#they did a FANTASTIC JOB

[wrexwas]

Artwork from the Overwatch: Declassified Trailer by Mana Books (in French)

You can check out a pdf sample of the book (again, in French) here. And, before the English version was released, I also questionably translated the pdf sample into English. You can check that out here.

[peachblossomdrama]

[a-musing-mixologist]

Welp, finished Rebirth.

[void-thegod]

my dash is delicious this morn

[coffinwoodx]

couple of screenshots of kim’s wikipedia page that i felt so deeply in my soul

[poorly-drawn-mdzs]

Let the revenge games begin.

[First] Prev <–-> Next

[littleulvar]

box art I created for the upcoming Kinfire Council game ✨ (with KS launch coming soon)

[halla-hunts-the-wolf]

I finally read Hard in Hightown today, after having the book for years. I present my favorite part of the story, because it made me laugh out loud.

[suppressiveperson]

day in day out

[beanpills]

Daynap shippers won 🧡 💜

[shikai-the-storyteller]

Retro talked a little bit about her role as Cucurucho!

[peachblossomdrama]

[caeslxys]

Something I think is extremely interesting thematically when it comes to connecting what Downfall and the ideas it tackled to the overarching narrative of campaign three is that the things Downfall made a point to showcase of Aeor—Cassida, Hallis, the visual of an aeormaton proposing to her partner, the specific and intentional decision to shed light on a far from insignificant amount of the population being civilians or refugees—is that it plays in perfect parallel across from what is happening (and, really, has been happening) to the ruidusborn on Exandria in present.

Bear with me for a moment. Aeor is ultimately a city that was collectively punished for the decisions of its leadership. We could (and, judging by the amount of discourse around this particular topic already, probably will) argue about what the Gods’ motivation for all of this was—whether it be that they could not, in the end, bear to kill their siblings or that they were terrified at the prospect of mortality—for me it is a very healthy dose of both—but for this I am much more interested in the latter. They were scared. That, really, is the driving force behind both this arc and their role in c3 as a whole.

Why I point this out is: It is far more interesting to me, especially as we go back to Bells Hells this week, to dissect the Gods and their decisions not purely on sympathetic motivation alone but as beings in the highest seat of power in the highest social class in Exandria.

So, having established that the Gods (in relation to mortals) are more a higher social class than anything we could compare to our real life understanding of divinity and that Aeor was eviscerated largely because of their fear—what is the difference between those innocents in Aeor caught in the trappings of their autocratic government leadership and a divine war on the ground, and those of the ruidusborn being manipulated both by Ludinus and by the very thing that inspired such visceral fear in the Gods to start with. I would argue very little.

I think of Cassida, doing what she genuinely thought was right and good and would save people, her son, and the object of her worship—and how that did not matter enough to any of them to spare her because of the fear they held at the very concept of mortality. I think of Liliana and Imogen, one of which we know begged for the gods to help her or send her a sign for years on years, and how every single one of their largest struggles could have been avoided had the gods loved them, their supposed children, as much as they feared what they could be. I think of how the thing that did save Imogen, in the end, was a woman who herself existed in direct defiance of the gods will. I think of that young boy, sixteen years old, that Laudna exalted on Ruidus.

I think it’s completely fair to judge Aeor’s overall society as deeply corrupt—it was!—but its leadership and police force are not a reflection of every one of its citizens. Similarly, it is fair to judge the Ruby Vanguard as corrupt—it is!—but its multiple heads of leadership and even the god-eater further are not a reflection of every one of its members.

Notably, and what I think the Hells will latch onto, this did not matter to the Gods. It did not matter that Cassida was trying to help. She was still too much of a risk. Will it matter, what Imogen does? Will it matter, if that young boy is in the blast radius when they decide to take no further chances?

I’ve seen a lot of people say that the Hells will side with the gods and I don’t think I agree. Especially as Imogen has been scolded and villainized over and over for daring to try and save her mother—who herself has been seen by some as an irredeemable evil in spite of her drive being the exact same—her family—but when it’s the Gods it’s justified? When it’s the Gods, it’s sympathetic? Too sympathetic to criticize further than “they’re family”?

I obviously do not think the Gods should die or be eaten or what have you, and I certainly don’t agree with Ludinus (though I find him much more compelling than just a variation of hubris wizard), but when talking about the Gods in Aeor and in present it isn’t really at all about their motivation or their family. It can’t be. Too many people, including our active protagonists, lives have been effected for it to be as cut and dry as “they’re family”. These are your children. They are your family, too.

[theaterdisneynerdsunite]

Apologies for the obvious pun but the Sweeney Todd ensemble absolutely murdered that number. The singing, the dancing, I literally said “they’re killing it” out loud.

I’m glad they got featured, it would have been so easy to do a Josh Groban big solo number but they did a number featuring the actual cast and I think it’s my favorite number so far

[worldsmostangela]

Aaaaand TIME! Finally-- for real this time-- our final poll has come to a close! It's been a long ride, and all of our competitors have put up a truly valiant fight! But alas, there is only one who can hold the title. Through thick and thin and everything in between, the World's Most Angela title goes to...

...our very own Miss Director!

Everyone give a warm round of applause for our long awaited champion-- with a complete undefeated streak no less! Of course, as always, remember to love and appreciate Your local library director (in any shape or form,) and most importantly: Happy Birthday, Angela!

[mokeonn]

The S in SLARPG stands for Sonic the Hedgehog