#warner give me the rights to scooby doo my idea is so much better

[nexusnickva]

“Huehuehuehue what if Scooby Doo was a vulgar show where everybody swears and talks about sex and drugs and they’re all assholes”

Fuck that, what a shit concept for an adult-oriented reimagining of Scooby Doo. My idea is that it should start off identical to the original series, but Shaggy becomes self-aware part way through. He realizes the monotonous events that happen on a daily basis and how nobody else seems to acknowledge them and slowly comes to realize he’s in a TV show, with the show then follwing his attempt at escaping the episodic torture realm that is his life.

[soyouareandrewdobson]

Sunny Sundays: Scoob

So as not to be too negative by always focusing on dumb webartists and their lack of taste in certain media or decent opinions, I decided that at least once a week I also want to talk about something more positive on my tumblr. Something about animation to enjoy, instead of using it as a bullet point for a sex fetish disguised as social awareness unlike someone else.

As such, lets talk about a little movie that came out this week on demand about a franchise that had goten rebooted more times than a certain timelord. At least that is what it feels like.

Ladies and Gentlemen: Scoob!

Scoob is the recent major entry into the Scooby Doo franchise and weirdly enough, though there is a ton of animated movies that came out for TV and on DVD, the the first animated feature of the franchise to actually be released in theaters. ... or rather it would be, if we didn’t live in a Stephen King novel, forcing Warner to release it on the internet for demand.

Now the Scooby Doo franchise is as of now pretty damn old. starting back in 1969 and having multiple incarnations of it over the years with the last succesfull one being the highly recommended “Mystery Incorporated”, which featured of all things the group not only dealing with their typical guys in masks each week, but also an ancient conspiracy involving a cosmic terror from another dimension, cameos of other famous Hanna Barbera characters and even good old Harlan Ellison having a cameo to. But some people with no idea how a good story trumps over shipping only know the show as having Velma and a girl that smells of hotdogs being shipped. If you do not belong to that group of people, I highly recommend you to watch it because it is really good. And certainly more entertaining than the shows that followed next, aka “Scooby Doo Go” and “Here is a show all about cameos being more obvious than in the old days”.

Anyway, what I try to say is, Scooby Doo despite being rather old and having been both mocked and appreciated over the years, is still very popular and can with the right amount of care and silly fun be at the very least an entertaining ride. So did this movie deliver on that, or did it become as disappointing as “Return to Zombie Island”?

I will try not to spoil too much in this “overview” about the movie, but  here is basically the deal: For starters, it is a Scooby Doo movie that misses one itsy bitsy major thing that actually makes a Scooby Doo story out on average. A mystery.

See, the movie first begins with a semi origin story for Scooby and the gang, which honestly is pretty damn adorable to watch. Shaggy meeting a stray Scooby as a pup, both becoming friends, meeting at Halloween Fred, Daphne and Velma for the first time and actually solving their very first mystery, all in the span of like 10 minutes? It is great and I would love to see an animated series about those alone. You know, a reboot of “A Pup named Scooby Doo”. Unfortunately, that is as far as we get with a “classic” Scooby Doo story as after the introduction, Simon Cowell essentially breaks the group apart and it becomes a Marvel superhero movie inspired flick.

Nope, I am not. Which btw, is actually not meant as a criticism.

Yeah see, Mystery Inc wants to be a more serious enterprise and so Simon Cowell has been brought on board to finance them, but only of Shaggy and Scooby leave. Which they do. After that dated cameo of a celebrity (Which actually feels rather in tone with the legacy of the franchise, if you think about the “good old days”) Shaggy and Scooby find themselves shortly thereafter being hunted by robots, only to be rescued by another famous Hannah Barbara character: The Blue Falcon and his trusty sidekick Dynomutt! Or rather Mark Wahlberg having to learn how to be a decent hero and the second best character in the entire movie.

The original Blue Falcon has retired and this Blue Falcon is the son of the original one who still has to learn how to be a smart hero instead of trying to be an “impressive” hero (in other words, Booster Gold’s showman aspects played up to 11) while Dynomutt has certianly become a bit of a deadpan snarker over the years. 

Anywa,y they have come to help Shaggy and Scooby, who are hunted by Dick Dastardly of Wacky Racers fame, who is after Scooby for some nefarious reason, as well as the heads of demon guard dog Cerberus, which if assembled will open the Gates of Hell. As such Shaggy, Scooby and the Blue Falcon group have to stop Dastardly and save the world, while the rest of the team tries to find out what happened to them and in doing so gets involved into the entire adventure too. An adventure field to the brim with references and major on screen cameos by Hanna Barbera characters, to the point the entire thing could also just be called  “Hanna Barbera Avengers assemble”.

This movie... it is weird but in some of the best ways possible. To get it out of the way, I do not think it is a very good kids movie storywise. As in, on one hand it does not have any despicable messages to it and there is actually a surprisingly high level of quality to it, on the other hand, it is not as if this movie has become the Hanna Barbera equivalent of Wall-E, Onward, How to train your Dragon or some Miyazaki flick. It is basically a Hanna Barbera crossover fanfiction as an animated feature, that reimagines the characters design wise slightly to look like ore accesable toys for kids to sell nowadays, than the orignal designs from the 70s and 80s. The plot as said abandons the mystery aspect completely for a saving the world from a comic book supervillain story, even with obligatory hole in the sky during the climax (seriously, when does Hollywood realize what kind of clichee it is) , third act break up between Scooby and Shaggy and out of nowhere “sacrifice” at the end. If you want more details on that, I recommend watching the movie or reading up on a 4chan post that goes around the net from a couple of months ago, when someone leaked the movie back then. Turns out that not everything on /co/ is garbage made up by others. Anyway, the plot is just not what you would expect from Scooby Doo. Which says a lot considering their direct to DVD features within the last years included also crossovers with the WWE and KISS. So you would expect it could not get weirder. But this movie kinda does, while also just having storystructure wise clichees to it you have seen a million times already in both better and worse features. And yet, if you like Hanna Barbera cartoons in general, I think you can find something in that movie. Not necessarily a good story from start to end, but just a entertaining Hanna Barbera cartoon, that is not quite as “dumb” as its source material but also does not try to be ultra serious and embraces the sort of humor it came from. If that however is not enough for you, and you want some very very deep story about social issues in animated form... well, I either suggest watching something not done by Disney you animation snob.

From a technical level now, I would say the movie is a bit more complicated to “review”. The voice acting is not horrible, but there are moments where the fact they got not the original cast to do the voices and instead give us celebrities like Zac Efron, is obvious. Some dialogues just don’t work as well as they should, but no one does a completely horrible job. Animation wise...

Well, it is a movie that does actually a good job getting the Hannah Barbera designs into a decent computer animated shape for the 21th century. It really feels like a Hannah Barbara cartoon on the screen. Unfortunately, when it comes to background characters....

...it feels only slightly above Miraculous Ladybug levels in my opinion. The animation is not all over the place, but you can see that it was not Pixar working on it. Which actually sorta brings up another “problem” with the movie. The problem being that as a whole it does not quite feel like it is a movie that belongs on the big screen. It is an entertaining animated movie, don’t get me wrong. But if I may be “snobish” for a moment, I think in terms of presentation and story it just doesn’t quite reach okay movie theater flick level. It is above what we should get from a made for TV or DVD production but just doesn’t reach the next level by a few inches. Which is sad, cause I think there was actually still a lot of effort put into it and a certain love of the source material. Or rather source materials, seeing how it is not just Scooby Doo here. And yet, despite its obvious flaws, including some really dated humor that made my eyes roll but is not breaking the movie for me... I recommend it. If you like Scooby Doo as a whole, I think you may like this one a lot. I just think that 20$ on demand is way too much. An animated serie sin that style however would suffice a lot Hope that piece of an opinion was helpful and that if you decide to watch it, you will have as much fun as I had (or even more) . And please don’t let me be the only one on this planet who thinks that of all the characters in it, Dick Dastardly is actually one, if not the most entertaining one. Cause heck, I liked him. And I never had imagined to see a heartfelt scene with him as a central character.

[dcarevu]

Christmas With The Joker

“It’s not relentlessly cheerful, is it?”

So, only one episode in, and they do a Christmas special. One episode into this series that they wanted to be dark, serious, and adult…and they do a Christmas special. A Batman. Christmas. Special. Huh. Well, it is becoming that time of year. So let’s sleigh right into: Christmas With The Joker

SPOILERS BEYOND THIS POINT

Villain: The Joker Robin: Yes Writer: Eddie Gorodetsky Director: Kent Butterworth Animator: Akom Airdate: November 13, 1992 Episode Grade: B  This episode holds the distinction of being the very first episode of Batman The Animated Series I ever saw. I had seen Mask Of The Phantasm prior (which was a glorious place to start), and eventually Warner Brothers started releasing these Batman TAS VHS tapes each featuring a particular villain. My mom bought me one featuring the Joker, which included this episode, along with The Laughing Fish. I picked it out specifically because of the screenshot of the Joker wrapped up in his straightjacket shown on the back, and I assumed this was from his origin episode. I didn’t get an origin episode, but I did get a Christmas special that I now watch every single year. I absolutely love it. 

 I’ve always been someone that enjoys the darker side of Christmas. Carol Of the Bells. A Christmas Carol. That one Twilight Zone episode featuring a drunk Santa Claus that ends up making Christmas magical for everyone. It’s funny, because despite this, I very much enjoy the more innocent side of Halloween (think of cute Beistle die cuts or Scooby Doo). This episode fits right into this archetype, and maybe that is why I love it so much. Of course, this isn’t the only reason. We also get the first appearance of the Joker, voiced by Mark Hamill (yes, that Mark Hamill), and overall a very entertaining episode, Christmas concept aside.

So it’s Christmas Eve, and Dick Grayson (Robin) is home for the holidays. All he wants to do is spend the night relaxing to Christmas dinner and It’s a Wonderful Life, but Bruce isn’t about to let up his night watch just because of the following day. He just knows that something will happen, and right as he finally gives in to Robin’s movie request, we see that the Joker has somehow interrupted pretty much every channel broadcast, and is airing a Christmas special all his own. Featuring a kidnapped Commissioner Gordon, Detective Bullock, and Summer Gleeson, a news reporter (I had no idea it was her before reading it on the DCAU wiki. Kinda cool that it’s not simply some unnamed character!). Batman, aware of the Joker’s love of destructive games sets out with Robin to find his broadcast, and put an end to the Christmas Eve havoc. Throughout the episode he gets sidetracked by an exploding train track (done by the Joker of course), a barrage of cannonballs being fired straight into the city (done by, again, the Joker), and a barrage of Christmas-themed dangers at an abandoned toy factory. At the end of the episode, with the Joker found, and the kidnapped three dangling above a vat of acid, the Joker has Batman open up a special present addressed specifically for him (complete with bat wrapping paper). “Don’t do it, Batman!” shouts Robin, but Batman knows that it’s the only way to save the three and Gotham City as a whole. What’s inside? A pie in the face, what else? Immediately afterward, although Joker tries to run, he slips on a roller skate and nearly falls into the acid himself…but is caught by Batman on the way down. Everyone is saved, and the two heroes even get to finally watch their Christmas special in peace.

Let’s talk about the two big things with this episode: Robin and the Joker. The idea of using an older Robin was obviously a way to bring some realism to the character, and to not ruin the tone that they were going for. Robin is historically kind of a goofy character, and was meant to be a role model for the kiddies. Wanting to avoid specifically kid elements in their show, they used a college-aged Robin. I think it works sometimes, and not so much at other times. It is a little weird seeing such an old character wearing the Robin outfit, but they also made an effort to tone down the silliness of it a little bit. Thank god we didn’t get those little elf shoes and those freshly-waxed legs. While Robin’s usefulness varies throughout the show, I think in this episode they work pretty well together, and for an episode like this, it gives Batman someone to talk to, and introduces some comic relief. Hearing Batman referred to as a Scrooge and seeing him bag on Robin’s choice of movies is pretty funny, and I feel like these two have similar exchanges about Christmas as a lot of us do in real life. The action scenes with Robin were also pretty good, and I never really felt like either of them had nothing to do/were a damsel in distress. That’s the one thing about Robin that bugs me sometimes, and it wasn’t until much later when they got consistently good at having more than one superhero on screen at once, balancing everything out. I will admit, some of it did get a little too corny for my liking…particularly the way Batman would bark things like, “Easy, Robin!” But it also reminded me a little bit of the Adam West show in a charming way that I accept much more with a Christmas episode. So take these comments how you take them. 

 And the Joker? Fantastic debut. He’s funny. He’s menacing. He’s batshit insane. He’s charismatic. He’s everything a classic, definitive Joker should be. I love Heath as much as anyone else, but being a great Joker vs being a definitive Joker are two different things. I wouldn’t get rid of either of them, and I think they both perfectly represent the type of character they are meant to be. I think the Joker changed a lot throughout this show. He giggles unlike later in the series here, and he’s clearly mentally unstable in a different, albeit very fun way. But then there are moments like where he laughs in someone’s face because he knows that her mother is on a train that is headed straight for a blown up bridge. He’s that character that you love to hate, and as much as you want Batman to sock each and every one of those yellow teeth out of his mouth, you also can’t help but root for him to keep getting away just so that you get more of him. It is kinda weird for me picturing this episode’s version of the Joker with Harley, and Harley Quinn may be the main reason why the Joker’s personality changed a little bit and got a hair more serious. In this episode he’s like, well, a cartoon character. More than usual. He has a stylized personality as much as he has a stylized look.

When I mentioned earlier that this episode fits alongside a lot of the darker aspects of Christmas, to clarify a little bit more, it’s not just because you have a psychotic killing clown and a scary guy dressed as a bat. It also has the vintage aspect to it. You have the “dark deco” 30′s aesthetic already in place. Then you add the vintage-looking wintery landscape...the Nutcracker music...and even the dark, snowy city that almost makes me think of Victorian England. I think all of this creates the old-timey Christmas feel without shoving religious morals, or Santa Claus, or greedy marketing down our throats. It succeeds in being a Christmas special almost exclusively through vibes, and mention of it being the holiday. Okay, and Robin’s green and red pajamas are pretty festive as well. The DCAU would do a couple more Christmas episodes later, another one of them being Batman, and while this one is also great, it communicates Christmas in a vastly different way than this one, a way which is much more modern. Both can be great, but this is the Batman Christmas special I will come back to year after year.

 As far as my girlfriend Char’s impressions, she really liked this episode too. As someone who has never seen a single episode of the DCAU before this blog, she said that she expected and was hoping for Harley Quinn, but wasn’t necessarily disappointed that she didn’t show up. Picturing a world of Batman TAS before Harley’s existence is something that I feel like we all sorta gloss over since it’s almost like she’s always existed. And while the show got better with her first appearance, I’m glad that they could do a solid Joker beforehand. Char loved the Joker’s representation, and was surprisingly very much in line with what she expected from the character. She said that he was very creepy, but in a very entertaining way. She also noted his design, particularly his color pallet (wait till she sees TNBA). Some more comments about Harley Quinn were made, and she’s scared for Harley after seeing what a maniac the Joker is. She ships Harley and Poison Ivy, something that I see a lot. I don’t necessarily disagree 100%, but, well, we’ll save a lot of that conversation for later. 

 An older Robin was something that Char was really into, and I got the impression that she never really cared for the super young Robin, as, well, yeah, it is kinda strange. Back when the character was introduced, maybe not so much, nut nowadays? Yeah. What the hell, Batman. Also, Loren Lester provides a voice that she always sorta pictures with the character, and again, she noted how definitive everything seemed. 

 Some other stray observations she made: She agreed with me on some of Batman’s lines being corny, but she also found them a little bit creepy.It was a unique Christmas special. Batman and Robin sorta feel like father and son, but only sorta. This is something the show will get into much more as we go on. She thought the Joker would make a hilarious game show host if he weren’t, well, evil. She noted how shitty the star on the tree at the very beginning was. Apparently Arkham Asylum needs a better interior decorator. And lastly, she loved the ending. As do I. It’s so unsettling, yet so perfect. Better than what I expected when I saw the screenshot on the back of the VHS as a kid. Char’s grade: B

Major Firsts: The Joker, Robin, Summer Gleeson, Arkham Asylum, Xmas episode, we see the Batmobile has a TV, a musical number (The Joker sings) Next time: Nothing To Fear