the men and boys are innocent too.
we cry "the innocent women and children" to appeal to the masses, to try and force their sympathy, but the men and boys are innocent too.
I have seen sons crying out for their mothers, their fathers, their siblings. I have seen them break down at the loss of their families. I have seen them cling to their dead and grieve.
I have seen fathers cradle their dead children, seen them kiss their faces and hold their little hands. I have seen them faint with grief when asked to identify the dead. I have seen them carry their sons and daughters. I have seen them fasting to provide what little they can for their families.
I have seen men and boys digging through the rubble with just their bare hands, I have seen them comforting strangers, playing with children, rocking them, hushing them, even if the face of such imminent danger. I have seen them cry, seen them grieve, seen them break down into each other's arms, seen them be selfless, beyond selfless, becoming something I don't have a word for.
I have seen the men who are doctors refuse to leave their patients, even when they have no medicine or supplies to give them, even when they're threatened with bombings. I have seen fathers who have lost all their children pick orphans up into their arms and proclaim them their child so they are not alone. I have seen men and boys digging pets out of the rubble.
the men are innocent too. the men and boys are being hurt and killed too. the men and boys are grieving too. the men and boys are scared too. the men and boys are fighting to save their people too. the men and boys deserve to be fought for too.
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My grandmother is Japanese and really likes to give gifts. Often those gifts are Japanese desserts or other food, but sometimes she just slips me cash, folded up inside a tiny, beautiful envelope. But she likes to pretend she's not giving me money, so when possible, she'll hide it somewhere that I will find later.
Today I spent the afternoon with her doing chores and tech support, and she clearly felt this warranted a significant gift in return (no matter that I enjoyed myself). But she forgot to slip something into my pocket or bag before I left, so instead she rushed outside as I was starting my car, making the old-school "roll down the window" gesture. Once I complied, she was forced to acknowledge she was handing me money, but she also tried to minimize the gesture.
The result was that she said, "Thank you, dear! I just wanted you to be able to... to buy yourself a hamburger," and then handed me a darling little envelope that turned out to contain $100. And all I could think was:
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The weirdly competent Doctor
So! The Watchtower's Medical Bay is a hub of constant Activity. With the number of Heroes who work under the Justice League, there are always injuries, health check-Ups, and illnesses that need healing.
But with the amount of Variant Biologies that those Heroes have, it's always a guessing game as to how to help them best. Some Metahumans react positively to penicillin, but others react like it's their Kryptonite. Some Aliens have anatomy similar to Humans, others are so different you can't tell the Stomach from the Bladder.
So when they hired a New Doctor for the Medical Bay, they had to run him through an entire Course on Variant Biologies and how best to treat specific Heroes. It was long and difficult to remember fully, but it was necessary for him to know.
But then the new Doctor started correcting Them.
"Actually, Martian's react better to the Syrup of Eucalyptus Plants better than Penicillin, since Eucalyptus is very similar to a medicinal plant from Mars which they used in many of their antibiotics."
"I don't think just pumping double doses of sedative is the best way to calm down a Speedster, that could have adverse effects on their body. Perhaps try Psychic Intervention? Their minds move a Mile a Second, but if you can calm them down their bodies will follow suit."
"Of course you use Micro-Doses of Kryptonite to operate on Superman! What else would you do?! I don't know, maybe ask JLD to enchant your Equipment to make use of Kryptonian suseptiblity to Magic? The Kryptonite is just gonna give him Cancer!"
Of course the Doctors didn't take kindly to being rudely corrected by a newbie, and Fired him on his first day.
Then a few days later their usual Treatments don't work, and they decide to give those strategies the Quack Doctor gave them out of desperation.
And Lo and Behold, they work! Martian Manhunter is fully healed and feels much better than the previous times he has needed surgery. Apparently they used a different Antibiotic that worked better with his Biology. Which was incredible, how had they figured it out?
Another Doctor you say? One who was experienced on Martian Biology and Medicinal History? He would very much like to meet with the man!
...
What do you mean you fired him for talking back?!
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due to the nature of toronto being at least 5% film set at any given time, there's companies that take the shitloads of leftover prop nonsense and garage sale it out to us normal folks
but i gotta say.
this sure is fuckin SOMETHING.
HUH OK
im ngl these'd make the backyard beer coolers of all time
shoutout to @unfortunatebedhead for sending me these screenshots and therefor being the VERY FIRST things i saw once i got home from work
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The best fics are the ones that recognize that although Luke Skywalker may APPEAR on the outside to be a normal friendly twink who happens to have cool powers, especially when contrasted with such ship partners as Boba or Din or even Han, he is arguably the scariest person alive in the galaxy around the prequel era. AND, crucially, he is also a fundamentally weird guy. This man was homeschooled on a rural farm his entire life and then apprenticed to a swamp gremlin who showed him how to tap into the cosmic power of the universe. He blew up the death star age 19, killing approx 2 million-ish Imperials. He is a vortex of Force power that can communicate with the ghosts of dead Jedi. He’s staring into the distance and mumbling to himself and doing Yoda aphorisms and casually pulling out the “yeah I could crush that guy into a paste with my mind (:” and nobody around him knows what to do with that. I think he is a character who has very little frame of reference for how a Jedi or a person in general is supposed to act and there is some thing about him that is by necessity really fucking weird and a little scary but he’s so nice that it can throw you off the scent a little bit. Thanks for coming to my TED talk
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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
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