#visual merchandising store design

[visionboardstudio01]

[crescentlighting]

Vision Board Studio provides the clearest, most straightforward retail environments and consumer experiences. Retail Design Agency solutions are expertly crafted to fulfil client objectives and give every retail location the appearance of being "Exclusive."

Visual communications, retail branding, window displays and props, customer service amenities, and retail identity design are all areas of expertise for Vision Board Studio.

Indulging senses for a nice ambiance, seasonal relevance, pushing trends through window displays, and creating a point of uniqueness in a crowded market are among the essential competencies.

At Vision Board, we think that compelling visual storytelling can really bring your brand narrative to life. Every wise buying choice is the result of an encounter. From signs to aroma, lighting, color, every element plays a crucial role in the shopping experience. For more information, please visit our website - https://www.visionboardstudio.in/

[uemmersson]

A importância do visual mershandising no marketing de moda.

Post novo. Vem ver!

Foto por Engin Akyurt em Pexels.com O visual merchandising é a técnica de apresentação de produtos em lojas e vitrines, com o objetivo de atrair e encorajar os clientes a comprar. Essa técnica tem se tornado cada vez mais importante no marketing de moda, pois ajuda a criar uma experiência de compra atraente e memorável para os clientes. A aplicação do visual merchandising na indústria da moda…

[visionboardstudio11]

Vision Board Studio provides the clearest, most straightforward retail environments and consumer experiences. Retail design solutions are thoughtfully crafted to fit client needs and give every shop location a "Prestigious" appearance.

Visual communications, retail branding, window displays and props, customer service amenities, and retail identity design are all areas of expertise for Vision Board Studio.

Indulging senses for a nice ambiance, seasonal relevance, pushing trends through window displays, and creating a point of uniqueness in a crowded market is among the essential competencies.

At Vision Board, we think that compelling visual storytelling can really bring your brand narrative to life. Every wise buying choice is the result of an encounter. Every component, including the lighting, colour, signs, and aroma.For more information, please visit our website - https://www.visionboardstudio.in/

[visionboardstudio]

Vision Board Studio offers the most productive and efficient retail spaces & consumer experiences with sheer simplicity & clarity. Design solutions are carefully tailored to meet the needs of clients & make every retail space the consumer experience look “Exclusive”.

Vision Board Studio has expertise in Retail Identity Design, 360 Retail Space Design Solutions, Retail Branding, Visual Communications, Window Display & Props, and Customer Service Amenities.

The core competencies include silent selling a brand image, indulging senses for a positive ambience, seasonal relevance, promoting trends through window displays, and creating a point of difference in a saturated market.

At Vision Board, we believe in bringing your brand story alive through strong visual storytelling. Each positive purchase decision comes from an experience. From lighting, color, signage, and fragrance, every element plays a crucial role in the shopping experience. For more information, please visit our website - https://www.visionboardstudio.in/

[clarkstephen]

Vision Board Studio offers the most productive and efficient retail spaces & consumer experiences with sheer simplicity & clarity. Design solutions are carefully tailored to meet the needs of clients & make every retail space the consumer experience look “Exclusive”.

Vision Board Studio has expertise in Retail Identity Design, 360 Retail Space Design Solutions, Retail Branding, Visual Communications, Window Display & Props, and Customer Service Amenities.

The core competencies include silent selling a brand image, indulging senses for a positive ambience, seasonal relevance, promoting trends through window displays, and creating a point of difference in a saturated market.

At Vision Board, we believe in bringing your brand story alive through strong visual storytelling. Each positive purchase decision comes from an experience. From lighting, color, signage, and fragrance, every element plays a crucial role in the shopping experience. For more information, please visit our website - https://www.visionboardstudio.in/

[idanieljoseph]

Online POG software - OPENcatman

OPENCATMAN is an automated POG server software that works on mobile and web browsers. If you're looking for an Online POG software to create POG's to save time, money and paper, Opencatman is the answer. It provides a set of tools to help you run your POG business more effectively from the comfort of your home, car or wherever you have internet access.

[evan-collins90]

The first Torrid store - Brea Mall - Brea, CA (Opened April 18, 2001)

Designed by JGA, Inc. 

From the book: “The retailer, Hot Topic, based in City of Industry, CA, started a short 12 years ago with a concept and a target market; cutting edge apparel, accessories and novelty items--all inspired by alternative music, oriented towards a hip and trendy, teenage market. Hot Topic changed the look of their retail settings, which are usually located in mainstream malls, and the company has recently taken aim at another special market. The new focus is on plus-size teens; an area that the fashion market seems to have neglected. 

Up until this time the 15-30 year old hip and trendy young women who wear sizes 14-26 had no other choice but to shop in the larger size women's shops where the fashions were tailored to the more matronly and conservative tastes. That is how Torrid was born! 

Torrid was introduced in a new, hot and fun retail setting designed by JGA, Inc. of Southfield, MI which has designed the various prototypes for the Hot Topic stores as well. To be sure of the need for such a niche to be filled, the company opened five Torrid shops almost simultaneously; the first in Brea, CA, followed by stores in malls in Mission Viejo, CA, Annapolis, MD, Omaha, NE, N. Attleboro, MA, and Littleton, CO. The merchandise offerings are clustered as "Streetwear," "Clubwear," Rockabilly Wear," and Renaissance Wear" and the stores average about 2,750 SF. Besides the "everyday" slacks and novelty T-shirts, these larger size young women can find black vinyl pants and mini-skirts, black corsets, dog-collar chokers and platform shoes as well as retro-inspired clothing and accessories. In addition to the gothic and prom dresses, Torrid also carries a full line of lingerie for this particular market. Listening to the target market, Hot Topic's Torrid offers teenagers and up the opportunity to look "girly yet fierce." 

The design objective for the prototype store that was designed by JGA, Inc. was to create "a celebration of abundance" and make the setting as unique, unconventional and spirited as the plus-size young women who will be shopping here. Inspired by a "mythological, after-hours club in New Orleans," the atmosphere is romantic, dark and filled with a sense of "unbridled passion." "From the signature flaming heart icon to the curving voluptuous lines throughout the store, excessive materials and scale mirror the zest of the Torrid woman." It starts out front with the shopper-stopping facade which serves as a dramatic gateway to the store. 

The curvaceous and sensuous "hourglass" figures of the Torrid customer is expressed in the hand-crafted metalwork and the backlit translucent glass glowing red. A "drippy" red chandelier and the hand blown flaming heart torcheres add to the store's distinctive sense of place and being. The mosaic porcelain tile floor sets the color palette of jewel tones and metallics. "Visually complex, layers of finishes and architectural pieces evoke a one-of-a-kind artistic flavor." The eclectic mix of fixtures, furniture and furnishings-even the armoires--add to the New Orleans flavor. The hand painted, whimsical and overscaled armoires or cabinets are used to anchor the various zones within the store and at the center of the space a large bronze metallic drape further divides the departments.

The designers added special touches to each area to create that unique, one-of-a-kind feeling to the design. Specially designed, oversized red sculptured chairs with slatted backs are featured in the shoe area. Shoes and accessories are displayed on the slatted backs. The lingerie area takes on a more intimate and exotic--almost Moroccan--feeling with the hand blown glass chandeliers suspended down from large plaster domes. Seen behind this area--beyond a hand painted wall and arc--are the individual, oversized dressing rooms which are equipped with flattering uplights and decorative chandeliers that are visible from other parts of the store. The cash wrap becomes a "focal fantasy" in the total design and it resembles a giant canopy bed topped with twisting shapes and forms.

The space is filled with a pulsating excitement that is so appropriate for the merchandise and the young clientele. In addition to the shimmering palette of rich, deep colors, the warm colored downlights not only enrich the ambient colors and textures but they enhance the merchandise display. The traditional long and narrow mall space is broken up into more personal and individual zones by the variations in ceiling heights, the tin ceilings, finials and the assorted wall coverings. The use of brocades, metallics, and jewel tones on the walls also help to differentiate areas in the store. The metal fixture system--tortoise shell like in appearance--was customized to accommodate the products unique size and length requirements.

If all goes as well as anticipated we can expect to see more and more Torrid shops opening up across the USA- maybe even as many as 700 outlets!”

Images and text were scanned from the book, Stores of the Year 14 by Martin Pegler (2003)

[yuurei20]

Overall Top-Ten Merch List

A top-ten list of the most-liked Twisted Wonderland merchandise overall available through Animate's online store (that is still in stock as of April 2024).

#10 Visual Book 3

#9 Visual Book 2

#8 Design Note

#7 The Comic: Episode of Heartslabyul

#6 Anthology Comic 2

#5 Visual Book 1

#4 Anthology Comic 1

#3 Magical Archives Game guide

#2 Postcard Set (Countdown)

#1 Fanbook vol.1

Full list + rankings from October 2022, April 2023 and October 2023

[manysketchbook]

Firffels: the Wuzzles Competitor That Disappeared

Recently, I found this toy at my local thrift store. I thought it was an oddly cute nativity toy, but upon closer inspection the tush tag read "FIRFFELS. I'm glad to be a SHAMEL." I did a quick search online and the first result was this page on Ghost of the Doll, a toy collector's site that archives information about 80s/90s toys and includes a forum where anyone can seek help with identifying toys. This lead me down a rabbit hole of figuring out just what Firffels were: a failed line of toys promised to be the next hot phenomenon, with minimal documentation online and a handful of toys floating around in thrift stores.

Other than Ghost of the Doll, I found info about Firffels in this 2010 blog post by Trish Babbles (written in an edgy, mean-to-be-funny style that I think is too uncharitable, but it was a different time to be online lol) and this blog post by AF Blog. My other info comes from Othello Bach's website dedicated to the book itself (her personal site is no longer functional) and from a handful of youtube videos I found of a Firffels commercial. Many thanks to these sources, without them there'd be like, nothing online about these creatures.

Firffels are based on the children's book Who ever Heard of a Fird? by Othello Bach, first edition published in 1984 by Caedmon Childrens Books (upon Googling, it appears that Caedmon is owned by HarperCollins now and focuses on audiobooks). The story follows Fird, a fish-bird hybrid, as he travels the world to find other firds. Along the way he encounters a goofy, lovable cast of other hybrid animals who have all never heard of a fird. The story ends with fird learning to love his uniqueness and find peace with being who he is. As is apparent in the Amazon link above (not sponsored, just showing my work), a used copy is $86 dollars right now. An audiobook narrated by Joel Grey (an actor that I'm unfamiliar with who is apparently known for his role in Cabaret) was also released on cassette, listed on Ebay for $75+. Luckily, there is a youtube video of someone doing a complete read through of the book, but the camera angle is poor. This is the only visual record I could find online of the interior illustrations by Michelle Dorman, other than a brief look at a few in a low quality VHS promo rip I'll get to in a minute, and the image below from an Ebay listing. There may be a few more photos in some Etsy listings that I missed.

In Trish's blog post they complain that Shamel is an ugly monstrosity and there were a few comments on Ghost of the Doll's forum of the same nature about Shamel, but I think Shamel is the cutest one! It just looks like a new breed of camel, meanwhile Fird in the background here is...he's so cartoonishly goofy. Idk how else to describe him. He's so fuckin' goofy. He'd make squeaky Spongebob-esque sound effects when he walks, I imagine.

The book was allegedly a hit and Remco bought the merchandising rights. They went all in, as is detailed in the 5 minute promotional video below. Based on a cast of 6 characters, plush toys and posable action figures hit the market with a promise that Hanna Barbera would develop an animated tv show starring Firffels, housewares would be made, there'd be a clothing line, and Design-a-Firffel contests would be held. A few housewares seem to have been made and plush toy sewing patterns were released, but I was unable to find evidence that anything else moved forward.

Absolutely fucking insane fact: according to this video, Caedmon Publishing was owned by Raytheon at the time. Thanks Raytheon for these cuddly children's toys and also, uh, horrific weapons of war?

After I bought Shamel, I went back to the store to see if there were more. There were! I found Bertle and Elephonkey, who still had the original tags. I swear the day earlier I had seen a frog toy with butterfly wings but it wasn't there anymore. I remember passing over it and thinking "eh, butterfly wings on a frog aren't cute," and did not bothering even looking at the tags. My mistake. Turns out that toy was worth a decent amount of money and was part of this whole story.

Bertle's pink belly super bright in real life, like neon. There is a sunbleached spot on it's front.

Elephonkey is the only one with original tags. I also included an image of the tush tag. For each toy the tush tag is the same but displays the character's name.

Hybrid animals are not a unique concept. Wuzzles, a line of plush toys that were animal hybrids with wings and likely made to compete with Care Bears, are brought up in most posts and forums where Firffels are mentioned--usually to disparage Firffels as being knock off, less successful Wuzzles. Wuzzles weren't exactly successful either, though they definitely lasted longer and had more reach, likely due to the backing of a Disney/Hasbro budget. AF Blog in 2015 makes a good point that I agree with: it's unlikely that Wuzzles and Firffels were ripping each other off due to production timelines. Toy lines can be in development for years before any information is made public. It takes a long time to design toys, then get them to a manufacturer, then go through the revisions process. Not to mention the time it takes to ship things out, negotiate contracts at every step of the way, etc. And, as AF Blog notes, Whoever Heard of a Fird? was released in 1984, a year before the first Wuzzles tv episode aired, and Firffels hit the market a year later.

People draw hybrid animals all the time. For example, furry adoptable artists draw hybrids all the time (take a shot every time you find a closed species that is a feline with a fish tail or deer feet or some other animal's defining trait), the Lego movie had Unikitty, and I literally went to Walmart today and in the toy section there was a miniature rabbit-like rainbow animal with wings and a unicorn horn there. The thing that makes these toys potentially appealing, in my opinion, is that they choose safe and popular traits: sparkly horns and feathery wings, for the most part. Things that are easily marketable.

The thing with Firffels is that they combined animals with traits that are less immediately appealing. Image below from Ghost of the Doll.

Some of them are cute but the others miss the mark. Personally I like Shamel and Bertle (the plush version only tbh).

Worth pointing out is that the character illustrations do not match the toy designs. If you go back and watch the commercials included in the 5 minute promo video, you can see that the Bertle plush and action figure are brown and green rather than pink and blue, and that Shamel's hair is brown instead of purple. I saw varied photos of the Butterfrog plush: some were lighter green while others were darker. Could be an issue with differing cameras, but I don't know for certain. And then there's Elephonkey, who is the most inconsistent of the bunch:

The first image is the prototype toy as it appears in the commercial. It is grey and flesh colored, with odd looking plastic hair. The second image is from Ghost of the Doll, of how the Elephonkey action figure actually appeared in stores. Third is a photo of my Elephonkey plush. Compare it with the official character art...well, he's not my favorite design in any incarnation.

I think the toys in the commercials were prototypes that were changed to brighter colors so as to appeal more towards girls. In the 30 second plush commercial there are 4 girl actors and 1 boy actor, with the camera shots getting closer to and focusing more on the girls' faces, so it would make sense. In contrast, the action figure commercial features 1 girl and 2 boys, and most of the camera shots are of the kids' hands playing with the toys, giving off a more boyish, gender-neutral vibe. Classics of gendered marketing, am I right? lol. But I think the change was a good one. I wouldn't have picked up Shamel if I hadn't seen the purple hair, and I definitely would not like Bertle if he wasn't pink. It gives the toys more of a cohesive style, a unique identity, and they fit in more alongside the Wuzzles/Care Bears visuals with the vibrant, happy colors. There's more of a toy-like quality to them, which increases the cuddle-ability and inspires more of an urge to play.

Discovering and logging all this inconsistency has been pretty fun. But it makes me think that these toys were probably doomed by a chaotic, unorganized development process behind the scenes. And given that the book was published in '84 and toys hit the market in '85...the signs seem to point to production being rushed.

To be fair to Firffels, it was probably a little harder in the 80s to hit it big with kids. You had to be lucky, you had to have connections with the right distributors, you had to anticipate what is universally appealing to children--one of the most unpredictable audiences out there--and you had to pay to air your commercials during prime child viewing hours. These are all things that are still true, but we have the internet now and the advertising power of the internet is scary. Going viral on TikTok has the potential to skibidi someone's toilet career. iPad babies are growing up into grade school kids who throw birthday parties every year and get toys as gifts. We are living in an era where mass-producing cheap little polyester plushies and plastic figures is easier than ever and corporations have massive budgets to pump into kids' eyeballs through every advertising avenue they possibly can. They don't even need to come up with the designs anymore, they can just partner with whatever Roblox game is popular right now and capitalize on that. Maybe Othello Bach should get on Roblox.

Actually, it appears that Bach was given the short end of the stick by the time Firffels were pulled. Though her personal website is no longer up, her other website dedicated entirely to Whoever Heard of a Fird? has some info:

At the height of Fird's success, with over 100 licensees cramming the store shelves with children’s merchandise and an animation contract with Hanna-Barbera, the book and all the merchandise suddenly vanished from the shelves.  Although she lost the rights to several other published children’s books at the same time, Othello has never received a reasonable explanation for what happened.

So this passage actually clears something up for me. This whole time something that hasn't really lined up is that I had assumed that Othello Bach published the book first and then was approached for merchandising rights after the book sold well. I actually think now it's possible that from the get-go the book was written with the intention for it to become a worldwide sensation. Not so much Bach's intent, though. I have some professional familiarity with licensing and other such creative publishing contracts, particularly with books. Based on what I know, I believe it's more likely that Bach pitched her manuscript to Caedmon Publishing and Caedmon, seeking to create popular IP, was like, "this has potential and we are going to sign you on not only for the book, but for more." That might be why the character designs are so strange: they were trying too hard to get famous quick and had instructed the illustrator (it is regular practice for publishers to pair authors with an illustrator and given how much was on the line for this IP, Bach might not've had much input here) to design characters that could also become toys. It's unlikely that Michelle Dorman, a kids book illustrator, had product design skills needed to make standout, awesome toy designs. Not a knock on her, illustrators just have niches within their field that they're best at it. It's why you see so many illustrators complain about how often they get approached to design logos--that's not what we do, thank you.

What's sad is that clearly Bach had signed a bad contract that gave away most of her rights as the writer to the publisher. She openly says so above. My guess is that Caedmon told her they needed more rights than usual to be able to conduct so much merchandising (like signing contracts with Remco, much easier to do when you don't have a third party also involved), and because they were pouring so much effort into it on their end. Bach is just the writer, so while the original idea is hers, Caedmon would have matched her with an illustrator and taken charge of all the licensing and merchandising. For a publisher this is a huge commitment financially and personnel-wise, so it makes sense why they would have put forth a contract that gave them so many rights. If Firffels had become as popular as they'd hoped, they don't want to not own the IP. They would have poured all those resources into it and not be able to reap all the rewards because that pesky author would own it. It's almost like contracts like these are predatory and only serve the interests of the publisher. Almost like publishers are companies existing in a capitalistic system and therefore only serve profit, not people. Almost like companies will never truly have artist's best interests at heart, and if you are ever to sign a contract with a big publisher you need to have a good lawyer by your side.

It makes me so sad to read that they didn't even give her a reasonable explanation as to why everything was cancelled. She does not even appear to have any of the merchandise on hand, as all the photos on her website are from Ghost of the Doll. In hindsight we can guess, obviously, why the cancellation happened but I'm in the moment it was probably upsetting. It's still upsetting, given that she has included this in her website for the...revamped book!

However, like Fird, Othello refused to give up. For the next 20 years, she tried to regain the rights to her work. Entertainment attorneys assured her it would never happen.  They said, "It can't be done!" But... it could be done and Othello did it, regaining the rights back to all her work.

Yeah, so, I actually think this is the saddest part about the whole thing. She managed to get some of the rights back and republished the book with...new art...that looks so fucking BAD. Image from her website:

Sorry to this illustrator, but got damn. There is no sauce to this art whatsoever. It is unseasoned, not even salt and pepper. This looks like ass and would never fucking fly with any editor worth their chops. It took me ages to figure out that the long yellow curved line is Fird's tail. Like, this is so unbelievably sad to me. I don't even really like the original art a whole lot, but compared to this...

My informed guess as to what happened is that Bach lawyered up and fought. As we know, Caedmon is now owned by HarperCollins. I can't say for certain but there was probably some case to be made that Caedmon being sold breached the contract, or nullified parts of it, or perhaps the contract expired. It could even just be that HarperCollins didn't care about an old, unprofitable IP and granted Bach her rights back. There is also Remco to consider: they also hold some of the rights, but probably just for the merchandise? Given how prominently their logo is displayed on the toy tags, they might actually own a significant share. Perhaps they were happy not to have anything to do with the book so long as the merch rights weren't touched. I don't know! There's no info about it on the site and this stuff is usually under NDA.

So Bach got her rights back, but she's just the writer. She doesn't own any of the art, so in order to republish the book she had to hire a new illustrator. She likely did not have a huge budget for it, maybe even paying for it out of her pocket because the Choice Books logo she has in several spots on the Fird website appears to be for a distribute on demand service, in place of a traditional publisher.

As the writer, she also would not have gotten the rights to use the original audiobook, so she had one re-recorded. It also appears like she does not have the rights to the name "Firffels" either, as the only places it appears on the site are in photographs of merchandise and in titles specifically referring to the work that is still owned by Caedmon. She carefully refers to her own work as "Fird" for short or the book's full title, probably because she cannot legally imply that she owns or made anything else.

I dug into this thinking it would be a quick look at some strange, forgotten toys from a bygone era. Instead I found a story about how an artist can so easily be shafted by publishers. Everything always loops back around to workers' rights, it seems. Stories like this about shitty publishing contracts (see: Webtoon if you want to get into something current) still appear so often, man. It's depressing, and indicative that the publishing industry needs some reforming ASAP. Like, Illustrators, when are we getting a proper union?

But I'm glad Bach got her rights back and got her book republished within her lifetime. I'm sad she didn't have the budgets for a better illustrator. Sorry to bring that up again, I work as an illustrator irl and I have opinions about craft, lol. Also I just think that given how hard Bach had to fight, she deserved to have better art made. That being said, here's another link to her current website. There's not much there but what is there is a monument to a battle she fought and won, and is proud of.

The lack of detailed, clear, centralized documentation of these toys frustrates me. One of the most frustrating things about the internet for me is that there are few easily accessible, publicly available archives of toys--even for modern toys. I've had to use Amazon reviews and Ebay listings and broken online stores to decipher publication years. With this in mind I decided to do a write up and provide clearer pictures of the toys that I have (I'll take hi res pics in natural lighting too someday). Archives are important to me and the internet kinda sucks for it, I say as someone who started this blog for that purpose. If Tumblr goes down, so does everything I've posted here. As an artist who works primarily digitally, one of the scariest things is knowing that I'm laboring over an ephemeral body of work. It's just not going to exist for very long unless I print it out on archival materials. Data is not the same as a physical object. My Firffels have survived for 39 years but the digital art I draw every day is unlikely to last past 10 years because websites die and files get deleted.

I bought the Firffels from my thrift store thinking I'd resell them. I'm low income so I sell many of the things I thrift. I prefer to buy the older toys or the ones that need cleaning because it makes me feel better about being a reseller (I don't want to take away options from low income kids in my area, ya know?). But I'm putting in the labor to freshen them up and I'm putting in the effort to make unavailable toys available again, at least for one person. And I don't have a whole lot of shelf space to display the toys in my collection...but for now I think I'll keep them.

[beautifullache]

🦄The Sims🦄

👠High Brand Stores 2 Bundle👠

💕EARLY RELEASE 4.13.2024💕

GUCCI

Kering (previously PPR) is the French luxury goods holding company owner of Alexander McQueen, Balenciaga, Brioni, Gucci, Puma, Volcom, and other luxury, sport & lifestyle brands distributed in 120 countries. The company was founded in 1963 by businessman François Pinault and is now run by his son François-Henri Pinault.

Greeter

Team Coordinator

Talent Partner

Manager

Visual Merchandiser

Analyst

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Balenciaga

Kering (previously PPR) is the French luxury goods holding company owner of Alexander McQueen, Balenciaga, Brioni, Gucci, Puma, Volcom, and other luxury, sport & lifestyle brands distributed in 120 countries. The company was founded in 1963 by businessman François Pinault and is now run by his son François-Henri Pinault.

Stock Manager

Sales Associate

 Sales & Client Advisor

Buyer

Store Director

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Dolce & Gabbana

Dolce & Gabbana is an Italian fashion house, founded by Domenico Dolce (Polizzi Generosa, August 13, 1958) and Stefano Gabbana (Milano, November 14, 1962), with administrative headquarters in Legnano and legal headquarters in Milan. We have worked for anni presso the studio of Giorgio Corsini dove if they were known, one eats graphics, the other eats sarto. In 1985, he went to the "Milano Collezioni" in the Nuovi Talenti category. In 1986, we presented the first autoprodotta collection, at the headquarters of the Milanese atelier and the first production. The production continues with the opening of a new business in Milan and Bari. In 1988 he signed the agreement with the area located in Legnano di Saverio Dolce (father of Domenico), for the production of ready-to-wear. In 1989, he left there, first of all, Donna went to Tokyo and created the first line of intimacy and marriage.

Retail Sales Assistant

Stock Keeper

Visual Merchandiser

Stock Supervisor

Assistant Store Manager

Store Manager

Sales Manager

Men's Wholesale Sr. Manager/Director

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Louis Vuitton

Louis Vuitton est une maison française de maroquinerie de luxe, mais également de prêt-à-porter depuis l'aube des années 2000, fondée en 1854 par le malletier, plus tard maroquinier, Louis Vuitton (1821-1892) dont l'œuvre est poursuivie par ses descendants. Louis Vuitton Malletier est la première marque du groupe LVMH - Moët Hennessy Louis Vuitton fondé en 1987 par le rapprochement de la maroquinerie Vuitton et des Champagne Moët & Chandon, et propriété du milliardaire Bernard Arnault depuis 1989. Louis Vuitton a une présence mondiale, avec un fort développement vers l'Asie depuis les années 2000.

CLIENT ADVISOR

TEAM LEAD

CLIENT CARE ASSOCIATE

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ACCOUNTS PAYABLE ASSOCIATE

TAILOR

ASSISTANT STORE DIRECTOR

FASHION STYLIST

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Prada

Pioneer of a dialogue with contemporary society across diverse cultural spheres and an influential leader in luxury fashion, Prada Group founds its identity on essential values such creative independence, transformation and sustainable development, offering its brands a shared vision to interpret and express their spirit. The Group owns some of the world’s most prestigious luxury brands, Prada, Miu Miu, Church’s, Car Shoe and the historic Pasticceria Marchesi, and works constantly to enhance their value by increasing their visibility and appeal. The Group designs, manufactures and distributes ready-to-wear collections, leather goods and footwear in more than 70 countries through a network of 633 stores as well as e-commerce channels, selected e-tailers and department stores around the world. The Group, which also operates in the eyewear and fragrances sector through licensing agreements, has 23 owned factories and approximately thirteen thousand employees.

Cashier

Stock Associate

Client Advisor

Sales Support

Runner

Department Manager

Stock Supervisor

Selling Supervisor

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[bunnymajo]

DreamyPyon & Magical Warrior Diamond Heart

Pyon's art and designs are so cute and colorful, I really recommend checking out his stuff!! They have two stores, one for their independent magical girl visual novel, Magical Warrior Diamond Heart, and another for more mainstream magical girl titles ranging from Tokyo Mew Mew, Precure, Lolirock and more!

I have several keychains & buttons myself, everything's really good quality too.

[visionboardstudio11]

Vision Board Studio provides the clearest, most straightforward retail environments and consumer experiences. Retail design solutions are thoughtfully crafted to fit client needs and give every shop location a "Prestigious" appearance.

Visual communications, retail branding, window displays and props, customer service amenities, and retail identity design are all areas of expertise for Vision Board Studio.

Indulging senses for a nice ambiance, seasonal relevance, pushing trends through window displays, and creating a point of uniqueness in a crowded market is among the essential competencies.

At Vision Board, we think that compelling visual storytelling can really bring your brand narrative to life. Every wise buying choice is the result of an encounter. Every component, including the lighting, colour, signs, and aroma.For more information, please visit our website - https://www.visionboardstudio.in/

[visionboardstudio]

Vision Board Studio offers the most productive and efficient retail spaces & consumer experiences with sheer simplicity & clarity. Design solutions are carefully tailored to meet the needs of clients & make every retail space the consumer experience look “Exclusive”.

Vision Board Studio has expertise in Retail Identity Design, 360 Retail Space Design Solutions, Retail Branding, Visual Communications, Window Display & Props, and Customer Service Amenities.

The core competencies include silent selling a brand image, indulging senses for a positive ambience, seasonal relevance, promoting trends through window displays, and creating a point of difference in a saturated market.

At Vision Board, we believe in bringing your brand story alive through strong visual storytelling. Each positive purchase decision comes from an experience. From lighting, color, signage, and fragrance, every element plays a crucial role in the shopping experience. For more information, please visit our website - https://www.visionboardstudio.in/

[clarkstephen]

Vision Board Studio offers the most productive and efficient retail spaces & consumer experiences with sheer simplicity & clarity. Design solutions are carefully tailored to meet the needs of clients & make every retail space the consumer experience look “Exclusive”.

Vision Board Studio has expertise in Retail Identity Design, 360 Retail Space Design Solutions, Retail Branding, Visual Communications, Window Display & Props, and Customer Service Amenities.

The core competencies include silent selling a brand image, indulging senses for a positive ambience, seasonal relevance, promoting trends through window displays, and creating a point of difference in a saturated market.

At Vision Board, we believe in bringing your brand story alive through strong visual storytelling. Each positive purchase decision comes from an experience. From lighting, color, signage, and fragrance, every element plays a crucial role in the shopping experience. For more information, please visit our website - https://www.visionboardstudio.in/