#tommy infodumps

[cripplestein]

has anyone done this yet

[nomeaynfoeye]

HLVRAI TMA AU (BP edition)

Hoo boy! Here we are! This post is going to get LONG because I am SO fucking autism about this shit. Like infodumps, TMA and/or Hlvrai? Stick around! Don't? Last chance to scroll by.

Inspired by @corvidaeconundrum! Their HLVRAI/TMA stuff inspired me to post my version.

General info:

This is a game au! The game the player ends up getting was an experimental rip of Half Life to bring the Fears closer to a nonexistent world, and see if they could affect lives that technically do not exist. (Aka some nerdy avatars decided it'd be a fun little side project to generate more fear) Unfortunately the project was eventually deemed a failure and given away to some poor soul for shits and giggles. That poor soul ends up being the player, getting more than he could've bargained for.

Gordon:

(I don't have a drawn ref for Gordon because I forgot to save Krita right as I was coloring him in :') I'll upload him when i have the motivation to try again.)

As the player proceeds through the game, they find themselves accepting the role of Gordon more than their own identity at times. While parts of themself are integrated into Gordon (their son, dreams to be a streamer, etc.) they eventually fully accept Gordon Freeman as who they are. Gordon does eventually become an avatar. Throughout Black Mesa, Gordon is often confused, and denied any sense of logic in his mounting terror regarding the situation. As he's ambushed by the military, and his hand is sawed off, he's faced with a choice. He can stay here, and die confused, alone, and afraid, or he can go home to his son, a mess of inconsistencies and terror. He takes a knee and submits to the Spiral, taking on the burden of insanity as an identifying trait. When the game is turned off and put away, he finds himself still embodying Gordon Freeman and the Spiral in the real world.

Dr. Coomer:

WARNING! Clowns, existentialism, and body horror regarding eyes

Harold P. Coomer has been a loyal employee of Black Mesa long before Becoming an avatar of the Stranger. Faced with confusion in his identity, and a few failed experiments, he found himself in avatarhood. More than anything, he doubted himself as a real person. Of course, this thinking was absurd, and he often relied on his friends to anchor himself as somewhat human. A person who mattered. But with the first glimpse outside of Black Mesa, an unloaded map with half-finished textures, enemies as still as statue, unaware of their own existence... He Knew. He Knew none of it was real. That he wasn't real. He Knew that every time he had grounded himself, told himself he was real... that it didn't matter. He's been proud of himself then, for calming down. Now he's distraught more than anything as he takes on a new burden: The Eye. After being separated, he collects the old parts of himself. Damaged, rejected pieces left behind after experiments, he stitches them together, fuels them with the same rage he feels. After Gordon and Tommy fight their way through, he feels conflicted. He takes a while to think. To reflect. To realize that it doesn't matter how he exists or why. He was made with purpose. With love. To be someone. With a new perspective gained, He rejoins the Science Team.

Bubby:

The perfect scientist was hell to create. It needed time, wastes of Government money, and sacrifices. Through this, Bubby was eventually created, a born avatar of the Desolation. Keeping him sustained wasn't easy, either. A couple phones with heartfelt memories a week usually satisfied him enough to be cooperative. But despite his nature, Bubby found someone he cared about. That he'd never take anything from: Dr. Coomer. The two bonded instantly, becoming best friends in a matter of days. One night, they managed to sneak out. Arson was committed, ice cream was bought, everything was going perfectly. But as night fell, Bubby discovered a new desire. The stars in the sky. He almost wished he could reach out and touch one. During the escape from Black Mesa, he almost achieved this dream. Climbing on top of the rocket, he reached for the atmosphere, before he stumbled and fell. The fire felt cold as he dropped. It was an experience completely alien to him. He'd been confined his entire life, yet the open sky greeting him as he plummeted terrified him more than anything, and the Vast made a connection. When he hit the ground, he saw stars... and nothing else. The voices of the people he cared about echoed in his ears as his own felt incredibly distant. Realizing he'd never actually see Dr. Coomer again, he wondered if this was what it was like to have everything taken from you.

Tommy:

Nobody really knows where Tommy came from. Not even Tommy himself. All he knows is that he has a dad, a dog, remembers the entire OSHA handbook cover to cover, loves bayblades, and his favorite thing in the world is soda. He knows that all of this isn't real. He knows he's an avatar of the Spiral and the Stranger. He doesn't really care. He wants to go home, eat dinner, and walk his dog.

BENREYBENREYBENREYBENREYBE?:

WARNING! BENREY'S DESIGN IS INTENDED TO CAUSE CONFUSION, DISORIENTATION, AND EYE-STRAIN

Barney Calhoun was something of a klutz. So it came to the surprise of no one when he stumbled through a door and never came back. All anyone knows is that Barney disappeared one day, and Benrey showed up. He wants out. He doesn't know how he got here. He knows it isn't real. He wants out. And he's going to do anything he needs to get to the real world.

Sunkist:

WARNING! Body horror and eye contact ahead. She's a good girl I promise :)

Tommy's beloved dog, and avatar of the Flesh. Did the team a favor and "disposed of" (integrated) the bodies they left behind. Looks like she got an earring out of it, too. Oh by the way she's fucking MASSIVE. Clifford-looking ass dog.

Forzen:

(Haven't drawn him yet. He looks basically the same.)

Just wants to graduate. He doesn't know why these guys look so weird or why their fucked up dog considers him a chew toy. Maybe if he survives Sunkist he can go home. Maybe.

Darnold:

(Also haven't drawn him. Is also basically the same.)

Just works in the mixology department, and is the only normal human at Black Mesa. Friends with Tommy, refuses to let his coworkers eat radioactive materials for funsies.

And yeah, that's basically my interpretation of the AU! I'm still working on concepts regarding it, but I just wanted to get this out there.

[progressive-waves-art]

A Very, Very Unfinished Pile of Theory of Everything Headcanons (Ayreon)

Last semester, my English final was a presentation relating the overall theme of the Forever saga to that of the more popular works of H.G. Wells. Details of that argument aside, the thesis was that Ayreon’s emotional core was the presence of small-scale acts of love juxtaposed against large-scale existential tragedy, balanced in their individual power. That we are messy and self-destructive, and in the grand scheme of things we mean very little in the universe, but we are resilient and alive and human and that has to be worth something.

I really like this aspect of the main story, and it got me a perfect score on that assignment. It had a ten minute time limit and I was fighting for my life to stay under it. While I was downsizing the script, I couldn’t help but think of an earlier idea I had drafted about how The Theory of Everything on its own was a really incredible example of the mad scientist archetype turned completely on its head (it was a science-fiction analysis class). Specifically how that script was almost three times longer than the original H.G. Wells one, that took me a solid twenty minutes to read aloud. 

I literally wrote an hour long lecture about The Theory of Everything. No headcanons. No extra theories. Literally just picking apart its canon plot. 

I think this is why I have so little extra writing for it. The story as its given is airtight and just…fucking incredible. Arjen wrote it with a very clear theme in mind like he did with Transitus, but TToE isn’t missing half of its story because he couldn’t pull in the cash to make a movie out of it. You can feel the intention behind every single character, they feel like real people, it has so many layers to it and it is literally, objectively, the greatest prog album ever made. Fight me. 

But anyways: For lack of better phrasing, there isn’t much to “fix” in that sense. Almost all the headcanons I have for The Source or Transitus boil down to a few things:

I was being self-indulgent with a favorite character and it snowballed into a genuinely informative trait/subplot that informs the main story (a certain hc I have where Henry just fucking shoots Daniel in the back by mistake sometime between Two Worlds and Talk of the Town, turning into this weirdly effective commentary of how Daniel is conditioned to his brother’s shitty behavior and Abby hauling ass to get him out of that headspace)

I am curious about aspects of an album’s worldbuilding and get a little excited while filling in the blanks that were perfectly fine being left alone (doing mental gymnastics trying to build a version of The Source where these five academics, three politicians, two religious figures, one robot and one random spaceman viably know each other)

The rarer option that I am genuinely disappointed by how a part of the story was handled and completely ignore this small part of canon to make the overall story be more effective. Or attempt it, at least (Lavinia’s entire character undermining Transitus’ themes and her contradicting her own motivations, and me, in turn, just writing her character from scratch while keeping with the basic story beats [her seeing ghosts, doing shady shit with Henry, etc.])

But with TToE I’ve felt very little need to do any of these. If I were to really dive into it with intention I think I would start building off of the whole bank robbery plot in Phase III (just a slightly weirdly framed plot point for me), but I haven’t thought about it. It’s not that glaring of an issue and there’s few other places in the story where I think adding anything would make it more effective. 

This isn’t to say that Transitus and The Source are objectively worse in any sense, but they leave a lot more up to interpretation, allowing me to write so many add ons that they become structured and essential to each other’s function. 

It’s fun with those two albums. With TToE I really have to look for cracks to fill and it’s kind of useless. 

Not entirely, though. I’ve got a few hcs, and maybe they’ll warrant dozens of google doc pages of context one day like the other two albums: 

Two central things sparked curiosity. Setting, and how the parent characters came to hate each other that much. Naturally. 

This started four-ish years ago when I was pacing around my parents’ house with TToE on the mind (as it often is), and my brother put on this show called His Dark Materials. I watched the intro to it all of one time and just…knew this was the aesthetic TToE should have.🔗 At least combined with dark academia. It’s an album about physics and ghosts, that seems reasonable enough. 

…funnily enough, as I later found out, His Dark Materials itself has a very dark-academia-esque vibe, and the plot is entirely based upon the intersectionality between science and mysticism and trivial human attempts to make sense of it. 

So. Pretty fitting. 

This really stuck with me, and a handful of the characteristics of the show and books became the basis for the way I picture The Theory of Everything. Mainly the visual aesthetic, like I said, but also the fact that the story starts at a parallel version of Oxford University. I don’t have some giant case study for this like with Transitus/New England. I just think it’d be a cool and vibey setting. Maybe it’s the American in me but there’s something about a thousand-year-old college with a campus made of literal goddamn castles that borders on the fantastic. 

From there, you have a decent excuse for The Prodigy to run off to Ireland, where you can choose from one of like 200 different pretty little isolated lighthouses for him to lose his mind in, far enough away for him not to be found as long as he did. Not to mention it lowkey matches with the overt Celtic influence of the music. Or Scotland, if you want some weather symbolism from the North Sea. 

Solid setting, if I say so myself, and it actually influenced the family’s whole situation. Here, The Father (Mike) is a physics professor at Oxford, and The Mother (Cristina) is the director of the Bodleian Library. It’s how and where they meet in 1991 (though the mother is in an attendant position at the time), as shown by the only part of this I have drawn out:

They hit it off, and marry in 1993. Their first and only child is born two years later and they love him half to death. Everything is more or less nice and normal. 

In 1996, Mike stumbles into “proof,” more or less, of the theory of everything being a singular, solvable equation through his work, practically by accident, and begins focused work on it with enthusiastic support from his wife. Life is going great, Cristina is promoted and the two are balancing things well enough. 

The boy shows little to no social development into his toddler years, but his parents don’t think much of it. His father was similar at his age; they’re not worried. They even go as far to say he’ll turn out just as ambitious and smart as his dad and relatives, coworkers and family friends go along with it, setting insanely high expectations for this literal three year old. Mike keeps working on his theory. 

The boy enters preschool at age four; still no improvement. Just isolates himself and draws indiscernible patterns on everything you put in front of him. His parents finally try to intervene to some degree, hiring private instructors and talking with some other psych/child development people they know through the university, to no avail. Nothing changes. He just stares off into space, doesn’t interact with any of them and supposedly doesn’t pay attention to lessons. He still isn’t speaking. Cristina is finally concerned

Around the same time, Mike makes a significant breakthrough in his work, gaining worldwide attention. He receives massive grants from in and outside of Oxford to continue his work, and quits his teaching job to make more time for the endeavor. Cristina is left as the family’s sole provider. She understands and is in agreement on that decision, that’s not the problem yet. The problem is that Mike is becoming more or less indifferent to their son hits five, not seeing any previously projected greatness he was supposed to have in his father’s footsteps. Cristina, much more conscious of balance in her life and how having kids works, isn’t sure what to make of that. Their relationship starts to strain. 

From there, as Mike keeps working, Cristina takes the kid to all sorts of specialists around England but none of them can pinpoint what’s “wrong” with him. She tries much more actively to connect with him like they’re telling her to (though she still enrolls him in the university’s affiliated primary school program, against their suggestions), bringing him everywhere. Buys him little memory games since that’s all that seems to hold his attention. She’s past any belief of him being some secret genius like his dad, not that her opinion of her husband is super positive at this point anyway. She’s just dead-set on her son having some sense of normal in his life. 

By 2002, Mike has completely secluded himself and works nearly constantly. He has made no progress on his theory since 1999 and the fame garnered from his breakthrough has faded. The family is running out of money and Cristina is exhausted. The boy is ostracized at school and still (almost) totally nonverbal. Her coworkers keep suggesting these weird holistic remedies that she refuses. She knows better than to fall for all that new age, pyramid scheme bullshit. 

The son’s condition, whatever it is, worsens until mom, desperate, puts her foot down in 2008 (or “gives up,” if you wanna put it like that) and drags her husband and son to this private practice in Scotland she was told about by a friend, suspicious but ready to put up with anything at this point. 

😐👍

[i3utterflyeffect]

Green gets teleported into rhythm doctor and meets your oc Avec, what happens?

avec probably would immediately point at green and go 'HOLY SHIT FRIEND.' however due to Plot Reasons xe should probably not be in contact with a digital being. that would probably be bad for green and also avec. because let's just say they subsist on electrical wavelengths :)

[4ullbloom]

TLOU horsegirl crossover here.

I'm so excited to see what horses they pair up with the rest of the actors as you can tell a lot about someone from the horse they're paired with.

Riding is fucking hard to learn as an adult or as someone who doesn't have a lot of time each week to dedicate to it. I commend any actor who takes the time to learn and get to a camera ready level for it.

As a former equine stunt performer I'll let you in on a TV tidbit -

Friesians (long haired, black coat, thick necks and feathered feet) are given to less experienced actors a lot of the time because the horse is very good at learning its job and keeping their rider onboard. (There are exceptions of course.)

Mozark is going to keep Gabriel nice and safe and make him look like such a fucking badass!

[explosiveunderscore]

fucking hell it feels weird being in my old cell

[becauseplot]

in other news, last night when i couldn't sleep and i was thinking about poa!philza, i had the craziest fucking idea to try to revamp my old botw x dsmp crossover but instead replace all the characters i didn't want to write anymore with qsmp characters. i'd be replacing characters like the Hermits from Hermitcraft---who i don't rly watch anymore and were mostly just there for filler roles---and uh, you know. coughdteamcough. (ugh sorry got some shit stuck in my throat. no idea what that was about. anyway,) i'd be making a behemoth of a crossover: dsmp x qsmp x botw. the original concept was already crack-y enough, and now im chucking in another mcrp server. what could go wrong?

if i genuinely want to do this though im gonna need a college-lecture-room-sized whiteboard three different colored markers and several hours because fitting everyone into spots and adjusting the lore and worldbuilding to accommodate them all without losing the hallmarks that make these characters them is a tall order, ya know? really i just miss my botw crossover :(( the sillies :((((

[princeandreis]

i love wilbur soot. guy’s got “autistic” written all over him

[joyflameball]

Okay I have never ever watched or played anything Half Life and everything I have ever seen about this game has been from you. Why is Benry a catboy in some drawings but not others? Is he really not catboy representation? Are there canon trans characters? /gen /lh

Okay so! HLVRAI isn't Half Life, there is a difference. Half Life VR but the AI is Self Aware (or HLVRAI) is... A little hard to explain. It's basically like. A comedy series where the main character is in VR, the other characters are basically actors in Gmod fucking around, and they're VEEEERY loosely following the plot of Half Life (with major changes). Also it's the greatest thing you will ever watch in your life it's on YouTube go watch it it's comedy gold they wipe out the US military

Basically, the protagonist is Gordon Freeman, the "straight" man to the rest of the Science Team who are all fucking weirdos and I love them. You have Tommy, who drinks soda for lunch because it helps him see faster and has a drawer full of tictacs (he's the most normal one besides Gordon); Bubby, who was created in a tube and is a fucking asshole (affectionate); Dr Coomer, who's a bit of a glitchy tutorial character and honestly anything else I could say about Dr Coomer you have to experience for yourself holy fuck; and then you have Benrey. He's Benrey. I could try to describe Benrey but I think I'd fail. He's a gamer. He's an eldritch horror. He breaks laws regularly. He refuses to let the protagonist break the law. He's a fucking creature. He just wants to play video games. He's head over heels for the protagonist. He and the protagonist hate each others guts. He's in a love-hate relationship with Gordon meanwhile Gordon's in a hate-hate relationship with him. He won't let you do shit without your passport (and it's a major plot point). He was even autistic. What a guy lol

Be warned that if you do watch it, there's a lot of blood, guns are the main weapon, there are some NSFW jokes, and in Act 3 onwards there are themes of unreality and suicide (actually I wouldn't really call suicide a theme, it's just that one of the characters is canonically incredibly suicidal). If blood or guns are a squick or a trigger for you I'd recommend skipping out on the series as there is. A lot of that. There aren't many NSFW jokes in the whole series (and the ones there are personally make me a sex repulsed ace lose my fucking mind but that's just me), but they are still there, especially in the second half. And the unreality and sucide stuff only really comes up in Act 3 onwards.

(And to the sadness of all, Benrey is not a catboy. However the fandom collectively agrees that if one member of the Science Team had to be a catboy it'd be him so he's a catboy at heart)

As for trans rep, there are no canon trans characters (although everyone collectively agrees there's no way any of these fuckers are cis), BUT Dr Coomer's actress IS a trans woman, and take this one with a grain of salt but my good friend @dimonds456 told me that there's apparently a clip where in a game where she was chasing them around in a game with a sword and repeating "Gordon Freeman miku binder."

I have NO IDEA what the FUCK was going on, what the context was, what the fuck she meant, any of that shit but uh. Gordon might be canon trans. And use a miku binder. Do with this information what you will.

[nicotje]

.

[cripplestein]

the definition of twink death dilf birth

[halftheway]

Look even if Dream wasn't so, MMM (canon horrors) in your universe, I think Tommy deserves to throw rocks at SOMEone. It's in his blood, he's not all soft, he IS a rock. I'm thrilled he's getting assistance (for the horrors) but if anybody were to actually reap repercussions, it can't be Sam, it has to be our Tomathy

he downgrades to pebbles bc he's like. trying to prove he's a better person than dream and deep down tommy doesn't actually want to Hurt anybody (seriously, anyway), not even dream, but he Does want to get at least a little revenge for The Atrocities bc in open arms dream is still. dream. and did kill tommy in the prison but being locked away and shit for so long actually changed him and he's kinda broken now too which is why tommy feels bad. it's very complicated and messy and they both have a lot of work ahead of them.

not to get Too Meta but one of the big things i think ppl forget is. dream's a person. both c and cc he is just a fuckin guy at the end of the day & smth that i've been tryin to drive home within open arms is that if people Want to grow and change from past behavior we have to let them try. a big part of later chapters in walk towards love is tommy learning that and struggling to make peace with it

[nyamcot]

I lover infodumpijg ab puyo its so fun (I am not normal at all and have so many headcanons that do not make sense to anyone but me)

[i3utterflyeffect]

also btw red has a tarantula maybe more. all of their pet's names start with R and their first tarantula's name is Ruby. i say first because there is a definite probability that Red gets more than one

[boygirlctommy]

ugh ive been uploading portfolio stuff for like 2 hours -_- im so tired

[seventeenpins]

a slight miscalculation - pt. i

pairing: Joel x F!Reader

word count: 8.3k

summary: Sarah is off to college, and Joel is about to be living in an empty nest. They road trip out together, and as she spends her first night in her new apartment, he's staying in a nearby hotel. Letting go of his inhibitions for the first time in a long time, he tumbles into a one night stand that becomes very complicated, very quickly.

content/warnings: smut, age gap, mycologist!reader, dick sucking, implied pussy eating, fingering, no outbreak au, reader likes to hike, reader also infodumps, joel miller has a big cock, he also has anxiety, reader has anxiety too, and a cat, reader is in early 20s--exact age not established, one (1) use of daddy, alcohol and weed consumption, joel is a diligent condom wearer, set in present day, discussion of girl scout cookies, joel is sweet and soft and hasn't been eviscerated by the death of his daughter

a/n: I'm intending this to be about five parts. This may change, but right now it's looking like five. I've been struggling to write for a while, unable to focus, but I think I'm back at it? as always, your feedback is hugely appreciated, and i'm kissing all likers and commenters and rebloggers deeply and with tongue 🩷

check out pt. ii

For the first time in nineteen years, Joel is completely adrift. Sarah's starting college in just two months.

It's the kind of realization that hits him like a bucket of ice water, a sudden shock and then an unpleasant trickling of anxiety wrapping about him in nasty tendrils. And then he feels guilty, because he's so, so happy for Sarah because he knows that she's thrilled, but fuck she's gonna be two time zones away and now what's Joel meant to do on Thursday movie nights when he's here without her?

It's terrifying, and it's new. And it's not that he's new to anxiety. He's usually anxious, and he has the Sertraline on his bedside stand to prove it. But if his general anxiety baseline usually hovered around a 6.4, where he was at now far surpassed a 10. It felt exponential, and totally exhausting.

When he voices his fears to Tommy, to Joel's horror, Tommy just doubles over in laughter.

"Jesus, Joel," he wheezes, wiping fake tears from his eyes in exaggerated movements, "You looked so serious I thought you were gonna say you'd killed someone."

Joel scowls. "The fuck you laughing for?"

"She's going to college, it's not like she's dying!"

"How'm I gonna be there for her? What if she needs me? What if-"

"Joel-," Tommy pats him gently on the shoulder, "She can always call you, and you can always call her. And we both know she's got a good head on 'er shoulders."

Joel snorts in concession. "Yeah, yeah. Better than yours and mine put together, and then some."

"Exactly." Tommy agrees, "And if there's ever anything that really goes wrong, you got me. We can drive out together and make sure she's okay."

Joel nods and feels the tiniest bit of tension leave him. One step at a time.

Just over nineteen years ago he found out he was about to be a dad. Suddenly, he had a purpose. Having a kid at twenty-two wasn't something he'd ever intended, but somehow he knew he loved his baby girl from the moment he knew she was a possibility. He spent a solid seven months running around, hustling, doing everything he could to get the very best for his kid. He'd take on doubles, working himself to the bone to make sure they had the best crib, and the best stroller, too. He was thrilled and terrified and so, so green.

Now, his heart feels so big he doesn't know how to handle it. His baby girl is an honest-to-god adult, moving out and going to college, and he has no idea what he's gonna do with his time now.

He has work, of course. But beyond that? He's really gotta to widen his circle, he realises, because who's he gonna hang out with? His brother?

He'd only just turned forty-one and had absolutely not come to terms with an empty nest--the few friends from high school he'd kept in touch with were so much further behind than him. The ones that had kids had them later in their twenties and thirties, and now they're raising middle schoolers while Joel's kid is a real fucking person, leaving home and everything. All the scrapping and saving he'd been doing since before Sarah was born–for his little girl to be able to follow any dream she chose–it was finally paying off. The precocious young woman she is, she graduated early and spent nearly a year working retail to save up some cash. She'd applied to colleges all across the country, and a few international ones, too. Joel had been crossing his fingers for months, hoping she'd choose something near Austin, but cheered with her all the same when she got her acceptance letter from Oregon State University. The previous summer, just before she'd started her applications, she and Joel and Tommy spent a miserable, wonderful week hiking round the Pacific Northwest. She fell in love with it, and the university offered a few of the majors she wanted to consider.

Joel didn't know what he'd do with his baby girl so far away, his life, his reason, but he sure as hell wasn't gonna tell her that. He will not clip her wings. His baby's gonna change the world and he's not gonna hold her back. He is, though, gonna require regular phone calls and check-ins and god they grow up so fast.

"Y'all should road trip out there," Tommy suggests one night over the dinner table.

Joel knew the conversation of how Sarah would get to the West Coast would come up, and it oughta be sooner rather than later. He was half afraid that she wanted to head out on her own, that she didn't need her dad anymore. Worried she would say she wanted to get a plane ticket, or take the Amtrak all the way to Corvallis. But he knows he needs to loosen his grip a little, so he braces himself when he turns to her.

"What'dya think, Sarah? You wanna be stuck in a car with your old man for a cross-country trip?"

Sarah rolls her eyes, but her face breaks into a grin. "Can we, Dad?"

This was too good to be true, he knew, but he wasn't gonna give up one last opportunity to spend some time with his girl till winter break.

"Course, baby," he tells her, and that flicker of anxiety quells just the tiniest bit.

The next few weeks fly by, and the knot of anxiety in Joel's chest feels like it's consuming him from the inside out. He's taken some time off, more than Sarah or Tommy can remember, but he's constantly trying to suggest ideas for activities to Sarah. For the most part, she's a good sport, understanding how much it means to her dad. She took pity on him, and let him drag her to places that ideally she would've gone to when she was little, but she humored him and he appreciated her dedication. He did his best to step back when she was heading out to spend time with friends--her time here was limited, after all, and she was always a social butterfly.

There are five weeks till classes start, four weeks, three, two, and in the blink of an eye, they're loading up the truck with all of Sarah's things, and Tommy is hugging Sarah goodbye, teary eyed. He gives Joel a hug, too. Joel would never admit it, but fuck he had really needed that hug.

They would take the scenic route. Make a memorable trip of it. Joel would make sure she settles in safe and sound, and then he'd head home.

6am Sunday.

You wake with a start. It's just over a week before term starts and your entire body aches. Fuck, you think to yourself, definitely overdid it with that last hike.

(The hiking part wasn't itself a problem, but one of the trails had washed out. You thought you'd found your way, but the "easy" three and a half mile hike took about five hours, leaving your calves bruised and your heels blistered.)

You roll over in your hotel room bed and, at the sound of a slight yelp followed by a gentle thud, realise with a sudden start that you just catapulted your cat off the corner.

"Shit, sorry goblin," you tell Spatula, who glares up at you with disdain as he licks at his paw. You reach down and, despite your inadvertent cat launch, he immediately rubs up against your fingertips and lets you scratch behind his ears.

"I'm sorry, baby," you soothe.

He meows, loudly. Howls, really. You take it as an apology accepted.

You sit up properly and look at your phone calendar. Nothing immediate. You don't need to get keys to your new apartment till tomorrow, nor do you meet your roommates till then–they're both moving in today, and moving is already horrible without having to navigate around the belongings of two other people. No, thanks. You can afford one more night at the hotel, and it'll make everything go that little bit more smoothly tomorrow. Besides, you have a bit of reading you'd like to get through, maybe stock up on non-perishables till you have a full-sized fridge, and get to know the city just a little.

You move gingerly, testing the ache in your muscles as you unfold yourself from the position you've been sat in and pull yourself from the bed. It hurts, but not something that won't be fixed with a little movement.

A plan forms. First, a walk, to try and loosen up your tight muscles. Then, errands. You have a whole list, with everything categorised by store, but then you enter IKEA and exit fifteen minutes later, only to find that five and a half hours have passed and it's evening now.

How was it that IKEA harnessed such a malicious power. How could anything harness that?

You need a fucking break. And a goddamn drink.

"Hey Dad," Sarah calls from the adjacent bedroom as Joel sweats, hauling another box towards her. The drive has been good, but it has been long. His legs ache. His back aches. There are parts of him that he didn't know existed that now ache.

"Yeah?" he calls back.

"Are you sure you're okay with me staying here tonight?"

Joel lets out a breath. He wants to be okay with it. And there's no way his nineteen year old would want to hang out with her dad when she could be spending the very first night in her brand new apartment. But he also wishes she wanted to spend one last night, hanging out in a hotel room with her dad. They could watch shitty movies together. Make the most of the final night before this cataclysmic shift.

But no.

That'd just be him being selfish. He can handle a night by himself. He's gotta handle a whole lotta them soon enough.

"O'course baby," he nods, hoping the smile he's plastered on his face looks totally genuine. "But we're still doin' breakfast in the morning, right?"

She nods, vigorous, and then waves her phone around. "I was looking up places! There's a diner called Tommy's," she laughs, "Wanna try that? 9:30?"

"Let's do it," he smiles, and this one is a little less forced.

"How much more do we have?" Sarah asks, nodding towards the box Joel's still holding.

"Last box," he grunts, "What else can I help with?"

He places the box down and lets out a slight, almost silent whimper. Sarah catches it, though.

"Maybe you should take it easy the rest of the day, Dad," she tells him, "We both know you have old man back."

He rolls his eyes but nods. "Guess you're right," he shrugs, "That my cue to take off?"

Sarah blushes but turns to him sheepishly. "Yeah, I-"

"No need to explain," Joel assures, "I know you must wanna get unpacked and settle in, get to know your roommates an' all."

She jumps up and, almost startling him, wraps her arms around him in a bear hug.

"Love you, dad," she grins, and she squeezes just a little tighter than usual.

He squeezes back, and they both pretend there aren't tears in his eyes.

As you step through the doors of the hotel bar, you decide you like it. The lighting is comfortably low. It's not loud, but it's not quiet, either. Colorful bottles line the shelves, the light of the filament bulbs glinting off the glass in rainbow prisms.

You take a seat at the bar and give a nod of thanks as the bartender passes you a small menu. It's unsurprisingly extortionate, hotel bar and all, but it'll do.

"Old fashioned, please," you tell the bartender, who nods in response. A minute later, he hands you a glass, delivered with a twist of orange and a cherry on top.

With your first sip, you feel your shoulders start to relax and some of the tension loosen from your body. The warmth of the burn envelops you and your stress starts to unravel, leaving only the buzz feeling good.

You order a second, and as the glass is handed to you, a voice to your right catches your attention.

"This seat taken?" a man asks.

You shake your head and offer a quick smile, gesturing towards it, "All yours."

"Much obliged," he nods, and slips into the backless stool next to yours.

The bartender comes over and passes him the same menu, but without looking at it he asks, "Could I get an old fashioned?"

You smile and catch his eye, tipping your glass towards him. "An excellent choice," you praise, "Though if you don't have a sweet tooth, I'd recommend asking Jeff there if he can go easy on the simple syrup."

"Oh yeah?" He asks, and then he leans in conspiratorially. "T'tell you the truth, I do have a bit of a sweet tooth."

You raise an eyebrow. "Is that so?"

Suddenly, he breaks into a grin and it's dazzling.

"Yeah," he laughs, "I've got cookies stashed in secret locations all through my house."

You raise an eyebrow. "If I keep 'em in my pantry, my brother'll find 'em and eat 'em all," he explains, "But ever since my kid was a girl scout, I always get cravings for girl scout cookies, so I buy an armful o'boxes and try and preserve 'em throughout the year, till I can replenish."

"What's your favorite girl scout cookie?"

"Caramel deLites, hands down."

"Oh yeah?"

"Absolutely," he nods.

The bartender, Jeff, sets the man's drink down with a clink. You catch one another's eye and both erupt into a fit of laughter.

You're not even sure what's funny. Maybe it's just been a long day? Maybe the whiskey was getting to you?

Whatever it is, it feels good.

The man takes a sip of his drink and lets out an aaaahh and it's goofy and charming and then he extends his hand.

"Joel," he tells you, "Joel Miller". You shake his hand, introduce yourself, and then take a sip of your own drink.

"So, tell me about yourself," you smile, "You coming from out of town?"

"Yes ma'am," he nods, "Come up here from Austin."

"Texas?"

Joel nods.

"That's a long trip."

"Yeah," he laughs, "It really is."

"So, you're a nice Southern boy, huh?"

"Well," he swishes his glass and tries to bite back a smile, "I don't know that I'd go quite so far, but my mama did raise me to be a gentleman."

"That so?" you ask and his blush deepens.

"I... have been known to get up to some trouble, but I like to think I've mellowed in my old age." He gestures at the beautiful little smatterings of silver at his temples, and you cackle.

"Okay, that's hot," you tell him and he chokes, but you keep going, "Old age, though? What are you, like, forty?"

He exhales, chagrined. "Forty-one."

You roll your eyes. "That ain't old."

"It feels it sometimes," he smiles, "My kid is grown. My little brother's married with a kid of his own on the way. My back hurts, pretty much all the time."

You snort. You also notice, without trying to look, that he doesn't have a wedding band. Doesn't have a tan line for one, either. Interesting.

"But more than that," he continues, "I guess I feel- I don't know. A little... aimless?"

"Yeah," you nod, and you let the moment sit. "I get that."

He lets out a little breath, and then turns back to you, focused.

"What about you? Where're you from?"

"Oof," you exhale, "All over. Spent a bit of time on the East coast. The Midwest. Lived a few months in the South, even," you tease as you bump your shoulder into his and he laughs. It's a surprisingly familiar gesture, but miraculously comfortable.

"Ever make it to Texas?"

"Naw," you shake your head, "My time in the South was all in Mississippi. After that I moved out to California, and I've been slowly working my way up the West Coast."

"And what have you been enjoying about the West Coast?" Joel asks.

"The mushrooms," you grin, and Joel frowns.

"Like, the kind you get in a little baggy from the dealer down the street, or-?"

"No," you laugh, "Or, well- Okay, sometimes. Gotta say it is great out here for that, too. But I mean fungus as a whole--mushrooms, mold, yeast, lichen. But I'm most interested in mushrooms. They're just really fuckin' cool, and there's so much we don't understand about them. And, they're delicious."

"Huh," Joel ponders, "T'tell you the truth, I've never thought much about mushrooms, besides enjoying 'em as a pizza topping."

"Most people don't," you agree, "But fuck, like-- Okay, so we know there are over five million types of fungi on Earth, but we've identified less than two percent of them. Some fungus aids decomposition. Some fungus is bioluminescent. Some are known worldwide for their delicious flavours, and others are known by the slow, horrible ways they kill you."

Joel raises his eyebrows, and suddenly you feel a little self conscious.

"Sorry, I do this," you laugh, rubbing at the back of your neck, "I get very excited about fungus and manage to alienate everyone around me."

You half expect him to stand up and walk away.

Instead, though, he leans in closer. "Don't apologise," he tells you, "I'm learning something new. Tell me more?"

"No, I should stop. Otherwise I'll never stop talking," you wince.

"How about just one more fungus fact?"

You sit for a minute, pondering. "This is- well, I guess this is one of the reasons I find fungus so fascinating. So, fungus can't photosynthesise the way that plants do--they can't produce their own food from sunshine, and water, and carbon dioxide. Instead, their mycelium-- they're these thread-like networks--they branch out beneath the earth, seeking out food, growing in the direction where it can find the nutrients it needs and breaking down organic material all around them, sometimes living organisms, as a parasite, and sometimes dead organisms as a decomposer, or both. And it's just- It's this hidden world, that exists right beneath the surface even in some of the extreme places on earth, temperature-wise. And most days, we don't even think about it."

You punctuate your thought with a large swallow of your drink, which is half-watered down now that the ice is melted, and doesn't hit quite as hard as you'd hoped, but then you look up at Joel and he's smiling at you, pensive, and--

"That's- That's actually really interesting."

Before you can respond, though, Joel glances at his watch and balks. It is getting late. "Shit," he shakes his head, "I think I oughta call it a night," he says, pulling back. "Early morning tomorrow, and if I stay at the bar I'll just keep drinkin'."

Fuck. That's a dismissal. Of course you went on too much about mushrooms. You'd fucked this up. You'd thought this was going well, but now it felt like a bucket of cold water was dumped over you. "Oh," you nod, matching his posture, and try to swallow down the sudden wave of disappointment. "Of course. Have a good night, Joel."

Joel stands up and then looks you up and down, considering. It's not brazen, but it isn't shy, either. And then understanding flashes across his face.

"Wait- Sorry, that's not how I meant it." He reaches out towards you and you melt into his touch. "I'm messin' this up." He chuckles, but it sounds pained. "Now look, I don't wanna make any presumptions. And I'm really hopin' I'm not coming off as some--dirty old man. Jesus, I haven't done this in a while. But I'm in room 308."

Your eyebrows shoot up. What you'd taken for disinterest was just--nerves?

"I reckon I'll be awake for a while yet. You're welcome to... drop by."

The disappointment melts, making way for a fluttering in your stomach.

"Twenty minutes," you assure him, "308?"

He nods and he brakes into a sheepish grin, shedding what you now realise had been something of an anxious wince. "308."

You watch him leave. When he's out of sight, you toss back the rest of your watery drink and go to pay your tab, but Jeff tells you it was already settled. You thank him and tuck your shaking hands in your pockets. You feel an electricity running through you as you take the elevator up.

When you get back to your room, you hop into the shower, just to freshen up--you keep your hair dry but scrub your body. Once you're clean, you brush your teeth.

Stepping back out of the en suite, you survey the hotel room. Spatula is lounging on the corner of the bed, entirely uninterested in your movements. You top up his dry food bowl and place a kiss between his ears before slipping out.

When you knock at Joel's door, you hear a slight rustle and clatter and then the door swings open, Joel's staring a little wide-eyed, like he didn't actually expect you to show. He's wearing grey sweats and a Johnny Cash t-shirt that looks like it's been around nearly as long as you have. He shifts his weight from foot to foot, an anxious tell that's desperately endearing.

"C'mon in," he smiles, and you step in, closing the door behind you.

You reach out to cup his face, delighting in the feeling of coarse stubble beneath your fingertips. Your first kiss is chaste. You both lean forward and press your lips to one another gently, exploring.

Then, you let out a little moan and Joel shudders. Heat surges between you, and his hands are cradling your head and brushing your cheek and he's pinning you against the closed door. You're kissing again, nothing chaste remaining, learning the taste of him, his rhythm, the crashing waves of give and take between you.

You wrap one leg around him and smirk when he lets out a throaty groan as you grind against his hard cock. You're pretty sure he's not wearing underwear, the thick bulge seemingly unconstrained in his grey sweats, the whole length pressing against your thigh.

Your head falls back and you let out soft, breathy noises as his lips trace along your collarbone, up your throat, and against that tender little spot behind your ear. When he puts your earlobe between his lips and presses his teeth gently against the skin, your knees go weak and he chuckles, strong arms wrapping around you, holding you up.

"Bed?" he asks, and you breathe yes and then, with a yelp and a throaty chuckle, you're lifted up and spun around and both tumbling into the duvet.

You're grasping at each other, desperate to keep your hands on one another. The only times you part is when you undress, and even then, you're helping each other--pulling the hem of his shirt over his lifted arms, pressing into him as he reaches around and moves to unhook your bra, but then he realises you're not wearing one and lets out a groan, his thumbs brushing alongside the tender skin along your ribs, moving gently as if to cup your breasts, but then he pulls back.

Normally you might wait, do this part slowly, draw out the tease just a little bit longer.

Tonight, though, you're ravenous.

As you fiddle with the buttons of your pants, you tug at the drawstring keeping Joel's sweats on his hips. The bow comes loose in one smooth motion, and he lifts his hips and you pull the sweats down.

Your mouth immediately waters seeing him bare, laid out for you. You watch a bead of precum drip down the head and pool on his belly. The coarse hair of his happy trail glistens with it. He's thick, uncut, and looks painfully hard, his cock head ruddy. "Fuck, you're beautiful," you tell him, and his cheeks redden but he grins. It's boyish, the way he grins, and devastatingly charming.

And, what you're saying is true. His body is gorgeous, something you wish you could sketch. Soft flesh over hard muscle, visible tan lines where his chest and shoulders are noticeably lighter than his arms. The muscles and veins along his throat are driving you absolutely fucking insane as he swallows and looks up at you.

He's got freckles on his shoulders, too, and without thinking, you lower yourself down to kiss at his shoulder. He shakes, just a little, and lets out the most beautiful gasp. It's addictive, pulling these noises from him. You follow the curve of him, giving him a taste of his own medicine--tracing feather-light kisses along his collarbone, up the tendons of his neck, behind his ear. You can feel the blood pulse in his veins as your lips brush along him. Joel goes from panting lightly to full on groaning, rutting his hips up towards you and, frustrated, meeting only air.

"Can I taste you?", you ask, and Joel lets out a half-strangled sound and nods, vigorous.

You scoot back, lower yourself, poke out your tongue and, without any preamble, lick at the slit of his head, tasting the salty, tangy precum.

Joel tips his head back and groans and you decide to be kind. You grasp onto his hips and take him in your mouth, slowly sinking down, inch by inch by inch and now you can feel him at the back of your throat, your saliva dripping down the shaft and collecting in the hair between his thighs.

You bob your head up and down, taking him deeper with each thrust, but your throat is full and there are still inches to go. You relax, doing everything you can to take him deeper, and he starts to thrust up gently.

You let him fuck into your mouth but release one of his hips, allowing him to move as freely as he needs and freeing up your hand, which you shove into your underwear, rubbing furiously at your clit.

It doesn't take much to lose yourself in it, to focus only on the sensation. You're so wet, slick coating your fingers, making the glide that much smoother as you touch yourself. Joel tastes so good, too, the intrusion of his cock the most delicious thing, feeling the way he shudders when you moan, the way he moans when you shudder.

"Fuck-" Joel gasps, and then there's a hand guiding you gently off of him.

You raise an eyebrow. "You okay?"

He swallows, hard, and nods. "More than okay. Felt too fuckin' good."

"Oh yeah?" and you lean down, as if to take him back in your mouth, but he chuckles and pulls you back again.

"It's been... a while. For me. And-" He drags his palm down his face, wearing an almost pained expression. "Christ, you just look too fuckin' good down there, mouth stretched 'round me while you touch yourself. An' it feels too fuckin' good, too. I ain't ready for this to be over yet but if you keep lettin' me fuck your throat like that it's gonna be over real quick. And I wanna feel that pretty pussy myself."

You sit back up and he pulls you towards him so you're straddling him.

"You gonna fuck me, Joel?"

"Yes," he breathes, "Yes, baby, please-"

You do an awkward wobble and then stand up, shedding your pants and letting your panties drop, stepping out of them, one foot and then the other, and the way he's watching you is addictive. He watches you with beautiful eyes, drinking all of you in, and suddenly the moment has changed into one of those quiet, intimate moments where you both exhale a laugh.

You straddle him again, and lean down to kiss him, and the electric current surges up. He grabs you by the jaw, meeting your desperation. His lips on yours are exactly the balm you need and you can taste the whiskey on his breath.

"Feels fucking good," you tell Joel as you slide up and down his length. He's not penetrating you, not yet, but the lips of your pussy are spread and you're gliding along him, feeling his head at your clit and thrusting back till you're nearly seated on his balls.

He watches you, nearly unblinking, drinking it all in. Then, he lets out a groan, and half-sits up, suddenly focused.

"Shit," he closes his eyes in frustration, "I don't have any condoms. Shit shit shit-"

You push him back down and kiss him again. Then, you hop off the bed and sift around in your jean pockets.

"Ah-ha!," you exclaim, once you've found your treasure. Joel raises and eyebrow and you wink. "Saw they were selling them in the lobby. Figured it might be a good idea."

"Shit," Joel laughs, and presses his lips just to the side of your mouth. "Clever girl," he tells you, and a shiver goes up your spine.

He leans to help, but you shoo him away and he watches, entranced, as you neatly open the condom wrapper and, with a small amount of difficulty, roll it down his cock.

"Feeling okay?" You ask him, "Shit, I shoulda gotten the Magnums. Is your dick okay? It's not being choked to death by an inappropriately sized rubber, is it?"

Joel snorts. "We'll manage," he says, and then he grips you by the hips, lines himself up. He draws his knuckles along your cunt and groans, "Fuck, so goddamn wet for me-" and, the moment you look at him and nod, he holds the head of his cock against your drooling lips and presses into you.

It's a big stretch as he lowers you down onto him, the intrusion almost painful, but before you can even take a breath, it melts into absolute pleasure. You've fucked people with longer cocks before, and you've fucked people with girthier cocks before, but never have you fucked someone with a cock that's both this long and thick and it feels like you're being split in two and it's perfect and you realise, with a sudden flip of your stomach, he isn't even fully seated inside you yet.

Then, you manage to focus on the words Joel is saying-that had really just been background noise for the past ten seconds or so-and suddenly you're tuning back in for "Tha's it," his voice low and hoarse, surprisingly gentle, "Good girl, takin' this cock so well, look at you."

His brow is furrowed and he's looking at you with such dark eyes, nearly black, the pupils are so blown. "Just a little more, that's it, just one more inch, you can do it, christ, look at you, takin' all of me."

His tone is reverent and it sets a fire through you. You can feel more slickness build and drip out of you, and from the way he moans, you're certain he can feel it too despite the condom.

"So fuckin' wet," he groans, "Soakin' my cock- grippin' me so nice-Fuck--"

He leans towards you and cradles your head in his hand, kissing you hard.

When you both pull back, you know your lips must be kiss swollen and red. His are--they're soft and bright, and you want to eat him whole.

"You're gonna be the death of me, woman."

He's thrusting into you lazily, holding you in place, but you need more, you need all of him.

You push forward and move his hand from your waist to your clit. As you manoeuvre him, his nostrils flare, and you'd wonder if he was angry, if not for the way you felt his cock stiffen even further inside of you. You start to move your hips, to rub up against the thumb on your clit, and to feel every fucking inch of him.

Urged on by the way he groans, you start to ride him, properly. Holding each other close, you fuck down onto him and he leans back, awed.

"Enjoying the show?" you ask.

"Damn- right- I- am-," Joel breathes, every word punctuated with a shuddering breath after you drive back down onto his cock, "Jesus- you- look- so- good- like- that."

You like being watched. Being admired. It sent an extra thrill through you, and your hips stutter, just a little, and now you're following a new, faster rhythm.

"Fuck, that's it, baby-" he praises, "Shit, yes- bounce on it."

You lean forward and kiss his throat, and then he makes this noise, half-strangled and beautiful.

"Shit, honey-- honey, honey, hold on-," he holds you still and you're glad he has, because your brain hadn't quite processed his words.

He's looking at you so earnestly.

"Baby, if you keep ridin' me like this I am gonna blow my load in the next twenty seconds and I don't wanna end this quite so soon."

You hum, a moment of consideration. You stare into his eyes, and part of it is calculated seduction, but another part is getting genuinely lost in the way he looks at you. The crinkles round his eyes. The way he seems able to focus on you, in a way that feels as frightening as it is exhilarating.

"How about this," You smile, "You get yours, and then you can eat me out till I get mine. And if you're ready to go again by the time I've come, we can see where we're at then. Hmm?"

You see a bead of sweat trickle down his temple, and take a moment to appreciate how much he's clearly trying to control himself.

After a moments of avoiding your eye, he looks at you again and he looks utterly wrecked. "You- talkin' like that?" He shakes his head and tries to even his breath. "Fuck, I nearly came right there."

"It's okay," you soothe, and you cup his jaw and resume you movements, riding him like you had before. "You can come if you need to-" your fingertips stroke the stubble of his chin, "You're close, huh? It's okay, daddy, you can let go."

Joel lets out a strangled noise and busts immediately.

You savor the way it feels, the pulse of his cock as he spills into you. No, into the condom, you correct yourself, but you can always pretend-

After his balls relax and you can feel him start to get soft, you hold the condom down as you pull yourself off, and you're nearly unseated when there's a sudden squelch noise that sends you both into tumbles of laughter.

It takes a while to calm down, and you find yourselves heaving, tangled in the sheets, and wrapped up in each other. The condom is hanging limply on Joel's now-soft cock and it's oddly cold and gooey as you accidentally roll against it, and that sends you both off again.

"Fuck," Joel snorts, and tugs at the condom, starting to roll it off his length, "I'd almost forgotten the weird texture of a used condom. Fuckin'... Slug-like."

"That-" you declare, "Is visceral. And I hate it. Thanks."

He snorts, and you suddenly have a question.

"Condoms not making too many appearances in your life?"

"Not many, no."

"What, you usually fuck raw?"

"Just haven't been sleepin' with anyone," he shrugs, nonplussed.

"Well, I gotta say, the good people of Austin have been missing out."

Joel shrugs again, and it comes off as casual, but you notice the way his ears tint pink. "Just- not been something I did. But now, I guess, I can. And with way less guilt."

"Why guilt? Are-" you venture, dread pooling in your stomach, "Are you married?"

His eyes flit up to you sharply, and then soften immediately. He lets out a breath and shakes his head. "No. Nothin' like that. I was married, but I've been divorced nearly twenty years now."

The tightness immediately uncoils and you realise how tense you were only a moment ago. I am not a cog in the machine of a collapsing marriage. Thank fuck.

But now your curiosity is piqued. "So... why the guilt?"

"Sorry, I- I really didn't mean to get into it. I'd rather not get into it. It's- complicated."

"Of course," you shrug, and it isn't a problem because this is just a hot fantasy hookup that you'll remember fondly, and it'll be wonderful masturbation fuel for probably the rest of your life, but you don't wanna make the poor guy go into his life's trauma, especially when he's looking at you so fucking earnestly and you are actually really fucking fascinated but no, you would not let this become a problem.

"Thanks," he says, and then steps out of the room. You hear the clang of the bin as he steps on the pedal, then drops the condom, takes a piss and washes his hands.

"You hungry?" He asks, and you realize very suddenly, you're absolutely famished.

"Yes," you jump up and he laughs when you run, bare-assed and shameless, over to the corner of the room filled with brochures and traveller info and finally, you raise it in triumph when you find it, the list of nearby takeaways.

"Okay," you look at the list, "There's one place at the top of the list here that's apparently highly rated, but I actually have plans there soon and I wanna wait till then to eat there. Hope that's okay."

Joel comes over to you and rests his head on your shoulder. "No problem."

"But... alright," you continue. "There's pizza. Or... more pizza. Or, look--there's a Southern-style place, that'll make you feel right at home!" Joel pokes you in the side and you swat at him as he grunts a laugh.

Suddenly, a warning sound starts playing on loop in your brain. It was dreadfully domestic, wasn't it? This was an absolute stranger you'd just met in a hotel bar? But... it also felt... nice? And it felt nice in ways that you'd never found yourself enjoying before. Even with long-term partners. Maybe because this was so low-stakes, you reasoned, such an inevitably temporary situation, so you weren't putting the same kind of pressure on yourself.

As soon as you think that, the eternal curse of overthinking shows itself and you suddenly feel desperately self conscious. Before you can pull away and make some excuse, though, Joel's arm wraps around you and his thumb starts rubbing little circles into a tender bit of skin between your hip and your tummy. The anxiety spiral you'd been teetering on the edge of suddenly vanishes.

"How about-," he nods at the list, "Pizza?"

After Joel calls in your order, the pizza delivery service tells you to expect your food in about thirty minutes. You remember you have a little box of edibles. You ask Joel if he minds if you take one, and he doesn't. You offer him one, and he automatically declines, but then as he starts to explain, he pauses and pivots, goes "Wait, actually. Yeah. Why not?"

A freckled kid who looks no more than sixteen pulls up with a short stack of pizza boxes and a two liter bottle of root beer. He raps awkwardly on the door after exactly thirty five minutes, and it swings open.

The room looks utterly wrecked, clothing strewn along every surface. Joel answers the door wearing a robe, his entire face smelling of sex, and his moustache still shining with the slick of your release.

"Thanks, kid," Joel nods, and hands him a small wad of cash. The kid eyes him and shrugs. "Keep the change," he tells him, and the door swings back shut.

The edibles have hit beautifully. You're both blissed out, comfortably hazy, lost in the sensation of bare limbs on bedsheets and the flavors of the pizza and it's assorted sauces. You lay together on the bed, paper plates strewn between you. In the background, an X-Files rerun plays.

"Ooh!" You sit up as you catch the premise of the episode, "I love this one! See the goo? There's a giant fungal... entity.. that's working on digesting them, and giving them hallucinations as they die."

"You and mushrooms, huh?" Joel laughs, but then looks back at the episode and contemplates the viscous yellow goo. "Jesus christ," he frowns, and sniffs, now contemplating the mushrooms on his pizza slice.

You spot his glare and snort. "I think you're safe."

He takes another bite and shakes his head as if to clear it.

"I'm getting tired," he admits.

"Me too," you agree.

"No pressure, but in case it wasn't clear, you're welcome to stay the night here."

"That's sweet," you tell him, and think it over. "If I took you up on that, would you be offended if I slip out early?"

Joel raises a brow.

"I have a cat," you explain, "And I'm working on moving into a new place, and meeting a friend for breakfast, and then I need to check out after breakfast because I won't be able to get my keys for the new place until the breakfast but I can't take my cat to a diner-"

You take a breath.

"Basically, I've got a bunch of things I need to do in the morning, but if you don't mind me slipping out around, maybe, 5-ish, then I'd love to stay."

He stares at you.

You regret saying as much as you said. You don't need to over-explain yourself to this actual stranger. He doesn't care. There's no reason for him to care. He's probably in it just for the fuck, and it was fun and if you stay then there's a chance the two of you will wake up at some point in the night, still horny and lustful and you might fuck again and you'd be lying if you said that wasn't part of the draw. You realise, though, you'd also be lying if you said you didn't care what he thought of you. All of a sudden, you are overwhelmed with caring what this man thinks of you.

How fucking inconvenient.

"I wouldn't be offended at all," Joel chews, swallows, wipes the corner of his mouth with a napkin and speaks again. "What's your cat's name?"

You don't know what you'd expected he'd say, but it wasn't that. You buffer for a moment. "It's- Spatula."

"Spatula?"

"Yep." You feel foolish.

"Huh. Spatula."

A silent moment between you.

"Got any pictures?"

You weren't expecting that, either. "I... do? Do you want to see them?" He nods. You pull out your phone to scroll through.

Joel, suddenly scrambled around for his phone, too. It was late and he hadn't checked it for hours. Had it been on silent? What if Sarah had called and he'd missed it?

His panic eased when he saw he had only two notifications. Both from Sarah, but neither were bad. He hadn't been neglecting any crises. The first text was a selfie of Sarah and an unfamiliar person, which she'd texted to him with the caption New roomie!! The second contained an address to the place they'd have breakfast tomorrow along with Just wanted you to know I've invited a friend to join us tomorrow morning! Is that okay? Realized I should maybe have checked with you? 😬

There was an ache in his chest. He wanted to keep her to himself, get to spend one last day, just the two of them. It was the start of a whole new chapter, but more than anything, he wished he could hold onto the moment for just a second longer.

But Sarah was stressed, he knew this, so he wasn't gonna make it worse and put this burden on her. He could handle it. He had to handle it. He typed back- No problem, baby. Can't wait to meet your friend.

After a moment, he followed up with another text. Gonna turn in now. Good nite!

The less he texted right now, the better. He did not want Sarah to know anything about the night he was having.

His screen lit up a moment later. Night Dad! He takes a deep breath and wills some of the tension away.

He slips his phone aside and you scoot into bed next to him.

"This," you announce, "Is Spatula."

Joel scrolls thru, his brows raising higher with each image.

With a single nod, he opens his mouth and instead of speaking, he collapses into laughter. It comes out a wheeze- "I-- I know this won't make any sense, but your cat looks just like my goddamn brother."

You're laughing now too, both of you almost hysterical, even though you have no frame of reference. You cherish the absurdity.

Then, Joel pulls up a picture on his phone and shows you, and now you're doubling over again because his brother looks exactly like Spatula.

You don't remember falling asleep. You curse your body's internal clock because you wake up right at 5am, and even though you know you should get up and leave, you wish you could have just a little bit longer.

It's such a comfortable way to wake up. One arm is folded under your pillow, and the other is slung over Joel's hip. He's asleep, snoring softly, and strands of his hair are mussed along his forehead. Your hand is holding his tummy, but you realise there's something pressing against the heel of your hand, and then realise, with a delicious jolt, that he's hard and straining against his boxers.

It's so fucking hard to get out of that bed, but with enough barely-effective reminders--you're gonna fuck up your whole day if you're late, gotta make a good impression, Spatula's gonna be so disappointed if you're late with his breakfast--you manage to bully yourself out of the warm and wonderful bed containing blankets and absolutely fantastic dick, and you tiptoe through the room, dress quickly, and, after making a note and leaving it on his bedside stand, you slip out.

Joel wakes up with a jolt, and then rolls over to see that the alarm clock (which he dared not contemplate the number of times he must have snoozed) was telling him it was 9:13.

He was late. Really fucking late. And then the panic made his brain spin faster and that's when he noticed the note on his bedside table.

I had a really good time If you're in town for a little longer, don't be a stranger?

It's followed with your name and phone number, and a rather detailed mushroom sketch across the page. He wasn't sure what kind of mushroom it was, but it was beautiful, and clearly hand-drawn, and for whatever reason you'd decided to tear it out of, presumably, your sketchbook? And you gave it to him, and he's gonna read that note and replay last night for the rest of his fucking life. It felt incredibly precious. He placed it in a book so it wouldn't get creased or folded. Made sure it was all contained and neat, totally flat in between the pages.

Then, he dragged himself out of bed and into the shower.

After scrubbing the smell of sex off of his entire body, he dresses quickly and checks his watch again. 9:28.

He texts Sarah and lets her know he's a few minutes behind. She responds with an eye roll emoji.

Joel settles in his truck and pulls up directions. It's only a few minutes away. He won't be too late.

When Joel steps into the diner, he's charmed by it. It's old school, with a checkerboard floor and bright red vinyl seats. He scans the room till he spots Sarah in a booth in the corner. She's laughing over a hot chocolate, and her friend must be in the seat opposite her.

He catches Sarah's eye and she grins at him, waving him over.

You've been at the diner about fifteen minutes, and you and Sarah are already getting along beautifully.

You'd met on a university message board and had become fast friends, but meeting someone in person was always a little terrifying. On top of that, you'd already committed to spending at least one (academic) year with this person, so you were damn sure gonna make it work.

Sarah waves over her dad. You can't see him yet, the back of the booth too high.

But then he's standing right there.

You already have a hand outstretched, but when he sees you and you see him, your stomach flips and dread runs through you. All the color drains from his face. He looks like a deer in headlights, and you'd be surprised if you didn't look the same.

Sarah looks between you, not quite concerned, but definitely confused. Sarah smiles and tries to diffuse the situation.

"Hi dad!" She grins, "This is my new roommate! Well, the other new roommate--the one in the picture, their name is Ellie, they weren't able to make it this morning. BUT. Breakfast seemed like a great time to hand off keys!"

Joel is still frozen and white-faced. Your brain whirs, and you know you've just fucking catapulted yourself into a disastrous mess, but you do your very best to save face.

Reaching your hand out further so he can't possibly miss it, he gives into some familiar social instinct, takes it and you shake. You think of his hands, how they dragged along your body last night, touched you, felt you, wrecked you.

You introduce yourself. He nods, avoiding eye contact.

"Joel." He grunts. "Miller."

Sarah frowns at him, but turns back to the menu.

This- was unexpected. Problematic. Arguably, really fucked up. All of those things and more. But it'll be fine.

All throughout breakfast, you repeat that to yourself, letting the words bounce around your head. It will be fine, you repeat your mantra, it will be fine, and you try not to feel too hurt at the way Joel's avoiding eye contact as if simply looking at you will cause him unimaginable disgust.

Everything will be fine.

Note: The fic's premise is loosely based on the book Mistakes Were Made which is a fucking excellent sapphic romance novel that utilises this trope. Would strongly recommend the book if you're into smutty queer stories.