#very interesting but not as much action

[poorly-drawn-mdzs]

Truth and revenge is best served cold.

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[d4jamso]

I just wanted to draw him with more detail<3

[flimflamfranky]

i think what i'm most excited about with the live action series is how different it's gonna be.

like, obviously, it's live action, so there's limits on what they can do in terms of the crazier stunts, places, and people. the actors will have their own mannerisms and quirks they'll add to the characters that will make them distinct. it looks like it's gonna be a bit more grounded and less cartoon-y. but most of all, it's just so so so much shorter.

season one looks like it's gonna cover all the way up to loguetown, which was original a little over 100 chapters and 50 episodes, in about ten episodes. that's a lot to cover, and while they're gonna have to cut a lot of stuff, i'm so curious how they'll condense and change the story.

(it makes me wonder, with oda working with them, if it'll resemble oda's original plan for the story, which was gonna be much shorter than it ended up being. though, we won't know that unless oda says something).

it's just going to be so different than the original one piece, and that makes me really excited, cuz it'll kind of be like watching one piece for the first time again.

needless to say, i'll be ready to burst into tears

[quatregats]

Something I've been thinking about is how Patrick O'Brian manages so skillfully to write characters whose actions contradict their beliefs, which I think is honestly a big part of why his characters feel so real. Mostly with Stephen and Jack—e.g., and perhaps most notably, Stephen has notably leftist sympathies (honestly I have no idea how to characterize his politics in period terms) who nonetheless becomes very comfortable with his rise to the landed gentry, while Jack is a card-carrying Tory who much of the time sympathizes far more with working class sailors and farmers than with the upper classes—but I'm sure he does it to a lesser degree with some of his minor characters (James Dillon, while perhaps not precisely minor, comes to mind), and I love that he's able to do that, especially the way in which he embeds it in the narrative. We see how they're all unreliable narrators of themselves; we understand how they want to be seen and how that does and doesn't coincide with the reality, but most importantly, this isn't presented as something reprehensible, just as a part of their own humanity. They are not their expectations for themselves, but they don't need to be those expectations to be beloved.

[sysig]

Take care of him (Patreon)

[sokkabackbender2021]

i love going to tumblr and seeing actual valid critiques of the live action (writing is bad, female characters are written poorly, certain changes fuck too much with the story, etc) and then go to the rest of the internet and the critiques are (azula’s actress is too overweight, mai isn’t thin enough, zuko is too ugly??). so weird to me that people are so obsessed with how these young actors look (especially when they are all still very conventionally attractive people). it’s almost like when actual poc play characters y’all have the most to say about it (unlike for ian ousley who could still very well be a white man playing an indigenous character 🤔)

[bonefall]

oo snowkit becomes snowcarve?

He does!

In StarClan, you can use the names and appearance that you could have had, if you died young. It's very rare that you get permakits or permapprentices. I lifted from the COTC story about Smallstar and his siblings.

(Though, in BB those kits actually survive and it's MAPLESHADE’S kits who lead to the law on protecting children, Darkstar's Commandment, the Queen’s Rights. Smallstar is the leader of WindClan and xey're super chill. Xey own a lovely shawl.)

So Snowkit chooses to appear as Snowcarve, an Honor Title he would have earned for the creation of a full written Clan cat language, expanded from the simple glyphs. I'm not sure if he's a popular patron, but I do know that Bramble and Tawny invoke him sometimes.

Unfortunately though he's more invoked for general guidance by the two of them, not for possibilities like I think he'd like. He watches over them though, like a guardian angel. A lot of cats secretly have those.

I'm not sure who he follows around more often though. I think he LIKES following Tawny more because she's a better listener to his omens. But he feels like Bramble NEEDS him more, y'know?

Also notably, Snowcarve was technically their uncle, but the relationship is best described as "1st cousin." Rabnir in Clanmew, a familial role about somewhat distant but parallel growth, seen also with Brightpaw and Swiftpaw.

[thebad-lydrawn-sanses]

Creator: Mm, art block. What to do...?

Creator: What do you think, wackus bonkus?

"Wackus Bonkus" (Hand): make angst

Creator: ohh, you naughty wackus bonkus

[faelapis]

i have so many thoughts on the live-action zelda movie

[bbqhooligan]

going crazy going actually crazy about how at the end of Teruhashi's evil monologue Saiki states hes impressed with the execution, comments on how he couldnt pick it up from her thoughts and starts, with a rather amused voice, to say "You know..." and ill bet my soul he was going "You know what you worked very hard and everything else is solved. you deserved your date Teruhashi-san" IT HANGS IN THE AIR I CAN HEAR IT I CAN SMELL IT I CAN T A S T E IT

[steakout-05]

i forgor it was autism day yesterday so i'd like to wish a very happy autism month and late autism day to data from star trek specifically :)

[metanarrates]

rereading orv closely is a very rewarding experience because you can see how genuinely tightly the narrative threads are woven throughout this very long action-heavy fantasy novel. even the arcs I think have a little less substance than others still further the themes and foreshadow plot in interesting ways and even the most cliche power fantasy moments still have shockingly complex things to say about the world and characters. nearly every scene, even the most rote battle scenes, has a lot of depth if you poke at it! its incredible. also its still really really fucking funny

[commsroom]

eiffel's problem is that he sees every injustice as an interpersonal issue. he doesn't understand how his flippancy or apparent leniency towards hilbert might look to hera; in his mind, it doesn't contradict his support for her. to eiffel, it seems obvious - he is also one of hilbert's victims, hera is his friend, of course he's completely on her side - but he fails to fully grasp how the stakes are different for her.

ep 19: "you need to stop treating this like a joke, officer eiffel." / "hey, i'm the person for whom the joke tolls." / "i get you're scared he put something inside you. but i hope you haven't forgotten emergency code alpha victor. he put that in me." and ep 51: "they're just jokes! they don't really mean anything." / "see, eiffel, you get to have that. they can be 'just jokes' for you because you're... well, you. but we don't get that."

the issue in shut up and listen is eiffel's repeated, if unintentional, microaggressions, but it's also his general use of dark humor as a coping mechanism - jokes he feels justified in making because of how the subjects of those jokes have impacted him. eiffel sincerely believes in treating people equally, but his idea of 'equal treatment' can be idealistic and naive. he has an awareness of interpersonal harm, but he's lived most of his life without ever being confronted with the reality of structural harm - being pre-judged and othered and having his life devalued on the basis of outside categorization.

but the thing about that is that it has happened to him, too. eiffel is an addict, and a convict, and marked as from a lower socioeconomic class than minkowski or lovelace, and those things are the reasons goddard futuristics was able to buy him as prison labor and - without his consent - consider him expendable for medical experimentation. none of that is a coincidence, but he doesn't see the systems at work, only his own actions and regrets. which he then equivocates to the worst actions of people who don't share his sense of morality or guilt.

eiffel's ability to recognize and bring out the humanity in the people around him is one of his best qualities, but... on the basis of his identity, he's been able to live a life where he conceptualizes himself as the default person, and that's been reinforced by the pop culture he loves so much. that's a massive blind spot. he assumes everyone navigates the world in a similar way, and so, on some level, he sees everyone around him as an extension of or a reflection of himself. if evil is always personal, then it can always be reasoned with.

[wonder-worker]

"[Elizabeth Woodville's] piety as queen seems to have been broadly conventional for a fifteenth-century royal, encompassing pilgrimages, membership of various fraternities, a particular devotion to her name saint, notable generosity to the Carthusians, and the foundation of a chantry at Westminster after her son was born there. ['On other occasions she supported planned religious foundations in London, […] made generous gifts to Eton College, and petitioned the pope to extend the circumstances in which indulgences could be acquired by observing the feast of the Visitation']. One possible indicator of a more personal, and more sophisticated, thread in her piety is a book of Hours of the Guardian Angel which Sutton and Visser-Fuchs have argued was commissioned for her, very possibly at her request."

-J.L. Laynesmith, "Elizabeth Woodville: The Knight's Widow", "Later Plantagenet and Wars of the Roses Consorts: Power, Influence, Dynasty"

[vaguely-concerned]

I love Malcolm Hawke's first dialogue in Legacy (the one you get if you unbind the shade kept trapped by two seals in a little cell). clearly this whole business was the darkest shittiest time of his life and he's selling his soul and betraying every single one of his principles and everything, but he sounds so endearingly... snippy and exasperated about the wardens using demons willy nilly. the "listen I know I'm up to some shady stuff here and everything but let it not be said I was untidy. I'm fixing your shit as far as I'm able here. you will not be able to pin this one on me. these demons were here before I arrived, this is on the record now" energy. the way he's taking time out of his day to be responsible and enforce mage OSHA regulations in the middle of maybe the most hilariously irresponsible thing anyone's ever done after the magisters tried to break into the golden city. exquisite. the real Hawke family curse is having to specify that actually not all of the catastrophe was your fault okay this is at least like... 30% not on me this time. I. I tried. everything was on fire and I had a children's toy bucket and a bottle of rum on hand

[lollytea]

The new percy jackson show is good for launching the hopefully successful careers of three brilliant young actors and i think thats neat. but man it looks like shit