#this is really just because i could not get that post out of my mind

[em1989ts]

𝒂𝒄𝒓𝒐𝒔𝒔 𝒕𝒉𝒆 𝒖𝒏𝒊𝒗𝒆𝒓𝒔𝒆

five hargreeves x reader

word count: 1.7k

part one. part two.

summary: after discovering your husband cheated on you with his brother's wife, you run off to a different timeline using the subway, only to find a deli crowded with a familiar face.

author's note: this is my first fic that i'm actually posting lol, if anyone sees this i'll be totally shocked

“Just leave me alone, Five.”

You were speed walking down the steps into what looked like an abandoned subway, desperately trying to avoid the man you thought you knew, who was currently right on your tail.

“Not until you talk to me, y/n,” he pleaded, swiftly trying to catch up. 

“There’s nothing to discuss, Five,” you said in a cold manner. 

You just couldn’t speak to him. Not after what just happened in the living room with him and Diego. After what was just brought to light. 

You wanted to laugh, you really did, but you just couldn’t bring yourself to do so. 

Why would you hear him out? Why would he believe he had a right to explain himself? How could he? A marriage of over half a century, down the drain. And for what? 

Seven years with her.

Lila. 

His brother’s wife. The mother of his brother’s children. The child of the couple he assassinated. 

It made no sense. 

You angrily sped up and quickly got onto the train that was stopped at the station. It’s white light making you more stressed than you already were. 

The doors shut in his face. Just a couple more seconds and he would’ve been on this train. You would’ve been stuck having to hear him try and save face until the next stop. 

Sometimes the universe lets you win. 

But why not this time. 

You stared at him through the window of the subway car doors. He looked at you pleadingly. You looked at him disappointedly. 

Who was he, because he sure as hell wasn’t the Five you had known since you were thirteen years old. Stuck in the apocalypse with nothing but ashes and him.

 You had thought it was fate. You and him were meant to be stuck together, meant to be there for each other. Even after everything that’s happened. Apocalypse after apocalypse after apocalypse. 

The subway started to move. You stayed standing, staring at him with daggers in your eyes until he was out of sight. He didn’t chase after the car, he knew it was pointless. He knew he’d never get you back. He didn’t deserve you. 

Once the outside of the train was completely dark and all you could see was your own reflection in the window, you turned and took a seat. Hands in your lap, looked straight ahead, drained. 

What were you supposed to do now? Where would you go? 

Maybe this train would take you to a universe with a Five that could never dream of betraying you the way your own did. 

The lights shone over you as you were deep in thought. You had no idea where this train would take you, when it would take you. 

Suddenly, the car slowed to a gradual stop and the doors opened. You wanted to stay on, maybe pass by hundreds of stops until you actually got off the train but you heard footsteps passing by the station. 

Something in the back of your mind told you to get off at this stop, that you would find something important. 

You stood and slipped through the doors. As soon as you turned your head to scan your surroundings, that’s when you saw him. 

How could he have gotten here before you? 

Five was casually walking towards a set of stairs when he saw you and stopped in his tracks. 

You glared and felt a flame arise in you as you stomped over to him. 

“I told you to leave me alone, Five. What the hell are you doing here?” you pointed an angry, accusatory finger in his face but he just grabbed your hand and gently held it in his. 

You were confused, he seemed different. Less guilty. More sentimental. 

Your anger faltered as he stared into your eyes with an admiration you were already starting to miss. 

“y/n,” he said sincerely, “it’s been so long.” 

Of course he wasn’t your Five. You had just jumped onto a multi-dimensional subway for Christ’s sake. 

“Come on, follow me,” he said as guided you towards a stairwell. 

As you descended and turned a corner, warm glowing lights filled your sight. A warming, comforting sense of nostalgia flooded your senses. You looked up and read the lights on the sign, Max’s Delicatessen, as the Five you stumbled across led you inside. The sound of a familiar vintage tune filled your ears. 

Immediately, you felt all eyes travel to your frame. Every single pupil in this room belonged to a Five. The man you never wanted to see again. Each one of them looked at you with a shocked and astounded expression.

 The Five still holding your hand paid no attention and directed you into a booth seat. 

As you sat down, you took in your surroundings. The Fives behind the counter preparing food, the Fives taking orders, the Five delivering food, the Fives whispering at tables. 

There were so many of them, what was this place?

The Five sitting across from you looks in your eyes with a knowing look.

“It’s not often we get one of you around here.” 

You shake out of your confused thoughts and reply, “And what exactly is this place?” 

Before you can get a reply, a waiter Five comes up to the table and places two mugs of coffee in front of you and Five. Before he leaves, he places a couple cups of creamer and packets of sugar next to your mug. 

Without answering your question, the Five in front of you smiles and says, “We keep those in the kitchen and not on the tables since it’s really rare to see you.” 

You give him an annoyed look. 

“Can you explain to me what’s going on?” 

“Right,” he sat up a little straighter and took a sip of his coffee. “You hopped on a subway that took you to an alternate timeline. That timeline just so happens to hold a place where us Fives come after we’ve stopped trying to fix the problem.” He largely gestured to the room full of alternate versions of your husband. Ex husband. 

You stared at him for a few seconds, your brain rattled with questions, before you spoke. 

“Stopped trying? You mean trying to save the world?” 

“Stopped trying to fix the broken timeline,” he replied matter-of-factly. 

“The broken timeline?” you repeated in confusion. 

“There’s only supposed to be one, and I’ll bet you can guess who shattered the original timeline.” 

Before you could reply, you heard a bell as another Five yelled out, “We did.” 

Five made a disapproving yet knowing face as he called back, “Why you always gotta wreck shit, Brisket Five?” 

Brisket Five shrugged at him then winked at you before returning back to his work. 

“Okay . .” you started, trying to come up with the right questions, “So, our existence is the cause of the broken timeline. Is that why there’s constantly an apocalypse?” 

“Precisely,” Five responds, before gesturing to the framed pictures on the wall. “By the way, check out the artwork. All the different ways we made our universe go kaboom.” 

You stare at the photographs on the wall, noticing both familiar doomsday and entirely unique ones. Once your eyes reach a certain point along the wall you notice some framed images of you. Different photos of you and Five, living your lives together throughout the timelines. 

The Five across from you notices your curious glimpse. 

“I mentioned we don’t often see you around here,” he explains. “It’s because it’s rare that you survive your timeline.” 

You quickly turned back to him in response to his statement. You don’t survive? How many of the Fives in this room have lost their y/n? Has the Five in front of you lost his? 

“What do you mean?” 

“You and I will always meet, in every timeline throughout the universe. It just seems that fate doesn’t always take our side,” he says solemnly as he looks down at his mug. 

A Five piped up from the booth behind you, “My y/n was killed by the Swedes back in Dallas.” 

Another from a couple tables away said, “Mine died in the apocalypse, but we had a good thirty years together.” 

The Five in front of you looked up at you and said, “In my timeline, the Handler shot you and you died in my arms. I’m sorry I couldn’t save you.” 

He gave you such a genuine look. Like he’s felt shame and guilt for so long, his apology was heartbreaking. How could these Fives care so much about you, while your Five forgot all about you. 

“It’s okay,” you looked at him truthfully and took his hand in your, “I’m sure none of your y/ns would ever blame you for their fate, but they would for giving up. They’d want you to keep going, stay strong and do what it takes to save your family and the world. That’s what they loved most about you.” 

You felt bad placing blame on him but you didn’t understand how the man who has spent his whole life prioritizing the safety of his family and overcoming countless obstacles and stopping at nothing to save his family could just give up. Sure it was tiring, but that was the life the two of you lived, together. 

He smiled at you so lovingly it crumbled your heart. 

“Y/n, the doomsdays will never stop coming. The only way to end this constant cycle of saving and destroying the world is if our family ceases to exist.” 

Your heart slowed its beating as you stared at your interlocked hands, contemplating. 

You hated to admit it but he made sense. Whenever your family is all together, everything goes to shit. People always die and the world will always end. 

Before you could respond, you heard the door swing open and a tense tone fell over the deli. 

The Five across from you held your hands a bit tighter as he glanced up at the Five that had rushed in.

Your Five. 

☕︎

part two.

[turnfires-secret]

Kinich x top male reader? Imagine that Kinich limps a little after their night with reader, and while reader is trying to make amends, Ajaw makes fun of them in every possible way. That would be fun lmao😭

Anon ilysm i've been craving a reason to write ajaw for days now and I finally get my excuse!

This isn't really smut tho... sorry if I've disappointed anyone!

Payment Due | Kinich X Male Reader

It’s beyond hot inside your shared bedroom. How long had the two of you been at it? Neither you nor Kinich could recall. Kinich has buried his face into the crook of his arm again, trying to keep himself quiet. It doesn’t bring the Turnfire hunter any sort of mercy from the ruthless unending pleasure plaguing his mind, seeing as you just start fucking him harder fueled by the desire to listen to the whorish sounds that slipped from his mouth.

When Kinich wakens the next morning he’s met with a terrible sticky sensation and… as per usual, the most aggravating sound Kinich had heard in his whole life.

“Ew! You humans really are disgusting! I’d have never expect my own servant to engage in such… foul, vile, unholy, unsanitary acts of sacrilege in the close presence of the mighty dragon lord, Ku’hul Ajaw! “

Attempting to ignore Ajaw’s incessant yapping, Kinich takes a deep breath and gets up out of bed… Only to realize the pain and agony that came with such a task. Actually, phrasing it that way is abit too… dramatic. What he was actually facing was the aches and pains of post sex. Kinich is limping, and (to make the situation worse) Ajaw notices. 

“Oh? Did that puny human you drool over fuck you that hard to the point you can’t walk straight?! Wait- Meheheheh! maybe today’s my lucky day! You should go outside and try fight a pack of those idiotic tribal warriors and die!”

“I’m not that stupid, now leave me alone”

Kinich replied, taking yet another deep breath before going to the bathroom and taking a shower. The dendro user finishes his shower, feeling much more refreshed and awake despite the fact he’s still limping. Changing into some fresh clothes he feels your arms around his waist and your head nuzzle into his shoulder. 

“Well good morning to you too”

“Mhhh~ Kinichhh why are you up so early….?”

To Kinich, the sound of your voice was always the best part of his day.

“It’s far from early my love, Infact, it’s 11 am”

“Still too early…”

“EW, DISGUSTING LOVE BIRDS, YOU MAKE ME SICK!”

Theres a pause in the room before you and Kinich both decide to once more completely ignore the yelling pixelized projection. 

“Moving on, you, should be paying me compensation.”

Even though your voice was the best medicine for the aloof warrior, you were still not exempt from his habit of counting costs. To Kinich, it seems his aching grievance was enough to warrant payment.

“Wh- payment?!”

“Because of your prior actions i now find it hard to walk normally, so personally, i think you should pay the prince, no?”

“Personally i think you should charge them has much as you can, Kinich!” (Ajaw says, bardging into the conversation only to get ignored)

“Wh- Alright then~ For payment how about… we go another round?”

You respond, your voice now holding that seductive tone you seemed to enjoy using with him. 

His neck is sensitive after last night’s activities. You bite down, hard enough for him to feel it. Such an action’s associations mixed with such sensitivity forced a needy whine from Kinich’s throat, aswell as changes the Turnfire warrior’s mind. 

“... fine, i have time to spare… just… be abit more gentle this time, will you?”

[gabrielleragusi]

For Artists: My Experience with Commission Platforms and Illustration Agencies

Hi there! I’ve been wanting to compile a list of commission platforms that I’ve personally used for the longest time, and I finally did it! I’ve highlighted the still-active commission platforms in bold and struck those that don't exist anymore so you can jump to the sections that interest you without needing to read my entire story.

Let me start by briefly introducing myself.

I’m Gabrielle, a fantasy illustrator. Since 2014, I’ve been working on book covers and illustrations for publishers, authors, and book subscription boxes. Early on, work wasn’t as frequent as it is now. I had to search for opportunities myself, and even small private commissions were important for building my portfolio and earning some money, which I’d spend on materials, books, and online courses. Like many other artists, I started out by trying my luck with the biggest art community available at the time.

DeviantArt

2009-2018

Once upon a time, there was a virtual haven called DeviantArt. To my teenage self, it was a magical place. I signed up in 2009 and thought I’d never leave!

At first, I created an account just to share my work and learn. I didn’t even think about commissions for four or five years. But when that first inquiry finally landed in my inbox, things took off! My mum swears she remembers my excitement when I got my first commission, but for some reason, I’ve completely forgotten about it. I can't remember what it was or how much it paid. It might have been a portrait of a fantasy character.

Commissions on DeviantArt were fairly frequent, especially considering my cheap prices at the time. I used to offer discounts and post my rates in my DeviantArt journal, or in Commission groups that featured artists either monthly or weekly. After checking out my profile, a client could simply send me a private message and from there, we’d discuss payment, deadlines, and other details, and the platform didn’t take any fees, much like how ArtStation works today. Everything happened through private messages or email, with direct contact between artist and client.

The downside of this process was that there was no dispute resolution system on the platform. I had to handle all issues myself, and unfortunately, problems did arise sometimes: there were clients changing their minds about commissions, asking for refunds after work was delivered, refusing to pay, or just ghosting me. These issues didn’t happen because clients were evil, but rather because I was inexperienced and allowed some to take advantage of my naivety.

However, all that frustration helped me develop my commission process through trial and error (mostly error). And despite the challenges, I can say with satisfaction that most of the commissions I received through my DeviantArt profile were positive experiences.

DeviantArt eventually introduced a commission feature for Core (Premium) users, which came with a platform fee, but I didn’t use it much, and I’m not sure if it still exists.

The real beauty of dA, though, was the connections I made. I was able to meet people, both artists and clients, that I’m still in contact with today, and some of whom I still collaborate with.

I closed my account in 2018 or 2019, but by that time, I hadn’t really used it for a couple of years. The new user interface was a bit of a turn-off for me. I had always loved the geeky, and dare I say cozy, look of the old green and grey aesthetic, with its customisable panels that you could move around and personalise with HTML code... But I digress.

Artists and Clients

2013-2016

While taking small commissions on DeviantArt, I discovered Artists & Clients. It was a nice platform for clients to get things like their D&D characters or groups illustrated for relatively cheap. I think my highest price was $50 for a single character portrait, with the platform taking a 15% cut. I used it for about two or three years before the platform started to change.

As more artists with hentai art styles flooded in, the homepage shifted, and so did the clientele. There’s nothing wrong with drawing naked anime girls, of course, but you can understand that if a client is looking for a fantasy, semi-realistic painting of their female orc character, or a realistic portrait of their spouse, it's more than likely that they won't bother sifting through a sea of anime girls to find the style they want, imagining it isn't here. Let's just say that, at the time, the website took a definite direction that wasn't in line with my genre, but this direction didn't make the different, more realistic art styles stand out either.

Soon, commissions slowed down for me, so I closed my account, but by then I was already working elsewhere.

That said, this platform could still be a useful tool if you’re looking to take on smaller commissions.

DreamUp

2014-2015

DreamUp wasn’t an AI generator back then. It was actually a subsidiary of DeviantArt, where clients could post projects and artists could apply. It was a competitive platform that offered well-paid work–very well-paid. I remember seeing jobs posted that ranged from $300 to $1,200. DreamUp was a very professional platform for clients with a mid to high budget.

I believe I landed my very first book cover commission through this website when I was in my last year of high school. I remember getting the job and going to school the next morning, excited to share the news with my classmates. Everyone was super thrilled for me (we were a really close-knit class!), and I felt like I was walking on air.

Unfortunately, as far as I know, that book was never released, but it didn’t matter because I was moving forward, and fast.

I’m not sure when DreamUp was shut down, but I do know that DeviantArt held onto the copyrighted name, assigning it to something so anti-old DreamUp that it still boggles my mind.

ArtCorgi

Now Artistree

2014-2019

When I received an invitation to join ArtCorgi from its founder, I already had a somewhat consistent portfolio. I was painting portraits and fantasy illustrations, and the clients on this platform were looking for both–your typical wedding and pet portraits, as well as book covers, which were what really interested me. To get to the latter, I had to do the former. Over the years, I’ve painted so many realistic portraits that now I have a strict rule for my own sanity not to do them any more. I have great respect for portrait artists, but it’s just not me.

When I first submitted my prices to the person I was in contact with, she kindly suggested that I raise them... a lot. That was a major step forward in my professional career. I went from charging $50 to $100/$200 overnight. And to my surprise, people actually wanted to commission me at those prices!

From 2014 to 2019, I took nearly every commission that came my way. I never spoke directly with the clients; all instructions and feedback went through my point of contact, which helped maintain a level of professionalism, although now that I’m used to working directly with clients, I’m not sure I’d want to go back to having an intermediary.

Sadly, as with all good things, this chapter came to an end. My point of contact eventually left communication in the hands of someone else, and shortly after, the commission fee changed to, I believe, 30%.

Simply put, 30% is an unrealistic cut for a website like this. For an agent that gets you all kinds of big work in the publishing industry, sure, but since this was not the case I had to stop taking commissions. Despite that, my overall experience with ArtCorgi was very positive.

Today, ArtCorgi joined another platform, Artistree. As far as I can tell, Artistree doesn’t take any fees from artists, with clients covering a small cost instead.

Sketchmob (?)

2016-2020

This was probably the platform I used the most. I’ve lost count of how many commissions I received through Sketchmob. Many. Enough to generate a steady income at the time. With reasonable fees and a variety of art styles available, clients contacted me almost daily. Communication was direct between artists and clients, and payments could be split. The review system also worked very well… for a while.

Once I raised my prices, requests became fewer and farther apart. But by then, I was already working with my own clients.

Is this platform still active? Who knows. The website is still up and the chat feature works, but I’ve seen users complain that money available for withdrawal never arrived via PayPal (the only payment method the platform accepted, if I remember correctly). Personally, I wouldn’t risk completing a job through Sketchmob right now, at least not until they release an update.

If you’ve used the platform recently and successfully received payment within the last six months, please let me know, and I’d be happy to update this section!

Upwork

2017-2019

In 2017, I was determined to break into the book publishing industry. After trying out Fiverr and Freelancer.com with no success (the competition was too fierce for someone just starting out), I decided to give Upwork a shot. The platform looked very professional, and while the process sounded a bit complicated, I wanted to land the interesting projects I saw featured in my category. I really wanted to work with a big client… but big clients didn’t seem to want me, despite having the Rising Talent badge.

In two years of bidding for jobs and submitting proposals, I only landed two projects: a small commission from a private client who actually reached out to me, and another project that I bid on.

Don’t get me wrong, I was ecstatic at the time and truly appreciated every opportunity that came my way. But looking back, I can see why Upwork didn’t work out for me. The platform just wasn’t the right fit for my style and niche, which is fantasy illustration. Graphic design, however, was (and still is) in much higher demand.

The commission process on Upwork wasn’t as simple as on other platforms. For instance, at the time, costs were calculated hourly, which was a challenge for someone like me who prefers working with flat fees (having already calculated my average hours spent on an illustration). From what I’ve seen, this has since changed.

One positive aspect of Upwork is its current 10% cut on what artists earn. I don’t recall if this has changed over the years, but 10% is quite reasonable in my experience. Of course, 0% would be even better, but for a platform as large as Upwork, 10% is fair.

Illustration Agency

2019-2021

By 2019, I had built a solid, consistent portfolio thanks to my personal work and commissions. I had a simple website in place, my Instagram following was growing… I was steadily working toward my goal of illustrating covers for big publishers (which didn't happen until two years ago).

So, when an illustration agency reached out to me one day, I was over the moon. I had always heard that artists were the ones who had to approach agencies, not the other way around.

Well, that should have been my first red flag.

I won’t name this agency because, unfortunately, I have nothing positive to say about it. In fact, the word “nothing” perfectly describes my involvement with them. Nothing came of this barely there experience.

The agency invited me to sign up, not on an exclusive basis, but they assured me they’d get me work. That work never came. Once in a while, I’d receive messages saying they were trying to pitch my portfolio to a French publisher or another client, but... nothing.

Please understand that meanwhile I was already working directly with shops and authors, so I don’t believe my portfolio was the problem. The real issue was something I didn’t realise at the time: some agencies do this. They feature talented artists in their catalogue without having actual clients lined up, just to appear more professional and credible to potential clients. Did this strategy work for them? Maybe. I’ll never know.

In 2021, I politely asked them to remove my portfolio from their website, and that was the end of it.

After that, I never actively sought out an agent again. By the time my portfolio was strong enough to approach a serious agency, I just didn’t need representation anymore.

Hireillo

2019-2022

My experience with Hire an Illustrator, or Hireillo, is mixed. At the time, Hireillo was a platform that hosted artists' portfolios, featured artist-submitted news, provided useful articles, resources, and directories of artists and agents. I joined the site hoping to catch the eye of publishers, but I was mostly contacted by authors and one fellow artist for a graphic novel.

Unfortunately, most inquiries didn’t go beyond the first couple of messages due to budget constraints. I did, however, have fun sharing news about my painting process and projects I landed on my own, which were often featured by the website. Additionally, if I had questions about 'complicated' things like copyright, or just needed advice, I could ask the website’s owner and that was incredibly helpful.

Despite these benefits, I didn’t see any real results, which was a little disappointing. The subscription fee was also... odd, for lack of a better word. $5 per week. In the end I just couldn’t justify the cost, so I stopped using the website altogether.

Reedsy

2019-2022

Finally, we come to the turning point.

I remember stumbling upon Reedsy randomly. It wasn’t very well known at the time, and I think it still isn’t. I was nervous when I submitted my portfolio because their catalogue features the best of the best: designers who’ve created covers for bestsellers, THE bestsellers, people who’ve worked on Stephen King covers, or George R.R. Martin's. Designers, editors, and marketers who are veterans. I didn’t have high hopes for my application. So, I was in shock when it got accepted.

I had an introductory Skype call with a representative from Reedsy, who explained how everything worked. Before the call ended, I remember asking if there was a good chance I’d get work through the platform. The rep laughed and said, “Yes.”

A few weeks in, I understood that laugh.

Reedsy has an overwhelming demand for book covers and commercial projects. For every designer there are many more clients. In peak seasons, I was getting requests almost every day. I’m not exaggerating.

Reedsy transformed my portfolio and my pricing structure. Thanks to the income I earned through the platform, I was finally able not to take everything that came my way but be selective and choose only the projects that really interested me.

The commission process is simple: artists pretty much decide how to split payments, what to include in agreements, and the best part, the most beautiful and helpful feature of all, they can request and adjust deadlines. For someone like me who's terrible with deadlines, this feature was a lifesaver. The admins are also very kind and responsive, available via email or chat.

Unfortunately (this is my last 'unfortunately', I promise), my time on Reedsy came to an end for personal reasons. I’ll explain since it’s no secret.

All my images on Reedsy were watermarked with my signature (my full name), which apparently violated the platform’s rules. Why? Because if a client saw my last name, they could contact me directly and bypass Reedsy, which meant the platform lost potential fees. I’ll admit this did happen a few times, but I had the good sense to redirect the client back to Reedsy.

After three years, an admin finally noticed and asked me to remove my full name from the watermark and any text on my profile. It was a simple and reasonable request, but here’s where the problem started. Profiles on Reedsy are public, and images appear in search engines like Google Images, meaning anyone could download my work and use it without permission. Sure, watermarks can be removed, but uploading my work without one in the first place felt like a bad idea. Btw, not only do I use watermarks, but I also use Glaze to protect my illustrations before sharing them online.

Anyway, for this reason, and also because I couldn’t get over the fact that full names were public at the time, something I won’t get into because, believe me, I tried over email, and my reasons went into the void (now, last names are just initialised, like Gabrielle R. Okay. Sure.), I had to close my account–they would have done it anyway because it was already 'flagged'.

Overall, if you’re willing to overlook the last name conundrum, I can’t recommend Reedsy enough. If you have a killer, solid portfolio and a love for books and editorial projects, go for it!

--------------------------------------------

I hope you'll find this useful! If you have any questions, please don't hesitate to ask (: Oh, and here's an old article I wrote in 2020, titled:

Tips to freelance illustrators to avoid being screwed over

Who knows, maybe I'll write another 'article' post in four years!

Instagram  - ArtStation - Website - Inprnt - Etsy - TikTok

[idliketobeatree]

dead boy detectives characters as art objects and sculptures; extended ---

hello, i remembered i made some subjective explanations and notes on few of my choices for this post, and i thought some folks might enjoy it. soo let's get into it.

1.

monty finch

author: anders krisár

pretty self-explanatory; it's a moulded male torso with visible inprints on its skin.

anders krisár’ artistry explores the themes of loss, separation, and the condition of the psyche through the lens of a human body in duality: perfectionism meets unsettlement, skin meets marble and bronze and polyester, to create sculptures spanning geological time far beyond the living's capabilities.

monty's creation by esther was already stripped of any human agency. "he was made a boy, not a person", small, almost doll-sized, with a singular purpose: to seduce and entice the chosen dead boy into their doom. the naked skin and specifically the position of its arms are mildly erotic, but in a way that makes your skin crawl. the imprints are intimate, placed possesive; notice the thumbs digging close to especially sensitive areas like nipples and the belly button.

the latter seems to connect the "creator" to the subject, the navel here as a symbol of cruel, invasive motherhood. the fact that the torso is cut off in the middle and at the neck furthers the uncanny valley feeling of a young male body, but then again. this is a realistic portrayal. so was it ever a person? what does it have inside to make dents so profound? how deep you can press until it breaks?

--- i'm leaving out crystal and edwin (for now?), but @nicheoverhere brilliantly noticed that it was the same author for both. that was intentional! because glen martin taylor is all about taking kintsugi, which is a beautiful art form of repairing fine china and generally delicate things with veins of precious metals, but with materials like— nails. scissors. barbed wire. all ugly. the repair after a great shattering is seldom pretty after all, they really are similar in this regard. ---

2.

charles rowland

author: robert hudson

okay, strap in. this funky dreamy world belongs to robert hudson, and i picked it for charles rowland because it's all first impressions. the colours? the composition? they give you the 80s vibes, almost; like something a kid would design if you asked them what a time machine would look like. it could probably move in several ways. the pieces seem mismatched, but hold themselves together surprisingly well. or maybe you underestimate it?

it's neither big nor small. you can't tell its size at all. it's a bit overwhelming to look at, at first, and at second, and after a while, but it carries that comfortable familiarity and nostalgia for— well, nothing in particular, because the longer you look, the sadder its past seems. the bold pops of contrasting colour are fighting for your attention. they want you to like it! and yet, the major material seems to be just. rusted steel. made from tools.

and look at that botched up sphere, it wants so badly to be a perfect sphere and it knows it'll never be one. fine!! perhaps it could be a football ball instead! or maybe a head. if you close your eyes, that is. and this facing-up horseshoe? a lucky charm, made to collect good luck and keep it from falling out cause god, it needs it.

---

3.

niko sasaki

author: justin cloud

---

niko sasaki, now how do i describe her? let's start by saying— she's cleary a her. this one is a she. and there's something to be said about blooming, and femininity, and delicacy, because pink is a hopeful girly colour and a surprise and a delight.

what are you doing in a gallery, little flower, shouldn't you be at home? in a field? look how pretty you are! mind you, of course there's something wrong with her as well, but you're not sure if that is because someone messed it up, or because of a different entity alltogether. was it always half-electric? its elegance seems purposeful— the iridescent metal fits all too well with the white-pink petals— but also uncanny. and oh suddenly you can't stop looking at the stigma from which a pollen should release aaany time now.

when i look at her, at her black artificial stem and the small leaves imitating the real ones, i wonder if she doesn't want to lure me into a trap. is it her fault?

the beautiful petals seem like the only thing left real of the flower. whichever way she turns, it will probably mean— death. and flowers are ephemeral. what is a flower mounted to a wall, fortified with steel, connected with cables and enfused with electrical energy, then?

i think she's a self-preserving survivor. ---

4.

the night nurse

author: elizabeth turk

---

now. the night nurse.

of course it's the only piece in the collection where the background needed to be dark. no one here is older than her. there is no inoffensive, fading-into-background white for this absolute pillar of truth. or maybe something like a totem, quite protective in nature. and it's terrifying, 'cause you're immediately hit with the feeling that you're looking at something out of this realm, something you're not supposed to witness. the perspective is all wrong. is it downwards or upwards? why does it seem unstable when the pieces are so perfectly centered and seemingly well-balanced? child, you should calm down, it's not like you will destroy it with a stronger puff of air. will you?

this sculpture is called "tipping point — echoes of extinction", and it's actually a mix of technology and sculpture and sound, with elegant visualizations of the lost voices of birds and sea mammals. the author said it "was conceived in reverence to the astounding lives the species which envelop humans have lived and the mysterious ways they have contributed to our well-being. the shadows of their memory, whether a shape or a sound, have inspired this project." so the piece deals with death. moreover, it deals with murder. it records the harsh reality and makes sure the ones that suffered horribly at the hands of humans are, in a way, celebrated. but also— categorised. like epitaphs. the birdsong, once a living sign, is only visually represented by the lines of varying lenghts in 3D, and you can do nothing about it anymore, right, you can't bring back the dead, you can't help the innocent dying in any way other than— stacking them on top of each other and moving on.

---

so that's for now, i might someday write more if anyone's curious. :")

[eggyrocks]

ENCOUNTERS

00 prologue: dumped

All Suna wants is a relaxing, post-show cigarette in the parking lot. But that girl’s fighting with her boyfriend again.

For as long as they’ve been a band, she’s been coming to their shows . And as long as she’s been coming to their shows, she’s been fighting with her boyfriend at them. The same boyfriend every time too, the gangly looking one with the constantly messed-up hair.

He flicks the end of his lighter, watching as she takes several steps back from him, laughing in indignation, throwing up her arms up in exasperation. The boyfriend’s just standing there, outside the driver’s seat of his idling car.

They always fight about stupid shit. The boyfriend’s controlling. She likes to do whatever she wants. He yells at her about lying about where she was going for the night. She yells back about him going through her phone. Honestly, Suna’s not even sure why the two of them are still together. It seems like they really, really fucking hate each other.

He can hear a bit of what she’s screaming now, something about not trusting her or respecting her individuality and him shooting back that she’s done nothing to earn his trust, and she has no personality outside of liking this stupid fucking band.

Suna inhales and crosses his arms over his chest. He’s not sure why he’s getting dragged into it.

Honestly, he figures he should probably count his losses with the cigarette and go back inside, let them have it out like they normally do alone, in the privacy of this empty venue parking lot. But his morbid curiosity gets the better of him, and he stays, watching aptly as they tear each other’s throats out.

And, oddly, he kinda feels compelled to stick around, to make sure she ends up okay. He doesn’t know anything about her really, and he hardly remembers her name half the time, but her unrelenting dedication to his band has kind of earned some loyalty in return.

Enough for him to stick outside and keep an eye on her while her boyfriend loses his mind.

Suna watches as he turns away from her, and flings open the backseat of his car. He watches as she yells out, “What the fuck do you think you’re doing?” and he watches as the boyfriend pulls out three, large, overflowing duffle bags and deposits them at her feet, despite her protests.

And then, he gets in his car and drives away.

His loyalty is being tested.

All Suna can think about as he approaches her is how badly he does not want to. But she’s collapsed now, sitting on top of her pile of duffle bags and sobbing, right there in the middle of the parking lot. Plus, if Kiyoko found out he left a crying girl alone in the parking lot, she’d probably skin him. So he drops his cigarette to the ground and snuffs it out with the heel of his shoe. “Hey,” he greets, because he doesn’t know what else to say.

She looks up, wet eyes wide and covered in smudged, black makeup. She inhales sharply. It could pass for a hiccup. “Oh, hey. Good show tonight,” she sniffles.

“Yeah, thank” Suna nods, looking at the ground beside her instead of directly at her. He feels strange standing above her like he is, so he kneels, weight on the balls of his feet. “Are, erm, are you okay?”

She blinks, and hiccups again. At least her crying’s slowed. “Um, no, not really. I just got dumped, and also, like evicted, I’m pretty sure.”

Suna looks at the bags underneath her. “This all your stuff?”

“Most of it, I think.”

“Okay,” Suna starts, trying to come up with anything useful or productive, “so, can you like, call a friend to stay at their place for now or something? I don’t think I wanna leave with you just like, here.”

Her eyes start to water again, and Suna immediately feels like he’s done something wrong. “No, not really. I mean, my old roommates got new places out of the city and I don’t know who they live with or even where and my other friends all live together in a two bedroom but there’s three of them and I couldn’t even stay in there if I tried because there’s no room, and I don’t like my mom and I guess I could ask this one friend but I know she won’t answer and I don’t know where I’m going to stay and I’m kind of-“

“Okay,” Suna cuts her off, dread already forming in his stomach. Because he cannot, in good conscience, leave a crying girl in the middle of a parking lot. He cannot let her just figure it out on her own. So he knows what’s coming next. He sighs and stands upright. Fuck, he better get some good karma for this. “Do you wanna stay at my place for the night?”

taglist: @wyrcan @thechaosoflonging @localgaytrainwreck @cherrypieyourface @eclecticeggknightpsychic @httpakkeiji @does-directions @needtoloveoutloud @causenessus @kawaii-angelanne @thatonecroc @v1oletfury @lonesomedrive @nnnyxie @bakery-anon @cheriisae @chososcamgirl @honeyfewr @soulfullystarry @snail-squasher @angee444 @itsdragonius @lees-chaotic-brain @miiyas @atsumuenthusiast @iluv-ace @cupidsblonde @tetsuswhore @soobin1437 @starkyu @bakugouswh0r3 @wakashudou @softpia @phoenix-eclipses @angelichwv @rory-cakes @bbybibi @lllaw @kameyyy @sleepzyy @s1ckntw1st3d @savemebrazilhinata @whorefornoodles @keeboismine @angsty-microwave @cyberpsychedelic @v3nusplanetofluv @darkandstarrynight @lunasfics @miss-manupilative @t8tiana @bzzahbee @evening-latte @Rebirthbunny @rvm1ne

[1moreff-creator]

Select Two, Choose One: How will the Culprit get Found?

Since the latest DRDT chapter seems to have narrowed down the suspect list to just two people, many have speculated on how exactly the cast is going to pin down the correct suspect, and whether or not the audience has the tools to do so. I thought I’d throw my hat in the ring too! And while I’m still really 50/50 split, there is one piece of evidence that could change the murder method… in a way that points us to the culprit. Very inconclusive evidence, but it’s there. Let’s get into it.

Spoilers up to CH2 EP14. CW: Hanging, murder, blood, Eden and Ace!Culprit discussion

As a starting point, I’ll assume that the deduction that the culprit must be one of Eden or Ace is accurate, to simplify things if nothing else.

I will start with what I’ll call “meta only” arguments. In other words, things that characters can’t reliably use to narrow down the suspect, but that we the audience can take into consideration for theory-crafting.

-Mindset post-Nico murder attempt: Immediately after Nico runs out of the gym, the killer needs to be in the correct mindset to grab the tape, and they also need to be able to more or less figure out what Nico did to replicate it with Arei. Although, importantly, the killer doesn’t need to come up with the full plan on the spot, and they don’t need to fully understand what Nico was doing. At the end of the day, the only real similarities are the general idea of a pulley and a hanging.

Here’s more or less the train of thought Eden might have had if she’s the killer.

Eden: Hmm… The fan is broken and there was wire on it, Ace’s neck looks cut… Maybe Nico used some kind of pulley to hang him and it broke? Maybe I could do that… This tape looks useful for that.

Meanwhile, since Ace woke up in the middle of the murder attempt, he has to do a little less deducing.

Ace: Did I just get knocked- HOLY SHIT NICO IS HANGING ME WITH SOME SORT OF FUCKING SPINNING DEVICE AAAA-! Ooh, tape! :D

The actual planning of a murder would come later in the morning for Ace, once he sits down and has A Thought about it. Grabbing the tape in that context seems insane, but there may be precedent for Ace being prone to stealing the weirdest shit (we’ll get to it), so…

I think both of these are plausible. I wouldn’t say either can be disqualified like this, so we keep looking.

-Ripping/reconstructing the note: The note to Arei was ripped up and thrown into the trash, then Eden, Rose and Whit put it together.

Ace has no real reason to destroy the note, he could have just left it as it was. Maybe throw it in the trash since “it’s what Eden would have done”, but destroying it runs the risk of people not being able to put it together to point at Eden/Arturo. Although, you could argue Ace was trying to frame Nico specifically, so the note wasn’t useful and he threw it away because it made sense in his mind.

Here’s where we get introduced to a pretty big problem of having Ace as a suspect; that thing Teruko said, that sometimes assuming people will always act logically is a bad idea. Ace is the prime example; a lot of shit in this case makes a lot more sense if you assume Ace did it because he’s not smart enough to notice the problems with it. Such as using the method to frame Nico when only a few people in the class know what the method is; he maybe wouldn’t have noticed that that could point towards him as well. Ace is erratic, it’s very difficult to pin down why he does half the shit he does.

Eden, at least, makes sense. By destroying the note, then rebuilding it herself, she throws off suspicion with the exact argument she used in the trial; if she’s the killer, why do that? Just leaving the note as it is runs the risk of someone finding it and presenting it, which removes that argument, meaning tearing it is imperative.

And she would want the class to find it, not just because it makes her look more innocent if she talks about a building friendship with Arei, but because the note is where we get the “7:30” time, which combined with the fish making people think the murder was at nighttime, appears to give Eden an alibi.

In conclusion, the note being ripped makes more sense with Eden as the culprit… but it doesn’t disqualify Ace because he’s an idiot. And speaking of that…

-Fish Paradox: As outlined in my Ep13 murder theory revision, the problem with the fish is that everyone who benefits from the fish being at the crime scene only benefits if they have an alibi for nighttime, but that coincides with the time the fish disappeared, as Nico fed them and counted all of them after having dinner, so they couldn’t have taken it. Meanwhile, people like Ace who could have taken the fish, wouldn’t have a reason to as they don’t benefit from the nighttime alibi.

Except, it’s fucking Ace. It’s genuinely possible he thought people would see fish and instantly jump on Nico for some reason. See the problems that arise when you can no longer assume the killer is acting rationally?

Anyways, inconclusive (we’ll talk Eden later).

-No blood on tape: This heavily depends on exactly how Ace could grabbed the tape. His hands sorta get covered in blood instantly, so it’s hard to imagine he’d be able to do that without staining the entire roll of tape with blood. He couldn’t have easily washed it, either, since he passes out shortly after, and the blood would have likely dried by the time he woke up. This is definitely a point towards Eden, but can the cast use this? I don’t think so, because it relies on what we saw during the episode, which is not easy to prove in a trial setting.

-Dialogue and trial behavior: This one’s difficult, and as you might expect, inconclusive.

I would argue Eden has a higher amount of outright suspicious lines (“Teruko, wait—“ haunts me), but she also has a higher amount of seemingly anti-suspicious lines that make her look very innocent (see: the entire speech at the end of Ep 14).

She also has a moment where she steers the trial in the right direction by denying that Arei could have committed assisted suicide, but it’s worth remembering that if the class thinks that’s what happened and they learn of Eden’s relationship with her, they might assume Arei and Eden worked together to get Eden out. In other words, by denying the notion of assisted suicide, Eden!Culprit avoids the class reaching the right conclusion through the wrong method. Of course, if she’s innocent, it’s just genuine.

Comparatively, Ace operates at a much more stable level of suspiciousness I can only call “Ace level.” He’s constantly throwing suspicion on Nico, who the killer seemingly tried to frame with the method; he kept David and Arei’s conversation hidden; and was one of the first to jump on the “David’s the culprit” bandwagon. In a vacuum, this is super suspicious; hell, Levi was the fandom’s prime suspect for less.

But… it’s Ace. His behavior isn’t too different from the first trial. So while it’s possible he’s doing all this because he’s the culprit, it’s also possible he’s just being Ace.

Impossible to tell, I fear.

-Eden’s Night 2 paranoia: You might recall Eden being very worried someone was following her in night 2, which could suggest she was doing something suspicious (eg setting up the ball of clothes, more on this later) and was scared she’d get found out.

The problem is that there’s a perfectly fine explanation for Spotless!Eden. This is the night after her confrontation with Arturo, and Teruko did enter the same room as her; she could have just been paranoid because of the former, and felt someone was following her because of the latter. Moot point.

(I don’t think anyone else was following Eden because Teruko would have presumably seen them. Then again, I have overestimated our protag’s perceptiveness in the past)

-Eden’s strength: Eden is the weakest of the cast, so it’s very possible that half the Arei murder method is just impossible for her. But… we can’t know for absolutely sure what “weakest of the cast” means, and it’s not evidence that can be used in a trial. Ignorable.

-Motive, character writing and themes: I’m lumping these in together because I’ll give the same answer to all of them: the dev can just add an explanation in the inevitable post-trial trauma dump. We don’t know absolutely everything there is to know about these characters, or the way the narrative is going, so it’s impossible to confidently argue based on this. Physical evidence will always take precedence over these things in my books.

And that kinda settles it for that. There’s minor arguments like “Eden won’t die before we explore the Fork CG” (well, Xander did, so) or “if the Scrum Debate is Ace vs Eden then Ace is probably safe” (we don’t know what the Scrum Debate will be), but I’ll skip them to get to the more pressing matters.

That being trial-worthy evidence. What can the most dysfunctional cast of any fangan ever (/affectionate) use to fully commit to a culprit?

-Fish Alibi: If Ace has the problem of “no reason to bring fish,” Eden has the problem that her alibi literally starts directly after dinner. If Nico ate dinner with her and Hu, she couldn’t have taken the fish.

Except, of course, Nico could have had dinner earlier, and this point is completely moot. We can’t know yet.

-BDA: This is very obviously not what the cast will use to come to the conclusion given the discussions we’ve had, but I’ll bring it up anyways. This was explained in the episode though, so…

-Playground floor: sorastar6’s idea; since the floor of the playground is made of the same stuff as the relax room, it’d become sticky after getting wet from the water in the jugs, and thus, the culprit could have some stuck to their shoe. Unfortunately for some of you, we can’t easily look at the cast’s feet all the time, so this would only work for the characters, not us. However, Hu does mention heels as an example of something that can scuff the floor, and Ace wears heels, so small point to him.

-Missing glove: I still have no idea where this thing went. My only guess would be that the killer removed it to more easily put tape on Arei’s wrists, but by the time they’d strung her up, they decided putting the glove back on would take too much time (? I have no concept of how hard it’s be to properly put a glove on a dead person’s hand), and they wanted to get out of there as fast as possible. If true, that would mean they still have the glove on them, as it wasn’t in the trash. Again, if I’m right about this, the cast can use this, we can’t.

-Random garbage:

Something here. Rose would remember everything about it, so it’s usable. Maybe Ace’s gloves were damaged and he had to use the needle and thread to fix them? Maybe one of those napkins is the cloth with turpentine Nico used and only Ace would have identified and used it (assuming it wouldn’t have dried and MonoTV wouldn’t have thrown it out for some reason)? What even is that pink paper thing? Who knows.

-Ball of clothes: Held together by something Teruko identified as starch, there’s been around three hundred theories involving this thing. The only one that’s actually incriminating (for the two possibilities being discussed) is thebadjoe’s idea of the starch being from the enriched formula of the relax room, which could implicate Eden as she was acting suspiciously around the dress-up room on night 2.

I’ve seen it argued that the clothes would be dirty in that case, but that can be solved with an extra layer of clothes under the clothes that actually get starched up, which would later be either discarded, washed, or simply put inside the ball itself.

(This might be the last murder diagram I make for this case. Holy shit I can’t believe that)

Which is all well and good, but this is still ultimately assuming both that the cast has some way of making sure Ace couldn’t have done this, which I’m not sure exists, and that the starch comes from the relax room in the first place.

Because something I learnt, like, last week, is that people put starch on clothes. Like that’s a thing they do. So it’s entirely possible there’s starch for clothes in the dress-up room and anyone could have done this. If that’s the case, this cannot be used to argue at all. I don’t love the idea, since we don’t know if there really is starch there or not, but it’s there.

-Grammar: The letter to Arei pretty famously misspells “responsibel” (responsible), has horrible punctuation, etc. It’s possible someone in the trial will realize, ask Ace and Eden to spell the word, and whoever gets it right is cleared. We can’t know, but it’s a possibility. This also has the benefit of being obscenely funny.

-Custom weapon: If the killer used their custom weapon, it may point to them as guilty, as only they have access to it. However, I fail to see how a riding crop (Ace) or a wrench (Eden) would help in the slightest.

There is, however, one more item that only one of these characters has access to. And while I am very unsure of this assumption, if you ask me right now what is the decisive piece of evidence that will close the case once and for all, I will tell you:

-The shoulder band thingy:

Ace: Too fucking bad. Mine now. I’m keeping it.

Yep. This one.

For starters, remember that thing I said about the tape? That Ace has precedent of stealing completely random shit for no reason, and so it’s plausible he grabbed the tape just because? This is the precedent.

More importantly though, it’s something only Ace has access to, so if it can be determined it was used in the crime scene, it’s curtains.

And there is actually one place I could see it being used. Followers of my method theories know that, through the fire and the flames, there’s been one deduction that’s remain constant: the rope was tied to the ball of clothes, which was thrown over the railings to get the rope as high as needed. The ball also hit the lights, displacing the bulb and causing it to flicker.

(He he I snuck the image into a fourth post >:D)

I’ve always sorta assumed DRDT takes place in a physics exercise where air drag is ignored, but it’s true that this might be harder than I’ve been presenting it as.

So, we get the use for the shoulder band; a slingshot. I’m unsure on how it would be constructed (swingset maybe? seesaw?), but the idea is that. Create a slingshot, throw the clothes, badabim badabum, Ace is the culprit.

I’m not the only one to think of this btw. Reddit user (yes we’re cross-platforming for this) Makatrull seems to have arrived at the same conclusion. Great minds think alike ig.

Of course, this comes with its own issues. Mainly, how do you connect the shoulder band to the crime scene? The only way I see that happening is if the cast determines this is literally the only way the lights get broken, which… yeah, I’m gonna have to let them do the math on that one.

It’s impossible to judge without existing in the DRDT world. Is the ceiling higher than I’d previously assumed? Then it’s possible to come to this conclusion. Is it lower, and possible that even Eden would have managed to just throw the ball over the railing? Certainly. So, for now, inconclusive. When I say it’s the most likely to be the decisive evidence, I mean by like, 0.1%, I really have no clue.

———

There’s probably more, but that’s all I can think of for now.

Seeing as we’re reaching the end, I’m gonna say that regardless of the outcome, this might be one of my favorite trials in all of both canon and fan-made Danganronpa. So much shit happened. I’ll save my full thoughts for a more dedicated post, but goddamn, I can’t wait to see the conclusion!

Hope you enjoyed! If you made it this far, you deserve a shoulder band thing. Do with it as you please. See you!

[alittlebitofloveliness]

Grew in my Heart

It's finally done you guys!!!! This is my take on a foster Pony au, loosely based on this idea from @freak-l0rd-certifed. It's currently unedited but I'll post it here anyways, and then cross post an edited version on my ao3. @pepsicurtis asked to be tagged when it was done based on a snippet I posted earlier, so here you go. This is part 1, part 2 is fully written and will be up tomorrow.

***************

The lady on the other side of the room is watching him.

That’s okay though. Ponyboy is used to people watching him. Social workers, foster parents, group home staff, police. Everyone watches him all the time but nobody cares, cares for him or about him, so Ponyboy doesn’t mind this lady joining in. He knows he looks weird, with his sticky out ears and the patchy haircut Mr. Fuller gave him and the bruise around his eye. So he understands why this lady is watching him, and doesn't begrudge her for it.  Besides, she looks like a nice lady. Nice ladies don’t usually watch him. If they do they don’t usually look at him with the kindness glowing in the woman’s shining green eyes.

The lady smiles at him and he ducks back into his book, ears burning. She wasn’t supposed to catch him looking.

When he peeks over the top of his copy of Great Expectation a minute later, she’s still watching him, smiling in a way Ponyboy would call amusement if he didn’t know better. He quickly hides again, cursing himself for drawing notice. It’s never a good thing. Never. Better he stay quiet, stay invisible. Invisible kids didn’t get hurt.

He hopes Ms. Summers will come back soon and take him to wherever he’ll be staying next, if only so that he can leave the waiting room, escape from where this nice lady and her nice family are no doubt waiting for them to bring a brand new baby to adopt. Probably one only a few days old, something sweet and cute and new they could love and pamper. Nice people only ever came to the child services offices to pick up babies. Anyone who came to pick up kids was usually about as nice as the people who dropped them off. 

He goes back to his book. Usually it’s easy to escape into the story where he can pretend to be a knight or a hero or anything but stupid, small, unwanted Ponyboy Hewitt, but he can’t seem to concentrate today. It’s not just because of the nice looking lady with the green eyes who keeps watching him, keeping an eye on him the same way she’s been keeping an eye on the three boys who came in with her. His head is also aching something fierce. That last knock from Mr. Fuller was kind of hard. 

Hard enough Ms.Summers thought he should move again anyway.

“Quit fidgeting, Soda,” an authoritative voice from the other side of the room says, and Ponyboy can’t help but glance over. He tells himself it’s because the speaker was kind of loud, but he knows deep down that’s not the case. It’s not because the boy is loud, it’s because he’s cool. He’s a lot bigger than Pony is, and older too, with wavy brown hair and broad shoulders. He could probably look Mr.Fuller square in the face and never be scared, not ever. “We have to show we’re the perfect family or they won’t let us keep Johnny.”

“Really?” The boy who answers has golden blond hair and rosy cheeks with a dimple high in one corner. Pony never really understood what books meant when they talked about eyes twinkling until the boy had pranced into the office a few minutes before, looking like a prince straight from a fairytale. His eyes aren’t twinkling now though: instead, they’re shining with worry. His shadow, a smaller boy with jet black hair and tan skin, looks the same, eyes wide and terrified in his peaked face. “They can’t do that just ‘cause I’m sittin’ wrong, can they mom?”

He turns anxiously to the nice lady who smiles and smooths down his hair.

“Of course not honey,” she soothes, “we don’t gotta prove we’re perfect to keep Johnny, we just gotta prove we love him. And we do.”

She turns her smile on the dark haired boy who flushes and ducks his head shyly, looking unfathomably pleased. Ponyboy swallows hard and looks away, his own ears reddening. It’s not fair for him to hate the dark haired boy, he knows it isn’t, but it doesn’t matter. In that moment, he kind of hates him anyway. 

The woman’s gentle smile has confirmed what he suspected all along. She’s a nice mom, the kind he’s only ever read about in storybooks. She probably kisses those boys goodnight- even the big one, even if he pretended it wasn’t cool- and probably smells like cinnamon and bakes birthday cakes sometimes, puts bandages on cuts, and never slaps them, not ever. 

He wants Ms. Summers to come back. He wants to leave. He doesn’t want to sit here and watch a boy his own age get adopted by the kind of family he wishes he could have more than anything in the world. 

The blonde boy sticks his tongue out at the cool one and makes a fart noise.

“See Darry? They ain’t gonna take Johnny! You’re stupid and wrong!”

“Sodapop Patrick Curtis!” A man Ponyboy assumed must be the nice lady’s husband and the boys’ father boomed, “What have I told you about using that kind of language towards your brother?”

“That it's not how we speak to our family,” the blonde boy, Sodapop, says like he was reading off a teleprompter. Clearly, this was not the first time he’d heard that particular reprimand, “but dad, I was only defending my other brother.”

“Be that as it may,” Mr.Curtis said, “I don’t want to hear that language from you any more.” He sounded stern, but his eyes were still glinting proudly and there was a smile hiding somewhere near the corner of his mouth. Not a scary dad then. A good one.

“Yeah Soda,” the older boy, Darry, grinned, seeming unperturbed by the insult. He was real handsome, Pony thought. If he was Sodapop he’d never call that Darry boy stupid, not ever. “Save that language for socs. Or Two-bit when he’s playin’ poker against Dally.”

Sodapop laughed then, any traces of animosity disappearing, Johnny grinning quietly beside him. 

Ponyboy decides he’s done watching them be happy, and goes to the washroom.

He does his business, standing on tiptoe to reach the sink when he’s done because it’s meant for adults not for kids and there's no footstool. He can’t reach the soap, even when he jumps, so he just settles for rinsing extra long. The paper towel dispenser is also too high to reach so he dries his hands on his pants and goes back to the waiting room. 

“Oh honey, wait,” he doesn’t realize the nice lady is speaking to him until she’s kneeling in front of him, tugging his shirt from where he hadn’t noticed it had gotten twisted and tucked into his pants, pulling it out and smoothing it down nicely, “there you go. All handsome again.”

She smiles, looking like sunshine incarnate, and Ponyboy kind of wants to die.

“Thank you.” He mumbles, sure he must be redder than a tomato, then flees back to his chair on the other side of the waiting room. They’re all watching him now, the nice lady and her nice husband, and the three boys who are now all sitting in a circle on the floor, playing a game of cards. 

He opens Great Expectations to a random page and stares at it hard, trying very hard not to cry. He’s almost seven years old, he’s not a baby anymore. He will not cry just because one lady was nice to him and now her perfect family is staring at him. He won't. 

“Hi!” Suddenly, blonde, beautiful Sodapop is in front of him, grinning like Ponyboy is the best thing he’s ever seen ever, “I’m Soda. Wanna play cards with us?”

He wants to, more than anything, but he knows if he does it’ll just feel worse when they leave and he doesn’t go with them , or when Ms. Summers comes to drag him away to whoever will bother keeping him for the next few weeks, so he can’t.

He shakes his head, unable to actually say no, and Soda deflates, eager grin melting into an unhappy pout, shoulders curling forward, and the twinkle in his eye dimming. He looks like Pony just ruined his whole day with one shake of his head. 

“Ok,” he sighs, dramatic and world weary, and it would seem like an act if his eyes weren’t entirely genuine, “if you change your mind, you can c’mon over anytime. It would be so much more fun with another person.”

He rejoins the other two boys who shoot curious looks Pony’s way, but he ignores them, looking back at his book. He’s not reading though. He can’t. Instead he’s listening to the boys playing cards, wishing more than anything that he could join them.

“I win.” Dark haired Johnny proclaims for the third time and Soda throws down his cards with a dramatic groan, while Darry just laughs. He seems real nice, not like the big boys at the group homes who liked to steal Pony’s books and shove him around. He hadn’t gotten mad at Soda or Johnny even once, not even when they were playing Go Fish and Soda cheated by peeking at his cards. 

“You little shark,” Darry ruffled Johnny's dark hair, the smaller boy flinching a little before leaning into the touch, “how do you keep doin’ that, huh?”

Johnny shrugged. “It’s a secret.”

“You’re cheatin’!” Soda accused.

“Am not!”

“Are too! No one wins as much as you.”

“I’m just good at cards without cheatin’.”

Soda huffed. “You’re lucky you’re my brother now or I’d fight you.”

“I’d win.” Johnny boasts, and suddenly he looks fierce, chin jutting and eyes fiery, like every kid in every home who fought grownups and just ended up beaten down worse. 

“That’s enough,” Darry pulls the two apart, practically picking them each up with one hand, “quit arguin' or I’m putin’ the cards away.”

“No!” Soda throws himself to the ground, arm draped dramatically across his forehead, “I’ll die of boredom!”

“Then sit up and be good,” Darry tells him, and Soda scrambles to do as he’s told. Pony feels his own spine straightening. It’s just because he’s tired, he tells himself.  It has nothing to do with wanting Darry to look at him with the same approval he looks at Soda and Johnny with. He needs to stretch out a bit, that’s all.

“Y’know,” Darry says, disarmingly casual, easily shuffling the cards the way Pony always wanted to but could never manage, the movement too deft for his clumsy fingers, “there's so many more games we could play with four players.” 

If he didn’t know better Pony would swear Darry was looking at him sideways as he said it, grinning conspiratorially like they were sharing a joke. 

“Euchre…gin rummy…spades…signals…”

Pony’s heart jumped. He loved signals. 

It was practically another invitation right? And Soda had said he could join anytime if he changed his mind…surely one game wouldn’t hurt. 

He scoots forward a bit on the chair, considering. 

“Well?” Suddenly Darry- handsome, cool Darry- is grinning right at him, one eyebrow raised, “You in or not?”

And well….that was an actual invitation. From a big boy no less! Usually boys like Darry wanted nothing to do with him.

Pony could feel what was surely a far too eager grin spreading over his face and he nodded, quickly taking a spot on the floor in between Soda and Johnny. Darry’s grin turned triumphant, like he was the one who’d just been invited to play cards by a cool stranger. 

“Nice. What’s your name kiddo?”

“Ponyboy.” He mumbles, bracing himself for laughter that never comes. Instead Darry just nods, starting to deal cards with ease. 

“Tuff name. I’m Darry, and this here’s Johnny.” 

Pony offered a shy smile in response to Johnny’s friendly nod, earlier vitriol forgotten. It wasn’t Johnny’s fault he was lucky. Pony shouldn’t hate him for it. 

“You already met Soda.”

Darry gives Soda a fondly exasperated look, and Pony focuses very hard on the cards being dealt so he won’t have to look at their faces.

Unsure of what to say, he just nods. Luckily, Darry keeps talking.

“Well Ponyboy, I reckon since you just joined you get to pick the game.”

“R-really?”

“Sure.” Darry smiled kindly. Golly he was nice. “We’ll play a few rounds and then switch it up if any of us are getting bored.”

“Can-” Ponyboy hesitated. Darry nods, encouraging him to continue, “can we play signals?”

“Sure. You okay to be on a team with me?”

“Yes,” Pony could hardly believe his luck. Not only were they playing his favourite game, but Darry wanted to be on a team with him!

“Ok,” Soda chirped, “me’n Johnny are going over there so you don’t listen to us pick our signals like cheaters!”

“Soda!” Mr Curtis warned.

“I’m bein’ nice!”

Pony giggled. 

“Ignore him,” Darry advised, scooting over to sit beside him, “I wish I could say he’s just bein’ crazy ‘cause he’s excited, but the truth is he’s always like that. He ain’t really mean though, just has too much energy.”

“I know,” Pony tells him, “I seen mean before. He ain’t it. If he was mean he’d have taken my book or followed me to the bathroom and put my head in the toilet.”

A horrified gasp makes him jump. He’d momentarily forgotten all about sunshiney Mrs.Curtis, but now she’s staring at him in horror, eyes filled with rage. 

What did he do? Did she not want him to be telling her nice golden sons about stuff like that? 

“I-I’m sorry I-” he can feel his ears burning and wishes more than anything he’d stayed on that hard plastic chair where he was safe instead of getting drawn in by the light of the family in front of him. 

“Whoa, hey,” Darry catches him by the arm before he can scramble to his feet, grip not bruising like he’s used to but gentle, reassuring, “where are you going? We haven’t picked a signal yet.”

His smile is so hopeful. Hesitantly, Pony settles back down. 

“Ok.”

“Well?” Darry nudges him gently, carefully. It seems to Ponyboy that someone so big shouldn’t be able to do that and not hurt him just a little bit, but somehow Darry manages it. “What signal do you think we should do?”

Pony glances across the room at where Soda is gesturing exaggeratedly and talking at Johnny a mile a minute.

“Something small,” he decides, “something they won’t notice.”

“Good thinking,” Darry’s approval feels like sitting in the sunshine and eating ice cream and reading a book all at once, “how about…rubbing our noses?”

He demonstrates, rubbing a finger under his nose like he’s scratching an itch and Ponyboy nods, copying the action. 

“Perfect.”

He raises his left hand then. Taps his ear. Waits a few seconds. Taps his ear again.

“What are you doing?” Darry wonders. 

“I have a trick,” Ponyboy informs him.

“Oh?” Darry’s raising a single eyebrow again, looking intrigued. A swell of unearned pride starts in Ponyboy’s chest. 

“Yep,” Pony nods, “they’re watching us right now.”

Darry follows his gaze across the room to where Johnny is watching them out of the corner of his eye, while acting for all the world like he’s still focused on Sodapop. 

“So,” Ponyboy continues. He taps his ear again, “if we do a fake signal now, like we’re practicing, and then do it while we’re playing they’ll call signal and get themselves disqualified and we’ll win.”

“Huh,” Darry reaches up and taps his own ear, “good thinkin’ kid.”

Pony glows.

“We’re ready,” Soda announces a second later, dragging Johnny behind him, “and we have the best signal ever. You’ll never guess it.”

“We’ll see.” Darry challenges, flipping the first card off the deck, and the game begins.

Pony checks his own hand. Two jacks, a two, and a seven. Deciding to go for jacks he passes the two facedown and slides it left to Johnny, picking up the ten Soda placed down for him on the other side.

He passes and trades cards for a few seconds, managing to pick up a third jack on the way. When it’s been long enough it’s not suspicious, he reaches up and taps his ear, trying to make it seem like he’s scratching an itch.

The trick works. 

“Block!” Johnny cries triumphantly, pointing at him and Pony grins, shaking his head. 

“Nope!”

“What?” That’s Sodapop, “We’re out? But-but I’m with Johnny! Johnny always wins!”

“Guess not this time,” Darry grins, raising a hand. It takes a second for Pony to realize he’s reaching out for a high five instead of to cuff him, but when he does he reaches out eagerly, tapping Darry’s palm with his own.

“How did you do that?” Johnny wonders, head tilted in confusion, “I saw you tapping your ear earlier when you were making your signal.”

“It was a trick!” Pony grins. Darry is pleased, and they just won a card game, and no one here has gotten properly mad at him at all. 

Johnny shakes his head, grinning ruefully. “Well it was a good one.”

Soda declared he wanted a rematch, so they played a few more rounds, until Johnny figured out their trick and then both teams had so many fake signals and everyone was too scared to block anyone and could hardly remember their real signals from their fake ones. Darry was just proposing they switch to playing crazy eights when Ms. Summers hurried out of the office, looking harried as usual.

“Oh! Ponyboy,” She looks surprised to see him sitting on the floor, “don’t go botherin’ these nice folks now. I know you’ve had a long day, and I promise I’m workin’ as hard as I can to figure things out so just sit tight and be good a few minutes longer. I just got a few more calls to make and I’ll get you some lunch, alright? C’mon and sit properly now, that’s a good boy.” 

She pulls him to his feet, not roughly exactly, but carelessly, the way he’s used to, and he ducks his head, shoulders curling automatically as she frog marches him back to the plastic chair in the corner of the waiting room she’d parked him in at seven o'clock this morning.

“He ain’t botherin’ us!” Suddenly Soda is on his feet, glaring at Ms. Summers. “We invited him to play. We’re havin’ fun.”

“He’s really no trouble,” Mrs. Curtis smiles, placing a hand on her son’s shoulder. Her voice is as sugar sweet as ever but there’s something hard in her eyes nevertheless as she stares Ms. Summers down, “the boys are all havin’ fun playing together and I have no problem keepin’ an eye on him for you. He’s a good boy, like you said.”

She turns the full force of her smile on him, her eyes suddenly all softness, and Ponyboy finds himself wondering what it would be like if somebody looked at him like that every day, like he was something instead of nothing.

“Well, if you’re sure, I suppose that's fine. You be good Pony,” Ms. Summers says, and then she’s gone again, back into the office, back to making phone calls to find someone, anyone, willing to take him in.

Pony stands where she left him, half dragged across the room, lost in the waiting room he’d spend what felt like half his life in.

“That lady,” Soda says, “was a bitch.”

Darry’s eyebrows shoot up, and Soda grins cheekily over his shoulder in a way that says he fully expects a reprimand, but to Ponyboy’s surprise Mr.Curtis just nods slowly.

“Y'know son, I think in this case you might be right.”

“Don’t encourage him,” Mrs. Curtis says, but it’s so half-hearted even Ponyboy can tell. Her eyes are fixed on Ms.Summers’ door, lips pressed into a thin line, and Pony gets the feeling she’s real mad but hiding it real well.

“She don’t know what to do with me,” Pony finds himself defending his social worker. She ain’t mean really, ain't even a bad person. She’s just busy. Too busy to really care. “It ain’t her fault. I cause her a lotta problems.”

“I have a very hard time believing that,” Mrs. Curtis says, “I don’t think you could cause problems if you tried.”

He could. He wasn’t like Curly from the group home, who did everything he possibly could and then some to cause problems, but Pony did create them sometimes. One time he’d burned Mrs.Delvine’s sheets when he was ironing because she hadn’t given him dinner the night before. And he’d put half a shaker of salt in Mr.Fuller’s soup after he gave him this stupid haircut. But he never tried to cause problems for Ms. Summers and he still caused them anyway.

He shrugs. “No one wants me. It’s her job to find someone who’ll put up with me. I can’t blame her for bein’ tired.”

“You’re still a little boy,” Mrs.Curtis shakes her head, and usually Ponyboy hates being called little but he finds he doesn’t mind too much when she says it, “she shouldn’t be takin’ any of her frustrations out on you.”

Pony wants to tell her that his own mother didn’t want to be stuck with him so he can hardly blame his social worker for feeling the same way. He wants to tell her about how tired he is and how much his head hurts and how hungry he is. He wants to tell her a lot of things. He doesn’t.

“Oh honey,” he doesn’t even realize he’s crying until he’s wrapped in a warm hug, held protectively against Mrs. Curtis’ chest, his sobs muffled against the stretched collar of her pretty yellow dress. He’s sure he must be getting snot on her, but she doesn’t seem to mind, holding him closer when he starts to squirm away and apologize, cooing to him until he settles down, “oh honey.”

She scoops him up then, because she’s a grown up and he’s still pretty small for six years old, and she sets him on her knee and kisses his forehead, and even if it won’t last and he will never feel this again after today, for once he knows what it’s like to be comforted and loved by a mother. 

Golly he’s tired.

“You just have a sleep now,” she pulls his head down to rest against her shoulder, running a gentle hand through his shorn off hair, “you just have a good sleep and don’t worry about a thing.” 

He feels his eyelids drooping. She drops a soft kiss on his forehead, her fingers never ceasing their soothing motions in his hair.

“Everything’s gonna be okay, baby,” he hears her say as he drifts off, “I promise. Everything’s gonna be just fine.”

He sleeps.

[listentoace]

Hey, I wanted to address a couple of things.

I have been receiving several asks regarding some of my recent posts. I admit they are darker than the usual stuff. That was a decision I consciously made, because I do tend to have darker fantasies and wanted to see how they would be received. I consider most of the criticism I received to be valid points. Here are a few of them:

The whole idea of "ruining yourself"/"ruining your body" as you're gaining weight can be found fatphobic

Connecting feederism to habitual behavior, addiction, loss of control, and even brain damage can be found scary or even disturbing

Encouraging people to embrace health issues (both physical and mental) because of feederism can be found toxic

Constantly connecting feederism and weight gain with the negative side effects (sluggishness and laziness, health issues, societal judgement, etc.) can lead to the conclusion that feederism, obesity, indulgence, etc. are generally bad things

I won't try to defend myself. In fact, I completely agree with (most) criticism I received. The only kind of "criticism" I don't recognize are attacks toward me personally, but that's just reflected in a minority of the asks I receive. To all people who have sent me asks: it's great that you're sharing your opinion and thoughts, and I encourage you to keep doing so!

I think it is necessary to mention again that I don't mean anyone any harm. I am not fatphobic, and I do not mean to force any kinks upon anyone. This is just me writing and recording some horny ideas I occasionally have for those people who are into the same stuff. It is also very important to mention that in many cases, the fantasy of something can be very hot, while the reality of it could be very stressful and traumatizing. This is especially the case with more intense fantasies and kinks, e.g., being kidnapped and fattened. Everything I write takes place in "fantasy land". Nothing I post is meant as a threat, actual encouragement for dangerous behavior or self harm, or other harmful behavior. Pleae keep this in mind!

Getting back to the criticism: Yes, I like the dark stuff. I am very intrigued by the idea of feedees getting fatter for pleasure, despite all the negative consequences that can come with weight gain and obesity. I also enjoy calling people out for it, both with mild teasing and with very direct "you're damaging yourself" claims. I know that this is not everybody's cup of tea, which is why I already tag all posts with darker topics related to self-destruction, severe health issues, permanent damage and even death with "#death feederism" and "#death feedist". This is also mentioned in my pinned info post under "My Content", encouraging people to hide these tags who are not into certain content I post. However, it is quite clear that this isn't a great solution – otherwise I would not be receiving these asks.

I am very open to solving this issue together. After all, it always has been my personal ambition to write and record content for your enjoyment and pleasure. I want to make you – the readers and listeners – feel good and excited. I don't mean to scare or disturb you with my darker fantasies and kinks that don't appeal to you. Nonetheless, I do enjoy causing "holy shit, this is really bad, but it just feels so good!" pleasure and horniness.

In the past, I occasionally made use of trigger warnings at the top of my posts. If I recall correctly, I did hide the main content behind the "Keep reading" button. This was not consistent, but I am open to generally implementing this for all future posts that include sensitive subjects, such as death feederism, consensual non-consent, heavy conditioning and brain damage, or severe degradation and objectification.

However, before I do that, I first wanted to recognize the asks I received and open the conversation by addressing these issues. I encourage you to share your thoughts on this with me in the comments, asks, or my dms. Please let me know whether you think the combination of a trigger warning and a "Keep reading" button is sufficient and reasonable. I will still be tagging my posts accordingly, like I've done in the past, so filtering through hiding certain hashtags will remain an option either way.

I'm looking forward to your feedback and ideas, thank you for the criticism! :)

[cantgetworsethanthistbh]

dumping more of my stancest feels here because i cannot NOT think of them. i read journal 3 for the first time this week and its great because Ford acts like stanley's biggest hater which is pretty fking funny (if not absolutely infuriating at times because omfg stfu you smug prick)

but the moments like this get to me

Ford being blinded by his quest of grandeur, accolades and praise for world changing discoveries, so obsessed with greatness, being the first name people remember, and all the other things his npd-isms tells him he wants.

And then there's "reminds me of camping with my brother. i wonder what he's up to..."

i mentioned in my previous post that stan acts quite a lot like the anchor to ford's boat, keeping him grounded and most importantly, safe from both the bitter and the sweet kinds of evils. but he also represents something so much simpler to ford too: the simple desires he represses so much because its not "good enough" for someone special like him.

he resents stan so much because he represents a "block" against that percieved good enough success he wants, the obstacle that made it impossible to get in a fancy college, become the world renowed researcher, the one who wanted to destroy his journal's and lifes work (even though it was the better, safer option if Bill really WAS that dangerous, which he was) that could still make him famous. because if ford's not "praised and weird" then he's just "weird" and being "weird" was nothing but a pain his whole life that kept him rejected and isolated from the masses. and stan prevented him from that.

(btw "maybe he can prove himself to me" is nasty work my god ford is a douche lmao)

a lot of his projections of something greater comes through with how he treated dipper in the show (his whole spiel in damvtf) and fiddleford in journal 3 where he looks down on the happy life that fiddleford had with his wife and child and saying he was "wasting his talents" making computers. and like, we all know by the way he takes them on high stakes adventures they're not as prepared for compared to him (and end up causing more trouble than not by doing so), he's trying to fill a gaping hole left by someone else. we all know this obviously, we all know what we ship here, but what i came to appreciate the most about it is how much that gaping hole exists in the low stakes

everytime ford is thinking during the "down time" moments, his thoughts always drift back to his childhood, and one person who represents it.

childhood memories, making fun of stans favorite snack, scribbling out a design of the stan o war, whenever Ford lets his mind wander it expresses such an intense yearning for the past before he became obsessed with wanting something more. these are his most utmost and most unfiltered thoughts, which is why he scribles them away or and writes in code. and the fact that he directly says they are about NOT getting married, followed with "wondering what he's doing right now", painting the picture of what his most ideal idylic life is. wanting a return of something lost. wanting Stan back more than anything.

he finally accepts that his dream never really changed, just the same as stan's and so they saild off together for the rest of their days, in ford's own words (which ironically sounds like a marriage to me either way so tough shit ford)

[thementalshawty]

Short PAC What ‘Era’ Of Your Life You’re In Right Now 😘

Haylowwwww my babies, you seen not only did I post a YouTube video which I know I finally got to do it’ll be at the bottom of this so look at that two readings in one, 😂! This is a reading I felt pulled to do for you guys really quick I felt like mistress Isabelle brooks from drag race feeling myself entering a new era and I wanted to spread that with you guys so choose from these iconic ladies who had and created so many eras and figure out just where you are in your life right now.

Pile 1

Your Card: The Twins

I’m seeing that you’re in your yin yang individual era right now, your glow up era I’m hearing that for your pile 1 glow up, your aura is vibrating high and you wanna protect yourself, you’re learning all aspects of yourself and you’re doing it in a safe haven or you’re attempting to get into a safe zone so you can explore the dual sides and natures of you! You’re judging yourself and holding yourself up to a standard that may not be you, comparing yourselves with your siblings maybe? Also if you’re in a relationship that is tense right it could be because of some trauma that THE BOTH OF YOU, need to deal with in order for your relationship to be harmonious. You’re your compassionate era “I see you twin.” I heard that, that maybe for some of you, idk, but I see you giving the benefit of the doubt more, being more caring and thoughtful to the other person, ending old habits and cycles that have been stopping you from having a loving relationship. This era you’re in is all about healing, balance, compassion, and reconnection! Glow up Era fashooooo!

Pile 2

Your Card: The Patron.

Well to put it just like that, you’re in your patron era, your guiding hand era, mentorship era. You’re definitely the voice and mind someone needs right now in order to get through this thing called life, I’m feeling like it could be you being the mentor or you gaining one. I’m also seeing that you’re in your either endorsement deals era or sponsoring the world era, you’re either giving or receiving some kind of financial investment and I’m seeing that this is new project era vibes as well hunty! I’m hearing what ever you but to do you gon eat it up HENNYYYYYYYYYYYY! I’m living for this era that you are entering you’re in your empowerment era and not just for you but for this new person coming into your life, be open minded, they may not be romantic but this connection is important for the both of you whether you’re receiving or giving the guidance. Learning era baby!!!

Pile 3

Your Card: The Astronomer

So baddies lol, I see that you here are getting more into your taboo era. I’m seeing that you guys will be discovering a lot about yourselves spiritually, you may even connect closely with your higher self, through dreams for some of you. Connecting with the stars is really important for you at this point, you may even be learning more about your astrology charts and shit right now, stars are aligning for you baby and you’re gonna find out why! Whatever shit you’re dealing with too at this point you’re in you’re gaze in to the future era cos the solution is not in the past, it’s in the future and you need to look there because I’m seeing what you doing right now to solve it ain’t working, time for new ideas. Be open to new suggestions to follow them like is gospel trust YOURSELF! If you’re feeling what someone is saying is not right trust me it ain’t! You are in your high priestess/hierophant era babies do not allow anyone to make you feel like you can’t trust yourself! Your gut is leading you right my babies this era that you’re entering is a whole new you! A glow up but this involves only you, as the other likes involved other people. You got this babies!

That’s all that I’m getting for you guys, let me know if you like these eras reading in the comments and I will try to do them periodically.

[googleitlol]

Two questions! Well, one’s more like a prompt/scenario, but I’m still saying it!

Do you have any plans on getting back to your “The Memory of You” fanfic in the future? Because I’m a certified Macaque wimp (right there with Wukong) and I’m dying to know everything that happened between him and Lian!😭

And second:

I just got myself Black Myth Wukong brainrot and I randomly thought of a situation where Dove would wake up from a nightmare about Wukong’s death, and she instinctively places a hand over the Destined One’s heart to hear it beating because of his resemblance and everything. And the Destined One just helps hold her hand to his chest and resting his own hand over hers until she calms down🥲💘💞

1) Omg tbh I didn't realise ppl were still reading that one! I'm focusing on PoM rn so I don't think I'll be getting to it anytime soon unfortunately. I do wanna continue it tho, and rewrite some stuff too! My google doc is so big for TMoY that if you wanted, I could totally answer some asks about it. Since I'm focusing on Dove and Wukong rn, I wouldn't mind sharing some secrets about Lian and Macaque's past (I will yap so much abt them, I love Lian she's my sweetheart).

I also took a break from writing that fic because, uhhhhh… I had only seen part of season 4 when I started writing the backstory for Lian, did some research into chinese mythology and legends I could pull from… then after posting a bunch of chapters, I watched the rest and realised I accidentally made her backstory/creation extremely similar to someone else (if you're caught up on the show, you'll know who I'm talking about). They both involve, uh… similar people?? So I got spooked and decided to wait a bit to see if that character's backstory would be like what I'd written for Lian and… it's starts out very similar 💀

But honestly, I think I'm gonna keep it the same cuz I love Lian, and I love the story I've made for her and Macaque. So if you've got any questions abt them, I'd be happy to answer until I shift my focus back onto TMoY.

2) Oh, and… my god. I love this idea of yours. That dream. Hoo boy, that dream. I love it when people understand the sort of angst I wanna put Dove under. Running to her love, knowing what's about to happen but too far to stop it. Maybe if he saw her, if he knew she was coming, maybe he'd still be there. But no matter how much her throat scratches as she screams, no sound is made. No matter how fast she runs, how far she pushes herself, nothing changes.

The Destined One frowns, he's seen her like this on so many nights. There's something that's plaguing her… he just doesn't know what. She shuts him down at any and all moments he has to inquire about her night-terrors. Still, he's found a subtle way to help in the best way he can. After one night where she reached out for him and he let her hand press against his chest, he noticed how she calmed a bit.

That becomes their nightly ritual. Whenever he notices how she starts to mumble in her sleep, shout and cry, he'll cuddle up next to her and hold her in his arms. He'll keep her head pressed against his chest so she can hear his heart– that always calms her down. As long as she has something, her hand or even an ear pressed to his heart, she'll calm down. Maybe the first few nights he started doing this, she'd cuddle up to him a bit. He'd be awkward about it at first, but eventually grow used to it. After a while, he'd find that he actually really enjoys spending those nights with Dove in his arms.

[jackie-mae]

with your outfit drawings for the mystreet character. im so curious about with vylad having outfits for s2-s6, if you want can you expand upon on that?

I WOULD LOVE TOO >:3c

Long and Short of it is I've always hated how Vylad was there in Mystreet S1, PDH S1 and then he just... dropped off the face of the earth after that. It always irked me a bit when it would show Garroth and Zane having brotherly bonding moments (and trauma) and always having the thought of (Man wasn't there a third brother in all this?) there in the back of my mind.

I'm now going to do some little bullet points of my Vylads role in S2-6 but this is a great time to mention I've never seen past S4 so I'm running on Wiki Lore and the gospel of AO3 and @catzgam3rz; who collaborates (Read: Infodump and Ramble) on a hypothetical rewrite with me so it gets vague and murky for the later seasons.

S1:

Basically the same as canon (as in S1 is kinda just slice of life) but instead of Vylad just travelling around the world he is an off the grid hunter that wanders the wilderness all the time (The freak)

This is based on my very fuzzy memories of MCD Vylad always kinda just being in trees as he watched Lady Aphmau in the early seasons so I just put Mystreet Vylad in trees for fun this time

Has a vaguely similar relationship to his brothers as in MCD. in the sense it's better with Garroth and more strained with Zane

S2:

Goes to LLP with the rest of the main cast (which consists of the 11 big designs I made) because season 2 is not when you should be writing out characters Jessica

He wears little rainboots and unlike Laurance (Who FYI wears cowboy boots a majority of the time) the rest of the cast did not get him into flip flops before he went trudging into the ocean (again a freak)

I like to imagine that if any drama is going on in the story you could always see him floating around on an inner tube off in the distance

S3:

Again back to slice of life so he does a lot of shenanigans with the cast here

This is the season where the shadow knights feature but for the life of me, I cannot remember if Vylad was officially a part of them or not (And his Wikia is not even a paragraph~) But if it turns out he was there'll probably be more shenanigans around that.

He ends up leaving mid-season (Fall ish?) to go on a hunting expedition

S4:

Oh hey look Vylad is back because we don't believe in writing characters off with little rhyme or reason Jessica

Vylads hunting expedition ends up being in the same area as the lodge. and we all know nothing bad happens there!

there's now a little ski village downhill from the lodge which is where Vylad is staying at seasons start. He's good friends with a lot of the people there.

He's a werewolf now... Don't worry about it!

Oh, what's this? Is that relationship building between him and Zane on the horizon? Well, that won't hurt at all, will it?

AY:

A not-alone buddy comforts his not-alone buddy (I do not know much about Aphmau's Year but know it's short so that's all I got)

S5:

As he is a part of the Lodge crew he gets to go to Starlight!

Possibly is involved in a certain shenanigan with his brothers I'll be posting a comic about that in a few days

Get's lost constantly. Figures Starlight being an island means he can't really get lost since he'll hit ocean eventually and refuses to acknowledge how big said island is.

Doesn't float around like in S2 but you can still find him wading on the shore in his boots

being a hyperattentive freak, he get's some bad vibes from the island sooner than most

S6

Gonna be honest, me and Catz have not watched all of When angels fall but are planning to soon so I'll just leave you with the fun fact that all of my season 6 designs are supposed echo my MCD's designs for the characters (Since S6 is when it was decided hey maybe Diaries is really important here now)

TLDR: Vylad was shafted in Mystreet so I'm fix it

[court-jobi]

Tagalong

((banner by me! I don't own Horikoshi's work OR the mindblowing art of @toshiimura))

Pairing: Midoriya x reader (retired by injury pro-hero fem!reader)

Words: 2.6K

Rating: T (18+ touches later on, to be safe~)

Warnings: Interrupted first time, heavy petting, established relationship, sharing a bed, honestly just Izuku in love and fluffy times commence in a hotel room.

Summary:

Joining Midoriya Sensei on his work trip -and yes, even sharing a bed for the first time- is medicine for you. The exchange of your passions has -and continues to be- an endless source of healing as you navigate life post-hero work. Each night away, you've danced into a settled calm with him; learning the rhythm of his habits. His sounds, his silences. When Izuku meets your gaze in the mirror, you read his mind loud and clear in how he emotes: he fawns, he sighs, then nods in the dearest way.

A/N: give me my sweet, simpering Deku, or give me death. Also by the way, yall are the best readers out there, thank you so much for all the love for my lil stories!

For my My Hero Academia Masterlist, check it out here!

Read on AO3

Life post-hero work was an adjustment for you… but you were starting to really get into the perks.

The lack of daily physical hardship holds the top spot on your list. PT? You can handle that on a rolling basis– the worst is behind you, and due to what you put yourself through which resulted in your injury, you’re out of official hero work for the foreseeable future- and in a way, grateful for the break on your muscles. You still retain your quirk, but can enjoy its thrills on a more recreational basis– your sweet boyfriend has even helped your healing by way of gentle exercises to keep things moving properly and get life manageable for you. 

Next would be the diet. You could certainly dip back into your baking hobby guilt-free now. You couldn’t get away from the hero world entirely -nor did you want to… but being able to settle into an agency office with an hourly job was also an incredible blessing. Late nights here and there were inevitable, but on the whole, you were able to greet and end your days with a steadiness of routine and safety.

Meeting Izuku Midoriya was the icing on your early retirement cake. Where you were tenderly finding your footing off the hero charts, Izuku held your hand to keep you upright. He didn’t lead or pull back on you– just came alongside you, so you didn’t fall too hard on the knees of self-doubt. He’s always so good like that. He knows your path because he himself shares it, and what a thing of fate that is.

New to you now though, is the general scope of free time you have. Not a forced flexibility due to the demand asked of an on-call hero, but you have paid time off. You have flex hours. You can work from home, if you so choose– so when you get the call that Izuku has been asked to hold a spot at the Sports Festival as the lead commentator, you are over the moon that you can answer with a wholehearted ‘yes’ when he asks you to come with him.

As if he’d be anything short of ecstatic, you truly believe the job was made for him. He’s got books upon books of hero research written by hand, and is essentially a walking Brittanica for Japan’s up and coming heroes, because of course he watches every other school’s sports fests in his free time so that his class can be the most prepared. Taking the role Present Mic once held when he was a student is a full-circle moment, and it's pretty precious seeing him in it. 

From day one, he’s a master of his craft, and from the couch you share in the observation deck with his co-teacher, Aizawa, you’re beyond impressed. You honestly wouldn’t be able to tell what department he was aligned with; he’s observant and complimentary of every students’ moves. You asked the pro hero hero beside you if this was the case when Izuku was younger, and he merely offered a sleepy,

“Intolerably, yes.”

But you see the lift of his cheek against his eyepatch and know that he’s secretly proud. 

The Sports Festival spreads over the course of a week now, as the culture surrounding the events available for support students to engage in has increased- to Izuku’s pride and joy. The training and feats of the heroes wouldn’t be possible without the other side of the coin, so he’s just as enthusiastic to hype up the developments of those courses as well. 

Watching your sweet Izuku -catching his eye when he looks back over to you and silently ushers you over to come watch an anticipated match-up of his kids off and on- is medicine for you. This entire exchange of passions has, and continues to be, a source of joy for you and is a treasured part of doing life with him. On that note, the event being held away from your district also grants you extended time to spend together that you normally wouldn’t, given the difference in your professional lives. Here, you’re locked in to five days and four nights of perfectly synced time– something you’ve not been able to do up to this point in your relationship.

Falling asleep and waking up together? This is the best thing ever.

On the first night, it hits your adorably flustered boyfriend that you’d indeed be sharing a room- and bed. That arrangement was something you’d registered the moment he’d asked you and were assuming he’d mentally (and spiritually) prepared for; but evidently it faced him the moment he stepped up to the counter to check in that Nezu had arranged you both to be together by default in the hotel block. 

But rather than falling on the trope of taking the armchair or sleeping on the ground like a middle school nervous nelly, Izuku was shy about it at first… but eager for the chance. The secret part of him finally let out some boyish excitement to find a bed big enough for you to actually share. You’d learned here that you both can spoon like you do on the couch, but you have so much room now. On both your parts, you’re a bit giggly and stiff at first- but settle in sweetly for the most comfortable night of your life.

By the second night, you both scoot into your room and -after a day of dancing around each other at more and more events- you’d be heard from the hallway: jumping into his arms and tackling him to the bed, filled with giggles and lots of kissing until you tangle up more willingly to sleep.

Night three, you’d both stayed out longer than you intended; catching up with some of the other instructors, which turned into essentially a repeat of the night you met. You take to talking up a storm on one of the hotel patios in a nerdy exchange of info-dumping and story-swapping that continues for almost three hours. You basically collapsed into bed the instant you got back, not even brushing your teeth out of exhaustion. Then by your fourth, you both are still so tired from the late night before and you flop on the bed, still in the sun-warmed clothes you set out in that morning.

It's so nice to be held by him- and it's torture to then look back up at each other. There’s definitely a softness found in Izuku’s face -as always, when it comes to your perfectly freckled sweetheart- but also something deep and personal. You want to ask him to shower together so badly and get rid of the day together- anything to add to this closeness you’ve been tiptoe-ing through all week. Worry over pushing him when he’s essentially on the clock keeps you from asking. This time, you still go about your rituals separately, only when you get out, you stay in a towel and shorts instead of full dressing down for bed.

When you're at the in-suite mirror doing your expedited, travel-sized skincare routine and Izuku stops by after he's out of the bathroom, he hesitates mid-step from trying to duck around you– and comes close, holds you by the middle. He stands shirtless behind you for the first time, showing you the scarring he carries in its fullest- no more tanks or undershirts hiding the worst from you. 

You’re as they say in the movies- incandescently happy.

“You smell so good,” he whispers. 

“You feel so good,” you answer. “Wanna go lay down?”

When Izuku meets your gaze in the mirror, you read his mind loud and clear in how he emotes: he fawns, he sighs, then nods in the dearest way. No sense in holding this darn towel up anymore, you simply turn in his arms, drop it, and kiss his surprise away with your reach up to his neck for a kiss. Your first of many, on this last night you could be wrapped up in your incredible boyfriend's arms with nothing but tender intentions on your mind.

Neither of you see a strong need for too many clothes under the sheets for this little foray into skin-to-skin contact, and enjoy a restorative makeout session. He's marked you up a bit, too, by all the harsh kissing he tends to do towards you (you low-key love this, since ‘that’s what makeup’s for’), and you especially appreciate how he plays with you perched in this arrangement.

You’re the first girl he's ever had topless in his reach– which is obvious from how he holds you in his lap nuzzling at your chest,

"Wow, y'r the moss'beautiful woman i'vever seen~"

From your previous talks of dalliances, you proudly keen over him, "I think I'm the only naked woman you've ever seen."

"-I've seen naked women."

You glance back to him, humored but flat, "Who."

Those green doe eyes flicker back up at you, oddly innocent as he quickly names his former classmate, who you’ve commonly heard referred to as Yaomomo, 

“Creati?” he tries to jog your memory, “i-it's part of her quirk, I didn't ev’r mean to look..."

Playfully suspicious, you test him, "Never had a feel?"

"I mean,” Izuku sharpens up a little to answer clearly, “She fell on me once, over in one of the training centers- and I wasn't gonna let her hit or head on something.."

"So a 'strategic catch'. Is that what we're calling it?" You sway your chest in front of him, feeling up his own, “I’m a horribly jealous creature, as you well know.”

He sinks and nuzzles gently at your pushed up chest- by his desire for lift. You’re playing with his painfully polite nature, of course- nothing but secure of your place with him.

"Not even once. Promise." 

Izuku lays a little kiss on your freshly cleaned skin where your heart lies under the surface, and ends up moaning at how soft it is- and so, keeps peppering kisses to your delight, "Oh wow... Oh wow, you're soft."

His name leaves you in an unsteady sigh as you’ve been scratching through his hair until it starts feeling so sharp and heady that you grip onto his neck in need of more support.

He's working on some passes with his tongue around your nipple when he whisper-sighs up to you, 

"mmmm don't stop doing tha'..."

So you play with his hair at his request, and he adores every bit of you that’s in reach: chin to cheek to neck while being the most gently vocal you've ever heard him.

The minute you rolled your barely clothed hips up on his lap just once, he split his attention from holding your waist to him to smoothing over your thigh to encourage the movement.

He started a slinking lean as he did so, losing his absolute mind watching you in a daze, before something dull hit your window - followed by a kid’s call of 'Sorry!!' . You siphon all your attention at the noise in a wide-eyed look that matches his.

Sweetly enough, you noted how fast Izuku held you at the sound, like he was going into strict ‘protect’ mode at the clash of a frisbee.

But, out of danger and out of breath, Izuku simply fell back and palmed his face.

"ughhbyou feel'so good... Mdizzy."

The heat you’d felt simmering in you has died at the interruption, but your fondness sure hasn’t.

You giggled, lowering into his chest and gripping the covers over your shoulders to warm you up, "Good dizzy?"

Even with an arm over his eye, your boy chuckled brilliantly, 

"Very good dizzy, hon’. Whew. We uh– we better stop before they start bangin’ on the door next."

You carded through his hair more, self-assured he was still just as taken by you despite the hard stop. How he kept you to him while shuffling the covers over you both was proof he didn’t want you going anywhere. Once settled, he felt he could focus again and brushed your hair back for attention,

"Hi there, handsome~"

"h-hi~" Izuku echoed.

You kissed again, a good deal calmer at first, but growing like a steady fire. Lips roaming, claiming, and keeping you ever closer. Comfort and reclaimed eagerness tipped you over by his strong guiding hand, all in favor to continue to mouth along your clavicle again.

Then, at the first sound of your addictive moans, he detached- forehead to your sternum, watching the rise and fall of your sweet belly beneath him.

"Ahh..” Izuku’s little war with himself was adorable, “w-we should stop. For real. I can’t- that’d be mean."

“You said that,” you answer with mirth, “but I don’t think ‘Little Deku’ agrees~”

Izuku wheezes out your first, middle, last and retired hero title to the point of coughing before you take it easy on him. Poor, desperate thing, brought low by little tease.

You chuffed against his stroke of nerves kindly. 

"Yes we should, if you say so," You snaked a hand through his hair, "Thank the Maker we don't have to second guess the chemistry department, huh?"

Izuku laughed brightly, slotting himself atop you, between the legs so you didn't have to feel how semi-hard he was. Snuggling back down, your heartbeats held their own conversation, content to cool to a reasonable temperature and slow things down, together.

"I'm so glad you came here with me." Izuku spoke softly to your neck, "This time with you really does me so much good."

And you really have enjoyed it. Getting to see firsthand the place where much of his proving of himself started, this event forged a lot of bonds with the close friends he still has to this day. 

"I'm glad I did too," You kissed the hairline within reach and simply laid comforting scratches along his back. "It's gonna be hell to go back."

"You don't wanna go back to work?"

You threw pity into your voice, "I don't wanna give up this glorified sleepover, no."

You don’t mean just getting carried away with thin walls and thinner restraint. You mean the intimacy that getting out of town sometimes offers in a way nothing else would. The week has made you softer, more in tune to the rhythm of Izuku’s habits. His sounds, his silences. 

The dampened shyness you hold thinking about it floats across him, so he laid back onto your arm to look up at you, 

"We don't have to. We can still have them~"

"Yeah?" You wonder how, earnestly, and he smiles in kind.

"Yeah!” his answer radiates nothing but pure sunshine, “Whenever you want! I'll come over, and we'll cook, and have podcast nights and snuggle, and... and.."

He’s got a look now- one that teeters along the line of flirty and unsure.

"Snuggle?" you finish for him mercifully.

"Y-yeah."

"Vocal snuggles?"

"Stop it," Izuku hid in your shoulder, "don't make fun of me."

"I'm not making fun of you~" you turned and kissed his blushing cheeks, rubbing his shoulder slowly. "No more than I'm making fun of myself for sounding like a wonton Victorian who just caught sight of an ankle for the first time."

His laughter betrays how offended he is at the idea, "Stoooop…"

"Mmmm, I don't think I will!"

Time to take things slow.. that might top your list now. If it means more nights with your hero draped in your arms, then the promise of time spent under his attention beats out any other remedy you’ve found so far. 

[nyzfiles]

Hey! I just found your blog and have read the works you’ve put out so far(they’re really good!). Could I please request a fic with IVE’s Yujin?

Where her and reader have been dating for a while now but lately reader has been rejecting Yujins advances whenever she tried initiating sex with her which, of course, Yujin respected. But, when she was on social media and saw the comments under your posts she realized why. (Which was because of the hate you were receiving about your body). When Yujin found out she decided to gently bring it up with you which resulted in you breaking down. Alright, to get to the point Yujin shows how in love with your body and how perfect she thinks it is by making love to you and kissing every inch of your skin(especially your stomach). Thank you!(sorry, I couldn’t think of how to make my explanation shorter)

a/n : hi anon! thank you so much for the request, i love this idea and body worshipping is top tier!

warnings - smut (minors and men dni!) sorta angst?

tags - soft dom!yujin x sub!fem reader, reader is very insecure, body worshipping, nipple stimulation, cunnilingus (reader receiving), fingering, yujin is just VERY in love with reader !!

word count - 1.3k

you and yujin have been dating for close to 8 months now. she's been the most attentive, loyal, and affectionate girlfriend you could ask for. in the beginning of your guys' relationship you had an amazing sex life, yujin is very much a giver and you get to benefit from that.

recently, you've been starting to reject her advances whenever she tries to be intimate with you and it's left her confused and quite honestly a bit hurt. of course she would never pressure you into anything but she can't help but wonder what's changed.

about two days ago she was scrolling through her instagram when she came across your most recent post and hearted it. out of curiosity she went to the comments and was heartbroken by what she saw. a bunch of people who claimed to be her fans were body-shaming you and leaving horrible comments.

she closed the app, deciding she would bring it up with you once she figured out how to do it gently. it all made sense now why you had stopped wanting to be intimate with her, she never imagined people would be making you feel so horrible about yourself.

now, she watches you sitting on the other end of the couch, a sad expression on your face as you scroll through your phone. "is everything alright?" she asks, concern evident in her voice. you just nod, giving her a small smile before looking back down at your phone. she sighs, placing her hand on your leg and caressing it gently. "baby...what's going on? things haven't been normal for months." she says, worry plaguing her mind.

you look back up at her, tears stinging your eyes as your lip quivers. "i've just been feeling really down about myself..." you whimper, your voice breaking as you try to confide in your girlfriend. she looks at you with sympathy, pulling you into her arms as you break down and start crying.

she kisses the top of your head, whispering softly to you as she strokes your hair. "baby, those people don't mean anything to us. i love you, and i love your body. you're so beautiful." she reassures you, tilting your chin up to place a soft kiss on your lips. "promise me you'll block anybody who makes you feel like this." she whispers against your hair, still holding you close.

you nod, starting to relax in her arms as your tears stop. "this is why you haven't wanted to have sex with me, isn't it?" she sighs softly, looking down at you. you nod, feeling a little embarrassed as you admit it to her. "i didn't want you to have to look at me and realize that all these people are right." you sniffle, wiping away the rest of your tears.

she shakes her head, cupping your face in her hands and kissing you again. "they're not right. you are beautiful, hot, sexy, stunning, and everything else in between. i am lucky to have you." she confesses, trying to show you how serious she is. you nod slowly, wrapping your arms around her. "let me show you how beautiful i think you are..." she mutters, hands cupping your ass as you sit in her lap.

you look up at her apprehensively, chewing on your lip before nodding your head. "okay..." you agree, giving yourself to her. she smiles, threading her fingers through your hair before kissing you slowly. she picks you up, hands gripping your thighs as she carries you into your guys' shared bedroom without breaking the kiss.

she gently lays you against the bed, hovering over you as her lips trail down your neck. "i can't believe how beautiful you are. how did i get so lucky?" she mumbles against your skin, hands moving to the hem of your shirt and pulling it over your head. you blush, arms going to cover your stomach before she stops you. "don't. i want to see every inch of you tonight." she says, moving your hands and kissing the palms on each of them.

you watch as she undoes the clasp on your bra, throwing it on the floor beside the bed. she cups your tits, flicking her tongue over your hard nipple. you gasp softly, playing with her hair as she sucks, licks, and bites your nipples, switching between them. your moans spur her on and she kisses down to your stomach, her lips lingering there.

her mouth kisses every inch of your stomach, dampness pooling in your panties. "so fucking stunning." she whispers, gripping your waist as she kisses above the waistline of your panties. your eyes sting with tears as she worships your stomach, kissing every stretch mark and praising you.

she slowly peels your panties off, groaning softly when she sees your cunt glistening. "so pretty and wet for me." she smiles, fingers teasing your folds. you whine, your cunt clenching as her finger disregards the spot you need her the most. "please..." you mutter, heart pounding as you watch her. she leans in, placing your legs on her shoulders before running her tongue through your folds. you let out a long moan, hand tangling in her hair as she flicks her tongue over your sensitive clit.

she hums against you, the taste of you making her own arousal grow. she grips your thighs tighter, sucking on your clit and swirling her tongue around it. you throw your head back in pleasure, toes curling as your arousal leaks out of you. "feels so good..." you whimper, grinding your cunt against her tongue. she chuckles softly, slowly easing her tongue inside of your tight cunt.

you gasp, stomach tightening as she curls her tongue inside of you. your nails are practically digging into her scalp as she tongue fucks you and rubs her nose against your clit. the knot in your stomach gets tighter and you cry out her name as your thighs squeeze her head and your cum coats her tongue.

she swallows every last drop, pulling back and licking her lips as she looks at you. "tastes so sweet." she smiles, kissing her way up to your body until she reaches your lips. you laugh tiredly, wrapping your arms around her to bring her closer to you. "you're so pretty." she sighs happily, two fingers slowly rubbing your clit. you blush, bucking your hips slightly as she takes them and parts your folds.

she gently pushes her fingers inside you, making you moan and grip her biceps. her thumb rubs your clit while her fingers fuck you, her mouth leaving dark purple hickeys along your collarbone. "y...yujin..." you gasp, breath hitching as she curls her fingers against your g-spot. she smirks against the spot on your neck she was sucking on, thumb pressing harder against your clit.

you start to ride her fingers, eagerly chasing your second orgasm of the night while she leaves love bites all over your neck, collarbone, and tits. your nails dig into her biceps as she pumps her fingers deeper and moves her thumb faster, making your eyes roll back. the familiar feeling of your stomach tightening washes over you and your legs shake as your orgasm washes over you.

she slowly fucks you through your high, slipping her fingers out and licking them clean. she lays down on the bed beside you, pulling you into her arms as she kisses you sweetly. "i love you so much, you know that?" she smiles, forehead resting against yours. you nod, snuggling yourself closer to her. "i love you too." you mutter, letting her hold you as you drift off to sleep.

[cody-writes]

MAJOR WARNING FOR SI

Again longer post

I want to start this with, I have not read the book of Bill yet, However with it being all over my feed, the thought of Bill absolutely mind fucking everyone with sewer slide attempts from Stanford, just makes everything about Bill and Fords relationship SO MUCH WORSE and I both love and hate it. From the writing aspect it’s beautiful and 100% makes sense but for my love for all of these characters, it just makes me so upset and sad.

The exhaustion that both Ford and Stan must have felt with Bills shit is even more crazy. Stan being worried about his brother and not being able to do anything about it because Ford won’t tell him anything about what’s happening and especially not where he is and Stan trying to find him and make sure that he’s not dead when there’s radio silence again. It all just makes me sick and I love it.

Again have not read it but my assumption is that all of this is happening after Fiddleford leaves and Ford and Bill are in that “break up stage”. The idea that he also fucks with Fiddleford and Fiddleford knows where Ford lives and CAN go check on him and Ford shuts him out for leaving even though he’s realizing that his partner was right. And the idea of bill exploiting the fact that Ford had feelings for Fiddleford has me foaming at the mouth.

Anyway have a very small tidbit of what’s in my mind.

“I fucking loved you. and the blood from my death will be on your hands for leaving me with this fucking monster” Bills words were slurred from intoxication and the monster of self destruction. The phone was clutched his hand and a smile was plastered on his face as he spoke.

Ford sat on the sidelines, as was normal when Bill did things like this, his hand over his mouth and his sagging eyes filled to the brim with tears. All he could do was sit and watch until Bills terror finally ran its course. It was the third time that week that he’d done something like this, normally it was just reckless behavior, getting really really drunk before pushing his body to the limits or maybe giving Stanley a call out of the blue saying some cryptic shit before hanging up. But this…telling Fords loved ones that he was going to kill himself, at ungodly hours of the night when no one would be awake, leaving a terrible voicemail until they picked the phone up was his new favorite pastime. And Fiddleford was his victim tonight.

“Bill please this is madness…” he whispered to no avail.

“It’s all your fucking fault, and I reaaally hope you can deal with that. I hope that when you see that I’ve shot myself in the stupid face you realize just how much I cared.”

Finally the line clicked on the other side. “Stanford what the hell are you saying?!”

“I’m saying fuck you!” Bill yelled into the phone before slamming it back onto the base.

The sound of the phone ringing hung in the background as Bill turned to Ford. “Look sixer, this can allllll end if you just keep working with me, keep building my portal.” He slurred, throwing his hands into the air and spinning before stumbling into the couch. “God this meat sack does NOT handle anything well does it!”

“I’m not doing that Bill and you know it! I’ve made that perfectly clear.” Ford looked at the phone, wincing as it stopped ringing before starting back up again.

“Ford please answer the phone….i can’t…I’ll come back just, please…”

[tinybro]

jasico server was chatting about the cupid scene and jason getting nico's memories blasted straight into his brain and how jason being shot with one of cupid's arrows while with nico and this was just never brought up in canon again and now i'm thinking like...what if that's just how cupid's arrows work? not by magically manifesting love for someone out of nothing, but by giving someone the perspective that'd make them fall in love naturally? jason gets a front row seat to nico's memories and instantly understands him intimately and can trust him completely without any doubt or suspicion

so what if jason, after slowly realizing he's totally in love with nico, just thought back to the arrow incident and it made him second-guess everything? because maybe he's only feeling this way because cupid hit him with an arrow with only nico was around and it's no different than any other god messing with his love life