#Just...so little main plot stuff

[emotionally-charged-arson]

A Very, Very Unfinished Pile of Theory of Everything Headcanons (Ayreon)

Last semester, my English final was a presentation relating the overall theme of the Forever saga to that of the more popular works of H.G. Wells. Details of that argument aside, the thesis was that Ayreon’s emotional core was the presence of small-scale acts of love juxtaposed against large-scale existential tragedy, balanced in their individual power. That we are messy and self-destructive, and in the grand scheme of things we mean very little in the universe, but we are resilient and alive and human and that has to be worth something.

I really like this aspect of the main story, and it got me a perfect score on that assignment. It had a ten minute time limit and I was fighting for my life to stay under it. While I was downsizing the script, I couldn’t help but think of an earlier idea I had drafted about how The Theory of Everything on its own was a really incredible example of the mad scientist archetype turned completely on its head (it was a science-fiction analysis class). Specifically how that script was almost three times longer than the original H.G. Wells one, that took me a solid twenty minutes to read aloud. 

I literally wrote an hour long lecture about The Theory of Everything. No headcanons. No extra theories. Literally just picking apart its canon plot. 

I think this is why I have so little extra writing for it. The story as its given is airtight and just…fucking incredible. Arjen wrote it with a very clear theme in mind like he did with Transitus, but TToE isn’t missing half of its story because he couldn’t pull in the cash to make a movie out of it. You can feel the intention behind every single character, they feel like real people, it has so many layers to it and it is literally, objectively, the greatest prog album ever made. Fight me. 

But anyways: For lack of better phrasing, there isn’t much to “fix” in that sense. Almost all the headcanons I have for The Source or Transitus boil down to a few things:

I was being self-indulgent with a favorite character and it snowballed into a genuinely informative trait/subplot that informs the main story (a certain hc I have where Henry just fucking shoots Daniel in the back by mistake sometime between Two Worlds and Talk of the Town, turning into this weirdly effective commentary of how Daniel is conditioned to his brother’s shitty behavior and Abby hauling ass to get him out of that headspace)

I am curious about aspects of an album’s worldbuilding and get a little excited while filling in the blanks that were perfectly fine being left alone (doing mental gymnastics trying to build a version of The Source where these five academics, three politicians, two religious figures, one robot and one random spaceman viably know each other)

The rarer option that I am genuinely disappointed by how a part of the story was handled and completely ignore this small part of canon to make the overall story be more effective. Or attempt it, at least (Lavinia’s entire character undermining Transitus’ themes and her contradicting her own motivations, and me, in turn, just writing her character from scratch while keeping with the basic story beats [her seeing ghosts, doing shady shit with Henry, etc.])

But with TToE I’ve felt very little need to do any of these. If I were to really dive into it with intention I think I would start building off of the whole bank robbery plot in Phase III (just a slightly weirdly framed plot point for me), but I haven’t thought about it. It’s not that glaring of an issue and there’s few other places in the story where I think adding anything would make it more effective. 

This isn’t to say that Transitus and The Source are objectively worse in any sense, but they leave a lot more up to interpretation, allowing me to write so many add ons that they become structured and essential to each other’s function. 

It’s fun with those two albums. With TToE I really have to look for cracks to fill and it’s kind of useless. 

Not entirely, though. I’ve got a few hcs, and maybe they’ll warrant dozens of google doc pages of context one day like the other two albums: 

Two central things sparked curiosity. Setting, and how the parent characters came to hate each other that much. Naturally. 

This started four-ish years ago when I was pacing around my parents’ house with TToE on the mind (as it often is), and my brother put on this show called His Dark Materials. I watched the intro to it all of one time and just…knew this was the aesthetic TToE should have.🔗 At least combined with dark academia. It’s an album about physics and ghosts, that seems reasonable enough. 

…funnily enough, as I later found out, His Dark Materials itself has a very dark-academia-esque vibe, and the plot is entirely based upon the intersectionality between science and mysticism and trivial human attempts to make sense of it. 

So. Pretty fitting. 

This really stuck with me, and a handful of the characteristics of the show and books became the basis for the way I picture The Theory of Everything. Mainly the visual aesthetic, like I said, but also the fact that the story starts at a parallel version of Oxford University. I don’t have some giant case study for this like with Transitus/New England. I just think it’d be a cool and vibey setting. Maybe it’s the American in me but there’s something about a thousand-year-old college with a campus made of literal goddamn castles that borders on the fantastic. 

From there, you have a decent excuse for The Prodigy to run off to Ireland, where you can choose from one of like 200 different pretty little isolated lighthouses for him to lose his mind in, far enough away for him not to be found as long as he did. Not to mention it lowkey matches with the overt Celtic influence of the music. Or Scotland, if you want some weather symbolism from the North Sea. 

Solid setting, if I say so myself, and it actually influenced the family’s whole situation. Here, The Father (Mike) is a physics professor at Oxford, and The Mother (Cristina) is the director of the Bodleian Library. It’s how and where they meet in 1991 (though the mother is in an attendant position at the time), as shown by the only part of this I have drawn out:

They hit it off, and marry in 1993. Their first and only child is born two years later and they love him half to death. Everything is more or less nice and normal. 

In 1996, Mike stumbles into “proof,” more or less, of the theory of everything being a singular, solvable equation through his work, practically by accident, and begins focused work on it with enthusiastic support from his wife. Life is going great, Cristina is promoted and the two are balancing things well enough. 

The boy shows little to no social development into his toddler years, but his parents don’t think much of it. His father was similar at his age; they’re not worried. They even go as far to say he’ll turn out just as ambitious and smart as his dad and relatives, coworkers and family friends go along with it, setting insanely high expectations for this literal three year old. Mike keeps working on his theory. 

The boy enters preschool at age four; still no improvement. Just isolates himself and draws indiscernible patterns on everything you put in front of him. His parents finally try to intervene to some degree, hiring private instructors and talking with some other psych/child development people they know through the university, to no avail. Nothing changes. He just stares off into space, doesn’t interact with any of them and supposedly doesn’t pay attention to lessons. He still isn’t speaking. Cristina is finally concerned

Around the same time, Mike makes a significant breakthrough in his work, gaining worldwide attention. He receives massive grants from in and outside of Oxford to continue his work, and quits his teaching job to make more time for the endeavor. Cristina is left as the family’s sole provider. She understands and is in agreement on that decision, that’s not the problem yet. The problem is that Mike is becoming more or less indifferent to their son hits five, not seeing any previously projected greatness he was supposed to have in his father’s footsteps. Cristina, much more conscious of balance in her life and how having kids works, isn’t sure what to make of that. Their relationship starts to strain. 

From there, as Mike keeps working, Cristina takes the kid to all sorts of specialists around England but none of them can pinpoint what’s “wrong” with him. She tries much more actively to connect with him like they’re telling her to (though she still enrolls him in the university’s affiliated primary school program, against their suggestions), bringing him everywhere. Buys him little memory games since that’s all that seems to hold his attention. She’s past any belief of him being some secret genius like his dad, not that her opinion of her husband is super positive at this point anyway. She’s just dead-set on her son having some sense of normal in his life. 

By 2002, Mike has completely secluded himself and works nearly constantly. He has made no progress on his theory since 1999 and the fame garnered from his breakthrough has faded. The family is running out of money and Cristina is exhausted. The boy is ostracized at school and still (almost) totally nonverbal. Her coworkers keep suggesting these weird holistic remedies that she refuses. She knows better than to fall for all that new age, pyramid scheme bullshit. 

The son’s condition, whatever it is, worsens until mom, desperate, puts her foot down in 2008 (or “gives up,” if you wanna put it like that) and drags her husband and son to this private practice in Scotland she was told about by a friend, suspicious but ready to put up with anything at this point. 

😐👍

[aroaceleovaldez]

the dynamic of demigods thinking which other demigod is the most powerful is always amusing to me because. like, we know the big 3 kids are all the most powerful. That's just a fact of their universe. And then we know nearly every character views Percy as the strongest demigod, and most people are very rightfully intimidated by him.

and you look at the powers of the Big 3 kids and there's Percy, but then you realize Nico is just kind of objectively more powerful than him but simply chooses to hang out in Percy's shadow like he's Percy's scary dog privileges. Like, the two of them are pretty equally capable of causing multiple different apocalypses. Nico just also has like four different instakill powers and it's not like he doesn't use them. He very much uses them! Not infrequently, even! And they don't seem to take a significant amount of energy from him! And other demigods are pretty intimidated by both of them! But Nico makes a conscious point to keep his cards close to his chest and not let on exactly how dangerous and scary he can be if he wants to. People are already scared enough of him without knowing anything about him and he doesn't like that. Percy doesn't think about that nearly as much, and so usually just goes in guns blazing and that's part of why he's considered a wildcard. And then Nico himself puts Percy on a pedestal, so those who do know more about Nico's abilities then presume Nico knows something they don't about Percy that implies Percy is even stronger than him.

And even on a meta level Nico's narrative role requires him to be functionally more powerful than Percy, because he very often serves the purpose of getting Percy out of situations he can't handle on his own. That's just part of his function as a character! But also narratively he can't overshadow Percy so he just takes a backseat of his own accord and that's very amusing to me.

[potatoesandsunshine]

Please share the Preston Garvey thoughts! 🙏

i wish they were more coherent but at heart i just love 'Character Who Knows The World Is Terrible And Tries To Do Good Anyway' & i think preston is the perfect example of that!! something about meeting him in concord and not knowing how close to the edge he is just makes me lose my mind. he truly believes he's failed everyone he's ever tried to protect but he puts a brave face on for these last four people because they don't need to see that, they need him to at least pretend there's a way out - and then there is, because the sole survivor arrives and it's enough of a foothold to keep going a little longer!! and then he builds the minutemen back up into something worth fighting for and being part of (and i do give him credit for that - yeah sometimes the quest-giving got annoying but literally what can he do. another settlement genuinely needs our help) and just 😭😭😭😭😭😭😭😭😭😭 thinking about him as the sole surviving member of the minutemen meeting The Sole Survivor is very 😭😭😭😭😭😭😭😭😭😭 and THEN there's the MAIN PLOT of FALLOUT FOUR coming to be SUPER ANNOYING -

[veloriium]

spotify cover for my little rainbow factory au thats marinating in my brain

[the-oracle-of-the-lost]

i forgot how much fun i have writing missing scene fics, it's such a nice challenge to have the structure of an episode done and try to figure out how to fit little bits in for all the characters without breaking that structure. all of fanfic is basically playing with dolls but this style of fic really makes me feel like i'm playing with dolls.

[puhpandas]

I keep thinking about how on earth they would canonize ggy bc like. at this point if they have to sacrifice Gregory screentime of just him to make something we already know actually canon, I would rather just take the screentime, but on the other hand they have to canonize it if they want to do anything at all with that plotline, and that makes me wonder if theyll stick with it as canon in the games at all or just leave it as background knowledge if u read the book 😭

[starpros-sunshine]

You know what I can live with the detco news I can but mostly I am pissed off that that recontextualised Kaitos parents into being just horrible really and also who does that.

[commander-damneron]

I'm actually crying at the end of veilguard, I'm so glad I took a few days after [redacted] to process how I felt about that, because I don't think I'd have enjoyed everything after it in the same way if I still had all that hanging over the experience

[skylar-jay]

You have Cat Quest aus?

Fgsgvjthjhj

I do! Well, just one lol

I call it the Second Chance AU It's specifically for Cat Quest 2

Basically the two protagonists are sent back home, but instead of losing all their memories they keep them, and are forced to figure out how to fix things before both fall into all out chaos.

[sherlock-is-ace]

i find it fascinating how intrinsically different i am from my family for the simple fact that I'm queer and they're not... They respect me and love me, even in their ignorance. And I can't really ask for more than that, but they'll never understand what it's like to be queer, they'll never see the world the way I see it, and that's absolutely mind blowing every time.

[aquietgirlsmess]

"Really ? That's all you're gonna say to him ? You're a fucking pussy"

Oh shut it Mandy ! You're not helping with this sort of comment.

[campingwithmonsters]

Some Duck Duck Goose character doodles I’ve done lately :))

[sometimes-stufful]

Hey guys. It's been um *checks watch* like 5 or 6 years since I've used this blog. How's everybody doing? Sorry for the unannounced hiatus all that time ago.

I don't know if this blog will become active again. However there is a good chance that it might! I'm starting to create a plot for the blog's characters (because I still love them dearly), so hopefully I can create that and get this show up and running again. I've also been updating everyone's refs. So even if I don't come back to posting here officially, I think I'm going to at least upload those. I also have some new characters in the works that I may post refs for if I don't go thru with returning/making this blog more plot-centric.

I really do want to return to sometimes-stufful. However I'm an adult now (I'm literally about to turn 25 in 10 days, holy shit), and the past few years have been rough as hell on my mental health. I've lost a lot, and am just starting to heal from everything that's gone down. And I work full time, and have a datemate now, so finding the chance to draw is difficult. But this blog helped me on my art journey before. And I'd love to use it as an excuse to draw more, which is the main thing that pulling me back into the pokemon ask community. Another thing that's been pulling me back is the strong af urge to create content for my characters. Because I still love them so very much. I think about them so often that I want to put them in Situations and share it all with you. Although first I wanna get better at drawing humans lol (its relevant I swear). But I could get back into the swing of drawing some 'mons if I really set myself out to.

Let's see how it all goes. I'll keep you all updated. For those of you who have stuck around waiting so long, thank you. I hope to join you in this community again soon.

In the meantime, here's where you can find me and my artwork:

Main blog Toyhouse Artfight

[happylittlegremlin]

*grabs block of cheese*

"My liege, your lactose intolerance would make it Hell for your guests to go to the bathroom for today's Pride Party."

*puts cheese back*

"Good my liege..."

*grabs a pound of brie and milk*

"WAIT NO!"

i wish i had a floating evil skull to follow me around and when we went to the grocery store she would say something like my liege we must purchase the strawberry cream cheese for the coming days and i would be like oh fuck youre so right and put it in my cart and then we would walk down the next aisle together our beautiful life

[obligatory-name-change]

have finished scott pilgrim takes off!!! i have many thoughts

[jelly-as-in-grape-concord]

genuinely i keep thinking about the women in m//alevolent like. FUCK