03-21-2023 jaeyoon fancafe post
"To Fantasy"
"Hi Fantasy~!!! It's Jaeyoon~!!! Fantasy should be reading this letter by now right? I've been wanting to write you a handwritten letter like some day. As I am writing this letter, I'll be enlisting tomorrow & I could feel that the time really flies so fast!! Eversince corona started, I played around with Fantasy through a series, took the role as Matt through Patt & Matt, started doing musicals, took up the challenge in theatre plays, met Fantasy again through concert, went abroad & lots of things happened as well. As the hyungs spots were empty for awhile I dont think there was a time during that 1 year that I felt so much responsibilities to uphold, it was quite pressuring & I was nervous too. The same goes to the members where we thought a lot about how to make Fantasy feel less empty as it was our first time to go through this too. But I felt relieved seeing Fantasy were spending great time having beautiful memories with our members. Thank you so much for giving me endless love & unreserved support! I'll be leaving the spot empty for awhile but our members will protect you by your side through that period of 1 year 6 months! Although my handwriting is quite bad but please read it with an open heartㅎㅎㅎ Later when the time come for me to return back to Fantasy again, I'll be back as a more matured & strong-willed person! In the meantime, I hope our Fantasy will take a good care of your health, eat well, sleep well & do your best in your daily lives too! I'll make sure to come whenever I have the opportunity to tell you any news! Fantasy, I hope what I feel can be conveyed even for a little & become a strength for you. Our moment of rest for awhile is for the eternity to come in the future so dont be too sad! Lastly, thank you so much for showering the lacking me with lots of love & I am so happy. I love you even more Fantasy. I LOVE U❤️”
translation credit
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the last unicorn post from earlier has me thinking about the master. that yana is still in there, you know? is still someone he was, if even for a brief flash across the life of a time lord. there’s no way to unlive that life. there are ways to twist it later, sure, to make utopia into hell on earth. but the life was lived. in much the same way that the doctor can remember, can feel, the love he held onto as john smith even as that life is ripped out of his hands. the doctor choose denial and then grief and then to shutter it all away. and so john smith died, and so professor yana died, and the doctor and the master live on. the doctor has done this before, and he lives in orbit around humanity, trying to keep the best parts of them and hold them deep enough to take root (which he can pretend he gets to choose, as a time lord. as a human, it all floods in and can’t be dug back out.) but what about the master, right?
to borrow a turn of phrase: i think there are two time lords left in the universe, and they both learned how to regret.
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started watching the new live action avatar
it’s. It’s pretty ok I guess? But there’s a lot of things I’m not altogether happy about. It feels very. Generic. Which is kind of sad.
I’m only two episodes in though, so I won’t be too harsh. But there are a few things that I really don’t like, and number one was Aang going into the Avatar State in front of Sokka and Katara for the first time when seeing Monk Gyatso instead of when escaping Zuko, and that moment being isolated instead of the moment everyone in the world knew the Avatar had returned
in the original series, Aang goes into the Avatar State when confronted by irrefutable proof in the form of the skeleton of his best friend and mentor - the airbenders really were massacred and he can no longer deny it.
every statue of the Avatar around the globe lights up in a single moment. the legendary figure’s destined return is announced to the world by an overwhelming outpouring of grief and rage from a young child who just discovered that everyone he ever knew and loved is gone. it’s poignant. the Avatar’s return in that moment is not a triumph. that terrifying show of strength and power, enough to light up the world in its glow, is pure emotional anguish from a small twelve year old, who just saw the dead body of his mentor and now believes he is all alone
and Katara and Sokka having seen the Avatar State before means that there is less of the shock and “what is happening” in this pivotal scene (which was the main focus in the live action). of course Sokka is still concerned about them potentially getting flung off the mountain. but both of them know this reaction for what it is - mysterious power, sure, but primarily, they see and recognize his grief.
I just. what happened to “we’re your family now” and “neither of us are gonna let anything happen to you”??? :(
on a side note, I do feel like Katara and Sokka themselves have been heavily (heh) watered down. it’s a shame. Sokka’s my favourite, and I just think that I. Don’t trust writers with Katara now. (Why is her waterbending a secret? The whole reason she didn’t learn was because there was no one to teach her and she couldn’t leave… also where is her instant connection with Aang… where is their silliness… where did it go…)
however! I did like a couple things that were done and I want to be a bit positive so here
love Zuko and Suki’s actors. they did a great job
Sokka and Suki’s training together was cute ☺️ (though I wish he had worn the uniform of the Kyoshi Warriors…)
Aang himself is adorable :) (wish he got to be a little more silly but Netflix adaptations always are more serious for some reason)
I actually kind of enjoyed getting to see some of the scenes from the war’s outbreak. I prefer the way the original show portrays it, with a lot of info being learned reverse chronologically, but it was cool to see Sozin, and some of the airbenders, and a little more of Gyatso (who I also really enjoyed :’) )
Katara bending water at Aang and it reducing to them splashing each other without even trying to bend. Rare sillies!
I thought Kyoshi herself coming to defend her island was pretty sweet!!!
Katara getting flashbacks to her mother’s death on seeing firebending. Well I don’t like this, obviously, but it clearly shows how her mother’s death haunts her, and if they have Katara face off against Zuko again at the North Pole, it’ll be all the more triumphant.
Suki’s mom!!! Damn she was so cool!!!!!!
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Hey! Found this post on reddit. It never happened to me, but maybe you know something?
I don’t think I got it when I played the game, either; it seems pretty rare. If I remember correctly what the people who heard this call said, it can apparently be triggered if you ignore John for too long and go do side missions instead of coming to Fall’s End for your Atonement. It’s weird this person got it after killing him, though...
If you’ve never heard this call, it’s the last one in this compilation (at 3:49)!
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ALAIA ALCÁNTARA (tlou) // VIOLANTE VALTERI (dbd)
UNA ULLER (hotd) // IOVANNA DAYNE
TAGGED BY @jendoe and @aceghosts to make a few dears in this picrew! ty ty so much! <3
TAGGING: @feystepped, @griffin-wood, @risingsh0t, @kingsroad, @chuckhansen, @denerims, @queennymeria, @marivenah, @phillipsgraves, @corvosattano, @unholymilf, @jackiesarch, @florbelles, @morvaris, @nightbloodraelle, @arklay, @malefiicarum, @shellibisshe, @leviiackrman, @shellibisshe, @aartyom, @weisshaupts, @rosebarsoap, @girlbosselrond, @jacobseed, @loriane-elmuerto, @leondaltons, @themysteriouslou and you!
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I liked trust the process of where the story is going before they martyred my guy point fucking blank man. Like I will still trust the narrative, I guess. I fucking suppose, but I won’t be happy about it if he’s not at minimum a ghost or something like the other deaths (minus Ivan but that was his actor not getting brought back for s2 for I don’t know if we even know why) have been like one off characters who were jokes or racist imperialist assholes, and Izzy’s not one of those, like he’s not the mentor he’s not been the mentor for decades, he’s the ex, at fucking best he’s the unrequited lover. He had the nice arc too if he didn’t have that I’d go okay yeah I get it he’s mildly gay coded and miserable he can have a pointless death or whatever and get old fucking yeller-ed. But this is a romantic fucking comedy, no one dies except when it’s a joke and I don’t think anyone thought that was a good one.
I am currently back burnering two wips to run a jokey he’s fine fic, so watch for that one I’m healing my own soul with it it’s hilarious, I am also gonna work on the wip I was sitting on till the season ended and rework my mildly connected sequel. Fucks sake, happened fucking twice now first I go aw man he got rid of his leathers, now it’s yay the leathers are intact I can use them for kink purposes he’s not chucked them again, but they did chuck Izzy and I was gonna (am gonna. He’s probably fine. Probably. He’s got buttons to save his ass. Probably.) steddy hands the s3 speculation of horny and emotional awareness
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for the first time ever. in my dirtbrain ideas Guy capacity. I’m thinking about sasamiya. like this is a very stream of consciousness thing but like on paper miyano is the character I have the LEAST to say about WHICH ISN’T A DISS OBVIOUSLY. love that fudanshi. but also his immense gender is SO INTERESTING. (and a little why I have like. so many opinions about depictions of him. different conversation)
HES SO BOY. MIYANO YOSHIKAZU IS SO BOY AND HE LIKES BEING A BOY like down to his hands becoming more masculine in shape he paid so much attention to that and LIKED IT. SOOOO MUUUUCH and the slowburn development of the ssmy romance is one hundred percent because of miyano taking his time to. Okay yes consider sasaki’s feelings for him BUT WITHIN THAT figure out how he feels about being a boy in this romantic situation context with another boy It’s all about miyano deconstructing the foundations of his ideas of queer relationships as a boy who liked and LIKES bl stories Without the like. self aware queer lenses on because miyano LIKES BEING A BOY SOOOO MUCH. and he’d HATE it if outdated bl logic was applied to make him like. the “girl” in the relationship. he’d hate it. and it’s not like he wanted SASAKI to be the “girl” in the relationship because like. miyano doesn’t want a girl in this relationship. not that he doesn’t want girls period obviously etc etc I don’t feel I actually need to defend my point here but miyano is a boy with so much PRIDE in his being a boy. who doesn’t want to be seen as feminine because he’s a BOY and like there’s complicated juvenile nuances here I’m cutting for length (especially since this is all off the top of my head) and so it’s not like he’s going into thinking about sasaki in the Ew, we’re both BOYS… way because he’s going into it with this biiig fourth wall separation between the existence of BLisms and his like. Life. that he lives. like he’s going into it very clearly aware of the things sasaki was doing (flirting, mostly) (blatantly) but he was contextualizing it like Hey we’re both boys you know people are gonna get the wrong idea right. and I don’t know if it’s necessarily an internalized homophobia as it is just. having this big neon sign sitting in his brain that has been there for so FOREVER that he doesn’t like. look at or think about. so he’s not so much thinking about whether he’s LIKING the flirting and attention in that capacity as he is thinking about how it looks to other people. because miyano is so used to having the reader third person perspective he’s not all that plugged into what it’s like to actually BE IN IT the way he very evidently is.
like I feel like maybe my point is getting lost in translation but it’s just so IMPORTANT to me how miyano’s capital g Gender interacts with his fiction-programmed brain to recalibrate when the way he lives his life shifts to accommodate sasaki shuumei. AND HE IS THE CHARACTER I HAVE THE LEAST TO SAY ABOUT. still trying to articulate sasaki feelings in context with third year friendshipisms and different facets of one’s personality and the joy of Boys Life but. like. I don’t know tfw you’re ssmypilled. etc
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