#they are the kind of characters that the milgram prison is looking for

[arc-archernar]

this idea wormed itself into my brain last night so i gotta doodle this

here have a doodle of sunny and basil in milgram :)

Extra: eyepatch buddies!

sunny and fuuta would be a hilarious combo ngl

[good-beanswrites]

Could I request "cooking is an art form" with mahiru and presumbly orekoto? I read your Night drabble of those 2 and now the idea of a potential friendship has been stuck in my mind for days, that was probably the sweetest interpretation of him I've seen! Mahiru can't cook in the current state she's in though so I guess orekoto could act as her hands...?

Ah thank you so much!! I was so worried about doing Orekoto justice, that's so exciting you enjoyed 😭 We still don't have a ton of characterization for him, so bear with me, but I absolutely loved writing this. Thank you so much for the request -- with food playing such an important role in Mahiru's story/symbolism, and the pair's unique relationship, this made me so crazy to think about !!!

The knife twirled through Mikoto’s hands. He brought it down with a grunt. Emotion pulsed through his veins. He went back for another swipe, much harder than necessary. He wiped spatter from his face.

“You’re making a mess.” Mahiru observed from behind. 

He glanced back to find her scowling at the tomato he was taking out his frustration on. “Who gives a shit? We’re not on cleanup duty.” 

He wasn’t supposed to be on cooking duty, either. It was Mahiru’s night according to their usual rotation, but she was in no shape to do any physical activity. Mikoto must have volunteered, and also gotten into some fight about it, because now there he stood: angry at an unknown source, full of adrenaline, and worst of all, in charge of tonight’s curry.

“I suppose…” Mahiru said. “I think that’s Muu tonight, I’ll apologize to her later.”

It was unsettling, how she remained positively cheery as she walked him through each step of the recipe, despite her current condition and his bad attitude. Not that he’d ever turn his anger on her. Mikoto approved of her, and that was enough for him. She’d been going through so much at the hands of their common enemy, he wouldn’t say a single thing against her. Even as she tested his temper with her cooking instructions.

“No, no!” With her good hand, she tugged on the side of his uniform. “You have to turn the carrot as you cut it. Like -- yes, like that!”

Mikoto rolled his eyes as he did what he was told. “It’s all going to get cooked together anyways, it’s not a big deal.”

“It is! You have to take your time with things like this.” She placed her hand over her heart. “It’s about the process, not just the final product. Cooking is an art form!”

“It’s about the final product to me. I’m fucking starving.” 

She was briefly distracted with the next set of instructions, telling him how to combine everything over how much heat. When she returned to the topic, her lighthearted voice was laced with a bit of desperation. “I mean it, there’s something magical about pouring your heart into something for someone else. Putting in your time. A little finesse here and there.”

“I know what it’s like to do something for someone else -- and there is absolutely no finesse involved. Or potatoes.” He gestured to the cut pieces before dumping everything into the pot over the stove.

“One of the most universal love languages is food, you know? People make meals and treats for their loved ones in every culture, in every time.” 

“They do a lot of other things, too.”

“You went to art school, you understand. This is an expression of yourself!”

“It’s a waste of time.”

“It’s the surest way to help someone!”

“That’s a load of bullshit.”

There was a pause. Then a nervous laugh. Then, “yeah.” As she dropped into more uncharacteristic silence, he stole a glance at her. 

Tears poured from her eyes. 

“Mahiru?” Fuck, he didn’t mean to make her cry.

“It is.” she hiccuped. “I thought… I thought it could save him. I made this big meal… I thought… But I was so stupid…”

She buried her face in her hands, offering weak apologies for the sudden outburst. He threw the lid over the pot before stepping back to her.

“Hey, hey. Come on. Don’t cry.” It was a command rather than a comfort. 

She didn’t listen. She just continued sobbing and blubbering on. “It was all stupid, worthless… I should have known…”

He crouched by the wheelchair. There didn’t even seem to be anything wrong, they’d just been talking about food. Why was she such a mess? He gave an impatient sigh. No reaction. What was Mikoto’s nickname for her again? “Listen, Mappi --”

She snapped her head up to look at him. 

Her teary eyes flicked all over his face, making him scowl. “What?”

“Oh.” Her shoulders relaxed, though her breath still hitched. “Sorry. You said… and well… I thought you’d gone away. I want you to stay.” She took his hand. “You.”

His eyes narrowed. “Why?”

“Because you understand me.” 

He did not. Like, at all. But he kept his mouth shut.

Thankfully, she was too talkative not to explain herself. “You love someone very much. That love turned out to be dangerous -- deadly. And you weren’t forgiven for it.” She pressed her lips together, suppressing the wave of emotion that almost overcame her. “And now we’re both getting what we deserve for it.”

“Like hell we are.” He felt the spark of rage again. “Neither of us deserve any of this shit, okay?”

“But --”

“No.” He glared at her. That familiar fire rose up inside him. “I’m tired of all your speeches and optimistic crap. You’re always falling over yourself for others. You’re pathetic. This place is hell, so you need to get your shit together and act like it. You might be willing to forgive the others, you might be able to treat them with that stupid sweetness all the time, but no one’s going to do the same for you. Stop letting them fuck with you.”

She gaped at him. He realized he’d leaned in very close. He prepared himself for more tears, or maybe some cowering away from him. Good. Mikoto didn’t need people like her who would convince him this verdict was deserved. He didn’t need any of these people. It was fine to push them all away.

Mahiru surprised him by leaning over. Her head rested on his chest. “It’s hard. It’s so hard, Mikoto. But… I’ll try.”

His attention was quickly ripped away by a hissing behind him. He yanked himself away from her to run to the curry, which was bubbling and burning and spilling out of the pan all over the stovetop. 

With an outpouring of profanities and clattering of dishes, he cleaned the sad remains of dinner off the burner. When he looked back at Mahiru, she had dabbed at her eyes and composed herself slightly. 

“It’s okay,” she said, “I’ll pick something easier you can make instead.”

“Nah, I’ll make more curry. Tell me how much of everything again.” 

“A-alright.” 

His agitation slowly faded as she began her gentle instructions again. Though he had just tore her apart for it, he was grateful for her patience with everyone around her. He probably could have left, then, seeing how calm the kitchen became. But he wasn’t risking ruining the meal a second time with an unexpected switch. 

And maybe Mahiru’s words still played through his mind.

The food was back on the stove in no time. He stood diligently next to it. They’d lapsed into a content silence. He still didn’t know what had set her off earlier, but wasn’t about to ask questions.

Mahiru had regained her usual bright smile. “Hey, when I get better, I’ll cook something for you, okay? I think you don’t appreciate cooking because no one’s made something special for you before. I want to do that.”

He sneered. “Heh, sure. And I’ll let you in on my preferred art form.” His words were layered with sarcasm. By now, she could guess that included destroying things by putting all of one’s might behind a powerful swing. 

But she giggled, completely unfazed. “Well, friendship is about give and take, right? I’d love to try.”

[a-star-that-burns-brightly]

Honestly, I think that if Kotoko doesn't have any kind of tragic backstory or deep-ridden trauma and did have a relatively normal upbringing like she says she does, it will probably heighten my enjoyment of her character and her narrative even more. I've said it before and I'll say it again, my favorite thing about Kotoko's narrative and role in the story and why she is my favorite prisoner is the fact that she is the perfect encapsulation of what I think Milgram is trying to teach. It is unfair to put her, or any of these prisoners into boxes of good and bad because both are cruel oversimplifications that only serve to dehumanize them regardless of if the audience's intentions are good or bad. By dehumanizing them and partaking in the fucked up justice system that is Milgram, you are emotionally distancing yourself from them. When you emotionally distance yourself from these people, you become more ignorant to the possibility that you could do the very thing that they're doing. That Haruka, Yuno, Fuuta, Muu, Shidou, Mahiru, Kazui, Amane, Mikoto, and especially Kotoko could all be you and you won't know it before it is too late. That is why even within this system that pushes black-and-white nuance-less thinking, the narrative itself encourages you to look beyond the surface depiction of these prisoners that we are presented with. Because in the words of one Will Wood - "If you were in my shoes, you'd see I wear the same size as you" But what does any of that have to do with Kotoko and her backstory? Well, @/archivalofsins / Gunsli made a very good post that explains exactly what I'm going to talk about in more depth, but I'll give it a rundown nonetheless. It would be very easy for someone to look at a person who has gone through tragedy or trauma who has done bad things, and say in response: "See, I can't become like that because she is abnormal. I could never do that, that would never happen to me.". Now I would hope that you don't need me to tell you that this way of thinking is a white lie cake rich with ableist frosting, but that is a discussion dug into by Gunsli's post. And I do believe, if Kotoko is revealed to have a tragic traumatic backstory, this will happen to her. Because it happened to Amane. And that is why Kotoko having a 'normal life' would be so important to me and, in my opinion, heighten her already amazing narrative and writing. Her role in the story is to be a audience parallel, she is an embodiment of the system and mindset Milgram as a story criticizes and her actions are a direct consequence of our involvement in it. Milgram is already not subtle about this fact, but Kotoko's ordinary upbringing is the thing that fully hammers the nail in the wood. Anyone can become like Kotoko Yuzuriha, trauma or not. Her beliefs, her bigotry, her fascism, her violence, and her fantasy to be the chivalrous hero who protects the weak are not things that are alien or only things that form within an "abnormal" brain. In fact, they are very normal things that a lot of normal people across the globe perpetuate wholeheartedly whether they realize it or not. Kotoko isn't some one-of-a-kind individual She is literally just a girl

[iris-drawing-stuff]

Whenever I get a new, interest I look at my favorite characters and go "Put their ass in prison," so here's Dmitry in Milgram.

Also, just for funsies, let's judge him. Imagine that Comfort Zone is his first trial song.

Some thoughts about this AU under the cut.

"Focus, channel and then discard

Now, sympathy has no place in a righteous heart"

The facility used Dmitry for experiments, and it's implied that part of that was killing other mutants. They would be his murder/s

Voting-wise, I think this could lead to an Amane-like situation where people vote him guilty to try to teach him that he was in the wrong. I'd like to think it would backfire just as badly.

I think the environment of Milgram would remind Dmitry of the facility. Milgram is basically one big weird experiment. The only upside for him would be the fact that Anya is there (IDK what her murder would be, but I am not seperating them).

Full body

Also, here's the other 2 ideas for his victim that I came up with:

1. Yura

"Keep barking all you want, cutting to the bone

You are like a cornered dog, cut the microphone"

In Convergence, he really wanted to kill Yura, and the only thing stopping him was his threat to make things worse for Olya. What if he was just a bit more impulsive and straight up killed him? I like this idea the least because we can't make Yura another prisoner if he's dead.

2. Katya

"Hey don't you realize...

That this life's not fit for the likes of you and I"

Okay... this is my most out there choice. Basically, when Katya gets captured and brought back to the facility, they kill her instead of whatever they do in canon, and Milgram considers it Dmitry's fault because he abandoned her after they escaped. It's kind of similar to that theory that Kotoko's victim is Lucky because she abandoned her at the end of Deep Cover.

[linabirb]

how to write characters, voice dramas and mvs for your ocgram! (kind of? sort of? i'm not an expert?)

do you want to make an ocgram? do you have no idea where to start? maybe you don't know how to come up with characters for your ocgram? voice dramas are way too hard to write? how the hell are you even supposed to write mvs??

well hello there! i hope this guide can help you with doing just that!

as someone who has an ocgram (@linagram hi) and is currently trying to get everything prepared for season 3, i also was struggling. a lot. i'm kinda getting better at organizing everything now, but still, all the work you need or supposed to do for ocgram can be overwhelming, especially if you don't really have much prepared at the moment and you're just getting started.

before we proceed, if you're able to make art, edits or any other visuals for your ocgram, i recommend checking out this guide by @tsuwmya, it has a lot of useful info, references and resources. if you can't do any of that, that's fine too! you having fun with creating is more important and if you don't have the ability to create visuals, that's perfectly understandable. this guide is more about the writing part anyway, haha.

let's get started!

(warning for some spoilers for the milgram novels (at least the first one) just in case!)

this guide will be separated into parts so that it's easier to understand and you can find the part that you think is the most difficult one for you.

worldbuilding.

before we start working on characters and voice dramas, let's say you're just starting out. you want to make an ocgram, but you don't even know where to begin!

now, this is probably going to sound a little scary, but what i recommend doing before writing characters, vds and mvs is some worldbuilding. no, no, i'm not telling you to figure out everything about your ocgram lore (but if you want to, feel free to do so! i actually think it's gonna help you a lot in the future), but try to answer these questions first.

"when does your ocgram take place?"

it can be as specific as a certain date or it can be as vague as "some time before/after canongram". canongram lore doesn't really give us much info to work with so you can go wild. but figuring out even something as simple as whether your ocgram takes place before canongram or after can actually help you a lot!

"is your ocgram closer to canongram or novelgram?"

the music project and the novels' settings have their differences and both settings have their strengths. you don't have to write mvs for the novels-like ocgram, though you will still have to write the memory scenes. also, for a novel-like ocgram your characters are expected to be named after some sort of adjective that could describe their personality or be a reference to their crime/backstory (example: "nervous", "gentle", "two-side"), but their names are still supposed to be revealed closer to the end. meanwhile canongram uses the voice dramas, timeline convos and mvs (and apparently earbuds voicelines) to tell you more about the characters. figuring out the "format" of your ocgram like that can help you a lot too.

now, you have figured out these details. great! if you're feeling like writing more about how your ocgram works, let's think about these parts more.

is your ocgram just like the milgram project you've chosen as a "base"? maybe it even has the same jackalope? is the guard still named "es"? maybe there's more than one guard and more or less than ten (or five in case of novelgram, if i remember correctly) prisoners? does the prison still look exactly the same? maybe something has changed over the months or years? all of this depends on your own preferences and what you decide to do with the story. you can make your ocgram as different from canongram or as similar as you like.

again, we don't know much about canongram at the moment, so don't be afraid of coming up with the whole backstory for the prison.

when you feel like your world is ready, it's time to fill it with characters!

characters.

oh boy, the fun begins. i'm not your mom, so you can do anything you want with your ocs, but if you don't have any character concepts in mind and you don't know what to do, here are some tips!

(we're going with the canongram formula here, but you can adjust it as needed)

as you probably already know, the canongram prisoner pairs have some sort of theme. both haruka and yuno's crimes have something to do with children. both fuuta and muu's crimes have something to do with bullying. you see what i mean. figuring out themes for your prisoners could be a nice start if you don't really have any characters in mind. pick themes that sound interesting to you and that you would like to explore more.

let's go with the theme of "luck" for example. how can two (or one, or three, or any number, really) prisoners share the same theme? how can you show that? maybe one of them is really lucky and the other one is extremely unlucky?

okay, but here's the fun part. how can you apply this theme to murder? maybe one of them was able to successfully get away with murder, meanwhile the other one accidentally killed someone because of their bad luck? and this way you can come up with really cool characters even if you didn't have any ideas in mind before that!

okay, so the milgram's whole thing is that all characters are morally gray in some way. and the character's moral "grayness" is a spectrum. for example, it can go from "eh, they shouldn't be here, honestly" white to "okay this one is kinda fucked up" gray to "JAIL. NOW. OH WAIT YOU ALREADY ARE THERE" black. but again, even the sweetest and kindest characters should have their questionable moments and even the scariest and most dangerous ones should have moments that make you feel sorry for them.

let's take some canongram prisoners as an example. we have haruka. an adorable squishy blorbo, everyone's skrunkly, the guy who everybody kins. don't you feel sorry for him? don't you want to give him a hug? oh, he kills animals, by the way. he also killed a young girl. just so you know.

now, we have muu. a spoiled teenage girl who always get the things she wants and is proud of it. a girl who literally said she's okay with haruka killing himself for her. literally has a song called "it's not my fault". cries every time a minor inconvenience happens and whenever someone suggests something to her, she just goes "i don't wanna..". her father is a landlord. except she also got bullied by her own friends, doesn't understand how real friendships and human connections work, still brings haruka food and checks up on him when nobody else does and it's heavily implied she actually does feel guilty for killing rei. yeah.

my own personal formula goes like this: i come up with a character. i write some things about them and then i take a look at their crime and personality and if i feel like they're a bit too sympathetic, i add a little bit of spice so that it isn't so easy to forgive them.

let's take my oc aimi for example!

she's such a cutie, isn't she? she's also a victim of bullying too.. oh, also she has the biggest number of victims out of all my prisoners. she also seems to be very obsessed with the concept of friendship and if you refuse to be her friend, she will not take it well. she will most likely try to kill all other prisoners in season 3 or at least hurt them in some way because she doesn't see them as friends anymore. she's been voted innocent twice. she has way too much power in her hands at the moment.

okay! now, let's take my oc kei!

a pretty guy! seems like the flirty type. oh, by the way, he takes photos of people being tortured and that's how he makes money (not counting his job as. well. a normal photographer). "oh, well, maybe he didn't have a choice-" he did. he literally does it because he wants to. he likes it. he enjoys it more than his boss. he likes seeing people in pain and believes that hurting someone means showing you love them. he physically and emotionally abused his own little brother for years and the poor guy still can't walk and move properly because of it. he has five victims.

but for some reason, he also has these huge scars on his back. he also was shown crying in his second mv. he was shown as someone helpless and someone who ended up in a very dangerous situation because of his victims. so.. is he the real victim here? or is he just trying to look more pitiful?

i think you're already starting to understand what i mean. of course, you have all the freedom to do anything you want with your characters. make them as dangerous or as cute as you like. but if you want them to have this "milgram vibe", i suggest you try to find "balance" between their traits that make them look forgivable and the ones that make them look unforgivable!

we can't forget about the guards though! does your guard have all their memories intact? do they remember their name, their past, etc? maybe they're just like the canon es and they don't remember anything at all? do they have their own jackalope or maybe they do their job without a fluffy little bunny around? what is their role here? are they more of a "self-insert"/"audience surrogate" or are they their own character with a backstory and everything? maybe they're an active type who has very deep relationship dynamics with the prisoners and talks to them a lot even when they're not interrogating them? or maybe they're just a creacher? maybe they just do their job and don't really talk to them? they're just standing there.. menacingly.. all of this is up to you to decide!

of course, the relationship dynamics between the characters are very important! first of all, look at your overall cast, when you're done with them. what kind of relationship do you imagine them having? maybe you see them as a found family? maybe all of them are friends? maybe all of them are kissing passionately in the moonlight? maybe all of them hate each other? maybe they even don't care about each other at all! again, it's all your choice and it depends on what kind of characters you're working with.

if you're stuck and you're not sure where to begin, i think a good start would be taking a look at your prisoner pairs and try to figure out the dynamic between the prisoners from each pair. what are their parallels like? how similar are they? how different? do they like each other because of their similarities/differences or they hate each other because of them?

okay, so when you're done with characters, a much scarier part appears.

plot.

so, what do you write first? is it the voice dramas? maybe mvs?

i think it really depends on a person and what you personally find most comfortable, but from my own experience i actually would advise you to work on the vds and mvs first before writing and posting a character's profile.

you see, it's possible that while you're in the process of writing the voice drama, you will notice that the character's personality is much different from what you had written in their profile and originally had in mind for them. of course, it doesn't mean that it will definitely happen to you, but this happened to a lot of my ocs, haha.

so that this doesn't happen but you also have an idea of how your character is supposed to act, try writing down or simply making a mental note about your oc's main personality traits. maybe they're the most extroverted one? maybe they get tired easily? maybe they flirt with everyone they meet? keep those traits in mind, but also give yourself the freedom to explore their character and make them more deep in the process. maybe while you write the most extroverted prisoner's voice drama, you will realize that they actually don't like other prisoners that much or while you write the sleepy prisoner's voice drama, you will get an idea about them not wanting to face their reality and use sleeping as a method of escapism.

if it helps, i personally work on my ocgram in this order: voice dramas > music videos > character profiles, but of course, you can adjust it to your preference.

i think it should be obvious that you should work on the characters' crimes and backstories before you actually start writing the voice dramas and posting stuff about them. sure, you can make it up as you go, if you're confident enough, but i strongly recommend you have a plan or at least a concept of what your character's crime is supposed to be. it will make everything much easier for you!

about backstories: you don't have to, i don't know, come up with names for every single member of your character's family, but i recommend thinking about your oc's backstory outside of their crime. what was their childhood like? what about their teenage years? do they have any friends? what's their relationship with their family like? all these details can help you understand your character's motives, personality, crime and other stuff. also it's simply fun!

so, let's start with the voice dramas.

voice dramas.

(i've also answered a vd-related question here!)

voice dramas can be very hard to write, so let's think about what makes them hard for you first.

maybe you just don't have any ideas? maybe you don't know what the characters are supposed to talk about?

what personally helps me when i start writing the voice dramas is asking myself this question:

"why are these guys even here?"

probably sounds weird, but if you think about it, it actually makes everything a little easier to understand.

why is the guard here? most likely to interrogate the prisoner.

why is the prisoner here? most likely to answer the guard's questions.

okay, we're getting somewhere.

now, how would your guard interrogate the prisoner? of course, it really depends on your guard's personality. maybe they would try to make the prisoner feel more comfortable? or would they rather threaten them and scare them?

now, let's add the prisoner's personality to this equation. what is your prisoner like? how would they react to the guard's questions? what do they think about the guard? are they scared of them? maybe they want to be friends with them? what do they think about milgram in general?

let's put these personalities in one room now and give them a moment. how will they interact? what will they think about each other?

if you're not sure what your guard is supposed to ask about, you can always use the canon voice dramas for reference, but my personal method is simply thinking about what my guard is most concerned about or interested in. and yes, this goes for the guards who don't care about anything too!

maybe your guard wants to make sure the prisoners are doing okay? in this case, they'd probably want to ask about how they're feeling first. or maybe your guard is more focused on the prisoner's crime. then they'd probably start asking about that right away.

okay, your guard has asked a question! how will the prisoner answer?

depending on your prisoner's crime, personality and backstory, they may be okay with revealing some things, but would never want to talk about something else. maybe they're okay with talking about their murder method, their victim and all, but they will never tell you what their motive is. if you're only getting started with the first season, try to reveal something they're okay with first! then you can talk about the other things in later seasons.

what helps me a lot is separating my prisoners' crimes into parts and sort of.. figuring out which parts should be revealed very early and which ones should be saved for later.

for example, maybe we can reveal the prisoner's murder weapon and method in the first season, their victim's identity in the second one and their motive in the third one.

what also helps me with writing the voice dramas is simply "visualizing" everything and imagining how it would go in a visual novel, anime, actual voice drama, etc. also remember that since it's a voice drama, you're kinda supposed to tell everything through sounds and, well, voices! so for example, if you want to tell the reader that the prisoner is nervous, maybe you can make the guard say "you look nervous" or simply make the prisoner say "i'm kinda nervous".

music videos.

mvs are something everyone does a bit differently. maybe you can actually draw/animate your prisoners' mvs. maybe you can write song lyrics for them. maybe you can simply write their mvs' descriptions. it all depends on your skills and what you're working with. so here i will simply talk about how to come up with an idea for a music video.

firstly, what are you supposed to reveal in your prisoner's mv? is it their murder method? is it their victim's identity? maybe something else? keep that in mind so that it's easier for you to drop hints to that thing.

now, what can we do for the visual part? is there anything you associate with the prisoner? a certain theme, aesthetic, etc? even simple objects can help, think about how many canongram prisoners have an object as their "theme": yuno has balloons, muu has an hourglass, kazui has an apple, etc. now, try to think how you can reveal something about the prisoner through this theme. for example, in yuno's case, balloons are a reference to her pregnancy. milgram loves symbolism, so take advantage of that, haha.

what also helps me a lot is simply listening to music that i associate with that prisoner and kinda coming up with music videos in the process. watching actual music videos can also help when you're looking for inspiration.

also, don't forget that everyone's music videos literally come from their brains. what does your prisoner think about their crime? what do they remember about it? how do they feel about it? do they feel guilty? do they feel like they've done nothing wrong? do they wish to forget it? do they see it as their biggest achievement? it can also help with writing song lyrics, if you're doing that.

if you're writing a mv description and you're not drawing/animating a music video, i would advise you to try to describe as many things as possible, as long as it's important. yes, we all love noticing small details while rewatching the milgram mvs, we all love the tiny things that are important for understanding the character's crime, but sadly, if we can't see it, how else are we supposed to know about it? so yeah, if the color of the curtains is important in your story, you should describe it too.

anddddd i think that's all for now! this is mostly done for people who haven't gotten to the second/third seasons of their ocgrams yet, so stuff like the prisoners' reactions to their verdicts, their punishments, etc, is not here. but you can ask me about it (and if you have any other questions, you can also ask me)!

hopefully this helps someone <3

[archivalofsins]

It's nice to think of kindness- Wrong which Milgram character would kill you and why?

(Before we get into it, none of these are meant to be theories on what the prisoners did or why. These are just incredibly general statements on why they may possibly kill you with some references to canon. I don't want someone taking this thing I wrote for fun too seriously.)

Haruka: You take up all the attention even though you swear you don't. Then complain to him or near him about how unfair all this is and overbearing it feels to be fawned over all the time. He thinks it's bad to hate you, but you're pressing all the wrong buttons.

Yuno: You keep fawning over her. Well, not her actually, just whatever you decide to project onto her. It's at a point that she's certain you've made a completely different version of her up to love and she the person doesn't matter. She's kind of fine with it. You're clearly having fun, and who is she to be a kill joy. But you keep bothering her based on conclusions you jumped to and she's running out of patience.

Futa: You pretend like you care a lot about doing the right thing online. You know all the buzz words and playing the caring saint is second nature to you. Your reputation is spotless and from experience he knows that means you've probably got the worst shit in your closet. That you might be a hypocrite who puts on this nice rule abiding front just to excuse harassing others under the guise of anonymity. He's not entirely sure but he's dealt with enough bad actors to kind of see a pattern. It's none of his business though unless you point that sort of attention at him or someone he cares about. Which luckily you haven't, right?

Mu: You were just such bullied kid material. I mean look at you- Being the nail that stuck up and her the hammer that hit you back down. It could be for a lot of reasons. You're bad at reading the mood or you're good at it but just don't care to play along and indulge her. You're uppity and think things should work in some purely righteous or good way. You just can't let the people around you have fun. Why are you being so mean and judgmental, huh? It's not like Mu did anything wrong? Honestly, I think you kinda deserve this one- She's been nothing but nice and accepting of you and your whims but suddenly you wanted a high horse to ride when it came to hers. It's like you only care about something being wrong when it's convenient for you. It's either wrong when everyone does it or no one. Fair is fair, after all.

Shidou: I'm sorry you needed medical care and came to this private organ harvesting farm disguised as a hospital. It sucks that you came here for an out of your control health emergency, but he just can't help himself. Maybe this time, what he's trying to do will work out. You won't be alive to know, though. Take some solace in knowing he probably won't even remember your name after the paperwork is filed. This truly was a random act and nothing personal. Well, unless... No, it's best not to say. At least then you can pass on without the knowledge that your life was weighed like cattle for a state fair. Maybe your inferior existence can save another's superior one. Then your life will have really meant something even after all that. You just need to hurry up and die already so he can check.

Mahiru: You know I should feel bad for you, but how did you even start this? No, seriously? How did you manage to get Mahiru's attention. Even you don't know, it's not like you're particularly interesting. Honestly, you wouldn't even say you did anything that nice, just the bare minimum. Well, whatever you did, I guess you better keep it up. Who knows what will happen when she loses interest- Huh, where'd you go? Hmm... weird. They're probably fine.

Kazui: No. Man, you really have a bad habit of saying that word to the wrong sort of person, huh? That's unfortunate. It gets more and more difficult to let a person down easy these days. But damn didn't think you'd get killed over it. Well... Now you know how women at bars feel.

Mikoto: Is it really self-defense if all a person is defending is their reputation. I mean all it takes is a few ridiculous accusations to ruin a person's entire life these days. So, maybe- just maybe you should have shut the fuck up. Don't worry you won't be able to talk for much longer. His problem and you will disappear at the exact same time.

Kotoko: Why are you evil? Less than human in every way? Oh, I'm not asking that seriously. These are just the things you'd be wondering when she hunts you down until you have nowhere else to run. Everyone makes mistakes from time to time, but you didn't think any of yours would make you deserving of something like this. But a crime is a crime. Evil is evil. This is just what happens when the same punishment is used across the board. You just never thought that board would include you.

[misrepresentedmorallygrey]

PROPAGANDA

John

This fella is Fascinating. just trust me on this he deserves to be here

He tried so hard to do the right thing, he feels bad and says things would be better if he was never born. He thinks he should've just stayed acting like a monster and continued to act threatening.

(LONG PROPAGANDA INCOMING)

John. Milgram. Here's a short description of the fortunes and misfortunes of the guy. It gets worse before it gets better (probably).

While MILGRAM is a prison that judges a bunch of sympathetic killers, it doesn't consider him to be one – it didn't even exactly know he existed until too little too late, when it got its grabby hands on the brain of prisoner 009, who claimed to not know anything about any murder he'd have committed. Then, footage from his brain was extracted, as MILGRAM does, into a music video, and… that was MeMe. Ninth prisoner, Kayano Mikoto, was revealed to have DID, and what obviously who do you think actually Killed Someone?

Enter John. Well. Mikoto is half deeply unaware half subconsciously scared of his existence, so the MV painted him in a rather. Deeply disturbing way, bathing in bloody baths and all that (not a blood bath though! easy mistake). Adding to that him showing up in the first Voice Drama for five seconds to punch the "protagonist" and yell for a bit, and the result wasn't. Assuring. The fandom proceeded to treat him like a cardboard cutout and variously dunk on MILGRAM for having a cliché "evil" character w/ DID despite the overall well handling of complex characters.

Two years time skip: second season ending. We get to prisoner 009 again. The protagonist Finally gets to chat with John: and voila, he's admitting to the crime, he's apparently "killed a bunch of people because they annoyed him", which means, as he's saying, Mikoto has nothing to do with the crime at all! And he, as per the judging system, should be forgiven, right! Well, he's so full of shit. The music video immediately reveals how protective he feels of Mikoto (and well, he definitely doesn't rebuke That one), that the events of murder were somehow tied in to Mikoto's job at a black company, his continuous overworking and him being mentally on the brink of breaking; that any committed violence was For The Sake of Mikoto and that John feels deeply horrible for messing up his life in any way. By making himself into the image of a "monster" he's trying to make Mikoto look good in comparison and be forgiven and all. He also mentioned if Mikoto is voted innocent he's gonna try to go dormant since he's The Issue, right, and the audience/protagonist hates him, Right, and Mikoto Also Hates him, Right?

I'm underselling the sheer devotion of this guy tbh.

Yeah, the fandom results were kinda mixed on that one. Lots of people immediately started to love him dearly and kinda forgot any people were maimed or killed with baseball bats; lots also got sold on him "messing up Mikoto's life" and actually voted Mikoto innocent Specifically because of John's promise to eventually "disappear". There's more of the babygirlifying kind in the English side of the fandom that I've seen, to be fair. And that's around where we are!

Dazai Osamu

He did bad things in the Mafia. He's trying to get better. He abused people but he also saved other people. Fans portraying him as an unforgivable abuser are WRONG. He perpetuated an abused cycle on Akutagawa thinking he was right to do that, because of trauma, before he could leave. But he left. He's still treating Akutagawa wrong because he's trying to be a better person but doesn't realize that it will not erase what he did and that he can't just ignore the past. Fans portraying him as a pure angel who didn't know what he was doing because he was sad are WRONG TOO. He abused Akutagawa. He was traumatized but it doesn't give him the right to traumatize innocent people. He's trying to be a better person but he can't keep ignoring Akutagawa. He needs to apologize. And even that won't erase what he did. Dazai is a complex character in a complex situation. He left the abuse cycle and tries to be a good person but did unforgivable things while he was still in this cycle and refuses to aknowledge them. He's not a monster but he's not innocent either.

Dazai used to be a mafia executive until his best friend (a former assassin who remained in the mafia but refused to kill) died. As the friend was dying he told him "I know you don't care about whether you're a good or bad person, so if it doesn't matter to you, be on the side that saves people." Despite that, I've seen countless people insisting that Dazai is a good person/trying his best to be a good person when he really only changed sides by joining a detective agency, while still continuing to do the same things he did while in the mafia (including but not limited to: harassing his coworkers for fun, manipulating people, killing people instead of just trying to incapacitate them, and even torturing an innocent man in one of the side stories). That being said, he's not evil either. Even when he does cruel things, it's not for the sake of being cruel (even when he harasses his coworkers he still has limits), it's just a means to an end. I think most of the confusion comes from a scene where he's talking to a young girl, another former mafia member, who asks if he thinks people can change and he assures her they can, but what the anime left out was that he was thinking about his former assassin friend during that discussion, not himself. The entire series is themed around gray morality, to the point where it's even reflected in the main protagonist and antagonist's designs (mainly white with a bit of black, and mainly black with a bit of white), so I feel like insisting that he's a good person now completely misses the point of the story.

[purgemarchlockdown]

Read this tl of the news and literally everything about the MV screams “Kotoko what the fuck did you do” to me.

Why is the same girl in two separate warehouses?

Why does Kotoko not pay any attention at all her to her both when she’s reading the article and when the girl is Clearly waiting for her?

(She looks around in this shot, she's Actively looking to see if Kotoko is coming along this path)

Why does the girl look Angry at her in the first shot?

It makes Sense for Kotoko turn into the werewolf (Jacques) if she set that girl up. It makes Sense for Kotoko to feel so conflicted about it because Kotoko is a person who really does want to do "good" it makes...way too much sense with how the girl is Dressed as well

All of this is already a lot but...Kotoko does actively manipulate a child in Milgram canon...she does it to Es.

Yonah

K: You think long-term restrainment is not violence too? E: It's not. K: So you tolerate all of the psychological abuse going on in this prison, but draw the line at the physical one? What double standards you have! E: You're speaking nonsense! I'm the one who sets the rules for this prison. It's all of my choice.

If she really cared about this she would of Said it earlier in the conversation when they were first talking about the punishments, and Kotoko also never brings this up again once Es relents to her.

The context of this scene is Es actively criticizing her actions, and Kotoko is Deflecting that by criticizing Es instead.

Are there things to criticize? Yes, Definitely. But, again, Kotoko is Using this, not to get Es to STOP doing psychological abuse, but to let HER continue her physical abuse.

She also Repeatedly wears Es down in this VD, calling them weak, questioning their abilities as a warden, even calling them useless.

This is what you say when your trying to Wear Down Someone, you make them unsure of themselves, you make them trust their own abilities less and it makes them more willing to trust You more.

Questions about Es success as a warden aside, that isn't really the point of this, and it all culminates in the hug.

E: Kotoko... K: Come here. E: No... I d-don- K: It's gonna be alright. E: L-let me go, Kotoko... K: I know it well. It's so hard to hold the responsibility of a guard all alone. I've also felt this way. You are such a kind person. You can't stand the prison changing with the power of your choices. So you need someone to be with. Leave all of the dirty work to me. E: I'm... a kind person?.. K: Does your head hurt anymore? Don't worry. Leave it to me, and together we'll be able to create the right MILGRAM. E: I see... that MILGRAM...

Kotoko is calling Es a kind person, giving them validation, making them feel loved and cared for...right after repeatedly calling them weak and useless, and then asks to "Leave it to her."

Come on, rely on me, go on

This is actively exploiting Es vulnerability and emotional instability (instability she partially caused) to get Es to Agree with her. This is unfortunately consistent behavior, it makes me like her more as a Character, but also dear god Kotoko what the fuck did you do.

[snailstriad]

Connections Between Novel and Current Milgram

Alright, it's theory time. While it's not confirmed yet, after Kotoko's music video, I am certainly sure that the two novels and our current Milgram are connected. Because their motives fit so well? Maybe some of you know about our "snails theory," right? If not or if you've forgotten about it, please take a look at it too! [in our twitter under the same name] (I must say that some parts of the theory (e.g the voices part) are wrong, but it is a theory after all.) To summarize, we think Haruka, Muu, Shidou, Amane, and Mikoto's beliefs and mindsets come from the first novel, and Yuno, Fuuta, Mahiru, Kazui, and Kotoko's mindsets and their thoughts resemble the second novel. First of all, please do not forget that we are not connecting crimes. Maybe you can see similarities but I, too, believe crimes and storyline different(not completely because of Touchi) from our current trials. This theory is only about mindsets. Well, let's start with 1st novel characters.

Our first prisoner, Gentle. He is a very emotional man to me. And killing a man, who is about to kill a woman. Of course this is pure coincidence but the thought of killing one life to save the others is bugging me. Because of this, I feel like there is a parallel between Gentle and Shidou.

Nervous. Her anxiety of being useless and a failure is similar to Muu actually. Another point that these two have in common is wanting to be appreciated. This desire for acknowledgment adds a psychological layer, suggesting how much external validation influences their thoughts and actions.

Considering that Close and Gentle are siblings, you might think I've lost my mind for what I'm about to say next, but yes, I believe Close and Amane have similar thought patterns. Let's look at the events this way: Close is someone who would do anything and everything to get the person she loves. However, after all the events, she no longer fears suffering. In fact, she wanted to experience pain and didn't seek help. This reminds me a lot of Amane. Maybe in the future, I'll prepare a separate theory for Amane, but I always felt that in that famous electric shock scene, Amane was afraid of pain, so it seemed like she was trying to comply with the rules. However, after her father's death, and of course, when she came to Milgram, she tried not to fear pain and even attempted to surpass the help she received.

The next prisoner, in my opinion, is probably the easiest to connect among all the characters: Two-Face. Initially, I had wondered besides the name, what similarities there could be with Mikoto, but then I realized I had overlooked the most important thing. Both of them were unaware of the consequences of their actions. As you know, Mikoto was completely oblivious to everything. On the other hand, Two-Face genuinely didn't know that what he was attempting could lead to an actual murder.

Our last character from the first novel is Torch. Firstly, when we saw less of Torch's story and mindset compared to the second novel, I couldn't liken him to anyone. However, later, with the release of the second novel, I understood that the reason Torch's (or Touchi's) life was saved was Milgram. Through Milgram, he found the love he had been seeking for a long time, thanks to Sumi. When I look at this child who has no one in his life, I see Haruka. Both are individuals without anyone and in need of love. Additionally, Milgram, who saved Touchi, also saved the first trial Haruka. The lack of self-confidence he had when he first arrived was overcome thanks to Milgram.

Our first prisoner in the second novel: Tatsumi. I might exceed my thread limit before finishing listing the commonalities with Fuuta. First, let's talk about how both perceive their crimes as a symbol of justice. For those who haven't read it, I'll give a brief overview of the common theme in the second novel: all the characters' crimes are based on a kind of murder trend called "justifiable righteous murder." When Touchi asks him what justice means, Tatsumi responds, "Justice is a social media hashtag." Most likely, you've already understood where I'm going with this: both share similar thoughts about the concept of justice. Another shared aspect is that both constantly question the concept of justice they possess.

Rina and Mei, since they share the same trial, I'll continue without separating them. In my previous theory, I talked about how Yuno and Mahiru are opposites of each other, yet still closely connected. The same holds true for Rina and Mei; they are almost opposites, but their attitudes towards all these events are still the same. It's similar to Yuno and Mahiru; Yuno has a very cold personality while Mahiru is the opposite. However, when it comes to Milgram and its rules, both pairs' thoughts align remarkably.

Alright, this was the person I found the most challenging to connect among all the prisoners: Tomonari. Because, honestly, when I first looked at him, nothing came to mind except the word "psychopath." However, if you look at Tomonari's actions, despite all the darkness within, he never tried to kill anyone until the very end, somewhat keeping his "true personality" hidden. You might get upset with me, I know, but I associate him with Kazui. As I mentioned, this theory is not about the crimes they committed. Kazui, too, chose to lie and conceal his true self until the very end of his life. In my view, they are similar because of these choices they made.

Finally, the last prisoner, Mako. First, I can't go without mentioning that, in Kotoko's MV, I saw Kotoko closely following the "Justifiable Righteous Murder" trend created by Mako (even looking at the news of Tatsumi's murder). Both of the characters are individuals willing to kill for the goals they have set in their minds. Additionally, both characters closely follow the workings of Milgram and manipulate it in line with their own interests.

[arc-archernar]

this idea wormed itself into my brain last night so i gotta doodle this

here have a doodle of sunny and basil in milgram :)

Extra: eyepatch buddies!

sunny and fuuta would be a hilarious combo ngl

[doctorbunny]

(Part 2) MILGRAM x AVOIT bluetooth earphones collab: Haruka and Yuno voice lines

[Brief context: On 28th December 2023 a crossover was announced for bluetooth earphones featuring original voicelines from MILGRAM characters. Website]

PRISON.001 [I think they meant prisoner but they wrote 'Prison' so....] Haruka Sakurai Vertical text = 人を不幸にすることだけは得意なんです = I've only ever been good at bringing misfortune to others [From his third intro voice line]

Voice Guidance: 電源を入れます...＝Power switched on... 電源を切りますね…＝Power's turned off... あ、接続成功したんですね…＝ah- the connection was successful... 接続解除します…＝Connection ended... ペアリング？中らしいです…＝Pair-ing? Seems to be in progress... ペアリング、成功しました＝The pairing, was successful ペアリング失敗....ごめんなさい…＝Pairing failed.... I'm sorry.... あ、バッテリーありません…＝Ah- there's no battery left... ノイズキャンセリング、オン＝Noise cancelling, On アンビエントマイク、オン＝ Ambient Mic, On ノーマルモード＝Normal Mode

Random Voice: ばかでごめんなさい＝I'm sorry for being an idiot 看守さん、いや、なんでもないです＝Guard-san, -wait no, its nothing な、何、聴いてるですか＝W-what, are you listening to? [as in music] ア、アマネちゃん....ごめんなさい…＝A-Amane-chan... I'm sorry.... ムウさんは、お母さんなんです＝Muu-san is, definitely my mother ミ、ミコトさんは、いい人ですよ＝Mi-Mikoto-san is, a good person y'know ….どうしました？僕、なにか変ですか？= ....Is something wrong? Is there something strange about, me? ミルグラム、とても楽しいです。＝ MILGRAM, is really fun.

PRISON.002 Yuno Kashiki Vertical text = そうだ、千円で膝枕してあげるよ = I know! I’ll give you a lap pillow for 1000 yen! [from her third introductory voice line]

Voice Guidance: 電源を入れるよ＝Powering on 電源を切るよ～＝Powering off~ やったね、リンク成功＝Yippee! Linked successfully リンク外したよ＝Link removed 繋げてるからちょっと待ってね＝Connecting, so wait a sec ちゃーんと繋がったよ＝Fu~lly Connected おっとと、繋がらなかったみたい＝Suddenly, its like it disconnected ほら、そろそろ充電しょ？＝Hey! Lets charge it soon, ok? ノイズキャンセリングをオンにするよ？＝[Shall I] Turn on noise cancelling? アンビエントマイク、オン＝ Ambient Mic, On ノーマルモードだよ＝It's Normal Mode

Random Voice: 看守さん、ちゃんと私のこと暖かくしてよね？＝Guard-san, warm me up properly ok? 看守さん、おーい。返事してみて～＝Guard-san, heeey. Please try responding~ いいね、今の曲。あたしも好きかも＝Nice, the song on just now. I think I also like it. ん？ハルカ。なに、ニヤニヤしてんの？＝hm? Haruka. what, what's with the smiling? マヒルさんって、なんかほっとけないんだよねぇ＝Mahiru-san can't just be left on her own, right? ムウお嬢様は今日も楽しそうで羨ましいね＝Looks like Little Miss Muu's having fun today too, I'm jealous [Yuno's use of ojousama is her implying that Muu's never suffered any kind of hardship, lol get rekt muu] ....何？看守さんちょっとしつこくない？＝...What? Guard-san, aren't you being a bit too persistant? あたしが欲しい人、ここまでおいで＝If you want me, come marco, I'll polo/Person I want, come here [lyric from Teardrop]

This is PART TWO of 6 Jackalope and Es, Haruka and Yuno [You are here], Fuuta and Muu, Shidou and Mahiru, Kazui and Amane, Mikoto and Kotoko

[blueepink07]

This scene in Umbilical is very interesting to me...

The people who are next to Yuno have facial expressions.

In Milgram the characters with a well defined face are usually important for the prisoners or for the story.

Good examples are Haruka's mother, whose face appears in the second MV, while his victim still doesn't have a face. Fuuta's supposedly friends at the arcade, Rei -> important storywise, being the victim + a possible affection Muu had for her (implied), Shidou's family (the patients don't have faces), Mahiru's boyfriend, Hanako - Kazui's wife and victim, Kotoko - the man who she steps on his stomach (victim).

So why Yuno, in the only sequence where there are people shown, actually remembers their facial expressions?

Well, I think this scene is more a representation of the society.

If we look closely, we notice a young woman, a middle-age man, a student like Yuno, a younger boy, probably in primary school, an older man.

Basically, people from all ages.

Despite that Yuno tells Es that she doesn't want to change her ways, she had to become a people pleaser. After all, why would she need to put up different facades for every client or person she is with? Why so much effort, that she is even matching clothes to fit the vibe with who she is with? Of course, she made all this with a purpose in mind, to find warmth! In Milgram, she stopped putting up a facade, because this place doesn't represent a place of interest for her anymore.

Ultimately, despite having a purpose in mind, she became, along the way, a people pleaser.

As I stated in my older analysis, Yuno is not fond of society. Because of people who like to humiliate and talk behind their peers who act different or have other perceptions, Yuno has to hide her work and her true self. For a long time, I have been thinking why Yuno makes so much effort, if she, in reality, doesn't care that much about herself...

"Yuno: Haha, we both lie, don't we? The difference is the reason for lying. Kazui-san, you lie to protect yourself, because you're important to yourself. For me, no one is particularly important. That includes myself as well."

Well, in Japan, reputation is very important! If Yuno, will show her true name and self, she might be putting her family in danger, along the way. And she will never want that, because she cares a lot about her family!

"What do you think about your family?"

If Yuno, because of a mistake, would tell her true identity, her family reputation might be at stake. Something that she will never want to happen.

That's why Yuno cares about what these people think and deems them important. She needs to be sure that her facade of a simple high schooler is perfect! To not act out of ordinary, follow the flow, be the same as everyone, so the society will accept her!

Moreover, it's important to state that these people are coloured in a lighter shade of lavender, they are not colourful as other Milgram side characters who don't have faces.

Lavender can express a feeling of dullness, it's lethargic. It could represent Yuno's views about society, how she feels like everyone is the same: judging others for their own self-esteem and pride.

This colour is also a colder one, showing Yuno's loneliness and the lack of warmth she receives from other people. This actually reminds me of a certain dialogue!

"Yuno: That’s right. You know those people who just wanna convince themselves, so they intrude in other people’s affairs even though it’s not their place—I despise them. That’s what I was saying. They only do that to make themselves feel better, don’t they? Those people don’t actually end up doing anything.

Es: Yuno…

Yuno: No matter how many chilling memories I had to go through, those people never gave me any warmth. [sigh] Hehe, I ended up going off-topic there! Um, what did I wanna say again?"

~"chilling memories" ~

The lyrics that are accompaning these visuals are stating that Yuno is feeling some kind of discomfort (her pregnancy). She can't smile anymore, more genuinely.

"I feel a little weird I’m still not used to feeling this way

I can’t get you out of my head, it’s a secret, ok?

Why are you here? You annoy me a little

I can’t smile well anymore, it’s because of you"

Her smile here looks a bit forced. Her eyes don't share the same happiness as her mouth, showing that her expression is not genuine.

Despite Yuno appearing calm about her pregnancy, she was actually a bit afraid and needed help! However, all she could see was a sea of purple, people, all the same, who would have just shamed her for her decisions and wouldn't help...

Bonus

In Teardrop, the only human we see, other than Yuno, is one of her clients. Well, see, it's an exaggeration, since he is represented by his hand which has colour. Yuno remembers him as his hand who gave her warmth, at some point in time. A cute rabbit, a sweet drink and a nice memory!

[reachingto88constellations]

Drops MILGRAM Au

001: Kamishiro Rui (WXS)

002: Momoi Airi (MMJ)

003: Shinonome Akito (VBS)

004: Shinonome Ena (N25)

005: Aoyagi Touya (VBS)

006: Hinomori Shizuku (MMJ)

007: Akiyama Mizuki (N25)

008: Otori Emu (WXS)

009: Tenma Tsukasa (WXS)

010: Hinomori Shiho (L/N)

Warden: Hoshino Ichika (L/N)

Jackalope: Hatsune Miku (VS)

I planned out Tsukasa first, because he’s my favorite…

009: Tenma Tsukasa

Obviously my favorite character is gonna have the most ideas.

there are so many things i could do with his character, like,, i could give him DID like Mikoto, or he could be similar to his character in PJSK

“(cheerful) ..My name is Tenma Tsukasa! (saddened) Formerly, a Future star.. I’m 18, a third year at Kamiyama High School.”

This would be his introduction, or something like that.

He would, like Mikoto, have DID.. and he would, like Mikoto, not quite understand why he was there. He wouldn’t be violent for awhile, and he’d try to be kind. The friendships he’d make would 003, 001, 005, and 008. After trial 2, it depends if he gets guilty or innocent.

Guilty → changes to violent, closeted(?), untalkative. Still talks to 003, 001, 005, and 008, but never to others. Usually, him talking leads to fights.

Innocent → cheerful, happy, talkative, sympathetic. Attempts to befriend those voted guilty, and attempts to comfort them. Gets violent when the attacker of the guilty is near to them.

And then I wrote a script!

action: ichika walks in. clattering of boots, it catches Tsukasa’s attention.]

Ichika: “Prisoner Nine, state your name and age.”

Tsukasa: “Tenma Tsukasa! 18 years old, third year at Kamiyama High School.”

Ichika: “I am prison warden Hoshino Ichika.”

[Action: extend arm, hand out to shake hands.]

[Action: Tsukasa shakes Ichika hand. Energetic, but not too energetic.]

Tsukasa: “Pleasure to meet you, Warden-kun.”

Ichika: “I believe we’ve met before, Tenma-san.”

Tsukasa: “..eh? What do you mean, “we’ve met?””

Ichika: “Don’t you remember Saki-chan’s childhood friends?”

[action: Tsukasa stands there for a second, seemingly thinking.]

[action: Tsukasa has a surprised face.]

Tsukasa: “ahh, Ichika-chan! I’m sorry, I didn’t recognize you. You look different, per say..”

Ichika: “Well, i’m glad you haven’t forgotten me. But don't get formal, Tenma-san.”

Tsukasa: “of course. I’ll stick to Warden-kun, then..”

Ichika: “it doesn’t matter.”

Tsukasa: “okay.. You can call me whatever you’d like.”

Ichika: “of course. Now, we shall began the interrogation. We’ve wasted too much time.”

Tsukasa: “yes, of course.”

Ichika: “silence.”

[action: Tsukasa darts his eyes to the side and nods.]

Ichika: “Sekaigram exists for one purpose; Everyone in here are murderers, and it’s our, Sekaigram’s, duty to come to the judgement if your sin is forgiven.”

Ichika: “Tenma-san, do you remember anything that happened before or during the event of the murder you committed?”

Tsukasa: “..no. This feels like a mistake, i shouldn’t be in prison. You know that, right, Ichika-chan? I haven’t committed any sort of murde—”

Ichika: “Silence! I will not be biased, and you are to call me the Warden. Understood?”

Tsukasa: “yes, ma’am.. “

Ichika: “Tenma-san, what have you been doing as of late? Perhaps, do you have a job? Something you do for fun?”

[action: Tsukasa opens his mouth to speak. He hesitates.]

Tsukasa: “I work at.. Phoenix Wonderland.”

[action: Ichika confused at hesitation.]

Ichika: “do you work with anyone? Perhaps someone I might know?”

Tsukasa: “…Kamishiro-kun and Emu-chan.”

Ichika: “Ehh? Prisoner one and prisoner eight?”

Ichika: “But… did anything ever happen between you guys? It seems like your bonds aren’t very… strong.”

Tsukasa: “Emu-chan was acting weird, and then she got arrested for some reason. I don’t remember why, but she had been a little.. off. As for Kamishiro-kun…”

[action: Tsukasa has a fearful, maybe worried(?) expression.]

Ichika: “Tenma-san? Is something wrong?”

Tsukasa: “....Kamishiro-kun is my best friend. He trusts me. I trust him.”

Ichika: “what are you hiding from me?”

Tsukasa: “Nothing, warden-kun.”

[action: Tsukasa smiles. He is sitting with his hands in his lap.]

[action: ichika seems aggravated, or rather, upset.]

Ichika: “Tenma-san! Speak now! Is Kamishiro-san threatening you?!”

Tsukasa: “ehh? No.. nothing of the sort. Warden-kun, are you okay?”

Ichika: “Shut up! I’m fine, i’m asking you whats wrong! Answer me, Tenma-san! What is it that Kamishiro-kun did?!”

[action: Ichika’s boot clatter on the floor as she walks closer to Tsukasa. Her hands are in fists.]

Tsukasa: “He didn’t do anything. Kamishiro-kun is innocent.”

[action: Ichika looks dumbfounded. She has a blank expression.]

[action: ichika laughs slightly and quietly.]

Ichika: “hhaha… hahahaha… AHAHAHAHA! Tenma-san, do you coin me as a FOOL?!”

[action: ichika kicks down a chair, turning around with her hand in fists.]

Ichika: “I’ll give you one chance. What did Kamishiro-kun do?”

Tsukasa: “...I saw him.”

Ichika: “eh?”

Tsukasa: “I saw him, watched him, commit his murder.”

Ichika: “...!!”

Tsukasa: “It was on accident. He didn’t mean to. It’s not his fault, it’s not.”

Ichika: “..that’s for me to decide!!”

Tsukasa: “I request you give him the verdict of innocent, please.”

Ichika: “ghh.. And what about you?! Do you want a guilty verdict?! You, Tenma-san, are a murderer! As well as Kamishiro-kun, Otori-kun, Hinomori-san, and everyone else!”

Tsukasa: “i’m not a murderer! Warden-kun, i’ve told you so many times!”

Ichika: “ you are a murderer! There is no doubt about it, do you understand?!”

Tsukasa: “no.. no… im not.. I’m not.. I’m not, i’m not, i’m not, i’m not… I’M NOT! I’M NOT A MURDERER! I’M INNOCENT! SHUT UP!”

Ichika: “.....!!!”

Tsukasa: “dang it.. So aggravating… aahaaha.. Stop it… shut up..”

Tsukasa: “you think you’re so great because you’re the prison warden?!”

Tsukasa: “you think you can boss people around!?”

Tsukasa: “hahaha… stupid.. Stupid.. Stupid..”

[action: Tsukasa kicks Ichika, she falls.]

Ichika: “--gah..!!”

Ichika: “..what? But– you– thats.. Impossible..”

Tsukasa: “hahaa.. Impossible, you say? ahahaa… impossible… impossible…”

[action: Tsukasa punches ichika.]

Tsukasa: “You’re sooo high and mighty, you can’t get hurt! Ahahaaahahaa… that’s what you thought, isn’t it?”

[action: Tsukasa punches ichika again, and again, and again. Ichika is wincing in pain, eyes slightly teary.]

[action: Shiho hits Tsukasa in the back of the head after swinging her bat.]

[action: Tsukasa gasps and falls, passing out.]

Ichika: “--!! Ggh..”

Shiho: “..ichika, can you get up?”

[action: Shiho reaches her hand out. Ichika uses it to stand up, using Shiho as support.]

Shiho: “It seems like Tenma-san can loose his temper very easily.”

Shiho: “but it seems like you can too, Ichika.”

[action: Ichika looks to the side and frowns.]

Shiho: “we’ll talk later. For now, get Tsukasa-kun to wake up. I assume he won’t remember anything.”

Ichika: “..mhm.”

[action: Ichika nods. Body language indicates tiredness.]

[1moremilgram-enjoyer]

I've been looking at all the MVs and decided to compile every explicit reference to the Milgram prison I could find in them, see if there's any pattern. Don't really know how meaningful it is but I find it interesting. Also, keep in mind it's very possible I'll miss some stuff, and I'll only point out visual references, not lyrics. (And also not the credits in all the videos, they all say Milgram obviously)

Undercover - Just the entire video, I don't think I need to add any examples. I'm not really going to take it into account for this, but it has all the references you could think of.

Weakness - Milgram logo on a perfume (?) bottle, at the beginning. Funnily enough, this is the only instance I could find of the logo itself beyond Undercover and the Es cameo in Backdraft. EDIT: Wrong, it’s also in Bring it On.

Umbilical - Song name + cover song (Sticky Bug) thumbnail in the background. The song name shows up in other scenes as well, but I won't put anything redundant here.

Bring it On - Song name, Milgram name drop, prisoner number. EDIT: And the logo on the upper left corner of the phone.

After Pain - N/A

Throw Down - N/A

Ai Nan Desu Yo - Song + Milgram name drop on the magazine pages (in the image Milgram is name dropped to the right of Mahiru's picture)

half - N/A

Magic - "Produced by Milgram" in the credits (in Hiragana). This is the only time Milgram is written in Japanese.

MeMe - "Milgram [...] card" is written in Milgram runes in the tarot cards. I don't know what the middle word is, but it's not tarot. This is the only time apart from Undercover where 'Milgram' is written in runes.

Harrow - N/A

AKAA - N/A

Tear Drop - Song name drop + cover (Vampire) thumbnail in the background. Also Umbilical name drop because of the 'umbilical' skirt, making it the only video to visually reference the previous song title. Yuno is the only character to have a reference to her cover songs in the main MVs, and she has it in both.

Backdraft - Prisoner + Es cameos, the latter implying the Milgram logo and runes also show up. The QR code in all the spray paint cans leads to the Judge website. There's also Milgram runes in the spray paint cans translating to "Pressure."

(Also noticing now the only prisoner whose entire prisoner tag can be seen in the graffiti, and therefore their prisoner number, is Amane. 0308 nation we stay winning)

It's Not my Fault - N/A

Triage - QR codes that I assume lead to the Judge website, but I can't easily check because there's no clear shot of them. Also Milgram runes in the graves.

I Love You - N/A

Cat - Milgram + song name drop + prisoner number in several spots.

The Purge March - N/A, sort of, since at one point March Leader Amane's shadow is framed to sorta look like Es, but nothing else.

If you want me to come to any conclusions, I'd say anything branded "Milgram" shows a degree of separation with reality, implying Milgram is more involved in bringing it to light than more direct memories. Fuuta's videogame, Mahiru's magazine, Magic and Cat as a whole, Mikoto's highly abstract and symbolic tarot cards. This is what separates, for example, Bring it On's title screen from Tear Drop's; Yuno's perception of reality is a bit more grounded than Fuuta's was in the first Trial. Meanwhile, the name "Milgram" doesn't show up in Backdraft (apart from possibly in Amane's tag), because Fuuta is a bit more realistic there, for example representing Killcheroy more like childishly than in Bring it On.

As for the other stuff, it's quite interesting Yuno is the only one to reference her covers, which can be interpreted in a few different ways. She's shown to be quite intelligent when it comes to some of the more supernatural elements of Milgram (see: "Am I really alive?"), so maybe that's hinting at some sort of higher awareness? Kind of? Sort of? Who knows.

Backdraft is the only video to show the other prisoners (more explicitly than Triage's "extract that fang" line), as well as Es. This fits Fuuta being highly concerned with others' perceptions of him, making him quite prone to peer pressure.

Muu is the only prisoner to have no reference to Milgram in either of her MVs so far, though Kotoko might join her when Deep Cover releases. Take that as you will, I don't know enough about Muu to come to a definitive conclusion.

Don't really know what to do about the QR codes. I guess Fuuta and Shidou both have asked for specific verdicts, but they're not the only ones, so.

Also don't know what else to do with most of this, this was more to put the observation out there. Take care!

[fuutakaijyama]

HAAIIII ITS 🪼ANON REPORTING FOR DUTY!!! ⸜(｡˃ ᵕ ˂ )⸝♡ could i request all MILGRAM characters (possibly including es, but if not or if its too many its a okay!) x a reader who is a fashion designer who makes lolita-ish clothes? likee reader designs clothes and asks the chars to model them. Lolita clothes r so pretty i love them so much ajkfaj

YESSS OMG SO SO SORRY THIS TOOK SO LONG OHMIGOSH I WAS SOSOSOSSOSOSOOOOO BURNT OUT I NEEDED A LITTLE BREAK!!!!!!!!

A LOLITA LAYOVER?! ft MILGRAM ( ♡ )

synopsis: You’ve been making clothing for each of the prisoners for what feels like years; now they have a request for something you could make them.

warning: none!

alo’s notes: I LOVE THIS IDEAAAAAA I LOVE LOLITAS AND JFASHION IN GEN THIS IS SO CUTEE

ES

“ES! C’mere I need you to try something for me!” You’d yell from your cell as you heard ES groan, begrudgingly you watched the 15 year old stomp their way to your cell like a child.

“What?!” ES complained as you held out a pastel colored suit for them, along with a larger cape you had made previously.

“Try these on for me, I put a lot of hard work into making them so you should be appreciative of it!” You remarked proudly as ES took the garments from you going back into their room to change.

Es came out hunched over as you smiled, taking off their hat and ruffling their hair. “Essie!~ Oh your so cute like this!” Es scoffed, rolling their eyes as they swatted your hand from their hair;

“How many times have I told you not to call me that?”

001 SAKURAI HARUKA

It’d been a few months since you’d given Haruka a piece to wear, you’d been thinking about something to make him when you remembered an idea you had months ago.

“Haruka! C’mere I wanna see something!” You called for the blue haired boy, holding something in the small of your hands; he came into your cell with a small ‘huh’ sounding noise as you placed a blueberry pie themed hat onto his head.

Look! It’s a hat I made! You want it?” You asked gingerly as Haruka pulled the hat from his head flipping it around in his hands.

“Mhm.. can I keep it..? Please..?” He’d look at you with expecting eyes, his brow noticeably tugging upwards as he did his best to hold eye contact.

“Yeah of course! I made it just for you!” You’d grin as you watched his face light up, a wobbly smile on his face as he hugged you. “You're the best [Name]!”

002 YUNO KASHIKI

“‘Nother dress for me [Name]?~” Yuno chuckled as you came into her cell with another dress for her to check out. You’d made fairly simple dresses for Yuno as she seemed like the kind of girl to like simple dresses but this time you wanted to be a bit more extravagant.

“Yep! I think you’ll like this one too!~” You smiled, handing Yuno the crinoline lined dress, it had an iconic cupcake shape and special hand threaded lacing on the front, it complemented her hair color.

She gave you a cheeky grin running away to go try it on; coming out shortly after with her uniform in hand and a large smile on her face as she spun around.

“I might just steal this from you [Name]~”

003 FUUTA KAJIYAMA

Fuuta didn't understand the purpose of you bringing him outfits but as time passed he’d ask you to bring him one every few weeks or months, this time around he had come with a request.

A drawing made with Amane’s fresh pack of crayons that he had drawn up on the floor of his cell, showing it to Mahiru before approaching you with it.

It was one of a large bunny sweater, blues and whites with hints of red everywhere.

His face would flush as you listened to his idea of the outfit, happily you obliged, picking out anything that you had to get the job done.

You handed over the bunny sweater watching him pull the large garment over his head as he smiled admiring the feeling of the soft fabric as he felt it through his fingers.

The rough-edged boy seemed dull at that moment, holding your new creation with as much care and delicacy as possible, muttering words of thanks and gratitude as much as he could.

“Thank you.. [Name].. it's fucking amazing..”

004 KUSUNOKI MUU

Muu was never one to ask you for much, she’d never really talk to you either, Muu had been simple and timid when it came to your ability to make clothing for her she wanted to make your life a little bit easier.

She explained the concept of a yellow chiffon-like dress which she had thought about before not knowing how to make or get one.

Reluctantly you made it for her, adding long droopy sleeves and slimmed boning, finally, you handed it over to her the expression on her face reading of both shock and happiness.

“[Name]..! I didn't actually need you to make this! I.. dunno what to say..”

005 KIRISAKI SHIDOU

He’d seen your work with Mahiru and Fuuta, so much so that he wanted to get something from you as well.

You’d look over to the purple patterned fabric lord knows how many times as you stitched it to the inner side of the coat, sighing deeply as your fingers held the needle tightly.

You questioned your ability as you gripped the fabric, feeling your shoulder become warmer with a tight yet soft grip.

“The coat looks good.. I can't wait to see the finished product.”

006 SHIINA MAHIRU

Mahiru had always been fashionable, looking so dolled up even in her prison uniform. Now Mahiru cuddles up to you while you make her a new dress.

“This fabric is so much cuter than this one.. oh! But this one is so much softer!”

She doted over the fabrics you'd placed in front of her as she felt the difference between them.

“[Name]!~ Help me pick out one of these!~” She’d squeal as she hugged your shoulders playfully, nuzzling her face into the crook of your neck as she smiled at you.

008 MOMOSE AMANE

Throughout your time knowing Amane she had never once asked you for anything large, majority of the time the only thing she'd ask of you was just if you could patch up the uniform they supplied her.

Amane seemed to be working with her impulses today instead of usually working against them, coming up to you requesting a green and blue dress.

As to your surprise she wanted to watch you make her dress, not only that but she wanted to be actively involved in it as well, even going as far to ask for large changes throughout the process.

009 MIKOTO KAYANO

Mikoto was the first person to ask you if you'd be willing to make clothing for him, whether it’d be hats, sweaters, or socks he’d always have something for you.

Tonight was no different, Mikoto and you just sat there in your cell as you stitched together a pair of mittens by hand, he’d just watch over you, his hand over yours as he inspected your handy work.

Your legs thrown over each other as you leaned into his chest, your back pressed up against his body, his chin on your shoulder.

“[Name], can I try these on when you're done?"

[archivalofsins]

Considering the day, I'm going to talk about how I perceive Mikoto and Mikoto (John's) dynamic. Because I was looking for an excuse to.

With Mikoto (John) I imagine him to be the less forward of the two.

Given how he's been depicted in canon. Plus, how much more standoffish and guarded Mikoto got after the first verdict. Despite being less sociable, he wasn't really going around causing a fuss or issues for everyone. He just wasn't as sociable.

The cast complains about this change in demeanor mostly due to the fact that before then, Mikoto was noticeably way more sociable and easier to approach. Talking to various other prisoners and having cordial relationships with most of them except for Kotoko. However, that's due to Kotoko's demeanor not his.

After the verdict, when Mikoto (John) is stated to be the one out the most (during the intermission). He becomes more closed off, less talkative, and difficult for others to approach.

I and most people speculated that this is because he got violent or aggressive.

Yet the only person anyone states he attacks during the intermission is Kotoko. Even Kotoko states such in her voice drama, claiming he attacked her in the middle of her handing out punishments.

Basically just when she was attacking Mahiru.

So outside of that instance, Mikoto wasn't doing anything. He doesn't even have timelines alluding to him doing anything. He was kind of just not engaging with others as much as he usually would. Hence, Shidou saying since he became like that in his trial two written interrogation.

Mikoto implies he picked up smoking to socialize with others in this timeline,

20/06/20

Mikoto: ……oh, so you are here after all. Shidou-san, are you free? Let’s chat~

Shidou: ! Ah, just give me a moment…… Um…… I don’t mind talking, but you didn’t need to come over while I was smoking. Are you sure it isn’t too smoky for you? You’re not a smoker, right, Kayano-kun?

Mikoto: Ah, you don’t need to put it out! That’d be such a waste! I smoke too occasionally. Though just vape. Like, the smoking room is a really good spot for communication, right? So I thought now might be a good opportunity to talk with you. Not like I have anything else to do. By the way, I’ve been wondering for a while, but do you always wear those gloves?

Shidou: I don’t…… How to put it…… I suppose…… since I have my hands covered all the time, then when I take them off, it feels as though the feeling in my fingertips is even greater…… I know it’s probably all in my head…… but that’s how it feels.

However, the only time we see smoking in MeMe and Double is when Mikoto is off on his own. Plus, we've yet to see him vape at all in either of his videos despite him saying that's predominantly what he does. As well as the vape pen being shown in his after crime anniversary image. So more than likely, by "like that," Shidou meant standoffishly monopolizing the smoking area, bringing down the atmosphere with his change in attitude resulting in making smoking awkward for Shidou.

The prisoners in the timeline don't complain about Mikoto's loud outbursts at night either despite them being noted in his description and joked about through the minigrams. However, since it's noted in his character description as something all the characters know about since Milgram started Mikoto being loud or getting violent in his cell on his own or at all would not surprise them. It'd be something that would be common place by the end of trial two.

Know what wouldn't be, though?

Him being quiet and the first allusion to that is here,

21/10/06 (Mikoto’s Birthday)

Mikoto: ……ah, Futa? What’s up? Did you come to celebrate my birthday?

Futa: Hah!? Like I care about your birthday. ……what’s up with you, though, you’re usually a lot more excited. I thought you were the sort of idiot who’d make a big deal over your birthday.

Mikoto: Yeah, usually that’d be the case. ……I think I must be getting tired. It’s like I’m anxious over something, but I can’t really explain what it is…… Like, the feeling that I’ve been totally wrong about something. Haha, but it’s not like talking to you about it is gonna do anything.

Futa: Yeah, yeah, just like you say. Talking to me about it isn’t gonna help. ……but, it’s not like I don’t get what you’re saying. Or rather, I understand exactly what you mean. And if it’s the same thing as I’ve been feeling, then it will just get stronger as time goes on…… probably. But anyway, rather than talking to someone like me you should go and bother the others. Go and get showered with their stupid birthday wishes.

So I'd always imagined Mikoto (John) to be the less social of the two. There's also the implication when it comes to smiling here,

20/07/08

Yuno: Hey, Mikoto-san. Don’t you get tired being so conscious of others all the time? I mean, you’re free to do what you want, though.

Mikoto: Eh…… Aha, what are you talking about? I’m not being conscious or anything. It’s normal to make sure to get along with everyone, right? I mean, when you put it like that, aren’t you the same, Yun-chan? You’re always smiling and getting on with everyone, too.

Yuno: I don’t smile unless I actually want to. But with you, when you’re talking with other people it’s more like you only smile deliberately. So I kept thinking, don’t your cheeks get tired? Ah, is this just what happens when you become a working adult? ……you see people like that sometimes.

Mikoto: Haha, you don’t mince your words, do you. …….that was never my intention, but now that you mention it, yeah, I guess I do. This might’ve been since I started my job too…… But like, if I was rude to everyone I met, all my efforts would come to nothing, right?

This implies that Mikoto is smiling deliberately to make socializing with others easier. So when Mikoto (John) is out, he may smile less and have a more neutral expression that could lean towards being interpreted as disinterested, irritated, dazed, or tired.

The main type of expression work that's shown throughout Double.

This may also be why, in Double, we don't see the faces or other people. They're just represented as blank puppets. Since Mikoto (John) isn't one for socializing he may not pay that much attention to the features of those around them, and that visual choice could have been made to display that. This also ties into him saying he didn't know the person he killed as well. Because honestly, why would he at that point?

In MeMe, the person attacked has a good few more identifying traits than the ones attacked in Double. As we see one of the victims' hair color and clothing as he's getting attacked.

In contrast to everyone being represented as featureless puppets and most stating Mikoto has been difficult to approach and scary later. I want to specifically focus on Haruka stating he was a bit scared of Mikoto, and that's why he was avoiding him,

22/10/06 (Mikoto’s Birthday)

Haruka: Mikoto-san. Um, are you ok……?

Mikoto: Ah, Haru-kun. It’s been a while since we last talked, huh. Yeah, I’m fine. Are you doing ok……?

Haruka: Ah, I’m fine. I’ve been enjoying myself, a lot. Um, I’m sorry, for avoiding you. I was a bit scared. Of you, honestly……

Mikoto: Ahhh, yeah. I’ve been lashing out whenever I go to sleep, right? ……it’s fine. Even I think you’re right to be scared. You know, I kinda just hate that I don’t even know what’s going on myself…… haha. Ah, but despite all that you still came and talked to me because it’s my birthday, right? Thank you, you’ve grown into a good man.

I want to focus on that scared and avoiding you part since we know Haruka engaged with Kotoko the exact same way for the same reason. Because he found her standoffish and neutral expression scary and Mu did as well. It wouldn't be surprising if this was a case of the same mannerisms garnering the same response. Especially given how Haruka would have grown used to Mikoto valuing/viewing communication as important as well as him being more personable and helpful when it came to talking,

20/06/05

Haruka: Ah…… ah, u-um, Mikoto-san. The c-communication……? thing, that you were saying was important. I-I thought, I’d give it my best…… Um, so, Mikoto-san, what’s your favourite food……?

Mikoto: Ooh? Nice going, Haru-kun~ Yeah, we still have no idea how long this lifestyle will go on for, so it’s best if we all get along together here. My favourite food…… I like pasta and horse-meat sashimi. Also bubble tea, and recently I’ve been big on custard puddings. What about you?

Haruka: ……ah, I, I wonder…… H-hamburg steak, and omurice, a-and also…… what else? Ah. Cotton candy……

Mikoto: C-cotton candy!? That’s the first time I’ve met someone who has that in their top three favourites!? ……man, Haru-kun, you really are hilarious.

Just for him to suddenly change his entire demeanor when it comes to talking with others and have no interest in doing it all. Very similar to how Kotoko was trial one would be jarring and scary for Haruka. A person who doesn't like that sort of change and would feel on some level responsible and confused by it.

Hence, the apology for avoiding him.

So I think what most explained through the idea of Mikoto (John) being volatile or aggressive was literally him just not wanting to talk to anyone here. Similarly to how Amane's behavior changed from her verdict. She became more closed off and focused on her religious practices.

Outside of that, Mikoto is consistently shown to do most things related to communication and coordination. As well as being stated to view and discuss the importance of communication throughout the portal timeline. He also states he travels by bike to work, which takes a fair bit of balance and coordination, but we only see Mikoto (John) travel by train in Double.

We've yet to see this bike, either.

Plus, Mikoto is able to neatly tie his shoes while Mikoto (John) is shown to have difficulty with that even in the trial two character art. As well as being shown in Double wearing boots without laces.

Despite in MeMe Mikoto predominantly wearing shoes with laces,

I talk about those other things a lot, though.

Right now, I just wanted to talk about how I viewed Mikoto (John) when it came to socializing more based on the information we have from trial two.

So, that's it.