#twin peaks season three

[windwenn]

Just finished txf season 8 wow i cant believe love is the only real thing in the universe

[thefabelmans2022]

does anyone else with adhd find it hard to watch tv series especially long ones or is that just me

[acidxshark]

March 12, 1989

Agent Cooper is tested by the Bene Gesserit Reverend Mother Gaius Helen Mohiam to determine if he is-- wait, hold on, that's not right

[audipiu]

I've come home

[virginiaisforhaters]

oh no the Borb escaped the coopergangers chussy

[kindacreepy-kindaugly]

ok so maybe I'm a lil more affected by the announcement than I thought

[rhobi]

yes i may own 80 individual movies and am just now starting a small collection of shows i rather like. but you know what i need?

more.

[cannibaldotcom]

MATHEW LILLARD IN TWIN PEAKS???

[maxislvt]

Halloween Town

pairing(s): milf!wanda maximoff x reader

summary: your relationship with Wanda was starting to get serious. that meant your relationship with her boys had to get equally serious. what brings a family together better than good ol fashioned trick-or-treating?

warnings: non-sexual pet play, milf typical flirtiness

a/n: um someone have my babies please and thank you

Event Masterlist

Your role in the Maximoff family was getting bigger every day. Billy and Tommy had started to accept you as their guardian. 

Well, less of accepting you and more of dragging you by your ankles into that role. Wanda was happy to see you three getting along but often had to remind them to slow down just a little bit. You didn't have much experience with children and Wanda was afraid the boys would overwhelm you. So she spent hours meticulously planning every outing to make sure you were comfortable but also got to explore things with the twins. She found it easier for the three of you to bond over new things. Even if it meant having three of the people she loved most get in the car and spend fifteen minutes telling her that kayaking during peak mosquito season was a bad idea.  

Fortunately, mosquito season was long gone and fall had begun. 

Fall activities were Wanda's specialty. Whether it was putting up the decorations or finding the perfect costumes for the year. Billy and Tommy always had an amazing Halloween. The only way to make it truly amazing this year was to weave you into their celebration. 

"Can you call off work next week?" She asked suddenly. You were such a busy person that Wanda often had to coerce you into taking time off. Wanda would get you all small and cozy and use that voice you couldn't say no. If you were hesitant, a couple of kisses would always do the trick. "I was thinking you could come trick or treating with me and the boys. They're really into Halloween and I know you're into scary stuff too."

In a more aware state of mind, you'd argue about how there's nothing inherently scary about your music taste but you were much too comfortable to even raise your head. "That sounds fun," You mumbled with your face still buried in Wanda's chest. She had you wrapped around her fingers when you were conscious, there was no telling what you'd agree to in that state. "I'll call off…tomorrow...yeah." 

Wanda smiled down at you. "Why don't you just let me do it for you right now?" She didn't bother waiting for you to respond and simply took your phone. Your phone already recognized her face so making the call was easy. Your boss had already started to recognize her voice so scheduling your day off was even easier. That budding friendship between her and Steve would easily be the death of your stress, you just didn't know it yet. 

"Can…can I get my costume?" 

Wanda hummed for a second. She already had a couple of ideas for what to dress you up as, but you already had an idea she wasn't going to stomp on it. "If you want to." Her hand rubbed down your back when you became too antsy. "Shush, you can be whatever you want to be, baby. What matters is that you're there." She placed a kiss on your forehead. 

She could buy a backup just in case. 

🕸 ⋆｡°✩ ⋆｡°✩ ⋆｡°✩ ⋆｡°✩🕸

The downside to your sleepy agreements is that you would forget them unless Wanda reminded you. Considering her ulterior motives, she chose not to. 

You went weeks without properly thinking about it. There was a nagging feeling that something was missing but you didn't know what. None of your assignments were missing, you remembered to clock in, and you brought all your props for the photoshoot you were booked for. When you tried to think about it harder, you only felt guilty. 

A heavy sigh fell from your lips as you pulled into the driveway. Guilt was so heavy in your stomach you considered sleeping in your house for the first time in weeks. The thought of washing your sheets before bed was enough to deter you from avoiding your beloved girlfriend. 

"Babe, I-"

Halloween costume. You needed to buy a Halloween costume. 

Billy and Tommy sprinted downstairs the second they heard your voice.

 "Look," Billy shouted, "Mom made us the costumes from that movie we watched!" He stood back and turned around to show off the details of his outfit. 

"Mine has my soccer number on it!" Tommy said excitedly while posing for you. 

You were initially appreciative of the costumes, but immediately became nervous when you realized that Wanda had found out you let them watch that movie. Warriors wasn't the most violent film, but Wanda had explicitly told you not to let the boys watch it. Of course, you were easily swayed by the cuteness of them and had let them watch it with you one night past their bedtime. You made them promise not to tell, but it appears the excitement of Halloween overpowers sworn secrecy. 

You quickly glanced up at Wanda and immediately noticed the mischievous glint in her eye. Your eyes didn't go any lower because you didn't trust yourself not to stare. "These look great," You crouched down to their level as if you were about to tell them some top-secret information. "You didn't hear this from me but Tony is only giving out full-sized ones this year.  Why don't you two run down the street and get some of those before he runs out of the foodstuff?"  You patted the boys on their back and sent them off on their merry way. "I swear I didn't mean-"

"Upstairs now, unless my puppy wants a third punishment tonight." Normally, she'd be kind enough to give you a warning or at least ease you into subspace, but she was on a mission today. She didn't wait long before following you up the stairs. The longer she left you unattended, the more time you had to pout your way out of trouble. "And here I thought puppies had good hearing."

You were actively fighting against slipping into subspace and trying to avoid arousal. Being a good puppy was your number one goal, but the threat of punishment made your body tingle. You were even more turned on by Wanda's costume made you feral. As beautiful as the nod to her culture was, your hands were just itching to rip it off.  "Sokovian fortune teller," You said while rubbing your hand against the fabric. It was like a succubus had invaded your mind. "You look pretty." The admiration in your eyes was nothing but genuine.

Wanda revealed in the compliments you gave her. It was nice to see you weren't scared to touch her anymore. "You can't wiggle your way out of this one." She squeezed your hand affectionately before dropping it in your lap. You had to be punished, no amount of puppy dog eyes could change that. "You're lucky I have a costume for you just in case, but I don't want to hear any complaints." 

Your eyes followed Wanda as walked to her dresser and pulled out your costume. "I'm sorry I forgot. I know they like Halloween, I just…I don't know what happened but I promise to do better." Your apologetic mood quickly turned into unease when Wanda turned around with your costume. "You want me to wear my collar in public?" 

"It's not your collar, just a collar." Wanda didn't bother arguing with you and wrapped the collar around your neck. She showed you the set of ears she bought for you. "But these you will be wearing later," She said with a smirk. The ears fit snugly on your head. "Oh, I bought you some teeth too!" 

You thought you were going to die from embarrassment.  Even though you were convinced no one would think anything of it, you still felt ashamed. "...are the fangs at least cool?" You mumbled. 

Wanda opened the box. She tripped the extra latex off the top so they'd fit in your mouth comfortably before handing them to you. "You're going to be the cutest werewolf in the whole neighborhood." She kissed your cheek only for you to fake a scowl and rub off her kiss. Wanda scoffed and gave you another kiss. "Those boys are starting to rub off on you in all the wrong ways."

You kissed Wanda back but still shrugged. "You said you wanted me to be more adventurous…they're bringing me out of my shell a bit."  Your tongue corrected the positioning of the fake teeth in your mouth before you stood up. "Well, we better go get those little rascals before they sweet talk Tony out of a whole bag of candy."

🕸 ⋆｡°✩ ⋆｡°✩ ⋆｡°✩ ⋆｡°✩🕸

The rest of the night went on pretty well. 

Wanda was too late to stop Tommy and Billy from robbing Tony blind, but she didn't exactly have time to reprimand them for being greedy. You were snatched up and dragged around the neighborhood for most of the night. She couldn't keep up with the balls of energy she was grateful to call her sons. It worried her at first. The last thing she wanted was for you to get overstimulated or push yourself too hard, but you seemed to have everything under control. 

You were the one to slow down and check in on her this time. 

You walked back to Wanda with a sack of candy. "Are you okay?  I can get them to take a break if you want." The concern on your face was so genuine that Wanda couldn't help but laugh. 

Wanda giggled. "I'm fine dear, but thank you for asking. Just go back and have fun." She leaned to the side and examined the sack of candy you had on your back. "Is this your version of a dad tax?" 

You shook your head. "Nope, I have been pressured into abetting a robbery of all the people in the town." You held up the bag to show how full it was. The sack was already halfway full and the boys had only been out for about half an hour. "I guess between all the dads liking the costumes and the seemingly empty candy buckets they're racking up a nice stash." The boys had been dumping their collections into your bag to collect more candy and you didn't mind. Especially since they promised you 15% of their candy from the end of the night. "Your kids are scarily good at business." 

Wanda let out an amused sigh. "That's all Vision," She said. Her hand held yours as you two trailed behind the twins on their candy-collecting adventures. "...Are you doing okay?"  She turned to look at your face, searching for any signs of sleepiness or stress. "We can head home if you want." 

"Baby, I promise you I'm fine. Just let Billy and Tommy run themselves tired so we'll have an easy bedtime." 

Considering the rather complex system the boys had in place, it didn't take long for them to tire out. After two hours of trick or treating, you were carrying two very sleepy baseball-playing gangsters back home. 

Just as you predicted, putting the boys down for bed was as easy as pie. They didn't even throw a fit about having to take their face paint off, but you did promise to do a proper photoshoot with them in their costumes another time. 

Once the twins were adequately tucked in, you headed upstairs to start your nightly routine. You were going to only bother with some of the fancy creams and tools Wanda had bought you since it was so late. Just a simple face wash and a shower would do just fine. Or so you thought.

"Oh puppy, don't tell me you thought mommy forgot about your other punishment."

[keeksandgigz]

thinking of eddie helping you braid your hair when you’re getting ready to spend the night

made this about eddie and witchy because i cannot stop thinking about them- this is also for the anon who said they can't stop reading it (thank u hehehe)

fluffy fluff below the cut, witchy being jealous and thinking of hexing his exes <3

He had to drag you into his apartment.

In a hilarious turn of events, due to some kind of San Francisco strike, all metro routes were suspended and there was no way you were going to walk in heeled boots all the way to Twin Peaks.

"Why call an Uber, baby? You can literally come upstairs at mine" Eddie says, watching you huff as you read over the e-mail about the strike.

"No Eddie you don't understand. I need to be home. I have a whole ritual! And silk pillowcases! Why can't you just drive me?" you whine, hoping he'll fold to your requests like he always does.

He grabs you by the shoulders, giving you a tender look.

"Because, my lovely witchy, metro routes being down means there will be absolute pandemonium in the streets. And I'm not trying to stay fifteen minutes stuck in downhill traffic" he laughs as you follow him around the store.

He's still working, you got off an hour before and after walking around the vintage stores for an hour there wasn't much else to do. It's just him in the record shop, working the closing shift. You follow him around trying to convince him to drive you back as he puts back the vinyls in the milk crates, folds band t- shirts, and rearranges patches in the display case.

"C'mon, witchy, just go up. I have Chinese takeout from last night or spaghetti if you wanna cook, I'll stop by the hair place across the block to get you a silk pillowcase. Promise" he says, leaning over the counter to kiss your forehead he opens up the cash till.

"But Ed-" you whine, you've never slept outside of your apartment before.

"No buts, I'm sorry witchy. Now get your cute butt out of here, I've got money out" he says, puckering his lips, ready for a kiss.

You lean over the counter and give him a quick kiss before he hands you the keys to his apartment.

"Don't forget to call Lorraine to get her to feed Circe!" he exclaims before you're out the door. You roll your eyes, of course you'll call Lorraine, your neighbor, if Lorraine existed.

But he doesn't have to know you can feed Circe with a snap of your finger whenever you forget to leave food out in the morning.

So you groan and you go through the backdoor of the store to reach the small, dingy courtyard of his apartment. Second floor, apartment 5C.

This building is so old it doesn't even have an elevator. You reach the door and open it, the rattle of keys falling over the counter is the only sound that can be heard, along with the clack of the short heels of your boots.

You take your shoes off and go through his fridge. Day- old Chinese takeout, a carton of eggs and milk. Three cans of Sierra Nevada, a half- drunk bottle of Coke Zero. You open his freezer.

Honey walnut shrimp and fried rice from Trader Joe's, a bottle of vodka, and a tub of ice cream from the last time you were craving it.

You roll your eyes and pick up the phone.

"Hey Ed, you have jack shit in your fridge. Can you stop by the Greek place down the block? I’ll have a gyro with chicken and falafel on the side” you request, hearing his groan at another chore he has to do post closing.

“Baby the Chinese food in the fridge is pretty good, it’s from the place we always go to” he’s not very convincing, but he’s tired and now lost count of the cash he was counting.

“‘kay i’ll put an online order for it so you just have to go pick it up, sound good?” you ignore him.

“Ugh fine but I better get, like, the biggest kiss in return.“ he groans, but it’s true. He is a weak, weak man when it comes to you. “Get me the pita wrap with lamb and fries, and lemme also get seasoned fries on the side. Thank you witchy, love you gotta go” he says, hanging up the phone.

So you order the food and then sneak in Eddie's bedroom to change into something comfortable. Getting rid of that fine line when clothes felt too much like clothes, the stitching pressing into your skin, the cuffs of your sweater feeling a bit too tight against your wrists, your jeans too tight on your legs.

So you venture in his closet and steal a pair of sweats and a ratty black t- shirt. One of his many. You go to the bathroom and notice there's no mirror. This dude.

So you tie your hair away from your face and use the nice face wash you got him- which you're sure he rarely uses- and wipe the makeup off your face. You go look for a clean towel, 'cause God knows you will not be wiping your face with the hand towel sitting on the rod on the wall.

After your face is clean you plop yourself on the couch and watch TV to pass the time.

Thirty- odd minutes later a rattling of keys startles you. Eddie walks through the door with his arms full of plastic bags. He places them on the counter.

"Hey witchy, I see you've made yourself at home?" he says, as you walk towards him and bury yourself in his arms. At least he smelled nice.

"Hmmm missed you, Ed" you mutter against the fabric of his t- shirt.

"You missed me?" you give a little nod, followed by a hum. His heart beats a bit faster, it's nice knowing you think of him when he's away.

"Aw, witchy. I missed you too, are you hungry?" he says, giving you a sweet kiss on the head as he detaches from your grip and reaches for the bag with the food, taking out the boxes.

"Also stopped by the hair place, got you that silk pillowcase and some shampoo and conditioner to keep here. Doubt you'll wanna use my three in one shit" he snickers, and you blush timidly. He's not sweet in the way that he'll kiss you in the middle of the street, but he is for sure sweet in the way he thinks about you an embarrassing amount of times a day.

"Thanks Ed, you didn't have to do that" you say, and he blushes, the boy tinges himself pink because you appreciate him.

"Y'know, anything for you" he says, giving you a kiss on the forehead as he brings the takeout boxes to the coffee table.

You follow him and plop down on the couch "I was watching 'Sex and the City' while you were gone" you explain, biting into your gyro.

"Was Samantha being her usual crazy self?" he doesn't even know who Samantha is, but he thinks it's funny to ask you every time. You giggle as he puts on a random show for you to watch.

After an episode Eddie stands up and stretches.

"I'm beat, I think it's time for bed" he says "c'mon, witchy"

You rise from the couch and follow him into the master bathroom.

“I have a toothbrush here for you, I kinda uh-“ from his tone you can tell he’s embarrassed “I got one for here the first time you came over, in case you ever, y’know, wanted to sleep over” he says sheepishly, while you wrap your arms around him.

He offers it to you, it’s pink. Your favorite color.

“Aw, Ed. You’re so sweet, thank you” you say and you swear you can see him blush as you place a delicate kiss on his warming cheek.

This slice of domesticity taken away from the mystic vibe of your apartment really makes you wonder. It makes you think about a normal life, with him.

The way he washes his face like a madman (without face wash), letting the water wet his bangs instead of pulling his hair back, the way he ties his hair up before brushing his teeth.

You take the toothbrush out of your mouth "Ah shtill don' undestand why you don' have a mirrah" you sputter, mouth full as you spit the toothpaste in the sink.

"Why I don't have a mirror? Previous tenant broke it and my asshole landlord still won't fix it" he says, taking off his shirt. Your eyes linger on the lines of his back a little too long, bordering the line between looking and staring.

So you turn around and you try to braid your hair without a mirror, but to no avail, every strand seems to be three different sizes.

You groan in frustration as Eddie approaches you.

"Lemme help, witchy" he says, standing behind you and tending an arm out for a hair tie.

He divides the hair into three strands. Your hair is so soft between his fingers.

He wishes he could stall so that he could caress it for longer, but an impatient yawn escapes your mouth as his hands deftly get to work. Over, under, over, under-

"Where did you learn to braid hair?" you ask, feeling the way he softly holds each strand, making sure he's not pulling at your scalp. You don't see him, but a smile forms around his tongue, peeking out of his lips in concentration. Over, under.

"I had girlfriends before you, witchy. They taught me to braid my own hair" he chuckles, as you try to tune out the word girlfriends. Under, over, under.

He can see a pout form on your lips, he smiles.

"Why'd you need to braid your hair?" you huff, thinking of going on a spiraling rampage and hexing every one of his exes. Over.

"Well" he begins "one time, an ex braided my hair and it came out super curly, so I wanted to try it myself. Turns out it needs to stay in the braid for a while for that to happen" he shrugs.

Under, over, tie.

"All done," he announces, placing a kiss on the crown of your head.

"Thanks, Ed" you examine the braid, flinging it over your shoulder "looks really nice" you say, and give him a small kiss at the corner of his mouth.

He gets himself into bed. His bed is oddly comfortable and his sheets smell of laundry detergent.

"I might have been washing my sheets every other day in case you wanted to sleep over" he confesses, blushing, as he lifts his arm, opening the warmth of his chest to you.

"You" you give him a kiss "are literally" another kiss "the sweetest guy" another kiss "in the history of always" last kiss.

He gets flustered when you call him sweet, because under the hardening exterior of black chains and shirts with exploding heads and hooded skeletal figures, there's just a sweet guy who loves you and wants you to like him for being himself.

"Just want you to, you know, have a good experience with me" he says, caressing your head.

"You get an 11/10 Yelp rating, can't recommend to anyone, though. You seem to be preoccupied with a really cool girl, and it seems it's going to go on forever" you giggle, as he smiles and gives you a kiss.

"Go to sleep, cool girl. Goodnight, love you" he says, before turning off his lights.

"Goodnight, Ed" you say, turning over so he can spoon you.

"You have to say it back" he whispers in the quiet of the dark room.

"Right, sorry. I love you too, Ed" you correct yourself and close your eyes, falling into one of the best sleeps you've ever had in your life.

The morning after, Eddie wakes up to his landlord bringing in a new mirror, his hair extra curled and all his exes blocked on his social media. But he doesn't have to know about that last one.

[aclockmaker]

more actors au continued from here

Shooting the first season is a fever dream. Creating and playing in a world that no one else gets to see yet—no reviews, no public, just them. The cast is tight, right away. Eddie, like, loves them. He's already made plans to go to Robin's family's house in Joshua Tree this summer.

Eddie and Steve don’t have that many scenes together. Eddie knows, guiltily, exactly when they’re all shooting.

It’s not just what goes on when the cameras are rolling, either. (Which is, like, still insane. Still makes Eddie feel like he's taken club drugs. And maybe he's not the only one, because—)

It's also that Steve is more likely to ask him to hang out, just the two of them, after they shoot together. Eddie could text him or ask him but he has a complex set of rules for how often he's allowed to be the one initiating it, because, well. He's nursing a pretty bad crush here. It's deeply unprofessional.

In the episode before this, Eddie confides in Nancy’s character, their teen journalist-detective, that he has something he thinks he needs to tell her. Something that’s going to blow her mind. But they’re just in the hall at school, the bell ringing, so he can’t do it right now. It’s his own little “I’ve got a secret, Veronica Mars. A good one.” (He’s watched as many dead-girl tv shows as he can to bone up for the role—all the classics going back to Twin Peaks. Veronica Mars is uniquely applicable because Lily does appear in flashbacks, and even though they’re subverting the trope by having a guy get killed, they all know what kind of story they’re telling.)

In the scene they shoot tonight, Steve's character comes to Eddie's house that same night before he can get to Nancy to try to convince him not to tell her. It's not clear what Steve thinks he knows, when he climbs in through Eddie's window, only that he's practically begging Eddie not to do it. He starts off aggressive, like they're yet again about to get into a physical fight. But the fact that Eddie lets him in speaks to the fact that maybe there's a little more to their relationship. And then Steve's character breaks down, cries a little, and it's really—something, to be wrapping his arms around Steve's shoulders in front of the camera and the crew, under the lights. Eddie is a professional, and he's perfectly capable of slotting those feelings into their correct file folders for later perusal, but—it's something. He's given Steve bro hugs. He's pretty sure Steve even hugged him for real the first time he saw him after he was cast (it's a blur). The only time they've hugged like this is on film.

He's not surprised when there's a message waiting for him on his phone when he eventually gets back to it post-short scene with Max, whose character lives next to Eddie's in-story. The message itself is a little surprising. Hey, I'm wrapped so I'm going home but do you want to come by? And then an address in Silver Lake.

It's not so crazy. Steve takes awhile to decompress after filming something emotional; he doesn't like to be alone. Eddie has learned this very quickly and has very quickly come to crave being the one Steve decompresses with. It just typically happens on the studio lot, in Steve's trailer. But this is fine, too. It just makes sense. Steve was done for the day so he went home. But he still wants to see Eddie.

Eddie sends back three thumbs up emojis, bangs his head on his steering wheel, and starts driving. He chews a fingernail, wonders if he should stop somewhere to get something to bring. A bottle of wine. But that’s stupid probably—it’s not a dinner party. It’s just two friends hanging out. (If he thinks it a little defensively, that’s because Mike was leaning heavy on the innuendo when he asked Eddie where he was going tonight. “Oh really, with Steve? Huh. It’s nice you two get along so well.” Eddie had just glared at him and moved on. The kid is such a little shit.)

Steve hugs him when he gets there, which is almost funny—now that he’s acted it out, he’ll do it in real life, like an echo. But it doesn’t seem fake, it just seems like that’s what Steve does when someone comes to his house. He’s a little high strung, maybe, in constant motion while he waves Eddie in and offers him a beer.

They end up on the pool deck, beers in hand, sitting with their legs dangling in the water up to their knees. It’s secluded here, big, old trees blocking them from any neighbors’ view.

“So,” Steve says. “Good scene after I left?” It doesn’t sound like what he really wants to ask.

“Yeah, fine,” Eddie agrees. “You know what Max is like—she’s too cool for school.”

“Don’t let her hear you say that,” Steve laughs.

“Never,” Eddie agrees. The teasing would never end. He glances at Steve, who seems mostly relaxed, maybe a little hunched in on himself.

“Did you ever, um,” Steve starts, looking out at the water. “Date a co-star?”

Eddie’s brain whites out a little, just static. “Uhh. I thought you were going to ask if I thought you looked weird when you cried, or something.”

Steve sputters. “Do I?”

“No, dude, very pretty crier.” Eddie smiles.

“Thanks I guess,” Steve says, frowning a little.

Eddie chews on his lip. “But, uh. No, I haven’t.”

Steve sighs. “Yeah, me either.”

Which is funny, because he’s been linked with a couple of them from previous projects, but Eddie guesses you can’t believe everything you read.

“Is there someone,” Eddie asks carefully, “you want to date?” Steve is close with Robin and Nancy. Eddie can’t see Robin dating a guy, but what does he know.

“I don’t know,” Steve admits. “I feel like. I don’t know if it would be a terrible idea, because we work together.” And then he just stops talking.

“I might be able to respond better if I knew who we were talking about here.”

Steve gives him a look. “You do know. Don’t make me say it.”

“Gonna definitely need you to.” And then, because he can't help trying to make Steve laugh. "It's Joyce, right?"

"Please," Steve says, and does laugh a little. "I wish I thought I had a shot with Joyce." She's a legitimately famous actress who Eddie often can't believe he's going to share an IMDB listing with.

"But, uh," Steve goes on. “I don’t want to mess anything up, though.” Now he sounds careful.

Eddie doesn’t know what Steve thinks he’s messing up—their chemistry, he guesses, if he’s not reading this very wrong. Their friendship maybe. The show. Any remaining semblance of professionalism. Eddie is pretty ready to throw most of that stuff out the window—after all, who says just because they hook up the work will suffer? Maybe it’ll be better because Eddie won’t be crushed under the weight of absurd amounts of sexual tension anymore. Not that it’s been a hardship, but…

“I don’t think you’re messing anything up,” Eddie tells him. “I mean—personally. Who says anything will get messed up?” I think it might be worth it even if it does, he doesn’t add, because it’s shocking to even think it, and obviously too much for the moment. He doesn’t know if he really means it—this show is, like, the opportunity he’s been waiting his whole life for. But he’s already dead on it; there’s only so many flashback scenes they can film as he ages further out of the high school age bracket for a character who can’t get older.

“Yeah, but.” Steve runs a hand through his hair, frustrated. “The way we are on the show—“ he shoots a worried little glance at Eddie, who tries not to react outwardly to that, which is hard. “Don’t you think some of that’s because—I mean, for me at least, it is, I’m not saying—for you—"

“Me, too,” Eddie assures him before he hurts himself. “But—okay, you brought this up, not me. What do you want, then?”

“Dude, I wish I knew,” Steve says. “I mean—“ he glances at Eddie— “I know what I want, but I don’t know what we should do. But I just felt like I was going crazy, and the only person I really wanted to tell was, well, you.”

Oh. “Steve,” Eddie says, almost a warning. He wants to offer that they can hook up and it won’t mean anything and nothing will change. He wants to offer that they can date and nothing bad will happen. It’s all stupid, impossible to promise.

“I know,” Steve says miserably. “Sorry.”

Eddie shakes his head. It’s almost unbearably sweet that Steve is so bent out of shape over him. “Come on, we only have, what, two more weeks of filming? We can make it through two weeks, right?”

“Guess we have to,” Steve agrees, but he moves his hand over a little so their pinkies touch on the edge of the pool.

tagging a few people by request, thank you for being interested <3 @atlas-talks @obsessivlyme @lyriclight @deadflowercollector @thatonebadideapanda @wolfstarlights @eddiemunsonswife @alienace @wishiwasacasualfan

[ashensgrotto]

The Sea's Sacrifice (Part 2)

Characters: Azul Ashengrotto / Jade Leech / Floyd Leech x Fem!Reader

Total Word Count: 14.7k+

Part 1 Part 2 (You Are Here) Part 3 Part 4 Part 5

Synopsis: A potential job as a marine biologist’s assistant leaves (Y/N) feeling something fishy going on behind the scene…

Author’s Notes: Original Idea came from @merakiui ’s annonymous ask with a short story / headcannon -> https://www.tumblr.com/merakiui/684490143936167936/ooohhh-i-love-those-writing-ideas-you-had-for-sea?source=share

and I absolutely love this concept and wanted to take it a step further. I don’t write yandere nor fanfiction as much as I did a few years ago. However, I do hope I do this piece justice; I will have links to the next part once it is completed and ready for viewing.

Also, this is a work of fiction. I disagree with anyone that justifies the following behaviors which are represented in this fic (if I think of more, I will add them as I go):

rape/non-consent/dub-consent, possessive/controlling/dominating behaviors, and manipulation

Come my love be one with the sea

Rule with me for eternity

Drown all dreams so mercilessly

And leave their souls to me

***

You don’t see the twins for the remainder of the day.

When you make mention of the encounter in passing to Crewel that evening, the man only smiles - and not in a warm way whatsoever.

“It would seem that our puppy here has peaked their interest,” the eccentric man grinned, an unsettling look on his face as he bares his teeth, “It’s interesting how Floyd has taken the first step, though - I thought for certain Jade would’ve been the one to approach you first.”

“Floyd? Jade?” you arch a brow at the black and white cloaked professor, “Those things have names?”

“They are not things, pup,” Crewel taps his cigarette case against the palm of his hand before pulling one out and lighting it up, “To answer your question, yes, the mers do have names. While you were waiting for them to make their first appearance with you, Trein and I have been working on cracking their communication code. All three speak in chirps, clicks, and coos - though their growls are both intriguing and nerve-wrecking. We believe, based on how quickly they chirp or click, they are either warning each other of danger, food, or saying each other’s names.”

“And how did you figure out their names?”

“It’s a mere guess - but the sound waves we see on our monitors follow a similar pattern as the sound waves in the air following the pronunciation of the names ‘ Jade ’ and ‘Floyd. ’ We’ve also hidden cameras in the enclosure and have heard them speak in our language during playback sessions after certain incidents - such as the attacks on our coworkers.” 

“And part of my job is to see how much of our language they know and potentially teach them more?”

“Well, it wouldn’t hurt to know how much they know or teach them,” Crewel chuckled, “one can’t be too careful with so much knowledge after all.”

‘Knowledge was power,’ you recalled someone telling you once long ago, ‘and too much power could either destroy you or save you.’

“Regardless,” Crewel continued, “I, personally, think it would be interesting to see exactly how much they know about us land dwellers. It would allow us to know if they are watching us and, if so, where we should look to find more - maybe even see how they live and coexist with each other, what parts of the ocean they are likely to hide out in… maybe even see how they mate!”

You sputter, “M-mate?!”

“Of course it’s perfectly natural for animals to go through mating seasons,” Crewel answered with a shrug, “For scientific purposes, it would be interesting to see if they mate like their animal forms or if they follow the human side of romantic courtship.”

‘I’m beginning to think you and the rest of this group are a bunch of perverts,’ you thought to yourself, grinding your teeth together, “And what are you going to do about… that particular question?”

“I think that is enough questions for the day,” Crewel raised his arms above his head, a popping noise indicating a cracked back as he let out a yawn, “Come, puppy. Both of us need rest - we’re going to have a busy day tomorrow.”

***

You didn’t see the twins when you first came in the following morning, nor even after depositing your stuff beside the coat rack and your lunch into the freezer. 

At first, you thought maybe they didn’t exist and you had dreamt up the encounter; but the memory of Crewel’s grin and comment about interacting with ‘Floyd’ kept replaying in your mind as you prepared the merfolks’ breakfast. As you leaned down to dump the second bucket into the pool, a sudden splash of water soaked you from head to toe - forcing you to drop your bucket and fall back on the concrete flooring, sputtering as giggles and clicking noises filled the room.  You brushed your damp hair and salted water away from your eyes as they fell on a familiar figure leaning over the edge of the pool.

Skin the color of seaweed shone under the dimmed fluorescent lights while a set of heterochromic eyes gleamed in delight at your surprise. A grin spread across the mer’s features, revealing a set of shark-like teeth that flashed in satisfaction, the dark teal strand falling in front of his features. 

You huff, grunting as you slowly stand and arch a brow at the creature, “Was that really necessary?”

The creature only beamed wider, clearly pleased with your reaction.

“Honestly, you scared me - nearly gave me a heart attack.”

The creature clicked a few times before pushing himself away and swimming around close to the edge, watching as you grab the last bucket and bring it to the edge.

“No more surprises, ok?” you eye the creature as you reach in and pull out a squid that was about the size of your palm - much larger than a fry, but too small for an adult - offering it to him, “I give you this, you won’t splash me again, deal?”

The moray mer chirps, moving his head in a nod and shifting his body slightly before you toss the squid in his direction. He catches it mid-air like a dog with a tennis ball, the squid dangling out of his mouth as he beams at you. You watch him carefully as you dump the contents into the water and he begins his meal. He starts with the tentacles, pulling them apart and gnawing on them while his webbed hands dug into the mantle of the miniature sea beast - strings of muscle, blood, and ink staining his features before crunching of bone echoes around.  

“Geez, take it easy,” you grumble, “no one is going to take it from you.”

The mer stops and regards you with a look that means, ‘Shut up, I’m trying to enjoy my meal.’

You return the buckets to the side of the freezer before grabbing your notebook and take a seat at the pool’s edge, opening it and beginning to jot down notes.

6:05 am: One of the mers has made an appearance this morning. Based on what I was told by Professor Crewel last night, I believe this one is Floyd - one of the twin morays. It’s hard to differentiate between the two of them, but if I had to venture a guess - Floyd is far more playful than his brother -

Nails clicked against the edge of the pool, forcing you to look up to see Floyd leaning over the edge, studying the word on the notebook. He shifted his gaze from the words before looking at you and back again. 

“What’s up?” 

Floyd chirped at you, crossing his arms and resting his chin on them, eyes watching your every movement as he continued to click and coo.

He stayed like this for the next several hours, clicks and chirps echoing in the room as you shifted between taking notes and partially listening to him. You figured he was telling you something, but since you didn’t understand him, you could only nod and hum in his direction as if you did understand. 

“Hungry,” he says eventually, the word throwing you off guard for a moment.

“Did you just.. Say ‘hungry’?” you asked, blink incredulously.

“Hungry,” Floyd said again, a grin spreading across his features, his eyes narrowing as he eyed you like a piece of shrimp.

“Alright, one moment Floyd,” you move to stand, only for your ankle to be caught by a webbed grip.

You turn, confused to see a look of surprise on the mer’s face.

“Name?” Floyd inquires.

“Are you asking if I know your name?” when the mer nods, you smile, “I was told your name. But, excuse me, I never introduced myself - I’m (Y/N). I’ve been tasked as your keeper.”

It was a white lie - a big one at that - but you weren’t sure if Floyd understood what ‘keeper’ meant nor if he understood that the three of them were under observation. However, you did want to be cautious in the event that in the case Floyd and the others did understand what was going on around them, you wouldn't be seen as a threat.

Floyd spoke your name softly, tasting the words on his tongue before grinning, baring sharp teeth as he shouted, “(Y/N)!” 

You couldn’t help but giggle a bit, murmuring behind a hand that covered your mouth, “That’s my name, don’t wear it out.”

Next thing you knew, Floyd launched himself from the edge of the pool and disappeared into the murky water, leaving you curious as to what he was up to. However, if he intended to splash you again, you weren’t going to stick around to find out.

You stood, stretching your back and legs before moving towards the freezer, with the intention of pulling out the three buckets for lunch when Floyd’s voice came again, “(Y/N)! (Y/N)!”

You turned with bucket in hand as Floyd approached the edge, his brother in tow - though he stayed at least a foot away from the edge, but keeping a close eye on you and his twin. You reach the edge a squat down, offering a smile to the second moray mer and a hand outstretched in a non-threatening manner. 

“Hello. You must be Jade, right?”

‘Jade’ lifts his head, allowing you to see his full face and neck, the water lapping at his shoulders, as surprise etched across his features. He blinks slowly, moving a little bit closer before his voice, soft and deep, speaks.

“Know name?”

‘So, Jade knows a few more words than Floyd,’ you think to yourself before nodding, “Yeah, I know your name. I told Floyd that I was told both of your names - I was assigned as your keeper for the time being.”

“Keeper?” Jade askes, head cocking to the side like a dog would.

“Yes, I’m in charge of taking care of you during the day. I’ll be here most of the time, except at night when I have to leave. But I’ll be here to feed you in the morning, afternoon, and evening, and spend time with you guys during the in between hours.”

The twins looked at each other, both clicking and chirping - eyes shifting between your crouched figure and themselves. The looks they shared during these few moments made you feel a bit uneasy, like they were sizing you up for a meal; it reminded you of the lewd glances you received from drunks at the bars you used to work when you first started working, hands sliding up your uniforms before one of the bartenders would step in and smack them away, reminding them the girls were not for touching. It made you shudder, goose pimples rising along your arms.

Jade seemed to notice, clicking softly at his brother as his features relaxed, heterochromia eyes softening on your figure.

“Hungry,” Jade’s voice brought you back, “We… are… hungry.”

***

It only took about a week for Jade to eventually warm up to you, the three of you getting along - even with Floyd’s continued antics.

From what you observed, Jade was the eldest of the two moray twins - he was courteous to you and most of the staff that had on more than one occasion popped in to check on you during your sessions with the two and often kept Floyd from getting too much out of hand; although he seemed to be the one that would antagonize his younger brother with a few clicks and chirps in his direction before Floyd would splash you with water or attempt to pull you in for a swim. Regardless, Jade was always there to pull his brother back while Floyd shrieked in mer - their native tongue that you supplied in your notes, thrashing about while the eldest cooed in delight at how quickly Floyd could be worked up. 

Jade was also very intelligent, often poking at the books you had brought along with you and chirping with curiosity. Unlike his brother, who had the attention span of a three-year-old, Jade listened intently to each word and pronounced them back to you with a few stutters here and there before saying the word like he was born to speak. He couldn’t form coherent sentences without the occasional click or chirp, but then again - speaking your native tongue was like you learning to speak his, it would take time and practice before he could reach that point. 

The easiest words for Jade are your name, the word ‘pearl,’ and greetings. He always glowers when the time comes for you to leave before grumbling in the water, bubbles appearing around his face as he sinks under the surface with only the top of his head and eyes peering out from beneath the enclosure’s water surface. Floyd had picked up on this and began copying his brother, both of them looking like angry puffer fish each time you leave the enclosure and lock the door behind you.

Trein stops you one evening on your way out, a black and white cat in his arms, “How are things going, little keeper?”

“I think I’m making progress,” you answer, holding out your filled up notebook from the first month to him, “Crewel requested I give you this at the end of the first month.”

“I should hope so,” Trein took the notebook, shifting the lazy cat in his arms around to flip through the pages, “I saw that you’ve become quite comfortable around the twins - Floyd nearly drowned you in the pool the other day, yes?”

“Almost, though I think he was just playing around,” you answer, “he’s like a little kid - so energetic.”

“Perhaps… How's the research on our cecaelia?”

“The cecaelia?”

Trein raised one brow as the cat harrumphed at you, “Did you forget there are three of them?”

“I suppose I did,” you gulp before shrugging sheepishly.

“Do not forget that there is more than just the twins in that enclosure,” Trein warned, closing the notebook with a loud snap in one hand, “The sea is as dangerous as its mysteries that lurk beneath its surface. The twins may be comfortable around you, but the cecaelia is something no one has ever seen, much less interacted with. If it were to pull you under the waters tomorrow, we’d never know what happened, and I doubt the twins would do much to save you either.”

“I won’t let anything happen,” you answer with a strong resolve, brows creasing inward, “besides, if Crewel’s hunch is correct, I might be able to get the twins to persuade the mer out if I play my cards right.”

“You better. Remember, you only have two months left. I’d like to see some progress before the end of next month.”

***

As was expected, the twins were no help at all.

Each day for the next week, you attempted to discuss the octomer with the twins - you figured if you could get more information about the mer in question, you might be able to indicate something about him in your notes. Unfortunately, the twins couldn't completely understand you - even when you drew out a picture of what appeared to be an octopus and tapped a finger against the drawing. They did, thankfully, seem to understand you were curious about the third member of their trio, with Floyd chirping "Octo-chan" a few times before disappearing under the water.

The only piece of information you could gather was a word, spoken by Jade when you first asked about the mer.

Azul.

But, azul was a color - blue, to be precise. What does "azul" have to do with an octopus? You contemplated this for several hours after the twins left you to your devices one morning. They had greeted you in their usual fashion before taking their leave and disappearing under the water. It had been about two weeks since Jade had spoken the word and even when you asked about it, the clicking and chirping that came from both mers had you scratching your head in confusion. 

Maybe "Azul" wasn't a color, but a name? Or code? 

You scratch the back of your neck as you look at the chart you've drawn out - hoping that you might get some answers. "Okay, let's see," you push the notebook forward and roll to lay on your stomach as the bottom end of the pen traces through the drawn lines and words, "Floyd and Jade are twins - that much is straightforward - and are literal polar opposites of each other. Other than looks, both of them are connected by the octomer who may or may not be named Azul. However, how are the three of them connected? How did they meet?"

You circle the question before moving on to the next part, "As for Azul - he doesn't seem fond of humans as the morays seem to be his protectors. We know he is an octopus, based on eyewitnesses during their capture - however, we don't know much else about him."

You tap your pen against the notepad before flipping through the other notebook that sat beside you, rereading all of the notes you had gathered during the course of the week when discussing the octomer to the morays. You shifted to a kneeling position, your body getting tired of laying flat on your stomach when you felt a pair of eyes watching you.

You turn your head toward the pool, eyes nearly popping out as a head dunks itself low, the top mop of white and lavender shaded hair falling across a set of unfamiliar sea blue eyes.

Dove gray skin glowed in the dimmed fluorescent lighting as the sea blue eyes peered at you curiously, pupils horizontal slits that expanded and constricted as the two of you locked eyes with each other. When he raised his head, the water revealed several long strands of silver that rested about chin length on the left side of his face - the rest of the starlight colored hair cut short with water dripping from the tips and creating little pointed tips on the ends. Full lips were slightly parted with surprise, a little beauty mark resting just below his bottom lip and nearly blocked by the long strand. Unlike Floyd and Jade, his ears matched that of a human - rounded and uncut by earrings many humans wore. Below him, you could only see blackness - a darkness that cut through the murky waters of the pool as multiple limbs shifted in the water.

Overall, the octomer was stunning.

You took a deep breath and smiled softly at him, holding out a hand to him, “Hello. It’s nice to finally meet you. Are you Azul?”

The octomer looks around cautiously before returning his gaze to you with a slow nod.

“You have a beautiful name, Azul. I’m (Y/N) - though I’m sure the twins told you about me.”

Azul nods, slowly reaching a hand out towards yours open one.

“(Y/N)?” the voice of Crewel comes from the entrance of the enclosure.

Startled, Azul disappears under the waves as the twins appear, a heavy wave of water dousing the two of you - causing the two of you to sputter in surprise. Jade growls at Crewel, snapping his jaws in a threatening manner while Floyd leans over the edge of the pool, getting into a protective stance in front of you and snarling at the professor before shifting his gaze at you with worry.

The only thing you can think of as you watch the scene before you unfold is, ‘Did I manage to become a part of Jade and Floyd’s group? If so, what happens now?’

[cipheramnesia]

It's always really telling about different series to see which fandoms will pick out like the same three good scenes from 12 seasons, or pull every clip out of context to make it queer, or narrow the focus to the most insipid and unchallenging details of a show. Which is why I think it's just hilarious how very little there is about James Hurley in the Twin Peaks fandom.

You would never know he's an important character with a major part on the show and has an entire (agonizing) storyline devoted to him and if you actually watch the show you'll forget he exists the second he's off screen. Absolutely the all time king of a character void of any substance.

[velvetvexations]

The thing about comparing Kipperlilly's grudge to hating DEI and affirmative action is that those things are exactly what she's advocating for. The Bad Kids are not receiving accommodation for anything - and in fact Aguefort seems like the type to despise things like accommodations and would tell disabled people to pick themselves up by their bootstraps, but I digress -rather, they have direct connections to massive save-the-world plots three years in a row now that puts them way ahead of everyone else. Though they put in hard work, that doesn't change the fact that no one else working as hard as they can will ever equal being told to go stop a god from coming back and coincidentally your dad (a) worked directly with that dead god's primary agent in the past and (b) is now a super cool angel secret agent who will directly assist you in the task. Oh, and also, your teammate's parents are the dead god's primary mortal agents. And also they kidnapped your other teammate's dad because he's a powerful demon lord so now she's involved too. And you all happen to end up on Leviathan, where Fabian is an instant celebrity who immediately gets a cult worshiping the planks he walks on because they all work for his rich undead infernal dad.

The issue is that people keep mapping it to the real world and seeing "tragic backstory" like it would be IRL, which is a mistake. It's not a disability. They don't go to normal school to become accountants or NASA engineers, they are there to be doing exactly that shit that their backstories rope them into. Like, this isn't Buffy, they aren't saving the world incidentally, this is school for saving the world to pursue a career in saving the world. Spyre functions so differently from IRL that everyone is dramatically failing to comprehend the actual situation everyone is in.

And the thing about hating affirmative action is that it presumes someone only got into whatever not because they have skill, but because of their race or something like that. That's manifestly different from what's going on here. Kipperlilly has no doubt the Bad Kids are incredibly powerful and skilled - but their backstories gave them opportunities to use that power and skill that no one else will ever have regardless of effort or even luck. The Bad Kids can't go five seconds without tripping over the revelation that the BBEG for the year is one of their second cousins. That just doesn't happen to other people, period. The world revolves around the BK's in ways it will never revolve around anyone else so the Bad Kids will always get the massive adventures to save the world and be the top of their class because they're personally connected to the narrative.

Remember, Brennan has confirmed that other AA students do not do shit like that. They do exactly the sort of missions you'd expect them to - go in dungeon, fight monsters, come back. It's not "uh, the Rat Grinders should have just gone out and saved the world too", that's not how it works. AA students are not usually expected to, their rat grinding is just a more tedious and efficient version of what they would be doing otherwise. The BK's don't get involved with these plots simply because they're the most heroic heroes ever who seek wrongs to right, they do it because every single time everyone but Gorgug (who is for the most part absent major narrative stakes) was born someone that would get those in's, feats reproducible by no one else.

"Ah, but the Seven-"

The Seven prove the tragedy of it. Because Kipperlilly is right, but she's also wrong. The brilliance of BLeeM this season is that he's crafted a narrative inseparable from the meta of how the game works. In a very real way this is like the Dungeons & Dragons versions of Tron. The fact that it's a series of fictional TTRPG sessions is essential to the universe and it's story, in a Twin Peaks-ian way.

Because, see, it's not actually, technically magical trauma that gives out those narrative advantages. Magical trauma is just the most obviously visible side-effect. What the issue actually is is that, as everyone has noted over and over again, the Rat Grinders are NPCs, and it is therefore impossible for the world to ever bend itself around them the way it does for the PCs. Except, most are just saying that as a funny haha joke.

No, like, literally, that's the issue. They will always be in the shadow of the handful of people that the people constructing their world, their timeline, their very existence, has decided matter. They are doomed by narrative causality to be "boring". And I'm going to take a moment to say here, isn't it crazy no one is talking about this when we just got done with Neverafter which was all about this exact thing????? Like, literally the BBEG was the Authors. That is the situation here, more or less.

Anyway, there will never be a demon attacking that due to a curse is only vulnerable to hot licks from Ruben's guitar passed down from the first gnomish rocker. Mary Ann will never be the prophesized liberator of kobolds enslaved in dragon dens. Ivy will never find out her father was secretly a super-soldier for the Council of Chosen who before he was assassinated left her notes detailing a sinister plot within the government of Solace.

People keep having a hard time with this because it intuitively doesn't feel right to ever classify something like losing a father in any context to have some kind of bright side. But if you take nothing else away from this post, let it be this: Adventuring as it's done in Spyre is not something done in the real world. Adventuring is something everyone chose to go to AA to learn and put into practice as their long-term career. And in that, absolutely these things give the PCs a completely one hundred percent insurmountable leg-up on the thing they're all in competition for.

And it being completely insurmountable in that way further goes to show the difference between hating that situation and hating affirmative action. Even AA is not a guarantee that a specific member of the majority will lose out on something and a specific member of the minority will get it instead. As soon as the character sheets were rolled everyone else at Aguefort may as well have just gone home and started studying to be accountants because the main characters had been chosen. Or they could keep going and hope they get a spin-off, I guess.

But Kipperlilly does keep trying, for she doesn't really comprehend the true eldritch horror beyond her existence shackled to the bits of a bunch of comedians, and her solution is to adjust for those unfair advantages.

Which is affirmative action.

How is that not obvious.

[olipeaksforever]

Twin Peaks Extended Media

Whether it is for the lack of knowledge in mainstream Twin Peaks spaces regarding them or how some of these things are hard to get, the extended media of Twin Peaks but especially the books are constantly overlooked and ignored for various reasons.

I had done an (incomplete) index of it that blew up in my original account, and I had redone it (but as a more extensive guide that also included the order to watch the show). However, I changed my mind and decided to redo it, since the third time's a charm, right?

Most of these things include spoilers of the three seasons and the movie, so watch and read at your own risk.

AUDIOBOOKS AND COOPER'S TWIN PEAKS TAPES

The audiobooks consist of Laura's diary, the last two books narrated by cast members of the show, while Cooper's tapes were done by Kyle MacLachlan around the time the show was created, and (believe it or not) earned him a Grammy nomination for it.

Laura Palmer’s Diary (narrated by Sheryl Lee).

Diane: The Twin Peaks Tapes by Agent Cooper (narrated by Kyle MacLachlan).

The Secret History of Twin Peaks (narrated by Mark Frost, Len Cariou, Michael Horse, Mat Hostetler, Amy Shiels, Chris Mulkey, David Patrick Kelly, Robert Knepper, Kyle MacLachlan and James Morrison).

The Final Dossier (narrated by Annie Wersching).

BOOKS AND TEXT

Possibly the most overlooked section in Twin Peaks media. Mostly because some fanboys wrongfully think that because David Lynch didn't write them, it doesn't add to the story and canon, which is a wrong thing to say since these books were written by people involved in the show. Especifically, the writers wrote them and were given notes by Frost and Lynch.

The Secret History and The Final Dossier contain spoilers for the three seasons, so read them at your own discretion.

(*) Laura's diary and Cooper's autobiography are the only texts available in Glastonberry Grove. My recommendation is to copy the text and paste it on a google document, since the PDF has the pages ordered in a way you can later print it and build the book on your own.

The Secret Diary of Laura Palmer (written by Jennifer Lynch)*: Laura's diary is written on the day of her 12th birthday, and ends on February the 23rd, 1989. The book (like Cooper's) is very graphic since Laura has to constantly face BOB in her dreams and in real life, and struggles with how others perceive her as well as harm herself in order to avoid BOB hurting the ones she loves. It does not include the missing pages of her diary.

Internet Archive Link

Glastonberry Grove PDF + Text

Twin Peaks: Access Guide to The Town (by Gregg Almquist, Tricia Brock, Robert Engels, Lise Friedman and Harley Peyton with David Lynch, Mark Frost and Richard Saul Wurman): It's the hardest book to get from the books that were released in the nineties. The Access Guide is somewhat of a predecessor of The Secret History, since it includes some of the origins of Twin Peaks. However, the Access Guide also includes newspaper articles, a donuts recipe, and more fun stuff!

Link of the PDF (It won't show a preview because of how heavy the document is, so simply download it)

The Autobiography of Special Agent Dale Cooper: My Life, My Tapes (written by Scott Frost)*: Cooper's autobiography starts in 1967 and ends on February the 24th, 1989. It featured short interviews from Cooper's friends and other people connected to him and transcripts from his tapes. Like Laura's, Cooper experiences tons of horrifying and sad things, from sexual abuse to murder so reader discretion is advised.

Internet Archive Link

Glastonberry Grove PDF + Text

The Secret History of Twin Peaks (written by Mark Frost): A dossier of Garland Briggs that narrates the history of the town as well as the families that ahve stayed there, alongside relationships in the FBI, it includes letters, menus, classified FBI documents, drawings, fragments of books with notes done by Agent Tamara "Tammy" Preston.

Internet Archive link

The Final Dossier (written by Mark Frost): After the events of The Return, Gordon Cole assigns to Tammy the mission to interview people that were missing in The Return (Annie, Audrey, Donna, Harry, etc).

Internet Archive link

Star Pics Cards: A limited edition series of cards done by the writers of the show including the information of most of the characters, items and spaces featured on the first two seasons (With the exception of Denise Bryson).

Glastonberry Grove index

The Music of Twin Peaks introduction: A small text that came with the album "The Music of Twin Peaks", released in 1990.

Glastonberry Grove link

Twin Peaks scripts: The scripts and transcripts for the first two seasons as well as other texts.

Glastonberry Grove text index

MISCELLANEOUS

Blue Velvet (dir. David Lynch, 1986): Some could say this is the predecessor of Twin Peaks, considering Jeffrey Beaumont (Kyle MacLachlan), Sandy Williams (Laura Dern) and Frank Booth (Dennis Hopper) are considered prototypes for Cooper, Diane and BOB by Dern, Lynch and MacLachlan. Set in a 50s ambiented town in North Carolina in 1984, Blue Velvet is about a 21 year old college dropout named Jeffrey Beaumont who finds an ear on his way home after visiting his hospitalized father. The movie includes three, very graphic scenes, so watch it at your own risk.

Blue Velvet trailer

Internet Archive link

Mulholland Drive (dir. David Lynch, 2001): Originally going to be an Audrey Horne spin-off for TV, Mulholland Drive is considered to be one of the best films done in history and the best of David Lynch's filmography by many alongside Blue Velvet, Fire Walk With Me and Lost Highway. After Rita (Laura Harring) survives a car accident on Mulholland Drive but suffers mass amnesia, she meets a up-and-coming star Diane (Naomi Watts) who's deeply intrigued about Rita's past, and together, try to solve the mystery of her past.

Mulholland Drive Trailer

Wrapped in Plastic Magazine: Released for the first time in October of 1992, Wrapped in Plastic Magazine is the most recognizable out of the Twin Peaks related magazines that exist since the start of the show. The issues include essays, theories and even interviews to the stars as well as issues dedicated to other shows and movies like The X-Files!

MUSIC

Music is also one of the most important things in the show (and also one of the best things), as it sets the mood and the personality of each character without having to say anything.

In Glastonberry Grove, you can find the music notations of Angelo Badalamenti for Laura’s theme, the music from the intro (also known as the Falling instrumental), Into The Night, Falling, Dance of the Dream Man, Audrey’s Dance and more.

Floating Into The Night (All of the songs but Mysteries of Love, I Float Alone, The Swan, Floating and I Remember are featured in the show) by Julee Cruise.

The first season Soundtrack by Angelo Badalamenti

The second season Soundtrack by Angelo Badalamenti (including unreleased tracks!).

The Double R Jukebox playlist I made taken from the Access Guide! It features most of the songs but since some of them aren’t on Spotify, you can also find it here.

The Fire Walk With Me Soundtrack by Angelo Badalamenti, Julee Cruise and David Lynch.

The Return Soundtrack that features bands like Chromatics to singers like Rebekah del Rio and Eddie Vedder, as well as Julee Cruise and Angelo Badalamenti, of course.

PHOTOS, BEHIND THE SCENES AND DELETED SCENES

A Slice of Lynch: David Lynch interviews Kyle Maclachlan, Mädchen Amick and post-production supervisor John Wentworth to discuss about Twin Peaks.

A Talk with Kyle MacLachlan and Sheryl Lee: A preview of an interview Kyle and Sheryl did for the Twin Peaks: From Z to A boxset where they talk about Laura and Cooper.

COOP Visits the set of Twin Peaks: David Lynch, Frank Silva (BOB) and more thank the members of C.O.O.P. for helping save "Twin Peaks" after its close cancellation in 1991.

David Lynch interviews the Palmer family: What it says on the title! Lynch interviews Laura, Leland and Sarah 25 years after Laura's murder. This was done as a way to promote The Missing Pieces DVD, which are the scenes that were cut from Fire Walk With Me.

Fire Walk With Me (+deleted scenes, aka "The Missing Pieces"): The extended version of Fire Walk With Me that features the deleted scenes, considered by many the definitive cut of FWWM.

Fire Walk With Me discussed by David Lynch, Kyle MacLachlan and Sheryl Lee: An interview they did in 2003 where they talk about FWWM.

Georgia Coffee commercials: The Georgia Coffee commercials were a series of ads directed by David Lynch for a Japan only Coca-Cola line of canned coffee featuring Cooper and the police station trying to help a mysterious man named Ken, whose girlfriend is stuck in the Black Lodge.

Invitation to Love: In the show, Lucy, Nadine and other characters are obsessed with an exaggerated soap opera named “Invitation to Love”. You can see the whole show (16 minutes) here! The band Her’s named their album “Invitation To Her’s” after this parody.

Kyle MacLachlan Twin Peaks SNL parody: The Twin Peaks parody Kyle MacLachlan did in the episode he hosted of Saturday Night Live in late 1990.

Making Bets: A deleted scene featuring Cooper and Harry set around season two where they make bets on the Seahawks game.

Meet the Makers: A series of interviews with the writers and crew of Twin Peaks.

Mauve Zone: A photo archive featuring promo photos, Richard Beymer's polaroids, polaroids of the actors on the costume tests, behind the scenes footage of the three seasons and the movie, as well as outtakes, spoofs and deleted scenes.

Scenes Deleted: A YouTube channel who uploaded most of the deleted scenes of the first two seasons.

Twin Peaks: The Return behind the scenes: These were short films filmed by Richard Beymer during the production of the return. Most of them are featured in the DVDs of the complete series, but you can find the following on YouTube:

David Lynch as Gordon Cole

I Had Bad Milk in Dehradun

The Man With the Gray Elevated Hair

The Woodsman

SOURCES:

Glastonberry Grove: A great website filled with content from the original series. I'm very glad this site exists!

@laughingpinecone 's blog: If it weren't for Eva's amazing blog, I wouldn't have known half of these amazing web pages and sites. Go check out her amazing blog if you love Twin Peaks, Disco Elysium, Myst and more!

[greatcheshire]

What is the deal with Twin Peaks Season 2?

Oh gosh so

Twin Peaks season 1 was a huge surprise hit for ABC, which obviously the executives loved. What they didn't love was the fact that the show, which focused on finding the killer of Laura Palmer, ended its first season without revealing the killer of Laura Palmer. In addition, the show was also such a big hit that they ordered 22 episode for season 2, about three times as many as the 8 episode first season, which meant a lot more space that needed to be filled.

There's also another thing here where season 2 also marked David Lynch putting more... Lynch things in the series. Season 1 had touches of supernatural or surreal elements, sure, especially compared to other TV shows at the time, but for the most part could still be enjoyed or viewed as a standard small town mystery soap opera by a wide amount of its audience. Compare this to early season 2, which introduces spirits, a cream corn ghost child, and sunglasses that possess you and make you smoke cigarettes. A lot of people were put off by this turn, either by it getting too weird for them or for simply not liking the more overt supernatural tone the show was taking.

For what it's worth, in my opinion, the first 9 episodes of Season 2 are phenomenal. Some of my favorite stuff in the series. The moments where Twin Peaks really becomes its own beast. One thing about this section is that this is where ABC was really pushing for Lynch and Frost to reveal the identity of Laura Palmer's killer, something they had never wanted to do but ended up having to do anyway. The end result is the killer getting revealed 1/3 of the way into the season, and the final three episodes dealing with the reveal of the killer and the aftermath are honestly amazing. Fantastic work. Episode 7 has probably my favorite TV moment of all time. It's that damn good.

But then a problem came - the killer was found. The central mystery had been solved.

And there's still 13 more episodes left of the season.

What happened next is one of the most famous quality drop offs in television history. Lynch, both due to his frustrations with ABC and also due to his obligations with filming his movie Wild At Heart, took a step back from the show, letting other writers try to fill in for him. The result was disastrous, with writers struggling to figure out how to replicate Lynch and Frost's style and what Twin Peaks could even be about without the Palmer case.

Some plotlines that are in Twin Peaks season 2, I shit you not:

A business owner gets PTSD and believes himself to be a confederate general, forcing everyone around him to recreate the Civil War with miniatures

David Duchovny shows up as a trans woman FBI agent

The show's Hannibal equivalent disguises himself as a horse and tranq darts a military general involved in classified Area 51 material

The show's Hannibal equivalent kills some random guy and stuffs him in a giant, house sized chess piece as a calling card

Local cool biker James Hurley leaves Twin Peaks, discovers a woman who is trying to scam him into killing her husband but that scam is also a scam from the husband who is also her brother to convince some boy to do a fake scam and attempt to kill him or something and it takes up five episodes and nothing happens and then James leaves the show

The main planned romance arc was vetoed by one of the actors so they had to come up with new love interests solely so fans would stop shipping the two of them. The two new love interests are played by Heather Graham and Billy Zane. They get nothing to do. Heather Graham is a suicidal nun named Annie Blackburn. Billy Zane is a cowboy named John Justice Wheeler

A 40 year old woman with an eyepatch and super strength gets amnesia and believes she's a high school cheerleader. They let her onto the wrestling team because of her super strength and she starts dating the jerk jock there because she's able to dom him

A woman becomes a door knob

They decide to host a beauty pageant to raise money to save a pine weasel. This is the plotline for the final few episodes.

We begin to learn more about UFOs and aliens and the existence of a dark dimension called the Black Lodge

Two men compete to see who is the real father of the sheriff assistant Lucy's child. At one point, they believe he might be the spawn of Satan.

They take Cooper out of the FBI because he went to Canada without permission and place him in Lesbian Flannel for the rest of the season (The only time Lesbian Flannel is a downgrade for a character)

The mayor's 80 year old brother, who investigates UFOs, dies by getting fucked to death by his 20 year old wife. The mayor brings a shotgun to the sheriff's office and plans to shoot the wife for killing his brother with sex and witchcraft. The police solve this by locking them both in the room together until they start to have sex and announce their plans to adopt

And this is just the simplified version of it!  All of this caused Twin Peaks to drop HARD in the ratings. Like literally from the top of the charts to the bottom. This stretch of episodes aren’t entirely bad. There is some good stuff there, the lore is important for future things, and the episodes start to pick up when the Hannibal equivalent Windom Earle gets introduced. But as a whole... OOF is it hard to watch.  Lynch would come back again to direct the season finale of season 2, hoping to generate enough interest from viewers and executives in giving it a season 3. He tossed out the script that was written by the season 2 writing team and made his own thing and it rules. The finale for season 2 is one of the best episodes of TV ever. A high mark of Lynch’s career. It’s so fucking good. It’s so good, it’s worth season 2 despite it all. And it ends on one hell of a cliffhanger. 

Only to get cancelled. 

Lynch was given the opportunity to do a movie to end the series properly and resolve the cliffhanger. Instead he made a prequel. A move that angered many at the time. And then 25 years later, Twin Peaks finally got a third season, one that was so good, it was named the best movie of 2017 by Sight & Sound. But the effects of season 2 live on, the way that it alienated audiences and put Twin Peaks solely into niche territory one baffling decision at a time.