I need Oscar on a podium with amazing atmosphere. Don’t get me wrong, Monaco was great, but it was entirely Charles’ podium.
Oscar deserves a podium, a win even, with two people on the podium with him who don’t have beef with each other/Oscar himself, and are actually happy or at least satisfied with their result.
congratulations to Mme. Pascale Leclerc, who has surely just experienced both the funniest and most unhinged weekend a mother could ever have. Dear fucking christ, I hope your middlest son brought you a bottle of champagne for yourself, ma'am.
Clara is an extremely tragic character, but the thing that hurts my heart the most is her relationship with her Saburovs. she’s a little girl who needs and clearly wants loving parents, and the way that she gets this olive branch extended to her in the form of a mother and father, only to have it brutally severed when she’s disowned is so sad. the way she then mourns the loss of her relationship and stability only adds salt to the wound, like how she cries to the Albino about Katerina or how she runs to Anna Angel’s house to hide while sobbing because she was just cast out and is being hunted. again, she’s a child who needs a family, but even that isn’t given to her, and she never gets it back.
i’ve actually yet to read them all (it’s gonna take a while as i’m on arc 4 right now lmao), but power of three is one of my favorite arcs so far so i’d have to say sunrise is my favorite book !! i am the number one hollyleaf defender
Sparkstember Day 16: Gratuitous Sax & Senseless Violins (When Do I Get To Sing "My Way")
So, well, what an era this was, right. Comeback of the century! Gratsax just has that certain *something*. It's brilliant! One of the best albums ever made if you ask me. The fully electronic style is so perfect for Sparks and they just do it here like it's nothing and like they've been at it for many years. Of course there's the hiatus that took place in the years before it to keep in mind but even then, this album is a HUGE accomplishment and an incredible standout in a catalog of releases that's already full of standouts of all sorts. And it's definitely a personal standout for me too, thinking about how it's been almost a year since I first heard it really freaks me out! It was such a different time for me I feel like, but many things are also exactly the same as back then. It's weird to feel nostalgic about it now but there's really no better word to describe what this feeling is like exactly.
I think this album is meant for vinyl listening in a way. It just fits it so well!! And it's not just the quality to the sound that it has this way (and I don't mean that it sounds necessarily "better", more like just, different and that somehow complements the music even more), but also the ability to have an actual good view of this wonderful album cover that's among my top favourite Sparks things ever. So cool looking! So funny and memorable! One of the finest instances of the music sounding exactly like what the cover looks like. (and learning that the cover is a homage to a SPECIFIC magazine rather than just tabloids in general, that only made it more amazing because it really does look so alike, stuff like this is really cool to me for whatever reason lol)
Also I like the fact that I bought this silly little "disco" lamp around this time last year, so plugging it in for extra vibes during listening makes it all just kind of perfect. And another thing on the visual aspect of it all: this is such a good era for music videos, they're all SO GOOD! Some of my very big favourites for sure and the My Way video might really be one of the best music videos EVER MADE.
But ok, let's get to the point now. Something that stood out to me right away is that every song here is so unique but they fit together so well anyway (not first instance of such thing happening either). There's really lots of variety! I also remember this album fondly because of how it was the first one I listened to with my parents and when my Sparks obsession truly started to become one of the most noticeable things about me to other people, lol. But finally feeling more free and confident with sharing my favourite things that mean so much to me with others is such a wonderful thing anyway, I'd even argue that it helped me live my life more fully than before! And yeah, it's mostly a remark they (my parents) made, that this album nails the balance between keeping to a certain style and offering something new with each song. It's such a wonderful journey!
Alright, once again getting carried away a bit here even though I had no ideas earlier for what to say today. Highlights time then, which is also a bit of a problem because besides one special favourite this album has no spectacularly outstanding highs or any lows, it's all just equally amazing. But I'll try anyway, as I always do.
Favourite songs (and other highlights):
When Do I Get To Sing "My Way": my parents absolutely love this song and well, I do too. No suprise that it's among their most beloved and well-known songs, it really has it all, and it's one of Ron's very best when it comes to lyrics, without a doubt
Frankly, Scarlett, I Don't Give A Damn: so so atmospheric and special, I really like the vocal filter of sorts that's used here, it's just, so cool sounding all around!!
I Thought I Told You To Wait In The Car: this was my LEAST favourite at first but I grew to really like its unhingedness and the part with all "the CAR!!"s on top of each other is just peak of it all and funny as heck
Hear No Evil, See No Evil, Speak No Evil: one of my favourite of Russell's vocal performances! This one and Scarlett are a bit of a duo to me, both simply beautiful songs
Tsui Hark: I LOVE the sound of this one, the piano plus the synth and the spoken word lyrics make this kind of combo that makes it feel like I've already known this one for years and it's just... always existed (which is a term that will apply to a lot of 21st Sparks material anyway, so, that's something to look forward to)
The Ghost Of Liberace: such a big comfort listen to me, I just love this one, makes me feel so at home!!
Gratuitous Sax & Senseless Violins: shoutout to these too because I feel like they might be easy to overlook as these very brief pieces, but they're that extra element that just, really cements this album as a wonderful whole with something to unify all of it into this package of wonder of all sorts
...And then there's the many bonus tracks also, which I'll just mention briefly since I almost forgot about them and because, yeah. I love them all, but the closest to my heart are Love Can Conquer All, She's An Anchorman, She's Beautiful (So What), Mid-Atlantic & This Angry Young Man (Ain't Angry No More) ((and the RON VOCAL VERSIONS OF THEM)) and Katherine Hepburn (love the whole Christi Haydon EP (and Christi is so cool and awesome I need to say that too today) and I should listen to it more, the Boris The Spider cover is fun as heck also)
And now bonus video for no reason from (almost) a year ago, because again, the nostalgiaaaa. (Back when I didn't have a shelf for my record player yet so it took up half of the space on my desk lol)
Until Dawn is a game where YOUR CHOICES AFFECT THE STORY. That is the core of the game. I don't like the idea of the movie definitively saying 'these are the canon choices', but then again, maybe it's one path...
The story is also tailored to the player in a way. Like, if you say you're scared of needles in the segment with Dr Hill, the killer will chase you with a syringe instead of a tank of gas. They're probably not going to be able to adapt that, which is a damn shame...
There's something unique about Until Dawn that I don't really want lost in adaptation.
There's also the issues with the monsters in the game being of Native American origins. I cant speak for how accurate or respectfully they've been represented in the original game as im not Native American (from what I've gathered, their appearance is better than some other uses, but thats about it), but if they're going to use them, it's better done with someone from the Cree tribe (the tribe used in the game, if i remember correctly) at the helm. Also, please cast someone of Native American descent as Jack Fiddler.
So yeah, I really love the game but it is a game which needs to be adapted with respect and sensitivity.
human nature/the family of blood is such a conundrum. because it has some excellent acting and bits of writing but also treats martha horribly in a way that is not necessitated by the plot.