good.
I’m fully familiar with crushes on other fandoms. I go through such phases too every once in a while. I recently went through an intense The Lord of the Rings-phase after watching the Extended Editions and all (yes, ALL) of the additional material.
However, I’m also fully familiar with the fear that you yourself or other people in a fandom are moving on. Whenever I go through one of these phases where I get really into another fandom for a while, I get really upset because I think I might be leaving Sherlock behind. And our fandom is in a very precarious position at the moment. It’s been two and a half years since we last had any new content and that content was… uhm… a mixed bag. We don’t know if we’ll ever get more and, if we will, we don’t know when. And if we won’t get new content, somehow we’ll have to reconcile ourselves with S4, which is really hard. Fandoms tend to stagnate after a while if no new content is added, and I think that’s what a lot of people fear is happening. And it’s a very natural fear, whether you fear you yourself losing your interest in a fandom or the fandom itself shutting down: you don’t want something that has given you so much enjoyment to end.
But I don’t think we’re there. There’s still so much to do and talk about and analyse and create in this fandom. People post new fanfics and upload new fanart every single day. I’m able to reblog tonnes and tonnes of great content from other people in the fandom on a daily basis. I have nearly 1000 followers on here (as a side note, it is absolutely crazy and I am so blessed and thankful to all of you!). Of course, many of them might not actually check out what I post anymore, but seeing as I almost exclusively post Sherlock stuff and have done since the very beginning, clearly there’s still a lot of people who are interested in this content. Heck, even the creators are still desperately trying to keep everyone invested by trying to get us all drunk on themed cocktails.
So my final comments are these: I understand both the appeal of a new fandom (especially a fandom with a cast and crew as supportive of their fans as GO seems to have) and the fear that you or others might be moving on. But I want to stress the importance of having a fandom driven by excitement and enjoyment. So those who are really into GO at the moment should absolutely not be made to feel bad about that. People should be free to post and enjoy whatever the heck they want and that goes for everyone. I, for one, don’t think our fandom is anywhere near done and I will continue to post all Sherlock-Sherlock-Sherlock for the foreseeable future while we wait for S5.
Tagging the people who asked for this: @colourfulwatson @anchored-in-high-tide @catwillowtree @gelos @johnlockedinwarstan @why-are-you-cryingg (your username will not link for me for some reason, I’m sorry, I hope you see this) @cherylbombshellofthegay @royalworldtraveler @flowery222 @ebaeschnbliah @sherlockslove112
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moonlit-maiden · 5 years
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Hi. You wrote this on a post "Now, gay couples are the norm to the point where I hardly see any straight pairings, honestly (different issue for another time though, the fetisization of gay fan couples)." Can you explain, please? Because my experience is quite the opposite, where m/m pairings are frown upon (for being gay fetish or male worshipping) but the straight and f/f ones are celebrated. Don't you think it depends on the fandom? I would love to read your thoughts on this topic. Thanks.
Sure, not a problem! I’m always down for a discussion. :)
You make a fair point; the particulars of a fandom may change what is “the norm”. Now, full disclosure, I am in almost exclusively anime and manga-based fandoms. I have never been into a fandom of a Western-based media such as shows, movie franchises and books. However, I do see things crop up and discussed about Western media fandoms so I like to think I’m not totally out of the loop.
What I’ve noticed from my experience is this; m/m relationships are overwhelmingly popular and viewed positively. In Japan, there is a term for female fans who enjoy consumption of m/m media; fujoshi. I’ve used it a few times. It’s also meant as an insult, not a compliment, From my understanding, the term came about because these female fans (which cover a large swath of age ranged, from teens to grown middle-aged women) would be quite rabid about their m/m pairings. This rabid preference would also show up in non m/m, also know as yaoi or BL (boy love), anime shows and manga fandoms. I have seen this behavior in many fans of Western media fandom, though unlike in Japan, both males and females may act like this (though it is still overwhelmingly female). Growing up, most of the most popular ships in various fandoms I was a part of or tangentially touched (such as Harry Potter) were m/m. Sometimes their popularity outweighed the canon couples. I’ve also seen (and still see) the common practice of taking an established straight male character and pairing them with another male character who may or may not be straight. By doing this, the canon girlfriend also tends to be vilified which... I do not condone at ALL.
Meanwhile, I’ve seen a big reduction in m/f pair in fanfiction. Whether canon, fanon or even OC/canon, it’s decreased quite a bit over the last... 5??? ish??? years. Strides in LGBT rights in the West and gay relationships becoming less taboo I feel is the cause of this. This is my speculation though! I feel m/f fanfiction is almost silently disapproved. The reason I feel this way is due to something I’ve experienced. I tend to write m/f fanfiction. Usually an OC and a male canon character (I, on principle, never separate canon pair no matter the orientation). In the late 00s, I was frequently updating a fanfiction I was writing for a manga series called Tsubasa by CLAMP. When I first started uploading, there was almost no m/f fanfictions. It was overwhelmingly KuoFai, the uber popular m/m fan ship of the series. However, after several months, as my story became popular, I noticed a sharp uptick in m/f stories for the fandom. When I was forced to stop writing due to real life things taking my attention, then was a sharp downturn soon afterwards. I feel my continuously uploading a m/f-centric story gave courage to others to try their hand too. This wasn’t to say the m/m fics stop (far from it) but it’s a curious phenomena. In addition, I’ve seen MANY posts of people in various fandoms and even of people in the writblr sphere on here blatently state they find m/f ships/relationships boring at best, abusive at worst (dunno where the “abusive” thing is coming from what that is a minority thankfully). So in my experience, m/f ships seems to be looked down upon in fandom.
As for f/f, I almost never see it. f/f (aka yuri) is pretty rare on its own within the anime and manga fandoms. Its fans are primarily male and a couple of male friends of mine who are yuri fans have told me the community tends to keep quiet as they are often seen by female fans of a fandom as “creepy” when most of the time it’s simply an appreciation of the relationship. It’s within the f/f sphere that the concern for fetishzation of lesbian and bi women is a more prominent issue. Meanwhile in the m/m sphere, it’s almost never talked about when there are many cases of fetishzation. A double standard I guess.
Again, this is based on my experience, which is overwhelmingly in the anime and manga community. It may very well be a bit different in Western media fandoms but I personally don’t think so if ships like Drarry, JohnLock and Wincest are still strong despite the fandoms being older.
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hpswl-cumbercookie · 6 years
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johnlock, number ten- highschool popular kid/nerd au :>
Hey there! So sorry for the long wait. I hope it was worth the wait. (Apologies for the horrible title, I needed something and I couldn’t think up anything that wasn’t horrible) Again thanks a ton for requesting this, I really enjoyed the challenge of writing a request (this is my first one)
Chemistry in Chem Class
3600 words
“John, you will be paired with Sherlock,” the teacher called from the head of the classroom
John leaned over to whisper in Mike’s ear, “Who?”
Mike simply nodded his head towards the far back corner of the room, completely opposite where he and Mike sat. He had never really paid much attention to the dark, drafty corner and had simply assumed nobody sat there but, sure enough, when he stood ever so slightly to peek over the heads of his peers a dark mop of unruly curls could be seen hunched over the desk there. John, being captain of the rugby team and all-around popular guy, made it his goal to know the names of all the students in his year at least. He had never met a face he couldn’t place or put a name to until now, which made Sherlock extremely intriguing.
When the teacher split them up to talk to their partners, he slowly picked his way through the cluttered narrow maze of desks to the corner where Sherlock sat, hunched over the desk. He didn’t so much as turn his head from his paper, upon which he was writing furiously, as John plopped himself down in the seat in front of Sherlock, sitting backwards so he could face him. He waited a moment for Sherlock to address him. When he still made no attempt to communicate, John attempted to initiate conversation.
“Hello! I’m John. I don’t believe we’ve met before. Pleasure to meet you.” He held out his hand to be shaken. Sherlock, head still bowed over the desk, continued to write at inexplicable speeds, even as he slowly raised his hand to grasp John’s. As soon as was socially acceptable Sherlock tore his hand back to his paper where he had begun to do what appeared to John to be some rather complicated calculations. When Sherlock still ignored him after shaking hands, John once again attempted to engage with the boy.
“So -” he started, clasping his hands lightly together and breathing out slowly, “How is it we’ve never met before? We’re in the same year I’m assuming, since we’re in the same class right now, but I know everyone in our year so how come I don’t recognize you? Are you new?” At this Sherlock’s head shot up, cold verdigris eyes piercing John to his core, leaving him feeling both shot through and full to the brim all at once.  
“Of course not, John. We simply are not in the same year and I keep to myself. I tend to avoid the kind of tedium that accompanies a ‘group project’ at all costs. I prefer to work alone so as to also avoid mingling amongst the idiocy of my peers. I am in the year below you but all of my classes are advanced a year because my teachers cannot provide me a proper challenge so as to occupy my mind and are therefore forced to endure me at my most bored, in which case they find me both insolent and insubordinate, so the headmaster advanced my classes to accommodate both myself and the teachers. I also do not attend lunch in the cafeteria, for similar reasoning. Hence you do not recognize me.” He spoke quickly and succinctly, ending his speech with a quick nod and then falling into a still silence as he observed John with a sharp eye.
He spoke with a frankness that John found both bothersome and yet endearing, who responded to the awkward silence that followed with a warm smile that Sherlock seemed to find shocking, as his eyes widened and mouth slackened just slightly enough to be barely noticeable before pulling back to his cold, closed off expression, eyes pinched slightly and mouth set.  
“So, this project, it’s something isn’t it? Never been much of a chemist myself, my marks certainly aren’t fantastic, so I might struggle a bit with it.” John huffed a short, amused breath, a self-deprecating smile alighting his features.  
“Never mind it,” Sherlock said, waving his hand like one might shoo away a fly. “I certainly don’t mind doing it; I’d do it all on my own anyways if I was given the choice. We won’t even have to see one another if you like,” he scoffed, returning to his calculations with a sharp turn of his head, almost angrily. John was thoroughly caught off by the statement.
“I don’t mean that you’d do it all on your own Sherlock. Jesus. That’s not what I meant at all! I simply meant that I might not move as quickly as you, seeing as you’ve already done about half the project on that scratch paper,” John said, gesturing to Sherlock’s paper before giving it a closer look, eyes squinting as he leaned forward to read the hastily written calculations and notes. When he couldn’t see it well enough upside down he grabbed the paper directly from beneath Sherlock’s pencil and turning it towards himself. “Dear God, you really have! You’re a genius, honestly! I could never do calculations like this. Brilliant! You’re brilliant!” he said reverently, glancing up just long enough to catch the shock written in plain view across Sherlock’s face this time, and this time it hadn’t dissipated when John looked up to meet his eyes again.
“What?” John asked. “All I said is you’re brilliant. Is that a problem? Because if it is I won’t say it again.”
“Nothing, nothing. Simply caught me off guard is all. I don’t often receive such praise for my intelligence,” he said, control firmly back in place, yet his eyes were downcast slightly, not quite meeting John’s.
“What do people normally say?” John asked, genuinely confused as to how someone couldn’t appreciate the genius in front of him, despite having only known him for 5 minutes.
“Piss off!” Sherlock said with a smirk, but there was a sadness, a dimming of the sparkling electricity behind his eyes, that John only just caught as Sherlock’s eyes left his again. It left him feeling an inexplicable sadness, to see the spark dimmed in the cutting eyes that had already left their mark on him. Despite having only just met the young genius, John had already grown protective of him, seeming to sense a fragility hiding behind the sharp cheekbones, the piercing eyes, the cutting words.  
“Anyways, I would very much like to work this all the way through with you. Maybe you could teach me a thing or two, help me out a bit? I really am hopeless in this class.”  
“Might as well. You don’t seem completely, hopelessly idiotic,” Sherlock said with a smirk, a mischievous glint in his eyes.
“Gee, good to know,” John replied good-naturedly, rolling his eyes as he bent over to stuff his notebook and pencil into his already overcrowded bookbag. When he looked back up, Sherlock seemed to be blushing somewhat, but it was hard to tell considering how pale he was if it was blushing or just from getting some blood pumping as he also prepared to leave.  
“Shall we meet after school today at Angelo’s to work? I don’t have anything on after school today. You?” Sherlock said, just as the bell signaling class change yelled out from the speakers.
“Yeah, should be good for me! I’ll see you there!” And with a quick wave and a warm smile, they parted ways at the doorway and both joined the screeching, pounding, thrumming cacophony of the crowded hallway and were swept away by its relentless current.
That afternoon they met at Angelo’s. Sherlock was there already when John arrived, once again hunched over his paper, calculating frantically, muttering quietly to himself beneath the curtain of his frankly adorable curls. John could feel himself falling for the younger boy; his angular features, soft brown curls, and untempered wit drawing him in quicker than anyone he’d ever met, which was something considering how quickly he had always made friends. There was just something about him that was irresistible.
They sat and worked, chatting away over their project well into the evening. At first all Sherlock would talk about was the project, rapid fire calculations and facts about the chemicals and their reactions and all manner of crazy facts, to the point where John’s head was spinning on an axis that shouldn't have been there, lost in the complicated terms Sherlock was spouting off like a textbook. When he finally managed to get a word in edgewise he was so befuddled he didn’t even know what to say, he just sat there staring at the walking, talking, exploding enigma before him, until Sherlock cleared his throat loudly, shaking John from his reverie.
John had proceeded to shower him with praise, allowing Sherlock to preen wantonly, something he obviously was able to indulge in rarely if his huge, gleaming smile, the first true smile he had seen from Sherlock thus far, was anything to go by.
Once John had succeeded in loosening Sherlock up a bit he was all of a sudden privy to a side of the young man he rarely let show. He spoke animatedly about experiments he had performed and planned to perform, about his aspirations to be a consulting detective, whatever that was, and a plethora of other things. He spoke quickly, eyes bright and shining with excitement, hands flying as he played out his words with his hands in the way only those who are inexorably excited do.
It was obvious to John, who had always been surprisingly skilled at reading others, that the boy he found himself so inexplicably drawn to did not have many friends, and probably hadn’t for most of his life. This realization only made him more protective of Sherlock, and more determined to win his heart.
Now John had never been one to hide his bisexuality purposefully, but he had never had a true relationship with a boy before so this was, admittedly, new territory for him but he was a captain and a leader, always ready to brave the new horizons. Throughout the evening he attempted to make his feelings more apparent without frightening Sherlock, who didn’t seem the type to have been in many relationships.
He didn’t even know if Sherlock was gay but he didn’t want to broach the subject so bluntly as to ask him outright, knowing it would be the ammunition for an extremely awkward conversation, so he simply put himself out there as far as he dared and hoped Sherlock would take the bait.
They spoke for hours, jumping from topic to topic so often it was impossible to follow their train of thought, well into the evening. Sherlock, throughout, didn’t appear to catch onto John’s flirting in the slightest. When they parted ways though, it was with great reluctance on the part of both boys, which made John hopeful that perhaps Sherlock had caught on to his flirting more than he had let on and was just scouting the unfamiliar territory as well. They made plans to meet after school again on Thursday, as John had rugby practice on Wednesday, but this time at Sherlock’s house.
When Wednesday rolled around John stood with Sherlock on the curb outside of the school for Sherlock’s car to retrieve them. John was shocked when, not a normal parent’s subtle sedan or van pulled up to the curb, but a sleek black towncar with dark tinted windows rumbled up to them. His shock was increased exponentially when, almost the second the car stopped, a primly dressed man in a driver's uniform popped out of the car and pulled open the rear door for them. Sherlock slid in neatly and plopped his bag down on the floorboards, then looked up at John expectantly.
“Are you coming? Or are you just going to stand there gaping like an idiot?” he said sarcastically, a joking sneer alighting his features.
“Of course, yeah,” John said as he slid in beside Sherlock, shaking his head with the incredulity of the situation. “Just wasn’t expecting to be picked up by a bloody limousine.” He paused to admire the sleek leather interior of the car. “It’s very posh, very nice,” he said, running his hands over the plush seat.
Sherlock seemed surprised at John’s response but he didn’t voice his confusion; he simply smiled at John warmly and turned back to face front. The silence was comfortable as they slowly made their way through the crowded streets of outer London and into the wide open spaces of Windsor. After the 20 minute drive, they finally pulled up outside of Sherlock’s house. Although, house isn’t really the word; more like, manor.
They pulled through the large wrought iron gate and down the gravel drive where the house was revealed in all its glory. Set atop a hill that rose up from the sprawling, neatly cut grounds was the grandest house John had ever seen. Two huge main stories could be seen through the aged yet pristine windows that covered the front of the house. The worn terracotta bricks and mosaic of colored tiles on the roof gave the house a lovely antiquated look. The car pulled around the circular drive and stopped in front of a long set of ancient stone steps that looked older than the house itself with beautifully carved stone banisters on either side leading up to the large, round-topped cottage style doors. When Sherlock led him through the doors he was met with an equally grand entrance hall, complete with priceless fur rug and ornate side table.
Sherlock’s grand entrance to his home was quickly subdued as he led John through the house to his room on the second floor, routinely interrupted by cheers of “Brilliant! Fantastic! Gorgeous!” from John as he admired everything they passed with wide, excited eyes. When they finally arrived at Sherlock’s room the boy in question was positively sulking.
“You alright?” John asked, concerned at Sherlock’s exuberance fading so quickly.
“Nothing, nothing! Just ...” He faded off, eyes glued to the floor and head bowed. “The last time I had a friend over﹣,” he sneered out the word friend like it’s a curse - “it didn’t end very well. Mainly because he was jealous of my home and the riches my family has. Despite my best intentions and pleas, he fled the house on foot, calling me a freak and other such hateful expletives until he was long out of sight in the drive. This was several years ago, and not only did I never speak to him again, but I have not had a friend over before nor since. Not as if I had any friends to invite anyhow.” There’s a sadness in his eyes as he related his story, but as it came to a close so did his features, finishing the monologue with a turned up nose and a haughty snuffle, as if he’s above the idea of having friends. John could tell that the rejection of his previous, and apparently only, friend had stung more than Sherlock was going to let on.
“Sorry about that, Sherlock. That’s really nasty of him, whoever the sorry git was. You don’t need that in your life anyhow. Anyways, I promise you won’t see any jealousy out of me; I’m perfectly happy not having to take a 5 minute walk to get to my kitchen in the middle of the night, thank you very much,” John proclaimed with a smile. There was a moment of silence where the two boys just stood and smiled at one another, before they both simultaneously burst into raucous laughter. John’s bright giggles mixed gorgeously with the smooth bass of Sherlock’s hearty chuckles, his curls flying about as his head bounced with the hitching of his chest as he tried to catch his breath; John couldn’t help but be mesmerized by them.
He was quickly subdued by this thought, caught up in the warmth it brought to his chest. He really did care for Sherlock, despite not knowing him very long. He was coarse and sometimes John couldn’t understand a word he was saying, he would speak so quickly as to make it impossible, but he was charming and clever and beautiful, and he had endeared himself to John in a way none of his previous girlfriends had. The problem was he had no idea if Sherlock felt the same way.
They studied for several hours, well into the evening. When dinnertime came around both Sherlock and John were surprised at the knock on the door, jumping at the interruption. They had been so engrossed that when John looked at the window he was shocked to find it was dark out, the sun long fallen below the horizon. Just as he was about to hop out of his seat and apologize for intruding so late in the evening, Sherlock’s deep voice shocked him back into his seat.
“You aren’t intruding John. In fact, you are welcome to stay for dinner. My mother and the cook were both made aware beforehand that there might be an extra mouth to feed come dinnertime, so there is already a place setting waiting for you at the table.”
John, not yet accustomed to Sherlock’s ability to seemingly read his mind, leaned back in his chair, jaw dropped in incredulity, eyes shining with adoration. After a moment he shook himself and a broad smile took over his features.
“Well, alright. Let me just message my mum and let her know. I’ll meet you down there, I have to run to the loo as well.”
Sherlock simply nodded his head once before turning and heading down the stairs. After messaging his mum and washing his hands, John followed down the stairs and into the dining room he had passed on the way into the house earlier, now beautifully lit by a glittering crystal chandelier and set with a full china set, white with inlaid gold designs around the edges of every plate and cup. Sherlock and his family had already sat down at their places and were conversing quietly so he slid in next to Sherlock as quietly as possible so as not to interrupt. When Sherlock’s mum noticed him her face immediately brightened and she abandoned the conversation she was having with Sherlock’s brother to address him.
“John dear, how lovely to meet you! It’s been so long since we got to meet one of Sherlock’s friends. I hope he’s treating you alright!” she said cheekily, a sly sort of look on her face, like she knew something he didn’t. She asked after his family and his schooling and rugby, chattering at him nonstop as they ate. Dinner was through at an ungodly hour so Sherlock, blushing as he did so, offered for John to stay the night.
“I can sleep on the floor if you like, and you can borrow some of mine or Mycroft’s night clothes. In the morning we can stop by your house so you can get ready, I don’t sleep much anyways so getting up early isn’t a problem.”
“Don’t sleep on the floor on my account,” John assured him. “I’m sure we can figure out a more comfortable sleeping arrangement. As far as the morning, I have some spare clothes in my rugby bag, so neither of us has to be up early; might even sleep in a bit.”
Sherlock blushed even harder at this, though he was very obviously trying to hide it. John smiled inwardly, he knew he had hooked him, now to reel him in. When both were dressed and brushed and clean they clambered into Sherlock’s overly large bed, having determined it to be the most comfortable course of action. Neither questioned it a bit as they settled, facing one another. They stared into one another’s eyes for a long few minutes until John’s eyes closed of their own accord and fell into deep sleep.
He woke to find himself wrapped in the tentacle-like embrace of Sherlock’s enormously long, gangly, firmly muscled limbs clutched around his chest and legs, like Sherlock had tried to devour him in the night. It was warm and firm and comforting and it took all of his considerable will-power to turn himself over and rouse his gorgeous friend (though hopefully more than that before too long), whose face was even more beautiful in the orange yellow glow of the just risen sun streaming in through the window. Sherlock’s long, fan-like lashes slowly fluttered open as John called his name softly, the usually piercing verdigris-grey eyes softened by sleep and morning sunlight met his. There was a soft intake of breath from Sherlock as John leaned in a bit closer, their noses just brushing. They could feel one another’s breaths on their faces. They lay like that for just a moment before together they leaned forwards and lips met.
They kissed chastely for just a moment before separating, staring at one another with bright smiles, before untangling themselves and prepping for school. When they arrived they held hands and kissed again when they parted for their separate classes. When they had chemistry John sat with Sherlock instead of Mike, who watched them confusedly for all of class; though neither of them noticed, to engrossed in one another to be aware of any of their surroundings. Eventually everyone knew that the exceptionally gorgeous rugby captain, John H Watson, was taken, much to the chagrin of girls and guys alike. Sherlock still didn’t have many friends, despite being in a long term relationship with the most popular guy in school, but he doesn’t have friends, he has one, perfect, beautiful boyfriend. And that is all he needs.
FIN
Thanks so much for requesting. Much love!!
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sherlolo-land · 6 years
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Okay, we’d like to go over some of our favorite parts of this post. Now, we’re not here to tell you that you absolutely have to hate Mary with every fiber of your being, because that’s an opinion for each person to decide on their own. We are just here to talk about why some of the reasoning in this particular post is laughable.
1. Right off the bat, it compares Johnlockers to the obnoxious boy in the scenario raising his voice at someone who disagrees. Lmao. We know what you guys think of Johnlockers. We don’t need to waste time proving that the hate against us is both hypocritical and blown out of proportion. For more info, simply search this blog. It’s just funny how ya’ll can never make any arguments against us without resorting to ad hominem attacks at least once. Or in this case, from the very beginning.
2. Mary’s “unforgivable sins.” The examples you give of us searching for any reasons to demonize her are…. not the best. You picked examples that made it easiest for you to say “See, look how reaching your arguments are!” You basically said we think she’s evil because she playfully teases Sherlock, tries to keep her family safe, and doesn’t reveal her identity right away. I think you know that there are much better examples to argue that Mary is not a good person, but you intentionally didn’t use them. You went for the smallest points in our argument instead and presented it like it was the core of it. To me, this shows that even you see the weakness in your own argument. And regarding Mary’s abandonment, John himself thought it was incredibly selfish of her to run off instead of working things out with him. His words, originally, not ours.
3. Mary’s smile. Now its my turn to call the argument reaching. I’d say, claiming Mary was smiling just so Magnussen wouldn’t have another pressure point on her is one interpretation you could use if you were desperately trying to make her actions in these scene less detestable. If you love Mary and want to think this to make yourself feel better about her, go right ahead. Make it your fanon. But claiming that it’s a cold, hard fact? Nope, nice try. There’s nothing in that scene to suggest that that smile was only for Magnussen. That’s your personal headcanon, and there is a difference between that and canon.
4. “A large number of people claim they hated Mary before His Last Vow…However, if she was disliked before she actually deserved that, what does it say about those fans?” It’s not a crime to dislike a character. Johnlockers are held to this ridiculous standard of not being allowed to speak a single negative word about any character (esp. a woman). Why aren’t other fans held to the same standard? Why is it okay for Sherl0llians (and sometimes Adl0ckers too) to vehemently and openly hate John with everything in their soul? They are never accused of hating someone for getting in the way of their ship or being biased in their opinions. On the flip side, how come no one is making this same argument about ppl who loved Mary? There are people who loved her right from the start, and throughout everything afterwards (the assassin reveal, the shooting, the lying, the abandonment, the belittling, the selfishness…), she remained a saint in their eyes. How is this different from someone disliking Mary from the start and holding onto that opinion no matter what?
5. “Nothing an antagonist can do to be redeemed, it seems. I don’t want to say a female antagonist, but I am thinking that (Irene Adler, for instance, is still described as a villain.)” *claps for you* Omg what an original argument to make against the big, bad misogynistic Johnlockers! I’ve never ever heard that one before! … Shucks, and here I was thinking I was reading a well-written, organized post that for once didn’t resort to calling Johnlockers sexist for no reason. And about Irene, she may not have necessarily been a villain, but she was an antagonist. She was a force working against Sherlock throughout ASiB. She worked for Moriarty. She was a adversary for him. Does that make her a horrible, evil person? No. But don’t act like it’s a crime to call her what she is. An antagonist. And chances are, if someone uses the word “villain” instead of antagonist or adversary, it’s probably just a word preference. It’s not that deep fam.
6. “It’s best, I believe, to look at the facts and try to be objective.” Okay, then let’s look at all her crimes and despicable acts that you left out of your earlier arguments. Wait… but that would tear apart the point you’re trying to make.
7. Before she shot him, she clearly warned him not to come closer and expressed her remorse. Aka: It’s okay to shoot your friend (who is offering to help you) in the chest just because they bet on you having a conscience and decided to take a step closer to you. And afterwards, it’s best to express your remorse by threatening to shoot them again when you think no one is looking.
8. “Sherlock clearly forgave her and they remained friends” See here’s the thing. We were never actually shown this. We were shown Sherlock escaping dying at her hands a second time, then John making up with her with that ominous, carefully worded, possibly double-edged “The problems of your future are my privilege.” Then Sherlock shot Cam to keep John and Mary safe (yes, John too). Then we got TAB, where Sherlock solved the mystery of a bride who shot people and envisioned John’s marriage going downhill. It was sublte, but throughout all that, there was always the very plausible possibility that there was something more going on. After all, it would’ve made a much better story than Mary trying to kill her supposed friend twice and John forgiving her, despite that decision going against all his previous character development. So yeah, it’s not a surprise (nor the viewer’s fault) for scratching their head when TST aired and Sherlock and Mary were suddenly besties. Something else to understand here re: s4: The question isn’t whether or not he forgave her. They made that pretty obvious. The question we simply have is why?? It’s not a crime to wonder about this instead of just accepting whatever the writers give us, especially when it has no consistency or sense behind it.
9. “She’s been criticised for her sass in HLV, after the shooting, when she dared not to grovel at John’s feet, begging for his forgiveness.” Ask yourself, does her little quip in HLV make you see her as a funny, quirky badass? Why? Genuinely ask yourself why. Why shouldn’t she ask his forgiveness for trying to murder his best friend in cold blood, and apologize like any semi-decent human being would have done? Why is it so “uwu cute and badass” that all she had to say about the situation were some snarky sarcastic comments? See, this is an example of Mary being able to do literally anything, and still be worshipped for it. She’s a woman and can therefore literally commit murder and its uwu so cute. I don't understand how saying “omg wow she tried to kill her friend and DARED to not apologize for it, you go girl!” is helping your argument that she’s really not so bad of a person. (It does, however, help the argument that she would have made an incredible, very interesting, and entertaining villain, so thanks for that).  
10. “Regardless of Mary’s actions and her motivations, she was bound to be hated, simply because she was in a relationship with John.” *claps again* Ohmygod wow you are so smart, I have never heard anyone say that before. Jesus, can ya’ll simply make your argument for once without resorting to calling us sexist? Or insulting our intelligence by implying that we can’t tell the difference between someone getting in the way of our ship and someone being a despicable person who should not be worshipped and praised? And it’s  funny cause i double some of ya’ll would love and stan her so much if she wasn't in a relationship with John. You guys just love being able to use that excuse. You love that she blocks Johnlock and you love her for existing to do just that. If she was just a random side character who shows up in S3, makes some snarky comments, becomes friends with them, and then tries to kill Sherlock, I doubt you guys would still feel the same about her.
11. “But when people demonise her and twist her every word to make her look like the evilest woman on earth, I have to disagree.” / “Mary is not as evil as some people think.” Listen, I agree. I don’t think every single thing she does is horrible. People can often be unfair when talking about her. Both in defending everything she does, and villainizing everything she does. I get it. But hating Mary or interpreting her as a villain is not a fucking crime. There are numerous reasons to support this reading, as you said yourself. I personally don’t see any redeeming qualities in her that make her a character worth forgiving or liking. If you want to argue that she’s not so bad of a person, go right ahead. But seriously, if you’re going to try to justify your reasoning for doing so, try to come up with some better reasons, because these are weak. As I said before, I don’t think every single thing she does is horrible. But I do think that, objectively, the bad about her far outbalances the good. Just try making a simple good/bad list of her traits and actions, weigh them fairly against each other, and tell me what conclusion you come up with. It’s really not a surprising thing (nor a crime) to dislike Mary or see her as a bad character. It’s common sense. At least that’s how I see it. But I’m just a stupid Johnlocker who is only interested in seeing dicks touch. What do I know
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diningpageantry · 6 years
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writer’s tag
i was tagged by @basic-banshee (thank you for the tag!!!)
1. how did you start writing?
ooh boy this is a Story. okay uhh i was raised in this cult thing (long story that i’m willing to tell ltr) and part of our education process was writing books so uh i wrote a full length children’s book at like 6 y/o (maybe 5? i think i was 6 tho) and i wrote a couple more before we left. i kept writing tho and i’ve always sort of creatively wrote for myself, then at the end of 6th grade into 7th grade i found the wonders of fanfiction and i was like holy shit so i started writing johnlock fanfics (oof) and uh here i am now
2. what was your first writing project? tell us a little about it.
it was uh about some horses and girls and i’m not saying it was horseland but it was basically horseland. i don’t remember much except one of them nearly died after falling into a ditch because i was a dark and disturbed child (and an even more dark and disturbed adult now tbh) but there was that happy ending. so yeah. that.
3. what is your preferred mediums for writing first drafts?
word docs. i usually move it to a good doc after i’m done, but i like starting with word
4. what rituals or habits do you have around writing?
there’s a good couple. i usually get ideas on a whim, so i do a shitty outline on my phone (honestly it’s laughable if you look at them. i showed a friend a plan list and she started cracking up because most of it is just “??????”) and try to set up a plot flow first before writing. for original works, i actually draw the characters first so i can kinda have a fully put together mental image before i work. while writing, i put on (typically instrumental) music that goes with the mood of the fic (for example, for my demon fic, i put on The Hobbit: An Unexpected Journey album) whenever working to kinda put myself in the mindset.
5. we all have a “type” - of character, plot, theme - what is yours?
oohh boy. uh, pain. i like writing people hurting and in distress. angst? hell yeah baby. character wise i write a lot of kinda bitter or sarcastic queer people who are secret softies. plot wise i usually go with a “man vs. self” shit. love that internal struggle.
6. introduce us to one (or more!) of your OCs!
heheh okay uhh i’ll start with my current project, a sapphic graphic novel i’m working on. there’s Summer, who’s a high femme lesbian. she’s like... the proper looking girlfriend who likes sweaters and long flow-y skirts and makeup but she’s the rebel and gets into trouble and smokes and gets fucked up on stolen vodka way too often. she’s short and a lil chubby and she’s just the problematic fave. her girlfriend, (who’s actual name is still up for debate, but i just call her Matchstick because she dyes her hair bright/unnatural red and that’s what Summer calls her) rides a motorcycle and wears leather and jeans, but she’s a straight (heh) A student who meditates in the morning and writes sappy poetry for her girlfriend. she’s like... average taller and kinda awkwardly lanky in that way, too. this is set in suburban New Jersey and Summer has a thick NJ accent while Matchstick moved around most of her life because her dad was military (nasty divorce about 3 years prior to when the story is set) but she finally settled with her mom and little brother.
i have another OC that i abandoned that i might bring into the graphic novel (despite her having her own story that i don’t quite know if i’ll finish? it was something i started working on like 3 years ago and abandoned because it’s a tad cliche). her name is ayala and she’s a mixed jew (half ashkenazi, half mizrahi) who’s got a grunge punk aesthetic and she’s the classic bitter bi bitch who just drinks black coffee and complains. honestly? light of my life. she sneaks butterfly knives into NJ and takes a grater to her jeans and just ugh. fave.
7. what’s your favorite genre to read?
fantasy, sci-fi, mystery, and queer YA romance (i have a building library of these)
8. favorite genre to write?
fantasy, queer YA, and not exactly horror but dark stories (i’m writing a morbid children’s storybook rn to just str8 up submit to college board for a drawing portfolio)
9. how do you conduct your authorial research?
hah. google, usually. sometimes i ask my roommate shit, like once i leaned over my bed, looked at him and said “do demons have lairs?” and he thought i said layers so he looked at me, squinted and said slowly “like ogres?”
10. what does your editing (gasp) process look like?
hahAH nah it’s usually me writing shit out, like SLAMMING that shit out, then sometimes reading over it before i put it on my doc to edit. once it’s on the doc, i set my betas to it (sometimes more than my usual beta or two) and i usually read over it while they’re reading too so i edit then too? once they’re finished, i edit whatever suggestions. then i usually do another comb through, looking for little shit, then i share that shit.
11. what are your favorite tropes?
*chanting* MAN VS. SELF MAN VS. SELF MAN VS. SELF i love me some internal struggle. that and miscommunications and poor communication. basically anything that creates angst.
12. show off your writing space
i’m too tired rn but it’s just my loft bed. that’s it. it’s an ikea bed with a bunch of pillows and blankets on it, fairy lights wrapped around one side, and a shelf next to my head for my laptop/food/drinks/anything else i need
13. what is the most useful piece of writing advice you’ve ever used?
it’s odd because it isn’t exactly writing advice, but i use it in reference to my writing. i’m told that i tend to over-complicate shit, that i explain too much and i need to take a step back, and i kinda use that in my writing. it makes me look over paragraphs sometimes and just cut it because hey, that’s either not needed or i can explore the character in other ways than just saying how they’re like. i feel like it really helps because rather than saying shit about the character, i try to make them show it in their actions. it helps, i suppose.
14. what’s the least useful piece of advice you’ve ever ignored?
“do they have to be gay?”
15. your writing beverage/snack of choice?
oh boy okay this really depends on when i’m writing. if i write during early/mid-day, it’s usually a huge mug of breakfast tea with two spoonfuls of sugar, milk, and some kedem tea biscuits (usually original, but sometimes vanilla). sometimes i’ll make myself some instant noodles, if i’m really hungry. if it’s night time, it’s black coffee, and a lot of it.
16. how do you compile your ideas?
fffff uhhhh my note app on my samsung akdsfdsh okay i hate me too but all my ideas go into at least 3 unorganized note files because they always come to me in a whim and i don’t like putting a plot note with a summary note, so i have different note pages for different elements of the story.
17. what are your controversial opinions™ on the craft of writing?
oof uh... don’t write any romance that’s unneeded. also making characters do something shocking doesn’t make the story interesting. writers who feel the need to make a shocking twist aren’t good writers, because if that’s all that’s keeping readers entertained, then it’s not the writing itself, it’s them just trying to figure shit out. i’m not referencing horror or suspense, but let’s say a character who’s known for being aggressively loyal suddenly cheats on their partner for no truly viable reason, then that just feels like sloppy and boring writing that’s supposed to be interesting but isn’t. so, controversial opinion, but if you’re a good writer, you don’t need that kinda shit.
tagging @jessethejoyful @ravenclawbaz @angelsfalling16 @bazypitchandsimonsnow and any other writers who wanna do this (just tag me because i’d wanna see it!!!)
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blank-nova-trash · 6 years
Text
OUT OF EXCUSES. Johnlock prt 2
Sherlock was heartwarmed beyond words. His should felt as if it has swelled to a million sizes big. He could cry he felt so happy. Instead he let a wide grin split his face.
"Maybe?"
John rolled his eyes and laughed, of course the hit would puck up on that part. "Well... Maybe it's just you."
Sherlock raised his eyebrows "better be just me"
"Always"
With that he leaned in again and this time was graciously met with Sherlocks warm soft lips. This was a gentle kiss one you seal a life time with, It lingered and tasted sweet. Sherlock held john by the hips as john tangled his fingers in his curls. It felt as if time stopped for them in this embrace of promise, apreciation and love. Though it was but minute, before the heat picked up again. John decided to roll his hips again, and again, and again. They had both fell soft due to their little heart to heart but it wasn't log before they where back to about half mast.
John broke the kiss with a moan and unbuttoned the top button of Sherlock shirt to get access to his collar bone. He licked it teasingly, pressing hard and soft kisses all along it and some on his neck. Sherlock moved to unbutton more of his shirt but his hand was caught by johns.
"No leave it on." He almost whisperes
Sherlocked looked slightly confused for a split second before a knowing smile tugged at his lips as he teased
"Why should i"
John wasn't going to let him win by making him flustered, so he answered honestly, with direct eye contact to turn the tables on him. Through hot deep breathing and wetter lips, eyes trailing to Sherlock own before back to his eyes. He answered purposefully emphasising his just through his pronouncation of his words.
"Because it's damn hot seeing you in a suit, especially without a tie, your collar bones peak out now and then. Secretly I've wondered what it's like to lick them and bite them. I want you to stay in your clothes not only so when people see you they will unknowingly be looking at the clothes we first claimed eachother in but also because I love the domeaner you have in them so tall and sexy."
Sherlock was speechless for once, john smiled. Inching closer to his face he breathed out "deduce me Mr Holmes" before devouring his mouth
Sherlock pulled him in closer as if they could possibly get any closer than they where and he kissed back with lust dripping from ever inch of his mouth. He moaned and suddenly stood up taking john with him, john took a step back to steady himself and was slightly confused. Sherlock took a deep breath closed his eyes for a second before pointing in the direction of the hall.
"Get in the bedroom now. John I swear to the benevolent magic man that if you don't get in there now I will ravish you where you stand."
John smirked "you ravish me? Sherlock I'm more than certain I'd be the doing the...ravishing"
Sherlock licked his lips taking a step toward, grabbing john by One of his wrists. "I can assure you, my dear watson, that it would be incredibly difficult for you to out dominate me."
John let his free hand snake up Sherlock torso, and teasingly running his nails over his collar bone before swiftly grabbing the front of his shirt, pulling him in closer. He looked him deep in the eyes.
"Is that a threat or a promise?"
Sherlock inched his face in closer, his lips ghosting johns.
"Both"
When he spoke john ft the breath of pronouncation hit his sensitive skin and it sent shooting feelings of dangerous desire up and down his spine.
The both of the where more than ready to continue going at it. But Sherlock again pulled back, john thought he was just trying to tease him now and get him riled up until Sherlock took a large step back as the door swung open. Mrs Hudson's voice could be heard frantically trying to warn the arrogant intruder to not go in but then again Mycroft listens to No One.
"You big oaf! Why don't you listen to anything g I say? I told you Sherlock is very busy and he doesn't want to be disturbed-"
"Yes. He does seem...quite busy." Mycroft cut her off staring at his brother
"John, I've told you before that my habits are important to my work - I thought you would of gotten used to all this by now and honestly if you are going to resort to physical aggression I'd prefer it be done when I'm not increasingly busy." Sherlock stated loud enough for his brother and Mrs Hudson to here
John quickly caught on and carried on "i am not revolting to violence Sherlock I'm simply trying to get you to listen to me. Stop putting your weird experiments next to my food I would like to buy something that I could keep as edae for more than a few days."
"The need to consume so many meals continually everyday is a construct of societal pressure, john you don't need to have three meals a day every day. So don't buy so much food, my experiments are important to my work that might change the course of science - much more important I'd say than some half price fake meat you lie to yourself about liking." Sherlock retorted face as stern and demanding as ever as if the last twenty minutes didn't happen
"You are Impossible." Is all john managed to say as he pushed Sherlock slightly, letting go of his shirt and turning away quickly walking into the hall. "I'm going to take... A shower"
He announced as a way to show people he has a good logical reason for leaving the room and why he would be away for... A bit longer than usual bathroom breaks. Stupid mycroft.
Sherlock eyed his brother then tried to avoid him at all costs, apparently the dust on the window was much more important and interesting than anything ever, suddenly.
"Would you mind putting the kettle on?" Mycroft said turning to Mrs Hudson
She stared at him with a sour expression "I will, but not because you asked I was going to put it on anyway." She scowled at mycroft after he rolled his eyes and she left, once gone mycroft closed the door and took another step into the room, still staring at his brother.
"You say one thing Mycroft and I promise you I'll kill you where you stand" Sherlock warned not turning away from the dusty window.
Mycroft smiled, after a few minutes he shatter the silence Sherlock had taken as a comforting shield from his brother. "Congratulations"
A paper weight was lobbed at him, he caught it no bother. Sherlock furrowed his eyes at his brother, who seemed far too smug as he walked over to the sofa, sitting down she packing the paper weight on the coffee table that had somehow been shifted from it's normal position.
"Sorry if I...interrupted anything"
"I hate you with a fierce bubbling passion brother." Sherlock stated as he made his way to his chair and pooped down like a child who had just had all their halloween candy taken away from them so that it lasted longer.
"Yes. Quite." He replied, he couldn't help the smile that lifted his eyes. He wouldn't push his luck however, he knew it was a sensitive matter and the fact Sherlock tried to cover his tracks when he had entered the room shows that he not watson where readay to talk to anyone about whatever they had brought to life not that long ago. Mycroft respected the notion and changed the subject to the reason he had came all this way in the first place.
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