#we believe it because it's impossible.

[scarletfasinera]

Literally. Be vigilant I love you. Something beautiful is going to happen. True love is possible only in the next world—for new people. Tomorrow is just a whisper away. We refuse to accept that the world has to remain like this. It's the world and you're made of it, you can't be unmade now. This is somewhere to be, this is all you have but it's still something. Things can't go on like this forever; something will give, it always does. Comrades, the forsaken, the wretched, who tried to rise against the horrors of the world. She would die to return to it. One day I will return to your side. They're beautiful and true—and they will win. The future can be better than the past, if we're willing to work and fight and die for it. In dark times, should the stars also go out? I exist. I exist too.

[ednacrabapple]

Here’s the mean lesbian Laszlo you asked for @trans-dwightschrute

[front-facing-pokemon]

[uncanny-tranny]

I decided to go through my old warm-up notebooks from my honours english class and in one of the warm-up prompts, I said I wanted my superpower to be "controlling the effects of [my] puberty," and I'm glad to say that I've gotten that superpower. It took a very long time, but that's a superpower I can check off my list

[friendrat]

The problem with the church today is that so many "Christians" do not actually believe in redemption.

[ratwithhands]

I'm curious. I've seen your art and something that's come to my mind is what actually got you attached with the Subway brothers. Your narrative on their different AU forms is so unique which is what brought me to that question

Alright, rat history time.

So basically back in 2021-2022, I was working on an old OC storyline (about 3 years old by then) and I was in grade 9 so I was like “A new Pokémon game? Pfft, like I care” and just didn’t watch any of the stuff related to PLA when it dropped. I still got recommended Twitter posts about it on Instagram and I ended up seeing this one.

I tried looking up Ingo cause I was like "oh, funky design, looks like a captain or something" but I didn't end up finding anything so I didn't press further. Anyways in March break of 2022, I got bored and decided to put some game streams on in the background while I drew. I saw Alpharad's PLA video and decided to watch it for a bit when I saw Ingo.

I was like "Hey you're the guy from Twitter!" and since I knew his name now, I looked him up and found his Bulbapedia article. I found him much more interesting than the rest of the PLA cast since he had history outside PLA, and I ended up reading up whatever I could find on him. I also by extension discovered Emmet this way, which only served to suck me deeper down the rabbit hole. By the end of March break I had a fan OC and 2 AUs made with more on the way, as well as a YouTube recommended page with nothing but theory videos on Ingo and decade old Submas content.

Around May I decided to decommission my OC storyline for personal reasons, and by this point Submas was starting to occupy more of my creative work anyways. Since I didn't have my storyline to put my energy into, I started funnelling literally any story ideas into Submas. This led to nonstop content for a shockingly long time, and ofc I'm still coming up with stuff now.

Long story short, I got attached to them by accident! It was a "right place, right time" sort of thing since they came in as I was starting to get sluggish with my original content and I ended up being more interested in writing for them.

As for narratives, I am effectively playing dolls with these guys. Usually the kind of stuff that I write for them is meant for OCs, but I dumped the 60+ person cast so I put that energy into them instead.

Most AUs will either have a core theme, an out of pocket idea, or both to make things interesting. Usually I just come up with a dumbass idea like "what if we brought ReBURST back for a rerun" or "what if Emmet signed a contract with an eldritch space spider" or "what if Submas could see into the future" and stuff like that, then it picks up themes as I keep writing. For some silly examples:

Burst is based on Pokémon ReBURST and the idea of human-Pokémon fusion, but there's focus on skill, how characters misperceive it, and resentment as a result. There's also a spotlight on inferiority complexes, bottled up guilt, and blind confidence depending on which main character you look at

Journal is about a diary that helps Ingo to regain his memories, and it focuses on remembrance and regret as a result of him reading it. Spotlight on lacking awareness vs hyper awareness and the monotony of living as people around you leave

Oracle is exactly what it sounds like, with the twins being able to see into the future. It focuses on cooperation and the importance of working together, but also learning how to work alone. The spotlight's on jealousy and gratitude for this one, though the latter greatly outweighs the former in this case

I also just have AUs I made to try deranged shit for funsies, like Sapioflora, Cybernetic/Z-Λ, Team Supernova, and Idol. Those are mostly for exploring goofy ideas that may or may not go anywhere.

Right anyways basically I just saw Submas after watching PLA gameplay and found the twins more interesting to write about than the project I'd exhausted by then. The narratives are like that because the AU ideas I make are actually OC concepts that I modify to fit Pokémon specifically for these two or ideas about the two that I'd like to explore. Hope that answers the question ^^*

[sunnenfinster]

day 2938 of praying for a p'jojo show with firstkhaojimmysea

bonus points if they are all (working) adults and there will be a kid as well (my ultimate dream is them becoming some kind of found family and taking care of the kid together)

[quietwingsinthesky]

you ever just think about. “You are diseased, albeit a disease of our own making. No more.” you ever just. oh, they made him and they discarded him. it’s never going to be quiet again for him, and that’s just collateral. they let the sound rot through his whole life, his whole timeline. because that’s the kind of easy sacrifice you can make when you want to save yourself above everything else, one that doesn’t ask anything of you. you dig open a child’s mind and you bury your survival inside him and when he follows the noise back home, when he does exactly what you groomed him for, you call him ruined for it. that’s. you ever just think about that.

[arctic-bookclub]

i have a wild thought that i’m just throwing here so that y’all can do whatever you want with it

y’know how current blue team has two members working for the eye? forever, infected with the virus, and elquackity?and how they both were in the same team at the start?

what if the team they are in isn’t the cursed one but whoever the other team competing against them is? because if the team they are in wins and ”saves” the eggs, they can kill them at the eye’s command? what if red is the cursed team solely because red losing ensures the team with the traitors having the lives of the eggs in their hands?

[torgawl]

everytime i think about the new chapter the more and more i like it, it really consolidated yuuta and gojo's characters. the revelation of how the higher-ups were taken down and the set-up for the scene with gojo and yuuta's conversation about what their plan was for gojo's body, in case he lost, might just be the part i find most interesting. all in all, the chapter really highlights the underlying difference between the violence of oppression and the violence of resistence and revolution.

when it comes to yuuta and the archetype of his character he is the pure embodiment of love in the series. if yuuji is able to reach sukuna because he was one with him (love as oneness), yuuta's entire exitence has sorrounded love and, specifically, love as a curse. sukuna's surprise at yuuta's antics come from a place of not understanding love and therefore being unable to conceptualise that yuuta would go so far as betray his own humanity for it. he can't conceive how love can drive a person like yuuta, who's sweet and kind-hearted, to a place as cursed as this - emphasised by the sheer horror and heinosity that is seeing the usage of gojo's dead body with yuuta's innocent expression. but we know that yuuta's journey has always been marked by this concept of love as a curse, starting all the way back in jjk 0 where yuuta's unwillingness to let go of a deceased rika caused her to linger in the world in the form of a cursed spirit. one that yuuta learns to let go of by the end of the story. a lot of what he learns in that moment is about consent and mutuality in love (hence his domain expansion name), and although rika's soul passes and gets freed she is able to manifest her will into her vessel that continues to protect yuuta until this day. yuuta asking gojo for consent to use his body not only consolidates this mutual exchange and respect that he has for those he cares for - which are his main driving force - but is also exactly what separates him from someone like kenjaku, who body hops with total disregard for who they were originally. so there's that layer of irony behind yuuta having rika consume kenjaku to copy his technique and make use of it in a equally disturbing but more compassionate way. which in itself can serve to both question if intent plays a role in absolution and introduce, once again, the idea that humans and curses are not so different, as explored between mahito and yuuji in shibuya with them mirroring each other.

in regards to gojo i think his aknowledgement of his own inertia when it came to the revolution that he was leading was the cherry on top to consolidate who gojo really was as a person. gojo's greatest character flaw was arguably that he simply wasn't radical enough, allowing his students to be targets under the influence of the higher-ups. he had reasons not to kill them, as he explained before in the series, but he still failed to weight the consequences of his own actions and how no one is rewarded by working under a broken system. and i feel like having the youth he guided watching as he killed them is also quite significant as they're followers of this new revolutionary ideology.

i think the shock or impact these violent or twisted acts by the hands of those forced to survive within the status quo (like maki slaughtering her clan, gojo killing the higher-ups, yuuta taking over gojo's body) as a reaction to the violence they're subjeted to by this same system serves some purpose. and i think this is the reason the higher-ups are these anonymous faceless figures, barely-there personalities who have such a big influence in the lives of so many people. even in the real world, and we can think of systems like capitalism and how it exploits people in such a casual way and it relies on that exploration to survive, we sort of take for granted that violence coming from those institutions, having our attention driven away from the minority that's upholding these systems to other things instead. that violence is more "acceptable" because we've been conditioned to it whereas the violence in response to those acts is always met with more scrutiny. and that kind of contextualises why shoko and nanami, for example, much like gojo, aren't really revolutionary with their ideals either - or rather, do not get that priviledge. the difference being gojo was someone these higher-ups were actively afraid of, because if he wanted to, he could have done more. and that's exactly why the instant he was sealed it was the perfect opportunity for them to do whatever they could to prevent him from coming back and place new-drawn targets on the backs of the people gojo was protecting. the gruesome nature of maki slaughtering her clan or the off-putting way people react to yuuta discarding his own humanity and going against what he believes is right to make sure gojo's legacy continues is almost forcing this question of what are people willing to stomach in the name of survival and change.

gojo remembering geto in that crucial moment ("i was falling behind" or "i have to catch up") and just having in mind how they were both so young and naive is so incredibly bittersweet. geto had radical ideals, no matter how misguided. he looked at the world and he had this unshakeable conviction that things couldn't continue to be the way they were. he reached incredibly misplaced conclusions, yes, which came from a place of great pain and alienation, but gojo finally stepping forward to follow that same path, to be more radical, also sort of confirms that things could have been so different if only gojo had the same level of consciousness back then; that they could have found a way better solution together instead of the tragedy that ensued. the parallels between them add an extra layer of wistfulness to their bond, too. their fates have and always will be so intertwined, in such a beautiful and tragic way. and i think geto's unwillingness to force gojo to take a certain path will always be one of the biggest proofs of his love towards him. at the end of the day, even knowing gojo was who he was, geto always seemed to want to protect gojo's path from being stained like his.

at the core, jjk really is a story about revolution and humanity; a story about love and curses and how love is the most twisted curse of all (which has been reinforced over and over again). the fact some are rewarded and some are punished for taking certain paths under the same system is there to convey a very specific message. i really love the incorporation of eastern philosophies within the story and the role horror plays, too. the usage of the genre to deepen the impact of these themes and the way things are introduced with the intention to provoke almost visceral reactions in the readers (much like yuuta's own reaction) also makes the message much more impactful. i think this chapter was great!!!

[bellehalla]

do u guys think Kaeya says fuck? i am genuinely curious

[j-esbian]

the people i work with are going to drive me fucking insane

[queenofzan]

i was reading a scum villain fic earlier this week where liu qingge had somehow not realized he was in love with shen qingqiu, and neither had luo binghe, and at first i was like, how the fuck is the most jealous man in the world not going to notice when his shishu has a crush on his husband, and then i thought

oh no, what if lbh has the same brainrot that sqq has? he thinks that’s how everyone is around sqq. he thinks everyone should treat sqq like a spoiled prince because he’s just so wonderful and that’s what he deserves. people giggle and get flustered when shizun speaks to them, which is how it should be! duh!

[sasakisniko]

Romantic love and friendship love are not mutually exclusive and feeling one does not inherently cheapen or negate the other. There's a reason friends-to-lovers is such a popular ship type.

[ndostairlyrium]

🌌 and🕷 for each! 💗

Eep ** thanks dear!

I already replied to 🌌 here

🕷️ SPIDER - what is their biggest fear? do they have any irrational / mundane fears?

This is a particularly cool one because I always mention some things here and there but I never elaborated on that, thank you so much for picking it!! <3

Elanor

Her biggest fear is losing. A close second to that is the acknowledegment of the limited amount of time she has left before encountering every warden's fate. She doesn't want to consider failure, but seeing that her research is dragging what's left of her existence is eating her alive. Morrigan bought her and Alistair more time but she needs a definitive solution, one that saves him and her beloved comrades.

Hawke

He's afraid to losing himself by being blindly loyal to his family and friends. He always gives, and gives, and gives... sometimes he just looks at himself in the mirror and sees emptiness. He asks himself: "Who am I? Is it worth it if I end up losing everything anyway?" Back to more mundane fears, he's terrified of wounds. He doesn't find them gross or unbearable, it's more like projecting the pain onto himself. His heart starts racing and he immediately wants to leave the room.

Ankh

Quoting her character sheet: "She's terrified of spiders and the inevitable death of her culture if the Elders and Keepers mantain a seclusive attitude even towards their kind". She knows things are improving for her people, but at the slowest pace. She keeps hoping and doing, thankful that she's in a position that allows her to help her people out whenever they need it. It's a double edged knife (because when they fuck up it all falls on her shoulders), but it's better than nothing. A close second is the Blight. She saw its impact in the fereldan countryside and that scared the living hell out of her. Also, yeah, spiders. Loathes them, squeals / freezes whenever she finds one that walks onto her jacket. The small ones are the worst, in her opinion.

-

Emoji Ask Meme

[areacode516]

thinking about deh again… like i think one of the things that makes deh age weirdly is that the latter portion of it is incredibly uncomfortable to sit through. and it doesn’t quite give you the full catharsis you expect (i.e full closure with all characters). so it gives you an exceptionally like. emotionally tense feeling. it’s so heavy. when i finished watching it the first time it took me like all night to process it and finally relax and sleep. i liked the discomfort a lot though, it’s rare that a story makes you sit through it and sit with it and doesn’t feed you the perfect happy ending.

the entire Moment of evan revealing everything to the murphys is like. not quite second hand embarrassment, it’s like. second hand “totally fucked” (spring awakening style) and second hand “i want to kms” (how can you not empathize with/have compassion for evan during words fail) and second hand pure desperation of wanting to be anyone else but yourself but also wishing you could want to be yourself.

but in the end the murphys DON’T totally fuck evan à la melchior gabor…like….because they got attached to him and still feel that attachment, because he helped them get closure, because they realize he was very troubled and the truth coming out could make him go out the same way as connor and they wouldn’t be able to stand the guilt and knowing they could have prevented it…again…that is SO compelling. it’s not even about redemption or forgiveness. his lies helped them, and if you’re really extraordinarily cynical, the lie (platitude) that you will be found (the original lie that evan was found by connor), that there’s always going to be someone who’ll come running also helps people…and it’s not really a lie if the musical itself found people, right….the layers of #ywbf in universe and out of it are insane and I honestly think a lot of them are unintentional considering. but i would argue those layers were originally intentional (since the original idea pasek/paul/levenson came up with was a cynical satire on parasocial grief) but layers later pushed away in favor of fully celebrating joyfully and optimistically their song and story and theme and audience at the time, removing the nuance, leading to the direction of the movie.

could deh the musical have said what it wanted to say with more sensitivity and grace? sure. but what it *does* say is worth accepting its messy conclusions for, because expecting things to be neat and tidy and perfectly moral is just another lie we force ourselves to present to the world that prevents us from ever finding each other.