one thing about NBC Hannibal is that there's a limited palette of other media you could really pull off a crossover with, because with most other shows on TV, the genre whiplash would just kill everyone involved on impact.
like... i'd give Sam and Dean Winchester maybe half an episode AT MOST as murderers of the week. and then Will would be like "this ritual of monster hunting they feel driven to enact, it's as repetitive and compulsive as a haunting, they're trying to lay to rest in others the abnormalities they can't face within themselves," and Hannibal turns them into an incestuous ouroboros art installation with their hearts stuffed into each other's mouths.
and then Will and Hannibal are so busy eyefucking each other at the crime scene that they don't clock that Will may have been right about the house of Winchester but the monsters are also a literal thing, and they both get eaten by ghouls and replaced with decaying doppelgängers of themselves. at which point NBC picks the show back up and it runs for another twelve seasons but it's written by Andrew Dabb
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☆ de fontaine
{☆} characters furina
{☆} notes cult au, imposter au, drabble, gender neutral reader
{☆} warnings angst, suicidal thoughts, hurt / no comfort
{☆} word count 1.4k
This wasn't fair. This wasn't fair. This wasn't fair!
She thought, for one moment, she could put the mask down and breathe – for one moment of daydreaming, she thought she could just be Furina. She thought she would finally get to live the live she should've had in the first place, the life she threw away to play God to an audience who saw her as nothing but a circus animal, dancing to their whims. Furina just wanted to be selfish for one brief and fleeting moment..and it was gone before she could even grasp it in her hand. A comet soaring past far out of her reach.
She can barely keep her hands from violently shaking as she looks down at them – broken and bloody and more a corpse then a person – and she feels so numb she can't even feel the rain pelting against her back. None of this is fair, she wants to scream, why is it always me? But her voice is silent beneath the torrent of rain. She wonders if the ocean would take her if she sank into it's depths – just for a moment, she wonders how it would feel to finally be able to sleep at ease.
Furina is tired.
But Furina is nothing if not useful, isn't she?
So she forces her feet to move, dragging against the stone beneath her heels, and drags their bloodied body into the nearest empty building, letting the rain do the work of washing away the smeared blood following her path. The smell makes her feel sick, the feeling of it sticking to her hands and gloves makes her lightheaded, but she persists. Because Furina is useful, because Furina won't let them die out in the rain, because Furina won't stand by and just let them rot on the streets like some..pest.
Furina wants to go home. She wants to sleep and she isn't she if she wants to wake up, this time. But she keeps going anyway.
Because it's all she's ever done, and the habit sticks.
An Archon she may not be, not anymore, but the expectations of five hundred years still linger like eyes on the inside of her skull. They watch her, pry and prod at her thoughts, mocking laughter and judging eyes following her as she forces herself to dance to the song they weave with glee. Furina never stepped off that stage – she's still there, she thinks, watching the crowd stare at her in disdain as the curtain call looms above her like a guillotine. She still hears Neuvillette deliver her damnation and salvation with a trembling voice, still feels her hair stand on end when electro crackled like the crack of the whip, Clorinde's blade aimed at her like a loaded gun.
She's trapped on that stage and she never left, not really.
She hates it. She thinks she hates them, but it's not their fault. They didn't ask for this, didn't ask for everyone to turn against them, didn't ask for her to save them. Neither did she..yet here they are, she thinks.
She tries to tell herself she's in control this time, though. She can stop performing her part in this horrible, bloody play any time she wants. It makes her feel better, just for a little while, if she convinces herself she's still Furina, painfully human.
And Furina has always been good at lying.
It's the believing that's the hard part.
There isn't time for her to wallow in her own self pity, though. They're still bleeding out onto the dusty, creaky floorboards of some random, broken down house and she's just standing there as the blood stains the wood. She can fix it – she's good at fixing things. She's done nothing but fix things – try to, anyway – for five hundred years. She can fix a little wound, how hard could it be? Her hands are clenched so tight they ache as she kneels down, wincing at the creak of the floorboards beneath her heels– she hesitates just long enough to wonder if she's making a mistake before she peels away just enough of the outer layer of their clothes to see the deep, bloody gash across their chest. She tries not to think about it – it's deep, too deep, and she feels dizzy just looking at it, but she's handled worse, right?
Furina can fix it. That's what she's good at.
She doesn't feel so confident when she tries to wrack her brain for..something. Five hundred years, and a little wound stumps her? No, she had to have learned something, right? She's decidedly not trying to buy time because she's panicking, parsing through hundreds of years of memories like flipping through a book. Furina isn't made for this, not really – she's running on nothing but adrenaline and she's really not sure what she's doing, but she's trying. And just like before, it won't be enough, will it?
She'll fall short again – she'll be too late to fix it before she's alone again.
Furina was an Archon..used to be. What use would she have for that sort of knowledge? Which makes her predicament all the more harrowing and bleak. What was she supposed to do?
Furina had heard it first hand, that vitriol in Neuvillette's voice. She isn't sure she's ever heard him that..angry before. She's not sure he would listen to her if she tried, either. And that scares her more then anything. All of Fontaine was up in arms about this..imposter, yet here she was, staring down at them bleeding out in front of her, and she was trying to save them.
Why? Why is she throwing away her only chance at normalcy for a fraud? Why didn't she just turn them in?
They were dying – that should've been a good thing, shouldn't it? So why didn't it feel like it?
"Why you?" Her voice breaks as she speaks in harsh tones, grabbing the front of their shirt in trembling, bloodied hands. "Why now?" She wants to scream, to demand answers they can't give, to claw back the reprieve she was promised after five hundred years of agony..and all she can do is sob into their chest, pleading for an answer that will not come. "Why me?"
Silence is their answer, and it hangs heavy on her trembling shoulders as she cries.
Of course they don't, she thinks bitterly, no one has ever answered her pleas spoken in hushed sobs. Not her other self and certainly not them.
Furina has always been alone. Furina will always be alone.
Because Furina never left that stage, never left that moment when she looked at herself in the mirror and took up a mantle too heavy for her to bear. She always finds her way back eventually. There's no one on the other side anymore – she stands alone on a stage, waiting for an inevitable end she isn't sure will come.
"Please," She pleads through tears and choked sobs, clinging to them like they are all that keeps her from sinking. "Please don't leave me, too." The words burn on her tongue – how pathetic is she that she craves companionship from the bloodied body of the imposter? Perhaps she's truly lost her mind after all these years..perhaps she's finally gone mad. She must have.
But their presence is like the first feeling of gentle warmth upon her skin as the sun crests the horizon, like the gentle lap of tides along her heels, the sway of branches and leaves as the wind blows through them like an instrument all it's own. They are the soothing sound of rain against the window as she watches the dreary skies in fond longing, the first bloom of spring as color blooms upon the landscape like paint had been spilled across the hills and valleys.
They are like the faint spark she carefully nurtures and stokes, so fragile even the smallest wind could blow it out like a candle. She cradles it within her palms, pleads with whoever will listen – prays that someone finally listens, because if not for her, then for them.
She's failed to protect too much already, let too many people with so much trust in her fall between the cracks of her fingers like grains of sand. She won't let them go – she can't.
If nothing else, if she couldn't be saved when she begged for salvation from that five hundred year long agony, even if she never got that chance..
Furina will make sure they do.
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you know what, thought about it some more and i think the age difference between luka and hyuna makes sense for his character... the juxtaposition of luka being the oldest character and veteran contestant, while his child self is portrayed as a small sickly boy who hangs out with younger children... (3 years is not that much now that they're adults but it is quite a significant gap for children) portraying luka as a golden boy and dominant performer on stage while showing he's actually quite immature both physically and emotionally...
hyuna's situation is pretty true to life too, befriending an older boy and thinking he's harmless, just a soft boy, maybe he just has trouble making friends his own age... and then one day he makes a move on you. when you reject him, he snaps and gets scary and you realize you've underestimated him... like obviously luka was just a child and a troubled individual but so often in real life are young girls expected to be more mature than they actually are, and take the burden of dealing with all the bs when subjected to an emotionally stunted boy's obsession.... shes jsut like me fr....
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