the Ninth Doctor is definitely aro and maybe ace! from the latest boxset Star Crossed! (from the first episode, Swipe Left) and River's reaction to it!
(recent reactions to this post made me reconsider and my desire to only put down the facts made me understand that they only officially say he is aro, and the aceness is mostly implied, but either way!!! aromantic doctor saves the day!!!)
for years i had this headcanon and its so cool that they are actually making it offical, also of course its John Dorney like come on hehe
here so its not word of mouth anymore! the ninth doctor is officaly aro and maybe ace! (though here his aroness saves the day hehe)
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(Some silly headcanons about Mortalitasi and Nevarran traditions that ended up leading me to Emmrich. How typical.)
We don't actually know all that much about Nevarra and their customs. World of Thedas and some of the in-game codex tells us some key points: strong royal families, a rich history of dragon hunting, an elite group of mages rumored to be heavily involved in makings of the country, and, of course, the thing that this country is most famous for - the fascination with the dead.
Our very own Nevarran companion mentions a couple of things about her home country:
And even though she doesn't seem fond of Mortalitasi practices or Nevarran customs surrounding the dead, she admits that some stories that pervade the South are greatly exaggerated:
(I feel so called out)
This makes me think that this interest in the dead is still a personal choice. I doubt that an average Nevarran is obsessed with those rituals any more than an average person from Ferelden is with theirs - those are just a part of their traditions that obviously affect their lives in unique ways, but that is all.
Now, Nevarran nobility are a different matter. They are said to start the construction of their tombs very early in life - lavishly decorated palaces with gardens, ballrooms and bathhouses. A sign of power and wealth for them, and that I can believe.
But when it comes to Mortalitasi, do they, in general, care as much? Do they take all these things, all these rituals, to extreme somehow, professional pride and all?
How much would a Mortalitasi care about their own tomb? Would Mortalitasi friends and colleagues ever promise to lead the other's ceremony depending on who dies first? "Oh, I'll totally mummify you if you're the one to go first, don't you worry, I know you think that Markus is getting sloppy".
The coffin sharing is also not unheard of (the spouses from The Flame Eternal), and I wonder if it's ever used as a grand gesture - to ask someone to be placed in the same tomb?
(And just imagine how messy this could get, the way people are. Building a tomb together only to have a falling out, what are you even supposed to do after that?)
Would it be romantic then, to tell your significant other that you don't want to ever part from them, even in death?
Beacause imagine Emmrich writing a quick letter to his friend from the Mourn Watch (Johanna, if they are still friends after all these years, or Myrna), "doing fine, on a saving the world business trip, will be back when I can; could I trouble you with a favor - a bigger coffin, installed in my tomb, not urgent, just whenever you have the time."
When the reply comes and his friend is (obviously) asking for a reason for such a sudden change, he just looks at Rook from the corner of his eye and replies with "no particular reason, just felt like it."
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(concept art of young taigen - source ; art credit: @abigaillarson)
i cannot get over this concept art of young taigen. god.
just look at this angry bratty boy, too many feelings that he doesnt know what to do with! an abused 9 year old kid in poverty always playing with sticks in the dirt, obsessed with greatness and dreaming to escape his decrepit village—and he does!
he does escape. he runs away. this angry little boy, all claws and teeth and biting words uttered with a lisp, going on the run into a world he's never seen before until he makes his way to kyoto. and knowing him he probably forced his way in to be accepted by the dojo, growling and kicking even as he's thrown out, back into the streets, too stubborn to take no for an answer and never knowing when to give up.
taigen calls mizu a dog, weak, an orphan, a scrawny street urchin. but i can't help but think that he feels so bold to use those words because he had them spat at him too.
because taigen had the idea of "this is how the world is" beat into him from birth. he learned quickly that if you couldn't beat the world you could join it. but that meant losing your way, your values, your principles. and isn't that what true honour is? not just titles and status and glory?
we don't get to see what taigen, as a child surrounded by peers encouraging and goading him on, would've actually done if that meteor hadn't fallen right in front of them at that very moment. would he have really tried to throw that stone on mizu, killing her? we don't know.
but we do see what taigen (his true self, with no one around) does, when presented with the same opportunity. when mizu passes out in front of him, unconscious and near death, vulnerable, the path to restoring his honour lays itself out for him on a silver platter. and he wants to take it, wants to kill mizu, to claim what is his and return to kyoto and get back everything he'd worked tooth and nail for. he feels like it's what he should do. but he doesn't.
and later, again he is presented with the chance to betray mizu, likely offered by heiji shindo to get his rank reinstated within the shindo dojo. and again, taigen doesn't take it. he refuses. "stupidly loyal," fowler calls him later. loyal, like a dog.
because now, pulled away from the sneering looks and jeering words of people around him, telling him that this is what the world is, taigen had met ringo and mizu, two outcasts who refuse to follow a predetermined path to greatness. and so inside something blooms in him. something like hope. a chance to live in a world that doesn't kick you down every chance it gets, to live in a world where genuine kindness and and love and friendship and even weakness is possible, allowed to simply exist without fear.
because he'd been running away from the very idea of it the whole time. when he ran from kohama, he never looked back, never wanted to remember what it was like to be a child, afraid and hungry and angry and hurting, without the words to make sense of it, desperately wishing for something. something more. he doesn't know what. but he hears stories of great swordsmen and decides, yes, this must be it. this is what i want: glory, greatness. the twisted seed gets planted and thrives in this barren land.
and when he returns to kohama with mizu and ringo, he at last is forced to stop running. he must face the child within him again, and he tells that child to put down the stones in his hand, tells him to stop barking at anything that moves or looks at him wrong.
the child drops the stone, and taigen buys dumplings instead, gives them to mizu. the child within him, wide-eyed at the prospect of friendship, moves him to pick up a hammer and toss it to mizu. he's smiling inside even as he does it; giggling like a kid hiding a silly prank. as soon as mizu drops the hammer after him, he leaps at her, tackling her to the ground and they wrestle and laugh unbridled like two children playing while the adults aren't around to barge in and yell at them.
and then his gaze catches on mizu's lips, he stares into mizu's eyes, a sparkling blue, inviting like the open sea in good weather.
it's a man's desire that takes hold then, the child in him sinking away again, and he curses himself for it, because it ruins the moment.
everything goes to shit from there, and then it's back to being a man, back to putting on his grown-up's armour to play hero.
it fails. the shogun dies. fowler's beatings reopen all the wounds left by heiji shindo's torture. "honour is meaningless," mizu tells him. "nothing comes from being a samurai but death."
the words follow him, and he follows the words.
as everything burns down, he runs, leaving the fire behind him, and sees akemi, as well as the verdure of spring behind her, calling him. he does not hesitate then to hold his hand out to her, inviting her to come with him. "i don't want to be great," he says. "i just want to be happy."
what is happiness to him? perhaps he doesn't know it yet, or perhaps he does. but really, i believe happiness is what the child in him always wanted but never received. happiness is a home.
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Hii, I just discovered your fics and am reading my way through them. Love, love, love the ones I’ve read so far.😊 I was just wondering what your favourite Draco is you’ve written, and what your fave Draco is in fics written by others? ☺️
ACK thank you!! what a question!! i've considered this v carefully and it turns out i have………a lot of thoughts. i will keep them under a cut so nobody is accosted with a full 700 words of my Draco Opinions 😂 so my quick answer is:
my fave draco i've written: the taste of țuică
my fave draco ever: rookie moves by peu_a_peu
draco is an interesting one for me bc i don't really LIKE him? but i have sooo many feelings about him. really not sure i could summon the same fervour for harry, for example, who is my number one boy forever and always.
(i saw a thing once that said a pairing becomes ur otp when u relate to one of the characters and want to fuck the other one, and 🙈 i mean, i think you're supposed to relate to the gryffindor, aren't you. whoops.)
OKAY SO HERE'S THE UNHINGED DRACO MALFOY ESSAY BY FLUX W. EED.
listen. i love and respect people who are Refined Draco enjoyers. connoisseurs of redemption arcs. appreciators of majestic malfoy bone structure and ethereal grey eyes and soft windswept hair. fans of dracos who insult harry (with hidden affection) and who are a bit snobbish (in a rich, sexy way) but ultimately have realised the error of their teenage years and have become a better person. perhaps this draco has built a potions business and helps the aurors. perhaps he IS an auror. either way, he has a biting sense of humour, maybe, but he's a good guy.
unfortunately, the draco of my heart is a horrid mean little rat man.
i've never actually managed to write him the way i love him. i tried to aim for immoral bastardy in what's mine is yours but i got so caught up in trying to nail the feelsforbreakfast-style humour in the narrative that i ended up focusing much more on that and much less on writing genuine bastardhood.
i've written him as reserved and clever (in the four doors – this draco was written entirely for @jovialobservationanchor, who had a weak spot for closed-off academics with soft centres) and as a traumatised self-loathing mess (in two to lie and to some extent for lack of wanting and say no to this) and hopelessly sexually/emotionally horny for one harry james potter (in, um, most things) but i've never managed to capture the genuine cruel streak and flawed personality that is sooo so important to me.
WHICH IS WHY i picked țuică!draco for my favourite of the ones i've written. he's still a bit too emotionally intelligent to be Just Right, imo, but i think he's maybe the closest? he's unrepentantly rude to people. he's not attractive. and he has a streak of self-destructive fucked-upedness that is some form of wartime guilt, but certainly not a pretty one.
HOWEVER. rookie moves?? NAILED it. i adooored how genuinely fuckin MEAN he is, even tho he's an auror. i love love LOVED that he's kind of bad at his job in a way that's in complete opposition to how drarry!draco is often written these days:
The look on Malfoy’s face was not only troubling, Harry realized, but familiar. At once activated and dead behind the eyes, like an invasive species in an ecosystem that could not check it. It was the look of the meanest fucking teenager Harry had ever known, giving in to his urge to bully.
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What Malfoy wasn’t good with was people. Despite his repeated insistences that his upbringing had equipped him with impeccable manners and a facility with society intrigue, the truth was that he rubbed almost everyone the wrong way. He was, undeniably, annoying. Witnesses were put off by his snide, dismissive tone, and he didn’t know how to coax out information with curiosity, warmth, or strategic silence.
that's not to say unrepentant cunt draco is the only one for me!! i DO enjoy the classic redeemed drarry draco!! i love a quirky draco, à la wwpwcs or maya's drop dead gorgeous. gallaplacidia's draco is sooo painful for me to read (complimentary) that even though i adore her fics, i still haven't read them all bc i have to space them out, for my health. and i'm sure there are dozens more dracos that i'm forgetting how much i like – basically, as long as he isn't super suave, absolutely gorgeous and/or obviously tom felton, i'm on board.
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