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its-chelisey-stuff · 3 years

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I watched “Imitation” and it was surprising (... okay, I loved it!)

Full disclosure: If you haven’t the slightest interest in kpop, not even in the drama or juicy gossip that produces, this won’t be your thing. I know it’s not a drama for everyone. Stop reading. Just know that OTP (and most characters) had a happy ending but there was a bunch of drama to achieve it. Typical. And a death may or may not have been in the mix.

Well well well... I'm pleasantly surprised, that's the perfect three word review for this drama. It would seem that when those little projects that come out of nowhere and you have no expectations about, turn out to be even a little big good, they made the strongest impression. And this drama is up there in my top 3 of favorite dramas of the year, it has my heart.

Yes, it was about kpop idols and 90% of the cast was made of idols (even one from the very first kpop gen hahaha), yet the acting was decent (and from some, truly great), yes sometimes it got a bit cheesy and silly and yes, there was a ton of drama concerning fans, reporters, dating scandals and bad and greedy CEOs of entertainment agencies BUT it was also sweet, really romantic, funny, lively, full of music (I'm OBSESSED with the last OST which was sung by the whole cast, it makes me FEEL things) and dancing, it had lots friendship and found family AND at times, it was heartbreakingly tragic.

I think this drama tried to tell the audience two important lessons, worthy of mention: the first, work hard for your dreams, don't give up on them but also, you never know what opportunities might come your way that could end up changing your direction and perhaps make you chase something that you never thought you would, so persevere, breathe and hang in there just a bit more; the second, one that we all know if you have a little bit of sense and even if you are mildly informed about the k entertainment which is that idols are just people(most of them teens when they debut some not even 18) who want to and deserve to have a pretty f-ing normal life, so f-ing let them! the consequences of putting these youngsters over a pedestal are catastrophic and there are real life, heartbreaking, examples of this.

Main characters

Ryok: the Golden Boy of kpop, from the most popular boy group, also a an actor (a decent one? Idk they never said). Perfect in every single aspect, except when he is nice to girls who aren't his fans, then they will crucify him. SUPER clumsy whenever his crush is nearby and does something he finds cute, otherwise super cool and chill. Also great at pining for his crush. A romantic, which means he chose the worst career path. My favorite character.

Maha: A bright and optimistic girl with a strong might of perseverance in going after her dreams. Loves dancing. Very sweet and very tiny. Despite appearances, she's not a pushover or weak FL. And that's why I loved her.

Yujin: Second ML by the book. Became an idol because he was pursuing FL (who in turn was pursuing ML). The only reason why I never hated him is because he was a great friend, knew he wasn't doing anything healthy and decided to end his one sided love and opened his eyes. Two words: Character development *chef's kiss*

LaRiMa: A soloist. A Queen. At the start, it looked like she was the typical and mean second FL. But she wasn't, and I adored her for that. She had a heart of gold. She deserved the world, and she knew that so she made decisions accordingly (a Queen chases no one, least of all a man!) lol best character in the drama and my second favorite character (sorry Maha!)

Also starring: The members of SHAX (the leader, SF9′s Hwiyoung, the maknae from Ateez and the funny guy who spoke random english) the group of Golden Boy. Tea Party members (bffs with FL, Riah and HyunJi), Maha’s group. Sparkling members (the very angry and frustrated leader and two members of Ateez whose names I don’t know), second ML group. AND in the longest and most important cameo (ala Go Kyung Pyo in My roommate is a Gumiho) SF9′s Chani, a former member of SHAX, who disappeared into thin air one day.

The story

On paper it doesn't sound like anything groundbreaking (and tbh it really wasn't lol): a story about idols who willingly chose their career path, trained for years while underage, got treated like products by ugly men in suits and realized it kinda sucked, especially when you don't become a hit group and have to protect your personal life like it's a dirty secret that could damage your image and maybe end your career this is why I said it’s not a show for everyone. But this drama is what Dream High 2 (2012) wanted to be and never could in the aspect of actually making you feel something for these idols and the situations they were facing while loving the musical side of the show and making it all believable.

Even if it's not exactly about teens in high school sort of thing, it does give you the same hopeful and uplifting feeling of a coming of age story, especially because the characters are still youngsters trying to be happy and realize their dreams for the future.

You can just stop reading here if you want to go watch the drama with no spoilers. And if I haven’t convinced you despite not being appalled by kpop themed dramas, then I guess you should keep reading lol or trust in my taste and judgement when I say the story is worth it (but to be fair the first two eps are a bit slow).

The romance (super spoilery!)

At the core, this show was a love story. What started the plot is the fact that main couple reunite in the same work field as idols, and they actually met and befriended each other years ago; so being older and able to spent more time together brings them closer to finally accept and give into their feelings, but soon enough their relationship becomes a ticking bomb threatening their careers and then this big mystery of how and why SF9' Chani disappeared and abandoned the group becomes really important in the last third of the drama

Because once upon a time, Chani had a gf but she was still a trainee so once their love was exposed (the truth of who exposed him is devastating) and their respective companies threatened them, it all becomes too much too fast and with seemingly no other way out, the girl makes a terrible decision, that ends up changing the lives of most of the characters.

I’m sure this is from a bts but their chemistry was really good and sweet. Also, height difference to die for!!

Yet, there is a happy ending for main couple but it's only achieved after certain people learn from their mistakes and support Ryok and Maha, which makes it clear that no matter how in love and willing you are to face adversities for and with your loved one, you still need a support system (and maybe the right people in a position of power) because sometimes two against the world isn't as romantic as it sounds, but sad and lonely.

And the main reason why I loved this is because of the way the show drew a parallel between the two most important couples in the story and tells the audience “had it been even a year before, under different circumstances and less luck, had they had no friends and no people to support them, main couple would’ve ended in the same tragic way” and I think that is a haunting realization. That also makes you appreciate things.

*cries* they were adorable

The bad (spoilers!)

I do wish this drama would’ve elaborated on some bits that were really worth diving into, or that it would’ve shown how some things came intro fruition instead of just skipping it and showing rigth away the outcome of conversations that were never had or reunions never shown. It is clear to me that they wanted to make the drama longer and could have told a better story had it been a 16 ep show.

Basically yes, the main story, main romance and side couples' arcs got resolved but ugh a list of plot holes:

Why was LaRiMa so obsessed with Ryok for half the drama? The minute the girl knew he was dating someone he truly liked, she gave up right away, so I gotta believe the only reason she didn’t quit on him before, is because he did gave her a reason to hold onto him. Perphaps they dated before? Or maybe they like each other at one point? I can only do fanfiction in my head to explain this.

Why was the angry leader of Sparkling such a bitter bitch? How did he end up in another company?

I wanted to see SF9′s Chani reunion with his ex-members from SHAX. It NEEDED to happen. At least they showed Chani with Ryok (which was really emotional) but arrgh.

Also, Chani deserved a kneeling apology from SHAX leader, I mean, come on!!

If everyone knew about Maha and Ryeok at some point, they needed to use that. You can’t just have a bomb like that in your drama and not use it. Is a principle of storytelling. You can’t just have the thing that your main characters fear the most, in your hands, and do nothing about it. But I guess it was not done because of lack of time.

Also, they never showed how they announced their relationship. Instagram post? Company statement? An exclusive to Dispatch? And how did the fans took it?? Answers, drama! Damn it!!

Final thoughts

Despite its many flaws, I loved it. It had heart. It seemed low budget and even more so due to the fact that it was done in the middle of the pandemic and a big part of kpop are the fans and concerts, you know what makes it all the more big and shinier. But the drama people and the actors put effort into it, and you could tell (and the fact that there were also original songs and choreographies made for this drama amazes me, and that they chose to promote the drama by having some of these fake groups perform on actual music shows). So there you go, I wholeheartedly recommend it.

Before I finish, let me just say that the actor who played Ryok is a REVELATION in my eyes.This boy needs to stay in dramaland and get more main roles (and after some research I’m happy to say that he is thriving!!). Also, he has great timing for comedy. The actress who played Maha elevated the quality of every scene she was in. (Not for nothing she was God in DAYS). Jiyeon (LaRiMa) was excellent. It really showed at times that she’s not only an experienced idol but also an experienced actress. The contrast with most of the cast was noticeable, sadly. The drama wouldn’t have been the same without these three.

Also, watch AND listen to the last OST sung by the whole cast here. Beautiful song that just makes you cry if you’ve seen the drama.

#imitation #lee jun young #jung jiso #jiyeon #jeong yunho #kbs imitation #kdrama #kdrama review #i wanted to tag all actors but omg that's a nightmare #they're too many

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popculturebuffet · 3 years

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House of Mouse: Max’s Embarrassing Date Review

Hello House Mouses and welcome back to the house of mouse. Another comission by Kev and my second House of Mouse for the valentine’s season. This time we’re not tackling a Valentine’s Episode necesarily, but a romantic one all the same as fan faviorite couple Max and Roxanne finally go on a date. I always liked Max. Even as a kid when I wasn’t the biggest fan of “A Goofy Movie”, didn’t like the darker patches like the principals office scene or the Pete Hot tub scene.. though in hindsight both had legit greviances with Max... it just dosen’t make either less terrible as the principal still told an innocnet man who wasn’t responsible for what his kid did and was trying his best that his son was going to become a crminal because of one stupid but mostly harmless prank, and Pete.. is just an abusive, unlikeable and unlovable ass in both Goof Troop and Goofy Movie, and I hate how he treats his son, don’t blame his wife for leaving him or taking their daughter and dog, and am really sad he got custody of PJ somehow. And for the record this isn’t ALL petes, just this version. The rest are fine and just the right level of asshole.

Point is despite my problems with the first film, I had none with the second and even now I like it due to having some really good ideas and concepts while also being gloirously rediclous due to the loveably dated X-Games element. While I do have a spot in my heart for the Dana Hill and Shaun Fleming versions, especially the latter once upon a christmas is awesome, Jason Marsden’s version is the best by the mile having the right amount of ego mixed with self doubt to make him likeable enough to brook him being an ass to his dad a lot. He’s a good character.. and it baffles me Disney NEVER uses him nowadays. No really, the last time he showed up was in twice upon a christmas and no one liked that because he was dating someone who wasn’t Roxanne just to rehash the same plot they’d already rehashed better in Extremley Goofy Movie. I REALLY need to rewatch that one. Hmm.... gonna see if I can squeeze that one into May or later in April. That’s for another time.

But yeah while he’s at one of the disney parks, that’s it. The character just .. vanished, and hasn’t been brought back in any way shape or form. Though I could see either a Disney Plus reboot of goof troop or a goofy movie with max having his own kids. That could be intresting. Also bring Roxanne back as weirdly this episode i’m reviewing, a goofy movie and now her ducktales cameo are her ONLY apperances.

Seriously I get she’s not the most fleshed out.. but then flesh her out. Like Max she’s crminally underused and while I get her absence as a character in the sequel, the plot really didn’t need her, he still could’ve been dating her off screen. Though clearly the two worked things out and tried again as this episode came out AFTER extremely did. But did this episode work out? Join me under the cut to find out.

As i’ve decided is my standard for House of Mouse Episodes, shorts first, then wraparound, then Mickey Mouse live sex celebration. Though I will say i’ve picked up there are two kinds of formats for the show: They either use two of the longer Mouseworks shorts or just one close to 11 minute short, a medium one, and one of the little two minute segments. There might be a break from this in the future, we shall see but for now those ar ethe two standards. This time we have two longer shorts.

Pluto’s Penthouse Sweet:

I’ve mentioned in the past I dont’ really get why Pluto is part of Disney’s sensational six along with Mickey, Minnie, Donald, Goofy and Daisy. And I stand by that: While he’s had his own cartoons they just aren’t as entertaining and creative as MIckey’s or hilarous and relatable as Donald and Goofy’s. He’s just an average cartoon dog. He works fine in tandem with Mickey, but on his own he’s just nothing and his spot should be taken by pete, who while not a goodie all the time, again the goof troop version needs to step on a rake and fall into a well.. somehow. i didn’t think my insult through. Point is pete is better. And this short isn’t BAD .. but to me it’s what some fans THINK the disney shorts are: Bland, maybe one or two good jokes but almost nothing new or intresting. As I found out last year, that’s far from the case, as a lot of the Donald shorts are still hilarious today and a lot of the mickey shorts are shockingly creative, like Thru The Mirorr where he goes .. well thru the mirror into a wonderland like world where all the inanaimate objects are alive and he can shrink and what not via astral projection, or Mickey’s Mechanical Man, which I sadly didn’t know about when I did the MIckey Birthday Special and for some reason isn’t on disne plus. In it Mickey creates a robot and has it box a monsterous looking gorillia.

How has Mickey piloting this thing but giant sized against various kaiju been a thing yet? And if it has someone tell me. Seriously with all the comics and animated series how. I’d even settle for a Wonderful World of Mickey Mouse episode. Just bring this guy back. Point is there was far more invetnion than it seemed.. at least at first as it slowly died out as they went by the late 50′s. But Pluto just seemed even in their hayday like your standard pet gets into antics thing without the creative slapstick of tom and jerry or the likeablity of sylvester who never could get that asshole Tweety Bird. This is just weak sauce and whiel I could forgive the older shorts, as their from another time and likely lead to say Tom and Jerry... I can’t forgive this which was made probably in 1998 and released in 1999 originally. Comedy had evolved a LOT by that point and unlike the Goofy how to shorts, which are a format that is immortal and still evolved to match the times and felt fresh, these just feel stale and boring and like the last Pluto short I covered this one was a chore to sit through though not nearly AS bad.

Still though the premise is about the same, Pluto’s left to his own devices, and finds a female dog, though in this case she’s VERY intrested in him. I”m also not entirley convinced she’s a dog, but instead one of Jumba’s experiments and that Lilo and Stitch later had to journey to.. wherever these shorts take place to fetch him. Or more likely the house of mouse. I mean Proud Family, Recess, American Dragon Jake Long and Kim Possible all take place int hat universe, why can’t house of mouse? Also tell me you wouldn’t watch an avengers style team consisting of Kim, Ron, Jake, Penny, Probably TJ, Lilo, Stitch and Donald Duck. If you wouldn’t i’d call you a liar because you would be.

Seriously the eyes give her away.... just look at them. Very experimenty. But before Pluto can do it like they do on the discovery channel he has to get past the guard dog.. though how he does produces the one great gag of the short, as he BUILDS A GIANT, TROJAN HORSE ESQUE PLUTO OUT OF JUNK. Just holy shit that’s awesome> It gets him inside, only for him to find his lady friend is a bit TOO affectionate and he has to escape, he does so, and MIckey wonders if he missed him etc lame button. This short was a vacuum of comedy outside of GIANT PLUTO. Seriously where’s my disney giant mecha series. YOu have five main characters, and Pluto among with MANY, MANY side characters, frmo scrooge to the boys to hopefully Della, to even possibly pete and mortimer who could have their own mech against the heroes but maybe join them in the last episode. Maybe max and pj could have some, have a father vs son thing with PJ and Pete. I”m just saying, i’d watch it. I know my nieces would watch it. I know my nephews would watch it. Greenlight it. Or i’ll make it.. somehow.

How to Ride a Bike: Speaking of the How To Shorts, as usual for the House of Mouse era ones.. this was awesome, pretty much what you’d expect, some goofy, pardon the pun, gags about goofy riding a bike and then a fun climax of him in a bike race. Not a ton to add, other than that hamster bike above is genius. Just needs some tweaking. Really funny, really simple, and really good as you’d expect from a good Goofy Short. Easily the best part of the episode.

Max’s Embarrassing Date: So this was a disapointment. Like i’d try to be nice.. but I had high hopes given this brought Roxanne back, and while the premise was stock maybe they’d do something funny with with it.

But no the plot is pretty standard, very predictable and fairly obnoxious. Max has a date with Roxanne, and is playing it cool and what not, but is worried his dad will find out.. which he somehow did offscreen. Probably Clarabelle.. I mean they do go out sometimes in this one, wouldn’t surprise me.

So Max pleads with the rest of the HOM staff to keep him away because he fears his dad will overdo things, which.. is fair and one of the few things I like> He dosen’t want him to overdo it on the mood because this is well.. a first date. He dosen’t want to pressure her or himself and just wants it to be nice and calm. The problem is it’s framed like him once again being embarassed by his dad and having to learn better.

At this point we’d had TWO movies do this already, one of which was only two years old at the time of this episode. This plot is stale as old toast even if it dind’t have goofy in it. And the twist is predictable: the HOM crew end up also overdoing it: Minnie comments on how cute they are and wants candles brought, Daisy gets them a bigger table forgetting how dates work,t hough we do get a great gag of hte 7 dwarves stacked, and Mickey while having .. some.. gopher? I honestly can’t tell who it was, usually i’m better at the cameos. Speaking of which they also have a runner of beast going on a date with Cruella Devile.

I mean is he cheating on his wife? Is she holding his wife hostage? Is this before belle because we see a post transfomratoin beast too so maybe the House of Mouse is an intersection of space and time? That’s.. actually the most resonable answer I can think of honestly and when i’m focusing more on how the hell your gag works than how funny it is, you clearly failed somewhere along the line.

Point is Mickey puts his good friend in a pothole, and not only calls max little max, which while an understnadably close family thing to do is still embarassing, but also takes pictures while their eating the spagetthi.. which i’m 100% sure was Huey’s idea nad had Mickey not interrupted, would’ve been tied up down the middle for a lady and the tramp thing. It’s his signature move. Well that and having a panic attack. That’s also one of mine the others being lettterkenny refrences and sex jokes about disney characters. But yeah this just.. dosen’t work. Them being as embarassing? that’d be fine.. if they weren’t wholly unsympathetic for not only keeping their friend from WELL INTEITONEDLY trying to help his son on his date, something his son shold have no problem with since ROXANNE’S MET HIM. AND IS FINE WITH HIM. AND NEVER CARED ABOUT YOU BEING HIS SON LIKE THE DICKHEADS AT SCHOOL. MINUS BOBBY WHO YOUR FRIENDS WITH FOR SOME REASON. My point is this plot bothers me a lot, and it makes the mickey crew come off like assholes for doing this to thier friend instead of just talking to him like a person. Especially since only ONE of them is a parent and Conviently donald is mostly absent. Likely because he realized this was going to end badly and just agreed to tie the spagetthi like huey taught him to keep his involvment in this shit show and gaslighting his best friend to a minimum.

Eventually Mickey takes things a step too far and has Sebastian almost sing kiss the girl. Max cuts him off though yelling that he just wants them to back off, he just wants them to relax and he TOLD them this, which makes them come off worse as they KNEW he didn’t want this and did it anyway and never apologize becaue apparently the first rule of house of mouse is never apologize for anything, huh huh. Goofy naturally steps in, tells them off and agrees to serve them and Roxanne finds him entertaining and gives him a nose kiss for being a good dad. He’s a good guy that Goof. Roxanne then whispers something in max’s ear at the end of the date... which gives him an audible erection. No really. And given his age is vauge here I’m suddenly super duper uncomfortable so let’s move on.

So max tells them she liked it and wants to come back.. 100% sure that wasn’t what she said but what she said isn’t fit to print and you’ve seen what i’ve said and what I put in the we’ll be right back. Point is he’s happy, though Mickey says we’ll try to make it extra special next time. Mickey.. did you do a space mountain’s worth of pills and cokea nd just forget the entire evening? Did you take some of those hangover roofies/ Why would you do that? Was that pete’s new plan to steal the house of mouse? To drug you guys and make you forget you already paid the rent? Did PJ stop him? Inquiring me wants to know.

Final Thoughts: Yeah this wasn’t a very good episode. Roxanne is wasted despite having a suitable replacment Roxanne voice in Grey Delise, with no real depth just to rehash the plot of the first and second goofy movies. And this one didn’t have an inexpilicable beatnik cafe, PJ getting laid and finally being happy for once, a standard college fraternity plot surgeically infused with an out of nowhere obession with xtreme sports that was nowhere in the first film, Goofy in an afro, Goofy finding love, That disco sequence, and a climax in which Goofy carries Brad Garret out of a fire, then Brad Garret probably kills the villian of the film who certainly deserved it. My points are this episode was an underwhelming rehash only saved by some good shippy moments and a good goofy short. It was weak, not all that funny, and not all that intersting. My other point is that an extremley goofy movie is awesome and also kinda insane and I love it for that. I’m glad I saw this one but i’m really disapointed in how bleh it was. Next time I visit the house of mouse is.. actually in a few days as Pete Does a One Man Show. So yeah already 100% better just by having THAT musical number in it, see you then and if not, there’s always another rainbow.

#house of mouse #max goof #roxanne #the goofy movie #max x roxanne #goofy goof #goofy #donald duck #mickey mouse #minnie mouse #daisy duck #cruella de vil #beast #disney #comissions

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hazza-bear-care · 3 years

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Babie Crue (11 pt. 1)

A/N: hey guys! Sorry for not continuing this story sooner, but I’ve been trying to expand into different fandoms. But, on with the show.

Summary: Cam and Tommy get into a fight once she reveals that she forgave Vince for the car crash. Grace’s first birthday is coming up, Zutaut is a dick (what else is new), Nikki starts shooting up.

Warnings: mentions of drug use, swearing, cheating

~~~~~

As she wobbled through the door of Tommy’s mansion, Cam was met with squealing sounds coming from the kitchen. Smiling slightly she followed the sounds of her daughter’s laughter and was pleasantly surprised to see Grace covered in chocolate.

“What’s going on here?” Cam asked, stumbling over to the island and sitting in one of the bar stools so her leg and arms could get some rest.

“Gracie and I are making cupcakes for her birthday party! Isn’t that right, sugar?” Grace giggled when Tommy kissed her cheek, his lips covered in batter when he pulled away.

“Oh that’s fun! But her birthday isn’t for another two weeks. Why are you making cupcakes now, Tommy?”

“Why not? We can make some more when her birthday gets closer. These one’s can be just for us, right?” Once again, Grace giggled at Tommy.

“Or, you can take them into the studio and hand them out. I know Doc has quite the sweet tooth and Nikki would love that little Miss Gracie made them for her favorite uncles!” Tommy turned to get Grace cleaned up, the smile on his face wavering.

“Yeah. That’s an idea. So what did you and Vince talk about?” There it was. The one question Cam wanted to avoid answering for at least twenty four hours.

“Um, not much. Just how prison was treating him and if he had heard anything about getting out earlier than 30 days. He’s clearly not having the best time and he hasn’t heard anything about early release.” Cam explained, licking some chocolate out of an abandoned mixing bowl on the counter in front of her.

“Anything else?”

“He asked when you and the others were going to go see him...”

“And you said..?”

“I said that you guys would find your own ways to visit him when you were ready. Doc didn’t even want to see him while we were there. When ARE you going to see Vince, Tommy?” A clatter of dishes in the sink made Cam jump as she watched Tommy scoop Grace into his arms and leave the kitchen.

“Let’s get you down for a nap, Gracie.” Tommy muttered as he stomped up the stairs.

“You’re mad at me?! Tommy, I didn’t do anything wrong! I forgave a friend-”

“A friend?! Cameo, you were thrown through the windshield and knocked unconscious! Razzle was MURDERED! How could you still call him your friend?!”

“BECAUSE THAT’S WHAT HE IS, TOMMY! He’s one of my best friends and he’s your brother in music or whatever bullshit you happened to spew to me while you were wasted! He deserves your forgiveness just as much as he deserved mine!”

“Cam, look in a mirror, pull up your shirt, look down at your leg for fuck’s sake! You could have DIED and you just.... forgave him. I don’t understand, Cam.” Tommy sighed, defeated and tired of the arguing. Grace swatted her hands on Tommy’s shoulders in a futile attempt for attention.

“There’s a lot you don’t seem to understand, Tommy.” Cam all but yanked Grace out of Tommy’s arms and plopped her into the playpen in the master bedroom, the young mother tearing through the room in a flurry, her crutches abandoned. She flipped open the lids of a few suitcases and dumped drawerfuls of clothes into them, tossing Grace’s necessities in as well.

“Cam? What are you doing?” Tommy asked sulking against the door frame, staring at Cam’s crutches on the floor by his feet.

“What does it look like, Thomas?! I’m leaving!” Cam seethed as she continued dumping her belongings into the luggage.

“Where are you gonna go?! You sure as hell can’t go back to your family! That’ll be the first place Dev and his cronies will look for you!”

“Well I’d rather be beaten within an inch of my life by Dev than stay here with you.” Tommy felt his heart shatter as he saw fat, angry tears roll down Cam’s cheeks, the statement running his blood cold.

“Cam...”

“Save it, Tommy! There is nothing you can say or do to make me stay here.”

“What about Gracie?”

“What about her, Tommy? She is mine! Were you in labor with her for 14 hours? Did you have to get stitched up because she tore you open? Did you breastfeed her? NO! I did, Tommy. You have absolutely NO say in what I do with MY child!” Cam screamed, zipping up her suitcases and taking them down to her car (using part of her restitution from Vince, she got to pick out her very first car), wanting to get everything packed up before returning for Grace. She stormed back into the house, brushing past Tommy as he attempted to block the doorway to the bedroom.

“Cam, please, let’s talk about this. I-I can’t lose you. Please, Cameo.”

“Get out of my way, Thomas.”

“Not until you give me a chance to explain-”

“You’re not listening to me, Tommy! We can’t keep doing this ‘lovey-dovey one day and screaming matches the next’ thing anymore! Either get your shit together, or this is the last you’ll see of myself and Gracie. I’ll see you at the birthday party.” Cam ended the discussion by ducking under Tommy’s arm and grabbing Grace out of her playpen. She handed the baby to Tommy as she folded the portable crib and removed it from the room.

While Cam went to shove the crib in her car, Tommy sat on the bed and hugged Grace tight.

“I’m gonna miss you, kiddo. I really, really love you, ya know that?”

Grace pulled back and placed her tiny hands on Tommy’s face, her bright green eyes boring into his.

“Dada.” Tommy teared up at the sound of his pseudo-daughter say her first coherent word. He placed a couple huge kisses around Grace’s face as his tears finally fell.

“Come on, Gracie. Say bye-bye to Tommy.”

“Dada.” Her fat hand waved over Cam’s shoulder as they disappeared out of the house completely. As he hears the rumble of Cam’s car start, Tommy starts crying harder, louder, uglier. He stands and punches holes into the drywall, screaming until his throat was raw.

Tommy fucked up and he had to fix it.

~~~~~

*Nikki’s POV*

A knock on the door was heard, echoing through the huge house. The bassist groaned, hoping the banging noise would subside soon so he could get some sleep. When it didn’t, Nikki tore open his closet door and stomped downstairs, the pounding on the door mirroring the pounding in his head.

“Jesus Christ, WHAT?! Oh, Cam. Cam? What’s wrong? Where’s Tommy?” Nikki was confused, but he opened the door further and stepped aside, wordlessly inviting Cam and Grace into his home.

“Tommy and I had a fight a-and I had nowhere else to go. Can Gracie and I crash for a while?” Cam’s voice was scratchy, almost as if she had spent the entire car ride screaming in frustration (she had). Her eyes were red and puffy, hair disheveled due to her fingers tangling in the strands and pulling as hard as she could out of frustration. Nikki immediately pulled Cam into a hug, causing her to cry all over again.

“You can stay as long as you need to. I’m not going anywhere.”

~~~~

Taglist:

@kellysimagines

@haileynicoleseavey17

#motley crue imagine #motley crue series #tommy lee imagine #tommy lee x oc #nikki sixx x oc #Vince Neil #Mick Mars

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neoyi · 3 years

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I don’t think I’ll ever get to humorously commentate on KH2 piece-by-piece as I tried to do for the first two games (and god knows if I’ll wrap up Re:chain of Memories with the writing method I was doing, but I digress.) I like talking about this endearingly dumb series and replaying this game is a nice opportunity to revisit how I feel now versus how I felt back when I was a fresh-out-of-high-school Neo playing this game for the first time back in 2005.

So I’m going to surmise my current play session (this collects my thoughts up to the Hercules world) with easily containable bullet points.

*I kind of want to make a separate post about the infamous prologue and discuss how people felt Back in the Days (an understatement, let me tell ya), and ultimately what I feel it does for the game and whether I personally liked it, so I'm going to leave that in the back burner for the time.

I will say Twilight Town sounds like a nice, quiet place to live. I love the concept of a city that's always perpetually sunset. It's a beautiful place and like Traverse Town, sports an amazingly cozy soundtrack.

*I'm sure there's some bullshit reason why, but I don't get why Sora's one year absence meant some of the people he's met just....forgot him. Like why? What purpose does this serve? This especially affected Kairi, but it’s ultimately negligible because she regains her memories of him during the beginning portions of the game.

Was this Namine's doing? Was it to protect Sora from the bad guys or something? Why hasn't Riku forgotten him? Was Namine just selective on who she erased Sora's existence from? Did Kairi forget just because she’s connected to Namine? Or Sora? What purpose does this narrative serve? What was the point?

*Speaking of, I forgot, did they ever explain why Riku disguised himself as Ansem? I don’t remember if they ever explained it when I played through this game, but also I haven’t touched KHII in six thousand years, so I don’t remember a lot of the more convoluted parts of the plot.

*It is comical to see Setzer of Final Fantasy VI fame turn from a risky, gambling sky pirate who doesn’t give a rat’s ass about the empire, only cares for the freedom of the skies, and enduring survival’s guilt over a tragic loss of someone dear to him into a...

Whiffle Bat Champion.

*My sheer excitement and obsession when they first announced Vivi as one of the FF cameo was astronomical. I remember keeping a DeviantArt journal detailing any news and screencaps of the little guy pre-release. Still my favorite character from the whole franchise.

Even if he suffers the same fate as Donald and has a zipper on his mage hat for absolutely no reason other than this game existing during Nomura’s Belt-and-Zippers phase.

*Someone’s going to get sued one day because these damn kids keeps sitting atop the clock tower that has yet to be grafted with bars to prevent their inevitable deaths when one of them slips and falls.

*I swear I could play a six degrees of Kingdom Hearts with all the voice actors in this game. Or at least a "Whozit" and "Whatzit" they've done in other media (like Yuffie who is voiced by Mae "Katara" Whitman here. Pre-Avatar, even.)

Also I’m sorry, Will Friedle, you’re a fine voice actor, but you’re...Terry McGinnis. Batman told me he “totally owned all you lamers.”

*I love the Nobody enemy designs. The sheer creepiness and uncanny valley of them all lends credit to their existence as, well, non-existences. The Dusk enemy design alone is inspired with its unsettling belts wrapped around its fingers, or terrifyingly sharp teeth subtly hidden inside of its mouth. I can imagine the creature unzipping its mouth to reveal a set of flesh-eating teeth and the fear is real.

I love the way it flies and circles around its victim, almost like it’s trying to wrap itself around you, but I’m especially fond of that one attack where it essentially kicks you as while it sashays over to you upside down.

The Samurai Dusk also has my favorite reaction command. It’s just unspeakably badass.

*I never liked Squall in FF8 back then (don't know how I'd feel now if I ever replay FF8) and he was just okay in the first Kingdom Hearts, but I remember I really endeared myself to his reappearance in KHII. Squall in this game is what happens when he grew up, found good friends and family, and got some therapy for his issues. He’s stoic, but always a team player, and supportive of Sora and the people around him. KHII Squall is what FF8 Squall has the potential to be once he reaches adulthood and it’s nice to see that here.

*I really love the little changes the developers inputted for Sora, Kairi, and Riku's models to accommodate for their physical growth. Riku's is the most obvious (boy clearly ate his vegetables), but I like that you can tell Sora grew not just through story observations (Yen Sid points out how he outgrew his old garbs) but by comparing his height in relation to Goofy. Sora was shorter than him in the first game, but has since outgrown him in KH2.

Along with his better skill set during combat, this is a really nice way to visually shown how far Sora has come and how much time has passed.

This also goes in the opposite direction with Namine whom I think had to redo her mod when they remastered Chain of Memories for 3D. I notice she looks younger in that game than in KHII which would make sense at the time since it takes place a full year ago.

...Well, maybe. Can Nobodies age???

*Damn it, game, don’t give me a pouch containing 5,000 munny and treat it as an in-game key item that I can’t use even though munny is literally the currency I use to buy things.

*The retooling and emphasis on battle mechanics means the platforming element of the first really suffers and that’s a damn shame. I wasn’t particularly in love with exploring the Disney Worlds in the first KH, but I appreciate the effort put into so Sora could not easily get from Point A to Point B.

Even finding treasure chests is comical and if not for sake of posterity for anyone going for 100%, I wonder why Jiminy bothers to keep track of how many you find. There were literally like three out in plain view the minute I entered the Mulan world.

*Speaking of level designs, yeesh, the layout is not optimal for the skateboarding minigame.

*Trying to design a gummi ship in this game requires a masters degree in gummiology and metaphysical engineering, as well as the ability to tap into the 4th dimensional. The 45,000 page instructional manual they give you, the odd grid map used to piece together your ship (fair, the latter was also in the first game), and finicky button controller layout means it took me a while to fully grasp what I was suppose to do and I’m still not sure I got a full handle of it just yet.

*I don’t understand why Sora had to use a physical object as a conduit in each world to open up a metaphysical gate to the next world. He never had to use an in-between to close it. What’s the exception outside of unnecessary symbolic tie-in to the individual worlds he’s in?

*Props to the developers for recreating the ballroom. It’s actually kind of majestic to look at the beautiful ceiling and chandelier design from Sora’s perspective.

*There are a couple of random gameplay elements I forgot completely existed and seemingly there for arbitrary purposes. I just find it unusual that Mulan’s world forces you to collect literal manifestation of morale. It’s like the developers decided they wanted to reuse the Struggle minigames’ balls into a repurposed Morale Ball because well shit, someone programmed these things they’re damn well going to put it to good use.

I guess if Sora and pals don’t literally collect morale, all the soldiers will be, I don’t know, sad and die in battle or something.

*I’m aware Disney villains using the Heartless as their personal army is the norm, but it’s tonally weird when it’s Shan-Yu of all characters doing it. The infamous Charge-In-The-Snowy-Mountain scene doesn’t quite have the leg up in terms of threat when his army consist of adorable Heartless bumblebees.

*You know what pointless shit I am obsessed with? The stupid puzzle pieces scattered throughout the game. This is the first time I’m playing the Final Mix game and I’m just seething at the lack of abilities I currently do not have that prevents me from reaching certain pieces.

*Auron was instantaneously my favorite character when I first played FFX twenty years ago, and his return in KH2 sent me in fangirlish squeals. How could I not? Look at this handsome bastard. He’s calm, collected, badass with a cool sword, has rugged good looks (he doesn’t have it here, but he rocks some killer shades), and a good dad. That’s prime DILF quality right there. Of course I can’t get enough of him.

Square Enix knows we can’t get enough of him; dude be all “fuck off hades” and gives the god the middle fingers and fucks off elsewhere. Auron is King Shit.

*Oh man, do I still have my old Sora figurine? I think I got him in Katsucon way back in 2009.

*So who’s done a drinking game every time the game introduces Sora, Donald, and Goofy individually to every character they meet?

*Hey, so I noticed Square Enix is finally moving their asses and bringing the Ultimania books to the US. I doubt they’re going to bring the older KH Ultimanias overseas (my kingdom for an officially translated FFIX one), but ya know. I kinda think that yeah, I might want the KHIII Ultimania.

...Just saying.

*GET UP ON THE HYDRA’S BACK! GET UP ON THE HYDRA’S BACK! GET UP ON THE HYDRA’S BACK! GET UP ON THE HYDRA’S BACK!

GET UP ON THE HYDRA’S BACK!

#kingdom hearts #neoyi talks #kingdom hearts II

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flying-elliska · 3 years

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Shadow and Bone Season 1 Review

Ok so I got distracted by a need to watch all of Ben Barnes' filmography (lmao) but here is my review : It was really fun to watch and it was clearly made with love which is already the main thing with YA fantasy, which is often turned into a soulless moneygrab when put on screen. The actors were GREAT. I did think that the Crows suffered from being mashed up with the Shadow and Bone story, but they were still a highlight. I also think it was a bit rushed, esp. when it came to Alina's training. The costumes were beautiful, I want a kefta now. Plus the crossover fanfic interactions btw the SaB characters and the Crows were just pure joy. Also Milo, obviously <3 I'm in hyperfixation mode so here, have an essay :

The "Shadow and Bone" Characters :

- Jessie Mei Li !!!!!! She really made me like Alina so much more than in the books, she absolutely is the 'human embodiment of literal sunshine' and she was a joy to watch. Her character's arc is cliché but her acting is so expressive and endearing, I really felt for her all the way through. (maybe I'm biased bc Jessie talking about her ADHD and seeing her thrive at the same time is like!!! i love them they deserve all the best.) I like that they made Alina more proactive - even though she does make some stupid decisions... but I just don't understand people who put that down as bad writing, like ??? have you ever met a real person who only makes wise, good decisions ?? a character like that would either be at the end of their story or just in the background because that makes them static. The things with the maps in the beginning does a good job of illustrating how she is just this one girl making rash, erratic decisions out of fear and loyalty and doesn't have a sense of the bigger picture, caught in the tide of bigger events. It works for her character. When it comes to the choice of making her half-Shu, I do think it really makes sense re: her character feeling like an outsider but I do understand the criticisms that the microaggressions felt too relentless and one-note. I am really looking forward to them introducing Tamar and Tolya and hopefully connecting to them over her heritage in a more positive way.

- Mal in the books was one of the most annoying YA characters I've ever come across, so I really liked that they made him much more of a loyal, devoted friend. I found his relationship with Alina cute, it really gives us the sense that these are two orphans who found a home in each other, childhood best friends (and potential sweethearts) separated by war, two army grunts and ordinary people caught up in the wheels of power and war that usually crushes people like them, it's a great way to introduce the dynamics of their world and it's a trope that always makes me emo. It felt a bit too one note to me, though, and too heavily on the nose, like Mal's only personality was his attachment to Alina (and his resentment towards the Grisha) and too much of her emotional arc also relied on him. Them hitting us over the head with the meadow scenes felt like pure telling instead of showing and it ended up being super repetitive and kind of annoying. I am willing to like this pairing, but I wanted more scenes of them just having conversations about things and really understanding why they like each other beyond the whole childhood friends bond that we're asked to accept exists at the beginning. So I hope there's more depth there in next seasons.

- Ben Barnes!!!! Just jksdfhgkdjghdf. I'm not a big villain stan usually and I hated the Darkling in the books but DAMN his performance is just amazing. They managed to make him more sympathetic and human while at the same time making clear the stuff he does is deeply horrible. There's the Magneto-aspect of 'well clearly his methods are fucked up but he's addressing a terrible injustice nobody is doing anything about' that makes it very tempting to root for him ; and again, well, like, Ben Barnes is so hot and charismatic it feels uncomfortable (which I guess is part of the point lol). His loss of humanity is, up to a point, understandable, brought about by despair, loneliness, grief and a sense of powerlessness - living so long he starts to see other people as disposable, losing so many people he stops caring, seeing over and over how hate never seems to stop, etc. It's a logical explanation for going insane.

But the hunger for power is also very much present as a motivation and this ambiguity is there constantly. Does he maybe come to genuinely care for Alina or is it totally bullshit ? I think he does, he's just so fucked up that it comes out as possessiveness and a need to control her. He wants Alina to be his equal but he's incapable of treating her that way. It's tragic, in a sense, but the show doesn't excuse his actions either. Like his monstrosity is a product of this world full of injustice, yes, and that warrants some compassion, monsters are always a symptom of their environment in some ways and dehumanizing them completely is an excuse ; but at the same time, he sabotaged his own cause anyway the moment he started to treat other people like things, as he does with Alina, because that just perpetuates the cycle of violence and hate. At some point he started feeling like he was the only solution and he was owed power for his sacrifices, and he's using his cause as an excuse. When Alina came to him, there was a possibility for redemption, taking down the Fold, and it's a test because there is finally someone on his level of power. But instead of seeking to remedy the power imbalance between them, he made it worse, by lying to her, manipulating her, etc, and the antler collar is the ultimate sign of this.

I love those scenes towards the end (the antler-based body horror has big Hannibal vibes, so messed up). I like Alina telling him they could have had this, that she had compassion for him and his cause, that they could have worked together, and he's the one responsible for screwing it up and this time his claim that he's the misunderstood victim ("Make me your villain") appears delusional and self-serving instead of somewhat justified. The almost-lovers to enemies vibes, the sense of lost potential, and the angst of the whole 'oh you could finally have been loved by people, too bad you fucked it up !', very juicy. There is this fundamental idea that power/respect/love is not something you are owed no matter how good your intentions are or because you're strong or you have suffered or you're willing to commit horrible drastic actions, you have to keep proving you deserve it, and trying to claim power without responsibility of care turns you into a monster. The thing with the stag was an excellent metaphor of the fact that there's things you can't take, they have to be given to you, and the wonderful power there is in understanding that is what allows Alina to harness the stag amplifier's power. This is really when she escapes his grim utilitarian outlook and a different way forward and owns her own power fully on her own terms.

Anyway I hope Alina gets to beat the shit out of him at some point that would be very sexy but I'm also looking forward to see how their arcs parallel and diverge from each other as Alina starts to grapple more with the implications of her power and the harsh dilemmas of war and her own dark side. I want to see him become scared of her, and I feel it will be more visible than in the books where he just has this cold aggressive facade all the time. This one feels a lot more openly emotional which is just a lot more interesting.

- As for the other characters ; Zoya mostly made me sad. The actress has the perfect vibes but I'm not sure I love their take on her character so far, it does make sense in terms of the later books - that she has internalized prejudice regarding her mixed-race heritage, that she is jealous of Alina because of how hard she's fought to get where she is and Alina kind of takes it away from her, etc. But I would have liked to see a bit more of her being badass and sharp-tongued in a clever (even if mean) way instead of spending most of her time being rejected by men and being racist towards Alina. I did like the ending though, of her actually seeing the monstrosity of the Darkling in action and the mention of her aunt. And her brief bonding with Inej was great, just because it was badass but also maybe because it could be a part of Zoya learning to accept her Suli heritage in turn, maybe not right away but in time, when thinking of that part of herself, she won't only think of her parents' ruined marriage and all the pain it caused, but also of that badass and brave acrobat girl who went toe to toe with these really scary monsters without even having any powers and !!!!!

- Also Leigh's cameo was so cute and as an aspiring writer this is just such wish fulfillment

- I honestly think that having the Crows there actually made the S&B story better ? Not only in terms of the much needed levity breaks but also in terms of themes. For instance, Matthias and Nina's story gave us a really raw and visceral view of how the Grisha are hunted. And Inej's relationship to Alina really gave us a sense of what Alina actually means to people who believe in the Saints in a way that doesn't feel just like 'ugh those superstitious people' because we know that Inej's faith is part of what makes her who she is and a person with morals, and something that saw her through the worst moments of her life. It feels so special that she got to meet Alina and given a sign that maybe the world is not completely shitty. And Alina's kindness towards Inej really gives you a sense that she might be, or become worthy of that belief in time, or at least that she wants to, that she's figuring out her power to really touch people's lives might be a good thing, and that she's starting to accept this responsibility more fully. And her arming Inej is a nice parallel to that. I'm very emotional about this scene, because one of the first things we see of young Alina is her taking out a knife to defend Mal from the bullies, because she's protective and brave, but she's also aware the world is a shitty place, and so her giving that knife to Inej is a sort of spiritual transmission and recognition of sorts, that she trusts Inej with that fighting power, that she'll use this knife to defend herself and her loved ones and not abuse it. It's so interesting. And a counter point to the Darkling's fucked up relationship to power that Alina might at some point get afraid she'll replicate. That you could see Alina trying to gather followers and using people's admiration for her like he did but instead she sets them free and empowers them. It's great. And I feel that when Inej takes to the seas, she'll think about Alina. (I do hope somebody tells her Alina's not dead at some point though god). Girls giving each other knives is my spirituality, honestly.

- And I also noticed an interesting parallel between Kaz and the Darkling in terms of being two emo dudes who like to wear black, are prone to violence and have a thing for two very powerful women they think are special and want to have at their side, but of course, they go about it in very different ways. The Darkling comes at it from a place of power while Kaz comes from a place of utter powerlessness, first of all, and he understands why it's important to set Inej free. Him spending the entire season trying to earn enough money to pay off Inej's indenture is the opposite to the Darkling putting that collar on Alina and while I do have issues with how the show portrays him, I do love that. Love is about setting the person you love free !!!! And that confrontation scene was so powerful, when Kaz tells the Darkling Alina was tired of being a captive ! Drag him !

- As for Genya, I liked the actress and her chemistry with Alina, but I'm not sure they did a great job of making her arc very clear, for instance what it means for her to get that red kefta, her relationship with the other Grisha, etc. Her and David are already very cute though. Also very much looking forward to see where that goes.

So yeah I think they did a great job with this bit actually, I enjoyed a lot more than I think I would and even though it is a very tropey story, there's plenty of depth there too.

The Crows :

- I'm a bit more nitpicky about this because I care about these characters so much. I think overall the problem is that the SaB story in the books happens on this massive scale with enormous stakes, and that next to that the Crows' issues feel less important ; it's like their impact is distorted by the gravity of the much larger story. Like for instance, Kaz in the books is very much at the center of everything, this larger than life trickster figure who knows and controls almost everything by sheer cleverness, and he has this sense of allure and mystique that can't happen here, and so his aura just shrinks. On top of that they're not on their home turf. Being introduced to these characters before they've reached their full levels of badass is weird - there is a reason why prequels generally happen after the main stuff, because they count on the love you have for these characters at their full potential to make you interested in their story when they were less badass and interesting. So I had several moments where I was like 'oh this feels wrong'. Tbh the idea that they would even volunteer to kidnap Alina in the first place, what with Inej's backstory, feels kind of wrong, esp since they had no idea of what would happen to her if they succeeded.

- But I still enjoyed a lot of it though, especially the fact that they were this force of chaos in the midst of this bigger narrative that's a lot more self-serious. The bits with the train, or the circus acts were very clever. A lot of the best moments in the show happen when they come to disturb the other plot in unexpected ways. I'm still dead over the whole 'Alina jumps into their carriage' scene, that was fucking gold. The team up at the end !!!! Alina and Kaz making a deal ! Inej stabbing the Darkling !!!! Them stealing the Darkling's carriage !!! They don't give a shit that the story is supposed to be super dramatic it's great.

- Jesper is the one character they completely nailed from start to finish and he's probably my favorite part of the whole show. He's very funny without being reduced to the role of comic relief ; he's just so! damn! cool!!!!!!! I honestly feel this is a thing they actually did even better than in the books, or at least Six of Crows where I felt Jasper kind of disappeared behind Kaz and they insist a lot on his flaws and issues. So before we dig more into those problems I love that they gave him time to be this ultra badass who saves the day several times ; while at the same time, hinting at further developments like his powers or his gambling issues. Kit Young is just perfect, confident without being arrogant, a bit cold when it comes to crime while at the same time being so obviously caring with Inej - I loved their friendship, that was so sweet. My main criticism is that they should have made it clearer he was bi because there are already people calling him gay and that's very annoying. I know some people had a problem with his hookup and like...I can see it's a bit of a cliché...the charming badass bisexual adventurer....it's a trope I kind of love though lmao and the scene itself felt kind of cute and fun. He's not the only person who is shown to have an active sexuality and he's also not the only queer person around and we know he's going to have a more substantial romantic arc later so eh. On a larger note I loved the little casual hints of completely normalized queerness - Nadia thirsting over Zoya, Fedyor and Ivan, Poppy, etc. Having grown up with fantasy where queerness was either completely erased or very tormented and problematic, this was refreshing as hell.

- Inej and Kaz...my faves... They have a kind of relationship which feels so rare and unique in terms of what exists on TV and while I don't feel they entirely replicated it, the core is still there - the mutual respect and building of trust, the longing, the repression, the trauma, etc. One thing I really like is their arc around faith - in the books, Kaz is dismissive of Inej's faith in ways that often feel really shitty and I like that he learns to be more respectful of it. It's very much linked to hope/survival ; Inej keeps this token from her parents and she hopes to find them again ; Kaz tells her it's no use and she'll survive better if she gives up. He believes Alina is a fake, while Inej wants to believe that myths can come true and there is hope for good things in the world. Kaz comes to accept that Alina is the real deal and, out of respect for Inej's faith, to stop pursuing her. I loved the bit about Inej struggling to kill as well - it's the dilemma of what her survival and that of the people she really cares about are worth in such a shitty world - her compassion is a good part of her but so is her survival instinct, and that's the part Kaz represents - that even after she's been through hell, broken in unfathomable ways, even if she gave up all hope and faith in the world, even she becomes dangerous and ruthless to survive, she will still deserve dignity, and to be treated better. And meanwhile she is willing to break her principles, which she holds so dearly, to save him, when he's never had anyone who cared for him like that - enough to keep him alive. That bit in the church !!!!! God !!!!!! Bye !!!!!!! And then him basically calling her his own version of a Saint, that he doesn't believe in miracles but he does believe in her !!! It's very emblematic of their whole arc ; he empowers her to survive in a ruthless world and loves her at her most dangerous ; but he loves her laugh too, he finds her a ship and her parents, he honors her capacity for love and hope even when he can't share it. And she sees that he's capable of doing better, that he's worth caring for. This whole thing kills me honestly and I can't wait to see where they take this next. I'm not mad they're a bit more soft and obvious than in the books, Kaz would just have come across as an an asshole otherwise.

- That said, there are bits of how they introduced their backstories I don't like. I get that making it so Inej was still tied to the Menagerie gave them a very powerful reason to want to kidnap Alina beyond greed so that they wouldn't look like very shitty people. But in the books Inej is terrified by the idea of simply seeing Heleen or the Menagerie and the way they have her interact with her feels weirdly casual and dismissive of her trauma. Also, in the books, the fact that Kaz had to convince Per Haskell to buy Inej's contract through a lot of effort, that he wasn't the one holding that above her head either, made the power dynamics more palatable. I especially disliked the scene where Kaz says he won't free other girls because just Inej is special, it makes him look like he has the power but he's just too much of a callous asshole to do it, and that he just freed Inej because he liked her which is absolutely not what their relationship is about at the start, it's a lot more about seeing Inej's dangerous side behind a facade of powerlessness and relating to her, in a sense, and this scene made it all feel cheap.

- Also, what was that about Inej having a brother ? Not a fan of that either. I'm afraid they're going to make her story all about finding what happened to him, and that's 1) too on the nose similar to Kaz's story and 2) it kind of cheapens her own arc, a female character realizing that what was done to her was wrong, reclaiming her own power and dignity and then making sure it doesn't happen to anybody else, harnessing her personal experience to save strangers, that's so powerful - making it about a family member at first, especially if it's about revenge, it's so much more simplistic and unoriginal and the perspective really annoys me.

- Also not a fan of Per Haskell not being there because he's a very important part of Kaz's evolution, so I hope he shows up eventually - and the way they introduced Pekka Rollins was kind of like...weird and out of place. I just found the Crows' introduction scenes stilted and not as cool as they should have been - well, Jesper and Inej were very cool, but we needed to see Kaz in action first, we needed to see why he's such a menace before we see him flounder later, and I just...I don't know exactly but it didn't work for me. Also this is a very petty thing but I wasn't crazy about the Ketterdam sets, I know this is probably a budget thing but in my head it looked like this incredible mix of Amsterdam and Venice - specific locations in the book directly remind me of parts of Amsterdam I know very well - and instead what we got felt like this very generic London-ish fantasy setting....so boring. Also a lot of scenes that felt to exposition-y. I don't mind that Kaz was a bit softer than in the books, like many people have said some things work in books and don't work on a screen, and you need to make the character's inner dynamics more explicit. But I do agree that, at the same time, he should have been more ruthless towards people outside of his group. Loved that scene where he faces the Inferni though, and how well they illustrated his disability and aversion to touch.

- I don't have that much to say about Nina and Matthias ; I'm still not super sold on the whole 'haha misogyny!' thing and I dislike that so much of Matthias' change of heart relies on the fact that he finds Nina hot. But I did think that the actors had enough chemistry to make their scenes together interesting and cute ; I loved the waffle scene. Even though it's disappointing that they didn't find an actress who was more clearly plus size for Nina, I still think Danielle does a good job bringing her bold, unapologetic energy. I'm really looking forward to seeing the Crows as a whole team.

So yeah, even though the season didn't feel like a perfect, coherent whole, it was just a lot of fun and I really hope they get renewed. In particular I feel like tying the first trilogy to the Crows' story could create such interesting parallels in terms of themes, about power, the cost of survival, hope, trauma, etc etc

#shadow and bone #shadow and bone netflix #grishaverse #six of crows #leigh bardugo

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plush-anon · 4 years

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Happy Halloween Scooby Doo! Review

Muahahhhahahhahahaha! Thanks to the Walmart tradition of stocking movies for sale weeks before the intended release date, I have myself a copy of what claims to be Scooby Doo’s FIRST Halloween adventure!

…in spite of movies like Witch’s Ghost and Goblin King, holiday specials like WNSD’s A Scooby Doo Halloween (which had a haunted Scarecrow too…), BCSD’s EL Bandito (for Dia de los Muertos - obvs not the same, but most companies act like it) and Halloween, The NSDM’s Halloween Hassle at Dracula’s Castle, and the DTV short film Scooby Doo and the Spooky Scarecrow (which, ironically enough, did NOT take the opportunity to feature Dr. Jonathan Crane).

So let us take a look now at Happy Halloween Scooby Doo! and see whether this film will be a graveyard smash of a treat, or a black licorice bomb of disappointment.

Full review (and SPOILERS TO GO WITH IT) are below the cut in my new review format; if all goes smoothly, I’ll go with this for future Scooby films.

WARNING: This review is very long.

One minor note before we begin: the Special Features actually include BCSD’s Halloween, WNSD’s A Scooby Doo Halloween, and PNSD’s Ghost Who’s Coming to Dinner

...so they were AWARE this was not the first Halloween adventure of the Scooby gang, and yet still use that tag line. Hm.

Still, kudos for including them - this’ll help boost the reasons to keep this movie, if it turns out to be a real Milk Dud of a movie *ba-dum tish* :D

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The movie starts off rather abruptly, actually - no slow pan over the setting, just WB Animation credit and BOOM, we’ve cut to a Halloween parade and Elvira is talking.

I’m of a mixed opinion including Elvira on top of having Bill Nye and a Batman Rogue - while she most certainly fits the Scooby aesthetic, it doesn’t feel as grand an impact after her weird little cameo in Return to Zombie Island (ugh) and I’m not sure how well the movie will balance her in wait a minute

wait just a

WAIT A MINUTE

Did - did that parade float skeleton just sing Crystal Cove as the town’s name?

oh no.

Oh No.

....also their song is terrible and they should feel terrible.

-------

Fred: We got him! Banh Mi Shop, second floor!

me: the heck is a Banh Mi Shop? *mild googling noises*

So I guess Jonathan Crane really had a craving for a Vietnamese sandwich before he enacted his Halloween scheme.

...you think he’s a lemongrass chicken type of guy or a BBQ pork guy? It’s always hard to guess at these things, esp when coffee and pumpkin spice aren’t on the table (as per fanon, of course)

-----

Velma: We have a flawless track record!

So I guess WB is just gonna ignore the past few DTV retcons established in 13 Ghosts and Return to Zombie Island?

I mean that rather defeats the purpose of them existing at all, but fcuk YEAH I can get behind throwing that retcon garbage out of canon!

And STAY OUT!!

------

Shaggy, talking about ghosts being real: I’m like the boy who cried wolf - I keep warning you but like, you won’t believe me until I finally get eaten!

Yet again, Warner Bros makes a wolf reference to Shaggy. Yet again, I am torn asunder between wanting werewolf!Shaggy in a new Scooby property, and fearing for the appearance of werewolf!Shaggy in a new Scooby property.

-------

Velma: Point is, being afraid is a waste of time!

Scarecrow, LITERALLY EXPLODING THROUGH A BRICK WALL three buildings away:

------

He’s floating through the air and t-posing to assert his dominance 🤣🤣🤣

Gods bless animation 😁

------

Daphne @ Shag and Scoob locking themselves in the van: Are you serial?

Me: wait, SERIAL? *re-reads captions* yup, that says “serial”.

Is this an editing mistake? I don’t think that works here…unless that’s supposed to be a joke on how they always do this. But then why would that be an irritating surprise, they literally do this EVERY episode 🙄

-------

Oh hey, Red Herring’s Party Screams truck has Red Herring running out of it

Could this be a hint to how the story goes? The villain appearing on a literal Red Herring?

Naaaaaah, WB’s not THAT smart

-------

So if we take @captainbaddecisions crack theory on Jonathan Crane being Shaggy’s uncle seriously, does this mean that Jonathan is using magic to fly, float fear toxin orbs around himself, and making things explode, a la the family trait of Crack Theory A?

Logically he’s probs using wires or magnets or some shit, but it’s a fun thought to entertain 😁

------

Welp, we finally get the opening credits! … with Jonathan Crane smashing through the Mystery Machine’s windshield, set to a slow poppy song straight from the 60s, and spewing the title of the film out in glittery pink mist.

All the while Scooby and Shaggy throw candy at each other, deliberately obtuse to the cloud of fear toxin enveloping their friends and the townsfolk, the steady destruction of the Mystery Machine they’re laying in as multiple cars crash into it and send it spiraling, and the general mayhem and destruction that Scarecrow is causing

Never change, guys, never change

--------

I just choked on my lemonade

There’s an article plastered to the roof of the Mystery Machine titled “Talking Dog Confounds, Ignites Ethics Debate Over Dog Labor”

ahahahahaha

-------

Annnnnnnnd there goes the Mystery Machine, tumbling in the air and over the roads with Shaggy and Scooby still inside without seat belts. Will they perish in this horrible road accident? Will Death finally come to claim them at last?

Of course not. This is Shaggy and Scooby we’re talking about - I’m almost positive they can survive anything up to and including a nuclear bomb. This is child’s play to them.

-------

So they “capture” Scarecrow… by pinning his cape to a tree with crossbow bolts.

And they do not try to at least tie up his arms or his hands in ANY capacity.

JUST the cape.

...you know, Velma, for a team with a “flawless” track record, you guys are making a hecking TON of mistakes in facing against one of Batman’s ROGUES GALLERY, ESPECIALLY with no Batman in sight, good freakin’ grief. 😩

------

Yaaaaaaaaas, this Scarecrow design is LUSH

He’s got the lank, the height, the BTAS costume colors, the elongated face with beaky nose and pointed chin and angular cheekbones, the eyebags like Gucci, the furrowed brow… honestly the only thing missing is the more reddish color hair, and even that isn’t mandatory. I love 😍

Not to mention the HOT DAYUM voice he has - low and velvet rough and so godsdamned particular in a way that could either tie in to obscuring a southern accent as in fanon or just as a stringent academic, oh my yes. He’s voiced by someone called Dwight Schultz, who’s most well known for playing Captain ‘Howling Mad’ Murdock in the OG A-Team show, and someone called Reginald Barclay in Star Trek TNG and Voyager, if any of y’all know that character in particular.

And of course, the first line he says is a delightfully wry “Oh, but I AM getting away with it,” with the sort of smirk that absolutely lends credence to why he’s a threat to Batman, and not some simpering wimp that can be defeated with some crossbow bolts in a tree.

I think I’m going to enjoy this movie at least somewhat, so long as we get to see him 🥰🥰🥰

(tho on a side note: Daphne why on EARTH are you trying to film Crane saying the meddling kids line? Do you have a video compilation of past villains who’ve done that, and you hope to add his to it? Was your phone damaged when you went up against the Riddler a few DTVs ago and you want a second shot at recording a Gotham Rogue saying it? Bc I don’t think a Gotham Rogue would be too pleased with seeing himself as a Mystery Meme on the Youtubes, you get what I’m saying?)

-------

Okay, so the floating orb things are explained away as fear toxin bomb drones somehow… despite looking nothing like the other drones and being much smaller with no visible propulsion, while also flying unassisted through and around objects to explode against places once flung…

(tho interesting note, none of them are aimed directly at the crowds, just behind them - odd, that)

But how did he heckin’ FLY at the beginning?

Yeah, they show him wearing wrist-mounted grappling hooks at the end of the intro song sequence, but they are NOWHERE IN SIGHT at the beginning - and I do mean in sight, since he emerges against a backdrop of flames. There was nothing there (see the T-pose above for further evidence), and nothing there when he FLEW THROUGH THE MYSTERY MACHINE’S WINDSHIELD AND FLEW BACK OUT AGAIN. And these things are pale silver, which stands out like crazy against the darker backgrounds, so no hand-wavy ‘they were always being used’ bullcrap we’ve seen in other movies.

Hmmm *scribbles in notepad* note to self, add notation concerning Crack Theory A on magic!Shaggy to “Uncle Crane” theory files - evidence denotes that Crane is able to fly (or at least hover in mid-air unassisted) for terrorization purposes. May boost strength of CTA by family association, lending credence to magic inheritance along the bloodline...

------

“Avocado Toast Generation”? Crane, I honestly don’t know if you really mean that, or if you understand just how much that phrase gets under any Millennial/Gen Z kid’s skin. Having seen multiple variations of your character, it really could swing either way (tho kudos on the dead switch idea - very nice 👍🏻)

Although this does lead to an interesting stand-off: Fred, upon seeing the town threatened with 3 days worth of fear toxin, immediately moves to let Crane go, while Velma stops him and refuses to consider compromising if it means Crane escapes. They both look legitimately frustrated at the other for taking the stance they do.

Fascinating~

------

Hmmm

Crane honey, I don’t know if your drones are made of flash paper and hope, or if Scooby and Shaggy are using the reeeeeeeeaaaaaaaaally old candy (the stuff made about ~3 years ago most neighborhoods give out to the teenagers that knock around midnight on Halloween) to shoot them down, but either way you may wish to speak with the manufacturer about this

Then again, this IS Shaggy and Scooby - they probably could’ve spat marshmallows at the drones and brought them down with equal success and explosions

(and good on them for shooting those down! Atta boy 👍🏻)

-------

Aw dang it

1. They still have Crane captured and now in handcuffs (despite having… you know… NOT been bound by anything except cross bolts in his curtain cape thing)

2. Dwight Schultz has decided to pitch his voice higher and more nasally than what he has. Hopefully this is more of an incredulous sort of pitch than something that sticks for the rest of the movie, ugh.

Also, I think they’re framing the movie to be more Velma-centric this time around - she’s the one explaining to Crane how they tracked him down, apparently through a piece of fan mail he sent Elvira (is that the only reason she’s there? Also why was Velma examining random pieces of fan mail for toxins, Elvira probs gets hundreds a week irl) and it looks like they’re framing something up on how fear isn’t something you can pretend isn’t there. neat!

------

whajit

53rd?

53rd?!?!

ONLY 53rd?!?!?!?!

Boooo, Scarecrow’s WAY more popular than that! I call foul

---

Okay why is Daphne’s schtick so far to spit laaaaaaame slang after every sentence Velma says

I would rather this not be her schtick

Actually could she go back to filming mystery stuff, bc at least I can pretend it’ll build into the OG Zombie Island Daphne

----

Phew, his voice has returned to its low, raspy goodness

also, Crane needs to learn about personal space, good grief

(interesting clue brought up tho - Crane only steals tech that CAN’T leak his toxin, ergo it can’t be tracked until he releases it. Sensible use, given that Batman probs tracks it if it does.)

----

Velma: I’m not afraid of you, Crane. Fear is an illogical reaction to an imagined threat.

Crane:

-----

Crane: Fearless, then. Intelligent. Proud and stubborn. You remind me very much of the one person in this world I care about.

uhhhhhh

Yourself? Harley? Edward Nygma? Ichabod the raven? Idk, I’m honestly curious as to where this thread will go 🤔🤔🤔

-----

Fred, leaning against the Mystery Machine: Guys, it’s gonna be okay. She told me!

O_o

Fred? Honey? Are you sure you weren’t supposed to join Crane in the transport vehicle back to Arkham?

----

OH SWEET JESUS SHAGGY GREW YAOI HANDS

WHAT THE HECK

THAT’S WAY MORE UNNERVING THEN YOU GUYS NOT BEING AFRAID ANYMORE

(although the fact that they’re both unsettled by NOT constantly shaking or having their heart racing is honestly kind of heartbreaking. Y’all need therapy, good grief)

----

Shaggy and Scooby just chewed up candy (wrapper and all) to make themselves a Halloween costume of… what looks like barfed-up candy (ew)

Before then proceeding to dance so well that everyone around them also starts dancing in a 60s-70s era rainbow light show and giving them candy

I worry for these two sometimes - that kind of power seems to be getting to their head 😬😬😬

---

Oh hey, acid green toxic waste is spilling from an 18-wheeler onto the Fear Toxin drones and emitting a purple pink haze that envelops a pumpkin patch! That won’t do anything suspicious at all I bet!

(wait is Poison Ivy going to come into this at some point)

(also major kudos to the music here - very 80s horror synth, I like)

----

So the Pumpkins have grown faces, limbs, consciousness, the ability to fly and a lust for human flesh

And they appear to be led by the Pumpkin King of the Pumpkin Patch mentioned in the Charlie Brown Halloween special

He’s not as friendly as I pictured him being, sadly 😕

---

Why is this random ass cop coming up to FD&V to say that they’re in over their heads… AFTER the mystery’s been solved?

Like dude, you’re only making yourself suspicious at this point, go home

----

Huh, interesting - the gang are being interviewed for a tv news network while they’re considered the town heroes

Why am I getting bad vibes from this…

Eh, it’s probably nothing

----

Velma: {Shaggy and Scooby} are, um… REALLY into the Halloween spirit.

Shaggy: THIS ISN’T COSPLAY, VELMA!

I’m dying 😂

------

Holy Shit

Velma just snapped and went off on Shaggy and Scooby for acting scared and doing nothing to help wrap up the mystery

(even though these guys are the ONLY reason that the gang didn’t have to choose between setting Scarecrow free and poisoning the entire town for 3 days straight, but hey, what do I know - I’m just writing an in-depth reaction post to this movie and taking note of details like this, clearly I know nothing *eye roll*)

Last time I saw Velma critique the guys’ usual mystery solving shenanigans, it was much more low-key and without knowing they were nearby

But I’m sure that’s just a coincidence

------

What the

Bills?

Bills?!?!

Fred just mentioned that fixing the Mystery Machine was going to leave a hefty bill and that they may need to get dishwashing jobs to earn money

Which is more of a job you might expect a high schooler to get on the go and yet

They actually have to pay bills

How old are they here??!

------

wait a tic

THIS is how they introduce Bill Nye?

He just calls up Velma with no explanation other than Velma saying “Oh hey, it’s Bill Nye!”

I just - what?!?!

How do you know him so well that he can just pull up your number and call you, and then geT YOU A NEW FREAKING CAR LIKE

WHAT?!?!?!?

Was there a Scooby episode with him in the past two years where the fcuk did this come from

------

Also the car is dressed like Bill Nye

And he can talk to the gang directly as the car

So that he can solve mysteries with them whenever he wants

This… this was not what I was expecting to come about from the Bill Nye cameo

(alas, poor predictions of being Crane’s roommate, you will not come to pass this day) 😔

-------

Ooooo, purple haze throbbing on the horizon! That’s always a good sign of things to come! 😀

------

And now Daphne’s… asking Elvira to mentor her fashion wise. And Elvira’s taking her on as her unpaid intern/personal assistant.

Yooo, movie, can you pick a direction and stick with it for Daphne? You’ve gone from her spewing outdated slang to wanting a costume for trick-or-treating, and now this.

-------

Welp, now I can say I saw a giant pumpkin dog vore an old woman

I didn’t WANT to see that mind, but I guess I can say it now 😐

------

OH SHIT NO

IT TURNED HER INTO A FLYING PUMPKIN SHAPED LIKE HER FACE

ABSOLUTELY UNSETTLING, 0/10 WOULD NOT RECOMMEND

-------

At least we get a nice scene of Daphne kicking the pumpkins’ collective butt

Something normal

------

Elvira: WOW! You’re a regular Mary Sue!

*falls over cackling*

------

And now there’s a giant purple fissure opening up in the concrete to swallow the town of Crystal Cove whole

(good, i whisper softly into the darkness of my living room. Let it fall)

--------

Man, I feel so bad for this single father right now

He’s gotten wrapped up in all of this nonsense with his daughter, and he is just Distraught at being chased by Jackal Lanterns, having the town collapsing under his feet, and having to gorge jump in his sedan to get away from the worst of it

It’s okay, Mike Dad - we would feel the same way in your shoes

-------

Hologram Bill Nye is wearing Cat ears and cat whiskers/nose, and is cleaning his hands like a cat cleans its paws

Why was this the movie we found out Bill Nye was a furry

Why Warner Bros

Why would you inflict this upon us in a Scooby Doo-Scarecrow mystery

-------

Hey, can Jonathan Crane return now? The movie needs its dignity back.

------

A clue on the whys here - the town was built on top of a MASSIVE lithium deposit, with the talks to mine it being scrapped due to environmental concerns. That’s actually a decent lead in for why some

-------

Welp

The Jackal Lanterns just went full Mad Max with the Halloween Parade floats and cars

No, I don’t have any idea why either, just roll with it

-------

Nice, they confirmed that Fred’s full name is still Frederick Herman Jones XD

Also a great little action sequence with Daphne - while there’s not much movement, they frame the scene dynamically, with some good quick wordplay. Very nice.

--------

Velma has a mind palace

Aight

--------

Velma: Shaggy, I could kiss you!

Oh, to hear this as a child, when I still hardcore shipped Shelma *sigh*

------

Oh thank gods we’re going back to Scarecrow again

------

Shaggy ate some Scooby Snacks, leapt out of a moving vehicle, and onto the backs of two flying pumpkins that he promptly reined in to fly to Crane’s prison transport

...yet again, I am amazed at the sentences I am led to type for Scooby Doo DTVs

------

Ah, how very Hannibal Lector of you, Jon

Man, he actually looks very meek in normal clothes - red long-sleeved shirt and grey slacks

-----

Hmmm

So Crane ISN’T behind the Jackal Lanterns - in fact he’s outright befuddled by them. This means his whole spiel to Velma earlier about both of them being caught in the same trap was… metaphorical? The breakdown doesn’t actually go into WHY he thinks they’re in the same trap - Crane’s whole schtick is tied to accepting fear, not denying it, so why would they be the same?

Either way, someone is using both him and Mystery Inc to do something to Crystal Cove (please be Red Herring, please be Red Herring, please be Red Herring)

Actually, that reference at the beginning really WAS a red herring - they framed it as being Jon the whole time when it wasn’t. Kudos!

Additional kudos to having Jon be seen more out of mask than in - he is a looker, and I aim to look as much as I can ;)

-------

Annnnd Daphne’s now trying to convince Elvira to switch clothes with her

I don’t get it - how on earth did we get from Daphne trying to find a good costume for trick-or-treating to asking Elvira to switch oh there it is nevermind.

-----

There is literally a scene where a giant buzzsaw is slicing towards Crane

and he just

stares at it

going “huh, that’s different”

And I LOVE IT

------

And here we have another fascinating scene: Velma going to free Crane from his cell, as Daphne tells her to just leave him to die by pumpkin

I’m wondering if they meant to draw a parallel between the two here - Velma starts by reciting a nursery rhyme, then overcoming her fears in order to release madness to take control. It’s not done very cleanly - mainly bc we barely have any time with Crane in this movie - but I wonder if they meant to insinuate that Crane was like Velma once, where he refused to acknowledge he was afraid, which caused him to lose focus on his initial goals

Idk, ignore my ramblings

---

Crane, smirking: I’ll need my personal effects - extenuating circumstances.

Me, fanning myself: I’ll need you to remove yours first

(i am not even kidding, Crane is an absolute DILF in this movie and it flusters me. Stupid sexy animation)

---

YAAAAAAAAAAASSSSS

SCARECROW TO THE MOTHERFCUKING RESCUE BABY, SCYTHE AND FCUKING ALL!!!

WOOOOOOOOOOOOOO

----

FCUK YEAH THE GIFT THAT KEEPS ON GIVING

HE HAS A DANCE LIKE QUALITY WITH SOME OF HIS FIGHTING MOVES

VIOLENT DANCING BRINGS THE GIANT JACKAL LANTERN DOWN BABY

THEN HE BACKFLIPS AND GYMNASTIC SWINGS INTO THE VAN

ROCK IT SCARECROW FCUKING ROCK IT

(minor note here, but the subtitles show Dr. Crane instead of Scarecrow - unsure if that’s more that the movie calls him Dr Crane or if it indicates he’s acting more heroic than villainous)

---

GODDAMNIT

THE GIANT PUMPKIN SNUCK VINES INTO THE VAN AND STOLE HIM BACK

WHEN CRANE WAS... wearing a seatbelt before, but isn’t now.

...

BOOOOO

---

Yet again, we find a Scooby movie that attempts character development, but with Velma

Unlike Shaggy’s Showdown however, I’m mixed on how successful it is.

For starters, Velma hasn’t been this cocksure in other DTVs we’ve seen, so it’s a bit odd to see it now. While not 100% out of place - after all, the gang DID capture one of Batman’s Rogues Gallery on their own - it still feels a touch forced. Compare that to Shaggy’s Showdown, where Shaggy has ALWAYS been a coward (one that, in more recent years, writers have had willing to abandon his friends for safety), so the character development there feels more natural.

The progression of events with Velma actually work somewhat okay - but again, here’s where past DTVs come to bite them in the ass. The past handful have had the gang be wrong, have had them fail, or catch the wrong guy. This makes Velma’s attitude here at odds with the other films, something that sticks more due to a character that’s appeared in the past few films as a minor inconvenience - a Sheriff who keeps telling the gang not to interfere, they’re doing things wrong, etc. If this had been a character who was completely wrong in the past AND SHOWN TO BE WRONG FOR HIS OPINIONS, while the gang never guessed wrong, this would work much better. Unfortunately, it doesn’t, and here we are.

I think it would have flowed better if Velma’s cockiness came solely from catching Crane on their own. Have a random cop character or reporter or whatever (just not the recurring cop), insinuate that the gang is in too deep with Scarecrow, that he should be handled by the adults or professionals or whatever. Velma could bristle, overcompensate, and THEN fall from her pedestal like we see, reach out to the gang and commiserate over feeling scared, and grow. Again, it’s not too far to reach for, but they handle it poorly; as a result, the outcome feels a little more shoehorned in.

It’s an honest shame, bc we haven’t had a Velma centered story since Frankencreepy, and we all remember what a hideous fcuking mess THAT was *shudders*. Still, it somewhat gets its point across, I guess.

---

Fred why did you rip your shirt off

Actually better question why do you not have nipples

---

Awwwwwww

Velma just apologized to Shag and Scoob for snapping at them earlier, and admits how she doesn’t appreciate how much they make Mystery Inc what it is

Also she eats a Scooby Snack with them and admits they taste pretty good

----

Huh

Velma’s mind palace is the Mystery Machine driving through space

Also Shaggy and Scooby are able to telepathically follow her in and communicate with her

Literally, they actually followed her into her head telepathically, and show her their memories of things she hasn’t gotten to see tonight (while also possibly enhancing her ability to remember things, given how much DETAIL she captures perfectly of things that she would maybe have glimpsed in a millisecond AT MOST)

...another tally for Crack Theory A of magic! Shaggy and Scooby *scribbles*

-------

Fred, be very very thankful that there are no people operating those pumpkins in person cause uhhhh

Those traps would be spraying red instead of orange

------

Another weird music choice - the gang goes up to fight the Jackal Lanterns, but the music is the same 60s bubble we heard earlier

Not terribly atmospheric, really

(wouldn’t a Smashing Pumpkins cover of Scooby Doo be more appropriate, or did you guys spend all your money on hiring Elvira and Bill Nye?)

------

Dang

Velma just admitted her fears and jumped into the mouth of the Mega Pumpkin, before getting Fred to use the app from earlier to shut it down, revealing it to be a giant drone surrounded by smaller pumpkin drones

This feels… counterintuitive, but I’ll try to explain at the end

---

Okay

I’ll admit it

The Whodunnit is actually pretty decent in concept

There was a sprinkling of tidbits that could be assembled for the final conclusion and still make a decent amount of sense, all to find the sheriff doing it

Only he isn’t a sheriff

He’s a former Tech CEO who was also busted by the gang years ago in a case the Sheriff kept bringing up throughout the movie - due to his prison sentence, he lost more than half his wealth and the opportunity to expand it further with the Crystal Cove Lithium deposits

He was also someone who sold tech to Crane for his fear toxin distribution, where he got the idea to frame him for it

(tho on a side note, Crane is an absolute dork and a terrible liar - just look at the email he sent XD and that profile pic, my gods)

He deliberately picked at the gang for the past few DTVs (specifically 2: Return to Zombie Island and Curse of the 13th Ghost) to fracture their confidence, undermine them, etc - all so that in one fell swoop, he could retake his fortune, frighten everyone in town away from the mines so they couldn’t interfere, frighten away the gang (while also ruining their reputation as mystery solvers), and take Crane off the docket so he couldn’t identify the CEO when he pretended to be the sheriff

This… is actually a pretty damn good plan, for a Scooby villain. He was patient, manipulative, and clever, learning how best to tie up loose ends and win back what he lost. A clever revenge story that came so close to coming to fruition, and could have honestly been sold convincingly…

...if it hadn’t been done so much better in Scooby Doo 2: Monsters Unleashed.

Yeeeaaaah, this movie basically lifts the rough framework up from that one - past mystery villain comes back to attack the gang and ruin their reputation (tho this one decides to also make his fortune back and tie up loose ends with former criminal contacts, a la Crane). Gang is embarrassed in front of the news folk, another villain is framed for it (like Old Man Wickles of the Black Knight fame), and the gang must reconcile to foil the villain for good.

Although it also??? Merges elements of Frankencreepy in it?? The movie is focused on Velma, who is struggling to admit when she’s wrong (which ties into her fear, somehow… I’ll think on that point a little) and things purportedly go haywire when she won��t bend. This… isn’t illustrated as well here, since there’s very little direct cause-and-effect from Velma’s actions that would prove this point - that insisting her way is the right, best, and therefore only way to go ends up making things worse.

As much as I despised Frankencreepy (and I DESPISED IT), it did do that part well - showing that refusing to budge on something can lead to you hurting your friends (literally, in that one), and that admitting you were wrong and need help isn’t the end of the world.

(that movie also had former villains returning to gain vengeance upon the gang using psychological warfare, hm - may need to go over that one again, unfortunately).

It’s a shame, too - the basic elements for this plot are all here, they just need to be polished and reworked a bit to make a really fascinating movie.

------

Anyways, back to the asshat CEO who just… faked being a sheriff. Because white people can get away with that so long as they have the outfit and the car *throws up hands* (the sad part is this is probably something that actually happens)

As he drives away we see a familiar silhouette looming in the cornfields, watching him approach

Velma had Bill Nye on speaker, so he could record the entire confession for the federal officers nearby (who were taking Scarecrow back to Arkham), and track the phone signal to his exact location

And right as his holographic call cuts out, we see the shadow of a Scarecrow looming over him, causing him to scream.

When the feds arrive at his final location, both his body and the money have vanished. The car still sits, engine running, before the crows leering over him from the field vanish into the sky.

-------

Now that he’s dead, the gang walks and finds themselves at a Halloween party, with friendly faces and good food. The mystery is solved, though the culprit may never be found again.

Then Daphne admits to NOT trying to steal Elvira’s costume for Halloween, but instead trying to steal Elvira’s identity and replace her.

Something that she’s apparently nearly gotten away with on past mysteries working with Phillis Diller

*sighs* movie, why couldn’t you just stick to the costume schtick? This is just… so much worse.

-----

From there, Elvira walks off to wrap things up, reveal the monster face on the back of her head sans wig (which was also a monkey), and start the credits, where we see the gang working to bring the Mystery Machine back to its former glory a la Frankenstein pastiche.

This movie… this movie is a hot mess, but at least it’s an OKAY hot mess.

It really does feel like someone started writing a decent Velma-focused movie concerning the Scarecrow and a past Mystery Inc villain interfering, but was bogged down by notes from higher-ups: Wait! Write in Elvira! Also write in Bill Nye! Hey, let’s have a Mad Max car chase with the Jackal Lanterns! And have Daphne obsessed with literally becoming Elvira! Also make reference to things that we’ll insist be explained this way instead of a way that makes sense! Great!

(seriously tho, we never find out who Crane cares about most that reminds him of Velma, what the heck?)

It’s like two or three different scripts were smooshed together without being cleaned up - stuff is said that doesn’t get resolved, the celebrity guests don’t get to breathe much and feel squished together, and the build-up for the villain feels… less impactful, even knowing that he’s been in the past two films.

It might have worked if he’d been in… let’s say like 5 or 6 DTVs in a row, speaking roles for dissing the gang growing in each (ex start with “Good job kids! But maybe next time, leave it to the professionals, okay?” and growing more bitter from there), but only 2 feels kind of meh. Still, I do appreciate the clues we got to collect together, and they all work in the final breakdown of the scheme - some DTVs can feel like they pull stuff completely out of nowhere, so kudos there.

I appreciate what they wanted to do with Velma - give her a character development arc similar to Shaggy’s in Shaggy’s Showdown. Unfortunately, it wasn’t set up quite so neatly: they blended her ‘refusal to admit fear’ with her overconfidence that she was always right, and it led to a weird conclusion. To face her fears, she leapt into the Giant Pumpkin, which… proved that she was right all along about it being fake, and that solves things somehow. It doesn’t address how she can get something wrong sometimes, it doesn’t really address what she’s afraid of (which is honestly quite good: she’s afraid of failing in a way that allows bad guys to escape justice and in a way that hurts her friends), it’s just a bit of a mess. Points for aiming the focus the right way (and in a way that DOESN’T sexualize the underage teenage girl, unlike some DTVs cough cough Frankencreepy cough cough), but it’s very very messy how it goes about it.

The movie actually balanced pretty well for the whole gang - no excessive focus on one leaving the rest in the dust (too much at least - Fred was a touch underdeveloped, but nowhere near as annoying as past iterations have been. Shaggy and Scooby were kind of meh in some places but great in others, while Daphne was just odd. I think they were trying to recapture the BCSD Daphne characterization, but they failed. Still, she did spend some good time kicking ass with the pumpkins, so that was fun.

Now for the Rogue, Jonathan Crane. If you like Crane, this movie gives you: maniacal Scarecrow, calm and creepy Crane, a brief glimpse at fanboy!Crane (he admits in his own awkward way that he’s a fan of Elvira, and later tells her he loves her work - it’s fun), and (best of all for me) a heroic Crane - one who helps the protagonists and ends up kicking ass pretty damn well, brief as it was. And while DILF Crane is always a treat, he feels underutilized in this. In comparison, Scooby Doo/Batman Brave and the Bold really utilized a lot of different aspects of Riddler, to the point he actually does feel pretty menacing by the third act. It’s a shame we don’t quite get that with Crane, but I do love seeing him 1. More out of mask, and 2. Acting as a good guy (in his own way), so he’s enjoyable on the whole.

I kind of wish that the whole movie was spent more with Crane, but again, the script is a bit of a mess on this part - the fact that he’s not completely screwed over is a goddamn miracle.

Elvira was… okay. She didn’t have much of a purpose beyond getting the plot started and giving Daphne some hooks to play off of. Bill Nye (abrupt as his introduction was) did provide some necessary elements to the mystery, as well as the tech; he wasn’t too bad by the end. (still a touch bitter we didn’t get ex roommate Nye, but hey, what can you do)

Humor was… mixed. Some good, some meh, but very few long enough to feel painful. Some bits felt extraneous at times, but they did help to build to the conclusion, so points for effort.

At the end of the day though, I’m probably keeping this more for Jonathan Crane than anyone else. It does have a lot of fanfic potential tho 🤔🤔🤔

That’s all from me tonight, folks! Hope you enjoyed my own little breakdown of the movie.

#happy halloween scooby doo #plush reviews: final thoughts #jonathan crane #scarecrow #spoilers

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gascon-en-exil · 3 years

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But What If You Want to Come Out on Vers Bottom?: A “Coming Out on Top” Review (Part 4)

Part 1

Part 2

Part 3

All that’s left now are the ten Brofinder dates. Because there’s so many of these and because they’re all fairly short with only a few variations in how they can go down I’m not going to be spending much time on each - just a quick overview of the stories as well as an evaluation of the inevitable sex. The quality does vary a fair bit, although it’s all subjective as to which are better depending on what kind of story you’re looking for as well as, in some cases, your kinks.

Jake

Comes with a fairly obvious death condition, a sequence in which Mark and Jake get to nerd out over The Legend of Zelda, and another in which Jake lectures Mark/the player on the virtues of polyamory. I’ve always been poly-friendly myself, and the lecture does lead into a - thoroughly random - train scenario, but to say it’s not how you’d logically expect this date to go down is a bit of an understatement. Jake never even takes his shirt off, so in place of a body hair toggle he gets one to dye his hair pink for whatever reason. It’s a shame too, because at the start of the date there’s some discussion over Jake’s weight and how he should be confident in his size and his unusually elaborate buffet eating strategies.

Tommy

Like Jake’s date Tommy’s rapidly goes to some unexpected places, but in his case those places entail getting kidnapped and forced to talk through the failures of the criminal justice system at gunpoint. There are more than a few chances to get a quick game over, some funnier than others, but if Mark survives to make it to Tommy’s place he’s greeted by a brief but hot round of sex with the one man in the cast whose dick size is talked up even more than Brad’s. In this case it may actually be warranted; the girth of that thing looks positively inhuman in the CGs, so, rejoice if you’re into that.

Frankie

This guy talks an outlandishly highbrow game that he very clearly can’t deliver on, and having a successful date with him requires Mark to be as aggressively honest as possible as a means of badgering Frankie into admitting to all his unsubtle deception. The man underneath them may just be a more pathetic prospect than Mark himself, but at least the player gets treated to as good a striptease as this game can deliver with its assets followed by sex on the beach...literally, not the cocktail. This date reserves inexplicably dirty names of that nature for gelato of all things.

Luke

The absurdity only continues to build as Mark is invited to “Streamflix and chill” by an Irish frat bro who doesn’t know what that term means because apparently this universe’s Netflix knockoff doesn’t exist in Ireland. It’s up to the player to smoothly guide Mark through a showing of an inspirational story about a narcoleptic rugby player to get to the grand prize of a chance to quietly blow Luke under the blankets when his housemates could walk in at any second (or provide off-the-cuff commentary on Brokeback Mountain, as it happens). There’s also a dream CG at the end featuring yet more sports roleplay sex, as if Brad’s route didn’t offer enough of that. My favorite part though is Luke complaining about American bars not serving alcohol past 2 AM, as I agree with him that it is utterly barbaric.

Cesar

As should be apparent, this is the one with cop sex. Mark gets caught up in a drug sting, and depending on how the player feels about Ian’s suggestion of bringing along ranch dressing (or rather, ranch dressing mix) to the supposed siesta the specific type of cop sex will either be a fairly standard round of Mark bottoming or one of the only finger-fucking sessions in the game. Either way Mark will be resisting arrest as well as sexually harassing a police officer following what was very obviously a setup targeting cruising gay men, but because this is an erotic dating sim and every man in it wants Mark’s ass let’s all withhold our reservations regarding the ethical ramifications of this entire scenario. I have no trouble doing so, although that’s mostly because cop sex does nothing for me.

Terry

Well, color me surprised - if not terribly aroused - because at long last we have a twink. There seems to be a thinly-veiled pop culture reference here, to something like a younger Justin Bieber or one of those guys from One Direction, but as wild as this date ends up going I find it hangs together rather well even without working as an allusion to any specific celebrity. Mark finds himself billed as the winner of a date with a pop star, and hilarity ensues as he encounters screaming fangirls, a creepy stalker trying to get locks of Terry’s hair, and a karaoke contest in a dive bar where New Orleans gets name-dropped because this city is mentioned in so many songs and where Mark “rocks the hell out of” Schubert’s Ave Maria, somehow. The sex itself is a novelty, with the choice coming down to either Mark giving a rimjob while Terry performs autofellatio or Mark pounding some twink ass. A post-coital hair snipping for the stalker is optional.

Donovan

This man has some hang-ups, and I still can’t decide whether they’re hot or not. At first pass this date is a bite-sized deconstruction of what Dream Daddy could have been had it been interested in actually examining the kinds of relationships it claims to center around - Donovan is a literal father, divorced and new to the dating scene and clearly uncomfortable with many aspects of it up to and including the very sexualized concept of gay daddies. His attempts at flirting and blending in at a gay bar are awkwardly endearing, but as I suggested with Alex I think CooT wants to have it both ways by having Donovan opine about being treated like a daddy...when he looks the way he does and while he’s buying drinks for a guy more than ten years his junior. Even his attempt at more authentically bonding with Mark via an impromptu woodworking tutorial quickly pivots into innuendo and heavier flirting leading up to the inevitable sex scene (although the player should note that in order to get said sex scene you’ll have to know a little about what Donovan is teaching Mark as well as allow him to step away for a heart-to-heart with his teenage son). What follows is shower sex where Mark tops his bull of a date - so if you’re into big hairy bottoms and didn’t get enough from some of Amos’s options this is your story.

Oz and Pete

No Grindr analogue would be complete without a partnered relationship looking for one more, and in truth this date earns some major points for realistically capturing the mix of awkwardness and sensual chaos that comes from jumping in bed with an established couple. This includes crossed wires on who’s using the shared profile, a bit of informal relationship counseling, and the messy but inevitably uneven bonding Mark does with either Oz or Pete. There are two successful paths to this date according to which of them Mark spends more time with at the bar, with each of them building up to a particular type of fetish sex that the two of them haven’t discussed with one another until now. For Oz (on the left) that’s double penetration, while for Pete it’s cuckoldry with some bonus rimming and felching in the scene itself. This is admittedly one of the more physically demanding scenarios Mark can find himself in, especially if he favors Oz, but as I said it’s handled with a surprising amount of realism. Plus there’s a comment before the date that sort of handwaves Mark’s pre-sex stretching that goes along with an utterly ridiculous (mental) image, so I’ll let it slide.

Theo

This one is interesting, to say the least. Mark is paid to pose as Theo’s fiancé at his ten year high school reunion, as part of a ploy to show off how successful Theo has become and rub his former bullies’ noses in it. In addition to the usual wacky humor - and cameos from both Penny and Ian - this is a story with a fair bit of heart to it depending on how Mark deals with the situation. He can either play the perfect partner and earn Theo the recognition he craves...or he can go as absurd and over-the-top as possible but don’t try rickrolling the bullies because that’s a step too far, making a spectacle of himself and teaching Theo a valuable lesson about not caring about the opinions of the people who used to mock him. Provided the date’s a success in one form or another Theo will proffer the above Dom/sub scenario, and Mark can respond either by agreeing to be a sub (either in the comparatively vanilla sense if he was sensible at the reunion or as a pup if he went overboard with it) or by flipping the script and making Theo his sub for the evening. They could have done a lot more with the pup play considering it’s just the sub version with a collar and canine sound effects, but there’s already more logical bang for your buck going on in this date than in around half of the others.

Hugh and Jesse

This is...I can’t even....

Okay, whatever. It’s the last one. It’s not a date, properly speaking, but is accessed if Mark chooses to play with himself on the Brofinder menu. He gets high off some incredibly dubious weed given to him by Ian and proceeds to get intimately acquainted with his goldfish Slurpy in what is CooT’s second-heaviest icthyophilic moment (Google for #1, I already said back in Part 1 I’m not going there). If he calls for an ambulance he’ll be taken under the care of a pair of twin EMTs who make up for what they lack in professionalism with the kind of zany determination you’d expect with a setup like this. At that point it’s the player’s choice of a spit roast or a combo blowjob and rimjob. Adding to the overall disorienting effect of this “date” is the game experimenting with perspective and its visual assets in ways rarely seen elsewhere and that honestly don’t work very well. There’s only so much you can do with such, ahem, stiff portraits.

#Coming Out on Top

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sage-nebula · 4 years

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why didn't you like steven universe future? not mad, just wondering

I didn’t like it for … quite a few reasons. Fair warning that this is probably going to be long, it’s going to contain spoilers for Future, and those who really liked Future for whatever reason are probably not going to agree with me. And that’s fine! But I do ask that if you disagree that you don’t try to start a fight over it. That would be a waste of everyone’s time, including yours, because I’m going to be thirty in twelve days and so I really don’t have the time or energy to get into heated fights with people over children’s cartoons anymore. I’m well past that stage of my life. (Also keep in mind that while I’m very critical of Future, I really like the original series, which is why I’m critical of Future. So if there’s any confusion, let me clear it up now: I am not in the “SU crit” crowd.)

So with that said …

My first issue with Future is with its format, and particularly the issues that it had with character balance. In the original show, while there were obviously some characters who were relegated to side character status and thus didn’t get as much attention as other characters did (e.g. Lapis Lazuli, Peridot, Lars, et cetera), we still had a sensible mix of characters in each episode, there not only to contribute to the plot, but also to bounce off each other. If it was a townie episode, you’d probably see a good mix of human characters interacting with Steven. If it was a Crystal Gems episode, in most cases all of the gems would show up at some point or another, and so on. Characters who had established relationships with each other often showed up with and interacted with each other (e.g. Lapis and Peridot, however you want to interpret their relationship). It felt natural for this to happen. It made sense for all the characters involved for everyone to get focus, for the episodes to not be centered on One Character and One Character Only.

And Future … didn’t do that.

Particularly notable and bad in the latter half of Future, Future’s episodes tended to focus on Steven + One Other Character. “Guidance” was Amethyst’s episode, so Amethyst was the only person Steven interacted with at length. “Volleyball” was Pearl’s episode, so Pearl (and Pink Pearl) was the only character Steven acted with at length, and so on. In a particularly egregious example, and the one that really made me notice the problem, “In Dreams” was Peridot’s episode, and so Lapis was not seen nor mentioned despite loving Camp Pining Hearts so much that she rewatched all the seasons with Peridot, made a meep morp specifically due to her love for the show (e.g. she made fanart!), and in the comics has an entire issue where she and Peridot not only put on a Camp Pining Hearts play, but where Lapis shows that she’s memorized the show’s dialogue and even does impressions for Peridot. Yet although Lapis is such a passionate and devoted fan of the show—although their mutual love for the show was something that helped Lapis and Peridot bond—she apparently has no interest in watching the reboot. Or if she does, we don’t get to hear about it, because again, she isn’t mentioned at all because “In Dreams” was meant to be Peridot’s episode.

Now, a disclaimer: I do ship Lapidot. I think I’ve made that pretty clear before. But the fact that I ship Lapidot isn’t why I’m annoyed that “In Dreams” was only allowed to have one (1) character besides Steven, and thus Lapis was excluded. I’m annoyed because it makes zero sense given things about Lapis’ character that were established in the previous series and supplementary materials. Lapis loves Camp Pining Hearts. Therefore, Lapis should at least have an opinion on the reboot, even if it’s only Peridot saying that Lapis wants a full report on the reboot to know whether it’s worth watching or not. The fact that she isn’t mentioned at all distracted me, because I spent the episode wondering why she wasn’t being included in a watch party for a show she loved so much she made fanart for it and memorized the dialogue to impersonate the characters.

And as I said, this is far from the only episode where this happens. Each non-Steven character seemed to get one, and only one, episode where they were Steven’s Plus One, and therefore were either inexplicably missing from other episodes, or only had brief cameos at best. It took until episode 12, “Bismuth Casual”, for Connie to have an appearance for more than a few seconds, and even then, she was mostly only there to show how awkward Steven was interacting with humans (since apparently all those townie eps we sat through in the original series meant nothing in the end), because “Bismuth Casual” was Bismuth’s episode, and thus the only one she had a real appearance in. In “Together Forever”, we were given a half-assed excuse for why Garnet didn’t stop Steven from getting his heart broken (”you would have done it anyway”) because a.) having Garnet give Steven good advice might have ruined the “plot” and b.) it wasn’t her episode, so they didn’t want to give her real focus. As a result of wanting to keep the Steven + One Other format, they sacrificed characterization and narrative cohesion by excluding characters that it would have made more sense to include. It was distracting, and it didn’t work for me at all.

Now, you might be wondering: why did they do this? Was it really necessary to do things this way to focus on how awful Steven’s mental state was? Well, no — but that’s not why they did it. Rebecca Sugar revealed why she chose to write Future this way in an interview after it ended:

“… There was a lot about the story that the initial run of episodes had told that I wanted to recontextualize because I think that people […] really put a lot of their focus on—not unlike Steven himself in the character—put a lot of focus on the Gems’ stories that were going on when really as a team we were always very interested in his human story.”

To paraphrase: Rebecca Sugar was upset that people were more interested in the Gems rather than Steven, and as such she cut them out of Future as much as possible to put the maximum amount of focus on Steven and his issues so that we could learn to appreciate Steven instead.

And this … does not work for me.

First and foremost: You cannot force your audience to like or be invested in a character. You just can’t. In fact, trying to do that often results in the opposite effect; the more you try to shoehorn audience focus and love onto one particular character, especially at the cost of other characters, the more the audience tends to dislike them. I believe the term that TV Tropes uses for this is “The Westly”, or “The Scrappy”, named after characters that, well, became disliked because of how the creators tried to force the audience to like them. It’s perfectly fine, as a writer, to want your audience to focus on a particular character or story point that you think is cool, and it’s perfectly valid to be disappointed when they don’t. But when you create a sequel series specifically to … punish, for lack of a better word, your audience for, say, taking comfort in how good of a parent Greg was to Steven, or for caring deeply and being invested in the plight of the Gems and all they went through in their past instead of being focused on the child character who, in a lot of ways, acted as the audience surrogate … a.) it’s not going to work, and b.) you’ve lost a lot of my respect (not that you care, because you don’t know me), from one writer to another.

But on a more personal level, this doesn’t resonate with me because I never did care about Steven that much, in honesty. In fact, to be the most honest, part of the reason why I put off watching Steven Universe for so long is because Steven’s bratty behavior in the early episodes annoyed me to no end. I was so frustrated by the fact that this bratty, annoying little boy somehow had all the answers that these strong, brave, very competent women around him just somehow couldn’t see or have themselves. When I did start watching, I watched solely for the Gems. I did come to like Steven over time as character development set in and matured, but even so I was never personally invested in him or his story. I always liked side characters more. Even when it came to the humans, I preferred characters like Greg, Connie, and Lars to Steven himself. (And yes, Lars was a huge jerk at first, but this wasn’t treated like an acceptable thing like Steven’s often bratty behavior, which is why it was palatable to me. Also, yes, Steven was a child and so was allowed to be bratty, but that doesn’t mean that I have to like him as a character even if I acknowledge that his behavior is in-character for a thirteen-year-old who has the maturity of an eight-year-old.) So to have Future focus entirely on Steven and his woes, and especially in a way that clashed hard with some of my own lived experiences and values (tl;dr: as a survivor of parental abuse, I would have killed to have a parent as loving and supportive as Greg, so Steven lashing out at him really did not sit well with me at all) really put me off Future and Steven as a character. Rebecca wanted me (and by me I mean “as a person in the audience”, not me in specific) to focus more on and appreciate Steven, but her writing in Future actually did the opposite. It took a character I grew to like and made me dislike him again.

And on that note, Steven himself. In the Gizmodo interview mentioned above, Rebecca talks about how she believes the audience took what Steven was going through for granted (which I don’t think is very true at all given fan discussions and pleas for Steven to see a therapist even before the Future episodes started airing, but hey), but she also says that she wanted to focus on feelings of inadequacy, overwork, and learning that you deserve love because those were experiences she herself had while working on the original show, and so she wanted to explore those experiences through Future and chose Steven to do it. To quote:

“I learned that I just really needed to take care of myself and respect myself and believe that I deserved friends and love. When I started the show, all I cared about really was working. I was very proud to work myself into abysmal health, and I think a lot of people can relate to this, especially artists and people in animation. […] So a lot of what I ended up writing towards the end of the show was about the work that I was doing to try and build a foundation of self-respect that would just allow me to keep functioning at work. By the end, I think I really arrived somewhere that I’ve never been before, where I felt comfortable reaching out to people and saying, ‘Hey, do you want to hang out?’—something as simple as that without assuming that they wouldn’t want to spend time with me? Or little things, you know? Something as simple as putting down my pen and taking a bath just cause I wanted to, or taking a nap in the middle of the day—things I just didn’t feel I deserved before. That really became part of the arc of the show and a lot of what I ultimately wanted to write about in Future.”

Now, there are two things that I want to say first, before I continue:

The fact that Rebecca went through such a horrible time with her mental health, that she suffered as much as she did, and that the animation industry is an industry which promotes suffering like it does, is all heartbreaking, and I am so relieved to hear that she’s in a better place now, and I am goddamn proud of her for reaching that better place. I’m so proud of her for taking care of herself, I’m happy that she has better self-esteem. It’s awful that she had to suffer breakdowns to get there, but the fact is that she’s been working successfully on recovery and that is amazing.

Fiction is an incredible outlet and way for expressing what you’ve gone through in your life. Anyone who has ever written a story can tell you that they put some part of themselves and their lived experiences into what they write. The fact that Rebecca wanted to use a cartoon to share her experiences with mental illness and mental health recovery is perfectly valid and understandable. Not only can she create what she wants, but sometimes telling stories is the best way to express to others what you went through in a way that makes it easier for them to understand your experiences. I don’t condemn Rebecca for doing this at all.

With those things said, though … I really have to ask if Steven Universe was the correct fictional universe to do it in, and if it really worked for Steven Quartz Universe, the character.

The thing I loved most about the original show is that it was, in Rebecca Sugar’s own words, an idealist fantasy world where all conflicts could be solved by talking them out and that the tone was overwhelmingly optimistic. I started watching Steven Universe during a breakdown of my own, because I needed something soft and easy to digest that also had a ton of episodes (and by that point, Steven Universe did have a lot of episodes). Steven Universe didn’t have Reality Ensues moments, by and large. There were characters that had trauma (e.g. Lapis Lazuli), but although trauma was portrayed realistically (and in fact, as someone with complex post-traumatic stress disorder, a.k.a. C-PTSD, Lapis is one of the best portrayals of it that I’ve ever seen), for the most part the show always erred on the side of optimism. It wasn’t, “Things are bad, and now they’re getting worse, and now they’re getting worse, and now they’re getting worse” on and on for twenty episodes straight with no reprieve. Even when characters were in bad places that weren’t fixed by the end of an episode (e.g. Garnet and Pearl’s fight lasting several episodes, Lapis running away to the moon and then running away again when she couldn’t overcome her hypervigilance and anxiety), the tone of the show typically suggested that there was still hope for things to get better. It dipped the audience’s feet into the angst bucket, rather than grabbing them by their hair and waterboarding them with it.

But Future was so heavy on the angst that it was memetic to call it Steven Universe: Fear instead. Every single episode only seemed to make things worse. And while that is understandable in the sense that the show wanted to lead up to Steven’s emotional breakdown corrupting him (if that is indeed what happened; it’s still unclear), it’s jarring when you consider the original show’s tone wasn’t that dark and emphasized the importance of communication, rather than showing that the titular character, once known for employing Jesus no Jutsu (a.k.a. talking at problems until they’re no longer problems) to great effect now suddenly actively shunning communication as a means of conflict resolution. “Prickly Pair” is, in fact, a great example of how much of a departure Future was from its predecessor. Steven spends the episode having a conflict over how he feels that he can’t talk to the Gems because they’ll feel guilty for not being there for him, which, okay, I can buy that given that he was always acting as their counsel in the original series. The episode ends with Cactus Steven going on a rampage and attacking the Gems, Steven realizing that this happened because he vented to Cactus Steven about the Gems and didn’t show Cactus Steven love or affection, and the Gems (after Cactus Steven leaving) asking Steven if there’s anything he needs to talk about in a way that’s gentle and shows they want to listen to and help him. And Steven, having realized that this entire mess happened because he talked about the Gems rather than to them … decides to double down on not talking to them and instead bottle everything up instead.

See, in the original series, Steven would have realized that since Cactus Steven went on a rampage because Steven vented to it rather than talking to the Gems about the issues he had with them that what he should do instead is, you know, talk to the Gems and tell them how he feels, especially since they now already have a pretty good idea given that Cactus Steven regurgitated it all to them. This would have resulted in, perhaps not an instant-fix, but a definite road to communication and healing much, much earlier than the fifteen-odd episodes of things getting worse that we had to sit through after this episode aired. But because Future needed to build up to Steven having a breakdown, and because Rebecca wanted to write about her own experiences of bottling things up and pushing onward despite her worsening mental health, Steven didn’t learn the obvious lesson that he would have learned in the original series (hell, that he arguably already knew in the original series), and the Cactus Steven incident was literally never brought up or followed up on again in the episodes that followed, because the episodes that followed didn’t have a big focus on the main CGs. (Which, again, goes back to the format issues, because in the original series you better believe the main CGs would have followed up with Steven about that little incident rather than just apparently forgetting it ever happened.)

I’m not saying that it’s unrealistic for Steven to have trauma or issues due to everything he went through in the original series. What I am saying is that being so heavy-handed with showing those issues, plus having Steven do things that don’t necessarily align with previous characterization, feels a bit more like writing for the sake of a message rather than writing for the sake of character. I’m also saying that Future’s hyper-focus on showing just how Bad things were for Steven, as well as how Bad the Gems and Greg were at parenting, as well as the whole “Steven gets CORRUPTED, GASP” bit at the end, felt quite a bit like a fanfiction to me. And don’t get me wrong, I’m not knocking fanfiction—believe me, I’ve written a LOT of it in my day—but there is a reason why fanfiction is, well, fanfiction, rather than show canon. It’s fun to explore concepts such as Steven going darkside and shattering Jasper and trying to shatter White Diamond and then turning into a giant dinosaur, but is that really something that we want written down in the history of the show’s canon? Do we really want to make Steven Quartz Universe the only character in the show to outright murder someone on-screen, and then laugh about it later, and also never give the murdered character any sort of closure or conclusion to her own arc? Is that something better off in canon, rather than in the realm of fanfiction?

Hm.

All in all, I just feel that Future doesn’t jive with the original series in terms of content or tone. The episodes were entertaining enough, but overall it left a bad taste in my mouth. Given that the original series had a perfectly fine finale with “Change Your Mind”, I’ve decided to take that as the ending to Steven Universe, with the movie serving as the epilogue. Future is, to me, something optional. Rebecca wanted to explore her own experiences through the lens of the character she liked the most, and that’s fine. I’m happy that she got that out of her system. But Future didn’t work for me, I didn’t like it, and so I’m electing to ignore it, personally. I’m not going to include it the next time I rewatch the series. YMMV, and that’s fine! If you liked Future, I’m happy for you. But I didn’t, and this is why.

I hope that was a satisfying answer.

#steven universe #steven universe: future #Anonymous #it's just not canon to me #and that's OK

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dukereviewsxtra · 4 years

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Duke's Monsterween: Hocus Pocus

Hello, I'm Andrew Leduc And Welcome Back To Duke's Monsterween...

Where Today On Duke Reviews Xtra We Start Our Halloween Look At Disney...

youtube

By Talking About Disney's Halloween Classic, Hocus Pocus...

This Film Is About A Teenager Named Max Dennison (Played By Omri Katz) Who Along With His Love Interest (They're Not Exactly Boyfriend/Girlfriend Yet) Allison (Played By Vinessa Shaw) And His Young Sister, Dani (Played By Thora Birch) Bring Back 3 17th Century Witches, Winifred (Bette Midler), Mary (Kathy Najimy), And Sarah (Carrie Bradshaw) Sanderson Back From The Dead...

So, With The Help Of A Boy Trapped In The Body Of A Black Cat Named Thackeray Binx (Played By Max Goof) They Must Stop The Witches Before Midnight On All Hallows Eve Or Else All The Salem Will Be Doomed...

Will They Succeed?

Let's Find Out As We Watch Hocus Pocus...

The Film Starts In The 17th Century When A Human Thackeray Binx Awakes To Discover That His Sister Emily Is Being Lured Into The Woods By Witches...

He Tells His Brother Elijah To Get His Father And Summon The Town Elders While He Follows Emily To The Witches Hideout...

There We Meet 3 Old Witches Named The Sanderson Sisters Who Intend On Getting Emily To Drink Their Potion So They Can Steal Her Lifeforce To Become Young Again..

But Before They Can Get Emily To Drink It, Binx Reveals Himself To The Sisters And Dumps Their Potion In Their Cauldron On The Ground...

But Despite Doing That Binx Is Too Late, Emily Has Dranken The Potion From Winifred's Mixing Spoon. Blasting Binx With Force Lightning, Winifred And Her Sisters Steal Emily's Lifeforce And Become Young Again Or Younger As Winifred Puts It ...

As For Binx, They Transform Him Into A Black Cat Before Being Invaded By Binx's Father And The Town Elders Who Proclaim Them To Be Witches And Have Them Hanged Until Dead....

But Before They Are Hung Winifred Proclaims That On All Hallows Eve, A Virgin Will Bring Them Back, And Then, All The Lives Of The Children Of Salem Will Be Theirs...

youtube

Fast Forwarding A Few Decades Later, We Meet Max Dennison And His Love Interest Alison Who Are In A Class Run By The Nun Who Raised Jake And Elwood Blues...

Who I'm Surprised Didn't Hit Max On The Head With A Ruler Because Of His Talk Of Halloween Being Run By The Candy Companies..

But When Alison Proves Him Wrong By Talking About The Historical Facts About Halloween, He Gives Her His Phone Number Only For Alison To Give It Back To Him A Couple Minutes Later After Class...

Swing And A Miss...

After A Scene With 2 Stereotypical High School Bullies, Max Starts Missing His Home In Eerie, Indiana

Oops, I'm Sorry, I Made A Mistake There, It's Actually California...

But When His Sister, Dani, Interrupts His Brooding And Says That He's Taking Her Trick Or Treating This Year Because Their Parents Are Going To A Party This Year...

Yeah, Don't Bet On It, Kid, Coronavius Cancelled Halloween This Year...

Refusing, Dani Tells Their Parents, Who Force Max To Go Anyway...

But When They Do They Have A Run In With The Bullies, Which Causes Max To Get Mad At Dani Only For Max To Open Up To Dani On Why He's Been Moody Lately Which Leads The 2 To Make Up...

After That, They Come Across A Huge House Which Is Actually Owned By Allison's Parents Who Are Throwing A Halloween Party That Night, Leaving Allison On Candy Duty...

With Dani Embarrassing Max On The Fact That He Likes Allison's Yabos...

Which Is Technically A Long List As Tom Cruise And David Duchovney Apparently Like Them Too..

Allison Reveals That Her Parents Used To Run A Museum On The Sanderson Sisters When She Likes Dani's Costume, But They Closed It Down, When Weird Incidents Started Happening...

youtube

(Start At 1:22, End At 1:41)

Max Asks To Go, In Effort To Make A Believer Out Of Believer Out Of Him, So, Alison Goes To Change...

But Despite Max Wanting To Go, Dani Doesn't As She's Scared Of That Place, But They Compromise With Max Promising That Next Year They'll Go As Peter Pan (With Tights) And Wendy...

Going Into The Place, They Turn On The Lights And Look Around The Place, Eventually, Max Discovers The Black Flame Candle Which Is What Will Bring The Sisters Back To Life...

With Max Saying Maybe They Should Light It And Meet The Witches Themselves, He's Attacked By Binx, But That Doesn't Scare Max Off, Despite Allison And Dani Wanting To Leave...

But Still, Max Lights The Candle...

With The Floor Shaking, Lights Transforming Into Candles And A Fire Starting In The Fireplace, The Sisters Are Back...

With Winifred Wondering Who Lit The Black Flame Candle, Mary Starts Smelling Children, Leading The Sisters To Dani, Who Tells Them That They've Been Dead For 300 Years Before They Grab Her...

Max Tries To Help But Winifred Ends Up Blasting Him And Tossing Him Against The Wall Before Lifting Him Up...

Luckily Though Allison Saves Dani From Mary Who Then Whaps Winifred With Her Candy As Binx Attacks Winifred So Max Can Get Dani And Alison Out So He Can Enact His Burning Rain Of Death Plan By Using A Lighter To Activate The Sprinklers...

Confronted By Binx Who Reveals To Max That He Can Talk, He Tells Max To Get The Spellbook Before They Go, Which He Does Before The Sisters Realize That The Burning Rain Of Death Is Actually Water...

Now, There Are Alot Of Questions And Complaints That Some People Have With This Movie But I'm Sorry, I'm Sorry This One Just Ticks Me Off...

If Binx Could Talk, Why Didn't He Say Anything For All Those Years?..

And To Answer That, Let Me Ask You, The Viewer, A Question, What Would You Do If You Saw A Talking Cat?...

Would You Sit Down And Talk With Him Like An Average Ordinary Person?

Or Would You Run For Your Freaking Life Like He Was Casper, The Friendly Ghost?

If You Picked The First Answer, Congratulations, You're Officially A Moron!

Because If There's One Thing I've Learned From Movies And T.V. Shows Involving Mutants Or Beings With Amazing Powers, It's That People Fear Things That They Do Not Understand

Taking Max And The Girls To A Graveyard Because The Sisters Can't Set Foot On Hallowed Ground, Binx Explains Everything To Them While Also Revealing That After He Was Turned Into A Cat, He Waited For His Life To End So He Could Be Reunited With His Family....

But Winifred's Spell Came With Immortality, So, He Decided To Use It To Prevent A Virgin From Lighting That Candle...

Shortly After That, The Sisters Arrive On Their Broomsticks And Attempt To Go After The Book, But Realizing They Can't Due To Them Being On Holy Ground, Winifred Casts A Spell Which Brings Back Her Former Lover, Billy Butcherson...

I Wonder If His Modern Day Ancestor Is Billy Butcher From The Boys?

Who Winifred Caught Cheating On Her With Sarah, So She Poisoned Him And Sewed His Mouth Shut So He Wouldn't Reveal Her Secrets Even In Death..

Returning As A Zombie, Winifred Orders Him To Go After Max And The Girls Who Are Now In A Sewer With Binx...

As The Sisters Board A Bus With A Horny Bus Driver, Who Promises To Take Them To Where Children Are, Max And The Girls Get Out Of The Sewers After A Fake Death For Binx To Warn A Fake Police Cop Who Pretends To Be A Cop About The Sisters...

To Which There's A Complaint That I Agree With The Fanbase On...

Meanwhile, We Get A Brief Cameo By Both Garry And Penny Marshall Before The Sisters Realize That All The Small People In Costumes Are Children And That Halloween Has Become A Time Of Year When Children Run Amok...

When The Cop Doesn't Listen, Max And The Girls Go To Warn Their Parents And Everyone At The Party At Town Hall ButThey Don't Listen Either...

Eventually, The Sisters Show Up, Leading To The Best Part Of The Entire Movie...

youtube

(Start At 0:45, End At 2:46)

Hiding From The Witches In An Alley Behind A Resturant, Alison Gets An Idea, Which Involves Them, Luring The Sisters Into A Furnace At School And Burning Them Alive.,.

Succeeding In Doing So, Max And The Girls Celebrate And Binx Is Interested In The Prospect Of Finally Having A Family To Replace The One He Lost Years Ago...

But Sadly, This Happy Ending Gets Ruined Because The Sisters Are Still Alive...

As Dani And Binx Catch Some Rest, Max And Allison Go Through Winifred's Spellbook To See If There's A Way To Return Binx Back To Normal Not Knowing The Book Is Creating A Light In The Sky That Will Lead The Sisters Right To Them...

Binx Stops Max And Allison, Saying That Nothing Good Can Come From The Book, And He's Dead Right As The Sisters Show Up And Kidnap Dani And Binx Before Taking Off...

This Leads To Another One Of My Favorite Scenes...

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(End At 1:33)

And That Miracle Comes In The Form Of Another Trick...

Max Shows Up At The Sisters House Just As They're About To Feed Dani The LifeForce Potion And Uses Allison's Car To Mimic The Sun To Make The Sisters Fall To The Ground So, He Can Get Dani And Binx...

After A Chase Scene Between The Car And The Sisters On Their Brooms Which Would Look Better On Endor, They Go To The Graveyard Only For Max To Get Caught By Billy Who After Using Max's Knife To Cut The Stitches On His Mouth Reveals What Side He's Actually On...

As The Final Battle Goes On, Winifred Grabs Dani, So, She Can Get Dani To Drink The LifeForce Potion...

youtube

(Start At 0:51)

As Sister Thanks Brother For Saving Her Life, Brother Gets Girl Of His Dreams And Binx Is Reunited With His Sister, Emily In The Afterlife...

And That's Hocus Pocus And Aside From The Various Criticisms From Various YouTube Reviewers, It's A Pretty Good Film...

The Story Is Interesting, I Love The Characters And The Effects Are Pretty Good, So For That I Say, See It....

Till Next Time, This Is Duke, Signing Off...

#Hocus Pocus #bette midler #sarah jessica parker #kathy najimy #omri katz #thora birch #vinessa shaw #garry marshall #penny marshall #disney #disney +#disnerd #disney live action

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spacebrick3 · 4 years

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WHG Day 2: Snow

Welcome back to @ratracechronicler’s Games! It’s Day 2 in the Arena—bright and sunny and full of promise (though mostly the promise of more tributes killing each other, since this is the Games...)

Featuring Gertrude from @corishadowfang (whose account can be found here), and a narration-cameo from @ratracechronicler‘s Begonia Rex!

She’d abandoned her camp early in the morning, collecting the few items she’d picked up on the first day and trekking off at random into the wilderness. The direction she’d picked at random, though she guesses it’s north, leaving her by a small cliff as the sun settles into its midday height. Once, a stream might have fallen over these rocks, but it’s long since dry.

A lump of guilt has made itself at home in her chest for leaving Begonia behind. It’s better this way, she tells herself, settling into a shaded overhang and glancing nervously around. Better that we all stay separate and far away from one another. So we—never have to test those theories about what we will or won’t do.

There had been tributes who’d won without killing, hadn’t there? Maybe—just maybe, she could find a place to hide and wait out the Games…

But even that would mean losing something. Snow became a doctor to help people, to treat their injuries and sicknesses and ensure as few lives as possible were cut short. Hiding from the Games would mean hoping for twenty-one lives to meet an untimely end simply for her own benefit—would mean, in essence, watching them die and silently celebrating for the increased odds it brought her. How could she still call herself a doctor after that?

A glint of silver catches her eye, and she looks up, following its path. A silver parachute, caught on the stones above her head. A sponsor—for her, though she can’t imagine why.

After a few minutes of struggling to climb to its perch, she manages to pluck the parachute from its overhang and bring it back to her makeshift shelter, still puzzling over the idea that someone would want to sponsor her. That someone would spend frankly ludicrous amounts of money to deliver her, Snow, this small package and no-one else with a better chance of winning.

Clean water. Nothing to accompany it. She turns the bottles over in her hands, wondering why they would have sent it to her. For use as a medicine base, perhaps, but…what has she done to deserve it?

Maybe it’s not what she’s done, but what she will do. They’ve given her the components of medicine that would be hardest to find in the Arena—distilled water in which to mix it, and containers to store it. And— “Oh! Of course,” she mutters, leaping to her feet and ducking just in time to avoid cracking her skull on the rocks. No privacy in the Games. Her entire conversation with Begonia would have been listened to, shared during the night when not much else was happening in the Arena.

And they rewarded her for it. Gave her tools to uphold her oath, rather than break it. A small kindness she never would have expected from the Capitol’s donors.

“Thank you,” she says quietly, looking up to where the parachute had descended from. I’ll try not to let you down.

***

As the day wore on, she’d realized that, if she didn’t want to squander the gift, she’d need to find water for herself to drink. Under the red and purple clouds of the sunset, the remnants of yesterday’s fog, she follows the dried streambed upstream, hoping to find its source where there would still be water.

She doesn’t find the source, but instead a larger stream, of which hers was merely a branching capillary. In the shadows, she misses a step and plunges her foot into the icy water, the sound seeming to announce her presence, especially in the surrounding silence, to anyone within a mile of her. “Fuck,” she whispers, trying to backpedal as quickly as possible without making further sound. Maybe they’ll just think it was an…animal, or something, and I can get away-

Across the stream, someone moves, rustling among the leaves. Snow freezes, foot half-in and half-out of the water, holding out her palms in a gesture of surrender. “I don’t mean any harm,” she says. “Please. I’m a doctor.” Not that it’s meant much these past few days. “I’m not supposed to kill anyone.”

“Strange place to be then, love,” the figure drawls, sizing her up with a suspicious look.

Snow almost snaps at the other woman, the pent-up anger of You think I had a choice? You think I want to be here? That I didn’t get screwed over by the Capitol just as much as you did?—but she can’t bring herself to. If she was fighting the Games, trying to buck its rules and structure and unspoken bloodlust fervor, then she could justify that anger—but she isn’t. She’s accepted it and is just trying to find a way to keep her head down. “I know,” she admits.

“My parents wanted me to be a doctor,” the other woman says, seeming to surprise even herself. “Didn’t really pan out on my end,” she adds, with a shake of her head, retreating and sitting back down in the small clearing where she’d made her camp. And then, to Snow’s shock, she indicates the ground beside her. “Come on, dear. I won’t bite, for now.”

Snow hesitates, trying to gauge the meaning of that for now. After a few seconds, she gives up, walking across the stream and sitting at the edge of the clearing, one eye on the woman and the other checking for escape routes back into the forest. “I’m Snow,” she says awkwardly, rubbing at the back of her neck.

“Gertrude, love.” A pause. “So, what is a doctor like you doing in the arena?” she asks at last. “Can’t imagine that works well with your oath.”

You have no idea. Almost reflexively, she presses a hand to where that oath rests against her collar—still intact, for now. “Trying to keep people alive,” she snaps.

“Easy,” Gertrude says. “Wasn’t trying to push any buttons.” She speaks with easy, reassuring confidence, a trait Snow has found herself severely lacking in the last few days. “Still,” she adds, “can’t imagine that’s easy, considering the nature of the Games.”

She looks away, up to the sky and half-expecting another cannon shot to flash across the stars. “It’s not. Sixteen are already gone.” But who’s counting? she adds as a bitter rejoinder to herself, an expression that is half-smirk and half-grimace flickering across her face. Who cares about their deaths except for the probability it gives us?

“Stopped to try to save any of them?”

No. I couldn’t. The Arena is too large, and they die too quickly for any doctor to be much help. This is not the ER fare of broken bones and hunting accidents—these are tributes who are torn apart by explosions or ruthlessly carved up by sword and knife. The Games are designed so that no one can be saved…

But that’s not true. No, she admits, I haven’t stopped to try and save any of them. I’ve run away from the fighting for these first two days, run away from anywhere where there might still be people to save. I might be a doctor, but I’m also a coward…

No. Not that. Not just cowardice. Selfishness. I could save them, but I won’t, because I know they have to die if I want to live. And for all my posturing, for the oath that I wear around my neck, I care about my life more than theirs. My ideals have already been broken by the Games, Gertrude, and all I can do is pretend they haven’t been.

She doesn’t answer.

#writeblr hunger games #character: snow #her moral dilemma of the Games is good fun to write

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628updates · 4 years

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《 HELLO DRACULA 》

JTBC Drama Festa | 2 episodes

🗓 Feb 17-18 | ⏰ 9:30pm KST

ENGLISH SUBS

EPISODE 1

EPISODE 2

VIDEOS (Teasers, Behind-the-scenes, etc)

📺 NAVER TV

📺 YOUTUBE PLAYLIST

🔗 GOOGLE DRIVE

PLOT (from ASIANWIKI)

Three neighbors face problems that they want to avoid, but they grow by facing their dilemmas.

Story 1 Anna (Seohyun) lives with her mother Miyoung (Lee Jihyun). Anna lives her life according to her mother's wishes, but she has a secret that she can't tell anyone.

Story 2 Redevelopment project of the area where Yoora (Go Nahee) and her family live is carried out. Yoora and her family have to leave the neighborhood.

Story 3 Seoyeon (Lee Joobin) is the vocalist of an indie band. She is obsessed with superstitions. Seoyeon can't get over her ex-boyfriend, who left her 1 year ago.

CAST

Anna - Seohyun

CHARACTER DESCRIPTION (From JTBC Official Website | Rough Translation by @628Updates)

#GoodDaughter #ElementarySchoolTeacher #Turning30Soon

"I'll never be the person mom wants me to be.”

She didn't have much chance to live life her own way. She has always been careful so as not to disappoint her mom Miyoung. It was when she was in middle school that she found out that she liked women. Anna expected her mother to be on her side, but Miyoung turned coldly away. She can’t be accepted as ‘who she is’ by her mom. Such frustration dominated Anna's life. After receiving a goodbye call after 8 years from Sojung, who she has loved the most, Anna's world, which she has managed to sustain, is crumbling. Anna wants to run to Miyoung and, without reserve, be accepted for everything, but on the other hand, she wants to hide it to her until the very end.

Miyoung - Lee Jihyun

Seoyeon - Lee Joobin

Yoora - Go Nahee

Jihyung - Seo Eunyul

Jongsu - Oh Manseok

Sangwoo - Ji Iljoo

Sojung - Lee Chungah

PROGRAM INFORMATION (From JTBC Official Website | Rough Translation by @628Updates)

When my mind becomes infinitely weak,

Deep down, the problems that lie reveal it's teeth sharply,

A night that bites and shakes me.

So we're going to have to deal with this deep-seated problem.

Let's compare it to a Dracula.

Long night, how do we avoid this powerful Dracula?

You pretend you didn't see Dracula and pretend you're still sleeping.

Even if you're tired of the attack, if you hang in there, it's morning.

But unless you get rid of Dracula, the night will continue to be scary.

If we want to get rid of Dracula, we have to face it after all.

Even if that's the problem that we want to ignore the most in our lives.

STILL CUTS + POSTERS + ADDITIONAL INFO (From News Articles | Rough Translation by @628Updates)

"Hello Dracula," which is scheduled to air on February 17 and 18, unveiled the still cuts of Seohyun, who turned into "Anna", an elementary school teacher with a secret. From her warm gaze towards the children to her deeply troubled eyes, it amplifies expectations, teasing a delicate emotional acting.

Seohyun's transformation, who returned with a more mature look, stimulates expectations. Anna, an elementary school teacher, has a milder and warmer atmosphere than anyone else when she is around children. You can feel the warmth of Anna's heart by treating students with a friendly smile and deeply sympathizing with a troubled child. But Anna’s face, carrying a cell phone, in another photo, catches attention with an opposite atmosphere. Eventhough she looks calm, her worried eyes add to the curiosity about the story of Anna, who keeps a secret she could not tell.

To her mother, Miyoung, Anna is a good daughter that she can be proud of anytime, anywhere. But as Anna wants to be recognized/accepted as who she is and reveals the story she has been putting off to Miyoung, the mother and daughter face each other's true feelings. The honest story of a realistic mom and daughter is expected to create a sense of poignant emotion and empathy. Expectations and attention are focused on the synergy between Seohyun and Lee Jihyun, who will portray the inner story of a mother and daughter.

'Hello Dracula' raised expectations by releasing a teaser poster that stimulates emotions. The lonely mood of Seohyun, who is lost in thought with her head down, adds curiosity to her story and secret.

'Hello Dracula', which teases a warm-hearted "healing" drama, got the viewers excited. In particular, the story of Anna and Miyoung, received hot attention from the teaser video, with their sincere story about a mother and daughter. Meanwhile, the teaser poster revealed Anna's lonely and sorrowful feelings. Standing alone in the school hallway, Anna is bowing her head in thought. You can feel complex emotions that are hard to describe in her deep gaze. The phrase "Will this kind of 'me' be okay?" next to Anna, stimulates curiosity about her deep-seated wound.

Anna is a good daughter who has never rebelled against her mother, and a warm-hearted person who embraces wounded children. After leaving her lover, who she has loved the most in her 20s, Anna decides not to be a good daughter anymore, as her burdensome daily life collapsed. As Anna reveals her innermost thoughts to be recognized as "the way she is", the mother and daughter face each other’s true feelings. Looking forward to Seohyun's transformation, which will present a heart-rending impression with her delicate emotional performance and give empathy with a realistic story.

'Hello Dracula' released its main poster. The three stories of different colors stimulate expectations of what kind of sympathy and consolation they will convey.

The first thing that attracts attention is the phrase "The moment to face the 'us' we put off" in the main poster that was released. Here, it adds to the curiosity of the different views and feelings that come between a lover, a friend, a mother and a daughter. Anna and Miyoung's mixed gaze suggest the relationship between the two, who are unable to get close to each other and only go against each other. The familiar distance raises questions about the inner thoughts that a mother and daughter could not easily bring up.

'Hello Dracula' which will provide warm sympathy and consolation with realistic stories that may be around us, is adding to expectations as the veil is removed.

Actress Lee Chungah, who plays any character charmingly, plays the role of 'Sojung', Anna's lover who she has loved the most and left at the end of her 20s. It is expected to add weight to the story with a deep emotional performance that reflects the heart of a long-time lover. Meanwhile, the rookie actress Lee Jaein, who has been noted for her changeable appearance and solid acting skills, plays 'Anna' during middle school. It is expected to capture viewers' hearts by portraying an incident that is key to the narrative of Anna and her mother Miyoung.

INTERVIEWS (From News Articles)

"Anna is a character who bears the weight of the world on her shoulders while fiercely making the effort to show her mother, the only family she has in the world, that she is living her life confidently. To me ‘Hello Dracula’ is a drama that I want to share with many people, something I’m excited about waiting for. It’s a warm and touching human drama, and I hope that it becomes that sort of gift to the viewers, as well.

- SEOHYUN

"Seohyun perfectly portrayed the character Anna who has a scar on her inner self. Even the detailed changes in emotions were expressed deeply. If you follow Anna's everyday life, before you know it, you will be moved to tears and then make you smile again. Please look forward a lot to the heart-warming drama 'Hello Dracula'."

- PRODUCTION TEAM

" 'Hello Dracula' is a drama that can warmly caress the worries of the youth... While filming, the weather was cold, but the atmosphere at the scene was so warm that I was greatly comforted. It was an honor to participate in such a great project."

- LEE JOOBIN

"It is going to be a time to face and heal wounds, just as the characters in the drama have shown their hidden feelings. I hope you get some warmth through 'Hello Dracula.'

- PRODUCTION TEAM

"Trustworthy Actors & Actresses Oh Manseok, Ji Iljoo, Lee Chungah and Lee Jaein will be featured as special appearances, adding strength to the three growth stories. The performance of the cameo roles will be another point of observation."

- PRODUCTION TEAM

"A lot of effort was put into casting actors/actresses who will be able to capture each character’s delicate emotional lines. Everyone's deep acting showed a different side that they have not shown in the past. I think you can look forward to it. I am also grateful to the actors/actesses with special appearances for their excellent performance playing important roles. Please look forward to their impactful acting as well."

- DIRECTOR KIM DAYE

"It seems ordinary, but when we look back, realistic moments & tough stories of everyday life are contained in 'HELLO DRACULA'. Please watch the stories of the characters that seems like our own stories till the end. Anticipate the ending that will create a small ripple in our hearts."

MORE INTERVIEWS FROM THE PRESS CONFERENCE

https://www.soompi.com/article/1382999wpp/girls-generations-seohyun-talks-about-her-character-in-hello-dracula-working-with-lee-ji-hyun-and-more

#seohyun #seo juhyun #snsd seohyun #snsd #girls' generation #소녀시대 #서현 #서주현 #hellodracula #안녕드라큘라 #jtbc #jtbcdrama #koreandrama

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thisiswhatwereupagainst · 4 years

Text

@shattered-catalyst asked me what underused female Marvel characters that I’d like to see in the RPC. I misread it as asking what underused female characters I would like to see in a canon Marvel story, and started making this list. Then I realized what they ACTUALLY asked me---and answered it HERE-- but since I had this list started I thought I would post it! As a note, I tried to overlook my own biases for whom *I* simply want to see back in action, versus if there’s actually story potential there that I think other fans would genuinely want to see. It’s also by no means complete/comprehensive, so if you think someone is missing and deserves to be on here---you’re probably right! Feel free to add to it! BLINDSPOT - Blindspot is a female member of Mystique’s Brotherhood who was friends with Rogue, and had the powers of memory manipulation. After several missions, Mystique decided to cut ties with her due to lack of trust. Blindspot left, but not without wiping herself out of Mystique and Rogue's memories first, as she always covered her tracks, which is why Rogue doesn’t remember her (actual reason is she was retconned in, she’s a 2000s creation) Years later, when Rogue had become an X-Men, they would come into conflict once more, as Blindspot wanted to ‘save” Rogue from Xavier’s “brainwashing”, but Rogue would still leave Blindspot with her X-uniform to remember her by. Blindspot is unique in having been a Brotherhood friend to Rogue, as she was never shown as close to any of the other members, and was also mysteriously immune to Rogue’s powers. I think Rogue fans might enjoy seeing her in a Rogue story again, and perhaps learning more about their time together. CATSEYE - I think ALL the Hellions were criminally underused, and I know from X-Men/comics discussion boards that there’s an audience for their return. Catseye seems to be the favorite in terms of who people found most interesting, and I agree. A girl who believes she’s a cat who can turn into a human form, rather than the reverse, is a really neat concept, not to mention Sharon had a charming personality with surprising depth for what little time she got. There’s a lot that could be done with her return, and I think she could totally be the lead in a revived Hellions story on Krakoa, or a story depicting their time as Frost’s students at the Massachusetts Academy. CORDELIA FROST - Look, everyone loves Emma Frost, I think it’d be easy to get people interested in a Cordelia story. Not to mention the fact that like...Adrienne is dead, Christian was institutionalized, but Cordelia has been running around this whole time. She seems to have had some big plans once upon a time, what happened to that? Nothing ever came of it. Why not? What’s she been up to all this time? Also, we should finally get to see what kind of powers she has! I’ve seen it quoted around the Internet that Emma claims Cordy is “the Professor Xavier of empaths” but I’ve not only never seen the source for where she says this, she’s never demonstrated ANY kind of powers in canon, besides Emma not being able to read her mind. I would like to see what the “subtle, dark, and devious” Frost baby gets up to! DARKSTAR - Darkstar is a mutant and she’s been present in the comics since 1976. She’s been a member of X-Corps, as well as served in the Champions with Angel and Iceman back in the day. Yet her loyalty (coughBRAINWASHINGcough) has always brought her back to serving Mother Russia first and foremost. We saw recently though that Russia has gone back to its “All mutants serve the State or die!” position, and not allowing its mutants to go to Krakoa. It’s pretty easy to work Darkstar into a story about that, and finally exploring the way she was deeply conditioned to the point her “choice” to serve her country is probably anything but, and coming to terms with that at last. I’d really like to see a story like this, because Darkstar is kind of unique in that her brainwashing wasn’t a dramatic trauma-conga full of torture and abuse, she actually seems to have been treated well, she was just also kidnapped as a baby and never knew anything else. I think it’s about time we get a story that shows abuse doesn’t always “look like abuse” and how denial of someone’s agency can run so deep that their own choices that they THINK they’re making of their own free will, really are products of that. Also, her story could be an easy way to get my STARLIGHT fix, and FANTASMA on top of that. Remember, Fantasma was banished to Limbo, and pulled Starlight in after her. Why WOULDN’T Darkstar want to go rescue her teammate? And there’s a member of the X-Men who is mistress of Limbo and can open portals there, it’s totally easy! Darkstar enlists Magik (who has a huge fan following, and thus would get people interested) to guide her through Limbo so they can find Starlight and bring her home, but on the way they run afoul of Fantasma! Who, being a Dire Wraith sorceress, makes a great foe for Magik! PHANTAZIA - During 1990s, Toad struck out on his own and formed his own Brotherhood, which consisted of several old faces---Pyro, Blob, and Sauron (despite Sauron not being a mutant)---and a new one, the woman known as Phantazia, aka Eileen Harsaw. Phantazia had the power to manipulate electromagnetic energy fields. This allowed her to fly, disrupt machinery, and disrupt the bioelectric energy fields and nervous systems of other living beings as well, resulting in pain, paralysis, loss of physical coordination, and in the case of superhumans, the inability to control their powers, causing them to fluctuate in strength, cease functioning altogether, or spew out uncontrollably. Not much is known about her personality, but she seems to have been well-educated, as Blob refers to her as “Ms. PhD” and tended to stay out of the arguments between her male teammates, ignoring them while she read books on scientific subjects, such as astrophysics. . She also displayed loyalty, such as when she also opted to stay with her teammates when only she among them was invited to Magneto’s new mutant sanctuary of Avalon. Alas, Eileen met a wicked fate---for some reason, she was one of the few mutants to retain their memories of the “House of M” reality shift, and the shifting back and forth drove her insane. She was last seen in a S.H.I.E.L.D. custody cell, babbling “House of M” over and over. I think Eileen was interesting. She had a cool powerset, hints of a personality, and was never much of a “bad guy” certainly not enough to deserve what happened to her. Female Brotherhood members are also pretty rare, so she catches my eye for that too. I like to think Xavier found her and fixed her mind, and she’s going to hang out with her old pals Pyro, Blob, and Toad on Krakoa. HAVEN - I’ve been yelling about her on this blog for like 5 years, but if you’re not familiar with her, Radha Dastoor aka Haven was a villain who ran a cult dedicated to bringing about the end of the world as we know it in order to usher in a golden age of peace. She only did this, however, because she was being possessed by a demon. Her real self was a kind, charitable woman who was just all about feeding the hungry, caring for the sick, and, as it happens, advocating for mutants. Though it had little to do with her villainy, Haven still found time to be a demon-posessed super-terrorist AND write books promoting mutant/human peace and give lectures condemning bigotry. She seems like someone who SHOULD have gotten saved from said demon, but no, she dies alone in the mud after being victim-blamed by a Marvel deity. Her entire arc is really misogynistic, she’s only possessed because she had sex once and then got pregnant, she’s basically punished for breaking the purity taboos of her culture once, and it’s also pretty...racist isn’t the right word, but she’s the first Indian and Hindu character in the X-Men comics, and a lot of her terrorist philosophy fed to her by the demon comes from actual Hinduism, which has unfortunate implications, as does the fact that the “brown woman with a funny religion ended up being a terrorist just like the government said so X-Factor attacking her before they were sure of this is okay” was part of her story. Eesh. Anyway, she was a very good person and an interesting character, I think bringing her back as someone trying to do good in the world again as a human ally to mutants while also dealing with what happened to her and what she did and her loss of 20 years of agency to possession, would be a good story. I at least want to see a cameo of her taking care of a bunch of orphan and refugee kids who are a mix of mutants, Inhumans, Warpies, aliens, and humans. LORELEI - Lorelei is another little-known woman from the Brotherhood of Mutants, and unique in that she’s NOT a mutant. At one point, Magneto used a machine to mutate members of the native tribes in the Savage Land, giving them super-powers. These Savage Land Mutates served him in their homeland, fighting the X-Men at his command, but he left them behind when he returned back to the rest of the world...all save Lorelei, who he took with him for his new Brotherhood, citing a possible “Pygmalion complex” for why. Lorelei was a beautiful blonde woman who could control men with her voice. However, she seems to have a childlike intellect, as she speaks very simply and in the third person, and doesn’t really seem aware of what she’s doing or why she’s being told by Magneto to do it. It’s a really worrying dynamic, and I also worry about Lorelei once Magneto just...kinda ditched her, I guess, and left her with Unus, Blob, and the Vanisher. Then she turns up back in the Savage Land serving yet another bad guy. Lorelei--or Lani Ubanu, as seems to be her name before Magneto transformed her--comes off as an unaware innocent that just gets constantly picked up and used by greater villains because she doesn’t know any better, and given that this is because of the powers Magneto gave her, I’d like to see that come back and have him take responsibility for her. And if she’s NOT as unaware and innocent as she seems, I’d like to see that, because she’s been around since 1969 and she doesn’t have a personality and she barely speaks! Flesh this girl out! MADELYNE PRYOR - I feel like this one is cheating a bit, because I’m not sure I’d say Maddy is under-used. She’s seen more action just this decade than all the others on this list saw in their entire careers COMBINED. It’s more than she’s just...not used well, in my opinion. 2000s writers generally seem to forget that her stint as the Goblyn Queen came from being infected by demonic energy and also insane (for VERY understandable reasons), and seem to think she’s just evil on her own. Not to mention they take all the depth out of her; she’s a character with a full personality of her own and some very fucked up struggles that she was not to blame for, but that all gets boiled down to “Scott’s sexy evil ex who is mad he left her so now she trounces around in skimpy clothes she never actually wore when she wasn’t possessed because EVIL LADIES ARE SEXY CUZ FEMALE SEXUALITY IS EVIL” and it’s just....u g h. When Maddy was herself, she actually was very heroic, to the point she sacrificed her life to save the world (her FIRST death, which everyone forgets). But she also has good reason to be really angry and bitter at the X-Men, and I don’t see her letting go of that even when she’s back in her right mind. So I think depicting her as an anti-hero, who saves innocent people yet works against the X-Men, would be a neat story, with the ultimate conclusion being her letting go of her grudge, not for THEIR sake but for HERS, to not have her be tethered to them any longer, not even by hate, and finally live a life that is HERS. MISS SINISTER - So, Miss Sinister is NOT Nathaniel Essex in a lady suit. She’s actually an entirely different person, and actually has a very sympathetic situation. She’s a woman named Claudine Renko, whom Mr. Sinister injected with a virus containing his own DNA. The idea was that in the event of his death, the virus would activate in her or one of his other test subjects, transforming them into Sinister complete with his consciousness replacing their own. But when it activated in Claudine after Sinister’s apparent (but in fact only temporary) death in the “Messiah Complex” story, Claudine did not become possessed by Mr. Sinister nor become him---not exactly. She became essentially a female clone of him, gaining aspects of his appearance (such as the chalk white skin) as well as his telepathic powers. He might also be how she got her wicked personality, but since we don’t know anything about her prior to this, that could just be how she was already. But she also suffered invasive memories of Essex's life, and that as a malignant presence within her mind, he was slowly killing her as a means of self-resurrection. He even managed to manifest briefly before being re-absorbed back into her. It was for this reason that she wanted to switch bodies with X-23, thus gaining Laura's healing factor, something she had wanted after her stabbing, and thereby freeing herself of Essex. The plan backfired when Essex took control of Laura's body and used her to mortally wound Claudine. Laura managed to overcome Essex's presence in her mind, expelling it through force of will. She was next seen working with Emma Frost on using The Mothervine, though Emma ended up turning on her. I remember feeling bad for Claudine when I read her story with X-23. Having someone else trying to take over your body is a pretty good motive for doing something as evil as trying to steal someone else’s, while also being inexcusable to do. It’s unlikely she was a willing subject for Sinister, so she probably isn’t to blame for what happened to her, but is to blame for her actions after, which is the kind of villain I like. Also, while she’s usually in lingerie ala a Black Queen of the Hellfire Club, she wore a really cute little normal outfit in a story with Sebastian Shaw and Daken...which ironically is when she actually was Black Queen! I’d like to see more of Claudine, and find out more about her story and who she was before all this, and whether or not she’s REALLY free of Sinister, as she seems to be now. After all...is anyone ever free of him? Bonus if she teams up with Madelyne Pryor! NOCTURNE - No not TJ Wagner, THIS LADY! I don’t think anyone (except me) is hoping for her return, as I don’t think anyone else really knows about her, but Spider-Man stuff is still popular so there’s no reason she couldn’t come back and have a prominent role in that. I really hope they go with the interpretation that she’s gay, since now is a time that they can actually have that open instead of coded, but more than just the representation of a gay WOC (which is awesome) I really am interested in her adjustment and journey into her new identity, and in particular her communication via empathy powers rather than speech. That really intrigues me about her. I think she could become very compelling and popular if brought back and handled well, perhaps in a story that brings back other neglected characters in the Spider franchise as well. SAT-YR-9 - Okay, so in the Captain Britain/Excalibur comics of the 80s, there was a woman named Courtney Ross. She was a banker and Captain Britain’s ex, and she became a side character, having adventures with the team and even besting none other than ARCADE through STAND UP COMEDY. Then one night, a version of her from another universe emerged in apartment, killed her, and took her place. This evil counterpart was Sat-Yr-9, who had been a cruel dictator in homeworld, and has been running around doing evil in 616 since while masquerading as Courtney. Captain Britain discovered the ruse and vowed revenge...but has yet to really do anything, probably because Sat-Yr-9 herself really hasn’t done anything since either. She popped up for a brief moment in the 2000s as the new White Queen of the Hellfire Club, but that’s it. I would like to see more of her, in that role or outside it. Given her connection to both the Hellfire Club and to Kitty (whom she was grooming under the guise of “Courtney Ross” and seemed to have big plans for, as well as some mysterious connection to that was never explained) I think she’d be great for the Marauders series. Or in the new “Excalibur” series that stars Psylocke as the new Captain Britain! I also think there would be interest in a story that finally resolves her murder of Courtney and shows Brian finally at least TRYING to make her pay, I still see it talked about on Marvel boards how unsatisfying and frustrating it is that Brian vowed revenge DECADES ago and has yet to do anything about it, and how much of a waste that makes Courtney’s death (Courtney was surprisingly popular with fans even to this day due to how she handled Arcade, it instantly endeared them to her...and then that’s RIGHT when she got killed off, literally the evening after) Maybe Betsy is the one who finally gets her at last! THRENODY - I think that Threnody’s coming back in the recent Deadpool series revived enough interest to justify bring her back yet again, and I think her baby being killed, however monstrous it was, means that fans are probably ready to see her get a happy ending for once. I know I sure am. ZALADANE - Zaladane was a personal villain to Polaris, and given that Polaris has never really had a book that was about her (as far as I know, I’m far from a Lorna expert) I think bringing her back as the bad guy for a Lorna solo series would be cool. I also would like it resolved if she’s Lorna’s sister or not. It seems to add up at the time it was written, but changes to Lorna’s backstory continuity since make it impossible. I think that a suitably comic-booky explanation could work for that, such as “she *is* Lorna’s sister but from another dimension, not 616, and also that explains how/why she’s in the Savage Land” or something like that. Plus it satisfies both the people who think she is and who think she isn’t.

#xmen #x men #x-men #marvel #marvel women

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thanksjro · 4 years

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Polyhex Wars, Book 2 Part 1: Optimus? Oh, You Mean Super Space Christ!

We thankfully get a resolution to that cliffhanger ending from Book 1 right off the bat. Turns out this place is just swarming with Decepticons, who are tending to those nuclear-powered, planet-moving rocket thrusters we heard about back before Red Alert and his team got sent out to almost die.

There’s less than thirty Autobots in Hound’s party, so obviously waging an attack wouldn’t go so hot. They’ll have to get in touch with Optimus. Of course, some of our Autobot friends aren’t feeling terribly reasonable at present.

This is the kind of behavior that makes Optimus wish everyone would just get killed in the space-holocaust. Also, Getaway’s whole role for this story has been “quietly polite and somewhat dull voice of reason.” Such a removal from the character he would end up being.

And before anyone caught in the problematic fave thirst-trap asks, no, he’s not hot in the Marvel comics. He has a face, and as everyone knows, giving characters not intended to have faces faces makes everything worse.

First Aid still can’t seem to pick a spot to exist in, and he’s currently helping the other ‘bots who reentered the stratosphere back to their feet.

The boys have landed in the Rust Pools of Polyhex, and are starting to feel the day, as it were. Still, there’s no time to rest, because they’ve got to find Hound and his crew, and contact Optimus about these rocket thrusters.

The thrusters that he already knows about.

But first let’s check on that flaming wreck off in the distance, the one that Starscream ought to be laying in the middle of.

They take one glance at it, write him off as dead, and then immediately are punished for their sloppy detective work. Leave it to Nightbeat, fellas.

The scene description here is good, even if the dialogue is a bizarre mix between baby’s first screamo band and a synergy seminar.

Back with Optimus, the ship he created with his mind and some fairy dust just entered warp space. He briefs his troops, explaining the situation in Polyhex and how shit will most likely go down once they hit Cybertron.

You can admit to using TFWiki, Optimus. No judgement here, we all do it.

After the briefing, Ratchet and Optimus have a private chat.

No fucking shit, duderoni.

Neither of them seem to be able to figure out just why this is all happening to Optimus, only that it is. Optimus seems to think that there’s something deeper, darker to this, and I can’t help but agree, considering all this started happening right aft he got back from an extended stay in a place with shag carpeting made out of the dead.

Back over with Hound, the Decepticons have decided it’s time to shoot the ceiling, because they know the Autobots are here. A frag grenade pops in to play, and Punch takes one for the team, throwing himself over the bomb and saving his friends. Hound doesn’t take this well, but his righteous indignation is upstaged by Ammo, who uses his obscenely large selection of weaponry to blast a hole in the ceiling for them to escape through.

They pour through the hole, likely singing Ammo’s praises as they do, until the last guy notices that Punch isn’t actually dead.

Well hot dang, wonder who that could be?

Meanwhile, Red Alert and company are running themselves ragged trying to get the hickiddy heck away from Starscream, who is just so unbelievably hot and bothered for murder it’s honestly a little concerning.

Red Alert tries shooting him a few times, but that doesn’t really phase the guy who’s already on fire. Slapdash rushes him, probably because he’s a violent panicker, and is immediately thrown like an empty soda can off into the distance. Starscream’s body has taken the opportunity to start exploding, and Hot Spot starts shooting to take pieces off with a gun. People are still trying to reason with Starscream, as if that were ever an option in this scenario, but he’s so incredibly down for killing everything in sight he’s straight-up lost the ability to hear and rationalize. He rips the gun out of Hot Spot’s hand and pistol-whips him in the face so hard his jaw comes off and his eyes burst into flames. Don’t ask me how exactly that happened, because I couldn’t tell you, but it’s pretty sick.

Red Alert decides that it’s time to retreat back to the Rust Pools, then clocks Starscream in the face before booking it.

Hound and friends are currently climbing an elevator shaft, because we haven’t hit our vent quota for this story yet. They’re doing this in the dark, wary of detection from the enemy. Getaway seems to be beginning to wear thin on this whole “Hound’s in charge” thing, not really appearing to believe that they’ll be reaching the end of this situation without any more issues.

Then the elevator starts up.

Man, don’t you just hate it when the asshole has a point?

Red Alert orders his team to jump into the pools, grasping at straws at this point, as Starscream continues to tear ass to get to them. There’s a rumor that some forgotten base is at the bottom of one of these pools, and that’s about as far as planning’s gone. Luckily any and all rumors in fiction turn out to be true in at least some capacity, and they all fall through the ceiling after a few well-placed blaster shots.

They hole up in an air lock, and after a bit of pontificating, Red Alert makes them aware of just where they’ve ended up- Emirate Xaaron’s old hangout.

Hot Spot is dying, by the way. Just throwing that out there. He’s dying while Red Alert does this.

Once they get through the air lock, they can get to a teleport that will take them to the Primus chamber, where they can get the medical attention they so desperately need. They better get moving though, because Starscream’s started banging on the door, and absolutely nothing has stopped him so far, so what’s a little steel going to do?

Hound’s reached the top of the elevator shaft, but he’s towards the front of the line, so that still doesn’t bode terribly well for the guys behind him, especially since the elevator’s catching up. In a fit of desperation, he blasts a door open and more or less starts throwing his buddies through it to safety. The last one in the line is Multibot.

Yeah, Multibot doesn’t make it. He gets crushed between the elevator and the ceiling of the shaft, exploding on impact. So much for that corpse he had tucked away for safekeeping. The elevator doors open, and we get a look at someone we haven’t seen Roberts take on just yet.

That is a positively MASSIVE elevator.

Starscream seems to have forgotten his original plan here- y’know, the only constant in his life i.e. killing Megatron- and is doing his absolute best to tear through the airlock door and get at these Autobots. Red Alert’s two seconds from having a conniption as Transit tries to work the teleport and get them out of there. Problem- the darn’s thing’s busted. Not enough to be totally useless, but they can’t program in where they want to go. They’re at the mercy of whatever the last coordinates were.

They end up in the catacombs. Fun fact about the catacombs- they’re really, really, REALLY big. They could walk around basically forever and never get anywhere useful. At this point, y’all should just go back to bed and call this day a bust.

Luckily, they actually aren’t terribly far from their creator god’s chamber, and they all enter to find the eternally sleeping face of Primus. Then he starts moving.

And lo, whoev'r is deem'd w'rthy shalt ascend to the vore throne to ruleth all of Cyb'rtron, f'rev'r and ev'r. Amen.

Looks like someone’s already been crowned king of vore, though, because, as it turns out, Megatron’s already sitting on that throne.

Which… makes sense, if you know enough about the Marvel comics.

Back over with Hound, it looks like it’s his turn to friggin’ snap, as our sweet, compassionate boy boils over into full hateful bastard-mode. He still doesn’t kill anyone though; it’s made very clear that he’s still maintaining that one personal rule. What do you want to bet that Courier’s going to make him toss that little caveat right out the window once he’s found out?

Shockwave’s surprised to see the Autobots doing so well despite being outnumbered and outgunned. Knowing when to call it quits, he orders a retreat to regroup under the mindful wing of Mama Megatron. He’s about the only one who gets away, the others tied up and at the PG-rated mercy of the Autobots.

There’s one guy who’s had his legs torn off and been bashed in the head bad enough to cause a stutter, who begs for his life. Hound, ever compassionate, orders he be treated for his wounds and then tied to the others. Fistfight has other ideas.

Oof, looks like we just got upgraded to a PG-13!

I mean, he’s a Decepticon Action Master partner accessory parading around as an Autobot here for some reason. This is sort of something you should have seen coming.

Hound pushes Fightfight down on the ground and gives him a stern warning to not try anything like that again, otherwise he’s going to tell Optimus, and then you’re gonna be in so much trouble! I worry that Hound perhaps doesn’t quite understand that administering punishment is part of the whole leader thing, and that in for for it to be effective, you need to actually use it as opposed to just threatening someone with it.

The Autobots get moving again, with Hound making a comment to Blaster to keep an eye on Fistfight.

It’s been a minute since we’ve checked in on Optimus, so let’s see what he’s up to. His magic mind ship has just reentered regular space, and they’re going to reach Cybertron in just a little while. Once they land, they’ll go find the rest of the Autobots in Polyhex and then take this whole Decepticon operation down.

Hot Rod makes a cameo, but there’s no time to indulge in whatever he’s trying to tell Optimus, because the ship is suddenly shot in the butt and starts crashing towards the surface of the planet. Optimus takes the opportunity to pull a Skywarp with his new powers, disappearing in a beam of light like it’s the friggin’ space-Rapture. He winds up outside the ship, floating above the planet, and mind-slaps the turrets that had been causing the ship so much trouble.

Red Alert’s day just keeps getting worse; Hot Spot’s still dying, Slapdash might actually be going insane, Megatron’s here, and they’re all being strapped into electric chairs. Where did the electric chairs come from? Why are they in the Primal chamber? What purpose do they serve here? Not a clue, but maybe we’ll get to it next time.

Meanwhile, Hound’s not feeling too fantastic himself. One of his guy’s just murdered someone in cold blood, they’ve lost a third of their party, and there’s a traitor in their midst.

At least Optimus is having a good day, I guess.

#transformers #jro #polyhex wars #book two #part one #maccadam #Hannzreads #text post #long post #prose writing

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darlingnisi · 5 years

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Celebration 2019 VIP Day 3

Opening Session

Spirited start to the day! Fams started a party line around the soundstage to Let’s Work.

JD Steele also led us in a sing along of Raspberry Beret

Bob Cavallo

Moderated by Bobby Z

Earth Wind and Fire’s studio the Complex was the inspiration for Paisley Park. They filmed pickups for Purple Rain there and Prince told Cavallo “I want want one of these”

WB didn’t know much about Purple Rain until it was almost done. It was financially backed by Prince and Cavallo ( Cavallo said he only contributed about 20%...the rest was Prince’s money or advances on his royalties)

Cavallo’s management agreement was about to run out. He told Steve Fargnoli to try to get a Prince to sign a contract for 5 more years. Prince said “I’ll sign one if you get me a movie and not about some drug dealer and jeweler...and I want my name above the title.

They had trouble getting people on board to write the movie William (Bill) Glenn (of Brian’s Song) wrote the first version but it was “not edgy enough...too TV”

No director would sign with them

Watched a movie called Reckless. There was a kid sitting behind him who asked what he thought. Cavallo said it was okay...the kid said “Well I edited it.”

Cavallo had dinner with Albert Magnoli the writer of that movie to see if he’d sign on for Purple Rain. He initially passed. Cavallo “You passed? You don’t have a pot to piss in and you pass? I’d pay you 75k and you’re passing.” Magnoli thought it was too square. Cavallo “Then rewrite it”

“Mo Austin didn’t have anything to do with Purple Rain”

“He made that movie Paul Simon made. That was a failure.”

WB passed on producing the movie, Guber Peters also passed, as well as others

Richard Pryor’s company Indigo Films did NOT pass! Jim Brown (the football player) was CEO at the time. Both Richard and Jim were thrilled to do it! However Jim got mad that Cavallo hired a cinematographer without checking with him as he wanted to hire Black staff to support the project. Bob said he didn’t have time to wait to find some so Indigo dropped the project.

They had a completion bond gaurantor for the film and ended up being 3-4 weeks behind at one point. To catch up, they got more cameras and filmed the movie at multiple angles vs doing several takes. This caught them up.

Promo department thought When Doves Cry was a flop. They wanted Let’s Go Crazy to be the lead single.

Cavallo managed Earth Wind & Fire. (Other info about Cavallo opening a night club his senior year of college which was very successful. Bill Cosby opened for acts when he was coming up on the scene. “He met his wife there and I guess he did other things...” *groan from the audience

On how Cavallo and Prince first linked up Prince had gone to an EWF show and said “When I saw that show, it scared me. I don’t know if I can do something that good.” Asked to meet their manager. Cavallo went to see his show...where he was wearing a Trench coat, panty hose, and g-string. He said “Well young man...show was great....but I don’t think it’s alright to go out on stage in your underwear.”

Prince : Okay I’ll take them off.

He said there was maybe 20 people at that particular show

Purple Rain was made with 7.6 million dollars

They had to fight to get it into theaters to show it. “It was the race thing”

Even WB wasn’t on board at first as a distributor. Cavallo was trying to rally them “If you’re a young Black person age 11-30 and you see Prince headlining his own movie, you’ll go see it opening night.”

At first they could only get a couple of theaters...and were told they couldn’t do it in the south because they were worried about race riots.

Cavallo went to the Chairman of WB with his case and he was on board “Get me 800 theaters or I’ll get someone who will”. (These days movies open in about 2k theaters in the US)

Prince got 15% gross cash guarantee for 3 films

The Purple Rain sequel pitch Cavallo had for Prince was Purple Rain 2 : Further Adventures of The Time. The Time went to Vegas and got in trouble with the mob and cops. Only showgirls liked them. Prince wasn’t in it except for a cameo to give advice.

He also tried to get P to get Madonna to star in Under The Cherry Moon

Prince wrote Under the Cherry Moon even though there’s another name on it.

Cavallo wasn’t a fan of Kristin Scott Thomas as the star. He gave Prince a tape of the options for actresses and put her last.

Prince : “I see why you put her last in the group of girls you figured she would outshine the others!”

Cavallo went on to manage the Disney music catalog among other numerous things.

“The greatest joy I had in the music business was with Prince”

A memory : Prince calls “When are you gonna stop beating that dead horse?”

Cavallo : “What dead horse”

Prince : Earth Wind and Fire

Cavallo scolds him for saying such things

Prince : If you knew how good I was, you’d be meet me in Minneapolis

Cavallo thought about how cold it was there and sent Fargnoli instead

Tour Part 2

Video editing bay