I gave him a gun so he can protect my loose change
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*tries to organize my thoughts*
*remembers i'm not in school and therefore beholden to neither heaven nor hell nor any man's grading system*
*joyously shredding & tossing all my carefully arranged 3x5 mental notecards into the air like so much beige confetti. raising my arms in victory, cheering raucously until i accidentally inhale bits of homemade confetti*
(*coughing up itty bits of paper like a cat evicting a hairball with a firm understanding of tenants' rights*) wait wat happens next
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love love love still born au, I want to be your parent but I can’t parent the way you need Vlad and Bruce, Danny is the broken mirror for Damian Bruce and Vlad the RESONANCE bitesyoubitesyoubitesyoubitesyoubitesyou
ow ow owowowowOW IMMA BITE YOU BACK (affectionate) WATCH OUT. And aaaa i'm so glad you like the still born au!! Danny really is going thru it <\3 and you understood the dynamic I'm going for for Vlad and Danny perfectly raaaaah. And for Bruce too!! I'm not still not sure who discovers who first but the pure angst of Danny finding out first and due to his own poor self-esteem and negative experiences jumping to the conclusion that Bruce replaced him is extremely tempting. And even then, Bruce is so emotionally constipated that even his best efforts might just not be what someone like Danny -- who desperately wants to feel wanted -- needs.
and HHHHHh "he's a broken mirror for Damian, Bruce, and Vlad" YEAH. YEAH. Danyal's been a ghost since he was born and Talia told Bruce he was stillborn, that boy is haunting EVERYONE. He's bruce's unaware failure, Damian's 'could've been', and Vlad's mirror. This poor boy, someone needs to burrito him in a blanket and let him sob on their shoulder </33
the worst (best) dynamic imo here is danny and vlad's in the sense that they do earnestly want to be each other's family but their morals are diametrically opposed and so it cant work unless one of them changes. they're playing tug-o-war with the other's beliefs but can't seem to get the other to cross that line.
i am so mentally ill about these two in this au.
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so with echoes of wisdom .. i havent watched any of the trailers beyond the very first one and the thumbnails/screenshots and what others have said about it-
but with the world inside the rift being called "Welt des Nichts" aka "world of nothing/void" in german ('still' in english, for some reason) and demises title in french being "avatar of nothing" ... yeah my anxiety is shooting through the roof again
(hopefully you can be a little more forgiving for me being anxious/weird about it bc demise is my blorbo)
i had similar worries with totk, that werent proven true thankfully, but the darn book is making it all worse again with all those weird lore things the game doesnt even so much as hint at AND potential retcons- im in for a really rough time huh, not just stress in real life (more in tags.. its alot) but now about my specific hyperfixation from two things even (AND artblock still..)
weird as it may sound, i dont want demise to get more lore, partly bc i dont believe theyd do anything with him that i would like (given their track record) but much more importantly- the fact that he has this little lore about him is precisely one of the reasons why i fell in love with him, i tend to like characters that are neglected by the narrative, and his story being both so flat and already done meant i can be very creative with what i come up with for him without necessarily contradicting anything in canon
(which is ... or was a big point of how i wrote destiny's story and lore, working with canon in a way that reframes it all without straight up ignoring it ... but i suppose i urgently need to let go of that and accept i spend alot of time working things that will go to waste :( )
AND not having to worry that there will be more stuff with him that would massively change not only what im writing but also potentially how i feel about him since the game he was briefly in was the oldest chronologically and ended with his death- i didnt expect them to mess with anything that far back and thought theyd just go forward and leave the timeline behind and wouldnt mess with it again, given how botw seemed to be a sort of 'fresh start' that seemingly regarded the past as the past that needs to rest and that the timeline was finally no longer a discussion if everythings unified through botw and one thing going forward
but i suppose i was very wrong with that .__.
right now the only thing that motivates me still is the left over determination and spite to work on my zelda comic, since i have never gotten this far and really want to get something done for once, but i cant lie that im feeling like i should pause all work on it too to wait and see waht the book and the new game will do .. either to determine if i still have the will to keep working on it after those things are out (my love for tloz has been taking alot of hits lately ..) or if i have to change stuff (mostly bc of my lore problem trying to not ignore it ..)
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are you okay with people taking inspiration from your art style?
inspiration yes! I have some mutuals that have taken insp from little aspects of my style (and vice versa) i think "stealing" (AND OSMOSING) is how ive cobbled together my own art style. but the important part is the osmosing and integrating into your own style and not just directly stealing and emulating specifics to look exactly like mine its so scary 😭 my personhood....
i wldnt even mind doing studies or such (as long as credited) as long as u eventually Osmose....dis happened to me a few yrs ago, i took heavy inspo from a creator who approached me abt it and i had to of course apologize and then also explain that i wasnt coming for their personhood, but just exploring for a few drawings (which was true! + they appreciated dis clarification)
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Do you don’t mind if people steal your art? Because I have been seeing a lot recently, or do they need too give credit? By the way I love your art style I am just seeing it everywhere
i get a lot of asks about this and its not that i don’t mind (why i don’t respond very often) but that atm i don’t have the energy to fight this.
speaking from experience these things cost energy to track down and resolve, not to speak of how it’s upsetting to really contemplate the actions of the reposter.
im already upset about a lot of things constantly.
i want My work to do well and i suppose as long as my original stuff is getting plenty of attention I am fed. i have internal rules I follow for handling this. if the account is small i don’t bother. if they credited me via a direct at I don’t bother.
ideally people would credit me and i have also told people too in the past if they ask.
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I am re-obsessed with this show (specifically it's Gummigoo and Caine that have me in a chokehold). But just when I thought I could escape unscathed, I realised I was in quicksand....so here ya go!
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JUST FINISHED TDK: REIGN
HOLY SHIT THAT WAS GOOD
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do you have any thoughts on the story of abraham and isaac? my parents talk about it and praise abraham for being willing to kill his son which..... scares me to say the least, and i'd love to hear your perspective as someone who seems more well-adjusted
Where I am now, it disgusts me more than anything. The interpretation of "I'm willing to sacrifice your life if I was told to" feels like the step before "I put you into this world and I can take you out of it." It's entitlement to a child, who is an independent individual, just because they are dependent on you for survival. I prefer the interpretation of understanding the actions you're taking and the reasons why (like how there's multiple religions that don't eat pork because it was so unsafe to eat at the time), especially if it's at someone else's expense.
Where I was in the thick of it all, it gave me morbid comfort that scares me now. I had fantasies of being a martyr for the church and the idea of being the next Isaac was just so appealing. Being a hand-selected sacrifice chosen by the Good Lord Himself? Sign me the fuck up, babey!
I think if I admitted that to my family, they'd be horrified.
It's another one of those stories or beliefs where I think the majority of christians just regurgitate what they've heard. It's a point of pride and devotion, but there's no personal reflection or cross-cultural awareness of it. Lean not unto your own understanding and whatnot. It's the potential that scares me the most, like the Quiverfull movement with the Duggars or Turpins. I'm sure there's stories now, but I can't remember them off the top of my head
(Also I will be telling my therapist someone on Tumblr called me "more well-adjusted" thank you anon)
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Question from someone just starting with creating and then posting art to Tumblr, do you think I should be watermarking my pieces?
I’ve always disliked watermarks as they naturally tend to dissuade people from interacting with art in a natural manner; it depends very heavily on the size and placement of the mark, obviously. BUT, often times an artist will overzealously obscure their work with identification and it has a somewhat repulsive effect on the average viewer - a wall has been erected between the viewer and the art, in a sense. Watermarks, to me, exist to prevent very specific situations from unfolding with your work - almost all of those reasons seem to be financially motivated, like preventing strangers from printing your art out at home or reposting without attribution. Situations that could affect your ability to profit off of your work.
Admittedly, much of my perception about this issue was inspired by an article included in the book “Context” by Cory Doctorow, wherein he writes about how he’s benefitted from “thinking like a dandelion”, which is an idea that was inspired by conversation the author had with Neil Gaiman — I’ll try and summarize the parts of the point that are more relevant to visual arts; since portions of the allegory refer more specifically to certain qualities of written media.
He begins with, “Mammals worry about what happens to each and every one of their offspring, but dandelions only care that every crack in every sidewalk has dandelions growing out of it. The former is a good strategy for situations in which reproduction is expensive, but the latter works best when reproduction is practically free — as on the Internet.”
So how do you “think like a dandelion” then?
“Your work needs to be easily copied, to anywhere whence it might find its way into the right hands. That means that the nimble text-file, HTML file, and PDF (the preferred triumvirate of formats) should be distributed without formality — no logins, no e-mail address collections, and with a license that allows your fans to reproduce the work on their own in order to share it with more potential fans. Remember, copying is a cost-center — insisting that all copies must be downloaded from your site and only your site is insisting that you — and only you — will bear the cost of making those copies. Sure, having a single, central repository for your works makes it easier to count copies and figure out where they’re going, but remember: dandelions don’t keep track of their seeds. Once you get past the vanity of knowing exactly how many copies have been made, and find the zen of knowing that the copying will take care of itself, you’ll attain dandelionesque contentment.”
The rest of the allegory more specifically applies to written work, but I’ll link it here for the sake of posterity. Essentially: every wall or pre-requisite that you establish before allowing a fresh set of eyes to fall upon your work actually may deter people from engaging with the work and sharing it with others. Signatures, subtle watermarks that are “baked” into the work, or maybe like.. a well-placed QR code that links people back to you — all of those would be my suggestion for someone who wants to leave a lasting, linking thread between a given work and it’s artist. If the right person sees your art and connects with it, there SHOULD be a way for them to follow that thread back to you and discover more; but if you over-prioritize demonstrating ownership over your work, you’re likely to drive those coveted genuine connections away.
On the other hand, if your primary goal is to sell prints or other products, brazenly watermarking your work will protect your bottom line from the kind of low-level art-scraping that drives all those shady redbubble shops and etsy stores that sell stolen works on cheap t-shirts and hankies. For me, art is a primarily social interest in which I prioritize the sharing of culture and ideas. I don’t want financial factors to take precedence and alter how/why I created something; it feels like I’d have to take much of myself out of my art in order to make it palatable for consumer spaces.
You should determine your priorities and then strive to make art that fulfills those priorities without compromise. I think you’ll find that self-satisfaction manifests readily at different points in the midst of that process.
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Just wanna say I really love the images you post and I'm grateful to have come across your page. Your pics always make the Hinny fangirl in me squee! XD Do you accept requests? Would love love to see a LittleMermaid!Hinny or Pirate!Hinny from you! :)
Aww, thank you! Here’s both of your requests for being so sweet anon, hopefully this is what you were envisioning 😘
LittleMermaidHinny! 🧜♀️ - Friends to lovers
PirateHinny! 🏴☠️- Enemies to lovers
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funny that when kaido and tsukasa wanted to steal kisa, neji was like, "yeah, go ahead and try! we can even get approval from the principal so it's official! :P" because he knows they can't do it, that kisa will win that individual award and stay in quartz, and it's a great opportunity (in his eyes) for kisa to improve and build confidence by having her participate in activities with other classes
but the moment chui asked kisa to be his jeanne, neji stepped his foot down and was like, "how rude! chui, you can't just demand a student from another class!! the rest of univeil already went over this last summer, you're too late for that!!" likeeee, hypocritical much, neji?? which, chui also says to his face lol. how come you get to transfer to another class, neji-senpai, but kisa can't?
wasn't neji also the one who said that by treating kisa like an object (to borrow sou's wording), kisa herself gained high value?
but I guess it didn't register to neji that chui might take an interest in kisa. which. lol. come on neji, you should've seen that one coming.
I find it interesting how he's suddenly like, "tachibana-kun! from now on, start running for the hills when someone wants to steal you from quartz!!" completely ignoring how he encouraged this specific behavior from other classes in the first place. but, well, amber is just that special, after all
what'a the harm in letting kisa intern in amber for a little while, just like how she joined class practice with onyx and rhodonite for a bit. do you not trust that kisa will stay in quartz after that. do you think chui can actually convince kisa to transfer out of the class tsuki was famously a part of
neji we all know that "just kidding" is codeword for "I'm actually serious but I'm playing it off so no one takes me seriously" boyyyyy you started all of this!!!
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Man I wonder where the leader of the fear realm could've gone, it's alMOST LIKE NEVIN HAS AN
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I work as the person in an amusement park who watches the children who get lost. Here’s some advice. This also applies to any mentally disabled adults that are under your care. Keep in mind that many places will not look for a minor ages 13-17 unless it is close to closing or they are disabled, as corporate considers it a strain on resources and employee use.
1. Teach them your phone number. Best gift you can give them. I’m not supposed to have my phone out at work but I can cut down dependent’s being-lost-time by probably 400% if I can contact you. It also assures the children That We Are Doing Something and that They Are Helpful and Smart. If your dependent has a poor memory, apparently writing your phone number in sharpie and then covering it in nail polish makes it stay all day, even if they’re sweaty or getting in the water. I haven’t tested this but I’ve heard a lot of moms recommend it. I’ve also seen bracelets with little plates or the beads saying the phone number.
Addendum: your dependent may tell you that they know your phone number, but they actually only know your passcode. True story. This summer has been a lot better, but last summer exactly one child the entire season knew his mom’s phone number.
2. Acknowledge that dependent’s memories are faulty, especially in new places. If you tell them to meet you in X spot or that your stuff is all in Y place, they may not remember where it is or remember how to get there.
3. All dependents, but especially little ones, have shit time sense. They might find your stuff, wait there for a minute or two, and truly believe that they’ve been there for an hour. Half the small kids that are brought to me are ones who *know* where their stuff is, but haven’t seen an adult they know personally in 5 minutes, so they’re going to panic.
4. Don’t take naps!!! And don’t let your dependent go anywhere you can’t go or at least go where you catch them at the end!!! Yes you’re staring at the play structure your dependent entered, but can you see them? No? Then there’s a good chance they went elsewhere. So many of the littler kids that are brought to me are brought by genuine, good-hearted strangers who see lost children and take them by the hand. Away from the spot you’re napping in front of/staring vaguely at.
5. This might just be something from my work, but we will not call dependent’s descriptions over the loudspeaker. This is because if an asshole were to see your dependent, hear the description, know it’s a lost dependent, and decide to steal it, they can then use the excuse, “I know where your guardian is! Come with me!” And then lead them out of the park or toss the dependent over their shoulder. Do you know how many crying and screaming dependents leave the location every day? A lot!!! We’re a fun location!!! We’re not going to know if the dependent is screaming because they don’t want to leave or if a stranger is taking them away. We might call the description over the loudspeaker if it’s past closing time and the dependent still isn’t found. But before that, we will only report it over secure radios across the park.
6. Tell a park worker right away. Preferably someone with a radio. Even if you spot the dependent within the next minute, that means the dependent will have less being-lost time. Especially if we already have the dependent with, you guessed it, me. Also please tell us when you find the dependent.
7. Take a picture of your depdendent at the start of the day! That way security guards can have a good idea of what to look for. One mother told me her daughter was blonde and showed me a picture. Her hair color looked brown to me, but then I knew what to look for in the crowd.
8. Keep at least one person in your group in one spot at all times, especially if you don’t have access to your phone or forgot to give out your phone number to the guards. That way they can find you if they pick up the dependent. If you are the only person in your group, then PLEASE stay in one place or at least stay with ONE security guard. It sucks for the dependent if they can’t find you right away even if the both of you are looking for each other and a guard is helping them. You are NOT helping if you panic and run around. And keep your goddamn phone on you and answer calls from unknown numbers!!!!! God. This is a good time to do that.
9. If you lose your dependent in an attraction like the lazy river at a water park, and you have that ONE person staying in place, then this is what you can do with 1+ mobile people.
A. If only one person can be spared to be mobile, have them pick a spot and stay right there, watching the river go by. Eventually, if the dependent is in the river, they’ll go by.
B. If you have two people that can be mobile, both start at the same place in the river and go opposite directions. If you meet up again without spotting the dependent, well, they’re not there.
C. If you have more than 2 people, you can do B but also station different adults at the lazy river entrances/exits.
10. Don’t blame the dependent! Even if they ran away and/or are pissy that you’re upset once you all reunite, trust me, there’s a 99% chance they’re upset too. Yes, this is a good time to have a serious conversation with them. Yes, if this is a repeated problem, and/or you warned them you’d leave the park if this occurred, you should not back down. But also - they’re dependents. They’re not stupid, and they should be told consequences and dangers so they can make good decisions, but they will never have the adult/guardian perspective that you do. Be kind.
Also please for my sake teach them if they’re brought to someone like me, that it’s THEIR job to be safe and listen to me while us park workers look for you. It’s YOUR job to find the dependent, not the dependent’s job to find you. I had a six year old little girl genuinely toddler-howl at me because she wanted to go look for her mom. I’ve never before heard a kid her age howl like that. I can trick kids out of crying 9/10 times but howling came as a surprise lmao. I think I can manage it now that I’ve experienced it but damn.
Also make sure those kids are DRINKING. Being in a water park is NOT the same as drinking water. They should be drinking every 15 minutes at LEAST, I am NOT kidding.
Also if I call you to tell you your kid is here, please don’t call or text me back after you have the kid. I’m sure other places have phones for these types of things but the only one I have is my personal phone. And I am happy to get the kid off my hands and into your arms, but I’m using my personal phone so plz. Don’t call me back. Absolutely call me if you need directions to my ‘office’ in the park. Don’t call or text me after. I have stories about that hoo boy but this post is already long.
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there is some symbolism iv never considered in that one episod of pt5 where zenigata rescues fujiko before she kills lupin
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