no but essek's abnormal behaviours in the last arc and especially in episode 140 are my roman empire. which is ironic because aeor is something of a roman empire itself. but in all seriousness, it was the episode that made me realise i love essek and his development so much and it kinda summarised it even before caleb's epilogue.
and i mean the "it's not fair" scene specifically. it's like, an epitome of his whole character progression from a person who put An Objectively Important Goal above all else without hesitation to someone who can't help but care for people around even more than his goal, no matter how big and relevant it is.
the mighty nein - and he alongside them - pretty much saved the world and freed an ancient city from thousand-year-long suffering. they defeated nine extremely powerful menacing entities who managed to stay out of everyone's sight for years and were so close to achieving their goal and dooming exandria in the process. they did the impossible and became heroes and somehow, they survived, even though they had bidden farewells a couple of hours ago because they had already understood what they had been facing. and nevertheless. they made it.
and none of them was celebrating.
mighty nein are basically essek's only friends. he knew them to be very unusual people, to put it lightly, loud and stubborn and completely inescapable once they consider you to be one of their own. and they showed him so much kindness and put so much faith in him, they were here playing the most atrocious music ever and digging clay in his backyard for a spell they invented just to help one of theirs and asking him if he could bring them pastries the day after they found out he was lying to them and had started a war. they were chaotic and weird and sometimes unbearable but most importantly they were carrying so much hope with them all this time - a hope they could end the war, a hope they could stop the angel of irons cult, a hope they could get better, a hope he could get better, and now, finally, that they could save their lost friend.
and that hope shattered, just like that, the moments after they'd already made the impossible. they saved so many souls - and then could not get back just that one.
for essek "my intentions were never good they were important" thelyss it just. shouldn't have mattered. they won. it could have been worse. people die and when they die they rarely come back. they should've been happy everyone else barely made it alive.
but for some reason, mighty nein being so defeated after they saved the world exposed him to that overwhelming feeling of injustice and unfairness. and i mean, there were many things essek considered to be unfair, but when i watched his first appearance and his interactions with mighty nein later on til their reunion in aeor arc, i wouldn't dare to guess that one of the things on that list would be something that personal. and personal not even to him.
the thing is, essek didn't even know who that guy was. why mighty nein cared about him so much. he had an idea, i guess, that he was their friend once, or someone in that body was. it was also a person who wanted to unleash a terrifying horrific aberration onto the material plane. it was a person very dedicated to killing essek and his friends - and they still didn't take any pleasure in fighting him. essek didn't feel strongly about lucien or molly, because he never knew them.
i don't think he mourned his death and failed resurrection. he mourned mighty nein's hope, the one they put in him when they had no reason to, the one they offered yasha in the cathedral and the one they kept after the spell for veth failed and the one they carried til the very end because they wanted it to reach molly. they had saved people with this hope. they had saved nations. they had saved the world. but they ended up feeling like it hadn't even been worth anything.
how desperate would it feel, witnessing people who for some reason always saw good in you when they absolutely shouldn't, who made literal miracles out of nothing, who ended wars and fought gods and tricked the hags and freed cities from horrors beyond anyone's comprehension purely because they thought it was the right thing to do and also loved their friends this much, silently crying over a dead body they couldn't bring back to life? how desperate would it feel to realise that with all your knowledge about time you dedicated your life to and threw away any principles for, you can't undo this? no one can. some things are left to fate alone and this time it wasn't kind to them. no matter how much good they did, they still got slapped in the face.
and it was, i think, such a genuine moment of empathy. like, essek is the character who prefers to put up a facade and act distant and self-composed but this time he just. walked away unable to watch this. the could only say to fjord that it wasn't fair. even when he was caught off guard in nicodranas he was able to explain himself and his motives to an extent even though he was a nervous wreck whose extra important plan went to hell the second the only people he cared about appeared. this time he had nothing to elaborate on. it just wasn't fair. it wasn't fair his friends didn't get what they wanted the most. it wasn't fair he couldn't do anything to make it right.
it is such a sad and beautiful and even cathartic scene because it is about person who started a war that destroyed so many lives - and then met this ragtag group of weirdos who saw a lonely stand-offish guy and said "hey, let's be friends!" and didn't even wait for him to answer. he saw them being serious and calculated and he saw them being ridiculous and extremely stupid, he saw their mistrust to outsiders and their loyalty to each other, he made spells with them and paid a visit to their hot tub, he ate their stale pastries and drank their hot chocolate mixed with whiskey, he was welcomed amongst them and in their wonderful home, both in xhorhas before they even found out what he had done and in the tower when they already knew - and then, he saw them mourning their loss, defeated and helpless, and he, a person who believed there were things more important than whole nations, let alone just one life, couldn't help but share the pain they felt. a pure display of compassion from someone who detached himself from it, who didn't believe he could grow into a better person capable of it again, but became one nonetheless without even realising it
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The whole discourse regarding Sol’s choice has me in shambles every time because she truly thought this was the best course of action; for her, at the end of the day, she was meant to lose Sunjae regardless. He would either die loving her or live without ever meeting her, there was no in between where they could be happy together, this was her inevitable fate. She decided to have at least one of them live without guilt, with an actual chance of being happy and she decided to give Sunjae that chance 😭
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y'know what now that we've canonically established that Fourteen is more emotionally open than Ten ever was can we PLEASE get him talking about the Master, and getting more than just "we were friends at first" like PLEASE.
we now have a Doctor who has experienced two (technically three, silver beard!Simm my beloved) other regenerations of the Master: Twelve with Missy (so sad Missy never actually met Eleven on screen because oh god the CHAOS would've been PERFECT), and Thirteen with SpyMaster. Two very very different versions of the Master with very very different motivations and impacts on the Doctor and I want him to talk about it goddamnit!
I would love to have the Master return in the specials, I really would, but barring that possibility, I just want to see Fourteen actually talk about who the Master is to him.
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An aromantic autistic reading of Joker Out's "Bluza"/"the Blouse"
I have a few words about Bluza. The Blouse.
When I first heard the title, I felt a connection to this song yet in a very tongue-in-cheek way. Because I read the working title was a nod to the white holed sweater blouse (the slut shirt) Bojan forgot at Jere’s place last autumn. But then thanks to JokerOutSubs I realized that this song really speaks to me in another way.
Disclaimer: I am speaking about this from an autistic aroace point of view and as a person who has masked most their lives and doesn’t drink. I hope to explain why this matters in the post below.
The lines that especially spoke to me are these:
Ja ko pijana budala
Ali čaše nisam popio
Jamislim da sam se zaljubio u tebe
I’m acting like a drunk idiot
But I haven’t had a single glass
I think I’ve fallen in love with you
As a person who has spend most my life being critical about what to say, do, and how I show of myself to people I see the drunkenness described here not as literal but as a form of unmasking. When you find that one person you feel so comfortable around that you know that they won’t leave you or care if you stop being presentable in the eyes of society.
The result is that you may seem drunk and out of character when you are close to them. Drunk as in unlike yourself but also much more yourself. You dare to be authentic and to be silly and vulnerable because this person next to you gets you. No alcohol you could consume would fill you with as much giddiness as being with this person does. There is something about this one person that just speaks to you and let you know that you are safe.
While not having been drunk myself this is what I expect is the feeling most drunk people are searching for: the experience of not caring about what other people might think about them anymore. They just exist outside time and space in a bubble of bliss.
The person in the song is that for Bojan. His bubble of bliss – his safe space.
I’ve been lucky enough to have people like that too for small periods of time. And just like the next line I have felt very strongly connected to the person in those moments thinking “is this was love feels like?”. And here I don’t necessarily mean romantic attraction/love. I mean love as in a deeper, more profound level. The love that is outside of bodily desire. It is two spirits – two beings finding a home in the other person. A home where you can be giddy and drunk without having touch a single drink.
It is no secret that I love the idea of queer platonic love. When I read this, I read it as queer platonic. I read it as beautifully strange, brotherly, romantic, and platonic all at once.
The chorus kind of develops this feeling and adds and aromantic layer to it:
Baš ja
Koji nisam verovao
Da za nekim biću lud
Yes, me who didn’t believe
I would be crazy about someone
I read this as a very much an aspec experience.
You may have gone most of your life feeling othered for not experiencing those feelings of romantic attraction the world around you constantly tell you that you should.
Then this person comes along. This person that is your haven, that you can fool around with and open up around. There’s something that seems different, seems honest and so it brings you that feeling of bliss I mentioned earlier. That feeling the world around you have tried to tell you exists for years, yet you never believed would happen to you.
You may have believed yourself to be broken or maybe the world around you too much for seemingly being crazy about love. But now in this moment of bliss, drunk without having drunk, you get it. You want to be with this person, do all the silly things the media tells you are romantic. Not because you are forced to but because it would mean spending more time with your person. And every little second you can spend with your person feels like a blessing.
That is my take on the song at least. Thank you for reading.
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