Today I'm thinking about manga versions of Maxie and Archie, because it's something... I even dont have words for it. Like. Holy fucking shit.
In the beginning, of course, they're confront each other - that's the classic, they're rivals after all, standing for different things and all that things. They're different. They're opposites. They're still strongly exist in each other lives, because of their conflict.
But then
This happens. And this IS beginning of the end, because of course they're working together - and at the moment it looks like it is only for benefits for their goals, nothing else. They will destroy each other when they will get to finish.
They're fucking irritating(/pos), it almost feels like they're drawn to each other, in any scenario, their destiny is to meet, to exist in each other lives. None of them exist alone (and when one of them do exist alone, it means that something went terribly wrong).
AND THEN THINGS JUST GO EVEN WORSE (/pos)
This panel. I don't know where to start.
Do I need start with that they're realizing they work together perfectly? Do I start with that this making them thinking they needed to work together from the beginning? Do I start with that two men, who, up until this point, was fighting with each other and conflicting, hating each other, founded in each other the best partner they ever could have? Do I start with that they're probably the best persons in each other lives?
It is already very emotional (at least for me), but with how story goes on, they're connecting more and more, becoming even more emotionally fucked up.
AND THEN THERE IS EMERALD ARC???? CAN WE PLEASE TALK ABOUT EMERALD ARC???????
There is so much going on in emerald arc I barely can find words for describing my emotions.
This is the fucking tragedy. Because, what do you mean, they're put in situation where is only one of them can leave alive for some more time? (Remember how I said that if only ONE if them exist it means that some shit is going to happen something going to go really terrible. It either them both exist or them both don't).
What do you mean Archie is literally killed Maxie, just for chance of living a little longer?
And this is tragedy, because Archie, in the end, loses again. And now, not only he does lose in literal sense - he didn't achieve his goal, after all. He loses everything he had - his team, his life, and most importantly, he loses his only friend. He is all alone now.
Ah yeah can we talk about
This?
It's just one phrase. It has so much in it.
Not only he calls Maxie friend, not only he confess that Maxie probably the only one person which Archie was thinking as a friend, but also like.
Consider this: this isn't oras archie yet. This version of archie is cold, closed and gloomy, genuinely intimidating person. He doesn't care about his team members, it is kind of okay for him to use them as tools (which, ironically, shows even in this interaction with Maxie: after all, Archie still killed him for a chance of living a bit longer. And Archie acknowledging that he betrayed Maxie. He betrayed his only one friend). He is a cold person, but it almost seems like Maxie managed to warm him up a bit, just a little bit. This is actually incredible and, again, endlessly emotional, and I still can't stress this enough. Holy fucking shit.
Just imagine Archie at this point. Imagine, because, the best person in his life always was his rival. His rival, and maybe, even friend.
And I told about this before, but can we talk about that in distorted world they became one? It's just so symbolic. Like, Archie and Maxie from beginning were opposites, they was supporting opposite things, their goals was completely opposite. But they can't choose only one of this, because everything around them is a combination of different, sometimes opposite things. Like even the land and water in Hoenn! Exactly this combination of land and water create Hoenn as we know it, and how they know it. And they, people, who choosed only one of these things, in the end, became the one themselves - isn't this ironic? Isn't this funny? Isn't it symbolic in some way? (I also fucking love how this fusion explain in some way why when oras hits, Maxie is more like original Archie, and Archie more like original Maxie. They had explored each other minds I'm sure of it)
And finally, ORAS, part that I love the most.
Not only they both was given chance of living again, but this is literally their peak. They're working together again - and by that I mean they're working perfectly together.
They even acknowledge it themselves:
And this is so good in contrast with Ruby and Sapphire arc - back then, they too, realized and started to think they're work perfectly together, but it still was mixed with some evil fucked up shit, but here? They're working together because they (ironically), have the same goal. And they're helping each other.
They're working together perfectly, this is so good for them. And no evil bullshit this time! It's actually best versions of them in some way - because they're working together, for sake both of humanity and pokemon. They working towards happiness and safety for everyone, not choosing and prioritizing only one of them.
And they're talking to each other as if they was old friends, partners, every one of their interactions shines with this somewhat warm feeling. This is so good for them. I would even dare to say that ORAS part was the happiest moments in their lives.
And.. Then end of ORAS hits.
And, again, as classic already, it's a small panel, but how much here is.
First of all, can I point that Archie died two times, and both times he was thinking of Maxie in some way?
And both times is some kind of emotional moment for Archie: first time, he calls Maxie friend (he doesn't call him by name, but. He obviously talking about him COME ON), and second time he ask Maxie, if he would want to work together again, if they will have chance to do so. I just love seeing this progression, how Maxie became more and more dear person for Archie as time goes on, how he became more attached to him. And Maxie does too!
It is such an incredible moment filled with so much emotions, with so much sense. I love how Archie doesn't even say his question fully, but Maxie still understands him. Of course he does, because, I'm sure, even if Archie didn't ask this, Maxie still would think of it. I'm sure if none of them said this, they still would understand this wish to work together again that they both have. At this point, they are incredibly connected together, and they have only each other.
I also love this moment, because when Archie died first time, he was told that, if he will continue like this, he will end up all alone. And Archie agrees to that: he answer in the way that he is already accepted that he is alone now, and he doesn't even have Maxie by his side (I still can't get over that he really highlighted him in this speech holy fucking shit). BUT then, when he appears next time, he appears as ORAS self, and his ORAS self is very different from what he was, not only as a person, but his motivation is different, too.
He changed in some way. And he ISN'T alone, because now, Maxie is by his side again. And I can't stop thinking about how happy it probably made Archie.
And even dying, he is calm, because he isn't alone. He have Maxie by his side. His only friend.
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Random Sole x Hancock Headcanon - Emails.
Sole figures out how to get some sort of online connection up and running again purely so they can send emails to Hancock's terminal from their Pip-Boy whenever they're apart. Love sick idiots.
Cue Hancock blushing and kicking his feet whilst reading the emails. He invents the ;) emote. Sole, in turn, makes the ^-^ and :3 emotes.
They both invent selfies. Hancock's the first to send one when he realises he can send pictures. It's a fucking process but he barters for old parts here and there and gets help from Kent. Eventually he has a working camera for his terminal. The first selfie was him stood on his couch, high af and surrounded by an assortment of baked goods (Edibles) he made. The email said 'Look what I can do ;D'.
He regularly sends pictures of what he's baking or random selfies when he's high.
Sole then made a similar upgrade to their Pip-Boy the minute they could. They send him random pictures of cats and other creatures they see in their travels. Cool views or old, historic buildings and art they think he'd enjoy. A collection of Dogmeat being cute. They sent one of Danse falling over. They send him pictures of books they'll think he like. Usually literature, history, or STEM stuff. Sole also takes pictures with their shared friends and lets them email him too from their arm for a quick update.
They also show off their new builds and inventions. Gun mods, armour, ect.
They also share a 'Spotting Deacon In The Wild' collection. They have a running joke that every new disguise they spot is a 'Deacon Variant' or new Deacon 'Synth'. They add names for each 'character' and the email will say '[Insert Character Name] Deacon Unlocked!' Like, Butcher Deacon, or Diamond City Guard Deacon, etc.
On that note, they invent memes. Usually from pictures of other companions or each other.
Like when Nick was 'sleeping' one time (Wide eyed stare Synth style) and Sole sent a picture of him, captioned 'Me after the horrors'.
Or when Preston was stood looking out at the Sanctuary River after a long night. Coffee in his hand. His hat and one shoe missing. Expressionless as he stared at the sunrise.
Hancock replied 'Me fucking too, brother'.
Sole will update him on their whereabouts regularly so he stays sane.
Hancock will tell them about how Goodneighbour is doing. From Mayoral plans to general gossip. How Daisy is doing, how the local kids are, etc.
Sometimes Hancock sends the most cryptic chain spam looking things when he is stoned.
Sole can email him whenever they're nearby and plan on visiting.
Hancock sometimes requests items if he knows they’re on their way, but only if they happen to come across it or already have whatever it is.
Will email them questions that he doesn't actually mean for them to answer. Just questions to the void, really. He just uses them as an outlet for his thoughts a lot.
Or for help on a crossword puzzle.
Sole will email him when they can't sleep just in case he's also awake. Nights feel really lonely when everyone you knew died 200 years ago.
Sometimes they ask him for knowledge. Like 'Do you know if this plant is poisonous?' or things that most Commonwealthers know for survival, but Sole is still figuring out.
They ask him for leadership advise. Especially during big decisions.
They both tell each other things they've seen/heard through the grapevine that they think the other should know. 'I heard that guy you were looking for was seen in Bunker Hill' 'Some Gens 2s were spotted patrolling Medford Hospital' 'Hi :) Sorry for the late response, I was running for my life :( Tell your traders to stay away from the East Bridge- Gunners'
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There's a lot of speculation about Aziraphale's thoughts and motivations in accepting the Metatron's proposal. Nothing is known for certain at this point, so nothing's impossible yet.
Personally, though, I don't think Aziraphale was talking in code to Crowley in that final conversation. Nor do I think he was very skeptical of the Metatron at first. No, I genuinely think he bought it at first. And here's the thing: I don't blame him.
The Metatron is a fucking master at this. He offers Aziraphale everything he could want, everything he's ever wanted to hear, on a shiny silver plate. Buddy, I would jump at that. Most of us would. We might know better on some level, or at least be suspicious, but we'd want to believe so bad, we'd probably push that aside. And Aziraphale holds out at first, even when he's offered the chance to change everything. He's saying no... up to the point that Crowley is brought up. That's the sweetener. The Metatron saves that for last, knowing that if nothing else works, that will.
And he's right. Of course he is. He assessed this situation and he had every angle covered. It's not a mark against Aziraphale that it works. Again, everything he's ever hoped for. It's too good to be true, but it's also too good to pass up.
I think he's being genuine in his conversation with Crowley. Nervous? Yes. It's a HUGE change he's contemplating, a massive responsibility. He's undoubtedly got some doubts lurking in the back of his mind, not helping matters. And of course there's no telling how Crowley will take it. All of this is more than enough to explain his jitters and his too-wide smile as he makes his pitch. There's genuine hope in his face and his voice, though. His idealism and optimism have been expertly tapped into. He's willing to at least consider that they're not being played, because oh, he wants so badly to believe it. He's believed a lot less appealing lies before.
And I think it's Crowley who cracks that optimism. Harshly, but effectively. I'm not saying Aziraphale wouldn't have developed his own suspicions, because he would have. But it would've taken longer, and crucially, might not have started to happen until he was already in Heaven and essentially trapped.
Crowley's argument, his reaction, the vehemency of it startles Aziraphale. He doesn't fully understand it. But it gets him thinking. It gets him doubting. Crowley's always been good at that.
He's wary when he follows the Metatron out. His glee has been shattered, and that's good, because when the Second Coming is mentioned, then we see the cautious look kick in. Crowley's shaken him out of himself. He hasn't won the argument - neither of them has, there are no winners here - but he did accomplish part of his goal, which was to make sure that Aziraphale doesn't walk into this blind.
Again, I'm sure Az would've woken up himself. But not soon enough. He'd be holding onto hope as long as he could. And as long as he held onto it, he'd be in the Metatron's control.
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