#this is a joke no season will ever be s1

[mummer]

been rewatching barry s1 and 2 and it is. Insane. How. The looney tunes of it all. Wiley coyote. It's all so stupid None of it means anything. and they dont know they dont realize. and then. And then

[youraverageaemondsimp]

Metanoia ;

Aemond Targaryen x Transmigrated!Strong!Reader

>> Chapter I : The Beginning.

Summary: "Be careful what you wish for" is what everyone says, you realise that you should've taken them seriously when you find yourself reincarnated as a character in the show who never existed.

WARNINGS: CANON TYPICAL INCEST, CONTAINS SPOILERS OF F&B, S1 AND S2, reader's appearance isn't described, only the fact that she is a strong, you can imagine her however you like, the picture used in the header is only to capture the feel of the story. A/N: divider credits to @cafekitsune

masterlist // next

“Jesus Christ, fuck this show, fuck everything, what the fuck is wrong with the writing?” You exclaim in annoyance after witnessing the scene that was supposed to be heavily impactful be butchered.

“That is the most anticlimactic death scene I've ever witnessed, this has to be a joke.” You furiously ramble. You decided to give House of The Dragon a try after your friend had recommended it, the show currently has released three seasons, with the fourth season in production, you thoroughly enjoyed season one and decided to binge all the seasons.

However, everything started to go downhill from season two, yet you still decided to watch for the sake of your favourite characters, daemon and aemond, only to witness the battle that was supposed to be intense and stressful get finished in the span of two minutes.

You stared at the screen, rolling your eyes in annoyance as you witnessed Aemond falling into the lake along with Vhagar, Daemon was knocked off Caraxes too and fell to his death.

They wrapped up the battle in mere moments, which made you angry as you were so hyped up to see them fight.

“Ugh, I never hated a show more than this, waste of my time, they did season one so well, what happened to rest? I did not expect this.” You sigh in frustration, feeling like you just wasted your time.

“If only… If only I ever get a chance, I'd change entire plot and script because fuck this.” You lay down on your sofa, staring at the ceiling, the show still playing in the background. You recollected the entire plot in your head, thinking of every moment in the show, trying to come up with an easy solution.

“If only they had married Jace to Helaena, it would have been peaceful.. Or at least if they had an older daughter married to Aegon or Aemond.” You mumble, but then shake your head, “What am I saying? Things still would've been complicated anyway.” You wonder in disbelief at your own words.

You yawned loudly, stretching out your limbs and blinking your eyes rapidly, your vision began to get blurry and you sighed in content, finally willingly wanting to sleep after you forced yourself to stay up all night to binge the series.

Your vision darkened slowly as you closed your eyelids, head spinning as you took slow breaths of air, cool breeze brushes past your cheeks and before you know it, you're slowly succumbing into slumber.

You blink your eyes open, realising you fell asleep, you sigh stirring on the soft sheets, entangling them between your legs.

Soft sheets?

Your sofa doesn't have any sheets.

You quickly blink again, taking the note of a translucent veil hanging from above, surrounding the bed you're in, creating a curtain around your bed.

Why were you in bed?

You sit up looking around, taking in your surroundings, your eyes widening in fear as you don't recognize this room at all, ancient tapestries, brown wooden furniture, and the source of light being only from the candle.

Have you been kidnapped?

You look down at your body, noticing you are in a white nightgown instead of the shorts you fell asleep in. Your heart begins to race and you panic, unable to understand where you are or how you got there. You steady your breathing, wondering if someone kidnapped you to play a role in a mediaeval film of theirs? But why would anyone do that?

The sound of metal clanking harshly against the floor and a small scream made your head turn the direction it came from, the liquid in the decanter spilling out rapidly as the person behind the fallen cutlery stood in shock.

“The princess is conscious!” She yells loudly before turning around and running out of the room in a hurry.

Princess?

Is this a prank?

You barely have any moment to think when you hear the sound of multiple footsteps coming from outside to your direction, you could almost feel the ground rumbling, noting that everyone was rushing to this room.

You push the veil to the side and stand up, getting out the bed and examining your surroundings, looking at the sigils and the paintings. All of this looked familiar somehow.

A small gasp echoed through the room, coming from the entrance, which made you turn around to take a look at who was in the room once again. Your eyes widened at the sight.

A lady with platinum blonde hair, blue eyes stood in front of you, someone who resembled Rhaenyra and next to her stood Jace and Luke breathing heavily, looking at you in shock.

Did the house of the dragon cast kidnap you to play a prank on you?

That sounds too unreasonable.

“Oh my sweet daughter!” Rhaenyra rushes over to you, embracing you tightly, tears flow down her cheeks as she peppers you with kisses “I-i i cannot believe this, you finally woke up after many years.” She sobs, you look at her questioningly. “Sister.” Jacaerys speaks up, coming to you and joining the embrace of you and Rhaenyra, Luke joins in as well.

“We missed you.” Jace says and you stare at all of them confused.

This has to be a joke.

They notice the expression on your face and their faces immediately drop, “Your grace, the princess woke up after many years, she might not be able to recognise you.” The maester chimes in, Rhaenyra nods, sniffling yet understanding your condition.

“Emma? Is this a joke?” You question, referring to the actor of Rhaenyra, “I’m not Aemma darling, she is your grandmother.” Rhaenyra corrects you. “I think she must be confusing the names of everyone due to her hazy memory.” The maester tries explaining, you sigh.

Yeah this must be a dream.

You shake your head gently and immediately slap yourself to wake yourself up.

“Ouch!” You yell in pain, cupping the cheek you slapped yourself on, Rhaenyra is mortified and the guards rush in and hold your arms back so you don't further hurt yourself.

This is not a dream.

You can’t feel pain in your dreams and you will wake up right before impact.

You look at Rhaenyra’s face, she is as real as a living person, standing right in front of you.

She looks just like Emma. of course, after all Rhaenyra is indeed played by them.

But this is not them.

She is not Emma

You can feel the vibe, it's very different.

You’ve met Emma before in costume, yet they did not give off the vibes as what Rhaenyra is giving off right now, after all, when you met them; it was just a show, but now it's your reality.

Did you die in your world?

You’ve definitely transmigrated into this show, but as who?

Did Rhaenyra ever have a daughter? You knew she didn't.

“Mirror, get me a mirror.” You ask and they look at you questioningly, your form begins to shake as the realisation is too overwhelming, there are many questions in your mind, “Please!” You cry, and immediately a servant moves and rushes over with a mirror.

Your eyes widen.

It's you.

You had not become someone else, but you remained as yourself. “What is my name?” You ask, “Y/N.” Rhaenyra replies. Your mind begins to spin, you are in another world as yourself, you have not possessed anyone else, which means your body must’ve disappeared from your world.

You try to stay calm in this situation, breathing heavily, “You are?” You ask, wanting to reconfirm, you watch as Rhaenyra's face crumples into that of a sad face, probably feeling hurt that her own daughter doesn't recognise her.

“I'm your mother, you are my eldest daughter, they—” She points at Jace, Luke and Joffrey, “—are your younger siblings.” You turn towards them.

You nod, pretending to play the part while you figure out everything. “I'm sorry, I do not remember.” You apologise and Rhaenyra shakes her head, “It is alright, you have been unconscious since the past six years, this is better than losing my daughter.” She replies.

“Six years… Did I fall unconscious after Aemond lost his eye?” You think out loud and Rhaenyra looks at you in shock, “You remember him?” She asks and you clear your throat, “It's hazy, my memory.” You answer back.

“Your grace, the event was probably traumatic for her, hence why she can remember it in parts.” The maester explains it to Rhaenyra, you mentally thank the maester for covering up for you always.

You noticed how they were all dressed up, looked as if they were about to leave but their plans were cut short, and you recognize this gown of Rhaenyra.

It was the gown she wore when she left for King's Landing, in order to settle the matter of Luke's right to driftmark. “You guys were departing somewhere?” You ask, wanting to really confirm it, “Hm? Huh, Yes, We were about to leave for King's Landing.” Jacaerys answers your question.

“Can I tag along?” You blurt the question.

“.. Tag along?” Lucerys repeats your words in confusion, your language confusing him.

“I mean to say, can I come along?” You ask the question in a proper manner, Rhaenyra shakes her head, “No- you've just woken up, you might still be weak- I cannot risk-”

“Mother! I am perfectly fine!” You cut her off, breaking free from the guards hands and running around the room, doing jumping jacks, showing her that you aren't weak and are perfectly capable of physical activity.

Rhaenyra watches in shock, seeing you move like this but she chuckles, shaking her head in comic disbelief, “I guess she has not changed after all.” The maester comments which makes Jace and Luke smile.

“Very well, Pack the princess’ belongings, and get her ready for departure, we will depart two days later.” Rhaenyra orders the maids and you smile at her.

“But mother, I do not have many dresses—”

“You do, I had them tailored every year, whenever you grew, hoping that you would wake up.” She replies softly and you just then realise how Rhaenyra loves her children.

“The maesters said that you might not ever wake up, and that your body will be stunted from growth, yet… I'm glad their predictions never came true.” She smiles gently at you, you smile back.

The maids come in with a bath as everyone leaves, some of them begin packing your belongings. You notice how your body doesn't look how a person in a coma state should be looking especially in the mediaeval times, but instead you seem to be well taken care of, treated as if you were alive.

The maids quickly finish your bath and dress you up, you have to pretend to get used to this atmosphere and era even though you're highly uncomfortable, the mere thought of having servants made you feel bad.

And with that, the night fell, you couldn't sleep thinking about how you're going to deal with everything, could you really prevent war from happening? It happens due to a misunderstanding in the show right? What if the misunderstanding doesn't occur? Your mind was filled with such thoughts through the whole night.

In King's Landing.

“My queen, Rhaenyra, has sent a letter saying that their arrival will be delayed further.” The master sums up the contents of the letter in the council room, in front of Aemond who had been called by Alicent for an urgent matter.

“Why so?” Alicent asks, furrowing her brows.

“Princess Y/N had woken up from her unconscious state.”

An ear piercing shattering sound of glass is heard through the entire room, when turned to look at the origin, It is known that Aemond had dropped the wine glass he was drinking from.

“Y/N is awake?” Aemond asks the maester.

“Yes my prince.” The maester replies.

Aemond's heart begins to pound in his chest loudly, his mind spiralling at the thought of you finally waking up all these years later.

“Please excuse me.” Aemond gets up from the chair, excusing himself from the council and leaving the room, his brain occupied with the thoughts of you.

There wasn't a day where Aemond hadn't thought of you, he would at least think about you once a day- the news of you waking up from unconsciousness made the adrenaline in his body rush.

He felt like a hungry snake that had been starved for many years who at last found a prey to feast on, he felt like a drought-stricken land finally receiving rainfall, he felt like a garden void of any flowers which started to bloom once again.

He was thrilled.

He reminisces of the fond memories you both shared, he could never ever forget them, smiling at the thought of you.

He wondered if you had changed or remained the same.

Whatever it was, he couldn't wait.

He couldn't wait to receive you.

[ennas-aesthetic]

You know what I just realized?

When Crowley said, "that's the point. No nightingales," I paused and went - huh. So both Aziraphale and Crowley KNEW about the actual nightingale bird that sang in Berkeley square? We as the audience are AWARE about it, of course, because God's narration told us so. We also know that, outside the mise en scène, Tori Amos' A Nightingale Sang in Berkeley Square plays as the end credits for season 1 roll.

But the s1 end credits song, I assumed, was non-diegetic. As in, like the soundtracks that permeate throughout most films, the song could only be heard by the AUDIENCE, and not by the characters. In addition, the characters THEMSELVES cannot hear what God says to the audience - and logically speaking both Crowley and Aziraphale could not have known about a singular, inconspicuous bird singing despite the noise of the traffic. Especially not when the Nightingale sings while they're currently dining at the Ritz.

So the 'No Nightingales' line WORKS for the audience - it's an incredible gut punch that leaves you weeping. But since we never heard or saw either Aziraphale and Crowley acknowledge the Nightingale, did that line have the same devastating impact to the both of them?

Oh, it absolutely did. Maybe even worse than we could ever imagine.

Because Crowley WASN'T just talking about that damn nightingale bird, was he? If you rewatch Season 1, Episode 6, you can see and hear VERY clearly that while Aziraphale and Crowley settle on their usual table at the Ritz, a pianist plays A Nightingale Sang in Berkeley Square inside the scene itself. Unlike the end credits, the piano version of the song is a DIEGETIC sound! That means both the Aziraphale and Crowley can hear it LOUD AS DAY.

And it's JUST - the heart-breaking contrast this has to Beelzebub and Gabriel's Everyday. When Crowley says 'No Nightingales," he implies that that was THEIR song. It's a specific reference enough to know that this became part of their history - of their rich plethora of inside jokes and shared memories. And judging by Aziraphale's shattered face, he KNEW the significance of the line. He KNEW that Crowley is throwing back THEIR song to his face. "If Gabriel and Beelzebub can do it, why can't we? Why can't we make the Nightingale a reality, the same way they made their Everyday come true?"

That A Nightingale Sang in Berkeley Square is Aziraphale and Crowley's Everyday becomes fact when Crowley turns the Bentley's radio on, only for it to play THIS song. THEIR song. Which SHOULD HAVE brought them together. It SHOULD HAVE. It worked for Gabriel and Beelzebub, didn't it?

Turns out, not every problem could be fixed by making that song yours.

[erwinsvow]

𝐬𝐮𝐢𝐭 𝐭𝐡𝐞 𝐦𝐨𝐨𝐝 𝐨𝐟 𝐦𝐲 𝐬𝐨𝐮𝐥

summary: you were a pogue, and now you're a kook. just like how once you were no one's, and now you're rafe cameron's.

author's note: here it is!!! imagine like s1 rafe with the s2 hair, and basically just having a former-pogue girlfriend through out the whole season. i just think rafe would actually be such a good boyf, he just needs someone to settle him down when he gets a lil crazy. follows the sequence of s1 until about 3/4ths down, where i just started making stuff up. you might read this & think no one would act like this.. and that's fine, i know they wouldn't, but this is a self indulgent story for rafe <3 part 2 of the other seasons maybe? enjoy!!

now spinning: black beauty by lana del rey (soooooo rafe coded! he just needs a hug and some pussy!)

word count: 13.5k

warnings/tags: wheeze is a toddler for no reason. reader isn't the biggest fan of the pogues at this point in time. smut: oral (f receiving), fingering, degregation, use of daddy, rafe calls reader kid because <3, lemme know if i forgot something!

“So that’s it? Really? Your mom is marrying a Kook and you’re moving across the island… just like that?” John B speaks to you as if you had any choice in the matter. You look at him sadly, but you’ve cried so much the last few days, it’s hard to find any more tears.  

You want to tell him, want to explain everything. The way your mom has been so lonely for years, ever since your dad passed away. The way she would pull double-shifts every week just to make sure you had the nice, trendy shoes and hot dinner every night. The way you grew up in the cut but it never felt any different than growing up in figure eight, because she took care of you.

And now it was your turn, to take care of her. Blake Richards was rich, and he wanted to take care of your mom, which meant for the first time in a long time, she would be the one being taken care of. And you owed that to her, you owed that much.

“I-I don’t really have a choice, John B. I mean, this is my mom. And she’s getting her chance to be happy. I can’t ruin it for her.”

“Yeah, I get all that but, like, does this mean you’re gonna go full-Kook on us? Because I think that would just be disturbing,” JJ says, and you crack a smile, even as you feel a tear spill down your cheek. 

“I don’t think I could ever go full-Kook.” It comes out quietly, a notch above a whisper.

“Hey, hey,” you hear John’s voice again, as he stands up to get closer to you. You feel embarrassed, the way your cheeks flush and heat up when he’s only a few inches away from you. He wipes the tear away with his thumb. “No crying, okay? Nothing has to change.”

The way he says it, you almost believe him.

“Right,” you say, still quiet. There’s a sob stuck behind your throat, and you don’t want the boys to know how upset you really are. You’ve stitched up these boys more times than you can count, set shoulders and bones and nursed bruises for them. “Nothing has to change,” you repeat, trying to convince yourself. Everything was about to change, starting with your relationship with them.

And that’s the one thing you wish could stay the same. Deep down, no matter how many times you were teased and laughed with, there was a part of you, buried away, that thought you would end up with one of these boys one day. Sweet John, funny JJ, smart Pope. Well, maybe not Pope. You’ve seen the way he stares at Kie, even when no one else notices.

But John and JJ, the possibility of being with one of them always lingered in the air. Even when they’re flirting with tourists or cracking so-called boy jokes that you just wouldn’t understand, you always thought they were your endgame.

If only you knew. 

Pope and Kiara drive up, just as you’re wiping away another tear. You’re dreading repeating everything to them, shedding more tears. 

౨ৎ

“Who is that?” Topper asks, eyeing some girl entering the club. Rafe was getting sick of Topper crying over every pretty girl he saw on the street when he was supposedly dating his sister. He hardly cared about Sarah, daddy’s favorite, but that was his family, and he wouldn’t tolerate disrespect to his family. 

“She must be fresh meat,” Kelce says, “I’ve never seen her before.”

“Tourist?” Topper questions. Rafe downs the rest of his drink. 

“Nah, man, see that guy ahead of her? That’s Blake Richards. My dad works with him, he’s a big finance guy. He’s a widower, but I guess not anymore.” 

“Step-daughter? Jesus,” Topper says. “It’s like a cheesy porno. But I wouldn’t be surprised if he married her mom to tap that, I mean-”

“Enough,” Rafe snaps. “Shouldn’t you be in a fight with my sister?” Topper blanches. 

“I mean, look at her Rafe. That is something special,” Kelce says, and then finally, Rafe lifts his head to look at you.

You look… confused. Your head is turning, taking in everything about the club, like you’d never been there before. A waiter comes up to your family with tall glasses of water, little pieces of cucumber and lemon floating around in them with ice cubes. Richards—your step-father—takes a glass and hands it to a woman who can only be your mother, with the same hair and complexion. Before he can take a glass to hand to you, you take it from the tray yourself, smiling and saying thank you. The waiter, some teenage Pogue, blushes at your affection.

When you start walking, continuing the tour, the waiter turns to look at you walk away, gawking like men do when they see something pretty. Rafe feels an overwhelming urge to punch the kid, and cover you up with his jacket. 

You’re not in anything too immodest, compared to what he’s seeing girls at the club walking around in, but it feels like it’s too much for the leering eyes that follow you. Your jean skirt comes down a little less than half-way to your thighs. Your shirt is white, with puffy sleeves and little buttons that tighten around the chest.

He sees a glimpse of cleavage, which makes his chest tighten uncomfortably, not in the way he’s used to when he sees a pretty girl. He wants to take his shirt off his back and slide it onto you, buttoning it up all the way and making sure no one else looks at you the way he’s looking at you right now.

“Rafe?” his friend calls, and he’s not sure which one. In your glancing, you turn towards Rafe and you lock eyes for a second. You must have noticed him staring. You probably think he’s crazy, but he doesn’t seem to care much at the moment. Your mother must have beckoned you, because you turn away in a second, walking towards the older couple, trailing behind them again.

“Be right back,” he says, leaving a confused Topper and Kelce behind him at the table. He cuts through the tables near the bar, entering the walkway where your family is already, but coming out of the other end. He gets there just in time to run into Richards, who’s leading the little group.

“Hi, Mr. Richards, right?” he says, holding his hand out. “Rafe Cameron.”

“Oh, Rafe, hi,” the older man replies, shaking his hand. Rafe grips hard, making sure Richards doesn’t think he has a wimpy handshake. Otherwise he’s never gonna agree to what Rafe has in mind. “I haven’t seen you in years, I mean you were half your height last time I was over at Tannyhill.”

“Crazy, right? Well I just wanted to say hi since I ran into you. How’s, uh Benny and Brax?” 

“I can’t believe you remember them, they haven’t been to Kildare in years. They’re good, yeah, Benny’s in California now, and Brax is out at law school, at Oxford.”

“Oh yeah, international law, right?”

“Yeah,” Richards says, smiling wide. “You’ve got quite a memory, son, I’ll have to tell Rafe when I see him.”

“Oh yeah, he’s around here somewhere.” Then, he makes his move. He turns his gaze to your mom first. He thinks about it briefly, but if he addresses you before her, your mom will be on guard. He knows how their minds work. “I don’t believe we’ve met before, I’m Rafe,” and he shakes your mom’s hand, but turns back to Richards for the introduction—something else in his little cheat-sheet of rules. Let dad do the talking, so he feels like he’s in control. 

“Rafe, this is my wife, Anna-”

“Nice to meet you, Rafe,” your mom smiles at him sweetly, and he smiles back. 

“-and my step-daughter.” You smile, and hold your hand out. He shakes your hand, gently, and looks at your face, because he can tell the smile is forced. He wonders why. 

“Nice to meet you.” he says, and you smile that forced way again.

“You too, Rafe.” You let go of his hand, and it’s good, because if he held on any longer, the adults would get suspicious.

“First time here?” he questions, still looking at you.

“Yes,” your mother answers, laughing, if not a little uncomfortably. “Is it that obvious?”

“Nah, it’s a lot to take in, I remember that much.” Richards smiles at him, almost beaming. He knows Rafe has been coming here since he could walk. That means the old man appreciates him trying to comfort his new family. Another step closer.

“It is,” Anna says, looking at her daughter. She has those worried eyes, the one Ward’s new wife won’t stop looking at him with. 

“Well, it’s the perfect place to be all summer. I mean, pretty much everyone our age is at the pool or the courts.” At his mention of the both of you, you look up from staring at your shoes quickly to looking right at him. He smiles. You don’t smile back. 

“Really?” Richards asks, still openly friendly.

“I mean yeah, Mister R, I remember Benny on the golf course, like, everyday. And Brax, I mean he practically taught half of us how to swim.” Richards nods and laughs, continuing small talk about his sons. Rafe sneaks another glance at you, and you look back knowingly, like you can smell his intentions from a mile away. 

“Honey?” your mom asks quietly. “Do you wanna go with Rafe?”

“What?” you reply quickly, surprised. You weren’t listening, and he tries hard not to laugh.

“Well, I can take you ‘round, introduce you to everyone. I��ll finish the tour if you and Mrs. Richards are heading up to the course?” He nods at the golf clothes your parents have on, that you are lacking. 

“I think that sounds great, right, honey?” Anna presses, and after you lock eyes with her, you nod in agreement.

“Yeah, sure,” you say quietly. Rafe smiles again.

“Great, great, yeah. Well, it was great to see you Mister R. Missus R.”

“Thank you, Rafe. Kiddo, you can ask for the car to go home when you’re ready, okay? Your mother and I are going to get dinner here.” Anna looks up confused, probably wondering how they’ll get back.

“I’ll call someone to bring the car back, honey,” he explains, and your mom smiles.

“I can also take her back,” Rafe interjects. “Tannyhill is the same direction, and I’m headed back anyways. If you wanna leave the car here.”

“Really, Rafe, that would be great, thank you.” You look even angrier than before, but the plastic smile spread over your face doesn’t faze them.

“Right, thanks, Blake. Bye mom,” you say, and then lean over to kiss her on the cheek.

You watch them walk away, chewing your cheek and turning back to Rafe with anger splashed all over your pretty features. 

“I can’t believe that worked on them,” you tell him quietly, smiling when your mom turns back to look at you before they turn the corner. Your parents were too gullible sometimes.

“Yeah, me either, kid.”

“Don’t call me that,” you reply right away. “And despite what you think, I’m not touring this place with you. I’m probably never coming back here after today.” You start walking away, in the opposite direction of your parents, when he chases behind you.

“Y’know, I don’t get you. Every girl your age lounges around here all day, and everyone else wishes they could.”

“Well, you know what they say,” you start, smiling sweetly, though he sees through it again. “Idle hands are the devil’s workshop.”

“Really?” he shrugs. “Never heard that before.”

“Yeah, you wouldn’t have.” 

“Come on, you’re not even giving me a chance. You don’t even know me.” You laugh at that.

“Yes, I do, Rafe, you just don’t recognize me.” You continue your brisk pace, looking for the exit and getting closer. He reaches out to grab your forearm, holding you back for a second. He guides you into the corner, between the hallway where there’s no one else around.

“Yeah, that so?” Rafe is almost caging you in. He’s so close you can smell his cologne and the scotch on his lips.

“I’m from Kildare, Rafe.” You try to break free of his grip, but it proves even harder than you thought. He holds you in place without even breaking a sweat.

“No, no, no, because I know every pretty girl in Kildare. And you’ve definitely never been here before, so-”

“Really? Even the ones from the cut?” You thought that would be enough to get him to drop your arm, but he doesn’t budge.

“Huh. So that’s why you’ve never been here. Old Man Richards married a Pogue and made her daughter into a Kook? Did I get that right?”

“I’m not a Kook,” you say, squirming, because you still don’t want to be trapped by him. His cologne smells good, your mind wanders and thinks, like ocean air and sandalwood. You snap out of it at once.

“Not yet, you’re not.” 

“I’m not going to be, either. A little money isn’t going to change anything for me.”

“Yeah, yeah, kid. That’s what everyone says, ‘til it does.”

“Rafe, let go of me, I said let go-” And he does let go, quickly, and your arm falls. Faint red marks appeared when he was holding on, what can only be a bruise tomorrow. He’s marked you, and you’re not half as angry as you would have thought. 

“Come on, kid, we’re finishing this tour. I promised,” he says, and the last bit is so mocking, you can’t believe mom and Blake fell for his act. 

He takes you around the entire club, shows you the restaurants, the spa, the pool. At least a handful of girls stare at the two of you walking side by side, but Rafe doesn’t look back at anyone. You don’t know how to feel about that.

The oldest Cameron isn’t a mystery to anyone in Kildare, but you don’t know anything about him besides what the boys have told you. JJ hates him, naturally, John doesn’t let you look at him in passing, and even Pope can find a few bad things to say. But right now, he’s not doing any of those things you would have expected once he found out you and your mom are from the other side of the island. The crude jokes and gold-digger comments are nowhere to be heard.

But you can’t write him off completely yet. After all, this is Rafe Cameron.

He finishes the tour on the golf course, so you can wave to your parents on the course. You’re sipping on a lemonade through a little pink straw, and he finds it hard to look away when your cheeks hollow to draw up the liquid. Your mom and Blake wave back, and you smile—genuinely—for maybe the third time that morning. 

“They’re good together,” Rafe comments, on the walk back to the front door, where his truck is waiting. 

“Do you really think that?” you ask quietly. You’re tired, he can tell, drained from trying so hard to make sure he knows you hate him. 

“Yeah, kid, I do. He’s been a widower basically my whole life. And he married your mom, so he must really love her.”

You can’t tell if he’s just saying it to get on your good side. You hope he’s not. Through all of this, all the crying and the suffering and how much you miss your old life and your friends, if your mom doesn’t at least end up happy, it’ll all have been for nothing. You feel more tears brewing.

“Thanks, Rafe,” you end up saying quietly, as you put on the seat belt in the passenger seat of his truck. His music plays softly in the background of the drive - rap, something you've heard before but can't place - back to Blake’s house. With your window down, you stare out of it and try to pay attention to the breeze in your hair rather than the entirely overwhelming scent of Rafe, which is all-consuming in his car.

Rafe turns to look at you every few minutes. You look perfectly in place in his car, leaning against the panel with your eyes closed. That means you trust him, even though every word you say makes him think otherwise.

Your eyes flutter open when he puts the car in park, outside the door to your house. 

“Home sweet home, kid,” you hear his voice in your ear, but he sounds closer than he should be. When you turn to look, he’s leaning over you and so close to you, you feel the heat radiating from his body. 

“What’re you doing?” you ask quickly, heartbeat picking up and rocketing off. 

“M’just getting the door for you, kid.” His arm flexes, only an inch or two away from your chest, pulling the handle and swinging open the door. He leans back into his seat, smirking. “Why, what'd ya think I was gonna do?”

You let out a breath you didn’t realize you were holding in and swallow uncomfortably. Your throat feels dry and your palms are suddenly clammy.

“Nothing.” 

“Sure. Whatever you say.”

You climb out of his car, shoes hitting the ground a little too hard. He strains his neck, trying to make sure you’re okay. 

“Thanks for the ride,” you say, not meeting his eyes, closing the door behind you. 

“Anytime, kid. I’ll be seeing you around.”

You thought he would take over the second the passenger-side door was shut, but he doesn’t. He stays and watches you fix your skirt that had ridden-up on the drive, and walk into the front door, glancing behind you, just for a second, before going inside. And then you hear the roar of the engine, only after the door was closed and you were safely inside.

౨ৎ

You didn’t take it literally, that you would be seeing him again. Rafe seems like the type to play with his toys and get bored before long, but true to his word, you see him days later. And to his luck, you were feeling even worse than the first time you met him.

The morning started like any other—showering in a bathroom that’s just yours, and no one else’s, and attached to your bedroom. You can hardly remember the years when your dad was alive, but after he passed, you and your mom moved into a tiny two-bed, one-bath with your mom’s best friend. You were there for the next five years, until she got married and moved out, and it was just the two of you. But even in all the years since, you’ve never had your own bathroom until now. 

You shower as long as you want, whenever you want. Your room is in a completely different hallway than the master, where Blake and your mom sleep. You blast music at night, singing along off-tune from the bathroom, and would stay on the phone for hours with your friends. If anyone answered your calls anymore. 

It’s been three weeks since you broke the news to everyone that you were moving. Two weeks since you actually moved. One week since Rafe walked you around the country club and drove you back home, like you belonged to him. In that time, you’ve driven down to the Chateau twice, walked by Kie’s house, which is now just a few blocks away, and texted multiple times—all with no responses. At first you panic, thinking something’s happened, but then you realize this was what always happened. When you’re off on an adventure, you don’t think about who’s waiting for you back at home.

That’s what’s running through your mind when you run into Rafe again that day.

You had showered without interruption, taking your time doing your hair up just because you felt like it. There was no work to be done, no chores assigned to you anymore. Breakfast was always prepared when you went downstairs, so you took your time getting ready now. 

You missed a lot of things about your old life, but the limited time and constant rushing and anxiety were not among them. 

Your clothes were picked out with the anticipation of seeing your best friends again, your favorite overalls from the thrift store—which had been bought when you were still two sizes too small for them, and had been baggy on you until last year, but they were such a steal your mother refused to let you put them back—and a yellow shirt to match your ratty, yellow converse. They had been washed so many times they were more brown than yellow, but it didn’t matter much. 

This outfit was the old you, and it brought up feelings inside you that nothing in figure eight could change. You wore it because you wouldn’t look any different to your friends in this outfit, and for maybe a few hours, you wouldn’t be the girl in the fancy house with the country club membership anymore.

“You look nice, sweetie,” your mom says, when you head downstairs. She’s drinking her coffee at the table, your step-dad nowhere to be found. It’s eleven in the morning and she’s just woken up too, in her robe and slippers, and you smile, watching her more relaxed than you’ve seen in years.

You swing by her side of the table to give her a kiss, and steal a piece of toast from her plate. You’re relieved she doesn’t mention your clothes, not when she keeps offering to take you shopping with Blake’s money, which you keep refusing, but is getting more tempting every time you step in a puddle in these shoes.

“Thanks mom, I’m going to see the boys and Kie, I’ll be back later, don’t wait up!” and with that you’re gone, before you can discern the disapproving look in her eyes. 

Your junky old car, older than you by several years and still somehow the nicest thing you own—used to own, a voice chirps in the back of your head—is hidden around several fancy cars in the driveway. It’s intentional, you’re sure, and likely your mother’s doing. Nothing embarrassed her more than you handing out constant reminders of your old life to everyone around you.

And then you’re on the way to the Chateau, windows down and no music, since there was no way to connect your phone and the radio was busted by Pope a year ago, who claims he was trying to fix it. 

But it’s what happens when you get there that embarasses you the most—no one’s there, and no one will answer your call. You wait around for a half hour, trying to see if they come back, but they don’t. 

And that’s when it hits you. They were off on their adventures, and you weren’t just down the street anymore, which meant you weren’t invited. You get back in your car and slam the door, humiliated, tears falling down your face and probably ruining the makeup you had done, stupidly, this morning, because you wanted to look nice for them, like your old self for them. You don’t realize until later, after you were done crying, and seen Rafe again, that your friends didn’t want to bother you while you were adjusting to your new life. 

You feel betrayed, and the words that John had told you rattle through your head, because he was wrong. Everything had changed, and nothing would be the same. 

You take off, heading back home. There’s a big storm brewing and your Accord gets dramatic in the rain. It’s not until you cross the border back into figure eight that you realize two things. One, that you had just thought of your new house as home for the first time. And two, that you had never felt more alone. 

There’s not much to do about either of these feelings, besides stopping for the biggest bowl of ice cream you can reasonably carry back home, and eating it in your room, crying and watching You’ve Got Mail for the hundredth time.

So that’s what you do, pulling into the ice cream shop closest to home. Your car also doesn’t have the greatest functioning air conditioner, and you don’t need any more questionable stains in your seats, considering how many times JJ had borrowed it and returned it, promising you it’s nothing and that that spot in the back seat was always there!

In line, tapping your foot, calling your mom’s cell. Your eyes are puffy and your nose is red from crying. She’s not answering, but the unspoken rule of your little family is to always, always call when you’re getting ice cream in case the other wants something. You’ve only been gone something like two hours, and you can’t imagine what she’s doing that she can’t answer your phone. You dial Blake’s number, hoping he answers instead, and while it’s ringing you realize it’s your turn to order. You haven’t even looked at the menu yet. 

You turn to the people behind you, telling them they can go in front, but when you look up from your phone, you almost drop it. 

Of course it’s Rafe Cameron behind you. Of course. Who else would it be? Who else would keep catching you at your lowest moments? He’s with a little girl, who can’t be older than four or five, with dark hair and glasses, holding his hand patiently while staring up at you, while you stare at him and he stares back.

“Rafe, she said we can go in front,” she says, tugging on the hand she’s holding. 

“Yeah, Wheeze, I heard. Let’s go order and then thank this nice girl for letting us go ahead, right?” The little girl nods, and follows him up to order. Rafe looks back at you but then your step-dad answers, so you turn away, cheeks heating up. You don’t want him to see.

“Hi, what’s going on?” you hear his voice through the phone, sort of staticky and jumbled. 

“Hi, Blake, I just wanted to ask if you and mom wanted ice cream? I’m at the place… yeah, the one near the house.”

“Oh, yes, let me ask her, one second-” You hear him put the phone down, or cover the mic, and then, “Honey! Kiddo’s asking if you want ice cream.” 

You feel yourself soften a little bit at the nickname. And then you hear your mom and Blake talking back and forth, for what feels like ages. The girl behind the counter looks at you with a glare and you try to look back at her with an apologetic smile, but you’re a little fed-up from the emotional turmoil you’ve just endured. 

“Hi, sweetie, I’m okay, I had some at the club with lunch and twice in a day is just not a good idea-”

“Just get it, who cares? We can have it later tonight too-”

“What if the power goes out? It’ll melt, and then it’s just a waste of money-” Crap. You hadn’t thought of that.

“We have generators for that.” Blake picks up the phone again. “Hey, kiddo, get your mom her usual and make sure you use the card I gave you, okay?”

You hang up the phone, smiling, and then order. It feels weird, being oddly comforted by someone other than your mom or your friends for once. In your distraction, you don’t see Rafe and the little girl hovering near the freezer window that showcases all the ice cream they offer. When you’re reaching for the shiny black Amex, you hear him again. 

“I got it, kid,” Rafe says, pressing his matching card against the reader and pushing your wrist down and away. He does it so easily, without trying, just like he did in the country club. You look up at him stupidly, brain not registering what he just did and why he did it, and you don’t move for a moment. You don’t move until he leans down a little, close enough to smell that enticing cologne again but not nearly close enough. 

“I think the words you’re looking for are ‘thank you’. And you should probably get out of the way.” You blink back up at him, and he’s smirking again. You feel kind of stupid, the way he’s talking to you, but you also don’t mind as much as you thought you would. The girl behind the counter yells out Next! and that’s when Rafe takes you by the arm, just above where he had bruised you, and moves you away himself.

“You okay, kid?” he asks, and you feel yourself melt like ice cream left in your car for too long. You don’t know if he really means it, or if he really cares, but you do know Rafe Cameron needs to stop talking to you like he likes you, or you’re going to be in trouble.

“Fine, yeah. Thanks, uh, thanks for the ice cream.” You’re still blinking slowly, stupidly, stuck in a daze. You should really get it together around him. It’s a little pathetic if a strong grip and a couple of nice actions gets you acting like this. That’s a problem for another day right now.

“Is she okay, Rafe?” the little girl asks quietly from beside him. 

“No idea, Wheezie. Why don’t you sit and eat your ice cream?” he replies, and she sits down a few tables away, beginning to shovel chocolate ice cream with a tiny wooden spoon.

“Hey,” he says, and you begin to snap out of it. It’s raining outside now. You hear the pitter-patter of the drops on the roof. “Are you okay?”

“Yeah, yes. I am. I just had a bad morning. Sorry.” But you don’t know what you’re apologizing for.

“Well, are you gonna talk about it and shit? ‘Cause I don’t know you that well yet but you’re kinda freaking me out right now.”

“I-I…I just-”

“You, you, you just?” he mocks, and then when tears fill your pretty eyes and he sees one slip down your face, his own eyes panic briefly. “Hey, hey, I was just joking, kid-” He pulls out a colorful chair for you, and sits you down next to Wheezie, who is still eating ice cream at an alarming rate. Your ice cream is ready at the counter, and he brings it down next to you, holding his own strawberry cone in his hand. 

“Hold this for me Wheeze,” he says, not really asking, and the little girl shakes her head right away.

“How’m I gonna eat mine then?” 

“Wheezie,” Rafe says, in a voice that you haven’t heard him use before—and then you realize how stupid you sound. You’ve talked with him twice, you don’t know anything about the voices he uses or how he sounds when he’s talking to this girl who can only be his little sister. 

“Can I have some?” Wheezie propositions back, and Rafe nods. “Okay!” she says, taking a bite of the scoop with her front teeth.

“So, y’gonna tell me what’s going on or am I gonna have to guess everything?” 

“My friends, I just keep missing them, or they keep missing me, maybe. I just wanted to see them. It’s really lonely here, that’s all.” You’re staring into his eyes, his really, really blue eyes that are currently a little alarmed and concerned, and the fact that they’re that way for you is making you a little dizzy. 

“Yeah, I get that. Sorry, kid, that’s the lay of the land, right? Not a Pogue anymore, are you?” 

“I don’t know what I am.” You feel silly and embarrassed for pouring your heart out over ice cream with Rafe Cameron. He doesn’t know you, and he never will.

“Well, right now you have a choice. You can sit here and eat ice cream with us, or you can go home and cry about it alone. But if you choose the second one, Richards and Anna will see you, or hear you, and ask about it. And I’m not gonna keep asking if you don’t wanna talk. So pick one before this shi-stuff melts, okay?” 

You nod dumbly again. You’d like to turn your brain off and let Rafe decide for you. 

“I need a spoon.” He smiles, not smirks, for a second, before getting up to get you a spoon.

A few things float through your mind while you eat ice cream with the Camerons. First, Rafe remembers your mom’s name. Second, Rafe doesn’t swear in front of his kid sister. And third, and most important of all, Rafe Cameron cares about you.

“That’s a lot of ice cream,” Wheeze, or rather—as you’ve just learned—Wheezie, comments.

“I was feeling really sad,” you reply, shoving another spoonful into your mouth, watching the little girl eye your peanut and chocolate ice cream inquisitively. “You’ll understand someday.”

“Boy problems?” she asks, and you can’t help but crack a smile. Rafe looks up from his phone momentarily 

“Not really, but a good guess. This would also apply to that situation.”

“My sister’s always got boy problems.”

“Really?” you ask, and then look up Rafe. “You have another sister?”

“Yes,” he says, in between licks of strawberry ice cream. You should really look away when he does that, because your heart rate is picking up. “And she’s even more annoying than this one.”

You laugh while Wheezie frowns.

“If I’m so annoying, why do you always take me for ice cream, huh?”

“She’s got you there, Rafe,” and you resist the urge to look at him, even when you can feel his eyes on you. 

“Because you wouldn’t stop asking, dork, that’s why.” Wheezie shrugs in reply.

“I’m not gonna finish all of this. You want some, Wheezie?” you ask, offering her your spoon. She looks back at you smiling, and then at Rafe for permission, who nods.

She digs into the pile left, while you finally give into the urge to look up at her brother again. He takes another lick of his ice cream and you look away within a second. 

“Been eating that for a while, haven’t you, Rafe?”

“Yeah.” 

Somewhere in between Wheezie eating so much of the ice cream so quickly that she gets a brain freeze, and Rafe finally tossing his half-eaten cone into the trash, it’s time to go home. And as much as you hate to admit it, you don’t want to leave. The rain is coming down hard outside, a preview of the impending hurricane.

“Drive here, kid?” he asks, as your feet hesitate by the door. 

“No,” Wheezie answers, “I came here with you, dork.”

“Not talking to you, kid,” he replies, rustling the top of her hair with his hand, getting an ugh, Rafe, in response.

“Yeah. Yes, I drove here. But my car doesn’t do so good in the rain.”

“Huh?” he questions.

“It’s old, okay. Junky. The AC is broken. And the radio. Sometimes she just stops, y’know?” You gesture to your blue car parked out front, the rusty, tiny sedan two spots down from his shiny truck.

“No, I don’t know. Richards lets you drive around in that thing?”

“She.”

“It’s a car. Barely, at that.”

“She has a name, okay. HoHo. That’s her name.”

“Alright, well, you’re gonna have to ditch the hoe, because I can’t let you drive home in a hurricane in… that.” You turn to glare at him. “Her, sorry.”

That’s how you end up soaking wet in the passenger seat of Rafe’s truck, Wheezie secured in her booster seat and Rafe even wetter than you are. He drops you home and says the two of you can go pick up your car tomorrow—if it’s still there, he adds at the end, leaning over you again to open your door. You stare at him dumbly again, which has now become a bad habit, and it’s not until Wheezie says you’re getting her wet in the back that you finally climb out and close the door. You stand behind the front door with your mom’s melted ice cream in one hand, and your phone with Rafe’s contact saved in the other, wondering what exactly just happened. 

౨ৎ

The next few weeks pass through as quickly as they came. Your car—to your chagrin and your mother’s joy—does not survive the hurricane. Blake gives you a fancy, luxury car to drive around in that he just had laying around, which you don’t believe for one second. But, your mom is pleased when you actually start driving it, and you can actually listen to music from your phone and enjoy air conditioning and the most luxurious of luxuries—a backup camera. 

The night of the ice cream shop incident, Rafe texts you. You were completely ready to wallow in bed, waiting for the text from him that never comes, drowning your sorrow in more ice cream, but he does text you. First and right away. 

R: Is it wrong if I hope hoho drowns tonight?

that’s so mean. she never did anything to you.

R: She’s kinda ugly. And what was that about no ac?

so she deserves death????

R: The impound lot at the very least

if she dies, it’ll be because YOU manifested it

R: Never thought I’d believe in that manifesting shit, but here we are

did Wheezie eat dinner after how much ice cream you let her inhale?

R: No.

R: Ur fault. You gave her yours

you gave her yours too

and btw, I offered her a bite. she ate the rest. not my fault

R: She’s five, genius

R: I’ll come around noon tomorrow. Sleep tight kid

౨ৎ

Somewhere in between picking up your car—which entailed no less than stopping for lunch, even more ice cream that you can’t stand to watch him eat, and driving through town to see how bad the damage from hurricane Agatha was, and altogether three hours together ending with a wet, heated kiss in his truck with the windows fogged up—and today, you’ve been with Rafe more times than you can count. 

And you try hard to suppress the thought that it’s just because he’s available, that the availability is the reason for your attraction. And then you catch yourself trying to justify why you want to see Rafe so much, this guy that you had just been assuming was bad because your friends told you he was bad, without much in the way of an explanation. 

But Rafe is the furthest thing from bad. He’s so sweet to you it makes you delirious. He picks you up all the time, even when you tell him you’re just at home, and your car is right there. He pays for everything, he opens every door, the gentle but teasing way he is with Wheezie makes you even more head over heels.

But most important of all, he calls you first. He texts you first. He makes you feel wanted, and you definitely, definitely, want him, so you don’t think twice before saying yes to accompanying him to Midsummers. 

You actually don’t know what it really is, besides for a big party. It was always one of the worst nights at the hospital—litters of teens with alcohol poisoning and from car accidents— so your mom would be working. When you turned eighteen, your mom paid for classes to become a junior nurse, and so busy nights like the one of Midsummers usually was, you would get called in too. So before this week, you’d never spent Midsummers doing anything other than cleaning wounds and fetching suture kits.

You tell Rafe this and he looks at you strangely, another of his looks you hadn’t seen before, with furrowed brows, and you flush and apologize, regretting even opening your mouth. 

You know you’re deeper than you thought when he takes your head between his hands and kisses you—messy, with tongue and spit left glimmering over your mouth, so much so that he wipes the corner of your mouth with his thumb when he’s done. 

“Go get yourself a pretty dress, and we’ll have fun, yeah?” You nod stupidly again, the way you’re prone to doing around him. He must have realized you get a kick out being told what to do by him, what to worry about and what to focus on. 

You finally take your mom up on the offer to go shopping. Her and your step-dad are going to this thing anyways, but you can tell she wasn’t completely sure you’d go to something so Kook-y, maybe not just yet, and she doesn’t want to push it since your mood finally seems to have picked up. But then you tell her Rafe asked you to go with him, and the two of you smile and jump around the living room, laughing like kids. She’s happy for you and you’re happy that the two of you are happy at the same time.

Rafe sends you money for a dress—enough money to pay for a month’s rent at your old place. Your mom says your step-dad insists on paying. You feel like things are coming together for the first time.

You wander the stores, trying on different dresses and feeling like a scene out of a movie until you finally find the perfect blue dress. Blue for Rafe’s eyes and his suit jacket, because you’re not embarrassed to admit to him that you want to match for Midsummers. It’s patterned with little flowers, ruffles and lace moving in the wind when you twirl, and for once, you stop feeling like you need to pick a side to be on—Pogue or Kook—and you decide just to be Rafe’s for now.

The night of the party, Rafe offers to pick you up, but you tell him you’ll come with your parents. They’re both wearing shades of peach and salmon, the three of you together look like you’re headed to a baby shower, which you and your mom laugh about in the car ride there. 

You text Rafe to let him know you’re there, and tell your parents you’re going to walk around to find him. When you glance back, they’re talking with some of Blake’s friends, people he had invited to the wedding.

You see, what you can only think, is a glimpse of Pope, in his usual waiter get up, but he disappears before you can see where he was. His father is still there, though, and you make your way through the crowd to get near him.

“Hi, Mr. Heyward,” you say, smiling and unsure if he’ll recognize you. You don’t think he’s ever seen you in anything but your overalls or scrubs. 

“How can I help yo-wait, is that you, well I’ll be damned. You’re blending right in, aren’t ya?”

“Well, it took long enough.” You suddenly feel embarrassed, because he knows the old you, the one who wouldn’t be here in a million years. “Do you know where Pope is? I thought I saw him, I just wanted to say hi.”

“He just went off that way, but if you see him, tell him I still need his help over here, just like I did before he walked away—”

“Can I help with anything?” you ask quickly, but he shakes his head and tells you the direction Pope went in.

You follow it generally, trying to see where he could have gone in such a short time. But then you see all of them, and you can’t stop your feet from running over. Kie, JJ, and Pope, all standing and talking about something, but you don’t really care about interrupting. Kie’s all dressed up too, and you suddenly don’t feel so embarrassed.

“You guys,” you feel yourself gushing. “It’s been so long,” and you go in for a hug with each of them. 

“Wow, god, you look so pretty,” Kie says, and you hug her again. You don’t realize how much you missed her. 

“You too, Kie,” your smile is so wide it starts to hurt. “Isn’t this so weird, all of us here at this party? Where’s John B?” you ask, looking around. 

“So weird,” JJ says, and you notice the bruise around his right eye because he’s turning to look at Kie again. 

“JJ, what the hell happened to your face?” JJ doesn’t answer, he actually doesn’t say anything at all, which should have been your first sign that something was wrong. You look at him quizzically, before turning to Pope.

“Pope, your dad’s looking for you, I just went over to say hi-”

“Oh crap,” he says, heading back in the direction you just came from. “Sorry, be right back.”

“W-what the hell is going on?” you question Kie and JJ, searching for any answer, desperately hoping that it isn’t we don’t wanna tell you. Your phone goes off, twice, and you pick it up. The look on your face must have been beyond palpable to your friends.

R🧸ྀི: Come inside the house

R🧸ྀི: Got a surprise for you

“I-I gotta go inside,” you say, looking at the confused faces of your friends.

“What’s inside? I thought-”

“No, nothing, I don’t know, Rafe just asked me to go inside, and I haven’t even seen him yet-”

“Rafe? What, Rafe Cameron?”

“Y-yeah?”

“What are you, with him, or something?” JJ asks, and you feel your heart fall into your stomach.

“I-I yeah, maybe. I’m here with him tonight, he-” Your phone goes off again. “I’m sorry, I have to go find him, but I’ll come find you guys right after, okay?”

You leave the two of them there, looking at each other confused, looking at you like they don’t recognize you. And it stings, for a moment, until you get inside the mansion and find Rafe hanging out by the entrance, nursing a glass of scotch and eyes lighting up when they see you. 

Everything with him is like that scene from that movie. Lights go dim, you walk in slow-motion, the room goes quiet. He watches you walk up to him and his eyes take in everything—your pretty hair, your dolled up face, the way your dress moves when you walk, and most of all, that you’re here with him. He reaches his hand out to grab you by the waist to bring you in for a kiss. It’s not like the others, it’s chaste and soft and romantic. 

“Hi,” you breathe out, resting your forehead against his.

“Hi, kid. You look fantastic,” and he presses another sweet kiss to your temple. 

“We’re matching,” you say with a smile, taking in his blue suit jacket and the way you feel dizzy right now, and you feel his grip tighten around your waist. 

“Yeah, we are. Now get in line with me, we’re walking out together.” Your eyes are big like coins, because you understood that you were coming here together, but this is his family’s big night, if everything your mom and Blake told you was to be taken seriously.

You don’t have time to say anything, because Rafe’s nice parents line up ahead of you, and his two sisters behind you. Wheezie tugs on your dress and you turn to greet her and Sarah quickly, because then the doors open and you’re walking out, following Rafe’s lead, lots and lots of eyes on you, but only one pair of blue ones you really care about. 

You almost want to cry, the whole thing is so magical. You have a flute of champagne and a sip of Rafe’s scotch, and you are deliciously tipsy for the next two hours. Your parents come over to talk to you and Rafe, and you can see how happy your mom is in her eyes. You and Rafe dance until your feet hurt, and it’s only then, when he leaves your sight, that things seem to get back down to how they normally are. 

You can’t find Wheezie’s parents or Sarah anywhere. The little girl spilled ice cream on her dress and is crying quietly, fat tears rolling down her chubby cheeks. You want to get her parents, because you think they can help, but you end up taking her to the bathroom yourself. With a damp paper towel, you wipe as much as you can, and you promise to get her another ice cream if she stops crying.

“It’s just a stain, honey, don’t worry.” You toss the dirty tissue and grab another one, wiping the tears and then letting her blow her nose. “It’ll come out when you wash it. And no one will notice because it’s so dark now, right?” She nods in agreement. “Do you wanna go find your big brother?” Another sad nod. “Let’s go honey,” and you take her hand and lead her back out. 

You’re not entirely sure what you missed in the last fifteen minutes. Everyone’s gone quiet, staring at what you hope is a trick of your eyes—all of your friends running from the party, hooting and hollering. Kiara’s parents look hopelessly upset, Mr. Heyward downright disappointed, and your mom scanning the crowd, trying to see where you are, until she spots you and Wheezie.

Her and Mrs. Cameron come running over, and you instinctively flinch, thinking the giant headpiece she’s wearing will poke you. You hand off Wheezie and turn to look at your friends, and you think, for a second, they’re waiting for you. They are, you realize slowly, waiting for you.

And you almost take off right then and there, until you feel Rafe’s warm hand on your shoulder, and you look up to see him bleeding.

At that moment, you turn right back around and head inside to the nearest room, sitting Rafe down on the bed and scrambling to find something to clean his wound with, and something cold to help the swelling, and in your panic, you don’t realize you’re rambling.

“I mean, what the hell was all of that? I turn around for two seconds and everyone’s running from the party like there’s a fire, and destroying things and throwing punches, I mean, I get they hate the whole Kook thing, but it was never like this before, even when I didn’t know you yet, and I-” you drop the frozen bag of peas onto the floor in your sudden realization. “I just let them leave. They waited for me. I didn’t go with them.” Your eyes fill with years. That’s a betrayal, not all the stupid stuff you thought was happening before tonight. They waited for you, and you turned right back around to go inside with Rafe.

“Hey, hey hey,” Rafe says quietly, taking your head in his hands again. “Hey, it’s gonna be okay.”

“You’re bleeding, Rafe,” you say, voice trembling. Your tears are ruining your makeup. 

“I’m gonna be fine. You know why?” he asks, and you feel more tears rush down. “Hey, hey, no crying.” Rafe wipes away the tears with his hand, then he brings his hands to your back and rubs soothingly. “You know why, kid?” “Why?” it comes out a whisper.

“Because you chose me. We’re gonna be fine, okay?” 

The way he says it you believe him. 

You spend the next two days at Tannyhill with Rafe, wearing nothing but his t-shirts and doing nothing but rolling around in bed. It’s been a month, maybe a little bit more, and you haven’t even had the talk yet—the sex talk. There’s no doubt in your mind that he’s not ready for it, but you’re not ready for it, not yet. You’re working on it. He doesn’t make it easy for you, either. You’ve spent hours now, making out in his lap, grinding against each other until you make a mess all over his shorts and his hair is sticking up in every direction, and working your way up to telling him what you want. 

You’re almost there. You’re waiting for the perfect time. Which was almost right now.

“You like that? Shit-” he breathes into your ear, pressing a kiss to the tender skin of your neck right underneath. It makes you moan again, louder, until he clamps a hand—the one not three fingers deep inside your leaking pussy—over your mouth, barricading the noise from leaving. “Gotta be quiet, kid, you want the whole house hearin’ what a little slut you are?” 

His blue eyes, lustful and blown, stare into your own. You shake your head softly underneath the tight grip of his palm. You’re always obedient with him, but he really likes you like this. 

“Yeah? You gonna do whatever daddy tells you? Just so I keep my fingers in this tight pussy?” You nod compliantly, head falling back on to the pillow. His fingers are thick, and the cool of his ring rubs against your clit in the best way, in ways you didn’t even realize it could feel.

He keeps fucking three fingers in and out of you, moans muffled by his hand but not completely silenced. You must be making a mess, because it’s what he keeps talking about, rambling about your messy cunt, greedy and sucking him in, and how you’ve been cumming for him like a little princess for the last two days, but it’s never enough for you. 

It’s when he removes his hand and kisses you hard instead, tongue deep inside you mouth, the metal of his chain dangling on your chin, and you feel the similarly cool metal of his ring on you, you finish again, exploding around your boyfriend’s fingers and moaning into his mouth. He hears you, repeating his name over and over again, not Rafe, but rather daddy, and he swallows your chants into his mouth. When you calm down, he makes a show of licking his fingers off while locking eyes, and then you get flustered and bury your head into his neck. 

He laughs, because it’s so cute, but only for a minute. Then you two shower together and he makes another show, but this time out of you, kneeling on the floor of his tub while he paints your face with his cum, making sure to cover the necklace you’ve been wearing recently too, the silver, loopy little R hanging between your collarbone. 

Then you get dressed—a little pink dress that’s been his favorite recently, with buttons down the front and a pretty bow where your tits sit— and the two of you have lunch with his family like nothing ever happened.

Rafe drops you back at home later that day, gives you a kiss where he grabs the back of your head to bring you in, and then waves bye to your parents as he unlatches the door for you, in his usual way. 

౨ৎ

A week later, he does the same thing. Drops you off, drives away once you’re inside, and you’re starstruck walking back, so much so, you don’t realize there’s someone waiting for you.

It’s Kie, and Rafe’s sister, Sarah. You’re a little confused since you thought the two of them didn’t get

along,  but they look like they’re fine now.

“Hey, listen, we need you to help us. Can you come down to the Chateau later tonight, after sunset?” Kie asks, and you must look as confused as you feel, because Sarah speaks right away, before you can get a word out.

“You cannot tell my brother. Promise us you won’t.”

“Why are you asking me that? Why can’t I tell him?” Sarah and Kie exchange a look, and it’s clear to you that you are missing several pieces of the puzzle. “Guys! Come on, you-you can’t expect me to just be on board with lying to my boyfriend and showing up to help you guys without knowing what it even is, right? What’s going on?”

“We will explain everything, just please promise us that you’ll come,” Kie implores and you nod hesitantly. 

“And you won’t tell Rafe?” Sarah asks again.

“Come on. Pogues for life, right?” Kie says, and you get a flashback to your life two months

ago—doing anything for your friends and dreaming of how you’d end up with one of the boys someday. It all seems like a million years ago.

“Yes, yeah, yeah, I’ll be there. I won’t tell him.”

You guess that God was on your side today. 

R🧸ྀི: Hey kid. Busy with my dad today. Dinner tomorrow okay?

sounds perfect!! don’t work too hard! i'm gonna watch a movie with my mom and blake and stay in tn

R🧸ྀི: You got mail again?

you know me so well

R🧸ྀི: Have fun princess.

You set down your phone on your dresser, feeling like you could throw up your dinner. It’s just starting to get dark outside, and you’ve just lied to Rafe for the first time since you’ve met him. It feels terrible, like something’s gnawing inside you, begging you to come clean and confess, or not to go out at all. You think about it for a moment, maybe if he knows you’re with some of your old friends, it won’t be like a real lie.

Then you remember your old friends are the ones who punched him. You tell your mom you’re going to Rafe’s, and then you get in your fancy car that Rafe helped you christen the other day—in the backseat, specifically—and drive to your old life.

You park next to the Twinkie and get out, stepping into a slush of mud. Your shoes are new, and were clean, and you cringe internally at how much you started caring about these things. You don’t want Rafe to see you with dirty shoes.

The boys and Kie are sitting on the logs near the fire pit. Sarah is sitting right next to John B, looking at him how you look at Rafe, and then you realize the magnitude of just how much you’ve missed.

“Hey,” Kie says, looking up first, smiling. “You came.”

“Yeah.” You’re at a loss for words. Everyone looks the same. Everything feels so different.

A part of you wants to sink down between Pope and JJ, crack a beer, and laugh at jokes you think you would still understand. Another part wants to get into the fancy car and drive to Tannyhill. You opt for neither, standing a few yards away and letting the light from the fire cast its hazy glow over you and all your old friends.

“Did you tell him?” Sarah asks. She means it well, not in a rude way, but that’s how you feel. 

“No, no, I didn’t. He, he thinks I’m at home. With my mom and Blake.”

“Alright,” JJ says, tossing his empty beer can. “Let’s get this show on the road.”

“Listen,” John B says, getting up and sounding too sincere for your liking. “We all appreciate you coming. Because we need a favor from you, and it might not be easy.”

“I mean, I think it’s gonna be pretty easy. Unless Rafe is like, really, really crazy, like even crazier than we already know he is-” JJ says, but stops when Kie and Pope shake their heads. “What? She knows, she’s the one dating him.”

“Know what? I don’t even know what you want from me-”

“We need a distraction. For Rafe, okay?” John B starts.

“An hour, okay, that’s all we need, right guys?” Sarah asks, looking back at everyone. They nod, trying to convince you, except Jayj.

“Well, like, maybe a couple of hours. If he’s up to that, y’know, I don’t wanna assume shit ‘bout stamina and all that-”

“JJ,” Pope says, shoving the blond’s arm. “You’re not helping.”

“What?” you breathe out, even more confused than before. You start to get what they’re asking, you just don’t want to admit it.

“We need to distract Rafe, for an hour, or like two hours, and we figured you’re our best bet.” John B says, and you look at them with your mouth falling open a little.

“You want me to…sleep with my boyfriend, to distract him, so you guys can do something that you won’t tell me about?”

“Kind of, yeah. Pretty much.”

“And is, is this thing going to hurt him in the long run? Is he going to be upset? When he finds out what happened?”

“My Kook feelings radar is a little off, right now, but who knows, I mean hell, he might not ever find out,” JJ says, and you want to sit down, because your knees feel weak, but the ground is muddy and the logs are occupied. “If we do our job right, he won’t know for a long, long time, right guys?” A chorus of right, right rings around the fire. 

“And you’re not gonna tell me what this is about at all?” 

“Well, it might not be a good idea. Because, you’re dating him, and listen, we just need like an hour, and he never has to know you were a part of this, okay? I will never tell him, none of us will,” Sarah says, and you do believe her. But you can’t believe that they’re asking you to do this.

“And if he finds out, and he breaks up with me, then what?” 

“Yeah, I, uh, knew this was a bad idea. She’s not gonna do it, guys, so let’s just reformulate-”

“Oh, you knew I was gonna say no, JJ? Lying to my boyfriend? For the people who hurt him?”

“He hurt us too, y’know,” Pope says, and you feel your heart begin to race. 

“No, I don’t know, because no one tells me anything! No one answers their phone and no one’s here when I drive down. Kie, you live two streets away from me now. The first time I saw you all month was at Midsummers and then, today. Asking me to come here to lie to Rafe, to sleep with him to distract him.”

“No, no, we shouldn’t have asked you, because I knew you would say no, I told them-” and you can’t believe the words coming from your friend's mouth. “Look at you, you went total Kook on us.” 

And then you feel like they’re taking it all in. The R around your neck, the jewelry that sparkles in the light of the fire, all yellow citrine, for Rafe’s birth month. The pink dress that’s his favorite—you put it on this morning in case you ended up back at Tannyhill tonight. And worst of all, his white button up hanging from your shoulders, smelling like ocean and sandalwood and Rafe Cameron. 

“It’s like you belong to him now.” You feel a tear sliding down, but you wipe it away. 

“Maybe that’s because he was actually there for me, when I needed it. And I get it, maybe I should have tried harder. But you guys should have too.”

The group of you stand there in silence for a moment. Your phone goes off. You know it’s Rafe. They know it is too. It starts with Kie, and then a course of apologies from everyone. John B wipes away your tears like nothing has changed. JJ scratches his head, and then hugs you tighter than he ever has before. Pope tells you how much he’s missed you, how he had to start bandaging wounds in your absence. 

“I’ll distract him. An hour, that’s all you get. I’m not sleeping with him because you guys want me to, okay? So if he leaves, he leaves.” 

You take off for Tannyhill, leaving your old life behind and risking your new one all at once.

౨ৎ

Rafe’s phone goes off again, and he lets out a short, tight breath. 

Princess: are you still busy at home? i need you

Princess: please rafey

“I’ll be back,” he tells Ward, and before he can even respond, he’s out of the room, calling you. The line rings twice, and then you answer.

“Rafey?” you sound quiet, like you’ve been crying.

“Hey, hey kid. What’s going on? I told you I was working tonight,” and then he runs a hand through his hair, because he knows he’s fucked, if you’re crying and you need him, then he’s going.

“I know, Rafe, I just really need you, I had a really bad night-” “Woah, wait, I thought you were just with your parents?”

“I was, it just got really bad, I-I’m outside Tannyhill because I had to leave, and then I got lost and I was scared so I just came straight here.”

“Lost? Jeez, kid, it’s, like, down the street.”

“But I didn’t wanna bother you, ‘cause you were busy-” and then he hears a hiccup, and then a sob.

“Okay, okay, stay there, I’m gonna come get you,” and he hangs up the call. He darts outside, spotting your navy car and you inside, still in the same clothes from this morning, just wearing his shirt over it, like a jacket. He gets close and you climb out of the car yourself, jumping into his arms and burying your face into his neck, like you always do when you get like this. He can feel the way your body shakes under his arms, the wetness of your tears on his black polo.

“Okay, it’s okay now, come on, let’s go inside.” You make it up the stairs to his bedroom, when Rafe guides you inside and pulls his blinds, so no one peeks inside. 

He sits you up on the edge of his bed, squatting before you, hands in yours, arms resting on your knees. 

“You gonna tell me what happened?” You shake your head, another tear falling. You wish you could say you were pretending, but the tears find their own way when you think about the encounter you just had. You’re lying when you tell him it’s between you and your parents, but his reaction makes you regret it instantly. “Did they say somethin’ to you? Did they try something? I’ll go over there and sort it all out, okay, kid, don’t worry about a thing.” He stands up, running another hand through his messy hair, letting it fall in the moppy way it always does, over his forehead. “Stay here, okay, princess, I’ll be back.”

Then you realize he’s gonna go over there and talk to your perfectly happy, clueless parents, so you stand up and turn him back around.

“No, no, Rafe, don’t leave,” and then you melt into a hug, taking in everything about it. Rafe rests his chin on the top of your head, his arms tight around your back. He smells so good, and the way he’s taking care of you makes you realize a couple things. “Will you just…make me forget?”

Your boyfriend looks down at you, and you don’t shy away from his gaze like you often, when you get flustered. 

“Make you forget?” he questions. 

“I just don’t wanna think about anything else,” you start, undoing the bow of your dress, more cleavage revealing itself. “I just wanna think about you,” and then your fingers undo the buttons trailing down the front of your dress. It falls off your shoulders, and you stand before him, naked, certainly not for the first time but what feels like the most intimate it’s ever been. 

There’s a pretty lingerie set hidden in the back of your closet, what you had actually put aside for this moment, but you had no time to run home and get it, so you opted for the next best thing, taking your bra and panties off in the car ride here, shoving them into your purse, and hoping that Rafe was as tempted as you were.

“Just about me?” he questions, and you take his hand into yours, leaning in to press a soft kiss against his lips.

“Just you, Rafe. I’m ready, Rafey, I want you to fuck me,” and it seems like that’s all it takes. Rafe crushes his lips against yours, kissing you how he always does, tongue in your mouth and spit everywhere. He holds you by the back of your head and your hands run through his hair. You want him closer, even closer than he already is, than he possibly could be.

His hands leave your head and go down to your ass, grabbing both cheeks roughly and wrapping your legs around his waist. He drops you on his bed, head hitting the pillow, and you pull away for a second, to catch your breath. Rafe doesn’t let it happen, gripping your cheeks between his hand and bringing you back in for another kiss. You’re naked, and he’s still completely dressed, but you don’t miss the obvious way his hardened dick presses against your bare cunt.

You can’t breathe, and all your senses are overpowered by Rafe, but you also don’t really care. You keep kissing, moaning into each other’s mouths and gripping hair and skin that’s sure to leave a bruise tomorrow, until you feel him finally pull away for a second. You catch your breath, open-mouthed and heaving, eyes locked.

“‘M only gonna ask this once, kid,” he breathes, leaving another hot kiss on your neck, which makes you spread your legs further open with instinct. “Y’sure you want this? ‘Cause there’s no going back.”

You nod in that way you always have with him, telling him everything with no words at all. 

“That’s my girl,” he breathes against your neck, and you feel him bite down into the soft skin of the flesh there. You yell out, but it turns into a moan when Rafe licks his tongue over the wound. “That’s just so you can remember this night, okay baby?” You look back up at him, wet eyes, swollen lips, and flushed, sweaty skin. 

“Thank you, daddy.” He smiles, because you’re in for it now.

“You’re welcome, kid. Shit,” he breathes out, “I knew you’d like it, little freak.” He starts with more hot kisses, all the way down your neck, down your sternum, and stopping to press a kiss to each side of your ribs, before continuing down to your stomach. You whine from your position below him, one huge hand holding your hip in place and the other tracing the pattern of the kisses down, until he finally reaches where you want him to be.

“Gotta be quiet, kid, everyone’s home. You gonna let them all hear how much of a whore you are for me? Huh?” he mocks, and you shake your head fervently. “Good girl. You’re being so good, you’re gonna get a treat, okay?” You nod stupidly.

His breath catches for a second, when he gets down to your glistening cunt. He looks up at you from his position there, your chest heaving, tits bouncing with how much you’re squirming, how much you want him to do something. He moves his hands, one resting on your breast, pinching the nipple with his finger, and the other running a line down your pussy. Your whole body twitches up when he runs the metal of his ring over your clit, because he knows you really like it. 

“Rafe, please,” you cry, sounding stupid and fucked out, even though he hasn’t started yet. “Please, please,” and your hips jerk up. He pushes them down. 

“Be patient, kid. Gotta admire this virgin pussy for the last time before I ruin it, ‘kay?” You feel your walls tighten at his words, and you hope he missed the way everything just clenched, but it’s Rafe, and he didn’t miss a thing. “Like that, huh? You like being my little slut?”

You shake your head, trying to deny it, but the damage is done.

Rafe dives in, and you let out a moan that you didn’t realize you were capable of producing. You clamp your own hand over your mouth, because you know he’ll stop if you get too loud. His tongue licks you up and down, and true to what you had always thought, he does know what he’s doing.

The hand pinching your nipples doesn’t relent, and the weight of his arm holds you down when you buck up as he pushes two fingers inside you, scissoring them to stretch your walls out. It hurts, in the best way, and before you know it, he’s added a third.

His mouth stays focused on your clit, and your legs tremble, even though it’s barely been a few minutes. It’s all of it, all at once. Being naked in Rafe’s bed, his hand groping your tits, the way he holds you down without trying, the smell of his cologne and his skin and his sweat, making you lightheaded.

His fingers push in and out, and when he hits that sweet spot inside you, the one your own fingers have never been able to reach but somehow, Rafe’s have become well acquainted with, you can’t help the noises you make.

You repeat his name over and over again, and you think you’ve felt the height of this pleasure, that nothing could surpass this feeling, until your stomach tightens in an entirely new way. Your fucked out brain gets it together for a minute, to feel the overwhelming, ecstatic pressure of Rafe’s tongue on your clit, spelling out his own name. Your stomach tightens, unbearably so, that coil winding up, but before he even finishes the F, it snaps all at once. 

You let out a scream—which you think is so stupid of you. But it feels so good, there was no way around it. Rafe reacts instantly, grabbing your hand that’s pulling his hair and using it to snap over your mouth, all while he rides you through it. 

His nose presses against your clit while he slides his fingers out, your pussy walls clamping around nothing, missing him already. He laps up the mess you just made with his tongue, the noise being so overwhelming, you want to scream again. 

You use your other hand to yank his hair, pulling him up to look at you, because you know you want to see this. Rafe, your Rafe, your boyfriend, with blown, wide eyes and the entire lower half of his face glistening with your juices, with the mess you just made, and then you collapse back down onto the bed. 

Your breathing is heavy. You aren’t sure it’ll ever go back to normal.

Rafe pulls his shirt off by grabbing it from the back, yanking it over his head. Your hand floats up to

touch his chest, to make sure he’s still real and not just a vivid sex dream, but he slaps it out of the way.

“What did I say, hm?” he asks, leaning over you. His face is just an inch too far to kiss. Your limbs feel numb, and you can’t pull him down yourself. You want to cry, because you want to kiss him so badly. “I said you had to be quiet, or everyone’s gonna know what a little whore you are.”

“I tried, daddy, I did-”

“I don’t think you tried at all, kid.”

“No, I did, I swear-”

“You’re lucky that I-” and before he finishes his sentence, you pull him down into another kiss. He tastes like you and scotch, and the combination is so intoxicating, you can’t pull away. “Hey, hey,” he breathes. “I’m not going anywhere, okay?” and the soothing way he says it, you believe him.

“I’m lucky that you what?” you ask, unbuckling his belt and snaking it off the loops.

“That I love you, and I’m not gonna punish you tonight for not listening to me.” You drop the belt over your stomach, the melt part hitting with a little clink. You look back up at him, your eyes wide, you imagine, your cheeks flushed. 

“You love me?” you ask, quietly. You can barely hear yourself over the thud of your heart pounding in your chest.

“I do,” Rafe replies, running his hand to smooth over your hair, which you’re sure is a mess now. “Enough that I’m gonna fuck you now, but I had to say it first, because I’m gonna fuck you until you break.”

You’re speechless, watching Rafe unbutton his pants and kick them off, boxers going with them. He strokes himself once, twice, and you’re still staring up at his face, even though normally you would get distracted. 

He looks up again. 

“You ready, kid?” 

“I love you, Rafey,” you say, twisting your hands around to the back of his neck, pushing him into yet another kiss. You can’t pull away, even if you want to, you want him so close that you forget everything else in the world for now. While you’re kissing, he lines himself up with your leaking pussy, which has probably ruined these sheets, and pushes in the tip.

You pull back from the kiss, just to moan, but Rafe silences you with his mouth again. He pushes in more, and more, until you’re sure he’s bottomed out. Your cunt is so, so stretched, you can’t fathom this is what you’ve been missing out on, and it feels so good, like nothing has ever felt before, not his fingers, not his tongue, not any other part of him. 

“That’s halfway, kid, you doin’ okay?” and your eyes jolt up to his in a second.

“H-half?” you breathe out. “I can’t, I can’t take any more, s’not gonna fit Rafe, not gonna fit-”

“Hey,” he repeats, which always has that calming effect on you. “You let me worry about that, okay? Just relax this pussy f’me, okay?” and the way he says it, you do, because you have no other choice. He pushes in again, fast, hard, and then pulls all the way out. You’re too scared to look anywhere but his eyes, so you stay locked in on them, until he pushes all the way in again, and your eyes clasp shut.

“Oh, oh my god, Rafe-” And you don’t care who hears you this time. He pulls out again, just his lip still inside you.

“Look, princess, look down,” he urges, and you follow his instructions, because you always do. “Look where we’re connected, yeah?” He fucks in and out of you, slowly but then faster, and you do look, entranced at the way your pussy sucks him in, the way your cum is coating his dick, at the brutal pace he’s set. 

You look until you can’t anymore, leaning back against the pillow and watching Rafe above you, his face twisted in pleasure, eyebrows furrowed, mouth panting. He buries his face into your neck, and you grip the top of his shoulders, nails digging in, because you just need to hold onto something.

He told the truth, you think, in your fucked out, blissful state, that he was going to fuck you like he hated you, battering into your sore pussy over and over again. 

You repeat his name—daddy, not Rafe—until he shuts you up with a kiss, and he watches the strings of spit connecting your mouths when he pulls away.

“Just needed this dick, didn’ya princess? Just needed daddy to think for ya?” You moan in reply. “You got it then, kid, because m’never gonna stop fucking you. Y’never gonna think about anything else again.”

And then he finally does you in, because he presses down, right below your stomach, while he slams in, and you feel something inside you break, like a flood breaking through a dam. It washes out to every part of you, from your ears to your fingers to your toes. White hot pleasure runs its course through your body, cunt tightening and shaking, eyes rolling back, your spine arching forward. Through all of it, Rafe pins you down, and fucks you through it. And finally, deliriously, you open your fucked-out eyes, looking up at him.

“I love you, daddy,” and he cums before he can even pull out, messy rivulets shooting inside you, leaking out onto his expensive sheets. He moans into your neck, and his entire body slumps forward, and you giggle under the weight.

A few minutes pass by.

“Rafey, you’re gonna crush me,” you say quietly, sing-songy. You’re so happy, you’ve forgotten everything else that’s happened.

Rafe presses a kiss to your forehead and rolls off, slumping next to you. Your head lands on his chest not a second later, his arm around your shoulder and another kiss to your hair.

“Feel better, kid?” 

“So much better, Rafey.” 

You don’t know when you fall asleep, only that you woke up to the sound of your phone going on. You pick it up, trying to turn down the light so Rafe doesn’t wake up too. There’s one message.

JJ: I thought you said you weren’t gonna sleep with him?

౨ৎ

[jess-the-vampire]

Professor Caduceia and Snakely

Checked out the storyboard for the deleted s1 episode "Homesick"

You can read it here : https://t.co/WpZJFWbR48

I just loved these cut villains, one whose design def seemed like it was given to raine when they got cut. (I wonder if the color palette was similar, but we don't have a reference to that so idk)

Thoughts on the cut episode below:

An episode where king and owlbert of all characters bond is kinda neat, especially since it provides owlbert himself a bit more character here.

The opening is def far different from any of the final ones we ever see in the series, in fact it feels like it should be taking place during the episode but it can't be given we see hooty from being sick to not being sick in pretty chronological order?

A focus on the healing coven was nice to see, especially since we never got that in the show itself, and get some idea of their powerset and what they do magic wise.

So Manny was an ambulance driver, and Camila was a nurse in this. People originally assumed camila was a nurse when the show started, and it makes me wonder if that was changed between seasons at some point cause clearly the crew decided to change her profession and it's unclear why.

you can use your palisman as a communicator? and an umbrella? I do think it's so weird that even at the very end of the show, they establish brand new rules for palisman. Like them being able to shapeshift into objects is straight up not explained and just sorta....happens in the show, like i feel like hunter would have no issue hiding flap if this is a thing. (It also kinda makes stringbean's ability slightly less unique) Like this is displayed in these boards, but they kept it even in the show itself, and i think palisman might need a proper rulebook.

On that same note, owlbert uses magic in this board, like we kinda knew palisman could do some magic without a witch, but this is the only time we've seen one use it to fight another witch that wasn't the batqueen. Like owlbert tries to full on blast people in this. I don't know if removing this episode makes this ability less canon in the world itself since they still can do magic in the show, it's just worth noting that palisman, according to this board, CAN fight back, even if they're not incredibly strong it seems. Certainly the kinda thing that makes you think on other episodes tbh.

This episode also brings up the idea that eda actually CAN and DOES bring human food to the BI, which never happens in the show, in fact luz implies she gets to eat very little options there, so this idea seems no longer canon?

The demon hunters at one point don't even seem to recognize owlbert as a palisman, which does not entirely make sense given they seem to be mostly common to the townsfolk, so I'm kinda glad for that plot hole being gone.

Caduceia makes it out like the emperor's coven forced her to teach? and she thought handing over a house demon to belos would get her out of teaching as if it were some kinda punishment or job she was made to do? I have questions

side note, house demons are called rare in this, like they're not common, not sure if this still applies in the final show, but yeah.

there's some very sweet moments in this with luz and eda especially, but also some funny moments, and some jokes that land a little less....i don't think we needed Caduceia to be kissing her snake like that from that angle, even if it was meant to be a little uncomfortable.

one reason i think this episode did get cut? we got a glyph in this

a healing glyph, which has some ties to water based on it's symbol

i'm guessing since they kept the main glyphs element based, a healing glyph would of stuck out and been a bit weird. Like it just heals people, it doesn't produce water despite looking close to the alchemy symbol for water, and well....we already got ice so this would be redundent.

so yeah, this episode introduced a new glyph that saved them in the end so it would of come back in future episodes, but to keep it simple that would mean cutting the entire episode as a whole just to keep the four.

Since they enjoyed Caduceia's design so much, they must've repurposed it for raine somewhere down the line.

very fun insight into a scrapped episode.

[k1ngl30n]

Everyone's getting mad over the 'he's still trying to come to terms with himself' and 'seven seasons?' lines, but... I agree?

Hannibal, as a show, was never meant to be cancelled so early. Bryan had plans for the fifth, sixth, ninth season before season one had even began production. Will's character arc was meant to be more embellished; his embrace of Hannibal was more a halfway point than his full Becoming. He fell into the ocean, accepting Hannibal's influence, but that doesn't mean that he accepts his love for Hannibal yet (I don't actually believe they fell but that's for a whole other post) or that he would kill willingly, and not because he's trying to protect someone (all throughout the show, he's only ever killed for protection. He's still canonically a guard dog, and not the wild wolf Hannibal desperately wants him to become)

Will WAS still trying to come to terms with himself -- but he was ALSO in love with Hannibal. He just didn't know he was, and that, I think, is the entire point of Bedelia's confirmation; he had a suspicion on what that feeling was, and he needs to come to terms with how the only time he has felt this powerful, all-consuming love was when *Hannibal* was around, and how more of his 'normal' life was a lie than he thought. He needs seven seasons (although that number was actually a joke -- come on, guys) to become the happy, domestic, problem-free murder husband that fandom wants him to become because of this. He is a complex character with an exceptionally long list of internal conflicts, and Bryan undoubtedly had many, many obstacles to throw in his way before he was allowed to settle down with Hannibal.

In short, just because fandom wants it to happen, doesn't mean that it should.

I can guarantee that majority of people could have heard 'murder husbands real?????' in S1 and wanted to skip S2, S3, and however many more seasons until they could watch just the on-the-run fantasy of Hannigram. But, factually, this isn't a payoff until you overcome the challenges -- there is no sassy S2 Will without the imprisonment, there is no manipulative Will without the encephalitis, there is no relationship without Mizumono making them realise that they had one to begin with. There is none of their love until you go through the hardship they went through to earn it.

There is no powerful, consuming Murder Husbands love until they jump over the hurdles to get to it. Would you rather they settle now, or they reach whatever final stage they were meant to get to in order to become well and truly conjoined?

Thank you for coming to my TED talk; please ask me about the retconning of autistic Will Graham

(p.s. PLEASE let me know if I missed something else that he said that everybody should ideally 100% disagree with. I haven't watched any of the panels yet, just reading the complaints people have about those two lines in particular)

[drjholtzmann]

this is dreamling more than dead boy detectives but it's been in my head since reading issue #25 after s1 of sandman. so, now feels like a good time to release it into the world. i just want them all to get in each others way

(season of mists spoilers)

------------

It’s not often that Hob smokes. It’s an expensive habit, and secondhand smoke and all that. But it’s hardly going to kill him, so he’s usually got an ancient pack on hand somewhere. Handy, especially in situations like this. Not that there’s ever been a situation like this before but, well. You live long enough. 

He slips out into the beer garden of the pub, lighting up almost absent mindedly, the action still muscle memory. 

“What the fuck,” he mutters, rubbing his thumb along his lower lip, “what the fuck. Dream, if you have bloody anything to do with this, I swear to god, Morpheus. What the fucking fuck.” He closes his eyes, lets his head fall back against the brickwork. Despite it all he huffs an exhausted laugh. Because sure. Of course. Yeah, why not. Of course this would happen. “Jesus Christ, Morpheus. Even if this isn’t you, bloody… fucking wish I could just ask.” It’s all said barely above a whisper. Just in case. Always just in case. He blindly ashes his cigarette and heaves out a heavy breath, “Lord above,” he scoffs, raising the cigarette to his lips again. 

“Hob?”

Hob startles, eyes snapping open, head knocking back sharply against the brick. “Fuck – ow – Dream?” He raises his free hand to rub the back of his head, wincing slightly. “That, uh… that worked better than expected.” 

“You were calling for me?”

“Yeah… sorta. I didn’t… think it worked like that. Didn’t mean to interrupt.”

“You did not. I had thought briefly of you.” 

“Oh, yeah?” Hob grins. “How come? You miss me already?”

Morpheus sends him a withering look. 

“I, um… dreamt of you. While ago. Was that – real?”

“It was.”

He nods, thumb nervously tapping the filter of his cigarette. “Uh huh. Figured. With the wine, and…” he trails off. The hollow feeling of that dream, or rather, of that waking coming back to him in full force. “You said some ominous shit. Then I said some ominous shit. Was that real, too?”

Morpheus nods solemnly. 

“Right. Don’t suppose you’ll explain that?” Morpheus remains silent. “Right. Course not. Things okay, though? Now? I mean,” he gestures to his friend, “you’re here. That must be good, yeah?”

“Yes. And no.”

“Great. Fab.”

“What I thought I was facing has… changed.”

“...’kay. Well, can I ask you a question?”

Morpheus pauses but, after a moment, nods.

“S’it got anything to do with the dead kids hanging out in my pub?”

“What?”

“Yeah, couple of boys who look like they should definitely be in school – about, oh, fifty years ago. At least.”

Morpheus’ eyes don’t actually widen in alarm, but there is something to that effect happening… not quite in his expression, but in his aura, perhaps. Hob gets the feeling that if he were a cat the fur along his spine would be standing on end. 

“So… it is related?” 

“Perhaps.”

“Definitely, then.” Hob takes a short puff of his cigarette. 

“Show me?” 

“Uh… I don’t know if they know that people can see them. I don’t know if people who aren’t me can see them, actually. So just, um…” the caution dies in his throat as he realises who it is he’s talking to. Morpheus will do what he will, Hob’s advice be damned. 

Dream draws close, peering in through the windowpane of the door back into the pub. “How do you know?”

“You get pretty good at feeling when things are off once you’ve been around the block six hundred years or so. Also, they walked in through the closed front door. As in, passed right through the solid wood and glass.”

“I see.”

“Why are they here?” 

“To sample your fine selection of craft beer, perhaps?”

“Oh, he’s joking,” Hob has joined his side in peering not-so-surreptitiously through the door. “‘Mortal plane’ here, not here-here.”

“Death must have been busy… It is not like her to leave a job unfinished without good reason.”

“Must’ve…? What the fuck could be so horrific that Death is being kept busy?”

Morpheus, beside him, is silent. Deadly still. And it tells Hob all he needs to know. 

“Dream,” he hisses, “what the fuck is this? What’s going on?”

There is a long pause. “I ought not to tell you.” Dream murmurs, still facing the glass panel of the door.

“And I ought not have two dead teenagers in my pub. All things relative.” 

“They are causing no harm.”

“I don’t doubt that. It’s you I’m worried about now.”

“Your concern is of no use. What I mean is that they are no poltergeists, not aggressive, there seems to be nothing demonic about them.”

“Which means… there are poltergeists and demons running about at the mo?”

“I told you, I ought not say. There are diplomatic proceedings to take place.”

“You get that that makes even less sense, yeah?”

Dream seems to, at last, with an almighty eye roll, give in. “Hell is closed,” he hisses, turning to face Hob directly. 

“Hell is closed.” Hob repeats back, dumbfounded. “And that means… The devils are all here?”

“Precisely.”

“But the boys… aren’t devils?”

“They are not.”

“Okay. That’s good news. And the devils?”

Dream shrugs, sharp and languid. “Anywhere. Everywhere.”

“Great. Okay. Less good. Very much less good. So, uh. What… do I do? Am I supposed to exorcise them? Because, I have to be honest – would really rather not do that.” 

“You are under no obligations.”

“Oh.” 

“They could not be here without Death’s knowledge or her say-so. She will come for them in time.”

“Oh.” Inexplicably, Hob’s heart sinks a little.

“They are not alive, Hob.” Dream says, looking him in the eye. “They cannot live forever as the dead.” 

“Hm. Yeah. S’pose.” He looks through the windowpane at the two boys, chatting animatedly at a corner table out of the way. “They’re just kids, though. Barely got a normal life.”

“You cannot save them, Hob.”

“Why not?”

“You cannot. They may not be destined for Hell, but that doesn’t mean they can stay amongst the living.” 

“Says who?”

“The universe. Death, herself.”

Hob smirks, tilting his head down a fraction to look up at Dream from under a quirked brow. “You know what I think of Death.”

And Hob catches the tension at the corner of Dream’s mouth that he knows, whatever he might say to the contrary, is a suppressed smile. 

“C’mon, what if I just help ‘em live a little? While they’re here?”

“Hob.”

“What?! Can’t a guy be nice?”

“I have meetings to attend to.”

“That’s not a no.” 

“I think it a poor choice to flaunt immortality in front of two who have died so young. I would caution against it.”

“Okay. Fuck, fair point. But they don’t have to know about me. They wouldn’t somehow know, right?”

“I would caution against it, Hob Gadling.”

[likedovesinthewindd]

Request for reader taking Rues place in s1 ep2 when mouse pays a visit to Fez

ofc, hope you like!

fezco x fem!reader (season one ep 02: stuntin' like my daddy)

warning: drug use/abuse, coercion, violence, swearing, slight sexual language, mentions of overdosing, after effects of naloxone (narcan) and fentanyl like nausea, urinary retention, drowsiness.

wc: ±2465

a/n: requests welcome!

gif not mine, all credit to original creator.

The only time you'd ever really see Fez at a party was if he was dealing. He wasn't one who really enjoyed going out or being around a lot of people, but parties were one of the fastest ways to sell his shit, and a guy's gotta eat. On the days he had all to himself, he'd often be at home doing nothing.

The only thing he enjoyed more than relaxing at home, was relaxing at home with you. You seemed to have that effect on him; he enjoyed doing things more when you were around. He'd take you shopping because he knew you'd buy actual food and not just any random stuff with no nutritional value. He'd take you with him on random night drives through the city because you had the best playlists to listen to and he wouldn't admit it, but he secretly loved listening to the different genres of music you enjoyed. He always enjoyed having your presence around the house, and around him.

Right now, however, he really really wished you had stayed home. Not that he didn't want to see you, but he was about 5 minutes away from doing business with one of his suppliers (not one of the nicests guys either), and he didn't want to anywhere near when they arrived.

"Hold on, you can't be in here right now," he drawled nervously when he saw your wet frame enter the living room. "I just came to make you guys dinner, got everything for your favorites," you smiled as you made your way inside, placing the groceries you had bought on the kitchen table. You toed off your shoes and made your way to Fez's room. "Nah, you gotta go Y/N," he said following after you.

"Why, am I not welcome anymore?" you joked, looking through his drawers for dry clothes. You settled for a pair of old sweatpants and a t-shirt you had forgotten there, and swiftly changed.

"I'm serious, come back in a few hours but right now you gotta get the fuck up outta my house," he said seriously. You frowned at his words. Was he seriously going to kick you out in the middle of a rainstorm? "It's fucking pouring outside, Fez. I can just—"

"Nah you ain't listening, you gotta go right now before these motherfuckers come through," he interrupted you. By now you had grown irritated by his behavior. "Who are you talking about?" you asked angrily, walking past him to go sit on the couch in the living room. "My guy's boutta come through and I don't want you here when he gets here, you understand?" he said following you. Right. His guy, as in his supplier. You were on the verge of asking him what the big deal was if you just stayed out of their way for the few minutes, when his phone buzzed from the table he was previously sitting at.

You peered behind the back of the couch towards the table and then back at him. He did the same, and when your eyes met, you could see the anger mixed with fear on his face. "I could fuckin' kill you right now," he muttered before reaching for his walkie talkie. "Yo Ash, they here," he spoke into it before he started packing stacks of money into a paper bag.

By now you had grown a bit nervous at what was about to go down. Fez never allowed you to join him when he was doing any of his deals. He wanted to keep you as far away as possible from that side of his life, and right now you were about to meet one of his suppliers.

He walked over to the couch were you still sat frozen in fear, pushing his hands between the two cushions and pulling out a gun, checking to see if it was loaded. Your eyes widened before meeting his. "Look I'm serious Y/N," he said quietly, "just stay right there, keep your mouth shut and be cool. These dudes ain't fuckin' around." You could only nod in response, watching closely as he placed the gun back between the cushions.

☆☆☆☆

To say the big bald guy with the face tattoos currently standing behind you was scary, would be one hell of an understatement.

"So this your little bitch?" you heard him ask. You didn't dare turn around, nervously clasping your hands together in your lap to stop them from shaking too visibly. "Nah bruh, that's my girl," Fez subtly corrected him as the guy made his way around the back of the couch. He kneeled infront of the couch and extended his hand in greeting. "Well hello there," he said. You nervously unclasped your hands and placed one in his, which he took and kissed softly. You wanted to retract your hand from the feeling of his cold, dry lips on your skin, but you had no idea if that could potentially piss him off, and you didn't want to find out what he'd do if he got mad.

"My name is Mouse, it's a pleasure to meet you," he said. How ironic you thought, but you couldn't find anything humorous in the way his stare sent chills down your spine. When he walked away you looked over to Fez again, who was sitting right across from you. He gave you a small nod as you tried your best to calm down your racing heart.

Mouse started unpacking and naming all the diffrent drugs he had available. You tried not to look as shocked as you felt, but truth was you weren't used to all of it. Yeah your boyfriend was a drug dealer, but you didn't do drugs, and he's made it his life's mission to keep it that way You turned around and caught a glimpse of all the different bottles and pills all packed in big plastic zip lock bags.

"7750," Mouse's lackey Custer said as he finished calculating the price of everything at a quite impressive speed. Fez quickly got the paper bag with the money, throwing it to Mouse, who threw it to Custer. "Sure you don't want no Fentanyl?" he asked. "Nah man I'm cool off that shit. Too many OD's, man. I don't want the heat," Fez said calmly.

Mouse turned around to where you sat. "How about you pretty girl," he asked, "you ever tried Fentanyl?"

"No," you said quietly, still looking down at your lap. "Nah, she's good bro," Fez said as Mouse took a seat next to you on the couch and placing his arm behind you on the back of it. He used his outstretched hand to play with the loose strands of your hair. "You gonna let your boy talk for you?" he asked with a smile. You looked over at Fez, not knowing of you should answer him or not. "I don't know—"

"Don't look at him, look at me." You felt as though you might burst into flames if you did look at him. You turned your head slightly towards him, and you were met with a smile that made your stomach churn nervously. "You ever tried it?" he asked again.

"Yo forreal bruh, I don't want her fuckin' wit that shit," Fez said through a clenched jaw. You could hear the irritation and anger in his voice. Whether it was aimed at you for being here right now or at Mouse talking to you, you didn't know.

Mouse ignored Fez's talking, moving closer to you until his mouth was at your ear. "You know that feeling when you cum so hard you can't feel or hear shit?" he asked. You frowned, turning your face away from him and looking down at your lap once again. You didn't want to answer him, you didn't want to be talking to him anymore. "You like that feeling?" he added. You couldn't do anything but nod dumbly, afraid of what he might do if you ignored him.

"Well shit, you gon' love this."

Soon he was reaching for his pockets, pulling out a knife and a pouch of liquid Fentanyl, placing a small amount of the substance on the tip of the blade. He bought it closer to your face, and before you could think you were instinctively shaking your head and moving your head away from the knife.

"I don't— I don't think I should," you said softly. "What, you don't trust me?" he asked. "Yo for real man, she's good," Fez said desperately trying to diffuse the situation. He was praying that you didn't come close to that blade, he didn't want you using that shit at all. "Shut the fuck up bitch," Mouse said, still looking at you, "ain't nobody talkin' to you."

"Tell your boy I ain't talking to him right now. Tell him to shut the fuck up," he said to you. You looked over at Fez, the tears already burning behind your eyes. "C'mon don't be scared. It won't bite you." His voice bought your attention back to the blade that was still infront of your face.

"C'mon, try it."

Fez was shaking his head at you, praying that you weren't stupid enough to take up his offer. You were shaking like a leaf. You didn't know what to do, you just wanted to get out of this situation as fast as possible.

Without a second thought you placed your mouth on the tip of the knife and licked the substance off. Please don't let me die the words replayed in your head over and over and over as you felt yourself slowly and quietly slip into a diffrent state. After a while you couldn't even sit up straight anymore, and you found yourself softly falling on the couch cushion. Please don't let me die please don't let me die please don't let me die please—

"It hits quick," you heard Mouse's voice faintly as you tried desperately to hold onto some form of lucidity. Fez was watching you closely, trying to see if you were still conscious. "You like the way that feels?" he asked placing your leg over his lap. "Mhm," you managed to get out through lips that felt as heavy as concrete. "You wanna couple of patches pretty girl?" he asked and you replied with what you hoped was a yes. He got the patches from his jacket pocket and placed them beneath the waistband of your sweatpants.

"Its gon' cost you three hundred," he said to you, but looking over at Fez, "C'mon, pay up pretty girl."

"I only have like, seven dollars on me," you said, slurring your words like a drunk. "I said three hundred," Mouse repeated running his fingertips along your leg. "I bought like, groceries and shit." You could feel the drool running out your mouth and down your cheek, but it felt like your body was nailed to the couch. You felt so relaxed, so good and fuzzy that you couldn't even be bothered by the drool.

"Yo Mouse, lemme pay for it man," Fez spoke up. "I thought you was too good for Fentanyl" Mouse said with a taunting smile. "What is it, everybody changing they motherfuckin' minds on me?" he asked turning to Custer who sat on the back edge of the couch laughing.

"She can't afford it, she gon' have to find another way of paying me. Straight up," he said, now rubbing along your leg. "Ok," you replied, thinking he was still talking to you. Fez wanted nothing more than to pull out the gun from between the two cushions and shoot Mouse right there and then. He could feel himself getting angrier with every stroke of Mouse's hand along your clothed leg.

"Yo man, jus' lemme pay for it. Got the money right here."

Fez stood up from the couch, and placed three hundreds in Mouse's hand. "Damn, your boy must love you. Its gon cost you six hundred now, man."

☆☆☆☆

After Fez gave Mouse his extra money he counted the bills before standing up to leave. "It's always a pleasure doing business with you," he smiled, pushing your leg from his lap and getting up from the couch. As soon as the door closed behind him, Fez stood up, taking the Fentanyl Mouse had left on the couch and calling Ash. "Flush that shit down the toilet, and go grab the Narcan, just in case," he said placing the pouch in Ash's hand.

He went over to the couch were you were still laying quietly and motionless, your one leg still hanging off the couch. He carefully pulled it back up the couch, maneuvering it to prevent you from rolling onto your stomach, and covered your body with the small blanket that layed by the couch's end. He sat by your head on the couch, softly stroking your hair and praying that you were okay. Your eyes fluttered open when you felt his soft touch on your head. "'M sorry," you slurred, trying to keep your eyes open, to stay awake. Your breathing was irregular and soft, and you felt a dull discomfort in your chest.

"It's ok," he said softly, wiping away the layer of sweat from your forhead. "I ain't leaving you."

When Ash returned with the Narcan you were quickly given some in each nostril and after a while your breathing returned to a somewhat normal tempo. You couldn't fight the urge to sleep anymore and soon you were closing your eyes and dozing off.

☆☆☆☆

You layed in bed next to Fez feeling like absolute shit. You couldn't fall asleep. The dull pressure in your bladder and the constant nausea made it impossible to get comfortable. You turned around slowly, to find Fez laying next to you, his eyes trained on you. He hadn't left your side since your little run-in with Mouse, and had you stay with him until you felt better. He even went as far as to ask one of your friend to bring you clean clothes from your house.

"How you feelin'?" he asked, voice thick from sleep. You only shook your head no, you couldn't even find the strength to talk. "You want some' to eat?" he asked softly. The mention of food made your stomach churn uncomfortably and before you knew it you were jumping out of bed and making a beeline for the bathroom for what felt like the millionth time.

You felt Fez's hand rubbing circles into your back softly as you threw up once again. "Let it all out, baby," you heard him say softly. He knew you hated throwing up, and he hated seeing you ill, so he tried his best to give you any sort of comfort.

After you finished you flushed the toilet and wiped your mouth. The cold tiles beneath your knees and the warm press of Fez's hand against your even warmer body grounded you. "I'm sorry for taking that shit," you said through quiet sobs. You hadn't even noticed you'd been crying. "Is alright," Fez said softly. He hated seeing you cry more than anything. "You'll be alright, okay?" he said, pulling you into a hug, "I ain't going no where. Gonna look after my girl."

[pagannatural]

2.11 Playthings 👭👬

-episode of my life. If you only ever watch one episode of supernatural let it be this one. Creepy dolls creepy dollhouse creepy little girls a lonely Connecticut inn a desperate drunken tousle between the incest brothers. It doesn’t get any better than this.

-Dean gives Sam a hard time about suggesting a case after they’ve been looking for Ava for a month. Dean doesn’t even know Ava, but he’s spent the last month looking for her because it was important to Sam. When Sam doesn’t respond to Dean’s teasing, he backs right off. Dean is controlling and possessive but he is also respectful and considerate because he thinks the world of Sam.

-Dean says Sam’s attitude “is just way too healthy for me, I’m officially uncomfortable now” which is funny because it’s not true that Sam’s attitude is healthy and he will get drunk and misbehave about it, but it checks out that Dean is uncomfortable with healthy dynamics.

-Sam smirks at Dean’s joke in this really cute way. It shows that he still looks up to Dean, even though he wouldn’t admit it.

-the innkeeper mistakes them for a gay couple and assumes they’ll want a king sized bed and Sam says “what? No—no two singles. We’re just brothers.”

Spot the difference between these two pictures

That mighty flustered, genuinely panicky “just brothers” sounds exactly like a “we’re just friends” moment between a will they/won’t they couple and it’s so weird that he says it that way. A normal answer would be “oh this is my brother” and then everybody moves on. But this is a tv show and there’s a reason for this scene to be included in this episode. It highlights that the nature of their relationship as brothers is more layered, and this messy denial tells the viewer that there is a romantic/sexual layer.

Back in Asylum in s1, Dean was mistaken for Sam’s boss specifically to make it clear to the viewer that Dean had more authority in their dynamic at the time, which played into Sam’s anger at Dean. This is a similar way for an outsider’s interpretation of the relationship to shed light on it. Their individual reactions to the assumption that they’re a romantic couple are meaningfully different—Sam is embarrassed and nervous like he’s been caught. Dean is feeling some kind of way.

He looks guilty, like he’s doing something wrong. He played along with people thinking he and Sam were a couple in Bugs and went as far as to slap Sam’s ass and call him honey. He seems pretty comfortable with his sexuality and with people being gay in general, like the joke he made about the only real thing about him being his boobs or the time he sarcastically told a scowling male store owner that his smile really lights up a room. He’s playful, he’s not weird about it (until season 8 but that’s another post). So something else is going on here.

His attitude toward this kind of mistake has changed since season 1. A lot has happened, but I think the point at which things shifted for Dean was that moment in Croatoan when he decided that he was going to stay with and protect Sam when they thought he was infected. The episode was a major turning point for Dean. That’s what pushed him to finally tell Sam what John said, and it was the first time Dean really thought Sam was going to die. It also paralleled the scene from Provenance in which Sam almost puts his feelings for Dean into words. Back then, Dean was able to take control of the situation to avoid Sam’s feelings and his own. In Croatoan, he’s the one forced to consider his feelings and why he would live and die and kill for Sam, and Sam alone. It’s no longer possible for him to ignore the feelings between them. He knows or suspects strongly that Sam has feelings for him, and now he can’t deny that he does too. It’s one of his major conflicts moving forward.

-Dean asks Sam why people always assume they’re gay, saying it’s a “troubling question,” and Sam says “you are kind of butch. They probably think you’re overcompensating” which Dean takes in as though it’s an equally troubling revelation. They look like a couple, and therefore they look queer, from the outside: Sam with his shy demeanor, soft voice, longish hair, deference to Dean in most situations (Dean goes to the front desk, Sam hangs back a little, his body mostly facing Dean), and just general feminine-coding throughout the show. Dean with his cropped hair, gravelly voice, overconfidence, and constant womanizing.

Queer people have this shared experience of never feeling like they’re doing masculinity or femininity correctly, and knowing or realizing that other people can tell they don’t fit in, but not really being able to name what they’re doing wrong. Sam is too feminine and Dean is too masculine and when they’re together they read as a gay couple.

Croatoan drew attention to this too, but again, it’s not really about coding them as lgbt, it’s about coding them as queer and incestuous in a gothic, monstrous way. They are Other and it’s in their blood just like the monsters they hunt.

-Dean has Sam pretend to love dolls, to further underscore his feminine role in their relationship for the viewer. It would be so cute if Sam really did love dolls as a kid.

-Dean tells Sam not to look at porn in their room, apropos of nothing.

-someone else dies. Shot of Sam, damsel, gazing out the window of his tower as the body is carried out and Dean talks to the innkeeper.

Dean goes into their room, where Sam is sitting facing away from the open door in a way that feels foreboding, like something is wrong. It’s similar to the shot of Rose a little later in the episode, with her in her chair facing away from the door.

Sam is drunk because he couldn’t save the guy who died, and “the more people I save the more I can change.” He’s afraid of becoming corrupted and at least some part of him believes that he will (that he already is) and needs to make up for it.

Sam says Dean has to watch out for him “and if I ever turn into something that I’m not you have to kill me.” He argues that John said Dean has to and Dean says “Yeah well dad’s an ass” which is a very bold thing for Dean to say about the dead father he once idolized. He obeyed John to keep Sam safe, and he’s finally letting himself be angry with John.

Sam says even now everyone around him dies. He says “please, Dean, you’re the only one who can do it. Promise.”

So Sam is drunk and in crisis over believing that he will become evil, in this episode that makes sure to emphasize the sexual undertones in his relationship with his brother, in an interaction that looks charged and erotic. He’s begging his brother to kill him rather than let him fall, holding onto Dean’s shirt and pulling him down toward him, his eyes locked on Dean’s.

Dean says “Don’t ask that of me” but Sam gives him the puppiest tear-filled eyes so Dean lies, he says “I promise.” At this point Sam is sitting on his bed and Dean is leaning over him, Sam grasping his shirt to keep him close and keep his attention.

Sam looks at Dean’s lips, says “thank you,” inhales, and grabs Dean’s face in both his hands, his thumb near the corner of Dean’s lip. It looks like he’s trying to kiss Dean. The fact that he inhaled rather than exhaled also just makes it feel more like a lead-up to something rather than a conclusion.

Dean pushes Sam away, closing his eyes as if conflicted, Sam still holding onto his face. It’s a little aggressive. Dean has to shove Sam off of him forcefully.

Dean pushes Sam onto his back on the bed, where he watches him turn to his stomach and nestle into the mattress, arching his lower back with his face in the pillow. Dean puts a hand over his mouth and traces his lips, his eyes dragging over Sam’s body.

Just describing the basic mechanics of this scene makes its eroticism clear. Dean touches his lips after Sam looks at them in a gesture loaded with restraint and tension. It’s another of those scenes that usually happen between romantic leads: the woman gets drunk and confesses something and/or needs to be taken care of and the man treats her respectfully but not so respectfully that he isn’t a little seduced. Dean could have let Sam kiss him (or do whatever he was going to do), but he has so many reasons not to: fear of hurting him, of Sam leaving him, of betraying his role as his savior and protector. Dean’s self worth comes from loving Sam, so if he loves Sam Wrong he feels worthless.

And that’s to say nothing of the fact that Sam is begging Dean to take ultimate control over his body by deciding whether he lives, and deciding whether he’s good or bad. His fears are soothed by the idea that whatever happens he can be Dean’s, he can belong to his brother. He’s okay with dying only if it’s by Dean’s hand. His whole life he’s felt something was wrong with him, so if it’s true and Dean confirms it, he is the only one who can kill it. The corruption in Sam (in both of them) has already been heavily linked to blood and their relationship and now Sam is verbalizing it—No! We’re just brothers. Why does everyone assume we’re gay? Sam holding Dean’s face, drunk, saying there is something wrong with me and it’s your responsibility. Please, you’re the only one who can do it.

-Sam is throwing up the next morning. Dean says something gross about a sandwich in an ashtray that makes Sam gag and say “I hate you” and Dean says “I know you do.” The way Dean says this sounds like he really thinks Sam hates him, which came up in Asylum as well. After last night, this has to have something to do with Sam’s feelings for him and the fact that Sam thinks Dean is the only one who should kill him. He thinks it’s tied to Sam hating him and his self-hatred for loving Sam wrong.

-Maggie tells Tyler “I can’t leave this haunted house and you can’t leave me.” Sam and Dean can’t leave the haunted house that is their life because they can’t leave each other.

-Maggie tells Rose “you’d do that for me?” which Sam has basically said to Dean, and “you kept me away for so long I thought you didn’t love me any more” which fits both of them at different times. Rose is the little sister choosing to die so that Maggie doesn’t have to spend eternity alone, and saving Tyler. It’s a creepy, haunting ending that parallels Sam and Dean. The sisters play together forever in a haunted house and the brothers drive off to hunt together out of the haunted houses and motels and backroads they were raised in.

[steveharrington]

can you elaborate more on steve being abandoned by the narrative?

yes <3 so i think there are two very unfortunate circumstances surrounding steve's character that have led to the current state of his plotline: 1. after not killing him in s1 like they originally planned, the duffers have never really had a plan for steve and 2. they are extremely influenced by audiences. when they were conceptualizing steve to fit in among the ensemble cast, the duffers were picturing him as a douchey boyfriend who unceremoniously dies. lonnie was originally going to come back to the byers house to save jonathan and nancy. there was no need to picture where he'd be 4 seasons down the road, so they just didn't account for that. then joe keery charmed them so hard that they literally couldn't bear to kill him, so steve ends season one still somehow alive.

but we've already established the nancy/jonathan plotline, because jonathan was once the duffers' self-insert who must defeat the evil jock and win over the girl. they couldn't just backpedal on that right away, so they needed to give nancy and jonathan a plotline alone, away from steve. but steve only ever functioned as an extension of nancy until this point, so what do we do with steve now? in an accidental stroke of genius that the duffers have admitted was a last second decision, they pair him with the children and make him into a babysitter. it almost instantly boosts steve into being tied with hopper and el for most popular character from the show, potentially even beats them both out. in 2017 when s2 aired, you could not escape mom steve jokes. it was everywhere, steve was everywhere, joe was everywhere, it was arguably the second coming of #justice for barb, which, in netflix business-y terms, was the exact viral meme type situation that the show wanted and needed to sell merch and remain relevant and say "see we still got it!!!"

you know who has the 2nd most lines in the entirety of season three? directly behind hopper? ahead of winona ryder? steve. think for a second about how absolutely insane that is. the character who was written specifically to die in season one. joe keery's name wasn't even in the season one credits, because he wasn't considered a series regular. and now he has the 2nd most spoken lines in the big blockbuster season because he rocketed up in popularity so intensely. season three marketing features the mall so heavily, creates a literal physical shrine to 80s nostalgia, and when the very first promo is released an entire year before the season airs, who's the star of that teaser trailer? and who, pray tell, is featured in the main brand sponsorship ad that plays in movie theaters worldwide? thats right its america's little darling steve harrington.

but here is the issue. the duffers look at what made steve popular and they see: funny exasperated babysitter, heartthrob action hero. they're like oh okay so we should keep putting him directly in the center of the action, bang him up every season to give him his classic bloodied aesthetic, but. he still needs to be funny. we can almost kill him, but we can't actually kill him because he's profitable. we can let him get horrifically injured because it's badass, but we still gotta let him crack jokes. it creates this very weird tone to steve's role in the story starting in season 3 because he's both the action hero and the comedic relief and protected by plot armor, so we get scenes where he's being literally tortured until he's begging for his life and gasping for breath but the tone is still.......fun? comedic? light and goofy? i think the duffers also forgot he's supposed to be a teenager.

now this is partially me making educated guesses but i feel pretty confident about this: once again, like gollum, joe keery uses his big shiny eyes and manages to evade death again in season four by being so likable and charming and marketable that netflix execs or shawn levy or maybe even the duffers themselves were like oh fuck we just can't do it. they were obviously tossing around the idea of taking mom steve all the way by letting him die sacrificially for dustin, so in season four they make eddie, transfer steve's relationship with dustin directly onto him, ctrl f steve's name in the death scene and just type in eddie instead, and once again steve is alive but he's directionless.

so what does he have now, in season four? i think the duffers have a whiteboard somewhere with steve's name and around it are little circles that say "funny" "cool" "DO NOT KILL" and steve is now stuck in this endless cycle of getting beaten up, popping back up somehow unharmed like a looney tune, saying something cute and oblivious, rinse and repeat. because that's what worked, that's what made him popular all the way back in season two. that's what the duffers are obviously keeping in mind when they're writing steve: popularity. not realism, not depth, not growth, just literally how to continue making him popular. meanwhile, other characters get to be part of the actual story. other characters get to serve a purpose other than selling merch. when el is bitten by a monster, she gets to actually feel pain and need help because that's realistically what any human would need. when hopper is tortured, he gets to suffer and ponder his existence and reflect on the relationships in his life. steve never gets any of that, because the writers just don't see steve as the 19 year old boy on his 4th straight year of traumatic events that he actually is.

they literally just see him as a money maker, there for cool viral moments and witty lines and maybe the occasional emotion experienced but only if it's about his romantic prospects. and the narrative that other characters get to have and be apart of just kinda runs parallel to steve. he's there, technically, but he's not really in the story. and it's like actually crazy because you'd think after all the funko pops he sold, he'd have earned an actual storyline!!!

[transpeculation]

Okay so let’s talk about dramatic irony.

Colin’s big Flaw right now is his inability to be himself. This impacts his relationships with team members and also his football playing.

Ted’s speech from a few eps ago where he says “without shame” and the camera focuses on colin? that is where this flaw ties in with his growth as a football player.

We have seen colin make mildly homophobic remarks in the locker room “okay i’ll fuck zava”.

We have seen moments like this increasingly this season as the audience becomes aware of his sexual orientation.

This provides the audience with dramatic irony. The irony is that we know he is saying this to hide as a gay man but the characters in the scene do not.

We also know that what colin is doing is harmful to him. but he is unable to see that. all he is able to do is protect himself.

This episode is the first time (iirc) that we see him say something misogynistic instead of homophobic.

“i know what i’m doing this weekend”

to colin, this is not different. To most of the other players, this is not different.

To us, the audience, this is worse than what he was doing before. He is no longer weaponising homophobia (something he is a victim of) but misogyny (which he is not). you might argue that isnt worse but personally it rubbed me the wrong way and i think a lot of people would agree.

Importantly, some of the players on the team are also opposed to this misogyny.

At this point colin stops joking, and starts defending his real opinion (he shouldn’t have to delete his personal files just because they might be leaked).

This is an issue that some members of the team have beliefs about.

Jamie, Sam, and Isaac, stand up for women by making it clear that keeping nudes when there is a high risk of leaking is not okay.

But colin has skin in this game. Usually, he is never “real” in conversations like this. But this time things are different. He wants to keep the photos.

we see him defend this position by mentioning “memories.” this shows us that his desire is not lustful but sentimental in nature. i’ve seen others point out that this is a facet of his identity (that he is unable to outwardly express!). The photos mean something to him and he is angry at the idea that he is doing something wrong by keeping them.

I don’t think we have ever seen him defend an opinion genuinely before as the audience? In s1 he was pretty much trying to impress jamie. there was one comment about welsh pride but that came across as a joke. (Ted lasso writers make colin more welsh challenge)

And the first time he breaks his facade, the first time he shows his real face, he gets outed.

If he hadn’t cared about the photos he would have stopped arguing, stayed quiet and nodded along. made a joke maybe. something we’ve seen him do many times before. but he was honest about his opinions, so isaac was able to tell he hadn’t deleted anything when everyone else was.

SO: dramatic irony.

The audience knows that he wasn’t being serious with his first comment. “I know what I’m doing this weekend”

We know that that was a joke meant to act as a hyper-masc, homophobic, misogynistic shield in order to disguise his true self.

But the rest of the team do not know that. Issac does not know that. He has probably been making “jokes” like this, off camera, for years.

He leaps straight from a joke about masturbating to leaked nudes, to defending keeping photos that he knows there is a risk of leaking.

We, as the audience, know that he only wants to keep photos.

But Isaac thinks he might as well be defending the leak.

When Colin says “fuck off” to Isaac, he prompts him to take his phone. Isaac is acting the responsible team captain, here.

From what information he has, it just seems like colin is completely out of line. He’s defending misigyny, probably risking the safety and privacy of multiple women, being uncharacteristically rude and angry about it.

He probably has to deal with toxic behaviour from team members all the time. His own captaincy has been a source of growth for him, from the bully he used to be, to someone who tries to make sure everyone is behaving respectfully and as a team.

In any other situation I would want him to take the phone and delete the photos.

But he didn’t know that Colin also needed privacy. And colin was unable to express that to him as someone who is desperately hiding parts of himself.

So Isaac takes the phone. 

I think this all explains Isaac’s reaction. Confusion, nods, leaves.

He is confused because he is learning that this interaction is absolutely not what he thought it was. He nods because he accepts that, bc it’s a totally different situation than he thought, he doesn’t need to delete the photos. then he leaves, because what else is he supposed to do.

And colin is left knowing that his slip-up (the first time we see him express a sincere and deeply held emotion in front of the team) caused the very thing he was so afraid of happening.

EDIT: oh also the irony of how isaac invades colins privacy while trying to protect other people’s because he doesn’t think of colin as someone who needs privacy from him. I allude to that but i meant to make is clearer. EDIT 2: corrected spelling of isaac

[bri-the-nautilus]

Come To the Dark Side, We Have Hot Guys: A Star Wars Story

Spoilers below for S1 of Ahsoka and the first six episodes of The Acolyte.

I'm writing this with The Acolyte most of the way through airing its first season, with episode 6 having released earlier today. Say what you will about the show, but it's really brought out a lot of the uglier sides of the Star Wars fandom. Everyone and their mother has seen videos or Reddit threads dunking on the Critical Drinker or SWT and their mouth-breathing misogynist audiences at this point, so I don't feel particularly compelled to retread that ground. Instead, I want to talk about the... other side of the fandom, the hypocrisy therein, and how we're all being played for absolute fools by the creative team at Disney Lucasfilm.

Yes, this post is about Qimir.

Now I want to say that I have no problem with villain simping/shipping. Far from it. Most of my posts on this account are me simping for Shin Hati (we'll talk more about her later) or various Soulsborne bosses. Hell, my mutuals and I have a running joke about me having a weakness for evil blonde women. While I personally am too gay for my own good and couldn't care less about men as a concept, I absolutely see the appeal of characters like Qimir and Kylo Ren. I absolutely get why people thirst over them and love making fandom content for them. I think Qimir/Osha has the potential to be a really fun ship, actually. The point I'm making here is not "simping for these characters is wrong and bad," and I want to make that crystal clear before we continue.

That said, let's talk about Qimir, and how the landscape of the show and its surrounding discourse has changed since his reveal. Again, I'm ignoring the chud sphere here, partly because their little corner of the Internet has remained remarkably stagnant since then. The podcast bros still think it's woke, fucking Shadiversity is still whining about fight choreography (which as someone who actually has done HEMA/stage combat, Shad annoys me to no end, but that's an entirely separate can of worms), and it all seems to be business as usual over there. No, the most marked changes have been on the Acolyte-positive end of the fandom space. Here's what the top posts in "hashtag TheAcolyte" on Twitter look like tonight:

You get the idea.

Again, no hate to any of these people. This is tumblr ffs, we've all engaged in a little simping for a morally dubious hot person. I love seeing fans having fun engaging with something, and again I kinda dig the Osha/Qimir ship.

Anyways, if you were around for the Acolyte-positive discourse before the Qimir reveal, and especially the show's marketing and the reponse to that, you'll have noticed a marked difference.

Fans quickly began to see The Acolyte as " the gayest Star Wars ever." Showrunner Leslye Headland is an out lesbian, and her wife was cast as Master Vernestra Rwoh. Archetypical girlboss Carrie-Anne Moss was cast as Master Indara, immediately drawing comparisons to her role in the Matrix movies. Leads Osha and Mae Aniseya are played by the nonbinary Amandla Stenberg. The lesbian witches of Brendok were talked about in press releases before the show aired. Dafne Keen (Jecki Lon) stated in an interview that she portrayed the short-haired, serious Theelin as having a crush on Osha, something that fans were picking up on in their first interactions in the premiere before Keen even gave that interview. While Headland said in a post-premiere interview that she didn't set out specifically to make "a capital Q Queer show," it's an objective fact that no Star Wars movie/show has had as much potential in that area, and fans (especially the queer community) took notice. (For what it's worth, in the same interview Headland commented that she was proud of creating something that so many queer fans identified with.)

The show came out, and Master Indara was killed off in the first sequence, which I'm honestly fine with. It was a good scene and works on a lot of levels. Headland's aforementioned interview came and went. Episode three aired. The lesbian witches turned out to be even gayer than was previously thought possible, and people ate that shit up while the Critical Drinker's brain suffered a major cascade failure. Jecki became a runaway favorite in the premiere and episode four, as did lovable himbo Yord Fandar and the wise, paternalistic Master Sol. In Acolyte-positive circles, this was basically how it went. People thought Brendok was cool, the Yord Horde became the show's biggest social media sensation, Jecki and Sol cultivated devoted followings alongside Osha and Mae, there were a wealth of different ships involving various combinations of Jecki, Yord, and the twins... you get the idea.

Then episode 5 happened.

The writing was really on the wall when the Brendok coven was abruptly wiped out. Introducting such an interesting (and queer) Force-wielding culture only to exterminate them in the same episode was certainly a choice that somebody made. But episode 5 was a shock to the system for many fans, as the show's resident Sith revealed himself and killed Jecki and Yord in some of the most brutal recent onscreen deaths in Star Wars. To be clear, I think this was a great sequence. Two beloved main characters being suddenly and gruesomely killed off was a masterfully executed shock to the system, especially after viewers were lulled into a false sense of security by all the redshirt deaths in the previous scene.

This, understandably, completely changed the landscape of the Acolyte fandom. Virtually overnight, much of the simping and shipping involving Jecki and Yord dried up, and once the dust had settled as far as the "rip blorbo, gone too soon" posts went, what remained were the usual Sol/twins offerings and a wave of Qimir hype. Which is understandable. He's a badass emo Sith boy with a cool helmet who brutally murdered fan favorite characters in front of us and has palpable tension with the female lead. Who wouldn't love... wait a minute.

This feels familiar somehow.

But if you close your eyes, does it almost feel like nothing's changed at all?

And just like that, "the gayest Star Wars" is all about the (straight) sexual tension between an edgy, murderous Sith boy and a light-side girl plagued by dark thoughts whose friends said boy just killed. This is all eerily similar to how the Sequel Trilogy focused on Rey and Kylo while abruptly dropping Finn and Poe's character arcs. Even the fandom discourse is the same. I mean Reylo was so ubiquitous back in the day that it became a derogatory catch-all for good girl/evil boy shipping. Multiple authors now have either gotten their initial start/fame writing Reylo fics, or straight up published legally distinct Reylo fiction after the fashion of Netflix's After. You had the occasional person piping up to say "hey they kind of just left Finn and Poe hanging after TFA, it would've been cool if they got together but at the very least don't relegate them to being side characters/comic relief in separate story threads," and that was it. The same thing is going on with The Acolyte now, only the sequel trilogy wasn't marketed on the strength of being a queer story by a queer creative team. The Acolyte is, which makes it all the more baffling that by the midway point of the first season, all the gays have been buried and the show seems to be heading straight for Reylo 2: High Republic Boogaloo. And the fans are eating it up.

As an interesting aside, I think it's an interesting exercise to contrast the Kylo/Qimir pattern with the broader fandom's treatment of Shin Hati (told you we'd circle back to that), and the ship between her and Sabine Wren. On paper, Shin is very similar to Kylo and Qimir. Villain? Check. Edgy-looking armor? Totes. Emotionally damaged/stunted in some way? Sure looks like it. Tension with the heroine? You betcha. If anything, the only major difference is that Shin isn't as evil as the others. Compare her actions in Ahsoka (clearing out part of a light cruiser with Baylan and making repeated attempts on Sabine's life) to Kylo (oversees multiple war crimes, kills his fan-favorite dad) or Qimir (orchestrates the murders of several Jedi before brutally executing two fan-favorite characters). She's definitely bad, but I struggle to see her as on par with Qimir, let alone fucking Kylo, in terms of evilness.

Which makes it all the more interesting to me that the Shin/Sabine ship has received so much more mainstream skepticism/criticism than the Osha/Qimir or Rey/Kylo ships. "They have no chemistry!" "She's an evil murderer!" "She's a blank slate!" "Sabine is taken!" I may be a touch biased, but from where I sit a large part of the fandom, even the ostensibly progressive side, seems to look down upon Shin/Sabine shippers while swooning for heterosexual variants with far more evil villains.

This isn't a monolith, and I can't stress that enough. I'm not trying to start shit here. Villain shipping is awesome. We support women's wrongs in this house. You do see the occasional person decrying Reylo or Osha/Qimir as toxic, which I think is fairly unnecessary. Like yeah, maybe it's a toxic dynamic, but these are fictional characters. For these specific characters, part of the crowd appeal is the toxic badboy side of things. I don't think we should really spend much energy attacking any fictional ship (between adults, mind you) as toxic, which is why it puzzles me that an as-yet-unconfirmed lesbian ship in a niche show receives such a large proportion of this sort of criticism compared to the canon relationship between two main characters of a blockbuster trilogy.

At the end of the day, this whole affair has been rather sobering for me on both Disney Lucasfilm and the Star Wars fandom. For all the support the Shin/Sabine ship has received from Ahsoka cast members Ivanna Sakhno (Shin), Natasha Liu Bordizzo (Sabine), Eman Esfandi (Ezra Bridger, the other character people like to ship with Sabine), and Rosario Dawson (Ahsoka), I'm rather sour on the prospects of it becoming canon. The sequel trilogy dropped the ball on what many saw as a promising chance for an MLM romance between Finn and Poe in favor of trotting out the "why do good girls like bad boys" dynamic, and The Acolyte, "the gay show" overseen by a lesbian, has seemingly shifted to center a similar dynamic after killing off most of its prospects for a queer relationship among the main cast. Simply put, I think that Disney as an international company based in the frighteningly divided United States is reluctant to commit to anything beyond lipservice in terms of LGBT representation in their movies/shows, which again doesn't leave me feeling optimistic about WolfWren's canon potential. And the fandom takes the bait. People love the damaged evil badboy/good girl dynamic, and when the queer fandom suggests the possibility of a queer ship taking center stage in a show with no other extant relationships, even the more progressive side of the fandom tends to either ignore it or actively push back on its basis in reality until Disney Lucasfilm inevitably puts the kibosh on it. The amount of times I've heard people dismiss WolfWren for the same reasons they now like Osha/Qimir and liked Reylo (before that ship was fleshed out/canonicalized, anyway) is ridiculous, but at the end of the day you kinda feel stupid for expecting anything else. Again, I think Qimir is a cool character and I'm as much of a sucker for villain romances as the next girlie, but seeing how easily the fandom lets dangling heterosexual carrots lead it away from Disney Lucasfilm's broken promises of queer rep is a sobering ordeal.

[chiibinomonodamon]

WHO WANTS TO HEAR ME RAMBLE ABOUT GAY FURRY DEMON SEX? XD

(damn, there's a sentence I never thought I'd say....)

Okay...so I see some Stolitz confusion and bashing online and I need to type up a defense here because I won't be able to sleep otherwise lol

I consider myself to be a Ship Critic and someone who takes shipping rather seriously.

What I mean by this is, I like to analyze and break down romantic relationships between fictional characters because it's just interesting to write for me. I especially take delight in friendly debating with opinions that I strongly do *not* agree with.

Let me start off by saying I am NOT a "this ship is awesome because gay furry sex lol" type of girl.

FAR from it. I'm generally more passionate about hetero ships between human characters (because I can relate to them more) among other reasons. So if you wanna dismiss my defense as "shallow fangirlism", you can forget about that lame excuse.

I fell in love with Hazbin Hotel when it was finally released in February and suffered waiting for each new two-parts per week. During that time, I decided to watch Helluva Boss as well, after a friend showed me a particularly soul-crushing clip (Moxxie's childhood trauma about his mother).

Yes, I like funny sex jokes as much as the next goofy adult but scenes like this, scenes that carry a very heavy emotional weight are what really get me in the end, even moreso when VERY little dialogue is exchanged. I knew I had to watch the entire episode run after seeing that the creators had a talent for this.

I saw people asking:

"How did Stolas go from using Blitz as a sex toy to being painfully in love with him?"

Oh I can tell you. I can tell you the EXACT moment this is revealed. But it's not spoon-fed to you; it's quite subtle actually and this is why lots of people miss it.

See, one of the strongest talents Vivenne has shown me is that she REALLY knows how to get her characters to communicate their feelings to the viewers JUST from their expressions and body language. These can be 'blink-and-miss-it' teeny little scenes and it may require a couple rewatches.

But since people demand time stamps for all information others post here, I'll rewatch a few scenes from S1 E7 'Ozzie's' as I'm typing this.

'Ozzie's' remains to be not just my favorite episode of HB...but probably my favorite episode of any adult-targeted animated show outside of Japan (aside from S2 E7's Mid-Season Special)

It has this huge reveal for both Blitzo and Stolas.

We'll first address Blitzo's irrational, stalkerish behavior of Moxxie and Millie.

He's obsessed with them. He finds both of them very attractive, fantasizes about threesomes with them and is constantly inserting himself into their personal lives.

Why?

Because they have everything that he badly badly wants for himself.

They have the perfect marriage and he is trying to live THROUGH them.

This was hilarious to me at the beginnning of the show but it's slowly revealed that it's one of the most tragic and depressing things I've ever seen. And it's scarily realistic too.

But you know this already so let's move on...

Blitzo follows the couple to Ozzie's but he can't get in without a date. So he calls up Stolas and yes, this is very low but he doesn't realize how much this means to Stolas (hell, I'm not sure even Stolas realizes it himself!) but the owl man is giddy with joy, he rushes over and they enter Ozzie's.

When Ozzie and Fizz mock Moxxie for being so sappy towards his wife, this strikes a chord with Blitzo (because they're his IDEAL relationship) and he speaks up to defend them.

NOW PAY CLOSE ATTENTION; THIS IS THE IMPORTANT PART:

Fizz, still holding onto his past grudge turns on Blitzo to humilate him:

"Some nerve you got commenting on a relationship"

Time Stamp: 11:37

As Fizz says "-ship", Blitzo VERY QUICKLY makes eye contact with Stolas who has a look of panic on his face. Blitzo is seeking VALIDATION from Stolas in this sharp, subtle second of screentime, as if to ask

"Well, ARE we in one?"

And then what happens next...Stolas remains silent, Blitzo's ex joins in to announce how selfish Blitzo was in bed with her, tearing him down further. Stolas stands up like he's going to put a stop to it but then Ozzie notices him and interrogates him about sleeping with Blitzo.

Blitzo looks incredibly ashamed and guilty as Stolas blushes with similar feelings...and hides his face behind his menu; HIS BIGGEST MISTAKE IN THE SERIES SO FAR.

Time Stamp: 12:24

The look on Blitzo's face as he grits his teeth and darts his eyes away basically says

"Yeah, I should have known...boy am I an idiot for trusting him to stand up for me".

(look how SHOCKED he is...wow, this hurts fr ;_;)

This is a silent betrayal on Stolas's part. Afterall, his reputation is on the line, so if he were to defend Blitzo, it confirms they are in fact, dating. He chose his pride over Blitzo and Blitzo is crushed by this betrayal.

Moxxie finishes his song and kisses his wife tenderly. Stolas watches this and also wants to have an affectionate moment with Blitzo (who is rightfully glaring daggers at him) and tries to reach for his hand.

Blitzo rejects his touch and suggests they leave. As they do, Blitzo still looks furious and hurt. Stolas is now realizing how badly he screwed up with a "What have I done?" face (13:41)

He even looks disappointed with himself.

After Blitzo drops Stolas off, he thanks him and tries to smooth over the awkwardness with sweet talk but Blitzo just rolls his eyes in disgust and pulls on his face like "I don't want to hear this bullshit".

He responds coldly and curtly, "Yeah." Stolas makes more suggestions to spend time with him, which just makes him even angrier and he snaps

"I'm not fucking you tonight, okay!

I'm really just..." (14:28)

he pauses to wipe a tear because at this point he can barely hold it together (top notch voice acting and animation directing btw)

"...not in the mood, Stolas."

Stolas still tries to talk him into doing couple things unrelated to sex.

Blitzo's face switches back to anger and frustration because Stolas isn't getting the message so he goes for the blunt tactic;

"Stolas, don't act like what we have is anything but YOU wanting ME to fuck you, okay?"

(14:42)

"You make that really clear all the time."

(again his voice sounds like he's about to break down)

"But I-I just can't do it tonight, okay?"

(Finally meets his eye)

"...I'm sorry."

I believe this is code for "I'm sorry we're even in this situation and how your reputation got damaged. " Or, more painfully, "I'm sorry I'm such an embarrassment to you".

Stolas replies "Okay" and takes a deep breath to compose himself. They say goodnight and depart.

An important note here is that Stolas calls him "Blitzo" instead of "Blitzy" to show more respect.

As Blitzo zooms away coldly, Stolas looks up at the sky with tears in his eyes, surprised at how much it hurts.

He then sits down with his head in his hands in anguish...because he's getting that

"Oh...no. These feelings are real" epiphany.

And as if this wasn't enough angst, Blitzo collapses onto his couch at home, goes through the memories on his phone and starts sobbing.

I'm going to be real with you; this is the most heart-breaking shit I have ever seen in an adult show of this type. It's also the first time a show of this type got me to cry.

The last six minutes have revealed so much information without spoonfeeding it to the audience because the show RESPECTS its audience.

To recap:

*Blitzo takes Stolas on a first official date to use him

*Stolas is extremely happy about it

*Blitzo gets humilated and looks to Stolas for validation

*Stolas betrays him and breaks his heart

*Blitzo snaps that their relationship is nothing more than lust-driven sex

*Stolas realizes he's actually in love with Blitzo and it's a huge problem because (he believes) that it's unrequited.

*Blitzo breaks down because the ONE person whom he thought would protect him didn't do so.

So these two are convinced that neither one loves the other...while the irony is, it's quite the opposite.

Because if Blitzo REALLY didn't feel anything towards Stolas, he would not have gotten this emotional.

Yes, they are both lonely...but I really don't think that's all there is between them.

So..........we know WHEN they started falling...now the question is why;

I think the answer's quite simple; single-target affection.

It was mentioned in S2 that Stolas and Stella did sleep together ONE TIME...but Stolas didn't enjoy it at all. He is stuck with a wife who hates him so much that she put a HIT on him...and a daughter who thinks he's a loser. Blitzo is pretty much the one person in his life who is able to make him happy. That one small, bright spot. He enjoys the sex with him but he also simply enjoys his company, as shown in Ozzie's episode. He is thrilled to simply talk to him about his day...and do anything else that couples do. They're complete opposites. Stolas is an intellectual but naive and sheltered. Blitzo is poorly educated but cynical and street-smart. Opposites attract...though this is likely more from Stolas's POV than Blitzo's.

In other words, Stolas is into bad boys xD lmao

In Blitzo's case, Stolas is the only character who shows him physical affection which he desperately craves. He's pretty tsundere about it most of the time...but I think he actually does enjoy that attention...especially when he's always getting disrespected by Moxxie and Loona..and quite a lot of people around him. BUT he's too scared to get serious with anyone because of past trauma and he also believes that no one could possibly love him as a person. :(

Reasons I Think This Love is Real

Aside from what I pointed out in the Ozzie's episode...there's quite a lot of evidence, esp from Stolas's POV.

After he realizes he's in love, he goes to Asomodeous for an ALTERNATIVE method for Blitzo to use so they will no longer sleep together. He wants to set Blitzo free. Which means he DOES truly love him because love is about being generous to the other person. He COULD be totally selfish about it but he isn't.

Asomodeous mentions how against love potions he is and Stolas agrees. He thinks that's out of the question.

'Look My Way' music video. Lol I don't have to say anything more.

In S2 E6 OOPS

This exchange at 16:57

Fizz: Seems your taste has gotten more 'regal', lately?

Blitz: Yeah, well unlike you, I fuck who I want WHEN I want. I'm not gonna be tied down to some big blue-blood asshole.

Fizz: You coulda fooled me the way Prince was cozying up to you at Ozzie's.

Blitz (gets very defensive) HEY! Stolas only cares about have a rugged peasant raw-dog him into his mattress, okay!

It's nothing...(gets hesistant and looks away)...you know...

(Fizz gives him a 'bitch please' look xD)

"it's nothing else."

Fizz: Then why were you even there?

Blitz: OTHER very important reasons of course.

Fizz: Whatever. I don't actually care.

Blitz: Stolas is just a loud, thirsty BITCH!

(Fizz is rolling his eyes again)

Blitz: He loves feeling the thrill of getting dicked by the lower class.

It's a novelty to him.

Fizz: LITERALLY just said I don't care!

Blitz: And then he'll call me and try to see how my day was!

And he'll pretend to care about me and comment on my photos laugh at my jokes...

Fizz: (Smirking) OH! That's definitely your clue right there that it's all bullshit!

Blitz: I KNOW, RIGHT??

Fizz: (Making a 'What in idiot' expression, shaking his head)

Blitz: HE'S JUST A FAKE, PRIVELEDGED ASSHOLE...

Fizz: Sounds like you just hate him for being a prince!

No one (laughs) and I mean NO ONE pretends to care that much just for a cheap lay.

All right. IF ANYONE knows what real love is like, it's Fizzaroli...who is in a very HEALTHY relationship with Asomodeous. He recognizes the signs because he's IN that place. He sees it...and he's annoyed that Blitzo keeps denying it and brushing it off...yet clearly can NOT stop talking about Stolas (amusing irony)

To sum up (this freaking essay lol) 'Stolitz' ABSOLUTELY has the potential to be pure and true...these two just need to communicate...or Stolas has to PROVE to Blitzo that he's serious about his feelings in another way.

There is no doubt that this ship is 100% endgame and is a case of the 'Earn Your Happy Ending' Trope. I look forward to the rest of the journey. Ron is putting my feelings about Stolitz in a perfect phrase:

[piratecaptainscaptainpirates]

Yeah we joke about Ed asking to take it slow and them having sex the next episode, but...has Ed ever been able to take it slow before?

He is so used to having to make quick, perfect decisions. He's spent so long living in a very high-stress environment where his decision-making skills are literally life-or-death for him and his crew that it's paradoxically become boring for him. That environment of constant stress weighs a person down. Even once they kick Izzy off the ship in s1 and the pressure of following throuh on the plan to kill Stede is gone, they're almost immediately thrust straight back into life-or-death situations. There's no time for them to really be able to figure things out.

One of the reasons Ed probably wanted to move things so far so fast in s1 is because there's no way he thought they'd have a lot of chances if they waited. It didn't even occur to him to give Stede some time after their first kiss, maybe talk things through before making the snap decision to run away to China, because if they wanted to be together properly, they'd have to get out of the academy.

And, suddenly, in season 2, they have...time. Ed no longer has to be Blackbeard, he can just walk around the ship with no pressure, no responsibilities other than fixing latches and patching thing up with the crew.

He can wait. They can take their time. There's no need to immediately have sex as soon as Stede shows interest, because this isn't some casual hookup - Stede's interested in him for the long haul, not just for the night. And he knows that Stede will respect his boundary once he asks - Stede's probably the first person he's ever met who will actually care about him and not make some big deal out of it if he asks to slow down.

[lunabug2004]

Ya'll probably know this by now given how much I post about it but one of my favorite pastimes is watching people react to Stranger Things. I bring this up this time because I've noticed a pattern.

People root for Mileven in seasons 1 and 2 with no problem (with the exception of a couple of reactors who took forever to pick up on it in s1 or just didn't like the idea of rooting for such young kids to be kissing). Esp s2 because everyone wants them to reunite and then said reunion is absolutely adorable.

However, by about halfway through ep1 of s3, everyone just seems to be so bored of them. Like nobody I've watched has ever really expressed the want for them to get back together when they break up. I realize this is probably partially because of the annoying nature of their relationship and the way their whole breakup is played off like a big joke, but that's actually precisely what I'm getting at. Why would the writers choose to make it so easy to stop rooting for the "main couple" of the show??? Just so they could have a comeback arc or seven? If Mileven is endgame, this will probably be one of my biggest hangups, esp given the way Mike was the brunt of the "joke".

One of the main reasons I always go back to Byler endgame despite all of my doubt is because of how the writers treat Mileven's relationship. It's pretty toxic and so it's easy to stop rooting for them or just the repetitive-ness of their story as a couple makes them boring. They wouldn't make the "main couple" the most annoying couple in the show if they were actually going to be endgame.

[infinitestalia]

where are you, thoughts on the mess that is hotd season 2?

Free from the shackles of HBO, didn't even bother tuning in.

From the clips I've seen, Aemond has become a one note moron who will single handedly lose everything for the Greens with his stupidity. Cole is the punching bag again. Alicent is quite literally the worst character ever put to paper, a complete joke, she should just go and defect to the Blacks so she can take up residence in Rhaenyra's colon the way she clearly wants to, because God knows she dgaf about anyone who actually loves her. Team Black was always dumb & boring so no change there, just more people clocking it.

Heard Aegon is the breakout character though and Tom Glynn Carney the performer of the season. Hmm, who could have predicted?? Lol imagine what could have been if they didn't make him a cartoon villain in S1 and hadn't wrote this garbage as Team Black fanfic. This show isn't fit to lace even GoT S7/8's boots.