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serpentface · 21 days ago

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Etadinii priest (cult of Inyamache) standing near the serpent stone, a megalithic structure predating any historical record. Contrary to first impressions and occasional jesting, this is almost definitely not a giant penis (though Some level of symbolic phallic intent is possible), and was probably shaped to cast a long shadow resembling the head and neck of a snake.

Its location is within the present-day province of Wardin adjacent to the city Jaesai, close to the border of Ephennos. A temple to Inyamache was built around it three centuries ago and greatly expanded within the past century, though the stone and the majority of the associated site remains intact.

It is most likely at least couple thousand years old, long predating the written record and having only hazy and conflicting accounts in different oral histories. Most of its original features have been worn away by erosion, but petrogylphs of a snake and rows of scimitar deer (locally extinct or possibly never extant in this area), gazelle, and aurochs remain visible (and may have been re-carved at various points in history), and there are traces of concentric rings at the 'head'. 21st century level analysis would also find traces of ochre within the lines of the petroglyphs, which were painted and repainted red for at least a couple centuries after its creation.

This is the largest single prehistoric megalithic structure located within present day Imperial Wardin (unless burial cairns constructed over slab tombs are counted) and its existence is very technically impressive, especially given the nearest possible quarry is about 50 miles away. The builders of the site were almost certainly a fairly small society of nomadic pastoralists, so the diversion of time and manpower to the quarrying and movement of this stone (and others on the site) would have been absolutely exceptional. Most similar structures from the era are significantly smaller (about human height) and found closer to quarry sources.

The stone is part of a larger site that was mostly or entirely constructed in the same period. It stands adjacent to a shallow, rounded manmade pit buffered from erosion with brick walls, encircled by smaller horizontal slabs. A single circular slab is placed in the center, which is currently referred to as the sun stone. A nearby arroyo also shows signs of modification from the same period (beyond typical redirections for irrigation), diverting any potential floodwaters away from the site to prevent inundation of the pit.

The primary purpose of this stone and the site itself is recording the winter solstice. During the solstice sunset, the snake's cast shadow approaches and perfectly engulfs the circular slab at the center, appearing to devour it. The notion that the sun is eaten by a snake (either on the winter solstice, during total eclipses, or both) appears to have been a common thread in religious belief in the region. This notion is no longer held in the Wardi sphere (the night of the solstice is the sun's yearly death and total eclipses are a concerning premature and unnatural death) but still has linguistic traces, particularly in the word for total solar eclipses being a compound form of the phrase 'swallowed sun'.

Ownership of the site has changed hands numerous times over its history, but it has been in near-continuous use by all its owners as a place to observe the winter solstice and perform related rites. Virtually all proto-Wardi monotheist animist worldviews cast the sun (or sun + sky) as God and/or the source from which all beings emanate, and most considered the winter solstice to be an exceptionally significant (and potentially dangerous) moment in the year, as the time of the sun's dying and subsequent rebirth.

Within the faith of the 7-faced god, veneration of God has shifted to focus more upon the earth (with the sun as an Extension of the earth, all parts of God's body) but the winter solstice still retains extreme religious significance- it's used in part to determine the date of the new year (which occurs on the first new Nyaram moon on or after the solstice), and is still recognized as the moment of the sun's death.

The state cult of Inyamache currently maintains this site as part of the temple grounds and uses it to measure the winter solstice in the same capacity it has for millennia, using the total engulfment of the sun stone as the signal to begin their most important rites of the year. It is understood that it's at least Possible that the sun could fail to rise the next morning if proper action is not taken to ensure its rebirth.

The serpent stone stands in contrast to the brightly plastered and painted temple (and the other prehistoric slabs on-site that have received this treatment) in remaining unaltered in the modern era. The state cult holds that the serpent stone and its associated site was created by the first men, and considers the location and the serpent stone itself to be sacred and regulated by taboo. The only people permitted to enter the site and touch the stone are Etadinii priests (who cleanse it with water once per solar month). Solar eclipses (and subsequent misfortunes attributed to them) are occasionally blamed on trespassers.

#It looks a Little less phallic in context because half of the structure (the face visible here) is flat.#The reason you can tell that it's Not specifically intended to be a phallus (unless there were wildly different attitudes #towards depictions of genitalia here 2000+ years ago) is the fact that they would have absolutely zero hesitation in making it unambiguous #It would be much less pointy #Going into the highly visible traces of prehistory here. The big ones are pathway slabs + astronomical megaliths + lots of burial #cairn mounds. There's also some cave art and TONS of petroglyphs but modern day Wardi peoples also carve petrogylphs #for ritual or magical purposes and/or for fun so it can be difficult to distinguish very old ones from contemporary ones #Some Chenahyeigi speaking peoples have contemporary cave-art producing cultural practices (besides just For Fun) in veneration of #the goddess Od (who is usually considered to live underground) and as sympathetic magic to encourage the earth #to produce crops and sustain their livestock/wild game #The Cholemdinae people is the only one that still produces standing stones as a Practice (though usually MUCH smaller and #acquired close to the placement site) as trail markers and they maintain some of their own astrological sites #Also just note I retcon stuff A Lot as a matter of better fleshing out concepts and figuring out things don't work/would work better in #different ways so if you see me contradict myself just assume the newer information I give is the current canon #There's a couple retcons in here dropping for the first time I Think irt new years

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coddda · 11 months ago

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Hiiiiiii. Episode 25/26 lawlight analysis rant thingy here. I don't know how to write an intro for this so let's just get to it LOL

I think one of the reasons that the rain/foot scenes stick out so much (the. Sheer insanity of a Foot Massage Scene in an anime revolving around two guys trying to kill each other aside 💀) is the fact that the anime specifically suffers a bit in terms of adapting a few of the "emotional" moments in death note.

And I don't mean "emotionally impactful" exactly. For example I think the adaptations of scenes like Raye and Naomi's deaths were very impactful and the atmospheres of their final scenes were great, but I mean more from a characterization standpoint (if that makes sense). Being more focused on mind and logic games, Death Note as a whole isn't as invested in individual characters' deeper feelings as it is in its action (which isn't necessarily a criticism per say, it's simply part of the nature of a mystery thriller series). But just because they're fewer and farther between doesn't mean there are none at all. In the manga we do get to see, for example, how much Light actually cared for his family and especially Sayu, and how he actually felt more conflicted and suffered lack of sleep/appetite when he first used the Death Note.

The anime specifically as an adaptation is pretty good at adapting the main mind fuckery and action of Death Note, but its lacking in properly adapting scenes like the ones I mentioned above is a criticism I see somewhat often, and it's pretty fair imo. Compared to all the other adaptations, it certainly seems to fall short on an emotional level: the musical has entire songs going in depth about the characters feelings and relationships, the 2015 jdrama is. Insane and has its emotional moments in spades (because it's a TV drama, which are more focused on portraying emotional conflict and the like), even the 2006 movies has its emotional beats and L Change the WorLd is. Well. Oh Man.

Anime Light to a lot of people is like. Light but he's "already evil" (which I have my own thoughts on but I digress). Light but after using the Death Note for like 2 minutes he's already like "fuck yeah time to kill criminals". Basically the anime doesn't take as much time to delve into his less cynical sides or really delve into his already vague and harder to decipher feelings in general, he is noticeably colder from the get-go here, etc.

But that's part of why I think episode 25 manages to stand out so much tonally (apart from it being, y'know, the episode L literally Dies). I love the episode so much and could probably rant for hours about how much I love the artistic choices made in it but what I'm trying to get at here is that it's one of the very few moments where the show tries to go deeper into specific character's emotions, and one of the very few moments where the show Attempts (emphasis on "attempts" because, well, you'll see in a bit) to get more in-depth into Light's feelings apart from his cynicism/apathy/justice. ness.

L in these two scenes in episode 25 is, well, pretty damn open about how he feels. It's usually interpreted as him knowing that he's going to die, and you can see it. He visibly looks/sounds lost, somber, etc. He never really had much to hide around Light to begin with (since he doesn't really care about hiding himself the same way Light does) but especially not now and it Shows, and I personally thought it was pretty cool to delve into his thoughts/show how he feels this way. The somberness can be felt throughout the entire scene, even people who don't already know the plot of Death Note from the manga could probably tell that he's about to die.

In the manga, once L starts suspecting Misa again and Rem realizes what Light is trying to do, it goes straight to Watari and L's deaths, but the anime instead gives a distinct and unexpected pause in the middle of this where L contemplates his own death. It's fucking great, and the shift from straight action to slower emotional weight makes these scenes stand out a lot, since, like I said, the show usually focuses more on the former. But it's kind of ironic, too.

Not only does the anime open up L's feelings more in these scenes, but it also tries to dig deeper into Light's feelings as well through L. And it's really funny honestly because while, yes, these are the more "emotionally open" scenes of the anime Light still manages to be Incredibly avoidant and contribute almost nothing to the entire ordeal.

L is visibly upset -> "Yeah Ryuzaki, you're not making any sense at all" (Not addressing the obvious conflict from L)

"Tell me, Light. From the moment you were born, has there ever been a point where you've actually told the truth?" -> "[The most stale, over-explained, avoidant answer to a "yes/no" question that you could ever hear + blatant attempts to reframe the question]"

(L's half-smile here kills me) "I had a feeling you'd say something like that" -> [Nothing]

"I'm sorry" -> [Nothing]

"It'll be lonely won't it? You and I will be parting ways soon" -> [Nothing]

^ From this point Light continues to say literally Nothing for the rest of the scene. I'm not even joking, from then on the rest of Light's voicelines are reduced to nothing but vague noises of confusion.

Everytime L calls Light out as a person ("Has there ever been a point where you've actually told the truth?" / "I had a feeling you'd say something like that." / "Won't it be lonely?") he doesn't actually acknowledge anything. Out of those three lines, he only answers verbally to if he's ever told the truth, and even then it's the most blatantly people-pleasing answer ever, as it usually is with Light. And I don't think it's because Light just. Doesn't care about any of what L's saying at all, or that he doesn't know what the hell he's talking about (questioning Light's authenticity as a person, saying it would be lonely when they part), instead he's choosing not to acknowledge any of what this means about himself or him and L at all. He's like a fucking wall.

And like, for the truth question in particular, the show makes sure that you know it's not something that Light just. Doesn't care enough about to answer. The hard cuts to silence are a very rare but extremely effective way that the show conveys an extremely important moment (see: Light regaining his memories, Matsuda noticing Light opening the warehouse door before he escapes (not as much of a "direct" cut to silence but still)), and cuts to multiple angles/framings/zooms of the exact same shot are also used for the same purpose (see: Light hugging Misa when she was crying, Matsuda aiming his gun to shoot Light, Light regaining his memories Again). Just like the scene where Light gets his memories back, the moment L's question finishes the show utilizes both. That question cut Deep. There's is a solid Almost 5 seconds of silence before the sound of the rain gradually starts fading back in, and honestly that should be telling enough as is (but of course Light doesn't actually admit that. Or anything at all really, so). Oh also another fun detail! We do not see Light's face At All (except for the shot where you can see his mouth moving but not his eyes), for the Entire time that he's going on his spiel to L. We Will Be Revisiting This Later, by the way. This is not, in fact, the first time you're going to see this detail from Light.

The only sort of reciprocation that we see from Light during Any of these two scenes is when Light dries L's hair while L dries his feet. Biblical meanings/references aside it's interesting because it's the only time he directly does anything "for" L in these scenes, but even then he doesn't try to pass it off as anything meaningful really the same way L does ("You're still soaked", a purely neutral and factual statement. It doesn't Add Anything compared to L's. Sin atonement loneliness grieving stuff. While Light is showing his own reciprocation to this more personal moment he also tries to keep it impersonal enough that it doesn't actually have to mean anything deep). And when L says "I'm sorry" after he once again gets no response from Light. It's also after this that L gets that pained look on his face, like he knows that at this point he's not actually going to get anything meaningful from Light (again, very significant and rare from L in the show. We've seen him in distress (see: when Ukita died, hell, when Watari dies), but even then he mostly manages to keep his usually neutral expression), we never see him "look sad" like he does here):

I just think it's interesting that this is one of the few scenes in this particular adaptation of Death Note where they try to open up the character's thoughts/feeling (especially considering the fact that they. lowkey blunder in adaptations of original scenes from the manga), and L himself is being rather open (not that he ever really tries to hide what he thinks nearly as much as Light), and yet all Light contributes to it in return is like. Actually nothing. Bro fumbled it. There is no resolution to any of this, to any of what L asks at all, to any of the many opportunities for a meaningful conversation, and the only thing even relatively close to an answer that you can get from Light is what you can infer from how he acts in the episode after L dies, where he's just going through the motions, but hardly acting as if he's actually living at all.

(Honestly I think the transition from this scene with the taskforce to the subsequent scene with Misa says enough on its own. Light's expressions and tone says everything:)

(Oh sidenote but. This shit again:

"Light, this is our first date in forever. can't you enjoy yourself a little more?" ('Why don't you seem happy? We can finally be together since L is dead') -> No response, Light instead changing the topic to him wanting to move in with Misa without changing his mannerisms at all

Also there's that one detail again. You pretty much don't see Light's expression when he speaks here at all, except for one shot of his eyes, which is quite literally the exact same shot they used when he "saw" L, just altered for the new setting. You have No idea what he looks like when he's responding to Misa, although it's probably fair to assume that it's the same empty stare he has for the whole Two Shots where you can clearly see his whole expression in the entire scene.

Something something Light Yagami bad at feelings I think you get the point though)

I guess Light's Kind of showing what he's feeling now? He'll admit to himself that it's boring without L, but no more than that. Light never actually admits to anything "significant", and L's dead already anyway, so what would that even do?

And then we get, uh. Basically nothing from Light. For the next 5 Years. Except that he joined the NPA, so, uh, yay? Good job, Light you totally nailed it! Thank you for allowing us as an audience to delve deeper into your inner thoughts and feelings as a character so we can find out more about you as a person! Very helpful! Thank you for not sabotaging one of your few dedicated opportunities to look into yourself as a person and reflect on your relationships with others and being 100% honest with yourself! We stay winning guys.

Anyway, this got way too long for a scene that's over a decade old, and I've probably just said everything that everyone else has already said in this fandom before. But unfortunately this has been living in my head for way too long and I must scream. I just think this episode's neat is all :)

tl;dr Part of the reason why the rain/foot scene (tbh episode 25 in General) stands out so much is because the Death Note anime specifically was a bit robbed in terms of its more emotional character moments compared to the other medias, which makes more somber/introspective scenes like the ones in episode 25 stand out a Lot in comparison. But it's also incredibly ironic because it's one of the few moments where the show (or specifically L) tries to look deeper into Light's character, but because he is so avoidant for the entire duration of these two scenes he adds basically nothing at all. It's almost funny. Mostly sad. It's also very gay. Aand post

Okay actually nevermind one more thing I talked about how the jdrama is supposed to be more emotionally in-depth because it is a TV Drama and just for the record, same thing happens there! I could probably do an entire analysis of the Blue Scene in this context like I did with episode 25 but I'd literally be here forever, so uh, just take this iconic line as my main example:

Same Thing. L's statement "I wish we could have met some other way" is personal. It's his own wish, his own regret that he is expressing to Light. While Light's reply obviously has that same regret implied it's also phrased in a specifically impersonal way. It's closed off. "This is the only way we could have met" it closes off the topic and simply renders L's wish as ultimately futile. Light does not say that he Also wishes he could have met L a different way even if it was likely impossible, instead it's a cold statement of cynical fact.

Idk just. Something something L being able and Willing to be more openly sentimental/emotionally open towards Light/about Light vs. Light's inability to be honest with anyone including himself and his own nature preventing any form of meaningful reciprocation. Something something self-sabotage, y'know the drill. God don't even get me Started on how sincere L's tone is when he says "It'll be lonely won't it?"(at least in the eng dub) in the anime I could talk about his tone in that scene for ages. Also yes all of this relates to L Change the WorLd too by the way. Don't ask how it just does okay.

I do think that scenes like these (rain/foot scene, The Blue Scene. Uh. L Change the WorLd The Novel Adaptation) show, at least in those adaptations, that L does genuinely care for Light, and show that he values him as a friend not just in the mindgame-equal sense but also just like, a more sincere sense you know. Idk if that made any sense and that's a whole other topic for another day but you guys just have to believe me on this one alright please please believe me buries head in hands. Okay post over finally thanks for coming to my tedtalk hope you enjoyed my very-unnecessarily long analysis of the week

#death note #dn #light yagami #l lawliet #lawlight #death note anime #coda analyzes stuff #sorry this is all very scattered and probably doesn't make sense i wrote this on a whim one day and then the post had a mind of its own #this was originally gonna be shorter but then light yagami (derogatory) happened #it was so difficult to avoid going on 27450438 different tangents i love this series btw #you know my post about LCtW parallels with Light post L's death. yeah pretend i copy pasted that whole analysis here too #it also applies and is very relevant #death note multiverse my beloved i will love you forever #i just ran this through a word counter 1K+ word rant about these scenes. in 2024. God i'm Cooked #^ LMAOOOOOOOO (laughs in ~2.5K wordcount weeks later at the time of finally finishing writing this) god I Hate it here #also sorry i havent been posting a lot of art lately i'm busy and i've decided to save up all my Art Energy for lawlight week #so i've just been finishing off and posting analysis that have been floating in my drafts.lawlight stp au parallels/notes are probably next #sorry not sorry </3

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