#this isn't even getting into the safety of it

[strwberri-milk]

I heard the raphael tipsy audio (omg he’s so sweet and attached) and now I cant hep but wonder how all the guys would react to MC going on a long mission.

Zayne doesn't mope - or at least that's what everyone thinks when they see how he goes about his day normally regardless of the fact that you aren't currently home with him. He's perfectly professional at work - almost too professional. In actuality he's trying not to let the fact that you won't be there to welcome him home bother him too much.

When he goes home he finds himself more distracted than usual. He watches the clock until it's time for you to call him, noticeably calmer during the call. He doesn't want to talk about his day at all - he just wants to listen to your voice talking at him for as long as possible. He manages to trick you into speaking about your day the entire call, looking at you with such an affectionate gaze you can't help but melt under it.

He counts down the days until you come back, planning a nice quiet evening for the two of you to celebrate a job well done for when you finally come back to him.

Xavier tried to get assigned to the same mission as you in hopes that the two of you could spend the entire time together. When he failed to make that happen he pouted a little as you packed for the mission, trying to convince you to call out or do something that would let you stay home with him.

He's even more quiet at work, finding that there's not too much that catches his attention if it's not you. He makes conversation with the others at least but he doesn't seem to be all there. Everyone knows exactly why that is but they choose not to tease him because it's like kicking a dog while it's down.

He plans little online game dates for you two to do while you're working. Even if it's just card games and he has to hold up your hand to you he's more than happy to do so because he wants to spend time with you doing anything.

When you come back he's definitely a little clingier, not wanting you to go anywhere without him in a subtle manner. You can tease him all you want but he won't admit it, just saying that he's allowed to miss you since you were gone for so long.

Rafayel isn't very happy you have to go but he understands that you have to. He will complain a little despite also packing your bag for you, asking you to text him or call him - preferably video calls - whenever you can so he can see your cute little face. He doesn't want you to forget about him after all.

He's significantly more prone to getting frustrated or totally zoning out. His art always somehow comes back to you or he just sits there thinking about you in his downtime until it's time for you to call him. He immediately brightens up and is in a significantly better mood when he can talk to you again, happily working if you're there on the call.

When you finally get back he insists on making back all the missed cuddles he can. He has to make up for lost time and totally insists on doing so by keeping you in bed all day with his face buried in your chest.

Sylus asks if it's really necessary for you to be gone for so long. You have to remind him it's part of your job and he casually tells you that Mephisto will be tagging along for your safety. You know it's partially that, partially because he likes the idea of being able to see you whenever he wants. You also know there's no point in saying no to him and it'd help with his peace of mind so you agree anyway.

He doesn't obsessively check Mephisto's camera, surprisingly. He doesn't want to accidentally scare you off despite knowing that his every thought centers you. He finds himself missing you more than he thought he ever would, attributing it to the fact that now that he's had you he doesn't want to go back to what it was like without you.

When you finally come home to him he's made sure to have your favourite meal and some presents as your homecoming. The calls the two of you had were all poor replacements for your presence and he makes it known with how he laments it to you, telling you that he won't be letting you out of his sight any time soon.

[kaivenom]

Dating Sir Crocodile HCS

A/N: this is based on a request made by an anonymous, i hope you read this. And i must admit that i got really long.

Masterlist

Meeting

You either meet him by working for him or by being another mobster let's set the division here.

You work for him

You were selected by your habilities, he didn't care about your appearence, just your effieciency.

And you really were, that's what he liked and what made him ascend you really fast.

When you were like his second in command, you started to feel like you were overworking, same salary but much more work.

In the other hand, he started to feel the most relaxed he has been ever, your pressence was making him be better at work and all that comes with it.

You wanted a raise and he didn't give to you. He saw it as a lack of respect and you shut up, not wanting to damage the good relationship you both builded.

At the end you resigned a week after and he let you.

Spoiler, he couldn't stand it, not because him having to do the work, no, because he was alone and you weren't there with your calming pressence, the bad jokes and that good morning smile.

He lasted a couple of weeks, then he went to search you.

"So, someone can't do his job without help."

"It's not about the job."

"Then what it..." you couldn't continue because he was kissing you.

You returned, now at his second officially, no raise but unlimited access to his money.

You are another mobster

At first there was that cordial hostility between enemies that otherwise would be friends.

Both of you tried to make peace between your mobs but obviously, with your own terms.

To be more casual, you both decided to meet at dinner place.

Ussually mobs share living experiences to see if their life styles combine with their future allies, so you both would do that.

The problem was still unsolved so you needed another meeting, and then other and other, until you weren't even talking about alliances just life.

This is the point were your gangs started to see the new problem and wanted to solve it for their way.

"So, one of my seconds said that at this point if we want an alliance we should be married, crazy right?" you said flustered.

"It's not crazy, mine's said that too. We don't have to be marrid but maybe they are right and we should date."

"If dating goes wrong, we are doomed."

"Then we can't mess up, we can do a contract if that happens, if it makes you feel safer."

"Really?"

"Dating you seems like the perfect idea for me, like i don't desire to do so?" he was talking serious, he wanted to date but he was concious about it, now he had de excuse.

Dating

His love languages are gifts, anything you want then he has it the next morning on your door. And quality time: long afternoons on the office, sleepless lazy nights.

He can't do physical touch as much as he wants to thanks to his reputation and your safety, so that would be reserved to home.

The more you will have on public are cheek or forehead kisses, a small pat on your head or a little brush on the leg.

Then in the house, you won't have another sit that isn't his legs.

Big on commited men, this man has a special calendar in the office to remeber dates with you. He even has the secretary to remember him special dates if he forget due to work.

He knows he can get submerged on job so he does everything he cans to just don't dissapoint you, cause he knows you expect him to be working a lot.

Hes huge, we know that, so you will sleep on top of him or using him as a pillow and pray to not end up as the little spoon.

That doesn't happen ussually, so you don't get crushed but he will always have his arm on you (so you sleep on the side of his good arm)

If someone tries to threaten him, you are the one on lock down.

After a couple of years he will start to think about retiring and have a life with you and maybe a kid. The first thing it's difficult so he proposes to you to begin with that.

He is a master of deals and that applies to you, it's wonderful to know that he always listens to your concerns and tries to solve it or either get to a agreement.

He never reaises his voice with you and you are the only one that makes him laugh, like a real laugh, not the mafia boss grin.

NSFW

He needs to be in control always so disconecting from that in bedroom is difficult.

He tends to be dominant and give you orders (not that you complain) but on particular vulnerable days he is more able to let it go and you have the oportunity to lazily ride him with passionate kisses.

He can make you call him daddy but not sir, never that, everyone calls him that, but in bed you should never, it just clicks something on his mobster mind that he doesn't like. He is with you not in the job.

He doesn't like degradation either, maybe things like pointing your obvious need for him but not hummiliate.

I think he doesn't view sex like an everyday activity, he is a man but he is a grown one. If he gets a random boner he will try to hide it or let it happen, nothing much but... if you happen to be with a skirt or with a particular behaviour or he is specially needy for you, then he will go to catch you.

Definetily a growler and groaner, perfectly able to talk and tell you how good you make him feel and how good you are doing it. These are the times when he is the more talkative ever.

He loves to comunicate with these things cause he is a big man (you know what i mean) and he knows it so he wants to make you confortable. You both had a talk about it and you were more flustered about his serious face than to the fact that he was saying his dick will split you in half.

But things said, then he could fuck you like god, cause he knows how to do it.

He is more of a reciever, something about your pretty dollface between his legs with his dick half way into your mouth, it's so sexy.

You both even tried to take things out of the bedroom and try that famous scene were the girls suck the guy under the table on a meeting.

Spoiler: neither of you liked it so, things stayed in the bed.

[thefirst3chapters]

Thinking about the car accident aftermath in "Teach Me Tonight" again:

Luke is understandably all over the place in the episode where Jess is sent to town. He's simultaneously buying Frosted Flakes and explaining to a skeptical Lorelai that all Jess needs is someone to "give him a little space" and "treat him like a man." Luke resists Lorelai's overreactive but not entirely unreasonable questions and advice until he responds to Jess's defiance and declaration of not wanting help by pushing him off the bridge. Then, he goes right to Lorelai as he panics about not being cut out to raise a kid (he's made a big mentality shift here!) because of having "no patience for jam hands." She reminds him that Jess isn't a toddler, but this situation is going to take work.

Fast forward to "Teach Me Tonight." The first two things Rory tells Lorelai over the phone in reference to the accident are "I need you to be calm" and "I'm alright." Rory has already buried her own reaction and is trying to put Lorelai at ease as much as she can; for not the first or the last time, she has to be the more mature person in their relationship. Lorelai demands that Rory have extra tests that the doctor didn't recommend, and then she leaves Rory at the hospital to hunt Jess down. It isn't Lorelai's intent to make Rory carry both their emotions by herself, but that's what ends up happening even though Lorelai is extensively focused Rory's physical injury. It says a lot about how Lorelai and Rory function as each other's peers and as each other's parents. The only person who will offer advice that matches the injury Rory actually has, listen to how she feels about the accident, and validate her perspective is Luke.

When Luke finds Jess hunched over on the bridge, Jess doesn't say anything about his own safety or ask Luke to stay calm. He just says, "I made sure she was okay." This is of course reflective of how much Jess cares about Rory and how devastated he is about her getting hurt, but it also strongly suggests that it doesn't even occur to Jess that his own well-being would matter to Luke. One could understand why Jess might've thought that way; Luke is openly, sometimes extremely, protective of Rory and continues to be when Rory is years older than Jess is here. He confronts both Dean and Logan unprompted on Rory's behalf. He wants to intervene when Rory decides to leave Yale and maintains a warm relationship with her even though he avoided addressing Jess's school/work situation directly until he kicked him out and later yelled at him for returning for his car. We know what's in Luke's heart here, though, because he just explained it to Lorelai at the cost of their relationship. He won't rest until he knows both kids are okay.

Luke could've in this moment screamed at Jess for being reckless with Rory, damaging property, smoking, and throwing a wrench in his friendship with Lorelai. He could've demanded that Jess be a man and stick around to repair the damage and face the wrath they both know is impending. He doesn't do any of those things, though. He sees how anguished Jess is and realizes now that he shouldn't have to be a man quite yet. Luke offers the precious comfort of immediately believing that Jess took care of Rory with "I know you did," and that's that. Of all the choices Luke could've made here, he chooses a quiet sort of mercy, so there they are in calming silence with their matching postures and green jackets and emotional repression in the same place where Luke shoved Jess into the water months earlier. Yes, there's an argument to be made that Jess going back wasn't the right way to handle this, but at the same time that choice has incredible compassion behind it.

The variety of parent/child relationships on this show is just so fascinating; it's a snapshot of families living in the same time and in the same place, and no two dynamics or perspectives on how a child should be raised are the same. These relationships are all deeply flawed and are sources of immense harm at times, but they're grounded in so much love.

[bahrlee]

Not to talk about Chappell AGAIN (I'm so tired but I just hate to see a lesbian be treated like this) but now people are calling her a closet republican fake queer culture vulture just because she, someone who openly supports palestine and is against genocide, raises money for palestininian relief organizations, who wanted to read palestinian poetry at the white house instead of sing but was told even THAT would put her safety on the line, doesn't endorse Kamala Harris, who isn't backing down from funding israel? When will we get over this "blindly supporting politicians and treating them like celebrities" thing, when will we get over this black and white "red bad, blue good" thing. Chappell is just asking people to use their brains instead of laughing at coconut tree memes

[tsuwabuki]

what if kobeni had a contract with famine?

1. she's the first one to mention starving in the infinity devil trap.

2. you could hide some foreshadowing under innocuous comments that anyone could make. it's not odd for a poor 20 year old girl to take comfort and enjoyment in tasty food. mentioning the hobby right after 'my devil is a secret' could be nothing, but....

3. someone on reddit mentioned a possible 'final girl' devil with kobeni which I love but I felt the kitchen knife mention would match better with famine. after all, we see falling devil act as a chef preparing a meal for famine. could expand that to kobeni.

4. after famine reveals her name at the aquarium, a kobeni bro makes his debut. also if the infinity devil was used by famine here, was it also used by famine the first time we see it?

5. what we know of famines motivations and context as a horseman translates well to a theory on kobenis abilities. they seem quite powerful when activated so you would need a powerful demon.

5a. ok so my theory. when kobeni is starved of enough good things (family, luck, companionship, safety, bravery, etc), to the point she is fully starved from her humanity, she becomes hyper competent.

you see her fail to reach this state in the hotel due to her clinging to humanity (feels bad about wanting denji dead, for stabbing aki, etc). I think she succeeds in reaching hypercompetence during the rhythm game bit due to being terrified and isolated, it just so happens that the hypercompetence went into playing the rhythm game.

the only other moment where kobenis devil contract ability(ies?) come into play is after her partner gets killed protecting her and she finds out her whole team has been wiped out.

5b. ok so how does this hyper competence after 'starvation' relate to famine as a devil? well the horsemen act as as symbols and metaphors for humanity/life to triumph over.

we see that supported by both conquest and famine taking the role of nurturing humans to become stronger. you could even make that claim for all devils but this isn't about that.

starving is supposed to trigger humanity's instinct to survive by Doing Whatever It Takes. this fits nicely to how I think kobenis contract functions and why she would accept a nerf on her life like that (and how it plays into mental health, childhood abuse, and how someone could choose permanent(?) self destruction at such a young point of their life).

the fact that we see her devil contract trigger (rhythm game) after she's already left public safety means she's stuck with that contract probably the rest of her life. she wanted to go to college but her neglectful parents forced her to pick between sex work and the equivalent of demon fodder.

and because we don't know anything about her contract, we don't know how much she gave up to have this power 😭 being starved of good luck sounds like a really bad longterm debuff even if you theoretically get really good luck at your most terrified moments.

i lost my train of thought here but I'll add one more tangential thing. fujimoto is showing multiple examples of what childhood abuse and/or lack of a stable life can do to someone and how those systems help, hurt, and trap them. kobeni is an example of something more grounded despite her being comedic relief and I love that contrast with her.

she was forced to join the military due to family pressure and economic situation, could not handle the mental strain and quit with a potential life long disability that could get worse over time. she gets a job at a fast food restaurant and has spent her life so far hopping from one toxic 'family' to another.

anyways. throwing kobeni famine contract into the theory pile

[wizardshark]

had a chat with @digby-official about a theoretical book about a gameshow-- based on survivor, love island, and sex house-- where the ship loaded up with all the show's supplies and cast and crew gets into a storm and crashes on the island they were going to use. They're cut off from civilization and need to survive on this island that with a proper crew and safety equipment is a fun little romp, but without any of that stuff? These extreme elimination challenges become death traps.

There's a radio transceiver on a wooden platform in the middle of this lake. If we can get to that, we might be able to use it to call for help. Normally you reach the center of the lake after jumping through the American Ninja Warrior challenge and hit the radio and it records your time then someone comes to get you in a boat, but that boat isn't HERE, and we NEED that radio. Now this course is extremely dangerous and any injury you get could be fatal when we don't have a trained medical crew on staff.

The best/worst part? This is a reality show. All of these people were chosen not for their individual survivor skills, but because their personalities will clash and it will create DRAMA. They are barely able to work together under the least stressful of circumstances, and now they're unbelievably stressed and afraid.

The narrative twist is that the first half of the book is in third person, and the second half reveals that the third person was one of the camera men still recording when someone "turns towards me and says you have to have an opinion on this, right?". The camera crew has been rationing batteries and SD cards and a single laptop to record this probably-pulitzer-winning experience; they've even still been doing the reality show interviews. From then on, the story is specifically first person as the camera crew become a second group of characters helping out.

They were supposed to be on the island for 3 months of core photography. Now they're here with no food, half of a dead crew, and no one expecting them back for 3 months. But oh they're not back after 4? Clearly they had to do pickup shots. 5? 6? How long until the ravenous TV industry moves on and they're forgotten?

[lady-phasma]

I want to write a lestat fic so bad I’m practically foaming at the mouth!! I want to do his character justice though. Would you spare some lestat characterization tips mayhaps?

Hi anon! I am so unbelievably flattered that you came to me. I'm sorry that it has taken me so long to reply. Would you like ✏️ anon if you come back?

I hope I answer this well. He is my oldest, dearest blorbo so I'm going to answer with series and book (head)canon, so there are some pretty hefty spoilers below the cut.

Characterization tips....

When in doubt, go bigger and more French! Do you doubt something you're writing for him is believable? You're probably wrong. This guy found Atlantis in canon. He has flown into the sun, switched bodies with a human, and met the literal, actual Devil.

Would he realistically flirt in your scenario? Yes. But what if...? Yes. He will always flirt. Always.

But on a more serious note, Lestat is very vain because he is incredibly powerful yet insecure. He can cause a lot of damage and is his own worst enemy. The embodiment of chaos.

Anne didn't christen him The Brat Prince for no reason at all. He not only pouts when he doesn't get what he wants, he often pouts when he gets exactly what he wants. He is rarely satisfied and once a mystery is solved or an objective obtained he's ready to move on.

Something that makes him particularly appealing to me has always been his contrasts, how he can be so self-centered and horrible, but love so openly and deeply. If he loves someone he would die for them, as long as he looked good doing it. He can hate and love the same person in the same moment and still give them everything he has. But, he will always try to be a step ahead to have his own safety net because trust isn't his thing.

Lestat has such an odd mix of confidence and insecurity. He never once questioned why the Queen of the vampires would be enamored with him. Of course she would be. But even during all of his drama with Akasha he pined for Louis. Many of his exploits are to get the attention of someone who isn't giving him enough at the moment.

I'm going to do a deep TVL dive real quick because this is the foundation of who he is for me. The Wolfkiller. He was embarrassed at being "poor" aristocracy and the one warm coat he had was the one the villagers made for him from the wolf pelt. He wasn't proud of that event, but that coat meant more to him than they could possibly imagine.

Also, he loves dogs. Seriously, if you need to write him having a pet dog, go for it. Especially mastiffs and boucherons (book and series canon).

I don't particularly like the word "flamboyant" for him, but he is. He is performative. Rarely does he do anything that isn't thoroughly thought through if someone is watching. He is equally impetuous if it looks good.

Lastly, some emotional characterization. He hates to appear vulnerable, but is constantly vulnerable. It's almost as if he doesn't know how to mask that part of him. His desperation to be part of the Italian acting troupe was obvious almost to the point of being a pathetic fanboy. He can't help but be incredibly earnest. Even if it causes him pain or embarrassment.

The Father of Lies, the Brat Prince, Wolfkiller, Lelio... Lestat is all of these things. That's what has always made him such a rich character. He can be serious, but Anne's description of him through Armand might be my favorite: he must make a gutter theatrical out of stubbing his toe.

God forbid no one was around to witness the pain and suffering he endured from such a tragic event. affectionately

I didn't go into anything romance or shipped based on purpose so feel free to let me know it that's what you meant and I missed the mark.

[fantaatix]

a stolitz post? in the year of our lord??

warning this is genuinely a long ass post

okay so sometime last month i was watching 3bskyen’s JLMW reaction (really tells you how long i’ve actually been cooking this post), and he was talking about color theory or something but what caught my attention was that he was paused on THIS frame:

he said something about the red/blue contrast throughout the music video; red being symbolic of blitz (the moon) and blue being symbolic of stolas (the ocean (?)) and it got me thinking, i wonder what the gold might symbolize? because this definitely isn’t the first time we’ve seen the color gold in reference to stolitz. first think back to truth seekers, there’s gold in quite a few places

golden rails, golden feathers, golden shackles; this is why i say gold and not yellow. at first i thought it might be symbolic of the power imbalance, but that’d be too easy.

quite the selection of objects, isn’t it? rails imply safety but can also be restricting, the feathers seem harmless but then turn into shackles…possibly reminiscent of the nature the book deal and the role it actually played in blitz’s mind about his relationship with stolas.

but there’s one more thing i left out; the golden dust

...okay...don't laugh...

first time i saw this scene in truth seekers i was immediately reminded of shrek ever after

AND I’M NOT COMPARING BLITZ TO RUMPELSTILTSKIN, i’m not trying to imply they stole from shrek ever after, THAT'D be a stretch. if anything blitz is better compared to shrek himself, but i'm not gonna write about that because i Don't Want To

but if i’m remembering correctly, that movie revolved around the theme of taking good things for granted, like your partner and your friends, which aligns pretty well with how blitz’s bad trip ends:

“i believe your subconscious is trying to tell you that you simply cannot fathom proper intimacy, but also craves it as well. it’s rather unfortunate, sir, considering it’s often how you treat those who stand by you, such as myself. are you worried i may have enough of it one day, as well?”

"you cannot fathom proper intimacy."

blitz doesn’t know how to be close to other people–i don’t think he understands the relationship he has with any of the people in his life.

we still don’t truly know blitz’s full belief on love and we can only deduce it from his actions; he says monogamy is boring but then goes on to stalk his monogamous employees, on their anniversary no less, bringing along his own singular date...

he focuses on the sex in his relationships because that’s what he’s good at; he finds sex less complicated than romance... and then struggles to get his asmodean crystal to open a portal because he can’t get it off.

he has this recurring pattern where the title of “best friend” eventually turns into something else, often unrequited...

“...my first ever friend!”

he didn't expect stolas' intimate attraction to him. stolas made the connection and it succeeded in making blitz feel guilty about stealing the book; that was why he stayed the night. blitz isn't used to not being rejected, even though he has a record of relationships that stopped once the Evil Four Letter Word came up. when he goes into a relationship, blitz has learned to not expect it to evolve past sex. love has negative connotations to him.

the worst part is we don’t know for certain WHY any of this is, or if it can even be chalked down to a singular thing

yeah, his mom died in a fire blitz caused, his best friend/crush lost his limbs in a fire blitz caused, he’s been treated as property since a young age; you can makes all kinds of correlations between these events and how they might have affected him later in life but as it stands now, we have no concrete answers other than the conclusion that blitz hates himself and has commitment issues.

but back onto that “taking things for granted” tidbit–subconsciously, he knows relationships can be good, but he feels he has to give up a lot of freedom in order to maintain one of his own.

also note how blitz is desperately crawling up the staircase, feathers kind of just hitting him haphazardly as he does so, as opposed to trip!moxxie who takes a few steps up after picking up a feather of his own volition. he knows moxxie’s relationship is more stable than any relationship he’s ever had, and yet:

“stop fucking talking, all of you!”

cue the gold dust.

now, i'm not saying the book deal was a good thing. in fact, it kind of reinforced the power imbalance between blitz and stolas. i'm saying that from blitz's perspective, it was a safeguard. any feelings he might have had for stolas before could be dismissed, and he does exactly that one episode prior;

"it's a transactional fucking, you see..."

what i think he does take for granted is the advice “moxxie” gives to him, his attempts to reach out in a meaningful manner, kind of like stolas’ attempts to reach out. he ignores them both; he’s too deep into his own denial.

also, STAIRCASES IN THIS FUCKING SHOW.

why do these fruity little men think so low of themselves and so highly of others??

i guess that's a bit of a rhetorical question, we all know the answer, but. wait. hold on a sec

ohhhh.

OOOHHHH, that's what this post was gonna be about!

i fucking GOT all of you, you thought i could go a post without talking about him you're WRONG and should feel SILLY.

so this was the OTHER thing i realised when watching 3bskyen's JLMW reaction: it follows the same theme as moxxie's bad trip!

JLMW vs. moxxie's bad trip

in helluva boss, we're used to seeing staircases being symbolic of a difference in power or importance, or a staircase to heaven, or a highly anticipated event going wrong *cough cough ozzie's cough full moon cough cough*

however, i think in the context of moxxie’s bad trip and JLMW, it can also be attributed to emotional distance. like stolas, moxxie's also looking for an emotional intimacy/understanding between him and blitz (he spends his whole trip actively trying to get on the same level as him for crying out loud).

this could also fit into blitz's bad trip; he's trying to get on the same level as stolas, but feels like even if he ever did, he'd still be inherently worthless. a "play thing".

he doesn’t know why anyone would want him for anything else, but he’s clearly not all about the hierarchy.

they need to get on the same level as each other emotionally; they need to break the power dynamic, and thats why the book deal had to go.

the difference in the symbolism is that while blitz has a straight and narrow path to trip!stolas, moxxie’s path to trip!blitz is this winding, unguarded staircase. he almost falls off.

now, compared to both of those, stolas’ path is a fucking stroll. albeit an emotionally damaging stroll, but it takes less physical strength.

conclusion; stairs are symbolic of a difference in power, but gold is symbolic of something else.

and there is a power dynamic between moxxie and blitz. it's not like stolas and blitz's dynamic, it's an artificial imbalance; blitz is the boss, moxxie is the employee. and moxxie has his own inferiority complex, which i think plays a role in it too.

the imbalance between stolas and blitz is kind of, unfortunately, inherited. but it's not impossible to manage. of course, stolas doesn't care about where blitz is on the hierarchy, he doesn't care about the hierarchy period. but it's still there. blitz cares because it affects him.

"you will be technically under his jurisdiction, but..."

this was problem one. stolas unintentionally demonstrating his power over blitz. "surprise, i technically made you someone else's property! please love me!" i'm exaggerating but this is definitely not the kind of thing you spring on your partner; they needed to talk about this beforehand, but according to stolas:

"no need for an arrangement, it can just be him and me!"

sigh. the many different ways this night could've gone

this is enough to trigger blitz's fight or flight. he wants to be with stolas, but he doesn't want the freedom to choose to be with him, which is problem two:

because blitz's belief of love is so inherently fucked up,

what are the chances that the very thing stolas gave to blitz to reaffirm his free will was just interpreted as another shackle?

blitz doesn't do commitment; stolas doesn't say "i love you", he doesn't need to. if you love something, you let it go, and if it comes back then it's yours--which happens in the very next episode.

blitz is the first person to mention love.

but if they want to love each other, they have to be equals, which was why the book deal had to go. they can't hold each other to these super high standards because that'd just set themselves up for disappointment. they have to be on the same level.

tldr: they're two sides of the same coin. literally!

color theory for dummies, a brief intermission

fun fact: i actually didn’t learn color theory in an art class, but in a textiles class. we love american education. but anyways, i’m gonna ask you to draw your attention specifically to the complementary colors.

we start the chorus of JLMW in a purpley sort of place, which then shifts into gold, and then into the red/blue contrast.

except red and blue aren’t complete opposites, they’re both primary colors.

if they wanted complete opposites, they could’ve used red and green, or blue and orange, which are admittedly uglier combinations but the point is that stolitz aren’t complete opposites.

however, purple and yellow, or gold, ARE complete opposites; they’re complementary colors. if purple is implied to be symbolic of stolitz together, then could gold imply stolitz apart?

well…no. i think that’s the wrong angle. if they wanted that contrast, they could have left the gold out entirely, because red and blue separate is stolitz apart.

so how are we supposed to deduce what the gold is actually symbolic of? because no, i don’t actually think it’s an extended shrek 4 reference. that kind of exclusively pertains to blitz’s trip.

listening to the lyrics in the gold part;

This unspoken contract

A deed we forged for mutual gain

If that's all this was when you're not here

What is this rooted pain?

I don't care that you're of lower station

Or primed to sate my dark temptations

Why can't you understand? Let me explain

And I'm terrified as I cry

To make these feelings true

What's left for me and my broken heart

If I cannot have you?

a direct mention of the book deal…and another mention of the power imbalance…so i realize am starting to sound insane, but please hear me out.

i think the main theme of helluva boss IS learning to love in spite of damages and traumas and insecurities–not ignoring either of those, but learning to work around them or possibly heal those parts of yourself so you can love someone else effectively. learning from mistakes.

so what if the gold is symbolic of the simple desire of a mutual understanding? or a meaningful connection with someone else?

tying it all back together somehow

both moxxie and stolas want to connect with blitz (in different ways), but for stolas, that means severing possibly the only thing connecting them thus far (the book). for moxxie, that means climbing the staircase and possibly being pushed even further away.

moxxie also has this high opinion of blitz despite all his obvious (and not so obvious) flaws. i think it's partially because of his own inferiority complex, but to him, blitz is the phantom--his scar becomes the mask he hides behind. he knows blitz puts on this loud, crude personality to hide his cracks and keep others away, and has a scarily accurate portrayal of him in his mind.

moxxie wants to be on the same level as blitz, and he knows it's possible to get there, because he's a damaged character himself and he gets it. he's just yet to take the actual first step.

stolas, even in his own imagination, doesn't think it's possible to be emotionally intimate until the deal is broken. he could reach for blitz, but blitz wouldn't reach back. he's not looking. not to mention the literal celestial view he has of blitz in his head.

while stolas can see blitz's damage, he can't fully comprehend it yet, partially because blitz won't give him the chance and partially because stolas isn't damaged in the same way he is. they both had deadbeat dads, but they adapted in different ways.

that's just the way trauma works, you adapt to deal with it, and then have to unadapt those unhealthy coping mechanisms once you're finally safe. it just takes a while for people to realize they're actually safe, and these fruitcakes are no exception.

conclusion? uhh, i don't know, i guess i don't really have one. just. enough with the discourse about these bitches i guess??? just give them each some time, change takes more than two seasons.

i guess i could compare the way the songs are set up but this was supposed to be out like two days ago and it's already 11:45 so. maybe some other time, maybe in a post about moxxie's Interesting taste in musicals

was unfortunately unable to finish the mox vs. fizz masterpost this month but we'll see sometime in the coming months, maybe sometime after the next helluva short comes out. been a bit too busy with school and other social things to have time writing these long asf posts about my skrimblos

okay goodnight o/

[bread-and-a-circus]

A trip to an amusement park. Near noon you start insisting you're hungry for lunch so I start making breaks to accommodate. At every stall I toss out a couple dollars and buy you something to eat till you're mumbling about your pants being tighter than they were this morning. But it doesn't seem to slow you in your eating. Turkey legs, churros, bubbling sodas, tacos, burritos, burgers, fries, candy bars, cheese fries, funnel cakes and more. Your fingers are coated in grease and crumbs and I help you lick them clean, gently rubbing your front as I ask if you're full yet. We sit on a bench in the shade and we hear it creak under your weight, a sign that we may be going to far with you, but neither of us want to stop yet. Instead, I walk over and get you a few ice creams which you quickly devour with your seemingly insatiable appetite. Near the end of the day, we decide to go on one more ride, and we quickly find that your swollen and engorged belly seems less than eager to let the lap bar come down. You're barely contained in the already squished seat as it is, but your belly refuses to give up the space it occupies. Your shirt rode up long ago and now we both just stare and sheepishly blush at the worker who insists that the situation of the bar pressed tight into the fat of your gut isn't safe. You're about to fight your way out of the seat in defeat when the button on your jeans finally gives way, allowing your stomach to lurch forward and shoot the safety bar back even further. I chuckle nervously at the situation but in all honesty I'm just thinking about how I want to straddle your rolls and ride you way more than any attraction at this park.

[jermer10]

Hope it's okay to ask, could we maybe gets his of engie, pyro n sniper finding out their gonna be parents with reader? Or if that's uncomfy at all, maybe he's on them raising a kid with reader/ parent hcs? Hope you have a great day aayyy

TF2 mercs finding out their s/o is pregnant + raising kids hcs

afab reader | the "raising kids" asks are so sweet omgg, thnku anon!!

includes: pyro, engineer, sniper

drabbles under the cut :P

Pyro: - Pyro would be ecstatic, even though their response might be hard to interpret due to their mask - Lots of celebratory gestures—like random dancing, holding your hands, and excitedly pointing at your belly - Would immediately start childproofing everything despite the baby being months away - Pyro might take on an almost overprotective role, always wanting to be close and keep you safe from harm - They would be an incredibly fun parent - always up for playing games, telling wild (and confusing) stories, and engaging in imaginative activities - Loves making colorful, creative toys or crafts for your kid - Your child would likely grow up with a great sense of imagination - Safety is top priority - Pyro would always make sure their child was safe around their beloved fire-related equipment (although you have caught Pyro attempting to teach the small child how to use their flame thrower - weapons weren't allowed in the house after that.) - Tends to take a very hands-on, involved approach - always wanting to entertain, comfort, and spend time with the child

Engineer: - Engi's always wanted kids, and knowing that you were the person to help raise them? It's safe to say he's over the moon - Immediately starts planning both emotionally and practically - he’s a problem-solver, so he begins researching how to best support you through pregnancy - Will design a crib or other baby gear on his own, making sure everything is safe and perfectly customized to how you would like it - Takes on a quiet but confident role, ensuring you’re comfortable and have everything you need - Engineer would be the cool, nerdy dad - building toys, helping with science projects, and encouraging a love for learning - Loves teaching the child practical skills from a young age, whether it’s mechanics, math, or just how things work in general - Will always be there to fix things and solve any problems around the house, and likely pass those skills down to the child - Very patient - always ready to help the kid with whatever they may need - Family is everything to Engineer, and he’d prioritize spending quality time with you and the child

Sniper: - Sniper would be quietly stunned, not sure how to process the news at first, but once it sinks in, he’d be terrified but deeply moved - He isn't someone who wants kids, but seeing you in front of him, smiling and excited to be a parent - it instantly changed his mind - Likely to be concerned about providing a stable life, given his nomadic tendencies, but would resolve to settle down to ensure the best for his future family - Sniper would be a practical, no-nonsense kind of dad, but with a surprising soft side, especially when it comes to bedtime stories or quiet moments - He’d teach the child important survival skills, like camping, fishing, and tracking, wanting them to be independent and capable - Values alone time with the child, whether it's exploring nature or simply sharing quiet moments - Protective, especially in the outdoors - always keeping an eye out and making sure the child is safe in any environment - Although not overly expressive, he’d show his love through actions - always being there, ensuring the family is provided for, and offering quiet support

[antianakin]

Hello, I like to share this quote said by Jedi Bob in the last Lego Series which really illustrates the light and dark side, giving my opinion after that.

"The dark side is loud and obvious like a big, mean Gamorrean kicking you in the head over and over. But the light side, the light side of the Force is just a whisper in the back of your mind."

In my opinion, Jedi Bob's quote really shows about how violent and visceral the dark side could be to the person who hears it, against the gentleness of the light side but harder to hear if you don't feel balanced enough. Something that the Jedi could understand. Ignoring the loud and brutal darkness and let the light to comfort and guide them. And it's up to each person to decide which sound to follow. What do you think about this quote?

I don't hate it, I can kind-of see what it's getting at here, but it's not quite how I see the Force working.

I also don't really love "the light side" as a thing, it didn't used to exist in Star Wars at all when Lucas was in charge, and I think it's confused some of what the worldbuilding of Star Wars actually is. Balance and "the light side" are, in effect, the exact same thing. So I don't think that "the light side" LEADS to balance, that's not how it works. Darkness is a thing and it's always there, in everyone and everything, but balance isn't "light," it's just choosing to acknowledge darkness and reject it. That's what balance IS.

So I don't see "the light side" as a whisper, because balance is a CHOICE, it's active. Things happen to you that are outside of your control, but how you choose to react to them is up to you. Your ability to remain balanced and reject darkness in yourself will always have to be your own choice to make. Balance is about standing firm on the stormiest seas or planting your feet against the strongest winds. That's not a whisper at all, that's a very strong, loud, intentional choice that you make in the face of everyone and everything trying to tear you down.

Balance is Obi-Wan living through the death and destruction of everyone and everything he knows and loves and remaining kind and compassionate afterwards. Balance is living in isolation in the desert for twenty years and surviving on pure hope and faith in a better future.

Whereas darkness can often creep up on you. It's temptation. It's that little whisper in your head that tells you that it's okay to let yourself be selfish just this once, it's the voice that convinces you that you're doing the right thing even if it hurts people. Darkness is the desire for just one more every time.

Darkness is Palpatine quietly dripping poison into Anakin's ears for a decade, slowly driving a wedge between Anakin and the Jedi, eroding Anakin's compassion bit by bit and encouraging his selfish tendencies, convincing him each time that it was for the best no matter what the consequences were and surely doing it just once more couldn't hurt.

As Yoda tells Luke, using the dark side is easier and faster, but it is NOT stronger than using the Force the way it's intended to be used. Using the dark side is like building a house that isn't up to safety codes and so the first time a storm hits, everything falls apart. You got a house a lot faster and with a lot less effort, sure, but it was pretty weak in the long run and now you don't have a house anymore. Whereas if you'd taken the time to give the house a strong foundation and put the energy into making it safe, it would've stayed standing during that storm. Maybe it would've taken a little damage, but it wouldn't be GONE.

This metaphor seems to be more about what darkness and balance look like from the OUTSIDE, perhaps, but not the reality of them. The dark side (and the people who use it) can maybe look big and strong and loud, while balance (and those who achieve it) is perhaps less obvious and seems weaker because it doesn't always show immediate results. But the reality is, in fact, the exact opposite. Darkness doesn't just come in and kick you in the head once and now you're a bad guy; it comes up slowly day by day, choice by choice, until everything you used to be, everything you once loved, is gone. And balance might not give immediate results and it might seem weaker at the beginning, but it will stand the test of time and hold firm against whatever tries to break it down.

[radioapplerevue]

Hello!!! I was wondering if u had any radioapple headcanons? :)

Hello! I am... very sorry it took this long for me to reply. I saw the ask at work and then closed it to answer later, but once it was closed and out of my view then in my brain's opinion, it promptly ceased to exist.

Anyway my headcanons are a bit malleable depending on the situation/how they got together/the environment they're in/etc. But I'll try and jot down a few.

Alastor picks Lucifer up a lot. I mean look at him, he's tiny. Sometimes Alastor will have conversations with people with Lucifer slung over his shoulders, hanging from the crook of his elbow, or in the occasional princess carry. Alastor enjoys this because he thinks it's embarrassing for Lucifer. Lucifer enjoys this because he gets to be carried (even if he acts like it's embarrassing so Alastor will keep doing it).

Their coming together was slow, and started by them just learning to be in the same room without going for the throat. Eventually it turned into them talking, and then their chairs getting closer, and then Lucifer showing interest in one of Alastor's hobbies -- probably music. Because they are both overenthusiastic weirdos about their personal interests, and while Alastor doesn't share some of Lucifer's (the ducks, the circus, all things fruity and sweet, etc), Lucifer shares quite a few of Alastor's (music, dancing, cooking, disliking television, well tailored clothes, etc).

One of their favorite things to do is just hole up in a room in their respective spots and read. Their tastes in fiction don't always align, but they learn enough about the other's tastes that they can recognize what they might like when they come across it. Lucifer starts bringing Alastor books as gifts, and eventually Alastor starts to reciprocate, but only by leaving books in places that Lucifer is likely to run across them. If Lucifer tries to thank him, he'll disavow all knowledge.

Lucifer enjoys listening to Alastor's radio show.

Alastor enjoys listening to Lucifer sing.

Lucifer, as an angel, existed long before sex and gender were even things. Thus, he doesn't have any particular attachment to either. He's been in one form for ten thousand years because it's the one that Lilith (and later Charlie) knew, but he's fine with shifting it around as he pleases. Regarding sex, Lucifer enjoys it, but doesn't need it. If his partner isn't into it, then neither is he. What he desires isn't sex, but intimacy. He wants to be wanted, in whatever form that takes.

It takes a while before Alastor trusts Lucifer enough to even begin to allow any sort of sexual activities, but he quickly relaxes once it's proven that Lucifer will not only not force anything onto him, but will not expect anything of him, either. Lucifer will be just as happy if the night ends in a cuddle, or even just lying side by side and talking if Alastor's not up for that.

When they do start having sex, though they will play around with different dynamics as it suits them, Alastor tends to prefer letting Lucifer take the lead. Since his interest in sex is most often not the sex and more about being close to Lucifer and enjoying being the source of his pleasure, he doesn't feel any particular inclination to be the one making decisions. Plus, this way Lucifer has to do all the work, and Alastor's the center of attention the entire time. Why would he pass up on that?

Alastor doesn't feel like he's lacking any control when Lucifer leads in bed. There's a heady sort of power that comes from the knowledge that no matter what they're doing, no matter how close Lucifer is to climax, all it takes is one word or one unhappy noise from Alastor and Lucifer will stop completely. And if Alastor says so, then that's it for the night. He's tested it, in the early days when he was still skeptical, and Lucifer never complains, never pushes. (There's safety in this as well as power, but Alastor tries to think about that less.)

Lucifer, for his part, understands how much trust Alastor is showing in him by allowing himself to be that vulnerable. This makes him feel touched, honored, possessive and honestly, very protective. (Angel Dust has learned the hard way by now not to ask for details about how Alastor is in bed -- and it wasn't from Alastor. Lucifer will protect Alastor's vulnerabilities with his life).

I'm thrilled that fandom has run with the "Alastor's shadow is affectionate with Lucifer" idea, because it's one of my favorites. I also believe that his shadow is an extension of his own feelings, particularly the ones he hides behind his buttoned up exterior -- so when things start to get friendlier with Lucifer, the shadow shows Alastor's growing interest before Alastor himself does. And when they do get farther along... well. Good luck reining that thing in. (SHADOW RIGHTS)

When Charlie first found out, she thought it was a prank on their part in order to get them out of bonding exercises.

That's some of them! Hope that'll do!

[amesliu]

ok not to get sentimental or sappy on you but i just gotta say

as someone who is east asian and who views food and sharing food a huge part of my culture and my familial relations and like. a giant part of the idea of home and what being safe and loved is AND what sharing love and safety with others is, the way you illustrated the latest chapter genuinely made me cry.

it has been a very long time since ive really connected with my culture in that way because (unfortunately) living in the US as an asian american has majorly whitewashed me, and my mom is the only other asian person i have that is close to me, but seeing that portrayed in a comic strip that i read for fun and to feel like happy and unwind a little bit was ... idk it was really really really beautiful. and to see you confirm that that was what that scene was all about just...

yeah sorry lmao i just really appreciate it. and just phenomenal job because that chapter was BRILLIANT

aaaaah no this is so sweet. im so glad you could connect with it that way and i sooo get the disconnect with culture bc im to close with my parents and my partner isn't chinese but food culture is something you grow up with and it never leaves you i feel like and on top of that i feel like its both so individualized to the culture but also so universal.

i felt like it was so important to include it bc 1. i think it rlly pushes the sense of home and family (as u mention) even for ppl who aren't also asian and 2. i always talk about wasian sohae percy and i think i need to commit to and canonize it in sohae

i ended up picking hotpot as the meal bc of how much of like a communal meal it is and how easy it is to show different character dynamics (e.g. percy handing annabeth the cooked food, sally feeding percy and percy being exasperated but accepting of it in a 'mom im not a chiiiild anymore' way etc.). there's so many little social dynamics that happen in big group meals like hotpot from like setting the table for it, passing certain foods around, cooking and feeding for someone.

uh anyways that was a huge tangent but im so glad that that connected and its rlly special to me to be able to insert this into my story.

[lichfucker]

The idea for me Max to be the “wife” in treasure island only works if they remain miserable and constantly wanting different people but also…the familiar company keeps them going. They will outlive everyone but they’ll stop wanting too. They both made the choices that lead them here and now they can only stare at each other knowing it didn’t have to end this way.

Like I don’t know if it’s mean, but sometimes I think it cheapens the tragedy if like…Max ends her life happy. Like if anything, she needs her Jim Hawkins to be a clear sign of change but she can’t do it. And in the end, her and silver are still stuck clawing at surviving.

I know this fandom isn’t a musical one. But Max and Silver reminded me a lot of the songs in “Lempicka” especially “Here it Comes” and “In the Blasted California Sun.”

oh for sure. that situation on nassau we leave max in is NOT a stable one, not by any means, and it's only a few years after the end of the series that jack gets executed and anne disappears. I imagine that that's probably when max finally pulls the plug and flees to bristol.

I don't know if I'd say the tragedy is cheapened by max having that smug power shot overlooking the tavern. I think the tragedy is complicated by it. a pyrrhic victory, of sorts. yes, she got the thing she claimed to have wanted-- the image of a little girl in the muck peering through the window at the safety and warmth afforded to people Not Like Her-- but look at all that had to be destroyed to achieve it. how long can it possibly last? even with the reinforced backing of colonial rule, not nearly so ephemeral as some independent pirate haven, this place is still just sand. it still cannot love her back. other people have articulated this point better than I can right now.

also when I said I like writing madi in bristol because I like tragedy and misery, that's not to say I think everyone would be fine and happy if max were there instead lmao. I just mean that the dynamic of two people who thought they loved each other once trying and failing to make a life in circumstances neither of them could ever have wanted is particularly compelling to me. like. for a few months in her mid-20s madi had Everything. she had a vision of the future that would see the world changed and her people freed; she had authority over a community who not just respected her but revered her; she had the good love of a good man. and ALL of that got eviscerated in an instant by that very same man, and now for the rest of her life if she wants to have a life at all she must be anchored to that man as she knows him less and less; is forced to leave her home and travel across an ocean where she scrapes a living servicing englishmen; will die long before the end of the transatlantic slave trade. how can she ever move on from silver's betrayal? how can she ever get over it? silver isn't over it. silver stays fixated on it for the rest of his life, too. silver names his parrot captain flint. silver goes back to skeleton island to find that fucking cache and when he finally gets his share he disappears just like he always dreamed of doing-- one big prize, and with it freedom-- and where does that leave madi? alone, in fucking bristol, running the spyglass, playing barmaid to white english sailors until she dies. and this, according to silver, is better than her having died in the war? what if her death had meant their victory? he still wants her to believe that THIS is preferable to that? that HE finds this preferable? still? does he even bother pretending he still loves her? does she believe he ever did anymore? did he ever tell her a single thing that's true? she cleans spilled beer off the floor. her father died a king. this is not what she wanted.

[sergle]

(re: sssniperwolf and jacksfilms) It's laughable that she escalated it that hard. Don't get me wrong, I'm pretty sure stalking him like that is illegal and it's terrifying regardless, but Jack said in a stream (can't remember which one) that he wasn't about bringing up past controversies of hers or cancelling. And now she shows up outside his house (wtf!!!). Like he was willing to only call her out for stealing and freebooting but she's gone and stalked him and Jack doesn't seem like the type of guy to take that shit. Actual WTF moment from her part. wild

omg long post below bc apparently I have opinions: YES!! THAT'S WHAT'S SO INCREDIBLE ABOUT THIS... Jack has been genuinely diligent about keeping things on-topic in his streams, and hasn't brought up any of her other Stuff, or anything Personal. Despite the fact that she kickstarted the whole thing by making it INCREDIBLY personal and attacking his physical appearance... His goal has been to call out and bring attention to content theft, and he's stuck with it. Dude's also cared about this for years, and she's not the first content thief he's criticized. He just hates the way that freebooting has become so accepted-- to the point where youtube praised her for "coming up with such creative video ideas"? Hey! Ew! Dude wasn't trying to get her cancelled though, there was no smear campaign of her character. He's been rallying to get her to CREDIT the creators that she relies on for all of her content. It would set a precedent for all other "react" channels on the platform for one of the biggest channels on youtube to actually give credit where credit is due. Or, god forbid, get permission first? It's not hard. It's already done the job of making some other people who do "react content" self-analyze whether or not their content is transformative, and to maybe care about crediting the creators they rely on for their genre to work. There is a way to make this kind of video that isn't so slimy. And making fun of her lackluster-at-best reactions is so far from even being a big deal. Bc she literally does just sit there and say nothing. Plus, his goal has a clear End built into it: if she started shouting out the creators she takes content from, and put links directly to their pages in her video descriptions, the job would be done! That's what he's asking her to do. Real bare minimum stuff. It legit would have been easy to steer away from the content theft and to also talk about her history of lying to her audience! her ghosting a dying kid with cancer who was a big fan of hers! the fact that she's been arrested for armed robbery! her history of transphobia! He would also get more clicks that way, which is what she claims is his sole goal- to get more clicks. I'll bring it up though! She's been a terrible person the whole time, and has kept a steady course of manipulating her audience of young children and/or, let's be completely honest, simps- into thinking that she's a Wholesome creator. (And now, into thinking she's an innocent victim.) All of the actual effort put in by her has gone toward optics, not the content she puts out. A carefully constructed online persona, for one, but also literal appearances. Jack totally can't say this, bc she already went off the handle and said the only reason he doesn't like her is bc he Hates To See A Woman Be Successful. But I can! That was a cheap shot for her to use that argument when, for once, it's not applicable! Much the opposite, even! Dudes online wouldn't go to bat for her if she didn't look the way she does. And it weakens any case she'd have against him by making baseless claims like that. She banks hugely on being an attractive woman to get her clicks/following. A massive amount of effort is put into her appearance. The makeup, the lip fillers, putting her hair in little pigtails, the chokers and tube tops, the big non-prescription Nerd Glasses, the thumbnails where she has her mouth open in That Expression?

I don't even have to say anything. But making a weird facial expression and putting your hair in pigtails aren't moral failings. Showing up at someone's real life home (whose address you shouldn't even have access to), filming the front of their house at night, doxxing them to your audience of millions of people? Because you were mad at them online? That is fully scary! Yeah girl I'm pretty sure that Jack can press charges! There is absolutely no way to take the moral highground now that she's literally stalked him, and doxxed his home. She tried to goad him and Erin (Jack's wife) out of the house, also, which creeps me out even more-- because what was she planning to do? The fact that she's been arrested for violent crime before does pop into my mind! lmao! Jack was streaming a game at the time that she was outside his home, and these clips of him, his friends, and Erin reacting in real time to what is genuinely a scary situation have been taken down in case he needs to use them in legal action. Shit is legitimately serious!

[worstloki]

there is a difference between being born to a throne, maliciously vying for a throne, stealing a throne, and having a throne thrust upon you when you are already in the midst of an identity crisis. And I fear Loki's place in the line of succession has people unable to differentiate between any of these