#view the offer

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[ruegarding]

one thing abt thalia and percy's dynamic that is often overlooked is that percy was punished for the same things thalia was rewarded for. there's a prophecy abt one of the big three kids? percy is treated like a liar and thief and ppl refuse to talk to him. thalia? everyone respects her (including gods!) and assumes she'll do a great job saving the world. thalia is accepted immediately at camp and threatens the place percy spent two years proving he deserves. percy wants to go on a quest to save his friend? he's an attention seeker and glory stealer. thalia? well, she's the obvious choice. thalia comes up w a plan to win capture the flag that's basically "leave everything to me" and percy comes up with a plan that's basically "if you see a good opportunity, go for it," but percy is viewed as the control freak.

what i'm saying is percy had every reason to resent thalia and he didn't. he chose not to. and thalia had every reason to look down on percy and didn't.

even when they were fighting, i never saw it as a power struggle. they were being pit against each other, and instead of doing what everyone expected them to (kronos was fully expecting thalia to kill percy), they chose to love and respect each other. because they're not their parents. they're just two kids who started cracking under the pressure but refused to break.

[demaparbat-hp]

Oh, Aang, you're really in it now...

This is Zu—I mean, Jian Li and Katara's second meeting in the Kyoshi Warriors AU. The first proper one, anyway.

Once they get through a minor difference of opinion or two (“I can carry my own basket!” “Never said you—” “I'm not weak!” “I didn't—” “Just because I'm a girl doesn't mean—” “Would you listen for once, woman?!” ) they'll become nearly inseparable.

For now Jian Li will carry Katara's basket all the way to the Kyoshi Warriors' dojo and, once there, they'll mercilessly tease Sokka when they see him in uniform.

[ask-whitepearl-and-steven]

if you mind us asking, what's the grudge you're holding with webtoon?

The grudge is simply that about 9-10 years ago, when I first went to webtoon to upload files, it asked me to upload the pages one at a time, and then kept putting them in a weird order.

Of course, now I imagine they have bulk uploading, but at the time, being one of the biggest sites in the webcomics industry, I felt it was lazy on their part. Not to mention how shite they treat their artists, who they make deals with, in general. Just left an overall bad taste in my mouth.

[bizarrelittlemew]

me when i woke up: yayyy can't wait to make more gifs of Relax, I'm from the Future

me, 5 minutes later after seeing gifs i made last night stolen to twitter within hours of me posting them to tumblr: nope nevermind lol

[empty-movement]

Chiho Saito's 1998 covers for the two Revolutionary Girl #Utena novels written by Witch from Mercury writer Ichirō Ōkouchi, 'Twin Saplings,' and 'Verdant Hopes.'

Saito's commentary on them, roughly: Twin Saplings: "Utena's dignified in this picture, isn't it?" Verdant Hopes: "I rarely get to draw Anthy princess-like. Cute..."

Both of these novels have been translated, and are hosted in multiple formats on Empty Movement! I encourage you to check them out if you're a Witch from Mercury fan, and want a glimpse into his earlier work and the show he drew so so much inspiration from!

[sleepytoken]

[vampkomori]

Ena the Order is the concept of conforming to Fate, and Elio is an Emanator of Order

welcome to my pre-2,2 theory, i got carried away.

for those yet unaware, theres been a theory flying around that the Goddess of Sigonia, Gaiathra Triclops, is a folkloric interpretation of Ena the Order, on account of the iris of Ena's eye having the same colors as Aventurine's. we can go much further with this though.

(Aventurine's pupils are diamond-shaped, but little Kakavasha has round pupils. its likely that diamond-shaped pupils are a result of becoming a Stoneheart, because Topaz also has diamond-shaped pupils, and Aventurine used to not have them. but i digress)

Anyway, Gaiathra=Ena. Gaiathra is described as a left palm with 3 eyes, arguably Ena also has 3 eyes- two closed ones on their face, and one massive, open eye floating around them.

Gaiathra "reigns over all matters related to fertility, travels, and trickery." (Sigonia, Planar Ornament Relic Set) and is said to have been the one to bestow Aventurine with his luck.

but first: What is Order? Based on the words alone, youd think Order would have more in common with Equilibrium, but evidently that wasnt the case. Considering it was assimilated into the Harmony, it must have overlaps with that though, since the broader path is the one that absorbs the narrower one if their concepts are too similar. So, if Harmony is unity and peace, the idea of everyone joining a happy paradise, then how did the Harmony manage to absorb Order?

"I am filled with curiosity about how THEY swallowed up Order. The hymns of Xipe continue to spread and grow, occasionally overseen by ideology. In contrast, Ena's harmonic songs seems to align within a three-dimensional framework, akin to an emperor maintaining hierarchical order among all creatures. While there may be some overlap between THEIR Paths, the ancient Order is enormous in size, and swallowing THEM would prove far from effortless... Among the Aeons, there exist countless enigmas that surpass my own speculations." - Dev Log for Xipe in Simulated Universe, Herta's comment

Herta doesnt know either, and by all means a freshly ascended Aeon should not have an easy time absorbing someone as ancient as Ena- that is, unless Ena intended for it to happen.

This is a lot of establishing facts before i get to the meat of things. We still dont technically know what Order even is, so lets try figure it out!

"The planets governed by Ena adhere staunchly to established rules, yet I must acknowledge that the various calamities in the cosmos were all hindered by Ena's guardianship, leading to extremely efficient development of civilization among diverse planets. Interestingly, however, civilizations all eventually hit rock bottom because of Order. The ancient planets that once fervently worshiped Order would shine briefly before their total collapse... Perhaps this is the "Path" of these planets." - Dev Log for Ena in Simulated Universe, Herta's comment

So: Order is the concept of adhering to a predetermined outcome- their "path". Ena observes humanity "gazing into a crystal orb containing the cosmos" and ensures that they all follow their predetermined path of Fate. None may go astray, no outside influence may interfere, no matter what fate awaits them, they must follow their set path.

"THEIR voice is composed of syllables sequencing the rise and fall of civilizations in accordance with the Aeon's path."

Ena has the ability to foresee the future, as they dont just sequence the rise, but also the fall of civilizations. They are inherently impartial, just, things are destined to happen and so they see to it that they happen. Order is the concept of conforming to Fate, if a planet is destined to be destroyed by a calamity, then Ena guides it to that outcome.

However, Aeons, despite being concepts, arent just concepts, they have some semblance of sentience, self-awareness. they have goals, they make deals, though humans are unable to comprehend them.

So, Ena conforms to fate, but what is the purpose of doing so? Ena can see the future, but we know Kafka. there isnt just ONE future, theres a lot of futures, and endless paths. So its logical to assume that Ena, by being able to see the fates of civilizations, can actually see the endless amount of paths towards all possible fates, and personally chooses which path is specifically followed. and for the sake of the theory, lets assume Ena is benevolent and guides humanity towards the most fortunate fate (though even the most "fortunate" of fates can still end in destruction)

Before Ena was assimilated into the Harmony, they made a deal with Qlipoth the Preservation: Qlipoth will bring an end to Tayzzyronth the Propagation (as they are interfering with the predetermined Fates of planets) and in turn Ena will help Qlipoth against Oroboros the Voracity somehow (likely foreseeing its Fate and interfering with it). Qlipoth held up their end of the bargain, but Ena was assimilated before they were able uphold their part, which is interesting

We know theres something fishy about the Orders assmiliation into Harmony- it doesnt make sense, especially knowing that Ena foresees the future, and is likely aware of their own fate.

Heres where we remember that Gaiathra is also a goddess of trickery. Theres two possibilities:

Ena foresaw their own "demise" and made a deal with Qlipoth knowing they wouldnt be able to follow through on their part of the promise

Ena, able to see multiple paths for the future, foresaw that being assimilated into Xipe would lead them towards the most fortunate one, so they let themselves be absorbed on purpose, as the Harmony would not have been able to absorb the Order otherwise. The deal was just a bonus.

Either way, Ena would have known of the future, and making a deal shortly before the assimiliation of their path is clearly a scheme- they get something great out of it, and dont have to follow up on it.

Heres where we bring up Elio (and the Stellaron Hunters). We actually still dont know what path they follow, and isnt that so interesting? What path could possibly include following a "script" to ensure a certain future? hmmm

sounds like Order to me!

Elio possesses the ability to foresee future possibilities and the paths that lead towards them. Essentially, the exact ability that Ena is shown to possess. All the futures look pretty bleak though, except for one, which hes trying to achieve by making sure to follow that exact path: his "script". the very definition of Order.

Note also that despite Enas assimiliation, their faction can still exist. After all, Idrila the Beauty is also gone, but the Knights of Beauty still roam around. The path of a deceased or assimiliated Aeon can still be upheld even if the Aeon no longer exists.

Anyway, Elio is basically upholding Ena's legacy by ensuring that we adhere to fate, and guides us towards the most fortunate one. His ability is far too powerful though, so its safe to assume hes an Emanator, since theyre considered to be "as good as emissaries of the Aeons' wills"

*As a bonus, Gaiathra also reigns over "all matters related to 'travels'". if you stretch the definition a little, "travels" could refer to the idea of embarking on paths towards fate. you "travel" on a path, after all.

Theres also this interesting little tidbit here:

"THEY are always so symmetrical and so equal. If we were to rank those most sublime beings, only the Voracity and the Permanence can stand toe-to-toe with the Equilibrium's antiquity... Oh, and also the Order. After Ena disappeared, the Equilibrium's duties have only grown greater. Then, how would HooH perceive Nanook?"- Dev Log for HooH in Simulated Universe, Herta's comment

The fact that Nanook is brought up is pretty funny as theyre the youngest Aeon, and since only the most ancient ones would be able to stand "toe-to-toe" with HooH, youd think as the youngest, Nanook wouldnt stand a chance against them. but they were brought up regardless, in tandem with Ena no less

Coincidentally, Nanook is also the Aeon that Elio wants the Trailblazer to defeat too. Curious! You could say that it is the Will of the Order to see the fall of the Destruction? anyway,

HooH's duties "have grown only greater" since Ena disappeared, meaning that they must have overlapped in some way before, but coexisted. (similarly to how the Remembrance and Preservation coexist, possibly) We dont know much of anything about Equilibrium yet though, so lets put that aside.

Lets talk about luck.

Luck is just chance. The results of "chance" are left up to "fate". We know that not all choices or events matter in the grand scheme of things. Theres endless possible paths, so rolling a 1 or a 6 doesnt matter because it will still lead you onto the same destiny. Luck is irrelevant to fate, it does not influence it. Luck only influences how you arrive at it.

So how do you reconcile that with Order? if Order is staunchly adhering to fate, observing humanity to ensure they all end up on the "right" path, then how does chance, luck, happenstance, fit into all this?

Luck is the ultimate Order, because there is only ONE path that luck can take: the most fortunate one. It does not influence your fate however, luck only influences which one of the countless paths towards your fate you end up on. and always being lucky narrows your potential paths down to just one.

This is also why Nihility was the natural conclusion for Aventurine. If you realize that no matter what you do, you cannot change the outcome of your choices, then you realize its futile and decide to succumb to it. youll always win, so whats the point? Thats Nihility: succumbing to Fate, the inevitability of everything, realizing your choices dont matter. When youre lucky and everything you do leads to the same result then you start to think that maybe nothing matters.

Back on track though. Fate, despite being predetermined, is not singular. as in, theres predetermined fates (plural) waiting for you at the end of your path. theres multiple endings. Luck means you have less paths to end up on but luck does not influence the end goal.

In a way, what Elio is trying to do is very similar to what Aventurines "luck" does: he wants to end up on a very specific path that leads him to a very specific fate, and luck leads you onto one single path, theoretically making it easier to achieve certain fates. Its an interesting parallel.

"Blessing" someone with luck seems a bit too hands-on for someone like Ena, so while we might never know why Aventurine was blessed specifically, we can kind of see it as a sort of trial-run. Ena does not interfere, does not "defy" fate, but bestowing luck onto someone to narrow down their futures is a bit like interference- except its not, only on a technicality. theyre still adhering to the set paths that exist, after all, im not changing fate, what are you talking about? look, hes still on one of your predetermined paths. the fact that he cant go onto other paths is irrelevant if he still ends up at one of the predetermined endings.

As a note though, Ena is not Fate itself. Ena adheres to fate and ensures that humanity follows it. Nihility is basically succumbing to fate and thinking its inevitable and change is futile, and I guess you could see Harmony as the concept of circumventing fate- instead of arriving at one of your predetermined endings, how about you get assimilated into our harmonious hivemind and experience eternal bliss? (lets wait on that 2.2 harmony lore-drop before saying anything about that though)

got off track a little. basically, Ena's Order is the concept of conforming/adhering to Fate. potentially, in their era, Fate was a singular end, because they were the one to guide humanity onto certain paths and towards certain ends (which is why civilizations thrived but ultimately still collapsed). Enas assimiliation was on purpose, although we can only speculate on the reason. so i will. heres my speculation:

Ena is not Fate itself, but a Guide. seeing the countless possible paths and possible fates for humanity, they foresaw the same thing that Elio foresees- a terrible End at the hands of the Destruction that may affect humans and Aeons alike. potentially, Enas Will mightve been to avoid that (but remaining within the confines of fate, not defying it) so they set in motion the steps needed to embark on said path, which necessitated their assimilation into Harmony. if Enas reign caused the Fates of humans to be "set in stone", then Enas disappearance could be seen as humans regaining the ability to choose their own paths, their own fate. Essentially, Enas disappearance wouldve been necessary in order to even create the possibility of an "alternate ending" and leaving the choice up to humanity.

anyway thats the conclusion thanks for coming, godspeed if you read the whole thing. im bad at keeping things short and concise. and i started rambling near the end

as a disclaimer: these are vague thoughts and i change my view on things often. if we get new info in the future that says this was all nonsense then thats that. im not trying to convince anyone. just offering a perspective for funsies

[iamfuckingsorry]

"Do you know where we are going next?" I asked ART.

Y'know what, I think maybe I don't need any more Murderbot books. I think maybe ending things here is fucking perfect and as much as I love Wells's writing I'm genuinely not sure it can get better for me.

Like, so much of the books are about MB learning how to be a person, about becoming okay with being a complete individual with everything it entails. The first thing it does once it's actually allowed to decide on its own is it runs away from it all (admittedly to go on a mission to confirm some things about its past, because it genuinely just wants to be *good*). It shoves all its emotions away as much as it's able to. Then shit happens, and it makes its first friends, makes decisions based on these friendships, goes through a lot of emotionally intense situations...

And we get to this point here. MB having zero doubts about going with ART says a lot about its relationship with ART, but it also says a lot about its relationship with its humans - it knows that wherever it goes, when it comes back, the humans will still be there. Its humans actively acknowledge its struggles with being a now-free SecUnit and MB is willing to entertain the discussions to an extent and share information about its deeply personal experiences. Hell, System Collapse ends with MB admitting it might be somewhat broken, but that's okay as long as it can keep doing its job, and agreeing to basically do counselling - this is the guy what would rewatch its favourite TV show again and again in order to avoid acknowledging it even had Emotions a couple books back.

Reading this, I know that MB will be okay. It has hopes and goals and genuinely believes in itself and it has an amazing support system that its willing to lean on for the first time in its life. I'm convinced it'll go on to do great things with ART. And that's really the only thing I need to know.

[dykedvonte]

You wanna talk about House and Benny? Let’s talk about House and Benny. Let’s talk about how House says he saw Benny as a son figure ans a rightful successor to the strip. Let’s talk about how Benny was so charmed by House’s offer that he literally killed a man to get the position to agree to it. Let’s talk about how House was intentionally priming Benny and regrets not doing better, not for the wasted time but of Benny’s wasted potential, how it was misplaced. Let’s talk about how Benny didn’t question House’s leadership until the guy started going radio silent. Let’s talk about House and Benny:

[greenerteacups]

Hello GT, I absolutely love Lionheart!

I published my first fic and have been dealing with some criticism; it’s not anythjng super hateful, but it’s not anything meant to make me improve either. I’ve been feeling sort of down because of it. My question is: have you ever dealt with hate or criticism before? What is your attitude towards it?

I find your work and answers on here super insightful and inspiring! I hope you have a nice day ❤️

Fuck em. Like, seriously, just fuck em. There's a time and place for writers to take critique and be strict with themselves; it's necessary for any artist to grow. That place is with a chosen group of creatives whose work you admire and whose judgment you trust. A rando on the Internet, while they may in fact be the next Marcel Proust, probably isn't. And I was raised to believe that while it's appropriate and kind to pay compliments to strangers when they're performing — just as you'd smile at a busker on the sidewalk, and or compliment a chalk artist — it's not appropriate to criticize them when what they do isn't to your tastes. They're providing you with their art for free. No one forced you to read it; no one forced you to listen. If you don't like it, it costs $0 to shut the fuck up.

Also — that thing I said about artists taking critique? That assumes that you're doing this out of a desire to improve your writing, which, while noble, is not actually a thing you need to do if you're a hobby writer. I like trying to improve; it makes me feel good. But at the end of the day, I do this for fun. I do this because in my real job, I am ruthless and self-critical and try really fucking hard to do well, and you need parts of your life that Aren't Like that. You need parts of your life where you're not worrying about whether you're Doing It Right. And living without that anxiety of critique is, paradoxically, the only way you'll find the artistic courage to take risks and develop new skills. Everyone is a little bit rough around the edges to begin with. (Not saying you're a beginner — you merely said "publish," and I certainly wrote a lot of things before I started publishing! But every artist is always trying to develop new skills and techniques; in the grand scope of things, we're all beginners.) Giving someone blunt critique when they're in the beginning phases of their journey as an artist is about as helpful as screaming at your six-year-old kid because he can't swim the butterfly.

And the thing is, these people will bluster and say "well, I'm just being honest, I'm just trying to be helpful," but like: mmmmmmno, you're not! You're not. And it's disingenuous to say so. Because if you were actually trying to be helpful, you would introduce yourself, offer your skills as an editor/beta reader, and start building the relationship of trust that grounds any meaningful co-creative partnership. People do not just accept random critique that comes flying at them from the blue nowhere. And issuing it in that form is the best way to make them hostile, defensive, and unreceptive to it. Delivering harsh feedback without a context of care and support is almost sure to fail as a method of actually changing behavior, and either (1) you know that, and are doing it anyway — presumably because you want people to know how Terribly Clever and Better At Writing you are, or (2) you sincerely have never thought about the effect that context and word choice have on how other people receive your meaning.

Which tells me you are the last fucking person on the planet I want writing advice from.

[silusvesuius]

n*loth not being able to bag anyone over the (human term) age of 25-30 at most is the only logical and real conclusion to me because it can be just explained away as him wanting to prove and control everything and anyone (Cus he's a man!) but being stuck in that demographic because his unbearable and vile personality is a force that nobody can look past once they've outgrown the possible fear and idolization period of anyone but also n*loth in particular.

[curiosity-killed]

i know i’ve rambled about this before but I think about it a lot with the various like “can reptiles/fish/non cat/dog pets ACTUALLY love you back” posts and articles about how to tell when your cat loves you and I just sometimes think it’s a little silly to act like love is both this grand ineffable mystery in regards to pets (or people) and something to be measured and assessed

like does Baloo let me hold her paw for a long time (a Measure of Trust according to many articles)? No, she doesn’t really like having her paws touched. But when she gets her head stuck in the back of a chair or her scarf’s caught on something, she stills the moment I touch her head and lets me—a big, strange creature (who frankly often runs into furniture and doorframes)—manipulate the most fragile and vital part of her body in order to help her.

love is an action imo. your dog doesn’t need to be able to comprehend the words ‘I love you’ to feel loved, and your snake doesn’t need to purr to show that it trusts you and likes being around you. love is going to look a little different in every setting and trying to both box it in and demand it meet certain criteria is just...kind of dumb

[gabriestat]

santiago says in previous episodes that projections are not a need in their show but armand disagrees and says it's "their [the theater's] aesthetic", and the trial has projections that are accurate on the outfits characters used despite no one supposedly knowing how claudia used to dress at the time + armand is the one who hands daniel the script in dubai and even mentions (complains) lestat going off the script + lestat looks at armand's when he says "what's worse than that? crushing something that you cannot own?" congrats armand on inventing ways of manipulating someone that didn't exist before

[becca-e-barnes]

It's been a really busy week so I'm just going to indulge myself and talk about exactly what I'd love to be doing rn with CEO!Bucky

When I imagine CEO scenarios though, I don't think of the reader as his assistant or an intern. Maybe the CEO and his comms director. Someone he considers an equal because I think that's a hell of a lot more sexy and still has a power imbalance 🥵

He knows you're incredibly capable. He knows you've got more drive than anyone else in the company. He knows you've spent years pushing yourself to get to where you are and you're determined to keep climbing.

But at the same time; it's nice to get a break from that too. Sometimes it's nice to just be tossed around and given orders. You get to switch your brain off and give in to whatever feels good.

And that's how you found your knees hitting the plush grey carpet of the CEO's office on a Friday afternoon.

"Good girl. So fucking pretty." Bucky's hand on your chin directs your face upwards. He's continuing the task you started a few minutes prior; stroking his own cock at a leisurely place and enjoying the sight of you in front of him with your blouse missing the top few buttons.

There's nothing else you'd rather be doing right now. There's no other release that lets you unwind like this. You don't have to think about anything other than the glossy bead of precum gathering on the tip of your boss' dick and the way that even the sight of it makes your mouth water.

His other hand is still holding your chin but you don't want to just watch when you can do so much more than that. You lean over, taking the head of his cock in your mouth, flicking your tongue over the very tip to lap up the precum you've been craving.

Your hand replaces his, jerking his length slowly with a measured pressure while your tongue swirls, keenly licking away any fresh evidence of his arousal.

"Fuck." He groans, melting into your eagerness. He's had a long week too. You know he needs this as much as you do but he's just as respectful as ever, conscious not to press himself into your waiting mouth.

"I bet you're wet already, aren't you? You look like such a sweetheart. No one would ever guess that you get off on sucking my cock. I bet everyone thinks you're so innocent but they don't get to feel the way you drip down your own thighs after you swallow my cum." You imagine that mouth of his has got him in plenty of trouble over the years but fuck, you love it. You swear he could probably get you off just by talking to you.

You hum happily, taking as much of his length into your mouth as you can manage, wincing slightly the first time his tip nudges the back of your throat. Your flat tongue rolls against the underside of his length, your hand cupping his balls and you feel his palm settle on the back of his head.

"You're so fucking keen." His blunt fingernails scratch gently against the nape of your neck and it feels like such a tender gesture. You get to be unashamed of how keen you are with him. There's no embarrassment or reservation. You don't have to hold yourself back to save face and it's refreshing to want someone this much.

You head bobs on his length, your lips forming a perfect tight ring and every now and again, you're rewarded with the sharpness of some fresh precum smeared onto your tongue.

"You should slow down, sweetheart. I don't want to finish yet." His voice is a little strained and it's beautiful. Now you're torn though. You don't want this to end but you're desperate to feel hot ropes of his cum splash over your waiting tongue and across your face.

Somewhat selfishly, you do as you're told. Your body reminds you of your own desperation and you don't want to ruin your chances of getting bent over that desk.

[wordsgood]

i've seen some posts about The Gender Of It All Or Lack Thereof in the mars house and started to respond but it felt dickish to disagree on someone else's post when their take on it is as equally #valid as mine is so, my feelings, briefly: i don't think the genderlessness was done perfectly by any stretch, but i also don't think that this was a book that was meant to Solve Gender, or even take steps towards it. i don't think we're supposed to assume that tharsis is better for "abolishing gender." the thing is that while i wouldn't call her books "romances" natasha pulley writes books that are primarily about relationships in difficult atmospheres - no one Solves Colonialism in the bedlam stacks, no one Solves Homophobia And Racism in watchmaker, and i didn't really go into the mars house expecting them to Solve Gender. gale being a senator does place more stress on the idea that these people, in particular, have the power to make changes and help people, so that may be why there's more frustration with the story than in bedlam stacks (where tbh merrick's involvement with the EIC bothered me a lot more than gale's political stances did).

again, i don't think it's wrong to not like how pulley dealt with gender politics; at the same time, it feels like a lot of people who did the bad reviews think that tharsis was supposed to be gender utopia, and i just. don't think we're supposed to assume that. there's so much else wrong with tharsis that i see no reason to think gender is the one thing they got Exactly Right. it's a "what if?" world, not a "here's how it should be" world - the people who built tharsis saw a deep wound throughout humanity's long past and said, "how do we deal with this?" and came up with an extreme solution for a society in extreme conditions. like.......they think it's weird and gross to have kids biologically, why should i think they have perfect ideas on anything???

tl;dr i read the Gender Abolishing as a flawed, wounded, but well-meaning and sometimes beneficial reaction to millennia of gender-based suffering. by no means do i think i was supposed to go "yeah, let's do that in the real world!" after reading the book, nor do i think it's a problem with the book itself that abolishing gender ended up not being as great at solving problems as they thought it would be. people will be people! they try to fix things and sometimes cause as many problems or more as the ones they fixed. but people try to fix things anyway.