#they get to be weird and out there but also they get to be low-stakes and character-driven and slice-of-life-y

[leosgreyfringe]

[Are there any irritations in the team?] "We always play cards, and [Jan Vertonghen] always pretends that he has bad cards. He's always complaining and then in the end he always wins. So, stop that."

TIMOTHY CASTAGNE and LEANDRO TROSSARD for the Royal Belgian Football Association

[sn0wbat]

sparkle on, tiberius ✨

[akkivee]

ARB feels like yay the boys have food! yay the boys are camping! the boys are camping again! the boys are playing in VR! the boys have some more food! VR! CAMPING!

don’t forget about the random dinosaur or alien attacks they dream of all the time LOL

[the--highlanders]

every day I wish they were still making the short trips books

[aeide-thea]

truly just SUCH a typical tumblr experience but like.

Familiar Tumblr Name makes a post that's like: 'you know how fast fashion perpetuates itself by selling us clothing that gets dingy and grody really fast, so we have to replace it yearly?'

me: uh, no, actually—historically i've found that the few fast fashion pieces i acquired long outstayed their welcome, and were perfectly wearable long after i was heartily sick of them! but go on, i guess

FTN: 'let me tell you about this traditional domestic wisdom (implied: that's been lost because of, uh, capitalism) that will fix this problem (that you, too, definitely have) for you!'

me, googling: okay so this residue that FTN said was somehow a Fast Fashion thing is apparently generally caused by like. fabric softener and/or hard water. using discount detergents that skimp on active ingredients. using too much detergent so it doesn't wash out. letting your bedding go too long between washes. letting your washer go too long between cleans. etc. anyway. lots of specific factors here, many of which may in fact not apply to you in particular!

but like. why get specific when instead we could assert You Know This Problem, Right? This Lost Traditional Wisdom Will Definitely Help You Personally!!

[aroaessidhe]

2023 reads / storygraph

The Poisons We Drink

YA urban fantasy

a girl who brews powerful potions is coerced into making potions to interfere with D.C.’s most influential politicians in an attempt to stop a dangerous Witcher Registration Act from passing, and will do anything to protect her sister after their mother is killed

bi MC, nonbinary love interest

arc from netgalley

[cherrysnax]

marvel I am looking directly at you. let miles go thru his college years. there is so much untapped potential

[ms-demeanor]

Wait, so you said that you can learn to trust others by building friendships, but how does one go about doing that? Wouldn't someone I don't know be creeped out or annoyed if I suddenly walked up and started talking to them?

Friendships are built of repeated low-stakes interactions and returned bids for attention with slowly increasing intimacy over time.

It takes a long time to make friends as an adult. People will probably think you're weird if you just walk up and start talking to them as though you are already their friend (people think it's weird when I do this, I try not to do this) but people won't think it's weird if you're someone they've seen a few times who says "hey" and then gradually has more conversations (consisting of more words) with them.

I cheat at forming adult friendships by joining groups where people meet regularly. If you're part of a radio club that meets once a week and you just join up to talk about radios, eventually those will be your radio friends.

If there's a hiking meetup near you and you go regularly, you will eventually have hiking friends.

Deeper friendships are formed with people from those kinds of groups when you do things with them outside of the context of the original interaction; if you go camping with your radio friend, that person is probably more friend than acquaintance. If you go to the movies with a hiking friend who likes the same horror movies as you do, that is deepening the friendship.

In, like 2011 Large Bastard decided he wanted more friends to do stuff with so he started a local radio meetup. These people started as strangers who shared an interest. Now they are people who give each other rides after surgery and help each other move and have started businesses together and have gone on many radio-based camping trips and have worked on each other's cars.

Finding a meetup or starting a meetup is genuinely the cheat-code for making friends.

This is also how making friendships at schools works - you're around a group of people very regularly and eventually you get to know them better and you start figuring out who you get along with and you start spending more time with those people.

If you want to do this in the most fast and dramatic way possible, join a band.

In 2020 I wrote something of a primer on how to turn low-stakes interactions with neighbors and acquaintances into more meaningful relationships; check the notes of this post over the next couple days, I'll dig up the link and share it in a reblog.

[gallusrostromegalus]

I am constantly procrastinating working on my original fic by writing fanfic. Any advice for how to refocus and finish my novel?

Well. The novel probably needs a nap.

Procrastinating is a symptom that something is preventing you from doing the thing you "should" be doing. Most of the time it's an unrelated, but actually higher priority task like resting after an illness (society is fucking lying about anything else being more important) or filing your taxes (actually this one is pretty important).

...but if you're procrastinating on one creative project with another creative project, you're not procrastinating: something about the novel is off right now, the fanfic is more appealing to you.

Consider the following:

You may be writing fic because it brings you more joy than the novel. If you really want to get back to the novel, figure out what would make working on it more enjoyable. Engagement from a beta-editor? Skipping this really boring scene and coming back to it later? Adding more smut?

You may also be writing fic because it's got a lower spoon coat than the novel and you need to conserve your spoons right now. Any extra stress in your life? Moving? Toothache? Recovering from Covid? Annoying roommate? Sick family member? It's an election year? ANY of those could soak up extra spoons and make your novel too expensive for your spoons budget. Let it take a nap, and come back when you're feeling better.

You may be sharpening your artistic skills on a lower-stakes project before going back to the novel. This is pretty normal- even Michaelangelo took breaks to work on other pieces while sculpting The David, both for a change of pace and so he could try something out without fucking up the big block.

Fortunately, you're writing, so you can always try writing the challenging scene a dozen times in different docs or save the parts that were good but don't not in a spare parts bucket doc.

Or keep working on that fic, it's helping you learn on a subconscious level.

You don't love the novel right now. This is alright. This is usually temporary, and the solution is the same- put it aside and work on something else.

Maybe you are just bored of the novel. That's fine and normal, you just save all the documents to your hard drive and come back later. When the fic inevitably gets boring too, you'll come back to the novel and either go "oh hey this kicks ass!" And return to it with renewed enthusiasm.

...Or you'll come back to it and go "oh. This is actually a piece of shit" And that's okay too, because there's nothing more useless than polishing a turd, but that turd is still valuable as compost. You learned things writing it, and you can still rifle through the novel for good lines or scenes or turns of phrase and put those in your spare parts doc to ferment into The Good Shit in the back of your mind.

HOWEVER:

If you are experiencing a different phenomenon wherein you are actively distressed while writing the fic- either out of misplaced guilt, or the fic isn't actually fun you just feel compelled to do something, or absolutely every creative endeavor is stressing you out, you may be experiencing a serious mental or physical health issue and you should see your GP or a specialist ASAP. Pain is an indicator that something is wrong. Do not ignore your body's warning light.

That sounds really dramatic and hyperbolic but realizing I was not enjoying ANY creative work was the symptom that finally got me to sit down and go "huh. All these random pains, irregular sleep cycle, frequent migraines and weird bouts of vertigo aren't normal either, I should get this looked at." And it turned out I had dangerously low blood oxygen at night from undiagnosed sleep apnea. I have a CPAP machine now and it's AMAZING.

I really hope this is regular artistic shuffle and not a serious health concern, but if you're experiencing creative stress AND a bunch of other shit, it may be serious.

[rowan-post]

RPC self-care

We all get worn down by life and often we turn to RP for rejuvenation. But more than once I've seen people on here that find themselves burnt out on the RP community itself. With nearly 20 years of role playing under my belt, I thought I'd share some of my favourite self-care tricks.

Block people. You don't have to explain yourself and 'weird vibes' is a legitimate reason. You deserve to feel safe and unbothered in your hobby space, and RP is based on consent. Just like with any recreational activity, you can withdraw your consent at any time and no is a complete sentence.

Turn off anon. This prevents anonymous harassment and gives you great insight into who to block or report if you get non-anonymous harassment.

Drop threads. I know RP etiquette suggests you need to tell your RP partner when and why, and sure, if they ask politely you can give it a go - just know that a pre-written variant of 'not feeling it' is good enough. In my humble opinion, I think dropping boring or vexing threads is everyone's prerogative and doesn't require explanation. Again, no is a complete sentence.

Talk it out. If you like the thread but things took a turn you didn't like, it's time to bring the RP into the workshop. Something like 'Hey I really like our RP so far but I'm losing my spark, can we talk about course correcting where the plot is going?'

Make clear rules and revise them frequently. I'd also advise against spending said rules excusing or explaining why you don't like or want a certain thing - I cannot stress enough how your preferences are not up for debate.

Get comfy chasing. A lot of RP is about inviting others to play over and over and over. Rejection is a part of it. See if you can't find some element of self-care in it - taking rejection well is a great skill to practice in such a low stake environment.

Notice and celebrate the good stuff, instead of digging holes about the bad. Tell your co-players how great they are. Marvel at all the hard work you put into your muses and graphics. Admire your own blog.

Stop. Take a break. Check in with yourself. Do you actually need to face something in IRL? Do you need to rest? A snickers? A walk? Don't bother with posts á la 'offline for the day' - leave your options open to reduce guilt or shame if you want to poke your head back in.

Happy writing. 🌿

[dailyadventureprompts]

DM Tip: The Debt Always Comes Due

Isn't it weird how little we engage with gold as a real gameplay system? Sure, at low level wealth makes a great questhook, the party is usually hurting for a payout so that they can afford necessary gear upgrades/ubiquitous healing potion restocks/their next trip to the magic item shop. After a while though the promise of raw wealth loses its lustre, and the party is less likely to go out of their way to accept bounties, go off chasing treasuremaps, or accept gigs from shady patrons.

Generally I'd advise that this is a sign that your party are done being run of the mill sellswords, and it's time to hit them with a big epic questline that's focused more on emotional and narrative stakes than base currency. That said, sometimes you want to run a longer adventure arc that's centred around the acquisition of wealth, but to do that, you're going to need to go against the grain on one of the foundational assumptions that underpins D&D both mechanically and narratively.

TLDR: If you want your party to be motivated by gold past their first big pay off you should consider using a "wealth hurdle", which in short is a narrative and gameplay challenge that forces them to collect not only more gold than they already have but also more gold than they could get doing what they've been doing so far. This can be anything from a crimelord calling in a debt on them or one of their allies, a powerful monster swooping in and demanding tribute, comissioning some grand construction, or funding the defence of a region. Having the hurdle active should cause problems for the party, and not clearing the hurdle before a perdetermiend deadline will immensely bad things to happen. This will force the party to take risks they otherwise wouldn't, giving a high degree of focus to their subsequent adventures that they wouldn't have if they were content.

What we're trying to fix:

At it's core, D&D is a power fantasy, and a good chunk of its gameplay mechanics regardless of edition are about acquiring new strengths, options, and assets. These assumptions are likewise built into the genre and narrative structure of most campaigns: Heroes undertake quests usually for the promise of some reward, gain experiance/hit milestones along the way, and eventually stumble across some kind of loot drop at the end. There's nothing strictly wrong with this, but it does mean that all the resource problems the heroes face in the early game (and the inbuilt motivations that come along with them) are all but resolved by the time they hit the next gameplay tier.

This is complicated by the fact that outside of 3rd party options there's not much to spend money on. The DMG (which you should totally ignore) say you shouldn't let them buy magic items, and the common wisdom would say "let them buy a keep", but that solution only appeals a niche selection of adventuring parties.

Using Weath Hurdles turns acquiring gold not just into a quest goal but a gameplay challenge, forcing your party to scour the land for potential sources of wealth (and risk upsetting whoever or whatever happens to be currently holding it) and take on challenges they'd never normally attempt if there was only survival/personal enrichment at stake.

Food for Thought:

Tradional d&d structure has the party getting a huge payout at the end of their adventure in the form of a bosshoard or questgiver reward which is a very backloaded "you can have your dessert after you finish your greens" sort of attitude. Consider switching it up sometimes: have the party's patron or employer give them a small stipend to spend on kitting themselves out, have an early game treasure haul so the party can have a mid-arc shopping episode. This is especially useful in higher level games where your party may go weeks to months without a level up as it preserves the feeling of progression and gives them new toys to play with in between the big character defining abilities.

Recently I've been learning my way around blades in the dark (can't reccomend it enough btw), and just like any other time I've wanted to learn a new ttrpg system I'm having to do a bit of neural rewiring when it comes to figuring out how to write and run sessions of the game. Coin in BitD is both an XP (used for upgrading the party's shared crew sheet) a resource (burned to upgrade the results of various rolls) and a stat ( rolled to see if the players can lay their hands on various hard to come by items). It didn't really click for me until my first group messed up really badly on what was supposed to be their introductory adventure and pissed off the local crimeboss. I was just going to have him bully them, lock them up and then have a jailbreak the next session ( it's what I'd do in d&d), but on the fly I had the idea that he'd let them go with a massive debt they needed to pay off, which forced them to either pay him a percentage of their takings on all future jobs, or do small jobs in utmost secrecy so that they could build up their own strength under his nose.

Interestingly enough, the d&d game where I thought player wealth as a resource was most interestingly used was Dimension 20’s starstruck Odessy, which was a conversion of the amazing fanmade  starwars5e system. Starstruck is a parody of hypercapitalism and aptly uses money as both a narrative and gameplay feature. One character is stuck paying weekly insurance premiums on a debt he would never be able to pay down forcing him to act recklessly to acquire wealth in the immediate future. Another character was a economic and political power player and some of the best moments in the series come from her high stakes wheeling and dealing and bouncing money between accounts while the rest of the group engages in epic space battles; the rest of the crew might’ve barely got their ship out of the dogfight, but she’s the one who ensures they can pay for the repairs once they get to the space dock.   None of this would be possible without completely ignoring the normal constraints of wealth per level: gaining and losing huge sums based on moment by moment player decisions, The need for them to play along with the absurist gig economy to boost their rating and get better paying jobs, making a devil’s bargain with a corporate sponsor all so that they could risk their lives in a deadly arena fight all for the (very unlikely) chance of winning the equivalent of a million GP.  Not every campaign should, or even could so focus on money in this way, but it was FASCINATING to watch it in action. 

Artsource

[skk-fan-page]

I promise I took my meds, hear me out: this

Can give us insight into this

So: before we get into what it means, I'm going to tell you why these things are related. 15 is probably the best text we have when it comes to dissecting their relationship, and in 15, dazai says 2 things that relate to both raging romantic tension and also dogs.

This, as well as an arguably more loaded section:

This. Now bear with me, I really did take my meds, this second excerpt is almost a one to one copy of the dog treats panel. For those of you who have read 15, you'll know that this scene is the set up for chuuya being forced into the mafia. They duel, the "treats" (the sheep) appear, and then they disappear, and only when dazai walks away do both the dog and chuuya realize theyve been ensnared in a weirdly elaborate trap for someone who's supposed to not want anything to do with them.

Not only that, but it establishes that not only does he call chuuya his dog, but "his dog" is part of his future plans, and part of the reason he even has future plans.

Part of the reason that dazai wants to live at that point is to spend time with chuuya.

Now: with that we get back into the dog treat "duel".

First, I'll let you read it and draw your own links, as long as you promise to leave them in the notes

As a bsd reader, you'll probably know that dazai's plans often revolve around knowing what the other party will do. This is easily reflected in the dog encounter, because dogs don't know anything, and thus their behavior cannot be influenced to an unpredictable point. If you offer a dog a treat, you can count on that dog eating the treat. The problem is that dazai can't connect that motive to the dog's actions, because he specializes in dealings with egotistical people who rank highly in organizations who have massive flaws they overlook. Take him outside of his comfort zone, and he struggles to tilt things in his favor.

This analysis overlooks one teensy massive character trait that shapes the character: Dazai is the type to step on a rake, hit himself in the balls, and stick the landing so well that everyone thinks it was on purpose.

You can only tell what's "the plan" versus what is just improv by how hard he tries to sell that he's in control.

With this new lens, seeing how hard dazai tries to assert "the difference in [his status]" with the dog almost entirely colors the interaction as some sopping wet loser loses at his own game that he started against a small animal.

And now: how does this effect the skk reunion and how does it reflect on their previous relationship?

Well, I'm going to pull out some "oh holy shit... I mean, I meant to do that!" Moments

This man is going back and forth like it's his job. He doesn't know what to expect because chuuya is far beyond his comfort zone. Hes everything that should make him predictable, and yet he never is. Every time he's taken aback by his target not reacting the way he "should" he pulls another trick out from his sleeve. Even literally, in the lock picking case. Whenever he needs to try to assert that he totally planned this, he goes for another trick.

As with the dog, when dazai walks away, the only thing chuuya was left with was a distinct sense of "this guy needs friends." They're both low stakes interactions that are born from dazai not expecting something and not knowing how to regain control of the situation.

This implies that dazai just doesn't know how to deal with a straightforward person and thus can never predict what chuuya will do, because he runs on an unswayable internal logic that makes him as difficult to manipulate as a human can possibly be.

As a partnership, they're constantly confusing the fuck out of each other, because dazai is weird and eats dog treats, and because chuuya cannot be understood with the logic dazai excels in.

They know each other but they can never hope to understand each other.

[necrotic-nephilim]

@sasheneskywalker i love when you enable me to ramble about things because oh my god do i have thoughts.

so recently, i made a post discussing the phenomena of DC x DP and DC x MLB crossovers and why they exist and part of that post was discussing how largely speaking, at least half, if not more of the Batfamily fandom doesn't read the comics. if they interact with canon DC material, it's adaptations that are their own sequestered universes and oftentimes not remotely comic accurate or seeking to be. the most obvious example is the Young Justice cartoon. i'm adding a cut to this post because it just got so long i'm so sorry.

a lot of times, when people are discussing the "why" of this oversaturation of fanon-only fandom, they blame Wayne Family Adventures. and i think, to a point, i agree WFA is responsible for a boom in this fandom. but as someone who's been in the fandom long before we had WFA, to me it's the other way around. WFA was DC's way of meeting the demand for this easy-to-get-into, easy-to-consume content about the Batfamily that predicates itself on the comics just enough to be vaguely the same characters, but has a more sitcom, slice-of-life sort of vibe so DC could profit off of this section of the fanbase that otherwise wasn't consuming its primary material. and well, it's definitely worked. not only that, but i have a weird theory that the decline in the MCU also led to the rise in the Batfamily fandom. when you consider the fan content that made the MCU popular within fandom, it's that 2012 "they all live in Avengers Tower and Thor is eating poptarts and Clint is in the vents and there are movie nights every Friday" sort of vibe. those were the fics that were a hallmark of the fandom. and as the MCU has strayed from well... quality content in general, but specifically well-thought-out crossover content where characters can have their own arcs but also exist in a wider story where they clearly care about each other, that fandom was sort of homeless. so where do you go, if you like a superhero found family where you can have villains for angst but also stick them all in one big family-like home for silly crack and have a plethora of options for gay ships? well. you go to the Batfamily. if you write a crack/fluff Batfamily genfic with silly vibes and low stakes instead of say, a fic about a very specific comic issue even if it's a popular comic, you're *going* to get more traction for the former. because the fanbase largely just isn't reading the comics.

and i feel... complicated about this. because on one hand, Don't Like Don't Read has been a tenet of my fandom experience. i'm very pro-fandom and that includes fandom content i don't like. and to an extent, i do think this sort of should apply to Batfamily fanon. i enjoy having my moments with other comic purists, giggling over exceptionally painful OOC headcanons or even facepalming in pain over some content but it is on me to not interact with that content. you don't make fandom a better place by being hostile to fans who engage with canon in ways you don't approve of. and frankly? we as comic readers are not going to get non-comic fans to read the comics by being asshats to them. no one is going to want to pick up any comic if we get a superiority complex about it. and also, i feel like we're all lying to ourselves a little bit insisting comics are so, so easy to get into. they're not. we can just all agree, they're really not. i've been single-handedly helping my sister get into comics, specifically Wonder Woman and no matter how simple i make it, i watch her get frustrated trying to understand what pre-Crisis and post-Crisis and New-52 and Flashpoint and all these things mean and what a retcon vs a reboot is and what a Crisis Event is and what the hell Diana's current backstory even *is*. sure, you can give someone a beginner list of comics to start with and slowly dip their toes in the water but sooner or later, *something* is going to confuse them. comics as a medium straight up aren't going to be everyone's cup of tea. and if someone *just* wants to read silly fluffy fanfiction about the Batfamily, i can't entirely begrudge them for not wanting to take the hours and hours out of their day to understand this medium. it's not an accessible medium to get into. "read this and this, but this run is out of print and this run wasn't collected in trades at all but also make sure you read that event in order and this is a good comic but the backstory in it is retconned and you *have* to read this it's so important but it's also really bad because the author kind of sucks" sounds. ridiculous for someone who like. just wants to read some stuff about Nightwing. sometimes, we all make reading comics sort of sound like a chore, not a hobby.

so my point is, i do extend some grace to Batfamily fanon for existing. i think my biggest gripe is, as i said in my other post, misuse of tags (if you're not creating content about comics, maybe you don't need the comics fandom tag on Ao3, just the all media types umbrella tag) and my far bigger gripe: when panels are taken out of context to support fanon only headcanons. if i could impart *anything* onto the Batfamily fandom as a comic fan it'd be this: if you haven't *read* the comic, don't spread the panel. if you don't even know what comic it's *from*, don't spread the panel. it's fine to use comic panels to discuss your headcanons, but so often i see someone spreading a comic panel from a comic they haven't read, and when asked where it's from, they can't source it. a silly example that comes to mind is a post going around, taking a panel where Dick, in his internal monologue goes "here comes the sun. do do do do." and the post is claiming it's from him getting buried alive. when that panel comes from Nightwing (1996) #140, and he gets buried alive in Nightwing (1996) #127, two completely different moments frankensteined together. if you're going to not read the comics, that's completely fine, but unless you're sure of the source and the context, panels shouldn't be spread around. i'm sick of this specifically happening to Red Robin (2009), with ppl claiming Tim has totally killed people because he blew up some of Ra's' bases, when those panels within context, make it clear he gave everyone time to escape. and in a later arc in that very comic, Tim grapples with the idea of murdering Captain Boomerang, and *specifically chooses not to*, because he doesn't agree with murder, even against the person who has hurt him the most. if you'd like to write fanfiction where Tim is pro-murder and has done some sketch things, i'm totally on board and would probably like to read it. but there's no need to pretend it's canon from a few panels you saw out of context.

beyond that, i think it's not *entirely* correct to say that fanon is harmless. whenever i see very WFA-positive posts, they often default to the argument that WFA is fun and silly, and comic fans are killjoys for not liking it. which. i think is complicated because the issue is, WFA and fanon don't exist in a vacuum. if you like WFA power to you, i don't think it's the worst thing ever, but i do think it's degrading to these characters because honestly? they feel incompetent in the webtoon. it's one thing if WFA was solely a slice-of-life sort of deal, just having silly episodes where Bruce is taking on a PTA mom or they're all fighting for the last cookie. but when WFA attempts to take on more serious plots with these characters, it *fundamentally* falls flat in understanding them. i get it, Bruce comforting Jason having a panic attack because a noise reminded him of the crowbar felt cute in a microcosm, but i'm so serious when i say that storyline destroyed how like. half of this fandom understands Jason Todd's relationship to his trauma. it doesn't understand how he reacts when he's triggered, what coping mechanisms he seeks out, and how he would handle Bruce comforting him. even if i can believe for a brief moment Jason *would* be triggered by something like that, him running and trying to hide and then getting a hug from Bruce to make it okay is just. painful. WFA needs everything to be wrapped up in a nice, neat little bow. so even when it starts to tackle interesting concepts, it makes them fall flat with its need to be soft, low stakes, hurt/comfort. there was a two-parter episode that dealt with the complicated mutual hatred/jealousy between Tim and Damian that *almost* really interested me because for once, it felt like the webtoon wanted to explore canon messy dynamics. but of course, it had to be fixed with one conversation and a hug. you don't mend the *years* of issues these characters have like that. WFA isn't in character because these characters are hyperbole cartoonified versions of themselves to fit within the medium and be a cute happy family.

because that right there, is the crux of it. the Batfamily fanon seeks to simplify the Batfamily and force them into a nuclear family. there are so many fantastic posts on here discussing how the nuclear family-ification of the Batfam is eroding decades worth of complex histories so i won't go too far into that. but what i will say is that there's this need, in the Batfamily fandom, for the Batfamily to exist as a unit. they are a *family*. (honestly i think calling it the Batfamily is a misnomer and has been for years but we're in too deep now.) they exist to each other first, and any teams or friends they have come secondary to this family unit. you can *specifically* see this demonstrated in what headcanons are becoming popular these days. i have an entire lengthy meta in my drafts about how i *loathe* the "the Batfamily meets the Justice League" genre of fanfic because it makes no *sense*. in order to have this genre of fic exist, you must operate under the assumption that no one in the League, or adjacent to the League, knows the Batfamily exists and are thus utterly shocked to discover Batman has kids. and to make *that* work, you have to strip *every single Batfamily member* of such important dynamics and friendships so you can lock them all in Gotham for their whole lives. Dick can't have the Titans, Tim can't have Young Justice, Duke & Cass can't have the Outsiders, Jason can't have the Outlaws, Damian can't have the Supersons, Babs can't have the Birds of Prey, and so on. because if they had these relationships, they would be known to the League. the Batfamily fandom doesn't care about this, it's just "silly fanfiction", it's not trying to be serious. but how can you say you like Dick Grayson as a character if you don't understand the Titans *are* his family? at some points of his life, moreso than the Batfamily even is. it is constantly repeated to us in most comics with Dick how much the Titans mean to him. he *needs* them to be who he is. the same extends to every other Batfamily member, most of which have been full League members at this point. but in fanon, that doesn't matter. the Batfamily are a sequestered unit first, and all of those side relationships are secondary and easy to toss away, if it makes your fanfic work better.

and because they have to be a unit first, you have these forced relationships that dump years of actual canon material for the sake of making them get along. the Batfamily fandom has its favorites and well. it's no secret it's usually the boys. Jason and Tim by *far* stand out as fandom faves so, their dynamic is a heavily explored one. it does matter that in canon they don't tend to get along and especially don't see each other as family. what matters is that you can push dynamics onto them. and so fanon gets all twisted up about which Robin Tim actually idolized as a kid (Dick) and what member of the Batfamily is pro-murder but still an older sibling figure to him and looks out for him (Helena, or if you want the dynamic of once tried to harm Tim but they've reconciled, Jean-Paul) in favor of who's the most popular. Dick, Jason, Tim, and Damian are always going to be the standouts for popularity, but it's specifically Jason and Tim who are getting fanonized the most. and that's because really, we don't have much canon content of Tim that *isn't* the comics. for Dick you've got Young Justice (tv), for Damian you've got the DCAMU, for Jason you've sort of got the Under The Red Hood movie, but Tim sort of lingers in this limbo. (yes, he's in Young Justce (tv) and Titans (live action) but in neither is he the main character nor given much depth) so, he gets a *lot* projected onto him and has become fanonized. and even with Jason's animated movies, you don't see him interact with Tim, so people build it from the ground up how they want to see it, disregarding of canon comics. i think it's what makes him so popular in the first place- he's malleable into whatever you want or need him to be.

and of course, the fanon ignores other characters in the Batfamily it doesn't know about. i feel like you could create a tier list of Batfamily characters by their popularity, going from the fandom main characters: Tim, Jason, Bruce, Alfred, Dick, Damian. to the underrated: Steph, Duke, Babs, Cass. to the forgotten about unless they're convenient for a story: Kate, the Foxes, Helena Wayne, Carrie, Selina, Harper Row, Maps, Minhkhoa Khan. to the absolutely unknown: Helena Bertinelli, Jean-Paul Valley, Onyx Adams, the Clovers, Julia Pennyworth. it's not lost on me that the ignored characters tend to be women and people of color. which is both a canon and fanon problem, DC will continue adding interesting characters to the Batfamily, play with them for a few years, then drop them to default to the "Batboys" again. and it's a vicious cycle of the fandom only caring about the "Batboys", and thus people entering the fandom via fanon osmosis won't have content about the other characters, therefore, they won't be interested in those characters enough to create it, and it's just this ouroboros consuming itself, no matter how much canon content we have of these other characters. and it's ridiculous just how large the Batfamily is becoming because of this, which is why i'm a pre-Flashpoint fan, because then the Batfamily was contained enough to actually feel like a family with every character having nuances relationships with each other, but i digress because those thoughts could be their own post.

and the thing about fanon is it doesn't exist in a vacuum. DC has started turning the comics to accommodate for what fans are asking for, because fans will beg and beg for content they're not going to consume. Tim Drake: Robin had Tim as a coffee drinker because that's the fanon accepted headcanon. and the resolution of the recent Gotham War arc was for Bruce to buy this new manor for everyone to move in and call him. nevermind that most of these characters have their own homes and have zero reason to be moving in with Bruce. Tim had his marina in Tim Drake: Robin, Dick has Bludhaven, Cass and Steph have their little side of town in Batgirls (2022), and so on. these characters are being forced together as a unit, as one big happy family living together, to appease what non-comic fans want and it's damaging comic relationships. Robin: Knight Terrors saw Jason and Tim team up and working together, which i've seen varying opinions on but i personally despised. their interactions made zero sense for any of their canon history, but it appeases them being this close sibling relationship that fanon acts like they are. also the fears they faced in their respective knight terrors didn't make sense for either character and *only* worked as a moment of bringing them together so they could reassure each other and have this weird dreamscape bonding moment. the canon is bending itself to the will of fanon rather than building on the pre-existing complex relationships. Tim barely even gets along with his most important team in Dark Crisis: Young Justice because it seems the only important relationships the Batfamily can have is with each other. and when we do see them outside of the Batfamily, it only seems to be to relive the glory days like with World's Finest: Teen Titans, instead of developing them as they currently exist. this isn't recent in the comics, it feels like you can trace it back to the New-52, but it does feel a *lot* worse over the recent years. WFA is fine when it exists in its own bubble, but the simple truth is, DC content never exists on its own. the adaptations will reflect back onto the comics. (the damage the Young Justice cartoon has done to some characters should honestly be studied) and so it does frustrate me a bit when fanon-only or adaptation-only fans act like we're being nothing but killjoys for being frustrated with this. since they don't read the comics, they don't see how the comics are suffering as a result of this.

people argue about what's out of character for the comics they don't even read. i'm sorry, but "bad dad Bruce" is consistently canon. that man is just kind of shitty. when you take someone who has the drive he has, who has this need for the Mission first, who needs a teenager in spandex next to him to keep him off the ledge, that guy is sort of going to be a shitty father figure. he just is. not on purpose or with malice, but when you compare him to any other dad in a big DC family, he sure takes the cake. it's why characters like Oliver Queen tend to *really* fucking hate Bruce for how he treats his kids. Bruce loves fiercely, but he doesn't do well with putting that love first. and his love is a controlling one, he is very particular about controlling how others in the Batfamily are "allowed" to operate. it's what drives the wedge between him and Dick, it's why Steph is never a true daughter to him. (besides the reason of her needing to be a love interest to Tim first, anyway-) i've never understood the massive outcry of people reacting to Bruce kinda being shitty in comics they're not reading. there are some moments that get ridiculously OOC with how cartoonishly evil he is (the whole Gotham War arc and that... complicated mess with Jason) but largely if you want sitcom loving nuclear father Bruce, you have to accept that is a fanon thing, not a canon one. the Batfamily being a nuclear family in *general* is fanon. most of the "Batkids" don't actually see Bruce in a particularly fatherly light and begging for moments where he calls them his kids or they call him dad outside of incredibly specific circumstances is just OOC.

it's getting harder and harder to exist peacefully in this fandom it feels like, if you don't comply to the standard fanon has set. i'm happy people are having fun with their blorbos, even if in ways i dislike, but that "harmless fandom fun" does ripple it's way back to canon, eventually. so i end up pretty tangled with my feelings because are fans at fault for DC making these poor decisions? probably not, but it certainly feels like an unfortunate cause-and-effect situation whether at the end of the day, nobody is happy. and of course, i know some fanon-only fans are striving to be more canon accurate and care about canon dynamics more than others, but for them it's always going to be an uphill battle with the above-mentioned out-of-context panels thrown around and ever-pervasive fanon overtaking anything that's truly seeking to be canon compliant. so really, it sometimes feels like we're all losing.

[grandlinedreams]

Can I request zoro angest with happy ending

The reader is in love with him and everyone knows that except him so when she saw him sleeping with that girl she started to get distance

:3 i hate that girl I’m sure all zoro simp does

Whdhd you mean Hiyori? But sure bb, I can do that! I hope this is to your liking!

[Heads up!: afab/fem aligned!reader, misunderstandings, Zoro's a lil dumb but it's okay we love him, Wano spoilers]

Of all the times to be jealous, now is not one of them. Not when you have so much at stake, when everything seems to be unraveling from carefully made plans to absolute chaos (thanks in no small part to the antics of your beloved captain) ㅡ you don't have time for things as petty as jealousy.

And yet it continues to rear its ugly head, glittering green serpent eyes as it coils low in your stomach, despite your attempts to focus on anything but that.

It doesn't help that Hiyori is beautiful, with connections that you could never dream of having ㅡ in short, she is everything that you are not. And as bitter of a taste as it sours your mouth with at the thought of it, you can't blame Zoro for liking her.

"Maybe you're better off," Sanji tells you, because he's aware of how you feel ㅡ as is the entirety of the crew, perhaps sans Luffy and definitely sans Zoro. You've not been overly obvious about it, but it's clear if he cared to truly pay attention ㅡ and clearly he hasn't. "Guy is an idiot anyways."

"He's not an idiot, Sanji." The blond cook stares, and you look away. "It's fine. Not like it matters, I never said anything anyways."

"Said what?" You tense at the sound of Zoro's voice behind you, turning to find the swordsman glancing between you and Sanji, the way your expression closes off.

"Nothing," you say, and he tracks your movement as you step past him before he follows you, curious as to what you'd been talking to Sanji about.

"Did I do somethin'? You're acting weird." How painfully oblivious can one man be? You wonder if he's truly as clueless as he comes off, or if this is a subtle attempt to hammer home the point. He's not yours. Never has been, and now ㅡ never will be.

"No," you answer at last, watch the aimless drift of sakura petals on the breeze. "You didn't do anything at all."

ㅡ

"Are you that much of an idiot?" Zoro bristles at Sanji's verbal barb, eye narrowing as the cook glowers at him. "It's amazing that any lady looks at you!"

"Watch it! Last time I checked it was you who throws himself at anything that breathes like a damn fool!"

"We're not talking about me, mossbrain." Sanji's tone is sharp. "If you're really this oblivious to what happens around you, I feel even worse for [Name]."

Zoro blinks, then scowls. "What do you mean by that?"

Sanji hopes that you'll forgive him, that he'll spend forever apologizing if this doesn't go well ㅡ but gods above, someone needs to give this dumbass swordsman a kick in the right direction.

"She likes you, you moron." Sanji exhales, giving Zoro a withering stare. "How do you think she felt seeing you cuddled up with Hiyori like that?"

"It wasn't like that, damn it!" Zoro snaps. "[Name] knows that, doesn't she?"

Sanji scoffs. "You don't know shit about women, mosshead. All I can say is you better figure out what to say to her."

ㅡ

Zoro stews about it for the better part of an hour before he goes to find you. He'd thought it clear he had no feelings for Hiyori, that her sleeping on him had happened after he drifted off. But apparently not, if it's upsetting you.

There's also the fact that you like him ㅡ when had that happened? How long have you ㅡ

"Zoro?" Your voice pulls him from his thoughts to find you watching him, expression somewhere between fond exasperation and confusion. "Did you get lost again?"

"No, Iㅡ" He halts, struggling for words. "I was looking for you."

"For me?" Your head tilts with the jingle of the gold kanzashi in your hair, delicate strings of beads swaying with the movement. "Is something wrong?"

If he were that stupid cook, it'd be easier. He could wax poetic about how pretty you look ㅡ but he's not good at that kind of thing, knows he'd make a bigger fool out of himself.

The cool press of your palm makes him jolt as he snaps a hand up to catch your wrist, and you frown. "You're scaring me a little, so I thought maybe you had a fever, butㅡ"

His grip tightens, and Zoro yanks. He's never been skilled with words the way he is with swords, always better at showing than saying ㅡ so he hopes the press of his lips to yours says enough.

There's some satisfaction to be had at the flush of your cheeks when he pulls away, other hand pressing to your mouth. "But Hiyoriㅡ"

He scoffs. "I don't like her, and it wasn't like that."

Your expression shifts to something like relief. "Oh. And you kissing me?"

"Thought that'd be obvious." He pulls you close again, this time gentler, tone softer. "Do I need to repeat myself?"

Your eyes glitter with mischievous light. "Maybe."

He's all too happy to oblige.

[plutonianeris]

❝mars in the 6th house❞

This is how mars in the 6th house has manifested for me.

With my 6th house mars placement I tend to make my daily activities into games or challenges. In my head I’m always like okay let’s see how long it takes me to do xyz. It makes me feel accomplished to get stuff down.

The downside to all of that is the stress I put on my body. Sometimes I don’t know when to stop and I keep pushing through until I feel burned out. Over the years I have gotten better and reminding myself to slow down and be more mindful throughout out the day.

I have always had very high paced busy jobs. The couple times where I had a more low stakes, relaxed job I would start off thinking I was going to enjoy it and then I would hate it. It would just make the day drag on so long. I like feeling challenged and when I am busy the day goes by faster. When I was around 15 I got my first job at a restaurant and it would get extremely busy and chaotic as fuck and honestly I loved it. The dining room would get so full, people were chattering all the time and we would all be in the back running around like chickens with their heads cut off, bumping into each other. Some of my coworkers would get frustrated which is fair but honestly it felt like a game to me. I worked there until I was 19. I have a higher paying, more “professional” job now but to this day that was the most fun job I’ve had.

I have worked at many different places, but the posts that state mars in the 6th house will give you coworkers being jealous and trying to start shit are 100% right. In every job I have had there were coworkers that saw me as threat or would try to start shit with me. I once worked at a hospital when I was in college and the girls working with me (Who were 2-3 years actually older than me) were so hateful and weird. They would constantly be looking at me, gossiping (or straight up trying to argue) and one time one of them lied to the supervisor saying I was slacking off when I wasn’t (literally trying to sabotage my job).

A male coworker there at the time told me they were just hating. I do believe that they were because they were being weird and messy but I also think he was trying to flirt with me..

The rumors are true about your coworkers crushing on you with this placement. And vice versa for me as well at times. It has gone from flirting with coworkers to me actually sleeping with a coworker once. However those times it was never anything serious, more like in the moment things. 6th house placements really know what it means to have a work husband/ wife lol.

another thing about jobs, when people try to start shit it use to get me riled up and I would let people get under my skin (when I was younger). NOW, I laugh and even though it still makes me annoyed, it makes me feel even more motivated to be the best at what I am doing.

I am also quick to leave a job once it has run its course. I am not that emotional when it comes to leaving and starting over somewhere else.

I lose weight very fast. I don’t mean in the sense that I have high metabolism. I mean that if gain weight and I decide I want to lose it, I do simple workouts and in a relatively short time its gone. Its not an unhealthy or harmful way. It makes sense considering mars is action and speed and the 6th house is daily routines and my body and health. Honestly if you have this placement and you are stressing over meal plans or planning specific workouts, just do simple ones and walk more and it wont be as hard as you thought.

I do have a high libido, especially when I am in a relationship. Having a healthy and satisfying sexual relationship is important to me.

I don’t get sick very often and when I do, I fight it off in 1-3 days.

I can be very impulsive in my daily and routines, sometimes harshly. Like I might brush my hair very roughly without realizing or apply lotion onto my skin in a heedless manner. That is something that I did not like and I try to remind myself to treat my body with gentle hands.

My impulsive behavior was worse when I was kid. For example, if I could not get a necklace off of me or bracelet, it would make me so angry and kind of panicked, I would rip it off even if it meant it might break I didn’t care. Me doing what I wanted and feeling free mattered more than whatever I was wearing. This was however another thing I tried to improve on.

Growing up, in my daily routines people use to be mad aggressive towards me as well. Don’t get me wrong, I knew when I was annoying or pushing someones buttons, but the random spurts of anger at me would be very unwarranted.

I feel like at times I can be very guarded as well or tense. When I am angry, I feel it first in my chest and then my stomach will hurt. I don’t like getting worked up because although I can emotionally regulate, it still takes my body a while to calm down. When I was a teenager it would take a long ass time of me practically seething or cursing. Now after a couple deep breaths I’m good.

Mars is aggressive and the 6th house is my health and body and I have definitely taken my anger out on myself as well. My home life had always been very chaotic as a kid and I started self harming at 12 years old and then I stopped when I was around 17 years old.

On a more positive note, I love taking care of my body now. I would never treat it like my enemy or be so careless with myself like I use to. I like working out. I like feeling strong. And also theres a bonus of feeling hot as fuck when I am naked. When Megan thee stallion said, “ When I'm in the gym I think about bitches that I'm shitting on,” I really felt that 💋🔥

[icantbeseenlikethisonmymain]

Low-stakes HC that modern!mizu has a batshit wild diet.

Maybe the audience for this is like two people and my dog but I've been sitting on this and for some reason feel compelled to put it into the world. So anyway

We're talking instant ramen like 4x a week, plain chicken and rice 6x a week, green tea and holistic health immunity shots mixed with monsters, so many candy and protein bars

Also just like bags of plain lettuce (?????)

She only eats at like weird hours, eg. 2:30 pm and 4 am.

One time Taigen found Mizu's candy stash, which takes up the entire space under her bed.

(She threatened to kill him if he ever took her chocolate truffles, but sometimes she lets him steal some anyway.)

It all drives Akemi crazy

Obviously, Akemi meal preps and makes sure she's getting the exactly right proportions of meat-to-veggies-to-carbs. She watches body-positive health and wellness dietitians on YouTube and is a green juice and smoothie drinker

The only time Mizu eats well is right before a big [insert sport] tournament or game

But then she is RELIGIOUS about health in the week leading up to it

Sleeping 8 hrs a night, eating balanced meals during actual mealtimes, drinking a liter of water a day, even cutting out caffeine completely

(Ringo helps her with the balanced meals part)

Every time Akemi thinks this time mizu's going to keep the healthy lifestyle going

And every time, the morning after, Akemi finds six crushed monsters and 14 protein bar wrappers in the trash

And then mizu walks out of her room double fisting a whole bell pepper and a bag of yogurt raisins

It's 6 fucking am

And Akemi gives up