#umar johnson black music

[blackgirlslivingwell]

Are "Entertainers" Like Sexyy Red Detrimental To The Black Community?

1👉 https://youtu.be/ffSJWzkmaoY

2👉 https://youtu.be/_TPIbVPqziM

3👉 https://youtu.be/uiuDb1UJg3E

4👉 https://youtu.be/BsK9GYsRP-Y

5👉 https://youtu.be/WYmSufq3ZKs

[runthepockets]

I think transness is seen as a subculture more often than not, at least by white trans people, which is really.....fascinating to see as a black person. Growing up my politics were always shaped by an indisputable aspect of my identity that I couldn't shirk off or hide. Compare this to my transness, which I can easily hide or cast aside whenever I want (and very much do on multiple occassions.) This might be part of why white trans people get a little too involved and touchy about LGBT representation and politics and whatnot, they never really had that culture or pre-existing, immutable experience of marginalization like I did, so every microaggression feels like the end of the world cus institutional corruption and violence hasn't shaped their worldview like it has for a lot of the rest of us. Their identities are important and they should be allowed to celebrate them, don't get me wrong, but it's all latteral and circumstancial. A white trans guy will experience less scrutiny if he passes, I also experience a lot less scrutiny for my choice to abide by traditional male gender roles, but I'm probably always going to experience some level of scrutiny cus of my skin.

I think this is also why some more fringe folks see things like wanting SRS or to go on hormones as "becoming an assimilationist", or "selling out". They engage with transness the same way they would a music subculture, they see "wanting to make changes to your beautiful natural transgender body (garden variety transphobia but use a bunch of emotionally provocative language to make it radical, this time)" the same way Punks see Kim Kardashian wearing that stupid luxury Crust Punk jacket, which are two completely different experiences entirely. But they don't have anything better to do or talk about, so they're dickriding other trans people about it.

There's cliquey things about black culture too but, I find them less relevant the more I age, and less hurtful the more I see other black people as human and not one dimensional bullies in cartoons, or the biggest immediate threats on my person like white supremacist society tried to socialize me into believing. Like, no one calls me an Oreo for liking rock music anymore, no one thinks me a "sellout" for just naturally being a nerd who calls out anime moves when jumping off the couch when we have, like, Candace Owens and Umar Johnson types to worry about. I don't think white trans people have quite had the same revelations yet. And, ykno, everyone goes at a different pace and being trans is pretty scary rn, but damn. It's really not that hard to just mellow out and think logically instead of reacting on every kneejerk. There's cool people, there's assholes, there's people in your circles that you're gonna like and people you're gonna hate. It's the human condition. You're not special.

[steadyexpertobservation]

African Collective: Where Dreams Take Flight

Welcome to the vibrant world of African Collective, where the rhythm of shared heritage echoes in every connection. It's not just a network; it's a global sanctuary crafted exclusively for individuals of African Descent. From the moment you join, you're part of a community that puts your interests front and center in a collective journey, proudly championing the progress of Africa and its diaspora.

The Big Picture at African Collective

African Collective has a big dream: to bring together people of African Descent worldwide, inspired by a history of calls for unity and progress. As a modern collaboration platform, it's all about advancing Pan-Africanism in today's world, making sure the interests of individuals of African Descent take center stage.

This dream becomes a reality through cool initiatives like the Global Newsletter, Global Business Directory, and Global Events Calendar. They foster community, awareness, and a shared cultural identity, all with the goal of uplifting Africa and its diaspora, making a positive impact on the lives of people of African Descent everywhere.

Weekly Boost: African Collective Global Newsletter

Think of African Collective Global Newsletter as your weekly dose of inspiration. It's like a virtual spotlight shining on our community's interests, causes, movements, and history.

Packed with content from influential speakers and leaders worldwide, this newsletter not only keeps us in the loop but also sparks a sense of unity. It's our go-to source for staying connected to African culture and understanding the progress of people of African Descent globally. Through shared stories and experiences, it brings us closer, painting a collective vision for a better future.

Game-Changer Alert: African Collective Global Business Directory

Get ready for a game-changer—African Collective Global Business Directory. It's not just a directory; it's a movement for prosperity and progress through cooperative economics. As part of the fastest-growing global database, every subscriber gets an exclusive ticket to explore a diverse range of businesses owned by people of African Descent.

Whether you're into restaurants, gyms, hotels, or looking to build trade relationships, this directory is your go-to source. If you're a proud business owner of African Descent, seize the opportunity to shine globally by listing in African Collective Global Business Directory. It's a chance to attract customers actively seeking Black-Owned Businesses.

Have positive Google reviews? Bring them along! The directory lets you import these reviews, building trust with potential customers. It's more than a directory; it's a vibrant community supporting each other globally.

Events Made Easy: African Collective Global Events Calendar

Imagine African Collective Global Events Calendar as your lively bulletin board, buzzing with exciting events for people of African Descent worldwide. It's your personal guide to what's happening this weekend, from local African music jams to captivating online lecture series.

Hosting an event? No worries about navigating through multiple forms. Adding your event is a breeze! Import it directly from Eventbrite in less than 15 seconds. Whether you're looking for local events or those curated globally, this calendar is your reliable companion. It's more than just a calendar; it's a lively storyteller narrating the thrilling events shaping our global community.

Carrying the Torch: Maintaining the Legacy

At African Collective, maintaining the legacy is like carrying a torch passed down by profound leaders. It's a timely continuation of the impactful work of trailblazers like Martin Delany and Marcus Garvey. In the face of external influences, African Collective provides a haven from Eurocentrism, offering a fresh dose of Afrocentrism.

It's not just a network; it keeps us rooted in our culture, inspired by contemporary leaders like Dr. Umar Johnson, Maponga Joshua III, and Prof. PLO Lumumba. It's a source of inspiration uplifting us through collaboration for our greater good, making every day a glorious one to be African.

In a Nutshell: African Collective's Tapestry of Strength

In a nutshell, African Collective is more than just a network; it's a lively tapestry weaving together the stories, accomplishments, and dreams of people of African Descent worldwide. From the captivating Global Newsletter to the influential Global Business Directory and the dynamic Global Events Calendar, each piece reflects the collective strength and unity of our community.

Step into a new day with African Collective! We warmly invite you to join this empowering journey, where collaboration sparks progress, Afrocentrism flourishes, and the legacy of influential leaders finds a timely continuation.

Subscribe today to African Collective – your go-to hub for staying connected, discovering products and services, and actively participating in the uplifting narrative of Africa and its descendants. Embrace the splendid day to be African and step into the future with African Collective!

[twisterss]

TYLER PERRY’S ANKHS DO IT BETTER Finn Calrissian is recovering from a messy divorce from ben “kylo” solo. They broke up after Ben’s rap career started taking off and he wanted Finn to get some ass-shots from Dr. Miami so he could be one of his music video hoes. Finn didn’t mind the ass-shots but if the video wasnt going to be all about him, he knew there was no more love between them. That’s what he got by settling for a greasy litebrite who had been “making moves” for 7 years. He took half of Kylos (what a shitty stage name for a rapper) money, got some new hair, and moved. Enter Rey & Poe. Finn didn’t expect to fall for not one but two of the local ankhs in town. White-passing Rey and Saved Again Afrolatinx Poe were both really kind, albeit weird, people. They insisted that all Black celebrities were sell outs (even Beyoncé? Finn wasnt with that shit) and that the only believable Black person was some Dr. Umar Johnson. But! Rey had hooked him up with a lot of free hair products that she got as gifts from brands all over the world thanks to being one of the most popular natural hair Youtubers. Poe was a sweetheart who was a reformed something. He didn’t exactly know what struggle Poe had gone through but the man insisted that he was saved by accepting his fate as an Afrikan Kang. Poe was a talented artist and gifted Finn with drawings of himself where Finns ass was three times the size of his head - which was flattering! Ben had never helped Finns edges or self-esteem prosper the way his ankh suitors did. Maybe Ankhs really did do it better!

[hoodgrind]

Dr. Umar Johnson Talks America's War Against the Black Man (Flashback)

https://hoodgrind.com/dr-umar-johnson-talks-americas-war-against-the-black-man-flashback/

Dr. Umar Johnson Talks America's War Against the Black Man (Flashback)

Visit #hoodgrind #hiphop #battlerap #hiphopnews #celebrities #gossip #celebritygossip #hoodclips #breakingnews #music #rnb #pop #podcast #rap #videos #funnyvideos

[blackgirlslivingwell]

Reaction to Umar Johnson's "Shocking Truth About Sexxy Red…" Video

This is just a quick video in response to a video that Umar That School Is Never Opening And Those Boys Are Already Grown Men With Families Of Their Own Johnson, uploaded about the "J" man who is behind Red.

[theblacktivity-blog]

The Black Renaissance 2.0

It’s now been duly noted that the campaign and subsequent two-term presidency of Barack Obama circa 2008-2016, was in part responsible for ushering in a renewed era of cultural and political engagement. After all, we all remember the massive amounts of pressure that was placed on the millennial, Black, and the intersectional Black millennial voting blocs to bring home the first African American presidency. I’m almost certain that we remember the way in which conversations in the media about the then Illinois junior senator’s run gingerly, but unsuccessfully, attempted to avoid any allusion to exactly what he would say about the ‘elephant in the room’ issue of race in America. We surely remember what the stakes really were. What about the reactions of those staunch supporters of the republican opposition of Sen. John McCain and former governor of Alaska, Sarah Palin to Barack Obama’s run for the White House? Such comments ranged from the veiled and incorrect attempts by some to link him to socialism, others were completely wacked out like that of the crazy cat lady at a McCain rally who stated that Obama was “an Arab” only to have Sen. McCain snatch the mic from her with the quickness. As Black folk, we knew exactly what lied behind these exhortations from the white delegation, an anxiety, a coming to terms moment with the fact that a scenario once considered a punchline in Black comedy and a fantasy played out by the likes of Morgan Freeman, was indeed a reality...a Black president. For many of us, it was a coming of age moment. There will be many a Black millennial, such as myself who will be able to forever mark their maturation from the election of Barack Obama. Yet, while the former prez’s election could be considered nothing less than a watershed moment, his presidency was marked by that line most recognized by those who are enthusiasts of Charles Dickens, “It was the best of times, it was the worst of times.” Obama’s was an era in politics marked by tremendous progress on the health care front, and his signature act, the ACA, or Obamacare will forever be a testament to the reality that he got shit done, considering the environment towards him. He took out one of the most wanted terrorist in world history in Osama bin Laden, in a way that a 10 year long botched war in Iraq didn’t. He bailed the financial and auto industries, the former on which had for decades used financial charlantry to such a degree that it crashed the the global markets, costing homes and jobs for millions. By restructuring regulations to protect consumers, and punishing criminal financial outfits, he eventually brought back balance to the markets that hadn’t seen a tank like that since the Great Depression. Needless to say, that in the span of 8 years there were many more accomplishments, the repeal of “Don’t Ask, Don’t Tell”, the passing of the “Lily Ledbetter Act”, and the legalization of same sex marriage (whatever your take on these) at the very least must be considered monumental achievements given the stalemate that such issues had previously been met with in Washington. Still, President Obama also presided over the most polarized political environment since Lincoln. What was a victory for so many African Americans was at once a devastating blow to the white psyche. Forty-three times in a row, the most powerful space in the world had been occupied by a white man and the presidency was synonymous with the continuation of white administrative power. But this upstart, a junior senator with culturally androgynous roots in Kenya to his birthplace in Hawaii, to Indonesia, to the South side of Chicago, with a name such as Barack Hussein Obama to boot, must’ve been way too much for the melanin impaired! As such, there were no shortage of racial dog whistles, and slurs such as “food stamp president”, “welfare president”, existed alongside images of stuffed monkeys dressed in suits, and signs that read “go back to Africa”. Since Black folk are endowed with a sixth sense that alerts us to America’s racism, we expected it, and Obama probably being well acquainted with the ways of the Nordics himself, exuded a chill factor that made such detractors look like mere children in his world. This only infuriated them more and made us even more proud of him for his ability to execute with unmatched cool. Still, the racial divide that in part marked his time in office manifested itself most potently in the exorbitant amount killings of unarmed African Americans, many of which have gone on to become martyred household names, Oscar Grant, Trayvon Martin, John Crawford, Tamir Rice, Eric Garner, Philando Castile, Rekia Boyd, Laquan McDonald, Mike Brown, and these names are just the most widely known, because in Obama’s era there were at least 500 other such state sanctioned murders. For us, these killings and white American “justice” system’s nonchalance toward the perpetrators of these deeds, were the in part an outward manifestation of America’s need to “put Black folk back in place”, as to say, that not even a Black president could save us. Which brings us to a flashpoint in which the issue of race and the reality of Blackness took centerstage in a way not seen since the Civil Rights and Black Power Movements of the 50’s, 60’s, and 70’s. If race took centerstage with the election of Barack Obama in 2008 and our moment of “post racial” euphoria was quickly jolted with the killing of Oscar Grant by a transit cop in 2009 just weeks before Obama’s inauguration, the murder of Sanford, Florida teen Trayvon Martin and the subsequent acquittal of his murderer, George Zimmerman was the event in which all of the forces of unabashed Black political consciousness collided. The rise of the #BlackLivesMatter movement and other similar Black protest organizations, marked what would paradoxically become an unfortunate Godsend as the era of social media, camera phones, and 24 hour online and offline news cycles were just some of the newer tools of 21st century Black revolution. Further, while such movements have been either directly or indirectly linked in one way or another with liberalism, given the African American link to the democratic party, what was amazing about this moment was how it seemed as if 400 years of oppression brought out ideologies across the African American spectrum. What comes to mind is Ta-Nehesi Coates’ depiction of his experience at Howard as being “The Mecca” of Blackness in his book “Between The World And Me”. Such were the times during the Obama era that Black folk from all stripes politically and ideologically occupied a space to weigh in on the most pressing issues of the day, from police brutality, to economic empowerment, to media. While Black pride and power had never truly ceased to exist, this renewed sense of it began to spill over in the most influential of spheres with music and popular culture that reflected the signs of turbulent and changing times. For instance,  hip hop artist such as Kendrick Lamar and J. Cole found their rise to hip hop stardom during this era with lyrics that didn’t shy away from the realities of being Black in America. Filmmakers such as Ava DuVernay created and released poignant films that not only touched intimately on Black life, but narrated Black history, and put critical issues like mass incarceration center stage. There was the rebirth of grassroots activism spawned by the wave of police killings of Blacks and in part supported by the relatively new tool of social media in which names of activists like Alicia Garza, Patrice Cullors, Shaun King, DeRay McKesson, Opal Tometi, and Johnetta Elzie (to name just the few) became household names. And certainly there were no shortages of Black academics, writers, and pundits whose new found dominant presence in the public intellectual sphere was part and parcel of 44th president’s mere existence in creating dialogues and partly due to the wave of all things Black once again dominating the population at large. While such legendary and well known  minds as Dr. Cornel West, Dr. Henry Louis Gates, Dr. Michael Eric Dyson, Jelani Cobb, Tavis Smiley, Dr. Kimberle Crenshaw, and Donna Brazile, were infused into the new era and being reintroduced to a new generation with noticeable vigor, such new and young Black minds like Angela Rye, Joey Jackson, Dr. Marc Lamont Hill, Cornell Belcher, Ta-Nehesi Coates, Dr. Melissa Harris-Perry, Yamiche Alcindor, Van Jones, Joy Reid, Toure, and many of their peers and contemporaries in part became the voice and impetus for the new Black. Still, there are also other voices coming out of this era that rose to prominence despite the so-called controversy they engender, names such as Dr. Umar Johnson, Tariq Nasheed, Dr. Claud Anderson, Dr. Joy DeGruy, and Dr. Boyce Watkins, names once not considered as much a part of the “mainstream”, but whose messages of Black independence and empowerment in the Pan African strain (economically and culturally) has since regained new life and noticeably influenced the minds of many in the Black community. Even pop cultural icons within the Black America from Oprah, to Beyonce, Jay-Z to LeBron James and the many influential behemoths of media, sports, and entertainment have rose to the task in a sphere in which it was once thought that being mum on social and political issues was the path to sustained popularity and success, especially if you were Black. Messages of not only Black economic empowerment, but creative freedom and unabashed Blackness in the face of white oppression dominated the lyrics and even business moves of the most successful among us. In other words, we went from talking it, to living it. This may be due in no small part to the advent of the digital world’s role in cutting out middle men in business and entertainment, allowing for newfound freedoms in connecting directly to consumers and creatively using platforms to engage on topics that once would’ve been censored by gatekeepers. Further, the democratization of media has created spaces for the likes of once ordinary citizens to create content on levels that can have both niche and mainstream appeal (see: Issa Rae) making Black life in it’s fullness, a main plot, not a marginal one. It was and is this Black renaissance that was in part responsible for the white backlash of 2016 and the election of Donald Trump. There can be no doubt that it would be hard to imagine America voting for such a flawed 45th president, had the 44th one been white instead. But it was not just President Barack Obama’s presence as leader of the free world that was the problem, it was what he stood for, it was what he (inadvertently) created by his being alone. It was the renewed since of pride and the benchmark of Obama’s occupation of the highest office in the land that in part, created varied conversations across the Black spectrum, and laid a foundation off of which a new generation of Black folk define themselves, smart, engaged, and swagged out to boot! While there can be no doubt that there is still much work to be done, as it always has been in America for Black folk and while we may be able to debate what policies we please, what can’t be debated is the role of Barack Obama’s presidency in creating the atmosphere of our renewed aspirations toward Black excellence. This, to me at least, is President Barack Obama’s most lasting legacy, and we have him in part to thank for the Black renaissance we are witnessing today.

[dupaulart]

Serpentine Fire Exhibit

January 19 - March 30th

410 S Spring St, Los Angeles, CA 90013 Curator: Jillith Moniz / Quotidian

Quotidian presents Serpentine Fire featuring LA’s standard bearers in iconoclasm who push boundaries, developing new techniques, modalities and aesthetics. This community of makers feeds artistic and cultural curiosity, realizes visions and sustains itself through their work. Serpentine Fire, based on the song of the same name by Earth, Wind & Fire, captures a group of artists who have radical art practices, much like the band’s early music. Mel Edwards, Henry Taylor, Ed Love, Kori Newkirk, Umar Rashid, Lyndon Barrois, Glen Wilson and Duane Paul use divergent media to create visually rich language born from life in LA.

Video of Earth, Wind & Fire performing Serpentine Fire shows the band in colorful clothes, singing lyrics with complex rhythms that set them apart from soul bands of their generation. The artists in this exhibition are equally recognizable as they eschew traditional art roles and practices to follow their own motivations, style and aesthetics.

Serpentine Fire highlights historical radical artists Mel Edwards and Ed Love(1936-1999). Edwards studied painting at USC but revolutionized the LA art world with his welded abstract steel works that are allegories for human experience. He had his first solo museum exhibition in 1965. Ed Love was born in Los Angles and began using chrome bumpers as material that could connect people to something larger than themselves. At the time few understood his aesthetic intentions or his emphasis on the stories he wanted to tell about the durability of black life. Edwards and Love stand as models for younger generations of artists inhabiting the rebellious narrative art spaces LA offers those who dare.

Duane Paul’s multiple media practice hones on sublime lines and materiality. His new work provocatively expands the relationship between textile and fine art.

Henry Taylor took on the challenge of painting meaning, color and life in Los Angeles with a dynamic, self-possessed style when many had turned to conceptual art. He boldly situates figures in landscapes, building a visual literacy that conjoins his personal experiences with a historic medium. From his early classes with James Jarvaise to his time at CalArts, and throughout his career in Los Angeles, Taylor demonstrates his maverick sensibilities with compositions that richly layer painterly brushstrokes with a rigorous passionate attention to aesthetic narratives.

Todd Gray’s vast career began in the early 1970s as a photograph capturing bands including Led Zeppelin and the Rolling Stones. He turned his unique perspectives on popular culture into one of the most prolific and textured art practices in LA. His work in Serpentine Fire comes from his art as protest series plastered guerrilla-style throughout LA during the 1984 Olympics.

Kori Newkirk, winner of the William H Johnson Prize and other notable accolades has developed a chameleon-like practice, trying on ideas then shifting structures and modalities and challenging the viewer to keep up. Like Newkirk, Umar Rashid, also known as Frohawk Two Feathers, melds genres, histories and materials to bring art back to its roots of edifying and resonating cultural meaning.

Lyndon Barrois earned an MFA from CalArts and has become a well-respected animator. Barrois pushes the boundaries of animation with unconventional materials and culturally significant narratives. Glen Wilson also has a foothold in the film business, experiences he translates into beautifully executed and alternatively rendered still imagery.

Serpentine Fire is a gathering of artists who continue to extend LA’s boundaries for art making. Each artist practices in joyfully rebellious margins and this unorthodoxy gives them license to surprise and captivate viewers with strong visual language, using sculpture, painting, animation, photographic and graphic art to locate themselves as well as communicate their mastery of aesthetics.

Curated by jill moniz Photo: Duane Paul 's- Detail /Sculpture "Sexual Awakening Cut Short by A Glance...

[kevindesousa]

Dr. Umar Johnson Talks about Stormzy, Drill Music, ADHD and School for Black Boys | Link Up TV https://www.youtube.com/watch?v=qdMKvPy3YDo

[tkintheam]

TKAM #711 STOP MAKING TERRIBLE PEOPLE and COMPANIES RICH! #airoutWednesday 07.19.17 👏 Today it’s almost ALL airouts! 👏 We respond to the R.Kelly defenders and deflectors; turns Umar Johnson is a doctor and we don’t care; Michael Vick tells Colin Kaepernick to cut his hair… WTF?? 💇💇 Later, McDonald’s thinks it’s workers should freeze to death; 90’s hip hop themed Restaurant in West Des Moines is racist for other reasons; Brooklyn restaurant uses fake bullet holes and 40 oz. Rosé to increase street cred. 🍴 Listen to the top of the show for a conversation about Black wealth and the amazing event TK experienced recently. 💸💰💸 @TKinTheAM is live every M-W-F 10-1130am EST on bondfireradio.com and tunein app. Same day replays 7pm EST also available on iTunes, GooglePlay Music, mixcloud, and Spreaker! 🔥📻 🔗 Link in bio and #applepodcast #googleplaymusic #mixcloud #spreaker. 🔗 #podcast #radio #morningshow #chatroom #conversation #news #music #mcdonalds #nfl #colinkaepernick #michealvick #rkelly #cult #summerhill #meSoHungry #racism #classism #realtalk #teambondfire

[wetandbeautiful-blog]

(5/23/2017) DR UMAR JOHNSON Talks "Mis-Education Machine Mistakes:10 Errors

http://www.youtube.com/watch?v=wWbQWZdEhRM Live From Shanghai(China): Dr.Umar Talks "Mis-Education Machine Mistakes: 10 Errors Black Parents Make Dealing with Public Schools" 844-4DR-UMAR, princeofpanafrikanism.eventbrite.com, gofundme.com/drumar, drumarjohnson.com, #NIBPA #mostrequestedscholar #drumarjohnson #BBCT #heavenonearth #FDMG #DrPopa #unapologeticallyafrikan #afrikanpeoplefirst #panafrikanism #TeamPanAfrikan #blackparentsunited #garveyism #schoolpsychologist #kingkongkonsciousness PURCHASE DR UMAR BOOK "Psycho-Academic Holocaust: The Special Education and ADHD Wars Against Black Boys" https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=EW3T6MJ939PMQ PURCHASE TICKETS FOR DR UMAR NEXT EVENT www.eventbrite.com/o/prince-ifatunde-7853264718 DR UMAR JOHNSON DONATION INFO https://www.gofundme.com/DrUmar WEBSITE http://drumarjohnson.com School Psychologist - Pan-Africanist - Political Scientist; Author of Psycho-Academic Holocaust Against Black Boys (3.6.13) President of Team Pan-Afrikan/IMIPAP (BLACK PEOPLE NEWS NEW OLD VIDEO'S) WELCOME FAMILY THANKS FOR STOPPING BY... MY CHANNEL IS BASED ON BLACK UNITY,LOVE,MUSIC & FUNNY. IF YOU CAN READ THIS, THEN I WOULD LIKE FOR YOU TO NOT USE THE "N-WORD" WHEN YOUR LEAVING A COMMENT PLEASE THANK YOU!Pokémon MANIA http://www.youtube.com/c/6000000000Views [ccw-atrib-link]

http://integralblog.com/index.php/2017/05/25/5232017-dr-umar-johnson-talks-mis-education-machine-mistakes10-errors/

[hoodgrind]

Dr. Umar Johnson Talks America's War Against the Black Man (Flashback)

https://hoodgrind.com/dr-umar-johnson-talks-americas-war-against-the-black-man-flashback/

Dr. Umar Johnson Talks America's War Against the Black Man (Flashback)

Visit #hoodgrind #hiphop #battlerap #hiphopnews #celebrities #gossip #celebritygossip #hoodclips #breakingnews #music #rnb #pop #podcast #rap #videos #funnyvideos

[beautifullboness-blog1]

(5/23/2017) DR UMAR JOHNSON Talks "Mis-Education Machine Mistakes:10 Errors

http://www.youtube.com/watch?v=wWbQWZdEhRM Live From Shanghai(China): Dr.Umar Talks "Mis-Education Machine Mistakes: 10 Errors Black Parents Make Dealing with Public Schools" 844-4DR-UMAR, princeofpanafrikanism.eventbrite.com, gofundme.com/drumar, drumarjohnson.com, #NIBPA #mostrequestedscholar #drumarjohnson #BBCT #heavenonearth #FDMG #DrPopa #unapologeticallyafrikan #afrikanpeoplefirst #panafrikanism #TeamPanAfrikan #blackparentsunited #garveyism #schoolpsychologist #kingkongkonsciousness PURCHASE DR UMAR BOOK "Psycho-Academic Holocaust: The Special Education and ADHD Wars Against Black Boys" https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=EW3T6MJ939PMQ PURCHASE TICKETS FOR DR UMAR NEXT EVENT www.eventbrite.com/o/prince-ifatunde-7853264718 DR UMAR JOHNSON DONATION INFO https://www.gofundme.com/DrUmar WEBSITE http://drumarjohnson.com School Psychologist - Pan-Africanist - Political Scientist; Author of Psycho-Academic Holocaust Against Black Boys (3.6.13) President of Team Pan-Afrikan/IMIPAP (BLACK PEOPLE NEWS NEW OLD VIDEO'S) WELCOME FAMILY THANKS FOR STOPPING BY... MY CHANNEL IS BASED ON BLACK UNITY,LOVE,MUSIC & FUNNY. IF YOU CAN READ THIS, THEN I WOULD LIKE FOR YOU TO NOT USE THE "N-WORD" WHEN YOUR LEAVING A COMMENT PLEASE THANK YOU!Pokémon MANIA http://www.youtube.com/c/6000000000Views [ccw-atrib-link]

http://integralblog.com/index.php/2017/05/25/5232017-dr-umar-johnson-talks-mis-education-machine-mistakes10-errors/

[fuckyeahtattoogirls-blog1]

(5/23/2017) DR UMAR JOHNSON Talks "Mis-Education Machine Mistakes:10 Errors

http://www.youtube.com/watch?v=wWbQWZdEhRM Live From Shanghai(China): Dr.Umar Talks "Mis-Education Machine Mistakes: 10 Errors Black Parents Make Dealing with Public Schools" 844-4DR-UMAR, princeofpanafrikanism.eventbrite.com, gofundme.com/drumar, drumarjohnson.com, #NIBPA #mostrequestedscholar #drumarjohnson #BBCT #heavenonearth #FDMG #DrPopa #unapologeticallyafrikan #afrikanpeoplefirst #panafrikanism #TeamPanAfrikan #blackparentsunited #garveyism #schoolpsychologist #kingkongkonsciousness PURCHASE DR UMAR BOOK "Psycho-Academic Holocaust: The Special Education and ADHD Wars Against Black Boys" https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=EW3T6MJ939PMQ PURCHASE TICKETS FOR DR UMAR NEXT EVENT www.eventbrite.com/o/prince-ifatunde-7853264718 DR UMAR JOHNSON DONATION INFO https://www.gofundme.com/DrUmar WEBSITE http://drumarjohnson.com School Psychologist - Pan-Africanist - Political Scientist; Author of Psycho-Academic Holocaust Against Black Boys (3.6.13) President of Team Pan-Afrikan/IMIPAP (BLACK PEOPLE NEWS NEW OLD VIDEO'S) WELCOME FAMILY THANKS FOR STOPPING BY... MY CHANNEL IS BASED ON BLACK UNITY,LOVE,MUSIC & FUNNY. IF YOU CAN READ THIS, THEN I WOULD LIKE FOR YOU TO NOT USE THE "N-WORD" WHEN YOUR LEAVING A COMMENT PLEASE THANK YOU!Pokémon MANIA http://www.youtube.com/c/6000000000Views [ccw-atrib-link]

http://integralblog.com/index.php/2017/05/25/5232017-dr-umar-johnson-talks-mis-education-machine-mistakes10-errors/

[kingnobleblackrulership]

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