I don't know if anyone else has said this but
Is it just me or does Lucifer give off "dad from a RoFan/Otome Isekai whose bad communication skills led to irreparable damage in his relationship with his daughter in a first timeline". Honestly Lucifer and Charlie really give me otome isekai/rofan manga/manhwa/manhua father-daughter pair vibes. Like they might not look like it conventionally (mostly in terms of height ig) but they really do feel like they'd fit right in with their love for each other but also non-existent communication skills AND MOST IMPORTANTLY THE MISCOMMUNICATION.
Something something reality can be whatever you want it to be—anyways Otome Isekai AU Charlie & Lucifer. I think it'd be neat to just plonk them in this kind of scenario. Like time-travel do-over on either end, reincarnation (wmmap style so it's the "of soul"), parallel universe shenanigans, gaining consciousness in a shitty novel/game turned real world where you and your dad are both in danger of plot bc ur both final bosses. Hell even the "finding ur kid after your wife left" scenario and then going forward from there scenario.
(I blame my younger self for getting into wmmap for thinking of this)
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13 is an utter awful rat to Graham in It Takes You Away, she treats him horrifically as she loses her patience and therefore temper with him and never bothers to apologise for it, but nobody notices because she didn't raise her voice and it wasn't in a situation where she'd be expected to mother him, so it sailed over peoples heads. She lost her temper and she got Mean. She didn't get shouty, she got mean. She's not a yeller when she lets her anger loose, she's sharp and cruel and so very deliberate. And that doesn't track with peoples stereotypes of women, does it? Women are shouty and Shrill when they're angry, apparently.
She does it to the master in the timeless children, she's sharp and mean and cruel and never once raises her voice when she does it (she actually lowers her voice when she's being really mean btw). This did Not happen when you're thinking it did. Not in the matrix room. She had no idea she was scoring a hit against him there because she didn't understand what he was thinking (because he'd deliberately mislead her). It was in another part of the episode. She scores a hit and almost makes him cry and nobody cares or notices because it's not in a situation where she's supposed to be mothering him while he's all sad. He was being a jerk, she hit out deliberately below the belt and won that round, the end.
It's no that I think 13 isn't at times objectively shitty as a person, because she IS, she certainly was to Graham in the moment above. It's just that instead of looking at the Actual moments on screen when she sucks and dragging her for being shitty person, people have to resort to making up things to accuse her of that are Very gendered (as in, things women are going to get slammed for in society based upon sexist ideology) that never even happen, simply because they didn't pay enough attention to notice her being a crappy Person to drag her for that/they don't actually care if she's in general a lousy person at all.
Because they don't Want her to be a crappy person, that doesn't achieve anything.
They want her to be a crappy Woman.
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The release of p3r has me thinking again about a plot thread that I desperately wish the story used, which is the fact that the whole team watches the protag's persona go out of control seconds after he awakens.
In another game this might not have been a big deal but in this one we have the backstory with Ken's mother. At the very least, akihiko and mitsuru should have made a connection since they watched shinjiro go through this two years ago. They should be concerned, anxious, worried, careful. There should be tense, half-overheard discussions of whether or not to say anything. From the second the protag awakens, he's dangerous, and it is literally never brought up again.
(granted, that's not really why orpheus transforms, but it would be super simple to say that having two personas makes them more unstable anyway)
And it would be so easy to make this a mechanical thing too. Maybe whenever you summon a persona it has a small percentage chance of going out of control, using the wrong ability, attacking your party or you, etc etc.
And then partway through the game, maybe around the time that shinjiro joins the party, he could offer you the same Persona Suppressors he's been taking and you have one of those "no going back" decisions on whether or not to take them. If you refuse, shinjiro respects your choice but reminds you that your persona's power is dangerous, and you keep that percentage chance of going out of control. If you accept, you take a hit in other ways. There's a permanent debuff to your physical skills, or your HP and SP are reduced, or maybe it takes longer to level up.
Maybe it only lasts until ryoji shows up, or until the decision on december 31st, or maybe your decision impacts the game until the very end. I dunno. My point is hot damn i wish they went anywhere with that parallel.
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YRTS: Sara I
view context and the rest of the series here!
Is Sara "ungrateful," or is she tired of being treated like a child by both her mother and her little brother when she's trying to move on from the way she was bullied?
I see why they might've been more protective of her while she was at Marieberg, but she's clearly growing up and trying to move on and gain autonomy/independence, and they won't stop treating her like she can't take care of herself. That wasn't necessarily the issue she was having, though; the problem was that people didn't like her as a person and bullied her because of how they perceived her, not that she was actually incompetent in any way. Now that she doesn't have to deal with bullying, she's doing much better, and it might feel like her family is holding her back in the Marieberg times with their helicoptering.
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