#those panels do imply she’s probably dead

[lavenderjewels]

this was the most evil thing that’s ever happened in jjk

[siflshonen]

I’d love to interpret bkdk as romantic but I will be honest, it is difficult to do when a het ship is being hinted at more explicitly. I’m still glad Horikoshi did not include a full-on confession though. We can do what we want in fics without having to rework canon.

Love your posts, thank you for your wonderful insights into bkdk. Your meta is always well-done.

I know this ask was originally meant for someone else, and you’re absolutely right that bakuhatsufallinlove does fantastic meta. You’re very wise to see how great of a job they do and it’s kind of you to say so. It’s also very kind of you to read my posts.

I’m about to not be quite so kind.

I hate Izuocha. And I’m annoyed by the insinuation that Ochako breaking down in tears over Himiko to Izuku - her big moment of bearing her emotions out in the open to him - is seen as an endgame romance, especially since the only other detail we have to go off of is Ochako smiling at Izuku in their hero suits when Todoroki is kinda doing the same thing, AND when I should DAMN WELL hope Ochako and Izuku are still friends and looking out for each other, especially since they bonded over the traumatic deaths of those they failed to save.

I’m insulted that Ochako’s confessions to Himiko are disregarded like that, or the tumultuous chaos she grapples with in her heart is brushed aside. I’m insulted by the insinuation that Ochako’s known love of seeing happy, smiling people is not acknowledged and instead her expressing joy over seeing that on Izuku’s face is painted over as being implied, for-sure romantic endgame. Maybe it is, sure. Anything is possible. I’m sure Himiko wants the best for Ochako and for her to be happy, and would probably think it was romantic that her feelings also reached Izuku by way of Ochako as being someone they mutually loved.

But Himiko is dead and it ripped Ochako apart, and her reaction to that is the last in-depth look we get at her feelings. Izuku recognizing that Ochako is a hero in her own right (not a heroine, aka a damsel for the hero to save and then end up with romantically per Japanese storytelling roles, not just “a female hero” like we think of it in English) is gratifying and wonderful. And I’m insulted by the insinuation that just because Izuku acknowledges that Ochako is and has been his hero and always saved him that this must mean that they are implied to be the romantic endgame. God forbid they mutually admire each other and respect each other and the story just ends there, and god forbid Izuku calling her his hero sends a totally different message.

Now, as for Katsuki. You cannot tell me that he doesn’t have some kind of deep feelings for Izuku. @bakuhatsufallinlove has posted extensively about unspoken feelings with a likewise unspoken understanding are common for Japanese romances, but I’ll admit I’m not here to talk about that.

Do you really want to tell me that Horikoshi-sensei allowing Katsuki and Izuku to keep their arms and have an implied handhold at the end doesn’t mean as much as whatever the fuck Ochako is doing in the final panel?

In Naruto, which BNHA takes many cues from, Sasuke and Naruto had their arms ripped off because the editor didn’t approve of the two of them holding hands in panel. Apparently, that’s too romantic and inappropriate for the male leads of a shonen. Given that, how interesting that the doctor recommended that Katsuki’s hand-holding arm be amputated. How interesting that Katsuki refuses. How interesting that Katsuki refuses while thinking not just of All Might, probably not really of All Might, but Izuku. How interesting that Izuku also keeps both arms, and we as readers are very certain they held hands even if it is not shown.

How interesting that Katsuki is not just the heart of Izuku’s mech suit project (and, in some respects, of the class,) but of Izuku’s image of victory, Izuku’s “Pro Hero with a quirk” origin, the heart of what he believes a real hero is like, and the literal actual heart of what he wanted to defend from ShigAFO multiple times over. How interesting that Katsuki’s story is in part him learning how to not be a burden to Izuku or used against him like, say, a heroine-damsel-in-distress might be used, AND it is also in part him learning to come to terms with his feelings for Izuku. In fact, we spend basically the whole manga dwelling on this with him. It’s that important that he reconciled Izuku with his heart and desires.

Izuku, who is so tearfully happy that Katsuki wants to be with him for the rest of their lives in whatever form that takes, even when they weren’t sure he was going to have a quirk and be able to be Katsuki’s superhero rival. Izuku, who is so happy to be with Kacchan and the class as a hero again, in part BECAUSE it is with Kacchan………….and everyone else on the next page.

Nothing is for sure. Nobody kissed or got married or whatever, sure. But you really want to tell me Izuocha is more heavily implied based on the ending?

Thanks for the ask. I’m sorry you feel that way. Get off my lawn.

[huiyi07]

GENSHIN MANGA SPOILERS! but honestly if you haven’t read it by now it’s your fault alone

So why did Kaeya initially try to hurt Collei?

The obvious answer- he was trying to defend Mondstadt, Collei was a very suspicious figure at the time, and he knew that being aggressive towards her would probably draw out her hidden powers and reveal herself as the culprit of the Black Fire incident.

But there’s more to it than that.

Kaeya canonically loves, LOVES kids. He adores them- there’s lots of times in the game where he talks about how precious childhood is and how he wants to protect the purity of childhood dreams for as long as possible before kids have to grow up and face the real world (kinda similar to Childe). In 3.8, it shows how he is literally willing to do anything to protect a child- Klee, when he literally throws aside his own sibling issues in order to shield Klee from being exposed to the same thing and scolds a couple of bickering brothers for upsetting her.

Additionally, there’s his whole thing with Mika and how he’s basically a big brother figure to the entirety of Mondstadt’s population under 17. The highly implied bond between Bennett, Razor, Fischl and him, even.

Anyway this whole aspect of his character obviously stems from his own childhood and how tainted it was by his hidden identity, so like he probably doesn’t want any other kids to have to go through such hardship especially while they’re still young.

So if he loves kids so much, and wants to protect them so badly, why did he not hesitate to become a full blown villain against Collei, literally wounding an innocent 12-year old girl?

Because he sees himself in her.

Collei hates herself (or at least she used to LOL). She hates the burden (her powers) that was forced upon her from a young age, and those powers inevitably label her as a bad person, one who can harness evil powers to kill And hurt and whatever. It makes her feel like she has no real control over herself, and that she has no self-identity- she doesn’t think of herself as a regular person, instead a monster. And she hates, hates, hates herself for it, but she shoves all of it down under a mask.

Sound familiar to a certain cavalry captain?

That’s why Kaeya didnt hesitate to Go after her. He knows her too well, knows that she’s hiding her true identity under a well-crafted face, that there’s something evil and dark in her- because that’s exactly who he was as a kid.

But then this panel happens.

Collei, evidently so tired of living such a torn life, gives up and offers her life to Kaeya just so that the torment can end, which stops Kaeya in his tracks, because that’s when she reminds him off himself just a little too much.

Kaeya, so caught up in her uncontrollable evil, forgets that she’s just a child, one who never should’ve been forced to deal with such a thing, and certainly not want to die because of it.

That’s exactly what happens internally to him, as well. Over the years, Kaeya internalized being a traitor so much, that often he convinces himself that he’s truly not a good person. Yes, he acknowledges that it’s really not his fault, but that still gets lost and it shows through when Kaeya shows us how willing he is to get himself harmed- because of his self hatred, he places so little value in his own wellbeing and his own life, because he thinks that all harm that comes to him is deserved and that it’s better off if he’s dead anyway so that he doesn’t have to deal with being torn apart every day.

No I’m not making this up, it’s in how he literally covers for Diluc all the time and risks himself in the process, and how Adelinde told us about that one time Kaeya literally took Diluc’s punishment for himself when they snuck into the wine cellars. There’s lots of times, even throughout in the game where Kaeya tries to convince us he’s not a good person- he quite literally says that, at some point.

Only when Collei shows that she’s in the exact same position does Kaeya realize what he’s doing and stops himself. Only then does he remember how painful and hard it really is, and he ends up helping to save Collei and removing her powers, because that’s one burden he can help take off, unlike his own.

Idk man for me the Kaeya vs Collei fight (I like to call it the chapter where collei gave us the hottest panel of Kaeya choking ever) told a story about Kaeya’s internalizations, too, and his own-self hatred and how deep it really goes. BRB CRYING

[ronearoundblindly]

Hideout (3.1)

touch-starved!Nomad Steve Rogers x motel employee!Reader

Sensitive Boy, part I (see previous or series)

Summary: Steve surprises you with help at the perfect time.

Warnings for light smut (I have to split this chapter or it's just suddenly twice as long as the last, but really there's just massage and an implied orgasm in this half. You know me: too many feels and too much development...) MINORS DNI. This series is 18+ only. If you are underage or simply enjoy lighter content, there is plenty for you to read on my Light Masterlist, but this post is not for you! WC 3.2k

With so much on your mind, scaring the crap out of you is not difficult, so his strong hands hold you upright.

“Don’t do that,” you shriek, barely glancing at Steve’s face. You startled so suddenly your housekeeping cart is left rolling away at a snail’s pace.

“Sorry, I—“ long arms abandon you and reach to stop the bin “—it said on your website you were closed for renovations, and…”

You look him up and down. You were sure after he left two months ago that you’d never see him again. You’d gone too far. You’d pushed him too hard. He wasn’t ready.

Steve adjusts the strap over his shoulder. “I thought maybe I could help out…if you want?”

The last guests checked out a half-hour ago, and you readied to spend the whole week meticulously refreshing each room with your parents. The list of what needs done, however, doesn’t only include the motel. There’s a bunch you all had let slide up at the house. Help would…be extremely helpful actually.

Steve pulls a paper bag out of his knapsack. “Or I brought you some lunch if you just want a break or something.”

“It’s okay,” you rush out. “More than okay. Thank you, yes. We’d love—I’d love that.”

No one else can know it’s him-him there though. You’ll have to think of a way to keep your parents and St-‘Grant’ as far apart as possible, and how long you can manage that is…questionable.

If Steve’s not worried though, you’re okay.

Turns out, keeping your family up at the house is easy. Your mom shouts down the phone with relief that she can tackle the fridge, and you hear your dad mumble something about ‘the garage in daylight.’ You can enjoy a sandwich in the office with Steve in peace, explaining what all needs done before the electricians show up Friday afternoon.

The closure hasn’t been planned for a long time—not even before Steve and ‘Tom’s’ last visit—hence why you just painted Room 8, 5, 2, and 1 since March, but doing all those is how you and your parents really noticed that the light fixtures from the ‘90s were not only dated but very worn and that the same color layered over and over again for twenty years was, well, getting old.

Warmer months are better for the work. Pipes won’t freeze while you air out paint fumes, etc. The week after the gigantic, city festivities of Independence Day is notoriously dead. Since there were no reservations this stretch as of April, the family jumped at the chance to fix it all in one big, daunting go.

Saying you’d looked forward to this is a wild overstatement. You’ll be glad when it’s finished, and that’s the bulk of your excitement.

With his assistance though? Hope soars.

Steve will help you take down the sconces, the hanging lamps, and the panels above the vanities, then you both can—

“Where’s the paint?”

He’s very intense with the gameplan. Three guesses why.

“Dad’s gonna pick it up today. Probably. I’ll text him.” You whip out your cell again. “We didn’t think we’d get that far by evening.”

Steve nods.

“We also need to move all the furniture away from the walls and drape plastic to protect the carpet. Oh, and put tape along the trim and doorframes, ya know.”

Steve nods again. He wads up the wrapping from his sandwich and casually asks, “are all the doors open?”

You only just get your finger in the air to point at the desk.

“Master key is—“

But Steve is observant and has clocked everything about his surroundings each time he’s stayed, apparently. He stretches over to the wall beyond the counter, snatches the (correct) unmarked key, and heads out the door.

The service bell rings gently to emphasize the conversation is over.

All furniture in every room is pulled away by the time you finish sanitizing the one guest room he interrupted.

He asks where you keep the ladder, not that he’ll need it, but you will for reaching some of the lights.

You don’t know whether to be in awe of or exhausted by his efficiency.

He’s rigid and militant—go figure—until these few moments he suddenly can’t be.

As you toss plastic over the last bed to move, Steve yanks that sucker across the floor so fast, you roll off. His eyes are saucers as he apologizes, but you get the giggles and pick yourself up.

His fingers can’t separate thin layers of the plastic at one point, and he throws a minor fit until three rip apart together. Steve frowns at you and grumbles that he’s only ever used cloth for this before. It seems to take everything in his power not to say “back in my day,” but you can read between the lines.

Years of crusted paint makes the removal of some fixtures tricky.

Steve rips out one stripped screw with needle nose pliers, squeaks in alarm at the hole left behind, and then quietly asks if you have patch paste.

You call your dad before he’s left to buy paint. He adds spackling to the list.

The closest Steve comes to telling you anything specifically about himself is when you struggle with a stuck bolt.

“Just a little trick I learned when I was—“ Steve wraps his big hand around yours to pull the wrench instead of push from the other direction “—smaller.” He huffs out a laugh, adding, “when I couldn’t, ya know, ‘put my weight into it’ because a feather could’a knocked me over.”

As you relish the simple contact of his fingers, you smile, too.

“Hmm. I heard you got into back alley scrapes.”

“If you heard that I won any of those, you were lied to.” He patiently waits for you to finish removing the bolt before he pries the aged metal and glass away from the old paint it’s stuck in. Steve sighs dramatically.

“Shoddy education these days…”

“I…” You tap his bicep with the claws of the wrench. “I can’t argue with that. We hear only what they tell us about…heroes.”

You should have known he’d shut down at that word, but it’s the truth. Even with him right in front of you, the only things you know about Steve Rogers are from books, newspapers, and the internet. At face value—looking directly into the face of this man—all of what you’ve been told is hogwash. It’s insufficient. It barely covers 1% of who this man is.

He teaches you tricks of the weak man’s trade because it helped him once, too. Today, he’s friendly. Not that he was unfriendly before, but Steve is so reserved he never reference the past, in general, i.e. that there was a past existence of like the planet much less him.

It’s the number one rule of Fight Club: you don’t talk about Fight Club.

If there was ever a real fight club, it’s the Avengers.

You have no official rules for what this is between you. You don’t have to to know that is the most important one. You do not talk about Fight Club. Steve isn’t afraid of silence, that much is clear, but he isn’t a fan. He tries—he is trying—to connect and relate. He can’t be a man of the people, however, if he can’t talk to the people. 

It’s important: connection. You know with every fiber of your being that Steve deserves it, but even with unlimited, super-human strength, he cannot get himself out from between this rock and that hard place.

You do not talk about Fight Club, especially when you’ve been kicked out of Fight Club.

Today, though, he’s a little different, a little softer. Perhaps it’s knowing there are no other people in the building, perhaps he is truly more comfortable with you, but either way, Steve is not flat or off-putting.

His organized persona, his focus on the work, his indirect interactions and practical touch; they all fit here while he has a project. It’s the closest he can be to his old self, maybe even his real self, without mentioning the past—the fighting past—at all.

“You’re really good company,” you tell Steve, “even when you make holes in the walls.”

He tilts his head down and blushes. He shrugs as he takes the sconce out to the dumpster. Although he didn’t say it, you hope this is okay.

Either way, you relish it. The help. The touch. The silence. All of it.

You relish Steve.

Your dad brings by the paint, spackling, and a surprise of pizza for dinner while Steve is taping the baseboards in a corner. You introduce ‘Grant’ from afar and haul the cans and boxes from the car to the room, cataloguing all you two have finished to this point and what you’ll do before stopping for the night.

Dad is impressed. He’d suspected the three of you—you, he, and Mom, that is—might settle for slapping some paint up around where the electrician would install the new lights. No one planned on getting this far in one evening.

He won’t stand in the way of progress, so your dad simply calls out, “bit of an artist, are ya?”

Steve looks up, confident with only the side table lamps plugged in, he can barely be seen. “Just want to be useful,” he mutters.

You wink at your dad as he heads back to the still-running car. “Grant is a jack of all trades.”

You’re sure to thank him for the food and let him know all the motel stuff is completely covered for tomorrow, too. You’ll work as late as you can and start as early as possible.

Dad says your friend has gone ‘above and beyond.’ You agree wholeheartedly.

‘Grant’ would more aptly be described as a machine.

All the furniture moved, all the lights taken down, all bordering taped, and now all blemishes in the walls smoothed, your impromptu contractor finally calls it quits when he’s forced to watch stuff dry.

You’ve kept the air conditioning going in one room.

Steve tentatively asks if he should walk you up to the house, but you counter with “it’s not any less dangerous for an average guy alone to return” and a cheeky smirk. Besides, it is very late. You let Captain OCD keep going; you tapped out a while ago.

He puts his hands on his hips, arms akimbo, thinking of a comeback that never manifests. After giving up, Steve takes his tiny bag into the bathroom and brushes his teeth.

You can faintly hear it over the murmur of the TV.

You aren’t really watching. It’s background noise to your general exhaustion.

With only a side lamp and the screen as light, Steve’s bare feet crumple over the discarded plastic sheet on the floor. He falls into one side of the bed, fully-clothed and (finally) tired.

Though productive, the day has been a distant one, working in different rooms for most of it and tiptoeing around real conversation. You want him to feel appreciated, not pressured, so you ask if he’d like the TV on for a while or would rather quiet.

Steve just grunts with his eyes closed.

Gently, you place a hand on his chest to steady you, leaning to kiss his bearded cheek.

“Thank you, Steve,” you say softly. “Good night.”

He hums when you say his name, and before you can lift your hand away, he captures it under his, holding you in place.

His eyes aren’t open. He can’t see you smile wider.

“Okay.” You tuck yourself into his chest as he raises his other arm out of the way. “Okay.”

Your ear sits in the dip beneath his collarbone, listening to his steady heart, his thumb sweeping back and forth over you knuckles.

He smushes you closer to his side. You toss your leg over his.

You forget to turn off the TV.

He’s sanding the spackled spots by the time you wake, so you rub across his back and dismiss yourself to get breakfast up at the house.

Steve makes no effort to go with, which is fine. You assumed as much.

Your dad calls Grant a ‘magician’ over the pop of oil in the skillet and insists you give your friend whatever he needs to keep working so fast. You are only half-joking when you admit the key is staying out of his way.

Bonus: the exchange reinforces your parents simply leaving the two of you alone down the hill, and you proudly tell Steve that when delivering him an enormous plate of scrambled eggs.

He jumps right back into planning-mode and orders you to roll the first coat of paint onto large areas. He’ll follow, completing the edges and corners.

It’s such a domestic thing to do. There is no one in danger, there are no bodies piling up if he makes a wrong move, and he can go faster or take his sweet time. Steve breaks when he wants or needs to. He sits outside and listens to the birds in the sunshine. No one is around to question him, not even you. You are only there to encourage.

You realize he was looking for a project. He’s used to—and likes—being busy, getting his hands dirty, producing results.

It’s a long, messy day where he becomes more serene in spirit the more intensely he works. You reward him with gentle sweeps of your hand down his arms, pats on his shoulders, and brushes at the small of his back.

Despite the almost constant movement, the day is over before you know it, earlier than yesterday, but it’s too hot to go on.

All the windows stay open to air out the fumes.

Though it won’t stop you from sweating, you both shower off as many splatters and flecks of paint as you can. You insist he goes first so there’s plenty of hot water.

He’s sitting on the bed, shirtless, checking his phone when you come out of the bathroom, but he immediately squirrel the device away in his small bag. Not much to carry around. Not much to leave behind. Steve can’t leave a trace of himself anywhere.

Hunched over and fatigued, he flashes a polite smile your way and blinks heavily.

He deserves the world.

You grab the small bottle of lotion from the countertop and playfully jump onto the bed behind him.

“How about a massage, yeah? You much be aching.”

Honestly, you don’t mean for it to sound sexual, but the phrase comes out downright dirty, making Steve awkwardly chuckle.

“You don’t have to,” he placates.

“Nonsense, I want to. It’ll make the air feel cooler.” That’s as good of an excuse as any. Who cares when the rippled expanse of his back flexes wildly in your touch?

His breathes are audible from the beginning.

You dig at his traps, his leg bouncing as he tries to relax. You use your thumbs, the flats of your hands, and your knuckles.

He shoves his fist in his mouth when he starts to moan, covering the move with a cough, but muffling the noise is abandoned in favor of clasping over his lap. He’s intent on hiding his hardness this time. There’s nothing you can say to truly lessen the sting of needing more. You can’t simply tell him he’s allowed to desire this; you have to ignore his misplaced shame.

But you can take pity on him.

“If you lie flat—“ you step off the bed to give him privacy “—I’ll have more leverage.”

You hear him crawl and adjust on the sheets. “Unlike the torque on a wrench,” you add, just to show you’ve been listening to him.

More lotion is needed for the surface area.

You turn up the TV, feining interest in the late night show so any noise he makes is not as obvious. What the speakers can’t cover, however, is Steve’s involuntary thrusts when you rub the heels of you palms up and down the sides of his spine. If you prop up on your knees, he has more range of motion and doesn’t obviously rock you while mindlessly humping the bed.

His sweats are slung low on his hips, two darts of muscle prominent above his ass.

They are irresistible, the perfect grooves to target and roll into, and he immediately mewls long and deep into the mattress, fingers curling and relaxing while his body seizes.

He hasn’t even finished coming, you think, before he taps at your leg and races to the bathroom.

You hope you didn’t push too far. You hope he’d tell you to stop if he needs more space, more time. Mostly, you hope he knows you’d give him every conceivable pleasure, just because he is him.

The water runs a long time, continuous splashing in the sink, and then nothing.

He didn’t bring much because he doesn’t have much. Your heart sinks, realizing you’ve made him soil one of only two pairs of pants he has here.

He cracks open the door, muttering, but you can’t make out the words.

You turn the volume back down. “What?”

“It pretty hot.” He clears his throat. “Would you mind if I sleep…without…?”

“Naked?” you squeak before composing yourself. “That’s fine. Whatever’s comfortable.”

You shuffle up the bed to click off the lamps. This man isn’t the type to strut around in the nude—yet, anyway—so in the faint and ever-shifting glow of the screen across the room very little can be seen.

‘Little,’ however, can’t describe anything that is visible about the man emerging from the bathroom.

You have to make a point not to stare, but no skit or commercial on the channel promises the same level of entertainment.

Steve slides himself beneath the sheet, sitting near the headboard.

You hold up the remote. “On or off?”

“Off,” he says, “please.”

You’ve certainly done enough for one day. You won’t push your luck, so you hit the power button, toss it on table, and snuggle into your half of the bed, facing away.

“If it’s too hot for any covers, that’s okay, too.”

A rustling interrupts the rhythmic whir of crickets in the night until you feel a warm hand lightly mold to your waist.

This should be encouraged. This should be rewarded.

“Hey, Stevie,” you whisper, waiting for his hum, “happy belated birthday.”

At most you expect a grip of notice, but instead, the big hand snakes across you and hauls you into his chest, his long legs bending to match the crook of yours, his nose and forehead tucked against your occipital.

“We did okay today,” Steve mumbles into your shirt.

You walk your hand over your stomach to find his, lacing the fingers together. “Yes. Yes, we did.”

Steve got to be useful today. He had a partner today. He will tomorrow and the day after, for as long as he stays, for as long as you’re alive. Nothing can change that.

Maybe he can’t talk about Fight Club, but he connects with you anyway.

A/N: Whoopsy. Didn't want to make y'all wait for a 6k+ chapter, so here's the first half! I am DEEP in the feels of this one. So, so many notes have been taken. The brainrot is real, and I fucking love it!!!!

[Next: Sensitive Boy, part II]

[Main Masterlist; Ko-Fi]

@supraveng @1950schick @patzammit @whiskeytangofoxtrot555 @yiiiikesmish @ashesofblackroses @jaqui-has-a-conspiracy-theory @brandycranby @buckysprettybaby @ellethespaceunicorn @rogersbarber @spectre-posts @bucky-fricking-barnes-reads @fallinallinmendes @deandreamernp @im-a-slut-for-fluff @fangirl-swagg @georgeweaslysgirl @austynparksandpizza  @claireelizabeth85 @jamneuromain @rach2602 @royalwritersoftheuniverses @shelbygeek @rogersideup @eyebagsanonymous @trudy-shams @saranghaey @awkwardgiraffe726 @marvelmenwhore @happinessinthebeing @before-we-get-started @sjsmith56 @esposadomd @cjand10 @yearningforsappho @mrsevans90

[riahlynn101]

MHA Chapter 97 Page 15

Amidst the rumors of Hisashi never being revealed to us, I wanted to bring this panel up again. I know that people, particularly those on Twitter, don’t care about Hisashi. Which is valid, especially with four chapters left, but this panel makes me extra curious about him. 

Some things that I notice about this panel

1. This entire monologue seems to be delivered in Inko’s head. Some evidence for this is:

Her speech bubble being a (….)

Nothing and no one else being in the individual panels. 

No one responding to her.

And it happening in the middle of a conversation with All Might and Izuku (though, this could be a conversation she’s having later on). 

2. Her face not being shown, so we can’t tell who or what she’s looking at. 

3. The fact that the words, ‘don’t look at me like that’ are by the panel where her face isn’t being shown. 

Adding more evidence that this ‘conversation’ is happening in her head. 

The fact that she thinks the words ‘don’t look at me like that,’ mixed with us not being able to see where she’s looking, makes me think that Inko’s looking at a photo. 

4. She refers to All Might. 

Which means she’s not talking to him. 

5. And she refers to Izuku as ‘our Izuku.’ 

Which tells us that whoever she’s talking to has a relation to Izuku. 

The fact that she says ‘our’ likely means she’s talking to Hisashi. 

6. Her saying ‘I’m sure this is making you truly happy’ 

Her wording makes it sound like she has no idea what Hisashi is actually feeling. 

Inko says she’s sure that it makes him happy, but the way it’s said makes it sound like he’s not in front of her.

7. Inko doesn’t say anyone’s name. 

Which is probably unnecessary, but feels intentional on Hori’s part.

And the fact that Hisashi's name isn’t revealed in-manga (I’m pretty sure) but in another source, also feels intentional. 

8. AGAIN no one is talking back to her. 

No speech bubbles.

The text is written out in open space.

Honestly the way she thinks is very reminiscent of someone talking to a lost loved one. Her words are bittersweet (their son is leaving home early, but don’t worry because he has a great mentor) and her tone is almost sad. I can’t explain why, it just feels sad. This is also coupled with the fact that she’s probably looking at a photo of Hisashi. 

Obviously, we know that Hisashi isn’t dead. He or someone else sends the family money every month, so then, what does this page mean? What do you guys think?

The fact that this panel is one of three that references Izuku’s dad (given in this one it’s extremely implied) is insane.

[datastate]

nno chapters 6!!! fuuma thangs... much speculation

first off, the assistant nurse is really cute :] i like her little shuriken pin... secondly! i know this might just be another signal of miharu's reluctance to let others care for him openly, but also. but also. the fact he almost immediately turns around once she says she's done to see how tobari is doing. they're killing me. badly.

also i do wonder if his eyesight will be permanently affected... there is the implication of the sort of. 'power level' also helping regeneration, but it'd be interesting to see what they do with this if it stays...

HE'S SO CRINGEEE... also this is probably just me reading into things, but also. but also. the majority of the people here at least Appear to be relatively young, yes... combined with this next part --

would it be especially sickly if i said that i think that miharu's (and tobari's...?!) mother, at least, was originally part of this clan... it would also explain how miharu still ended up fairly close-by after they'd fled. as well as imply the reason behind possible previous losses they suffered that resulted in this fool^ (said lightheartedly) coming to be the leader so early. or maybe he IS just a nepo baby that inherited the role/power passed down to him to succeed the clan. who knows...!

that does remind me though, while i was searching for the site again after having lost it, i had reread the starting chapter a bit, and i find it interesting that yoite's the first one to react...

it's presumably a matter of how in-tune you are with the knowledge of the world in the first place, to initiate any sort of connection with what exists as the 'source' -- that being miharu. you could argue that the main three in those panels represent. yoite very clearly specializing in one of the most dangerous hijutsu(?) methods even if all else is lacking; raimei preferring to take a very physical and practical approach to the world (as a self-proclaimed samurai); mr. freak (i forgot his name) instead being someone very socially involved, well aware of how to motivate & manipulate people, i'd assume... i do not know the ones in the fourth panel though...

but anyway. the dialogue in hindsight it also makes me wonder if this is the first time miharu's power has awoken or if it's only reawoken -- because if it's the first, then my idea of like. the memories also being trapped with that sort of crumbles. or there's the whole question to be asked of what exactly is the inciting incident for it to awaken at all, because it doesn't seem like miharu's in extreme danger by the moment it's already recognized in him...? or maybe this whole thing is just meant to be a symbolic & vaguely threatening opening. who knows...

too silly <3 i do appreciate her determination though :'] she forced herself to bounce back so quickly... she's given this chance to pick herself up again, all she can do is make sure it counts...!! she's not dead yet! this is her second/third/etc chance!

i don't have much to say here, actually... this is just a really good panel & does a good job of getting across how intimidating a force yoite is...

i sincerely hope she steals his maidens. fuuma clan becomes saraba's clan, okay? i'd be okay with a sudden genre change for her sapphic harem. (THIS IS A JOKE. I'M VERY INVESTED IN THE MAIN PLOT AS IS AEGAHA)

NO FURTHER COMMENTARY.

HE'S SO WEIRD!!! but it is a very fair point in how miharu's directionless helps

oh god okay. i had a thought. you know how in mob psycho, shigeo had suppressed himself to the point he didn't even know what he wanted anymore, and so his 'self' upon returning full-force had completely focused in on this singular want. i'm sure nno has its own flair if this is correct (though i am just throwing ideas at the wall), but in this general regard, do you think if miharu's centered his past on the idea that he wants things to "go back to normal/peaceful times" after the whole. oh, you know, your parents are dead... that that's what he's strived for since, but slowly what he had suppressed is coming back to search out what he would do that can't simply be achieved with typical human experience, despite that being juxtaposed against the fact that it's because he's not a typical human that he longs so heavily for that. usually, humans want the unachievable and take pride in their passions/specialties -- someone who already possesses what would qualify them a 'prodigy' finds no novelty in it, regardless of what sort of attention it catches from other people, if it doesn't match their passion. there's a sort of envy inherent to both because of the how the experiences impose something limited. and in many cases, once you breach a certain line then you also abandon the life you could've had.

I DON'T KNOW... I'M PROBABLY WAY OFF THE MARK BUT. GRAHHH... i wanna knowww...

THIS GUY.

MY THOUGHTS EXACTLY. even though i also want to know what tobari is hiding, THIS IS NOT THE TIME...!!! (i am excited though to see. if complications do arise ^_^ <- the sicko)

AHEEM HEEM... oh you had it so well in the first half. rather than acknowledge what miharu's offering forth - "would you want something" - where the only answer is that inevitable "yes" or, kinder than a lie, some sort of "i don't know" ... instead focusing it on miharu's objective, or... desire (which is. the one thing he's not allowed at this point). their wants don't matter right now, they want to know what miharu wants to do first and foremost... sniffle.

but then there's that slip-up... not that it can be helped, because you Want to assuage the doubts, but it just makes it so much more difficult. man... they're all stuck in such a terrible situation right now TT_TT it's so fun to read though...

[shiroen]

Episode 149, the episode where Azrael's backstory is revealed—partially, at the very least, is one of the most interesting episodes I've read in ITGR so far and in my opinion, one of the most interesting Grave has written so far.

*Major spoilers for Episode 149 (Azrael's backstory) and Season 3 in general. Proceed with caution.

I will be honest here, I'm not a very careful reader, and even less of an avid rereader of works, even ones that I enjoy immensely. But when I do try to read carefully, it makes such a world of a difference. Should probably do this more often from now on.

The first thing I noticed about Liu Bai was... how people acted around him. They warned each other not to do "bad" deeds around him or else they might die, and what the definition of "bad" is is left unclear. They gossiped about him too, that he held one of the souls of the Heibai Wuchang, who are two deities in Chinese folk religion that escort spirits of the dead to the underworld. Right from the start, Liu Bai already sparked the idea of death in the minds of others, fitting for the man who becomes the Angel of Death in death.

And Liu Bai, the man himself, found none of this odd. He continued on with his pleasant day and reminisced about how nice tea is on a spring day. Of all things to do when the entire room is gossiping about you, but makes perfect sense if it happened all the time.

The idea that Liu Bai was ignorant of his reputation is unconvincing, he was not only a creature of observation and someone who had to be perceptive enough to become an archangel after death, but also part of high society and must have had a sense to look out for how people saw him and what people said to him. Liu Bai was either untouchable enough to not worry over his unpleasant reputation, or was benefited by it himself, whether he had placed it there intentionally.

And where, did I get the conclusion that he was part of high society? In the first few panels of the episode, in Chinese it states that the first scene of the episode took place around 2,000 years ago (ITGR timeline) inside a grand mansion for nobility/royalty (rough translation). While it is a surprise that the princess bursts into one of the rooms of this mansion, it is more out of the fact that she bursts into the room rather than the place itself. For Liu Bai to be able to enter this mansion, means that he was likely of high status himself. This is further supported by the admission that Liu Bai's opinion had weight on certain matters—though those certain matters are never clarified on—and that he most likely was a figure of authority or had some political weight to throw around.

In Liu Bai's conversation with the princess after he rejected her proposal for the 24th time, he alluded to a future event that he possibly could have had foreknowledge on—the palace invasion.

"When there's a warring kingdom marching on us that needs unifying, then you can worry about marriage..." and while the specific scenario Liu Bai described does not exactly describe the palace invasion, it is specific enough to raise an eyebrow. A warring kingdom marching on them? Is that not what the palace invasion was the start of?

"...Of course if you'd like to try to divert from that path, I'd find that admirable. But I find comfort in the predictability of these things, and will carry out my role to the very end." It seems that Liu Bai was again, alluding to the fact that he knew what was coming and most likely how it'd end in the future. What is even more vague and unclear is what "role" Liu Bai willed to carry out until the "very end", which is assumedly his death.

Four years after this conversation, the palace is invaded on the day of a festival... connecting to what Liu Bai had implied earlier and being in line with his advice to the princess, invoking a clear lack of urgency as for her to relax, because the scenario he described wouldn't come for a long time (as subjective as the term "long time" may be).

The princess, distraught and panicked, ran into Liu Bai on her way as she attempted to escape the palace to safety during the invasion. As she attempted to persuade Liu Bai into running with her while no one was there with them to harm them, Liu Bai argued against, claiming that they were already watching them right then. How he knew this, it is not stated, but his statement is quickly confirmed as an arrow barely misses the princess' foot.

Liu Bai explained the situation to her, that a month ago a spy from elsewhere was captured, and he refused to tell where he came from. The spy was sentenced to Lingchi, a thousand cuts, but due to Liu Bai's opposition to such a painful and slow death, he was eventually beheaded instead.

The spy had been from a neighboring kingdom,—the very one that orchestrated the invasion—that had been planning to invade for a "while" (how long a "while" is is also subjective)... though Liu Bai never told the princess how exactly he had come to these conclusions, or whether he had come to them at all and instead heard from someone else.

When Liu Bai was found by them (worded like it was not a preplanned meeting and really just was during the chaos of the invasion), they knew that he had urged mercy for their spy, and allowed him a final request: one last night.

"And thus began my final job."

Liu Bai confirmed the princess' suspicions that they were the only ones left alive, and the princess, in despair asked him why he chose her to live, and Liu Bai asked her back, why did she think so? She asked if it was because he finally found her beautiful. He admitted that yes, of course he did, and immediately after, he proposed to her.

The princess was beheaded. Then, Liu Bai kneeled down, and was beheaded himself.

Continuously, Azrael, the narrator of his own story, implies that his involvement in the invasion was in more ways than he outrightly stated. His constant and subtle disclosures of information that seem to be too accurate for someone who is just guessing or too firm for someone who should not know the full picture.

It seems implied that Azrael was not only involved in the invasion more than he outrightly says, but also in that he orchestrated certain events too.

Many of the statements made by Azrael hint at a "profession" that he had performed multiple times alive: "To be there for a person's final hours is a powerful thing. So, I always try to leave them with a good memory." Not to mention that he had called this, the final hours he shared with the princess, as his "final job."

Azrael attempts to take away blame from himself by making it seem that his inaction in the face of another's death does not make him a murderer himself. It seems that is a theme with him—shown when he also claims that he was not involved in God's death, but was not instructed to prevent it either—and his profession while living, when he claims that he isn't "interested in actually killing people", and that he's "just a guide."

What puts the nail in the coffin for me in regards about Azrael's profession while living's nature, deeply involved in the invasion or not, is this final declaration: "The beauty of guiding someone to that final nothingness... My only regret is that I didn't get to do it for a little longer..."

[kimberlyannharts]

LAST TIME ON RANGER ACADEMY: Sage is a Green Ranger and.........this is a bad thing, I guess. I'm pretty sure it's actually fine and Sage just has social anxiety (she is just like me fr). But now Tula knows about it, and Tula only has good ideas, right?? It's Ranger Academy #6!

= DAMMIT Tula i want the faculty at this school to get some character development already. I don't think we've even SEEN the Headmaster since....issue 2???

=literally digging my nails into my leg to accept that the White Ranger balloon is just a cute little Easter Egg and NOT a wrench into this book's lore (we'll get to the ACTUAL wrench later)

= I'll be totally honest when I first saw this panel I was like "holy shit are Kartyr's parents a big polycule" but then I realized two of them are probably those sisters he mentioned. Ellen Degeneres as a Xybrian at the end is killing me though

= and yes, as mentioned.....

= MATHIS' MOM IS NADIRA HERSELF, the ONLY show canon parent of the main cast! And she's serving cunt even with two children; happy for her

= As for Mathis' dad, uh............that's actually pretty vague. At this point the franchise has established the Joe/Nadira marriage from Hyperforce pretty firmly, but he's not actually mentioned by name in this conversation. All they say is that he's a Power Ranger, so really, this could apply to Joe OR Lucas. Especially when you think about.......if Mathis's dad is a green ranger........then again, how does that work with the academy erasing extra colors from the students' awareness. What if Sage revealed her Green crystal to Mathis all dramatic-like and Mathis was just like "......okay? My dad's a green ranger, it's whatever" (or alternatively "my dad works with a green ranger, it's whatever")

= also I don't really understand what they're trying to imply here. Is Lucas or Joe dead. Whatever, as long as it means Hyperforce can finally leave me the fuck alone for ONE COMIC SERIES

= but anyway regardless of who Mathis' dad is the most important takeaway from this is they're half-mutant. So do they get crazy nail-lengthening powers or what

= dammit Theo the magic school being SOOOOOO SAFE until it's literally demolished by the big evil is another trope as old as time, stop jinxing it!!!!!!

= FFUFUUUFCKING DARK SPECTER LEAVE ME ALONE

= also Sage immediately thinking she's responsible for a school-wide threat response is so funny and so real

= this is also so fucking funny though it's literally the G-rated version of "we gotta make out to take attention off of ourselves!!!!!" Sage/Lindy is still superior though

= oh!

= well.......I have to admit this is actually a pretty good twist. We were so focused on the idea of Sage's other dad? Rhianth's friend? being a green ranger that we never considered there were other green rangers too

[fengshenjunlang]

Hello, i just wanna ask what do you think of the manhua JC? dont get me wrong but there scenes that i haven't read in the novel that were shown in manhua even briefly. For example, that JC hugging his puppies. While it was outrightly said that he did have dogs that were sent out after WWX came to lotus cove, I don't really think he was that emotionally attached to them considering how fast he changed his mind. Those little panels of things that were probably implied makes a lot JC delulu stans make him more uwu. While i dont think that child JC is that bad, he is a child for one thet throw tantrums. Even teenage JC is redeemable probably since he was not that bad yet, but i just dont get how they justify him being secretly uwu kind etc whatever it is a positive trait because of his innocent? past self. isn't it ironic how WWX said that JC didn't change at all in the 13 years he was dead, implying he is still immature and the same as ever. I also dont get the part where somehow someone who has such personality is becoming likable to many people, changing his character to fit their description. A few others, i dont really remember but im sure ive seen some, who have evidence of their claim that are too weak to support and does not give the whole picture. As someone who likes JC's patheticness, this is so bizarre to me that i dont really want to involve myself in tiktok or twt. sorry for the long rant, have a great day!

Hello there, Anon.

To be honest, I don't particularly pay any attention to mdzs manhua aside from simping its WangXian moments, lol. Like, my only basis is the original, mdzs novel, whereas other adaptations are just entertainment. And for entertainment, obviously I will only focus on WangXian.

So far, among the other adaptations, mdzs manhua is the closest to canon. Even then, there are things that were changed due to various factors, such as to shorten the lengthy original content or to add more humor, which is common in comic, manga, or manhua.

I mean, things about softening the characters in the manhua was not only done toward JC as far as I know. We saw how Lan Qiren being pretty much drawn like a comedic relief. Even Su She moments in the Second Siege was also drawn in quite a funny way, that makes us the readers find it hard to really immerse ourselves in the severity of the incident, in fact.

Is that a good or bad thing? That depends. For entertainment, mdzs manhua is really good, both from content and arts. Just don't take them as canon material or meta material, since there has been changes due to various consideration. And when things change, it's not Original anymore🙃

The fact I have Twitter just to use the username to login on other websites, and the fact that I don't own TikTok at all, makes me unqualified to say things about mdzs fandom on Twitter or TikTok, lol. I'm sorry, Anon. Honestly, aside from Tumblr and Lofter, I don't really engage in mdzs fandom on other platform...?

But characters with pet attribute generally spark more interest with fans. Just like how WangXian and rabbits and Lil Apple are. Canonically, kid-JC is indeed fond of dogs (puppies or adult dogs I don't know).

Though, whether this fondness is a long lasting fondness is a question. Because after Wei Wuxian left YMJ he didn't try to own any dog. Some fans take it as JC being loyal to WWX, like, he was waiting for him to come back, etc. But, another fact is that, if he is still fond of dog but didn't want to own it due to WWX, then why wasn't he the one who give the dog to Jin Ling? Isn't he supposed to be the best Uncle for Jin Ling?

My headcanon is that, the adult JC likes dog, but not particularly fond of it like how other Dog lovers are. It's like how most people are enthusiastic when they saw stray cats, but that's it, most people won't dedicate themselves to adopt them, gave them foods, or help them. Most people just "like" But not fond enough to dedicate their life for pets. And so is Jiang Cheng toward Dogs.

[spongebobafettywap]

Also quick question, wasn't it Abyss and Kiwi Black he also had a strong link to?

correct, it was probably tied to how they each had a power set slightly similar to his like abyss' which is tied to space alteration.

(while i was looking this up to be sure i read that abyss just got killed which is... sad because apparently it was the only way to solve an issue as he still couldn't control his powers. even after being on an island with other mutants and scientists for 3 years. dude is just unlucky)

Also a male writer being unfamiliar with female biology is par for the course in Marvel comics LOL.

oh believe me i know. but this just took every single one of the standard bad i was used to and blew it out of the water. like the panel where destiny is having nightcrawler... this now exists.

i- i don't even know where to start. the proportions are off (how long are destiny's femurs), the perspective is off (the must-wear-a-tie-on-the-job medical 'professional' they had is too far away from her to be of any help or see anything).

for the 22 hours this went on, they let her keep her glasses even tho she's blind and thus wouldn't need them in the first place as they serve no purpose and might become a nuisance real quick... (like the whole process makes you sweat and builds pressure on your head/face so glasses can get pretty uncomfortable). also they'd fall off/ slip from her face especially due to the labor position she's in...

because destiny is nearly sitting down on her hands and knees, slightly hunched over (instead of arched up), in actual pants while doing all of that. it becomes more jarring to see because fake-pregnant mystique next to her is in a more-practical-for-the occasion nightgown even tho she's not gonna deliver any baby any time soon

quick side note on the time taken here for the delivery : each pregnancy is different and complications do arise but destiny already had kids before so it should have gone smoother than what this story implies in both process and positioning besides the doc or mystique could have better advised her on the latter. (the writer might have accidentally leaned on the ' azazel's children are harder to deliver ' route too due to his poor knowledge on anything and in that case that's yet another common factor between nightcrawler and azazel's biological children...)

overall when you combine this panel with any medical knowledge you might have,

it just looks like nightcrawler came out of the wrong orifice okay ?

and if he supposedly came out of the right one, the only possible outcome to this poor attempt at that specific labor position is a dead baby nightcrawler as he would suffocate between destiny's legs before drawing his first breath... on the account of those damn pants

does destiny actually want this kid or is she deliberately dwindling his chances of survival before he's even out fr

Well you know they will have all important Street Brawls as part of the next Marvel Crossover event I'm sure. Marvel: Secret Street Brawls.

mystique just casually organizes encounters between specific heroes and villains after making a poll of "who do you wanna see fight" and "which street needs more wrecking" online then she films everything and updates it to cash in on some good old advert money. that's it, that's how the whole event should be about

It's like everything you're telling me gives me more reasons to never go back to reading Marvel. I felt like my tastes in story telling really matured after I started watching shows like Breaking Bad, Better Call Saul and reading and Watching Jojo's bizarre adventure. Maybe there's a reason why the best stories function with a beginning and an end and don't go on endlessly with too many cooks stirring the pot.

Like seriously wasting Abyss for what? Some storyline no one cares about? You know its interesting how you'll be one of the few people to point that out about how stupid the drawing of female anatomy is. Of course a lot of people just really like the "appearing progressive" angle that Marvel loves to do so they can sell a headline instead of putting thought into it, much like how they did when they decided Bobby should just be gay in such a contrived way like having Jean mindread him and tell him he's gay. Like they couldn't just have him explore his own sexuality? With his own feelings on how his relationships went and what genders he likes? Side note I really hate whenever someone criticises a story thats made to appear progressive gets lumped in with reactionary bigots as if whenever you write something with the intention of progressive you are absolutely free from criticism its just so childish really.

Honestly yeah they do need to just have Marvel Street Brawl be a thing and then they could also try to be deep about it like they did with AvX and pretend like there's this massive moral dilemma situation "Should we destroy this Street or not? That's a big problem and we need to answer it in 50 issues"

[ootahime]

analyzing every gojohime moment in the manga >:) pt. 3

more and more paragraphs ahead.  BE PREPARED!

i’m also writing this at 3 am so please bear with the horrendous grammar and punctuation.

chapter 63

i know he’s probably like this with everyone but i love how excited he is bragging about his students to her.  he’s like a child telling his mother about an amazing adventure he had with his friends, making sure he mentions every detail.  in the anime, their conversation lasted for 3:41 :3 backwards 341 is 143 which means i love you.  

1 letter = i

4 letters = love

3 letters = you

chapter 63

i love her fit!  i also like how both of them like to wear baggy clothing that accentuates their collarbones `w` it’s like they’re matching in a way.  even if she did tell him to cut the crap, she still let him run his mouth to his content LOL i feel like if he didn’t compliment himself at the end, she would have said something different.  UGH HE LOOKS SO HAPPY CALLING HER

 ah, let me translate the conversation just in case anyone needs it.

utahime: you wanted to talk about the investigation, right?

gojo: well, got any idea who?

utahime: i have no idea.  no one seems suspicious.  what do we do now?  should we ask the students for help?

gojo: yeah, that’s fine.  i’m busy so asking the kids would be okay.  keep looking.  i’m counting on you.

I THINK THAT’S WHAT THEY’RE TRYING TO SAY.

OR it could mean that she’s asking if they should start investigating the students.  it would make sense either way because gojo says in the next panel that he doesn’t want to assume that the mole is a student, and in chapter 79, gojo sends the trio to utahime to help her.  

chapter 63

these two love their students to death.  neither of them wanted to assume that the mole was a student.  in chapter 79, when utahime is talking to the trio about the mole, nobara points out to the group that the traitor must be from kyoto because utahime is the one who’s reaching out to the tokyo side.  utahime has a dismal look on her face, almost like she’s saying, “i didn’t want it to turn out this way -- for this to be true.”  after mechamaru says his farewells to miwa on the train, mai tries to talk about what he did to which utahime says, “it doesn’t matter, he’s dead, after all,” with a similar sunken expression.  i just love how her care for the students is one of the biggest aspects of her personality that’s been showcased so far.  it’s also cool how it ties together with gojo’s belief that no child’s youth should be taken away.  i truly think these two have the capacity to understand each other to a deep level, down to the core.  seeing as utahime is also a teacher, it’s safe to assume that she also wants to raise the next generation of sorcerers to be strong.  utahime and gojo’s similarities and contrasting elements are so interwined, i really wonder if it’s intentional.  like am i looking too much into this?  are utahime and gojo really meant to be this connected?  think about it.  similar motivations, care of the kids, contrasting palettes, the bickering, long history.  IT’S JUST TOO MUCH. 

also can we mention how their phone calls and meetings must be heavily planned out?  this means they’ve talked and interacted with each other A LOT behind the scenes.  she doesn’t answer his call with “what do you want?  don’t bother me on my day off.”  she knows exactly why he’s calling her and they even speak in code.  she probably meets up with him and tells him to call her on a specific day and at a specific time.  they must know each other’s schedules very well in order to execute this investigation in complete secrecy.  when he says, “we can never be too sure who is listening in around utahime” it implies that they find calling a risk, so in order to guarantee that there is no one around, they have to meet up in person.  see where i’m getting at?  they talk A LOTTT and most likely are aware of each other’s daily lives.  

the fact that gojo is her main source of stress when he’s literally a 3 hour train ride away from her is hilarious LMAOOOO.  you know what that means, right?  he must call and text her constantly about random things to annoy her.  

chapter 65

ah yes, my favorite moment by far.  look at that smile on his face.  

chapter 65

he loves saying her name.  he probably rushed over with the sole purpose of doing something like this to her LMAOOOO like i mean, mei was in there with her so technically they both needed to be helped but judging from his words and expression, he only wanted to help utahime.  notice how mei’s not there in the debris.  could she possibly have suspected gojo’s presence or an outside force?  or was she fast enough to avoid being in the debris?  either way, her lack of presence in this scene helps highlight the fact that this is a special interaction between utahime and gojo.  he refers to her in a very familiar sense.  the most formal way to address someone is by their last name followed by the honorific, -san.  in gojo’s case, he should be calling her iori-san if they weren’t acquainted.  he doesn’t even bother to call her utahime-senpai.  granted, gojo is not the most respectful and socially competent person out there because geto points this out to him.  he isn’t even aware that she finds him annoying because he views her bad attitude toward him as her just playing along with him.  he probably thinks she’s flirting back LOLOL

since he asks her “you cryin?” that definitely means that gojo witnessed her crying on one occasion or maybe multiple.  who knows, the old utahime could have been a very emotional person.  while this is happening, mei is close to gojo, she then asks him if he would console her if she were to cry in a flirtatious manner.  gojo dismisses her attempt at flirting with him and says she won’t cry because she’s strong.  now normally, you’re supposed to face the person you’re talking to, GOJO.  he KEEPS his eyes on her even when more people come to join the conversation.  

now, we can all agree that geto, mei, and shoko are better at picking up social cues than gojo.  they probably knew the vibe of the conversation and decided to play along with gojo’s antics.  

chapter 65

WE were worried about you.

pay attention to the order of the characters that show up.  gojo makes his appearance first, then geto, followed by shoko.  based on utahime’s reaction to seeing shoko, it’s evident that these two share a close bond.  shouldn’t shoko be the one to arrive on the scene first?  she’s the closest to utahime and would therefore be more concerned about her condition, right?  i know shoko’s technique doesn’t really allow her to do anything other than treat the wounds of others, but if you heard your friend was missing, you would definitely rush to the scene.  

look at geto’s reaction when mei says, “you’re the one who’s picking on her, geto.  you don’t even know it.”  i think it’s mei who’s saying this because gojo calls geto “suguru”.  but anyway, mei is aware that they’re picking on her.  i don’t think she’s the type to legitimately bully someone for their strength.  her reaction to all of this is very playful and her “heh heh heh” is proof of that.  when geto shows up and swallows the curse before it gets to utahime, he says, “satoru.  it’s not nice to pick on the weak.”  by saying this, he pisses utahime off because he too, is joining in on gojo’s joke.  i believe he’s unaware that he’s making fun of utahime because his reaction is “gah!” with a sweatdrop.  he probably thought gojo was making fun of weak people in general.  

geto’s usually a gentleman seeing as it is canon that he is more popular with girls than gojo.  BUT WHO KNOWS...you gotta be a specific type of person to be best friends with gojo.  maybe he ain’t shit too...  okay, my point is that everyone is just playing along.  when shoko shows up, utahime is relieved to see her because shoko doesn’t tease her like this.  since utahime tells shoko to not become like those two, this implies that geto teases her as well (probably not as much as gojo).  we all know geto is really big on looking out for the weak so he probably wouldn’t have insulted her for real.  

verdict: utahime being weak is just a joke.  i’ve mentioned this so many times, sorry if it’s getting annoying and repetitive hehehehehe...

chapter 65

these three aren’t irresponsible.  geto and gojo are a troublesome duo for sure, but they’re dependable.  seems unlike them to forget something so simple and essential to pretty much every mission.   

chapter 65

here’s my headcanon.  they were hanging outside or in the car when their assistant manager got a call.  the assistant was informed that two days have elapsed since mei and utahime went on their mission (or last contacted someone).  

gojo: that’s weird.  mei’s with her so they should have finished exorcising the spirit sooner.

geto: you think something happened to them?  maybe it’s a strong special grade.

gojo: utahime probably dragged mei down with her.  poor mei-san~  

gojo gets up 

geto: where are you going?  

gojo: going to save utahime!  it’s fine i’ll put up a curtain!

manager: gojo wait!!!!!!!!!!!

geto sighs

shoko: that idiot’s always running off without us.

they pin the blame on gojo for saying that he’ll put up a curtain and leaving the assistant manager behind.  you know what this means?  he ran and the manager couldn’t catch up HEHE... why the rush, gojo?  were you actually concerned about her?  

tbh i don’t see gojo ever running to something unless it’s urgent.  the fact that he ran to save her says a lot.  

----

let me know if you have any thoughts or questions!  i forgot to add this but gojo had a more serious expression when he was explaining how they must’ve been trapped in a barrier that messes with time.  he then states, “we thought it was weird even though you’re here, mei.”  i know he was probably worried sick because if mei couldn’t be contacted then that means something must’ve happened to utahime too.  okay that’s it for now.  i’ll be bringing up this little detail i’ve noticed about utahime in the manga next :3

[tokyo-daaaamn-ji-gang]

Imagine waka and benkei joined as part of a super elaborate plan to finally take Mikey to therapy.

Also do u think they have any regrets for not being there for Mikey after shinichiros death. It’s a lil obvious they both took senju under their wing, although she had takeomi. And we’ve seen that waka kept tabs with inui. But we’ve never seen them interact with Mikey before. I think them joining out of regret makes sense unless of course the reason they didn’t keep tabs on Mikey was also that shitbag grandpa sano’s fault for driving them away.

This would also create a lil more parallels between senju and mikey. She who was constantly surrounded by family and friends AND he who constantly lost family and friends. Which I think is what Wakui is going for ?? A parallel between the akashi’s and the sano’sz I mean it seems a lil too similar in the sense that

Takeomi(smoking with get him) - Shinichiro (✝️)

Sanzu(alive) - Mikey (alive but dead)

Senju(alive) - Emma (✝️)

They gain his trust then lure him into a van with dorayaki before kidnapping him and dropping him off at the hospital.

I actually do think they have regrets over how everything turned out with Mikey. I theorised a while ago that their goal in Brahman was actually to help save Mikey. Mainly from the panels below, though keep in mind those are panels of Takeomi and I'm assuming they agree with his thoughts/plans since we don't get to hear Waka and Benkei's thoughts.

In the first panel Takeomi says Mikey's going to be the bad guy, not that he is the bad guy yet. I think this means they still had hope for Mikey. They also specifically didn't want to fight him. Now the official explanation for this is that Mikey's so strong that they were trying to avoid a fight. But it does make me wonder if they didn't want to hurt him and still had hopes of him changing.

I would say that the difference between them taking Senju under their wind versus Mikey was that Senju seemed to have no one where as Mikey still had his family. Takeomi was busy with his own stuff and it seems like Waka and Benkei knew more about her at this time. Which makes it seem like they were caring for her while her brother and father were busy.

I wouldn't be suprised if they did join kantou manji because of some kind of guilt towards Mikey and Shinichiro. Especially since that now Senju has Takeomi back she doesn't need them as much. Though I don't think Grandpa Sano drove them away, that would imply he actually did something and gave a damn which I'm pretty sure he doesn't.

The parallels are interesting, though I think they were both surrounded by people. Mikey's been shown to have a lot of friends compared to Senju who only had Waka and Benkei. I think the main difference here is Senju had more support, which makes sense since her friends are older and probably a lot better at guiding her in the right direction.

And as the series went on Mikey starting losing more people which has shaped him into what he currently is. Compared to Senju who has only lost Sanzu (although he's not dead he's also not a part of her life anymore). Which is why Senju is a lot more similar to early Mikey when Takemichi first met him.

[radio-show]

So let's talk about the little Tsukasa

For those of you who don't know, this kiddo

(Art done by @akariin30 on Pinterest)

In recent chapters, it's been revealed that this little cute kid is Tsukasa, who made a deal with some apparitions and went missing.

So the question is, who the heck is this?

Now, we know our 'Tsukasa' probably isn't Tsukasa because of a few things.

Firstly, we've seen little Tsukasa's memories

Secondly, based on a few context clues we can infer they are two different people.

The first clue for this is that 'Tsukasa' has fangs and the little Tsukasa does not. Frequently, even if the rest of his teeth are not showing, 'Tsukasa' is shown to have fangs, without fail, every time. A few examples:

Look up any manga panel with the Tsukasa we know, he will have fangs if his mouth is open. On the contrary, little Tsukasa is never shown with fangs.

Additionally, 'Tsukasa' and the little Tsukasa do share a weird obsession with Hanako but the little one's obsession seems to be at a lower grade than this other one we've been dealing with. However, he still seems a bit strange, like how he fantasizes about how his brother killed him, which is awkwardly similar to Tsukasa in earlier chapters having said he smiles when he remembers when Hanako killed him.

Little baby Tsukasa is still pretty strange though, seeming to understand the apparitions pretty easily. And, we know that people can be turned into apparitions to some degree or have a connection to the supernatural in multiple different ways, like how Akane has powers based on time given to him by wonder number one or how Teru, Kou, and Yashiro were sort of turned into supernaturals in order to chase down Aoi and Hanako.

Now, after Tsukasa returns from having disappeared, he has a lot of traits of our current Tsukasa already, like the fangs, the strange behavior (which seems to be an extension of his old obsessions) and interestingly enough, he seems to have his connection to wishes and may have powers in granting them.

However, it's still pretty clear this kid isn't quite like the Tsukasa that Hanako killed, however I have an idea

Time in TBHK is pretty wonky, it doesn't seem to adhere to a strict timeline and any schmuck who happens to clip though the map can glitch into last week without any trouble. (See also: the time Yashiro went back in time, the time Yashiro went back in time, and the time Yashiro went back in time)

Time also seems to piece itself together no matter what happens, like one of the times Yashiro went back in time at the festival for supernaturals, in which she met tiny seven-year-old Amane and he wished to see her again. Obviously, he did, as here he is, dead and doing a lot more than seeing her again. (source: chapter 86)

Even in the red house, time is pretty wonky, it doesn't exactly work right, and it's implied that Tsukasa went back home to his home time when he went through the well, and he starts to act pretty close to our current Tsukasa when he goes through the well.

So, the theory goes as follows. When Tsukasa traded himself for his brother's safety, he hung out in some kind of boundary or something like that with the apparitions. Time worked kind of weird, and the timeline progressed with him being in the house for ages and the apparitions taking over the place. When Yashiro and Kou came through and little Tsukasa went back through the well, he was sent back home, but a year later after he had left. Because he had spent so much time with apparitions, it's likely he was already apparition adjacent or an apparition already, hence the wish-granting powers and the fangs. His mild obsessive tendencies turned into our Tsukasa and shenanigans happened, Tsukasa was killed, and here we are.

What do you think? Let me know in the notes, and add onto this if you want.

[ganymedesclock]

Ooh ooh ooh, how about your version of Sonic for the powers thing?

You see, Sonic is fast, because if he doesn't keep ahead of his problems, he'll have to actually think about them, and then he'll have a crisis.

This is partially a fun opener joke and it's also not. I'll let you decide how much of each it is. In the meantime, I'm going to talk about what my reads of various canons inspire in me, and how that informs Worlds AU, a bit more than talking about Worlds AU itself.

So Sonic in the initial game canon, started out with an extremely simple conceit. You can see this mirrored across all of the non-Amy classic characters: Sonic runs, that's his thing; Tails flies, Knuckles punches, Eggman makes robots and also problems, which sort of condenses into one thing considering the role robots have in the classic games.

(that damn caterkiller has cost me SO many attempts at a chaos emerald...)

This sort of got to be a problem as the games advanced. In particular, the Sonic game I started on was Sonic Adventure 2, which pitted Sonic very prominently off of Shadow. At this point, character concepts are no longer about simple capabilities, and every other member of the cast has grown up. (even Amy... though not too much. sorry Amy). Tails is now building robots to go with how his flight allows him to reach unconventional 'tricky' routes; Knuckles is now more of an adventurer, explorer, and even a mystic given his history and relationship with the emeralds. This earthly pugilist sense grounds him in a more versatile skill-set.

Sonic... basically his gimmick was remaining true to the classic formula- he was still the one going fast, popping those shuttle loops, and tumbling through a chaotic universe. Yes, they absolutely polished this and put flourishes on it- now he's grinding rails and flipping on poles, this sense of street-smart parkour that carries him cheekily through any environment...

But he's played off Shadow, where the thing about Shadow, especially in the first game, is Shadow is a person who suppresses most of his personality for his context. Not in an inorganic or badly written sense, mind- but he outright says to Rouge at one point that it doesn't matter if anything he remembers is fake- in essence, that it's more real than he is, and a dead person's wish is more important than his life.

Shadow is a soldier, is an alien, is a bioweapon, is a teleporter and he shoots lasers. We are beyond the days of simple conceits; if he was conceived in the classic era, he'd have probably been either only a jet-skater or a teleporter, and that one conceit about how he moved through the world would've been through everything.

Sonic picks up the chaos control from Shadow- in direct reaction to Shadow- and this is commented on. In this scene, Sonic not only rejects Shadow's unhealthy obsession with context- that where he came from was everything- but mirrors it with an attitude that, frankly, to me, rings just as unbalanced- Sonic basically denies having a backstory whatsoever.

"What you see is what you get!" he says.

And that flew in the classic era. We didn't really have a consistent or strongly-drawn backstory over why Sonic was fast. Most continuities around that era point it to either an accident or a happenstance synergy with an outside force. But we didn't really need a story over why Tails can fly or why Knuckles had spurs on his fists.

But in the modern era... there's context. Many characters have superpowers. And more and more, there was a sense that those superpowers had context and history, whether the outright spelled, like Shadow (he was engineered to be capable of this; if you look at him, he has most of the abilities you'd expect of a boss fight in Resident Evil, minus the squelchy, infectious sorts and the Black Arms imply he could well have those and just not use them)

...or the simply alluded, such as Blaze's ominous comment that her flames are the reason she was always alone.

Sonic... clearly has powers. He's been reframed to keep up with he setting as it changes. But that exchange between him and Shadow- where Shadow looks at what Sonic is capable of, looks at him, and asks, verbatim, "what are you," and Sonic delivers a non-answer so naked and so certain that there's not really anything to say to that.

To this end, while I think it's highly intuitive that they picked the wind as the motif to spice Sonic up to- with its sense of freedom, and with its association with speed- I think there's also something about air in general that connects to Sonic.

Air is... omnipresent. It has an extremely complex seething system high overhead. Enormous paths and belts and spirals of wind curl over us all the time, pushing clouds the size of entire states around like it's nothing. When you look at the sky, it looks stationary. But wait, squint- it's actually moving. It's actually moving really fast.

One of my absolute favorite characterizing moments of Sonic is in Archie Comics, specifically the post-reboot series. To keep context minimal, Tails confides in Sonic that he's losing his memory of a certain incident that affected both of them, and he's worried; Sonic reassures him, typical hero big brother best friend, and gives him a big hug. The scene is warmly lit.

The very next panel is literally in the shadows, over Tails' shoulder and behind his back. And Sonic's expression is... troubled. Telling. We immediately understand from that alone he just lied, and has no ability to 'just remember for Tails'.

Sonic is not a vacuous person. He's not empty, he's not innocent, and he's certainly not just your same good nostalgic friend who never changed or got complicated so you don't have to reevaluate all of those things- the guy you can always count on, just like the sky is always there- but he sure pretends to be all of those things, and tries to keep the stormy weather as far away from other people as possible.

This is given another heroic-sounding-but-actually-concerning context in Sonic Unleashed, one of several games in which Sonic shows a maybe suspicious but profound aptitude for darkness where he guzzles and serves as a very powerful conduit for the energy of Dark Gaia, who is strongly connoted with rage, despair, denial, and other states considered bad for your health.

Sonic asks Chip- who he's just found out is Dark Gaia's counterpart- if it was his protection that kept him from losing his mind the entire time. Chip denies this, and states instead it's that "you never let the darkness win."

The thing is... anger and sadness are actually pretty important to feel. And it's actually not true that Sonic as a character doesn't feel anger- there's a few rather notable scenes in which he really loses his cool, some of them within Sonic Unleashed itself (he actually scares Eggman at the culmination of the Egg Dragoon fight) and in the game Sonic and the Secret Rings he actually achieves a super form powered by negative emotions- and that game also ends on a surprisingly melancholy note, where Shahra, when leaving Sonic, specifically gives him a bunch of tissues, a nod to how they met, and specifically "So you can cry as much as you need to."

Sonic is a good person. But Sonic is also... kind of a liar. He has this powerful connection to these highly destructive and dangerous entities- Dark Gaia, Chaos- and this is a thing he, pointedly, doesn't wonder about. And it's not arrogance, or an inability to consider the possibilities- in Sonic Colors he is very real with himself that he can't outrun a black hole, but only admits that once Tails is out of earshot on the one safe ride away from it- and while gearing up to try to do so anyway.

Wind is a contradictory thing. In the sky, we consider the possibility of ultimate freedom; flight and wings are often depicted as symbols of enormous power and efficacy because the very notion of being able to go wherever you want to captivates us.

On the other hand, though, a state of freefall is terrifying. In the unparalleled freedom of the sky, absolutely nothing can catch you if you fall.

(you know, except Tails, if you're fighting Eggman in Marble Garden- I'll leave)

We can talk about a bolt from the blue, a sudden storm or a just-as-sudden clear blue sky... the mechanisms of the air around us are often very hard to perceive for their superficial simplicity. And on sunny days when the wind lazes slowly through the leaves, it's hard to think of it as capable of hurricane forces.

I guess the note I want to leave this on is, it's pretty interesting how Sonic genuinely likes running, but he also tends to either outrun or fight anything that stresses him out- and "what he is" and "what he's capable of" is something he really doesn't like talking about even if he's happy to show or compete it.

[rhetorical-ink]

Haikyuu!! SPOILERS: Chapter 401, How We Connect the Dots.

**PENULTIMATE SPOILERS BELOW**

I just posted a video with my live reactions to the chapter, but here are my highlights, because FURUDATE YOU MADMAN GENIUS. This chapter connected so much together. So, let’s do:

My Top 10 Thoughts on Haikyuu!! Chapter 401:

10. Of course. In true Furudate fashion, he has Kageyama block the spike from Hinata, BUT, what Kageyama doesn’t realize is all the training on the beach Shoyo has done to prepare for such a moment. And that heel kick! *swoons* Also, someone reacting to Season 4, Episode 9 of the anime, where Hinata kicks the ball back to himself called this happening all those months ago...Furudate is next level at foreshadowing. Not that we didn’t already know that.

9. Hey, remember how in the VERY FIRST chapter of Haikyuu!! Shoyo did this crazy run across the court to score? Yeah, Furudate knows we remember. And he pulls this -- and Kageyama’s beautiful reaction, only for --

-- Only for it to all be a DECOY. Kageyama, you made this monster, you know. I love that Shoyo has come all this way from wanting to score all the points to accepting that the decoy DOES have a vital role to play, and in this instance, it’s allowing Bokuto to score the winning point for the MSBY Black Jackals. Just look at that smile! And of course, Tanaka and Asahi KNOW the power of Hinata as a Decoy...because they’ve been in Bokuto’s shoes before. 

8. UGH, the aftermath of that moment is glorious, which will detail down below -- but I love Shoyo and Kageyama’s interaction, though. How they’re still keeping track of each other’s wins and losses, exhausting Miya, hilariously, and showing that they’re on equal footing now, after all these years. This chapter is just cementing the last several chapters’ worth of character development. 

7. ARE YOU SHIPPERS READY FOR YOUR FOOD?!

Because these next few pages were healing my shipper heart. I mean, yes, the Kagehina fanbase is raving right now, but let’s talk about THESE ships below, starting with:

Tsukishima x Yamaguchi:

So, Tsukishima, of course, is not sappy about any of this and just points out how the season’s just getting started (ready the fanfics, y’all). 

And of course, Yamaguchi wants to watch Tsuki play! Yachi says she’ll come too! I LOVE how just like he was with Akiteru, he doesn’t want them to come watch (even though we all know he’ll love it when they’re there). Now, some people have commented that Yamaguchi could be with Yachi, but y’all...Yachi is in Tokyo. Yamaguchi and Tsuki both live in Miyagi. I can’t wait for all the Sendai Frog/TsukiYama fanfics!

If you’re looking for an extra Kagehina crumble, just look at the end of this adorable exchange between Romero, smol adorable Rubens, and Shoyo (who perfectly crouches down to talk to him MY HEART I CAN’T), to see Kageyama notice that Shoyo can speak multiple languages...oh, honey! If only you know about Hinata and Pedro’s marathons of DBZ in Portugese and English! ^^

Also, Furudate WE SEE YOU. We see you being meta and implying that now Haikyuu!! is over, he’s moving on...Akaashi’s line about going forward hit me hard...it’s like he’s telling us, the fandom, that going on to start something new isn’t so bad. SO YOU SAY. 

BOKUAKA NATION -- WE CANON NOW, RIGHT?!

I love that Akaashi gets to interview Bokuto (IS HE GOING TO BE THE STAR of the Volleyball manga Tenma Udai is writing?! He would be PERFECT for it!) and how happy Akaashi looks, even if he and Bokuto realize how differently they view the term “normal.” 

ALSO, it’s implied above that Akaashi, Bokuto, and Tenma were going out for drinks...which now....we know that it’s just Bokuto and Akaashi, since Tenma was going home. Uhm, FAN FIC WRITERS ASSEMBLE!

I also love that Udai joins the club, along with Fukurodani’s coach and manager, of people who realize that Bokuto and Akaashi are weirdos but they are weirdos together, so it’s fine. 

Keeping the “Ship Train” going, we get little bits of Shimizu x Yachi from the bathhouse before the Inarizaki Match, where Kiyoko finally acknowledges she is okay showing her legs...thanks to Yachi’s words. I also find Suga wanting to know “the tea” on the situation to be adorable. 

AND FINALLY, YES, Y’ALL:

I was spoiled with Kuroo’s return, but seriously, Furudate, you saved him for the end here so INTENTIONALLY. 

Because OF COURSE Kuroo would work for the JVA. As a promoter. CONNECTING people...with Volleyball...because that’s the Nekoma way.

And FURUDATE ARE YOU SUGGESTING TO US THAT KUROO AND KENMA ARE BUSINESS PARTNERS AND COLLABORATORS BECAUSE MY KUROKEN HEART IS SOARING -- 

-- and let it be known Atsumu Miya rightfully doesn’t trust Kuroo, and neither does Sakusa. A nice SakuAtsu crumb where we actually see Sakusa agree with Miya without sacrasm or question! Poor Shoyo is a salesman’s dream, though. I mean, Kuroo does look a little sketchy in some of those shots...BUT....

6. Kuroo’s speech about sports was SO fitting. Seriously, everything he says here is BASICALLY what makes Haikyuu!! such a great series. I DID laugh out loud at the line about “hardly anybody dies.” 

*Flashbacks to “Dead Daichi” meme*

5. It’s taken us the ENTIRE series, but Kageyama finally talks to Kindaichi and Kunimi. This was so heartwarming, seeing Kageyama wanting to play WITH THEM. AS A TEAM. This made my heart expand three sizes. The character development on Kageyama, and Kindaichi, is through the roof.

I also LOVE Kunimi the most in these panels. Kunimi is a MOOD. 

Y’ALL. I’VE WAITED 400 CHAPTERS FOR THIS PANEL OF THESE THREE HAPPY AND BECOMING FRIENDS AGAIN.

4. I love that Hoshiumi doesn’t see Hinata as a Rival, but as someone that is going to help him show the rest of the world the strength of someone who doesn’t have height. I also find it interesting that we see the Japanese Olympic Coach walking out just as Hoshiumi gives us that beautiful gaze. So...does Hoshiumi know he’s going to be on the Olympic team, with Hinata, maybe? Foreshadowing, perhaps?

3. Okay, okay, I held it together until this page. 

It wasn’t Ushijima’s panel with Washijo that got me.

It wasn’t Saeko and Akane reuniting, though that was sweet. 

It wasn’t the three “Pure Captains” reuniting, though it made my heart happy.

It honestly wasn’t the five first years together, either. They’re all so happy and having a laugh at Kageyama’s expense, and as beautiful as that panel is.

SUGAWARA IN LINE TO GET KAGEYAMA’S AUTOGRAPH.

That is what got me. 

Him in line, so meekly, to get the autograph of his kouhai, the man Suga joked would have to tell about how much he learned from HIM when he was giving out interviews and autographs...I just...Sugawara made me cry. That is all. 

2. Then there’s this last page. 2021. 

"We overcame difficulties and stand here.”

Furudate really said “screw you” to Covid messing up the timeline.

Yes, seeing Kageyama and Hinata in their original jersey numbers was amazing, but I think we all saw that coming if these two happened to get on the Olympic team. 

What I want to focus on are the two countries we see included in the bottom corner here. We see: 

Brazil -- and some fluffy haired man carrying the flag for the team.

And we see the United States -- there’s several American Flags and stars and stripes on the shirts of the crowd, there.

SO, HEADCANON TIME: 

* Oikawa was on the Argentinean League, so could he play for Brazil? It’s not likely, but not impossible....BUT, I don’t think that’s it.

I don’t think Oikawa is on Japan’s National Team for the Olympics.

If he is on the Olympic Team, I think he’ll be on America’s. 

Why? Because, and this could be because I’m the biggest IwaOi shipper, but Iwaizumi was still in the United States with Ushijima’s father at the end of Chapter 395. And if he’s still there, there is no reason why Iwaizumi couldn’t be a physical trainer alongside Ushijima’s father for the U.S. Olympic team. And why wouldn’t Oikawa trek over to the States to be on the same team as Iwa-Chan’s working with? I’m probably wrong, BUT -- 

We also still need to see Seijoh’s banner, and as others have theorized, how fitting would it be to see Hinata, Kageyama, and (probably) Ushijima on the team facing Oikawa? I just....I’m betting money that Oikawa shows up in 402. I hope we at least see him on the Olympic Stage. OIKAWA DESERVES IT. 

1. So, who are we missing that hasn’t been shown yet?

We still need to see the rest of Nekoma (Lev, Yaku, Yamamoto, Kai....could they be in the stands or on the Japan team? I guess we’ll find out!)

We haven’t seen Daishou and Mika -- I would love to see them watching or narrating in the audience during the Olympic game.

And finally, yes, we’ve seen Tendo in the Chapter 395 flashback, but we’ve never seen what he’s DOING. Furudate has shown us with every character what they’ve been doing since the timeskip....EXCEPT TENDO. I’m calling it that he’ll appear one more time next chapter, too.

So....guys....I’m staying off of Social Media from Wednesday to Sunday next week, to prep for the last chapter and not be spoiled. I’m going to do a live reaction for YouTube, and I’ll post it here. You can see the one I did for 401 now. 

Furudate, this series has been immaculate. Time for one more round.

Let’s all cry together next week.

[traincat]

Disregard my last ask because the latest issue raised a troubling question that I, as a black man, feel the need to clarify with you, a woman. That whole whole Ned Leeds/Betty Brant business is sexual assault via deception right? Like you know more about Clones and Spider-Man 616 than I but I feel like that’s besides the point because it happened to Betty. She is carrying the child of whom she thought was her dead ex-husband. And Ned clone has to know he is a clone. He has to know. Unlike Ben and Kaine, he has the awareness and information of the Jackal and the awareness of his progenitor’s death.

Or am I reaching too far and reading too far into things?

I'm glad you came back and asked this specific question because it's definitely something I have a lot of thoughts on, and I’m glad you asked my thoughts on it as a woman because I think this is one of those comic book storylines that’s hard for me to divorce that fact from -- the fact that I’m a woman definitely plays into how I view this storyline specifically and how it effects me, in ways I don’t think were necessarily intended by some of the writers involved in its ongoing arc who were not looking at things from the same perspective I’m coming at them from. I definitely don't think you're reaching or reading too far into things -- I think that is what's being presented on the page, albeit likely without authorial intent. Just as like a general disclaimer, I'm not closely following Spencer's run for the sheer reason that I'm not enjoying it very much, although I'm aware of the general directions it's taking through friends and social media. But I actually think this Betty/Ned issue goes back pretty far.

First things first, I think Clone Conspiracy really wreaked havoc on how Spider-Man as a series has always handled clones. Pre-Clone Conspiracy, there was a very clear clone narrative going on: clones are their own person, they are not direct copies or replacements of the original. You see this with Ben Reilly and you see it with the Gwen Stacy clones. Clones are treated as their own individuals, even if they have to struggle to get to that point -- there's even an issue of Spider-Man Unlimited where Ben and Betty go on a date. Betty doesn't know that Ben is Peter's clone -- he's introduced as his cousin -- and they both reflect on how you can't go back to the way things were. So even though Ben has all of Peter's memories regarding his initial romance with Betty, the narrative makes it clear that Ben and Betty cannot recapture that connection or that exact relationship.

Here's where Clone Conspiracy changed everything, in my opinion for the worse: Clone Conspiracy's clone narrative is that these clones are, essentially, the original person. I believe the Marvel wiki still actually lists the end of Clone Conspiracy as 616 Gwen Stacy's issue of death instead of Amazing Spider-Man #121, because Clone Conspiracy treated that Gwen not simply as a clone with all of the same memories, but as essentially Gwen resurrected through a cloning process. The Billy Connors who was cloned is treated as the same Billy Connors who was killed by his father in Shed (Amazing Spider-Man #630-633). And the clone Ned is treated as the same as 616 Ned. This is a mess, to put it simply, because it goes against all the previous Spider-Man cloning narratives and, honestly, most popular sci-fi clone narratives, and it's seriously undermining decades of good Spider-Man storytelling in ways that Slott didn't address and that Spencer seems unwilling to. It probably wouldn't have been a very big deal -- a frustrating one, but not a big one -- if all of the clones had perished at the end of Clone Conspiracy, but they didn't. Billy Connors escaped, and it's immensely frustrating to me to see Peter treating the Connors family reunion as something he can tolerate when Curt Connors ate his kid, and the Ned clone slithered away in the gutters to, I assume, spite me personally.

Which brings us to the current Betty Brant storyline in Amazing Spider-Man, where Betty has showed up heavily pregnant and informed Peter that the child is Ned's.

Yeah, I would say this is in fact the worst possible part. (ASM (2018) #67) Just speaking for myself, I'm generally not anti-pregnancy or baby storylines in comics, but this one is making me very uncomfortable for reasons beside Spencer being apparently unable to find any way to fit Betty into his stories without her showing pregnant.

So I'm actually going to take this back way, way to when Betty and Ned first got married, with some explanation of who Ned Leeds is for the uninformed, because, especially with the MCU's Ned Leeds in the mix, he's not exactly the world's most well known Spider-Man character. (I’m sure @ubernegro, who is much more well read on Miles Morales’ canon than I am, has thoughts on how the MCU’s Ned borrowed heavily off the character of Ganke Lee with a 616 Peter Parker character’s name pasted over him.) Ned was initially introduced as Peter's competition for Betty's affections -- Ned was older than both Peter and Betty, a working reporter, and presented as the more "stable" option compared to Peter, who of course Betty vastly preferred before circumstances tore them apart. Ned and Betty married in Amazing Spider-Man #156 and jetsetted off to Europe for Ned's job. This is where the cracks in the marriage began. Betty later reveals that she felt abandoned by Ned in Europe, to the point where she was able to come back to New York without his immediate notice -- as a woman, it's very easy to read their relationship at this point as being one filled with, if not abuse, then emotional neglect. Betty and Peter have a quick extramarital affair at this point -- Peter has just broken up with Mary Jane and Betty claims she and Ned are separating -- that persists until Ned returns and punches Peter over it.

(ASM #193)

(ASM #229) Betty and Ned reconcile off panel shortly thereafter, but that's pretty far from the end of the story. It's implied that the problems Betty and Ned previously had start to develop again, namely that Betty feels abandoned by Ned, that he is inattentive and, again, as a woman, it's hard not to read it as emotional neglect, if not abuse -- yet. Betty does start another affair at this point, this time with Flash Thompson, and Ned starts acting strangely. It would later be retconned that he was suffering the effects of hypnotism by the Hobgoblin, but like I said, that's a retcon, and what was happening at the time was that Ned was acting erratically in part because he was the villainous Hobgoblin. Ned becomes controlling, threatening, and verbally and physically abusive towards Betty.

(ASM #284)

(ASM #283) "I suppose you think it's all right for a wife to cheat on her husband!" "No -- but I won't let you hurt her, either." Leaving aside that Peter also had an affair with Betty, something he's conveniently forgetting in the above panels, I've always really liked this exchange, because the narrative makes it clear through Peter's response to Ned that, whatever the audience may think of Betty for cheating on Ned, it is reprehensible for Ned to publicly humiliate her and/or physically abuse her as a response.

Then Ned Leeds dies in Spider-Man vs Wolverine and he's revealed as the Hobgoblin posthumously shortly thereafter and that remains canon for years and years until it's later retconned out, as comics are wont to do. But that's not really that important for this conversation -- my point being, at one point in Spider-Man canon, it's made fairly clear to the reader that Ned is an abusive husband. He emotionally neglected and abused Betty several times over and physically hurt her at least once on panel, with the clear intent that the reader should realize that he is physically hurting her. So for me as a reader and as a woman, this has always been a really uncomfortable relationship. I have a problem with later Spider-Man comics claiming that it's "not Ned's fault" that he abused Betty because of the retcon that he was hypnotized, and I have a problem with the MCU making Betty and Ned into a cute summer fling in Spider-Man: Far From Home, because I feel like Ned's clear abuse of Betty either gets excused or entirely glossed over. And I don’t think the initial abuse storyline is bad -- I think there’s some amount of value in portraying Betty as a woman who marries too young, who experiences a terrible marriage, and who then spends years recovering from that marriage, which was the case up until they retconned Ned’s abuse of her as a side effect of him being controlled by the real Hobgoblin. What I’m specifically uncomfortable with is the post-retcon attitude that since Ned didn’t really mean to abuse Betty, it’s perfectly fine to portray the relationship in a positive light when even before Ned’s abuse became physical that wasn’t the case. I think that’s ultimately really irresponsible storytelling.  As a reader, I’m not against soap opera style storylines -- someone getting impregnated by a cone of their ex-husband seems pretty par for the course. But there’s so much additional context here that I still haven’t entirely processed how I feel about this Betty storyline, except that what I feel isn’t positive.

So yes, I would agree with you when I say I think there’s quite a lot of deception involved in Betty’s pregnancy storyline -- the Ned clone didn’t tell her he was a clone, even though he had full knowledge of that fact, just as he had full knowledge of how badly the original Ned treated Betty over the course of their relationship -- that renders their sexual encounter and Betty’s pregnancy uncomfortable for me as a reader, to put it mildly. I don’t think it’s out of character for the Ned clone, given that he acts much like the original Ned: he’s selfish and controlling, withholding information from Betty to suit his own needs. The tragedy of Ned and Betty isn’t that Ned died, as more recent Spider-Man stories like to portray it -- including this one, where Betty doesn’t have the knowledge that a) the Ned she reunited with was a clone and not the original and b) that that clone later died. (ASM #816.) The tragedy is that writers continue to force Betty Brant into Ned Leeds storylines instead of letting her as a character grow past him, and that the only way Spencer thought to include her, one of the longest running Spider-Man characters, back in the story was to have her appear starry-eyed over carrying the child of (the clone of) her abusive ex-husband, and the tragedy is that nobody writing more recent Betty and Ned interactions seems to realize that Ned was a villain not because he was briefly the Hobgoblin but because of how he treated Betty.