#ursina lardi

[honeygleam]

the girl and the spider (2021) dir. ramon zürcher, silvan zürcher

[moviemosaics]

The White Ribbon

directed by Michael Haneke, 2009

[boxcarwild]

The White Ribbon (German: Das weiße Band) is a 2009 German-language drama film, written and directed by Michael Haneke. Released in black-and-white, the film offers a dark depiction of society and family in a northern German village just before World War I.

[movie--posters]

[movienized-com]

Veni Vidi Vici

Veni Vidi Vici (2024) #DanielHoesl #JuliaNiemann #LaurenceRupp #UrsinaLardi #MarkusSchleinzer #AlexanderStecher Mehr auf:

Jahr: 2024 (Januar) Genre: Krimi / Drama Regie: Daniel Hoesl, Julia Niemann Hauptrollen: Laurence Rupp, Ursina Lardi, Markus Schleinzer, Alexander Stecher, Dominik Warta, Olivia Goschler, Johanna Orsini-Rosenberg … Filmbeschreibung: Die Maynards und ihre Kinder führen ein nahezu perfektes Leben als Milliardärsfamilie. Amon ist ein leidenschaftlicher Jäger, schießt aber keine Tiere, denn der…

[agendaculturaldelima]

#ProyeccionDeVida

🎥 Cine Alemán, presenta:

🎬 “ORPHEA ENAMORADA” [Orphea in Love]

🔎 Género: Drama / Fantástico / Música

⌛️ Duración: 109 minutos

✍️ Guion: Axel Ranisch

🎶 Música: Martina Eisenreich

🗯 Argumento: Nele escapa una y otra vez de su monótona vida laboral cotidiana en Berlín con la ayuda de la música y la ópera. Procedente de un pequeño pueblo de Estonia, se abre camino en la gran ciudad con varios trabajos. Cuando conoce al bailarín callejero y delincuente de poca monta Kolya, ambos se reconocen inmediatamente como almas gemelas y estrechan sus lazos a través de la música y la danza. Sin embargo, el oscuro pasado de Nele pronto se interpone en su incipiente amor.

👥 Reparto: Christian Steiffen, Tim Oliver Schultz (Taavi), Ursina Lardi (Adina Nicoletta), Christina Große (Elke Trautmann), Ursula Werner (Lilo), Heiko Pinkowski (Höllbach), Mirjam Mesak (Nele), Galeano Salas y Levy Sekgapane (Jupiter).

📢 Dirección: Axel Ranisch

© Productora: Sehr gute Filme

📼 Distribuidora: Missingfilms

🌏 País: Alemania

📅 Año: 2022

📽 Proyección:

📆 Miércoles 04 de Setiembre

🕖 7:30pm.

🏡 Auditorio del Instituto Goethe (jr. Nazca 722 – Lima)

🚶‍♀️🚶‍♂️ Ingreso libre

👀 A tener en cuenta: Película con subtítulos en español

[demoura]

DIA 16 DE JULHO DE 2023 : NO CCB « EVERYWOMAN » DE MILO RAU E URSINA LARDI - TEATRO TRANSCENDENTE NUMA REFLEXÃO SOBRE A MORTE .VINDO DO SCHAUBÜHNE DE BERLIM DO MELHOR DO FESTIVAL .:desde 1920 até os nossos dias, é no Festival de Salzburgo, que se representa, todos os anos, Jedermann de Hofmannsthal, estreada em 1911 no Círculo Schumann de Berlim, e encenada por Reinhart. Um século depois, em 2020 na era covid foi o suíço Milo Rau quem apresentou em Salzburgo uma outra versão Everywoman. Uma peça com texto seu e da actriz Ursina Lardi, numa produção da Schaubühne de Berlim, acerca da morte, da fé, da simplicidade, do teatro e, por conseguinte, da vida . Everywoman abre num cenário com uma grande pedra, um piano de cauda , uma pilha de sete caixas de papelão, e um rádio portátil de onde emerge uma paisagem sonora de sinos e uma grande pedra (cenografia de Anton Lukas). O espectáculo apresenta alem da actriz suíça Ursina Lardi ao vivo no palco Helga Bedau - uma professora aposentada de Berlim com um diagnóstico de cancro do pâncreas inoperável - aparece projetada em vídeo. Em vez de tentar cria uma peça moralista como o Jedermann de Hugo von Hofmannsthal o projeto de Milo Rau, Everywoman, assume a tarefa de explorar temas de vida, morte, representação, melancolia e solidão humana . .Embora Everywoman seja uma produção liderada por Lardi, Bedau é a chave para seu envolvimento com a discussão de Hofmannsthal sobre a morte , bem como o interesse de Rau na teatralidade da mortalidade e do medo existencial. Não vou fazer critica a Everywoman , mas aponto o momento mais fascinante do espectáculo .Noutra das intervenções favoritas de Rau, Lardi conclui o show discutindo o que ela considera ser a parte mais essencial do teatro (também vemos essa técnica em La Reprise e Orestes em Mosul). O momento após uma apresentação terminar, mas antes que os aplausos comecem: um momento cheio de tensão potencial ou - como Lardi afirma - "o olhar que sabe tudo". É uma visão frustrantemente brilhante de Rau e dos seus dramaturgos. Esse momento oferece talvez o melhor resumo possível do que Everywoman examina e do espaço existencial que ocupa. Everywoman é uma peça sobre o espaço entre estar vivo e morrer, mas, ainda mais especificamente, é sobre aquele espaço onde uma pessoa é e não é (o que é, até certo ponto, também o teatro espacial sempre se ocupa).Você sabe o que está por vir e o que já foi.É um momento sempre novo, re-inscrito com cada novo público e ainda assim também esperado e antecipado.É um momento de clareza absoluta.

[michaelsennhauser]

Filmpodcast Nr. 773: La dérive des continents (au sud), Close, The Curse

Filmpodcast Nr. 773: La dérive des continents (au sud), Close, The Curse #Filmpodcast #podcast #film

Ursina Lardi, Isabelle Carré in: ‘La dérive des continents (au sud) © Pathé Kino im Kopf – mit Brigitte Häring. Heute mit drei neuen Filmen, die wir Ihnen vorstellen möchten, zwei davon aus der Schweiz: La dérive des continents (au sud) ist ein neuer Spielfilm des Westschweizers Lionel Baier, Michael Sennhauser hat ihn gesehen und mit Baier gesprochen. Ann Mayer bespricht das belgische Drama…

[365filmsbyauroranocte]

The Girl and the Spider (Ramon Zürcher & Silvan Zürcher, 2021)

[absencesrepetees]

passing summer (angela schanelec, 2001)

[watchingalotofmovies]

The Girl and the Spider

The Girl and the Spider    [trailer]

Lisa is moving out. Mara is left behind. As boxes are shifted and cupboards built, abysses begin to open up and an emotional roller coaster is set in motion.

The summary sounds too dramatic, this is a strange little movie, in a good way. Taking place inside two, small apartments, filmed almost without any wide shots.

A little mysterious, but it still keeps you watching. Everyone seems to be flirting, longing for or being jealous of someone.

[iwatchfilmsbut]

Reflections - Angela Schanelec

Passing Summer (Mein langsames Leben, 2001) Marseille (2004) Afternoon (Nachmittag, 2007)

[akwardlyuncool]

Lore (2012) - Review

Lore is a 14 year old girl who is left to take care of her younger sister and 3 younger brothers, one of which is still a breast feeding baby, after their parents had to leave them behind for reasons connected to the end of the WW2 and their father’s involvement, as he was a N*zi soldier. They are set to travel to meet Omi, whom I assume is their grandmother, but the trip isn’t as easy her mother described before she left, especially once they come in contact with a Jewish Refugee named Thomas who becomes their new traveling companion, to put it simply.

There’s a lot of calling people by their first names so I was often confused as to who was actually who in relation to one another throughout the entire film.

I should know by now that movies set around WW2 give me hella anxiety, but for whatever reason I still somehow manage to find one that piques my interest, even if it’s only slightly. I picked this one up from the library I want to say last month, but let it sit forever cause I always pick these types of movies on a whim and then have to wait to watch them until I’m emotionally ready or at least in a neutral enough mood to be able to handle them. Long story short it did in fact give me anxiety and I’m glad my computer needed to be charged so I could force myself to take a break before finishing it.

Has this story been told before? Many times. But I think this is the first one of it’s kind that takes place in the wake of it all, that I’ve personally seen. Most often they’re being told at the height of the war or sometime before it’s over and I thought that specific “twist” was a decent way to set this film apart. Now I don’t know all of the historical context, however some of the things that took place felt like they existed for shock value, unless American soldiers did in fact make people look at dead bodies for food, in which case I am actually speechless. There was a lot of things that took place like that, where I wondered if there was liberties taken in those areas or if that was actually how things went. Although it was intense, a little bloody, a bit uncomfortable and had moments where I had to turn my head, it wasn’t as visually traumatizing as I thought it might be. Overall it has a dark simplicity that didn’t make the movie feel slow at all, like others in the category, but rather nicely paced. I was frustrated with the ending, but also kinda got it, but also needed more. I’m just so back and forth on my feelings with this one.

Side Note: I wouldn’t be surprised if many of those scenarios were based in reality. (You can tell I’m not well versed in the historical part of historical fiction.)

Honestly I don’t have an overall rating for this movie and I think that comes down to me not quite knowing if I support the characters in their story/journey or if I just thought it was a well put together movie?

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If you’ve seen the movie and want to discuss Thomas, my DM’s are open cause I got thoughts!

[5oclockcoffees]

Angela Schanelec´s Passing Summer.

[gregor-samsung]

Das weiße Band - Eine deutsche Kindergeschichte (Michael Haneke, 2009)