#theyre that well written

[always-a-joyful-note]

As always, thank you Ryu for giving me a bit of peace with a cute but normal domestic scene between you and your brothers. A much needed reprieve before pt 3 of that idol story probably gives me stronger feelings from trigger fluff

[michameinmicha]

Stumbled upon this random ship (in a fandom im not active in myself) that has like 150 works on ao3 which are all from just two people gifting each other fics about this pairing back and forth and theyve been doing it for 3 years... i think thats true love probably

[roseworth]

dc tumblr is so funny bc i can make a post complaining about something in fanon and someone with a wfa pfp will reply and say "actually this is canon, see!" and then post screenshots from a new 52 book that they probably havent actually read

[dreadfuldevotee]

I'd like to discuss the elephant in the room. Why did we get zero Loumand sex scenes? We got hints and implications, but season 1 was pretty explicit. Do we think that that's a creative choice or something else is happening?

I'm glad I ended up ruminating on this for about a week because episode 7 & 8 really solidified my opinion on it.

I do wanna start by saying that it's very clear to me that there was supposed to be more explicit scenes between them. There has been some thoughts tossed around that censorship happened with the 9 pm timeslot (as opposed to the 10 pm timeslot of S1). I believed this hearing Assad and Jacob talk about the BDSM dynamic between Louis and Armand, but what really sold me on this was Production Designer Mara LePere-Schloop talking about the bedroom set and more specifically about their beautifully carved custom headboard. (If you're a production nerd like me or just want to know more about the design philosophy of IWTV I recommend giving the entire thing a listen!).

I think there are several reasons I think as to why they decided to leave any more explicit scenes on the cutting room floor but above them all is: you cannot separate Armand's sexuality from his abuse. I am really against pulling a "well if you read the books" card but reading just the first couple chapters of "The Vampire Armand" makes me understand so much about not only Armand as a character, but the care being taken to his adaptation. It's clear to me that alongside Rolin & Co.'s commitment to not watering him down to a one-dimensional villain they are also trying to not fall into Anne Rice's tendency to romanticize his trauma.

Sex and sexuality is not the same pillar of Louis and Armand's relationship it was in Louis and Lestat's and so I don't believe their story suffers from the lack of on-screen sex. But I also firmly believe that maybe we don't need to be slutting out the character who we literally just watched talk about how he doesn't remember his life before being sex trafficked. And even when he was "freed" he was still being repeatedly assaulted at the hands of, and under the eye Marius de Romanus. Like it is extremely important to remember that Armand's craving for dominion in his relationships is a manifestation of trauma that deserves the same level of care and depth given to every other trauma portrayed in this show.

I think people have gotten too comfortable calling IWTV a romance when it has always been Gothic Horror. Romance and sex are pivotal to the story but I have found the demands for sex scenes this season a bit absurd and also? unfounded? Loustat share more kisses on screen but there are two sex scenes and both are very plot relevant. I truly figured we were all in agreement that the eroticism of this show is found in the various displays of power, and the dynamics it creates and not the actual clapping of ass-cheeks...which also wasn't happening in S1 either. S2 does not suffer because of the lack of sex-scenes, but the likelihood if it suffering trying to make one work is

[gunsatthaphan]

🤓🚩🫶🏻

[thermodynamic-comedian]

daisy vs. elias is my favourite s3 scene because i enjoy both of them as fictional characters, and i disagree with both of them on a moral level. ceo vs. cop. daisy walks in and immediately calls him a weird little freak. elias immediately starts reading her like a book. she does not hesitate for a second to threaten him with police brutality. both of them are doing horrible things in this scene and i am so glad that they're doing them to each other

[suburbanbonfire]

he SHOOTS he SCORES!!!

69 is still a pretty nice number (prints here)

[kenconffetti]

[mitskikissme]

My very rushed love letter to @rowdyknives fanfic what it means to love her. hes such a talented writer no jokeee

[shivroy]

protect trans kids! 🛡️💖🕷️

gwen and miles are some of the most joyfully trans-coded young characters i've ever seen, especially miles' journey towards autonomy ("doing things his own way") in the second film, and the thought of their t4t joy and solidarity brings me so much happiness. i'm not just saying that in a shipping context - trans friendship is so important to me & we need to protect and cherish it, and we need it to protect each other. i hope this piece makes you happy too!! 💖💖💖

ALSO, exciting news, i finally have an inprnt! here is the link - this gwen & miles piece is up on there if you're interested!!! please DON'T HESITATE TO ASK if you want me to put a piece i've posted up on inprnt for you to buy, if it isn't there already! thank you all for your support :')

[casualavocados]

We agreed that I'm in charge of the bars. But you come here all the time to watch me. How am I supposed to lead my people? Use your head, okay? Suit yourself.

KISEKI: DEAR TO ME Ep. 04

[eurekq]

okay I have one more question lol

[roseworth]

misandry in fandom is real to me and im the one doing it. i hate this male character because hes getting in the way of my wlw ship :/ hes actually irredeemable and everyone that likes him is toxic. the female character that did the same thing is fine though bc shes actually a really complex character and shes completely justified

[buildheight]

“Comfortable up there?” Impulse said, rolling his shoulders to feel Grian shift his feet around to remain perched.

Grian whined. “How do crafters work?”

“Thought you were a redstone genius now,” Grian readjusted to get comfortable on top of the larger man, and the two lowered in a familiar motion to the blacktop.

“I am,” Grian yawned, the sun smell of asphalt giving him midday tiredness. The cloudless sky smiled at them like liquid summer. He wrapped his arms around Impulse’s head. “Just tell me.”

“Alright, bedtime story for Grian,” Impulse hummed, letting the man tempt him into a break.

[hauntingofhouses]

(concept art of young taigen - source ; art credit: @abigaillarson)

i cannot get over this concept art of young taigen. god.

just look at this angry bratty boy, too many feelings that he doesnt know what to do with! an abused 9 year old kid in poverty always playing with sticks in the dirt, obsessed with greatness and dreaming to escape his decrepit village—and he does!

he does escape. he runs away. this angry little boy, all claws and teeth and biting words uttered with a lisp, going on the run into a world he's never seen before until he makes his way to kyoto. and knowing him he probably forced his way in to be accepted by the dojo, growling and kicking even as he's thrown out, back into the streets, too stubborn to take no for an answer and never knowing when to give up.

taigen calls mizu a dog, weak, an orphan, a scrawny street urchin. but i can't help but think that he feels so bold to use those words because he had them spat at him too.

because taigen had the idea of "this is how the world is" beat into him from birth. he learned quickly that if you couldn't beat the world you could join it. but that meant losing your way, your values, your principles. and isn't that what true honour is? not just titles and status and glory?

we don't get to see what taigen, as a child surrounded by peers encouraging and goading him on, would've actually done if that meteor hadn't fallen right in front of them at that very moment. would he have really tried to throw that stone on mizu, killing her? we don't know.

but we do see what taigen (his true self, with no one around) does, when presented with the same opportunity. when mizu passes out in front of him, unconscious and near death, vulnerable, the path to restoring his honour lays itself out for him on a silver platter. and he wants to take it, wants to kill mizu, to claim what is his and return to kyoto and get back everything he'd worked tooth and nail for. he feels like it's what he should do. but he doesn't.

and later, again he is presented with the chance to betray mizu, likely offered by heiji shindo to get his rank reinstated within the shindo dojo. and again, taigen doesn't take it. he refuses. "stupidly loyal," fowler calls him later. loyal, like a dog.

because now, pulled away from the sneering looks and jeering words of people around him, telling him that this is what the world is, taigen had met ringo and mizu, two outcasts who refuse to follow a predetermined path to greatness. and so inside something blooms in him. something like hope. a chance to live in a world that doesn't kick you down every chance it gets, to live in a world where genuine kindness and and love and friendship and even weakness is possible, allowed to simply exist without fear.

because he'd been running away from the very idea of it the whole time. when he ran from kohama, he never looked back, never wanted to remember what it was like to be a child, afraid and hungry and angry and hurting, without the words to make sense of it, desperately wishing for something. something more. he doesn't know what. but he hears stories of great swordsmen and decides, yes, this must be it. this is what i want: glory, greatness. the twisted seed gets planted and thrives in this barren land.

and when he returns to kohama with mizu and ringo, he at last is forced to stop running. he must face the child within him again, and he tells that child to put down the stones in his hand, tells him to stop barking at anything that moves or looks at him wrong.

the child drops the stone, and taigen buys dumplings instead, gives them to mizu. the child within him, wide-eyed at the prospect of friendship, moves him to pick up a hammer and toss it to mizu. he's smiling inside even as he does it; giggling like a kid hiding a silly prank. as soon as mizu drops the hammer after him, he leaps at her, tackling her to the ground and they wrestle and laugh unbridled like two children playing while the adults aren't around to barge in and yell at them.

and then his gaze catches on mizu's lips, he stares into mizu's eyes, a sparkling blue, inviting like the open sea in good weather.

it's a man's desire that takes hold then, the child in him sinking away again, and he curses himself for it, because it ruins the moment.

everything goes to shit from there, and then it's back to being a man, back to putting on his grown-up's armour to play hero.

it fails. the shogun dies. fowler's beatings reopen all the wounds left by heiji shindo's torture. "honour is meaningless," mizu tells him. "nothing comes from being a samurai but death."

the words follow him, and he follows the words.

as everything burns down, he runs, leaving the fire behind him, and sees akemi, as well as the verdure of spring behind her, calling him. he does not hesitate then to hold his hand out to her, inviting her to come with him. "i don't want to be great," he says. "i just want to be happy."

what is happiness to him? perhaps he doesn't know it yet, or perhaps he does. but really, i believe happiness is what the child in him always wanted but never received. happiness is a home.

[aria0fgold]

Finally done with my version of The Universe's design!