#we just assume he was until the shift in ep 6

[dlsintegration]

okay so I haven't seen anyone actually talk about this and it's kind of driving me insane . in the ep 4 claudia bday scene louis Clearly has some blood on his lips, you don't clearly see it but its there

Now he might have feasted on some festive birthday rat or whatever but . the number of bodies on the couch also matches; im pretty sure we have yet another instance of Louis not being as infaillible in his self-imposed moral code than what he wants us to believe.

Louis told us that he stopped drinking human blood in ep 3 and started drinking it again in ep 6 (from 17 to 37 so roughly 20 years?), coincidently at a moment where Daniel's awareness and senses were dulled out by the medicine, but thats a whole other post tbh, the point is that Louis glossed over that crucial change in a few seconds and Daniel didnt pick up on it.

And as many people have already pointed out in much better ways, his eating habits directly seem to correlate to his mental state and his persistent guilt, so it would make sense he was more enclined to indulge in that small time frame where things were good and he felt somewhat alleviated of that guilt, but either way I think it's interesting that his resolve wasn't as clear-cut as he made it out to be, explicitely or not, and that - once again - we know it per Claudia's narration.

Maybe it was just an exception, maybe Louis only allowed himself the excess on special occasions like here with Claudia's birthday, maybe he only caved that one time and it never happened again but the point is that he Did. And telling so would once again go against the careful tapestry of unwavering restraint and control that he has been trying to weave this whole season.

[ladykatibeth]

I think some of the surprise there is for Izzy’s season 2 behavior is that a lot of the the fandom (even some Izzy fans) decided to base Izzy’s characterization entirely off of episode 9 and 10 (where he was honestly also probably having a bit a of a breakdown) when he’s at his most lowest and ignoring anything before that.

So while everyone’s here, (welcome new friends!) I’ll address something’s people have been surprised by, or have said is a new development.

1. “Talking it through”….Izzy is a very open character—Wait, here me out.

He is unintentionally very expressive. If you look at his expression it flits through emotions. He’s a pretty bad liar. His feelings are very on display, and he has a lot of them.

In terms of talking, he literally chases Ed around the ship trying to start a conversation about the plan. He explains exactly why he’s upset in episode 4. He’s also mean about it because he’s angry and he’s mean when he’s angry.

(Well I’d argue he’s anxious and he’s angry when he’s anxious and he’s mean when he’s angry)

This is one phrase we never see him disagree with in the first season, but I would argue he doesn’t fully endorse it.

Specifically “as a crew.” He doesn’t like showing vulnerability….in front of people. Intimate conversations are usually private. He’s the least posturing when he’s doing 1 on 1 conversations, for an infrequently used example, look at him ranting to Spanish Jackie like a friend on the phone before the navy people come in—and then he shifts. He will talk to people about feelings—in private.

2.Speaking of episode 4—Izzy’s care for the crew.

Izzy didn’t see the Revenge Crew as his crew up until his being named captain (neither did Ed, the co-captain conversation doesn’t occur until after Izzy’s been banished). He does express care for the QA crew having been lost in his resignation rant.

They are “the crew of the Revenge.” He’s not perfect though, he does risk Ivan and Fang in the navy deal, but given the fact he’s never done this before I assume most of this previous crew behavior is more in line with the first example than the second. He’s not nice, but he at least cares about about them staying alive.

3. Izzy apologizing/taking accountability.

I think the main thing here is people taking Izzy at his most pissed 100% at his word.

In episode 4 we see Izzy do his resignation rant—and he regrets it by the end. He takes back what he said and apologizes for it. Just because Izzy says something when pissed doesn’t mean those are his day to day feelings.

In episode 6 Izzy says Ed will rue this day—and then makes sure specifically to get him out of the way so he isn’t harmed. He expresses concern over Stede doing something to Ed’s brain, not anger at him.

Izzy isn’t incapable of reflection, his pattern is he gets angry says something, reflects when calmer and then either regrets or changes his mind.

So he’s like weeks of (relatively) calmer time to reflect and realize he played a part, Izzy is incredibly impulsive when mad but our impulses aren’t always our regular logical feelings.

(Also why I don’t like when people completely take his Ep 10 rant as his whole entire world view, he’s pissed and scared and saying hurtful things on purpose, that’s not the summation of him.)

[notfreetoday]

MPW Language Analysis Part 2

Segasaki x Yoh: Shifts in Emotion and Acknowledging Roles

Masterlist || Language Analysis Part 1 || The Importance of Amae ||

In Japanese, one cannot utter a sentence without communicating at least two things: (1) the actual content of the message itself, the referential meaning; and (2) a metamessage about the relationship between the speaker and the listener, an indexical meaning. A striking feature about Japanese is that it is the latter message that most often assumes greater importance.

From: Creating an Ideal Self: Theories of Selfhood and Pedagogy at a Japanese Ethics Retreat by Dorinne K. Kondo

Every sentence that Segasaki and Yoh say to each other carries 2 meanings - the one we read in the subtitles, and too often, the one that never travels across the screen. The "miscommunication" that many perceive to be happening isn't always just about "using actions vs words" (though there is much to be said about that too) - the words are being used, but it's hard to hear them when said words are in Japanese and packed with information English is simply not designed to carry.

So, with 6 episodes of corrections made and nuances explained, it's finally time to get back to actually talking about how all of this adds to our understanding of the characters and of their relationship. In these 6 episodes, both Segasaki and Yoh have run the entire gamut of speech levels - but where Segasaki shifts consistently and with purpose, Yoh tends to shift as a reflexive, or reactionary response.

Or, what Segasaki choosing to shift up a speech level means to Yoh, and what Yoh's inconsistent shifts tells Segasaki (and us), about his emotional state. I'm kinda sorta not really sorry about this but ah, it's maybe possibly probably even longer than usual??

Quick Recap of Part 1:

We established two key aspects of their relationship:

1) They both acknowledge the power differential between them - Segasaki, by using "rougher" speech patterns, and Yoh, by tending to stick to the more polite end of the scale. 2) They both consider themselves to be from the same "in-group" - Both of them default to informal speech patterns when speaking to each other (even Yoh, despite being the junior/lower on the social hierarchy)

And now on to Part 2!

Changes in Emotion: Yoh

Yoh tends to experience his emotions rather intensely, and through his monologues we understand that he isn't always able to process these emotions immediately. As such, the shifts in his speech levels tend to happen subconsciously - there isn't an immediately obvious, predictable pattern to those shifts, because they are simply a reflection of how he's feeling in the moment.

Y: あ、いや。なんでもない…です* Y: Ah, iya, nandemonai…desu* Y: Ah, no, it's….nothing* The shift to polite form, and the awkward manner in which he does it, reflects Yoh's growing insecurity (See EP 2 for other examples).

From the moment Segasaki starts returning home late, Yoh becomes more and more unsure of where he stands with Segasaki, and this growing emotional distance is conveyed through his speech patterns becoming (awkardly) more polite than in Ep 1. He speaks hesitantly and indirectly, until he gets drunk (and even then, his insecurity still shows in how he barely switches down to rough speech during their not-argument).

In Ep 3, we again see Yoh shifting up to polite forms often, except this time, the shifts show his gratitude as well as sincerity.

Because of how ridiculously expensive the pork bun is, Yoh expresses his thanks by saying the full ありがとうございます (arigatou gozaimasu) here as opposed to just "arigatou" or other more casual forms. In return, Segasaki acknowledges the formality Yoh pays him with a nod (and a mouthful of pork bun).

Y: すいません Y: suimasen Y: I'm sorry This is the more formal version of "I'm sorry" (textbook pronunciation is sumimasen, but textbooks are for nerds Yoh's version is very common as well and still polite)

In both these scenes, Yoh switches to suimasen as opposed to his usual, and more casual, ごめん / ごめんなさい (gomen/gomen nasai), that he also uses in this episode. As previously mentioned, "sorry" in Japanese can also be used to mean "thank you". Here Yoh is doing both - apologizing for Segasaki having to "go the extra mile" to take care of him (ie, he feels he has imposed upon Segasaki - a fear he has mentioned a few times), and at the same time also expressing his gratitude for being taken care of. However, it's the shift up to the polite version that conveys his sincerity, and carries the extra message that - despite his regret at imposing on Segasaki - Yoh still values these moments and feels touched by them.

Both times, you see Segasaki taking note of this, albeit slightly confused, and probably a little shy too (Segasaki is after all, very good at picking up on social cues - especially Yoh's - and spends the whole of Ep 3 doing just that).

Y: 漫画が　とてもだめです Y: manga ga totemo dame desu Y: (My) manga is... really bad.

Yoh spends most of Ep 5 safely ensconced in the informal speech level, switching up only twice - the above scene, and later when he attributes his recovery to Segasaki's care as a way of thanks. The switch in the bathroom is sudden, and adds a sense of certainty to his statement that reflects the intensity of the despair he feels (even though he comes across as more kicked puppy than anything). The formality is also a way to "distance" himself from the reality of it, because it does hurt to acknowledge this.

All of these instances show us that Yoh's shifts up in speech levels tend to reflect when he's feeling vulnerable in some way - when he's insecure, dejected or hurt, or when he feels that he has imposed upon Segasaki.

So then, does Yoh also shift down?

Well, yes and no.

Left (Ep 4): Y: ふざけんな [very rude] Y: Fuzakenna Y: The hell are you doing! Right (Ep 5): Y: バカにすんなよ！[slurred vowels] Y: baka ni sun na yo Y: Don't look down on me!

Even if we include (just barely) the non-argument of Ep 2, there honestly aren't many scenarios in which Yoh shifts down to a "rougher" speech pattern - and he never drops as low as Segasaki does. This has to do with both his acknowledgement of the power differential that exists between Segasaki and him, as well as his less assertive nature. In fact, even when speaking to Man-san, with whom he shares his thoughts more freely, Yoh remains casual, but not rough. (Man-san is waaaay rougher than Yoh, tbh). Hence, when Yoh does shift down, it tends to be explosive and short lived, just like his frustration or anger.

So why "yes and no"? Because being lower in the social hierarchy also introduces another, more interesting way to express yourself - by choosing not to switch up.

We see this in Ep 5, when Yoh tries to lie about going to Man-san's place. He sticks to his baseline informal speech when he announces this, whereas he previously used polite speech in Ep 4. Is it possible that Yoh was simply overcompensating and trying too hard to sound casual to hide his lie in Ep 5? Yes. But before coming to that conclusion, there is another important detail to note - that instances like this, where Yoh doesn't switch up, have gradually been increasing as the show progresses.

In Ep 5 and 6, Yoh uses the slightly less formal gomen nasai to apologize (contrast this with Ep 2's suimasen mentioned earlier). Given that Yoh himself mentions in Ep 5 that he thought Segasaki would be angry, and in Ep 6 clearly underscores his apology with a proper bow (yes, there are standards to how you should bow in Japan) - you would think that these 2 situations would be the perfect time to switch back up again. So why? Once again, the key to unlocking the metamessage is the wider context; i.e., we need to consider what Segasaki has been doing. please indulge my desire to sound cool and mysterious despite already announcing it in the title

Establishing Roles: Segasaki

In direct contrast to Yoh, Segasaki is very consistent with his speech shifts, and a clear pattern emerges. First off - when Segasaki is angry with Yoh, he drops straight down.

Left (Ep 2): S: てめぇ [very, very rude] S: temee S: You Right (Ep 5): S: 分かってねぇだろ　分かってねぇから　泊りで仕事とか言い出すんだろうが [slurred Rs, word contraction, slurred vowels] S: wakattenee daro wakattenee kara tomari de shigoto toka ii dasun darou ga S: You don't do you? You don't understand and that's why you can just say things like you'll stay out to work overnight.

Like, waaaaaaaay down. The argument in Ep 5 is the most obvious example of this, but using "temee" to address someone like he does in Ep 2 is very very rude and, together with the "haaah?!" Segasaki says before this line, also does a lot to convey that he is Not Happy.

S: 明日は仕事すんのか [word contraction] S: ashita wa shigoto sun no ka S: すんのかしないのか、どっちだよ [word contraction, informal, assertive end particle] S: sun no ka shinai no ka, docchi da yo S: Are you working tomorrow? S: Working or not, which is it?

The lines in this interaction from Ep 3 aren't really rude per se - certainly not compared to temee - but they are rougher than his usual and very direct. We've seen Segasaki do this multiple times throughout the episodes - dropping his levels when he's being assertive, and it is in response to that assertiveness, that Yoh gives the following reply:

Y: いや、ないです [plain forms, but with the addition of desu form] Y: Iya, nai desu Y: No, I don't [have anything planned]

Mixing plain forms with -desu at the end makes Yoh's reply a little more formal, and is another way in which Yoh acknowledges the power differential between them. Being higher in the social hierarchy means Segasaki enjoys a greater sense of linguistic freedom, and shifts down in speech level are therefore unsurprising, and indeed, expected.

So, if there is no real need for Segasaki to shift up, then, what does it mean when he chooses to do so?

Left: S: まあ　残念ながら　相手は大嫌いな俺ですけど S: Maa... zennen nagara aite wa daikirai na ore desukedo S: Well, unfortunately, your partner is me - who you hate so much Right: S: 好きにさせてもらうけど...な ？ S: suki ni sasete morau kedo... na? S: I'll gratefully do as I please...yea?

After an entire episode of using Yoh's own words to tease him as a way to try and get Yoh to face his own feelings, Segasaki lands his sharpest and strongest push of the day in these 2 scenes not by reinforcing the hierarchy between them, but by subverting it. Shifting up to a more formal speech level when he doesn't have to, particularly in the second scene where he uses deferential word forms, creates the illusion of elevating Yoh in the hierarchy, which is then immediately undermined by the irreverent tone in which Segasaki says them.

In other words, Segasaki only shifts up as a power play.

S: よくできました S: yoku dekimashita

We first see Segasaki use this formal way of saying "well done" at the end of Ep 3 and again in Ep 4, and it brings to mind the literal stamp of approval that teachers often give to students in school. Here, there is no teasing or subversion of the hierarchy going on. Segasaki is establishing his role in Yoh's life - to provide and care for him - through the use of polite speech, and reinforcing the power differential between them in the most straightforward way possible.

This use of polite speech allows the speaker to indirectly index their social identity - often as one who is in charge or responsible. Within the Japanese household, it also happens when a role/obligation (often parental) is being carried out - eg , a parent might switch to polite speech to indicate their role as provider when asking the rest of the family "What would you like to eat?". Similarly, we again see Segasaki underscore his role in the following:

Left (Ep 5) S: ごちそうさまでした S: Gochisousama deshita S: Thank you for the food Right (Ep 4) S: 寝るなら部屋いきな* S: neru nara heya ikina S: If you're going to sleep, then go to the room alright?

In Ep 5, Segasaki leads the saying of this standard phrase, customarily said at the end of a meal to express gratitude to everything that made the meal possible. It is the use of the full, more formal version (as opposed to just gochisousama) that indexes his role as Yoh's caregiver when he leads in saying this, and indeed he spends most of Ep 5 enjoying that role. In Ep 4, although he does not quite use the -masu form here, the imperative form "ikina" brings to mind a parent trying to coax their child to bed, the same way Segasaki is doing to a very drunk and sleepy Yoh.

This is the key we were looking for - with every episode, Segasaki consistently reinforces his role in Yoh's life, the same way he consistently responds to and encourages Yoh's amae. And with every episode, Yoh becomes a little more confident of his place with Segasaki, a little more willing to believe that maybe Segasaki might really return his feelings. It's easy to look at Yoh in Ep 2, see him push Segasaki away, and think that the same Yoh appears in Ep 5, but that couldn't be further from the truth. Because in Ep 2, a drunk Yoh barely drops to rough speech, whereas in Ep 5, a sober Yoh feels safe enough to even "curse" a little (well, as far as cursing goes in Japan at least, which admittedly is not far). In both word and action, they have both grown, and have both contributed to the strengthening of their relationship.

So! In conclusion (omg we made it to the end) we have established that:

Segasaki has a clear, predictable pattern in his shifts - he switches up to formal when establishing or reinforcing his role in Yoh's life, but when he's serious, or angry with Yoh, he drops all the way down.

Yoh is less consistent, because his shifts tend to be more subconscious and reflective of his emotional state. He's more inclined to switch up when he's in a vulnerable state, eg, feeling insecure or dejected, or when he wants to express his sincerity in apologizing or showing gratitude. When he's nervous, or in response to Segasaki either being direct with him or upset with him, he'll sort of switch up too (ie, he'll mix polite forms with informal forms, or he'll try to say things in an indirect way).

Through the use of speech level shifts, both Segasaki and Yoh indirectly reinforce and acknowledge their individual roles in each other's life, and by observing the changes in these shifts over time, we the audience are able to track the progression of their relationship as well.

In the next part, we'll look at the differences in the way they speak to others versus between themselves - looking specifically at examples from Ep 4, 6 and 7.

As always, thank you for reading, and feel free to ask any questions! (*ˊᗜˋ*)/

[isekai-crow]

Doctor Elise Ep 3-4

I cannot express enough how fun of a potato chip this show is. I had a fever this week and this was a great lil show to watch that didnt require me to think.

As a self proclaimed shonen bro whose not normally into shojos, I enjoyed the manga, and the anime is doing a good job despite not being one of the "big names". It might also be my love of medical dramas from the early 2000s peaking in. I can turn my brain off to watch it and just have fun by going "WTF w h y", and poking fun at how broken some aspects of this world are while still thoroughly enjoying it.

It's definitely the kind of show that probably won't hold up to scrutiny for the world building, so. Just. Don't think too hard about the specifics of what's happening! Then the power fantasy pieces won't break through your suspension of disbelief! Because IV bags did not exist during the Crimean War in the 1800s which seems to be where this fantasy setting is taking place.

But I'm gonna go and point out all the broken bits below because its so much fun (not bashing at all!).

Also my favorite boy shows up! Doctor Graham!! We love a boy whose not there to be a rival or love interest, and respects the Lady and they get to be bros!

Look at this silver haired ponce of a bishonen, he's delightful, ascot and all!

He's voiced by Hosoya, Yoshimasa - Rainer Braun from Attack on Titan, Nezumi from NO.6, WOLFWOOD FROM THE NEW TRIGUN STAMPEDE!! Tokoyami from BNHA, and Sousuke from Free!

DAMN THEY PICKED A GOOD VOICE FOR MY BOY.

More spoilers/screen shots below the cut!

Elise shows up for work as Rose at the No Cultural Touchstone For Mother Teresa Hospital, the genius young doctor Graham is supposed to take care of her but he's busy and assumes like everyone else that a young well-off lady will run from the sight of blood soon enough, and so sticks her in the HOSPICE WARD.

HHMMMM I WONDER WHY ALL THESE PEOPLE ARE ON THEIR DEATH BEDS???? COULD IT PERHAPS BE... UH... SANITARY REASON?? SHOULD HOSPITALS BE SANITARY??? NAHHHH THE DIRTY ROTTING BANDAGES ON THE FLOOR AREN'T MAKING THINGS WORSE, NO WAAAAAAAAY.

These poor overworked shift nurses seem to have no idea what they're doing, but thankfully we have a returner with concepts of modern day sanitation who cleans the place up!

She then finds a dude with bed sores and realizes no one knows what SEPSIS IS, and is like. Get me a scalpel, it's my first day, I've never held a scalpel in my read:this life, I'M DOIN' A SURGERY TODAY. I'VE GOT GALAXY BRAIN TO HELP ME.

I love these shots they're great.

SHE PROCEEDS TO CUT INTO THE DUDES BACK LIKE SHE'S DRAWING FREE FORM SELECTION ON MS PAINT AND THEN JUST HITS CTRL-X DELETE.

That's not A tissue, that's HIS (necrotic) tissue! I sure hope this dude has pain killers or is drunk off his ass with vodka because DAMN.

All the other in-patients are so happy she's here, they feel better already with her bright and happy personality! Normally this would feel really creepy and sexist, but this juuuuuust squeaked by as not coming off that way.

Jump cut to the King! Only 12 people in this world know what diabetes is! How is Elise going to get away with having known about it?? Probably more hand waving!!

Now, we either get a time skip, or she's literally been working all night, but Dr. Graham walks in on her dozing, thinks he's got the wrong place, and proceeds to scold her for performing surgery without permission. But then he takes her on rounds and we're in a medicial show!!!!

IS THAT A FUCKING IV BAG?

IT IS!!!! THOSE WEREN'T INVENTED UNTIL THE LATE 1800s!! At least its a glass bottle, and not a plastic bag like I initially assumed?? But I guess the Crimean War was in the 1850s and this type of open glass bottle IV was from the 1900s so... Wooo Fantasy Europe!! -waves hand rapidly to shoo you on-

This man is having a time trying to figure out what the fuck. But he's pretty.

It takes him a bit to come to terms with her abilities but then he's just so happy to have another Doctor Bro who Actually Cares that he's behind her with full support! Which yay! But also becomes a tool of sorts, to kind of hand wave away the concept of sexism in the medical field to the point where it doesn't seem to exist. Which is also what makes this such a light show, because it doesn't even try to handle said topics, it just erases them completely with regards to medicine.

Equal numbers of men and women as doctors! The women aren't relegated to nurses! Yay! No critical thinking needed here.

My favorite part of this though, is that they DO tease at it. When Elise makes a different call from the doctor she's following in Ye Olde ER, he kind of stutters and is flabbergasted and panicked, while the female doctor is immediately like, I GOTCHU SIS, and steps in to help her as she proceeds to STAB A DUDE IN THE CHEST WITH A SYRINGE.

She's so pretty with blood on her face.

We're in episode 4 by this point, and its the "Festival Episode" common to many isekai romance manhwas, but of course, Elise is a doctor and so she's working the ER instead of attending.

However this is the episode that proves there is magic in the world, and WE GET A SECOND VA FOR THE PRINCE. He transforms into "Lord Ron". We also get a glimpse of his tragic back story!

His bodyguard gets a knife pulled on him and THEN A GUN. New Technology Discovered: Guns! I should hope they had those figured out before IV tech, but you think they'd know about general sanitation being important as well.

Dude's been shot in the SPLEEN!!! OW MY SPLEEN! They don't have a splenectomy in Fantasy Europe, oh no!

Elise puts up such a persuasive argument, and the dude is dying, so they might as well let her try to save him. And look, the prince Lord Ron has field surgery experience and offers to help!

SUDDENLY THERE IS ELECTRICITY. WHAT WERE THOSE OIL LAMPS IN THE GRIMEY DEATH WARD???

MS PAINT SCALPEL FTW!! It's not bad for the limited time they likely had to anime each episode, and the fact that they're putting more emphasis on the conversations. For comparison, this scene in the manga ↓

Surgery is a success! Yay! Elise is asked to write up a report abotu the surgery as it will be the first ever recorded splenectomy.

and then. Blushing Prince is Adorable, even in disguise. Love us some blushing boys.

But by far the most accurate part of this show so far...

Even in a Fantasy Europe Hospital the doctors have shitty handwriting lmfao

[froggy-frogz]

Inside Job requests ? Awsome !

Best budd reader (gn) taking care of Andre while he’s sober, either for a work related mission or family dinner/event (reader considered Andre’s plus one)

A/N: I'm so excited to write this ahhhhhhh- Congrats on being my first Inside Job request ahfskhs. Andre's probably one of my top 3, though you can probably guess my other 2 favorites. I wanted to write this during the wedding ep [ep 6? I think] but I might do that as an alternative fic if yall want! [In the middle of this I got a really cool idea for like, a family dinner thing with his s/o type deal]

The gang had an interesting mission for this week. JR was sending the seven of you to a fancy gala to spy on some rich dude. You weren't honestly listening, you were more concerned with the more important mission you were given with your favorite coworker and friend, Andre. Well, the more, personal mission came more from Reagan pleading with you to make sure Andre was sober the entire time. She might as well have asked you to steal the Queen of England's jewels. That would be easier than making sure Andre was sober for an entire night.

"Can't I have just a bit?" Andre shifts in his seat, and you groan. It would have been fine if this was the first time he asked, but once the number had grown above like, 15, you had stopped keeping track and it was getting more frustrating.

"No, Andre. This is important. Trust me, I rather you be hyped on drugs. I don't like when you're a nervous wreck, it stresses me out too."

The car stops, and you gulp, it's one giant ass manor that you were currently parked in front of. You were sure it was bigger than the building you were at when at Yale-

"C'mon. The others are probably here." You open the door and offer Andre your hand, which he takes and squeezes. "Hey dude, you'll be good. I'm not going to leave your side."

You can tell that makes him feel better, as all tension leaves his shoulders and he pulls himself next to you, "Ok, let's go in before I want to get back in the car."

One hour in and you were sure Andre was going to snap. You were all in what you assumed was the dining hall, standing right next to him. He was sweating and you swear you could feel it. You weren't even that close to him.

"[Y/n]. I need something. Please- Let's just run over by Myc or something-" He stops when you shush him when the smartly dressed man at the front of the room clears his throat and steps up to a microphone.

"Let's not." I ignore everyone else for a second, grabbing an extra napkin from my pocket before dabbing the sweat droplets on Andre's face. "We're almost done. Then I swear we can both go get shitface drunk, but I need you to stay here with me."

He was quiet, like, eerily quiet for even sober Andre, and then after like a minute, he lets out a soft groan, "Sure. Okay, I'm sorry. It's just that my head is swarming and it feels like I'm going to explode."

"I'm sure we're almost done, Andre," You whisper, looking up at the front of the room.

"Oh shit it's getting worse." Andre rubs his eyes, and you wince, he wasn't doing it in a gentle way either, "Oh Jesus fucking Christ. [Y/n] I cannot stay sober, they all know this."

You take one of his hands again and squeeze it, and he squeezes it back, and you wince. He wasn't kidding. He really need something and needed it fast.

This seemed a bit worse than the accident on the boat... but he was holding himself together better, despite the sniffling, coughing, and tiny movements you could feel next to you.

"Fuc... Fuck, [Y/N] I can't breath."

Well shit. It'd probably be a good idea to get him out of here.

Your eyes shift around the room until you find Reagan, and make a gesture that you're going to leave the room, and she nods. There. Getting him out of the room for a moment should help.

You grab Andre's hand again and drag him out of the highly populated room until you find your way outside again, and thankfully, it was just the two of you.

"If I'm being honest, I was going to sneak you a blunt." You snort, once you were sure you two were alone.

Andre coughs and slumps against the wall, "I wish you would of. This fucking sucks."

Sitting next to him, you bonk your head into his, "I have a couple of ideas of what we can do to help calm you down. It's a couple of things my old therapists would tell me to do. Hell, one might work for you."

There was that silence again, and then you could feel him watching you.

"Alright [Y/n], let's try them, not like we can do anything else."

Tonight sure had been interesting, but at least he was calming down some.

[fragilevixenfic]

My AO3 Fanfiction Links (Current)

“I’ve never really thought about making a “Master List” of my own work but I figured, now is the time to do so. If any of the links are incorrect just let me know. I fix. 

Adding in a “keep reading” tab because the list is starting to get long and intense.

Each fic is categorized and easily referenced. I’ll update as I go.

X Files

Series

Into The Shadows

XII (COMPLETE): A serial killer targets victims and leaves behind symbols of his affection -- but who is his intended target and what will it take to discover the truth? (This has a lot of trigger warnings)

Dance In The Dark (ONGOING Chapters 12/? Posted **UPDATED):  With the continuing murder trial of Miles, Mulder, Scully, and Max are confronted by the VCU with a case that seems to be mimicking the pattern by their, now infamous, psychopath on trial.

Echoes and Whispers

Parallel (COMPLETE):  The aftermath of the three little words that Mulder says to Scully in his hospital bed after being rescued from the Queen Anne as it re-appeared in the Bermuda Triangle...and the strange connection that Scully starts to feel to a memory that Scully couldn't possibly have.

Only The Night (ONGOING):  Mulder and Scully begin their undercover assignment as an engaged couple with the assistance of Skinner at the University of Maryland to catch a serial rapist, putting their newly formed physical bond to the test in this sequel to “Parallel”.

Casefics

Falling Away (COMPLETE):  Kersh’s assignment partially splits the team as Scully goes undercover under the watchful eye of Mulder as they both assist on an operation with SWAT and FBI personnel. (A gift for Greta)

Veritas se revēlet (COMPLETE):  (The title is roughly translated to let the truth be revealed in Latin) An impromptu wild goose chase leads Mulder and Scully to the drifts of a winter-locked Tonopah, Nevada—where a little more than the embodiment of Mulder’s imagination takes shape between the walls of the Mizpah Hotel in the dead of winter. (A gift for @monikafilefan)

She Walks at Night (COMPLETE):  Mulder’s knack for getting himself and Scully into sticky situations leads them to the heart of NOLA at the tail end of Hurricane season after barely surviving a Floridian storm—to investigate a rumor of a notable Voodoo Queen and missing girls trying to bring her back. (A gift for @starbuck09256)

Intrigues in the Dark (COMPLETE):   A string of suicides leads Mulder and Scully to a sleepy, coastal town in Oregon for the second time—on their return to The X File—as tensions run high and nothing is as it seems. (A gift for @admiralty-xfd)

By Light, Unseen (COMPLETE):   A series of re-opened cold case murders with one link…they’d been drained of every drop of blood and wore the same, haunting stare toward the sky with their lips aghast as if they were still screaming. (A gift for @serahsanguine)

Post-Series

A House is Not a Home (COMPLETE):  The mere thought of raising a newborn in a world full of horrors has every part of Scully’s emotional irrationality over firing on a chilly, winter evening. Mulder wants nothing more than to show her that not everything is gray and grim. (for @danceswithcybermen)

Remember the Reason (COMPLETE):  Post Series (Part 1 of the “Little Redhead Series”). Mulder and Scully already knew that life with a newborn would be difficult but the first Christmas with their two-month-old daughter throws every curveball…some worse than others, some more humorous. (For @underworldobsessed)

Confectioners Sugar & Snow Drifts (COMPLETE):  Post Series (Part 2 of the “Little Redhead Series”). Mulder spends the morning bonding with Eliana by having a Christmas baking session while Scully is out shopping for gifts. Messes, mayhem, and a healthy dose of laughter ensue. No moment is ever dull as the snow falls outside.

The Easter Bunny was a Fox (COMPLETE):  Post Series (Part 3 of the “Little Redhead” Series). Scully has to pick up Bill, Tara, and a couple of surprise family from the airport, leaving Mulder alone with their 6-year-old daughter, Eliana, on Easter Morning. All she has for him are curiosities as Easter’s non-Christian ideology unfolds before her eyes…creating the most unique bonding opportunity for a father and his daughter. (For Flicked_Switch)

Angst/UST/RST

Caught in the Rain (COMPLETE):  A dark, rainy night leads Mulder and Scully to a hole in the wall bar where glasses of Scotch and unresolved tension is re-visited.

Or We Can Burn (COMPLETE):  Post Never Again - expansion and continuation of the aftermath surrounding what Scully has been hiding from Mulder.

It Lingers (COMPLETE):  The aftermath of trauma and the lingering effects of Mulder’s risky attempt to recover the truth about Samantha’s abduction leads to a revelation from Scully about her own coping mechanisms and flashes into a past she doesn’t fully remember...and the path to which they lead thereafter. (For @red2007)

Fluff/Humor

Nervous Laughter (COMPLETE):  It’s been two full days since their tender, albeit brief, moment at the stroke of midnight and Mulder decides to be brave and methodical by inviting Scully over for a little movie and popcorn night for a film that has stayed locked in his mind as her favorite—The Exorcist. (This is a gift for @rationalcashew)

Lamplight & Shooting Stars (COMPLETE):  It’s Spring-time in DC and spontaneous, mutually taken vacation time has become a personal mission of Mulder’s to surprise Scully with so much more than an escape from their norm—and the unseasonable, uncomfortable city heat. (For @underworldobsessed)

Into the Nightlife (ONGOING):  A little paid vacation time never hurt anyone, right? (Not giving anything away this time)

Smut

Insomniac (COMPLETE):  Another lonely, sleepless night, another dingy motel, and another town that isn’t home for Mulder…but, something changed, with the last gasp of the air conditioner as his partner, and best friend, chooses to walk through the adjoining door. (Expanded writing exercise)

Vultus in Speculo (COMPLETE):  The last of the paperwork on the Strickland case has been finalized and filed and Scully goes off for a drink at a known FBI watering hole. Mulder is invited but doesn’t show up until after Scully is halfway through a drink—giving him an opening to inquire about a whole lot more than her flirtations with the Sheriff in the booth of a rooftop bar. (written for @msrheadcanon

Phosphorescence (COMPLETE):  Still reeling from their experience in North Carolina, Mulder and Scully take a much-needed excursion to the coast of Oregon, where a flicker of light becomes more than a curiosity in the middle of the night. (Written for @anniexami)

The Darker Side of Love (COMPLETE): Mulder does not want to talk but he does not want Scully to leave, either. (This is for the MSR fanzine vol 3)

Ficlets/Drabbles/Short Prompt Collection

Affirmations and Protestations: “Fluff and Angst” Prompts (ONGOING):  

 Chapter 1 - "You Weren't Supposed to Hear That" - prompt #5, 61, 77

Chapter 2 - "Shout!" - prompt #19, 61 (From Valerie)

Chapter 3 - "Litost" - prompt #1, 85, 97 (From Monika)

Chapter 4 - "Ad Infinitum" - prompt #42 (From Minuete)

Chapter 5 - "Brick" - prompt - After Scully calls Mulder in the ep Emily, she asks him to bring her some things from home. Her journal falls to the floor and Mulder sees some things written about him that she has never allowed him to know. (from Monika)

Chapter 6 - "I'd rather be oblivious" - prompt #46 (from Annie)

Criminal Minds

Angst/UST/RST

Dulce Periculum (COMPLETE):  Maxine and Spencer have continued seeing each other, in spite of the interference brought to the surface by Cat Adams. Spencer continues to work closely with the BAU after it nearly dismantled, with signature members scattering to the winds, leaving behind only a few, including himself, to keep working on their caseload. After a long, intense case, Spencer returns home to a little more than a can of worms. (A gift for an anonymous prompter)

Law & Order: Special Victims Unit

Angst/UST/RST

Chasing your Silhouette (COMPLETE):  They’d learned each other’s quirks and intricacies on the job—but when did it become over the line? When did physicality become a detriment to them once they’ve taken off their shields? When did they realize the line in the sand no longer existed? (This is meant to take place a couple weeks after “Zebras” – had to assume a timeline, I don’t remember actual dates)

Paternity Redux - Time Just Stopped (COMPLETE):  Her strength has always been immeasurable—but sometimes, something has to give and a string breaks. Nothing will ever be the same.“I’m trying my best, that is enough.” - UnknownThis is part of a challenge, to right a series of wrongs in an episode that has perpetrated many a discussion of “What Could Have Been”. WriterKC, Liv.Einziger, JustAnotherBookWorm78, MrsWellRested, EORocks, AlexisDawn, ChriskaPeach, and I have stepped up to the plate to do just that.

Oblivion (ONGOING 9/? Chapters posted ***UPDATED***):   The undercover operation in Oregon takes an unexpected, unpleasant turn for Olivia Benson as an injury turns her life, and career, upside-down leaving her with pieces of her memory scattered in the wind.

Humor

Unlock the Door (TENTATIVELY COMPLETE 2/2):   Olivia returns home from a celebratory series of shots with Kim Greylek and lets Elliot Stabler hear a little more than she ever intended to in the aftermath.

Series

Polaroids and Promises (COMPLETE):   The Special Victims Unit has undergone an enormous amount of changes in the past six months, to the point that they are drastically undermanned—until a transfer from the 13th precinct brings new life, and a little chaos, to the team. Will her addition prove to be a permanent shift or a flash in the pan?

Discarded Dignity (COMPLETE):   Elora continues to gain much-needed confidence as a member of the Special Victims Unit but an arrival booked for trespassing, assaulting an officer, and disorderly throws her progress into chaos as her past jumps to the surface. Will she be able to look beyond the misstep to solve one of the most convoluted cases she’s faced? 

Contract Corruption (ONGOING 10/?):   Dickie Stabler and Justin Andrisani are in over their heads--and the members of SVU and the Organized Crime task force must come together in order to set things right.

Law & Order: Special Victims Unit/Organized Crime Crossover

Series

Words of love, words of lies, words of loss

Age of Regret (COMPLETE):  Elliot Stabler has never been good with words but ten years and a double on the rocks in a lonely room will make a man pour his heart out…in any way that he can.

Infidelis (COMPLETE): Elliot had been haunted by too many ghosts; expectations, fantasies, and a promise that he knew should never be kept. It was time to lay them all to rest. “I do not regret you…I regret what you did to me.” - Unknown

[thessalian]

Thess vs TLoVM Ep. 6

So now that I have a decent desk chair, actual liveblogging!

Hello, Dominic Monaghan!

Matt really is in every episode, isn’t he? Then again, men with brown longish hair aren’t exactly uncommon. Still, there was an eyepatch! And then he was crushed like a soda can.

So the giants look like Ryuk from Death Note. That’s ... special.

“What, ‘cos we all know each other?” THANK YOU, GROG.

So @true0neutral needs to watch this because Yennen is such an awesome priest of the Dawnfather.

Oh SHE SEES ORTHAX DAYUM. I’m sorry, but seriously - beyond the white hair and everything, he hasn’t said enough to determine how much he’s changed yet.

See, I liked the conversation about who’s actually leading, and Keyleth did actually put it best. They each lead when it’s appropriate for them to lead. They shift and change leadership roles depending on what strength is required to get through anything that gets in their way. That’s always been Vox Machina’s strength. It’s when they start thinking any one of them is The Leader that they get all fucked up.

Okay, this is Grog as I know and love him. “Yeah, all this sucks and it’ll probably make a good fight and that asshole fucked me up with his sword so I kind of want to kill him but this just sucks and-- wait. These assholes mean no ale? I. Would like. To--” “GROG NO.” “Oh, let him destroy a thing or two. It’ll be a good warm-up for him.”

I’m sorry, Yennen. But it sounds like Percy’s friend Archie hasn’t changed one tiny bit.

“You’re playing on my emotions. And I can’t say I blame you.” Yeah, nobles and priests sometimes have to be manipulative little shits, but I do love the, “You’re playing me. And it’s working. And I’m so proud of you” tone of voice.

...They’re actually going to do the beret. Oh. My gods.

This is a “Pike needs to internalise the fact that she’s worthy” thing, isn’t it. The fight with the Briarwoods even before she got hit with Delilah’s spell, her not being able to help as much as she wanted to, it’s all a doubt thing.

Well, Stonefell, there might be no room for heroes in Whitestone, but there’s clearly room for dishonourable weasely cowardly bastards using a chained-up dwarf as a punching bag. (Also you’re gonna find that heroes don’t take up that much room until they’re busting your door down. Just by the way.)

Also, HI DARIN DE PAUL! He must have had so much fun with this...

Rory. McCann. HELLO. ...So wait, we get to see Scanlan force that guy off a roof? I’m liking this idea.

This is why At Dawn, We Plan was a whole thing. You’re right, Vax. Mostly. Keyleth’s plan wasn’t bad. I mean, assuming there are any animals worth a shit in Whitestone.

"Nothing but Bad News.” PERCY YOU SHITHEAD. Still, great use of the scope.

I mean, I knew they kept the door bit, but AAAAAAHAHAHA.

“Congrats. Everyone’s getting out early for bad behaviour.” AHAHAHA I LOVE YOU VEX.

Well. That’s ... one way to get through the door.

Nice use of illusions, Scanlan!

And that, right there, is a call to vengean-- DAYUM KEYLETH. I mean, narratively speaking, crushing the head of the resistance fighter who saved the life of one of their own basically marked Stonefell and the entire Briarwood rulership for extinction, but it’s nice to see that as a catalyst for Keyleth coming into her own righteous fury. Also, hello Minxie.

Okay, now THAT was a shot. A shot that could break the haft of a maul that heavy? Also the accuracy of it. Just a really nice touch.

“I wanted you to know it was me.” GAAAAAAAH THAT’S FUCKING TERRIFYING. Kudos to the animators. Also to Taliesin Jaffe because this is all way creepier than his original yelling.

...Then again, the yelling is equally creepy. And again, kudos to the animators; rage like that tends to look laughable in this animation style, or at least ... well, two-dimensional, pardon the pun. But the combination of rage, horror and just plain disgust on his face, both during the shooting of Stonefell and later, when yelling at Vax about his vengeance...

And then the animators let him go to horror-tinged vulnerable shock. No one gets to say the animation in this is bad. Ever.

Yeah, even knowing what does ultimately happen (though I understand that liberties will be taken here), I still get that feeling that whether “I have a sister” ends well is up in the air. I mean, that “This changes nothing” scene is all it took to flag up a few very key points: that Cassandra’s in a bad situation and might well just be going along to keep herself alive, that Cassandra might hold a grudge about being left for dead (because we can see that de Rolos hold grudges), that she has been in the custody of a vampire who likely has no qualms about messing with her head... Just a couple of lines and it sets up Cassandra’s whole moral and psychological battleground, and the defenses Percy’s going to have to get through in order to make “I have a sister” a reality.

So, six episodes in ... while the campaign will always have a special place in my heart (and now I kind of want to watch it again), I like this version ... not better, but in a different way. They’ve managed to find ways to set up the important themes in a lot less time, in subtle yet powerful ways. Haven’t seen much of Mae Catt’s stuff - then again, Mae Catt hasn’t written that much - but this was a winner.

Wait.

Waitaminit.

I happened to see who wrote Ep. 7.

Travis. And Sam.

I have got to see their writing chops. I have to. It’s not an option. I require food first, though.

[multimetaverse]

HSMTMTS 2x12 Review

Second Chances was a lacklustre finale for an uneven season. Let’s dig in!

Earlier this week I re-watched S1 in preparation for the S2 finale and the contrast between the two seasons is jarring. In almost every way S2 has been worse and after seeing this finale I’m less optimistic that Tim will be able to fix the long list of things that have gone wrong. Tim has said in some of his interviews today that pretty much all of S2 was written before the pandemic and that they didn’t have to do as much re-writing as people might think due to the stringent safety measures Disney put in place. Of course, that removes an excuse for the bad writing we’ve seen so much of this season as according to Tim what we saw of S2 is largely what he envisioned minus big crowds and background dancers.

 Across his many interviews today, the one consistent point is that Tim does not have any real plans for future seasons; things like Ricky’s endgame he hasn’t decided on and he can’t even guarantee the summer season the finale sets up due to the weather in Salt Lake. I do think a S3 is an almost certainty given the show’s popularity but I’ll take Tim at his word that he truly doesn’t know if they’ll be renewed since it seems to be a new Disney tradition to wait until seasons are done airing before making a renewal decision (the same thing happened for the popular and well received Mighty Ducks: Game Changers which got a silent renewal only after all of S1 aired). That being said as poor of a season finale as Second Chances is it is also a terrible potential series finale. In large part it goes back to his lack of planning, he wants to keep all options open but in doing so Tim is crippling the show’s ability to deliver any pay offs or tie up loose ends.  

The one mostly well done plot line this season was Portwell which got a happy ending tonight as they canoned. The only good thing about the big brother angst was that it was so insane that it had to be addressed and sure enough it was and Gina got her first kiss with a guy she really liked. If Tim is to be believed the reason we didn’t get an on screen Portwell kiss was not because of their age difference or covid concerns but because he felt that everyone’s first kiss was different so he wanted it off screen so viewers could fill in the blanks themselves. Tim’s line of reasoning is profoundly stupid. Imagine if they had Jamie show up and he and Gina talked off screen and Tim tried to claim that because everyone has a different relationship with their own siblings that he wanted the audience to fill in the blanks as to how their conversation went!

Still we saw great character development on Gina and EJ’s part as both really grew from the people they were in S1. As Tim noted, EJ bringing Gina back in 1x10 was kind of the set up for this story line. The only thing missing was a brief Portwell scene sometime in eps 2x01-2x04 to set them up. The consistent development they got from 2x05-2x12 is unlike any other ship on the show; only Rini exceeds their development. 

Unfortunately I don’t think that will last in S3 because Tim will always favour Ricky over EJ and if he wants to do Rina he’ll dispose of Portwell before doing so. I was surprised that they never bothered to have Ricky and Gina have a conversation about Gina’s S1 confession. It was a huge mistake to have Gina pine over Ricky for half the season and it was no surprise that Gina’s story line got instantly better once she stopped interacting with Ricky. Tim has made clear in interviews that he’s still interested in the possibility of Rina which makes his poor writing of them even more bizarre. What conclusions are the audience supposed to draw from the Rina story line this season? That Ricky never cared that much about Gina? That it’s totally fine for the show if they don’t interact for 6 eps in a row? That Gina has moved on? I’ve said before that a wiser man than Tim would recognize that doing both Portwell and Rina will do tremendous damage to the show and he should pick one and not do the other. Of course he’s not that smart but it is wild how he’s accidentally written their story line to make for a perfect end to Rina. 

Second Chances was great and is the only part of the finale that would have been well suited to being part of a potential series finale. 

The Rini closure was a sad inverse of their S1 opening night confession. They’ve fallen so far from being the it couple of the series and I fear Tim doesn’t actually know what to do with them now. He really needs to decide if he’s tearing down that treehouse for real. 

The less said about the Valentine’s chocolates the better but at least Gina and Nini are cool again and Nini can explore her budding music career with Jamie’s help. Tim repeatedly said in interviews that the scripts about Nini’s music career were all written before Driver’s License came out and I think he understands that the audience is just going to see the show as copying from Olivia’s life. 

The wildcats just deciding to drop out of the Menkies was a lame cop out. Tim has said he always meant for that to happen though they were originally going to compete at the Menkies then drop out (presumably that’s where we would have heard Lily singing Home). Somebody should have mentioned the $50 000 prize money which the East High theatre department could surely use after Miss Jenn and Mr. Mazzara burned it down (remember that story line that had no consequences?). And that NYU scholarship could have been life changing for one of them and yet no one even brought  it up once this season. 

I did like the twist that it was EJ and his dad who got Mazzara into Caltech. He’d be a fool not to take it but I’m glad he confessed to Miss Jenn. She’s had a really rough season and I hope she redeems herself in S3.

Howie was acting so weird tonight and last ep that I have a hard time believing he was really so awed by Kourtney’s talent rather than feeling guilty for helping to steal the harness. The harness is another useless plot device; there are no consequences for Lily stealing it, she’s not caught, East High pulls off another version of the transformation off screen, and then East High withdraws from the Menkies anyways. Doubtless the harness will eventually come up to serve Rily angst. 

At least Lily was straightforward, I’ll give her that. She has such an odd way of speaking, almost child like. As awful as it is there is potential for a forbidden/secret romance story line with Rily. It really does not speak well to Ricky’s character that he’s so easily fallen for Lily’s act when he has no reason to trust her and she never apologized for making fun of Big Red during the auditions or making Ashlyn feel insecure during the dance off. 

The one way in which S2 was drastically better to S1 was in regards to the Seblos story line. Clearly Joe being bumped up to regular made a big difference. We got the first same-sex kiss between two boys and the first love song sung by one boy to another in Disney history and that is a legacy to be proud of. Of course, there was still some Disney censorship such as Carlos and Seblos being unable to use the word gay in the same ep that focused on Carlos singing In a Heartbeat to Seb. 

S1 of HSMTMTS had a clear direction, the wildcats would have to try and come together to stage High School Musical and Ricky and Nini would have to decide if they still had a future together while Gina and EJ had to work on being better versions of themselves. It was simple sure but it worked very well. There was a lot of heart but also a lot of humor and the show never took itself too seriously. What has S2 had? Beauty and the Beast was hardly the main focus of the cast or the writers and the central couple that S1 was built around is now broken up either for a long time or for good. There was a lot less of the meta moments that jokes that made S1 such a hit, for far too many eps this season the show took itself way too seriously. Hell even the lighting this season was darker than in S1. 

Olivia Rodrigo’s team had complained in a recent article that Olivia wouldn’t be able to potentially tour until fall 2022 due to her contractual commitments which is a sign that they think a S3 is very likely though I wonder how late S3 filming would have to start to keep her occupied until late 2022. There’s no confirmation of this but I thought it might be worth keeping an eye on; a post on r/hsmtmts by someone who claims to have a source working on production says that the plan is for S3 to be a summer theatre camp possibly with Camp Rock renditions and the plan for S4 is to jump 6 months ahead to the final semester of senior year and end with Ricky, Nini, Big Red, and Kourtney graduating from East High. They also say that part of the delay in the S3 announcement is a conflict between Tim and Disney executives. Tim wants to move production to LA and film on sets as it’s easier and cheaper while the Disney execs still want some on location shooting in Salt Lake. Again this is all unconfirmed but if it pans out it will represent a major shift in the series. 

Regardless if Tim wants the show to remain successful he needs start planning out what he wants to happen. He should not assume he’s getting more than 4 seasons. If the series gets a S3 but then is suddenly cancelled then how would he want all the main story lines to wrap up? And if they make it to S4 where does he see it ending? The graduation of the current juniors is a logical series ending point but if Tim wants to do something different he needs to start thinking of that now. I can’t say I’m excited anymore for S3 but I do really hope that Tim and his writers can turn things around and that will only happen if they recognize what they did wrong and learn from their mistakes. 

Until next season Wildcats

[theravennest]

Hot Loki Take: Sylvie was Right

*Spoilers for all of Loki the series up to and including ep 6.

Sylvie was right to kill He Who Remains and free the timeline.

I’m deadass.

He Who Remains forced reality into an endless cycle between a time of Order (he rules as dictator) & a time of simulated and controlled "Chaos" (his Conqueror variants wage war). I say this “chaos” is simulated because when you think about it, it’s chaos that He Who Remains arranges himself by manipulating Lokis.

He Who Remains is so fucking sus but for some reason people are just tripping over their own feet to believe everything he says and vilify Sylvie for killing him. 

He literally tells them (and us) that his methods are deceptive and we know for a fact that he’s willing to murder trillions upon trillions of people, planets, and realities to get the outcome he wants. Yet some are still believing everything he says cuz he said maybe 4 things that were truthful, I guess, and cuz he’s cute. Some of us are so blinded by the fear/anticipation of Kang the Conqueror’s arrival, we are letting him bamboozle us.

He Who Remains perfectly and personally tailored the Ordered period of the timeline to produce this exact Sylvie and this exact Loki, had them meet/influence each other, and then had them travel to the end of time...to him.

Now Lokis by nature are agents of chaos and could suddenly swerve left, so to speak, for no reason. So let’s assume I believe that He Who Remains didn’t 100% know what they would choose once they crossed the Threshold (if the Threshold he described is even real, tbh). He also so carefully molded both of their entire lives for that moment in the Citadel. He may not have known 100% but he knew at least 90% of how they would react to everything he said and did when they were both pushed to this place/mindset.

Notice how he teed them up for the fight that ended in his death:

Manufacturing a scenario where they would meet via the TVA’s variant pursuit.

Manufacturing a scenario where they would travel to the Void and meet Alioth.

Kid Loki being in just the right place to give his sword to Loki.

Miss Minutes appearing to menacingly offer an obvious devil’s bargain.

Him slyly telling Sylvie that she can’t trust Loki, putting it into her head just before he gives them his ultimatum.

All of these thing practically gift wrapped that ending to the Loki on Sylvie fight.

Let’s elaborate.

What was even the point of Miss Minutes offering to re-insert them into the same Sacred Timeline with both getting their hearts’ desires there? 

Not more than ten minutes later He Who Remains told Loki and Sylvie to their faces that he manipulated all this for the sole purpose of making them choose between taking over as rulers of the TVA or killing him and ushering in a Multiversal War. Neither of those choices would result in re-inserting Loki and Sylvie back into the timeline.

So what is the truth? Why waste precious moments with a creepy Miss Minutes menacing them in that vestibule scene?

Notice how Miss Minutes’ words pushed Loki further onto his path of no longer wanting power or a throne but desiring to change his attitude about himself and the universe. Notice how her words conversely pushed Sylvie into balking at the idea of accepting another “fictional” life after a lifetime of being manipulated and made her double down on her mission to free the timeline and get revenge.

Sylvie has the ability to see memories but interesting how he kept her distracted by condescending to her and provoking her, just stoking the fire to make her react negatively. (Interesting how he was far more focused on Sylvie’s reactions than Loki’s, most likely because he needed her to kill him for his plans to work.)

Now I don’t want to completely shift responsibility for her choices away from Sylvie. In truth, if she had held in her vengeance for let’s say an hour and trusted Loki a bit more, they could’ve sat down to talk about things and maybe found a third solution other than starting a Multiversal War or ruling the TVA that still could’ve even allowed her to get revenge. (More on the ultimatum later.)

But I can’t blame her for losing her cool, either. He Who Remains made damn sure she would burn as hot as possible because he tailor made her life to give her the personality he wanted. And any other version of her out there who might have made a different choice would’ve already been pruned.

He Who Remains tells Loki and Sylvie straight up that he set them on their particular life paths because he needed them to be “changed by the journey” to ensure everyone in that room was in exactly the right mindset to do what was needed to “finish the quest” and presumably “slay the dragon,” aka Him. (Notice the parallels to the speaker narration just before episode 2′s fight at the Ren Fair.)

We don’t know! Sylvie never enchanted him to read his memories because she was so filled with rage and Loki was too busy trying to stop her, he didn’t think to do it either. And we’ve already established that He Who Remains trained them that way. Nothing that happened in that office was without He Who Remains’ influence and meddling.

Another nail in the coffin that convinces me that He Who Remains is a no good dirty liar is Renslayer.

If He Who Remains’ end goal was to either have the Lokis choose to rule the TVA or destroy it and thus end up with no memory of her previous TVA judge role/life, why did he send Miss Minutes to Ravonna with files that caused her to pack her bags and search for what she calls “free will,” AKA the one in charge?

I’d bet dollars to donuts that when the next season rolls around the only people who will know what’s going on and still have their memories will be Loki, Miss Minutes, Sylvie, and Ravonna. (Maybe Kang the Conqueror will know as well but I could see it going the other way too. I’m 50-50.)

He Who Remains was planning something by pushing Ravonna the way he did. Does he want her out of the TVA so she doesn’t lose her memories when everything resets? Does he want her to go find the Conqueror version of himself? I mean, at this point, practically everyone knows who she is to Kang in the comics, so let’s not pretend that’s not an option.

Another thing to think about...it’s super suspicious that he was so eager to make them believe he’s one of the “good versions” of Kang and all these others are much worse while giving absolutely no evidence of that outside of an interactive blob powerpoint, a quirky attitude, and a couple of sad, weary faces????

Who’s to say He Who Remains isn’t playing the long game and always manipulates his variants to eventually give him the chance to seize control of the multiverse?

Who’s to say he’s not one of the Kangs that wanted to conquer too? Funny how the “pure of heart” Kang is the one who still wrested control of all reality, killed off every other timeline with a weapon of mass destruction, installed a fascist time bureaucracy, and set himself up as the dictator. Sounds an awful lot like some conqueror shit to me, just saying.

Even wilder theory: what if this really is the same Kang the Conqueror but at the end of his life? We only have hhis word that he’s a variant. He Who Remains tells Loki that this fight is for the “young and hungry.” Maybe the “young and hungry” he’s referring to is not Loki and Sylvie at all but his literal younger self. Perhaps he set up this entire cycle of chaos and order so that he can perpetually live, conqueror, rule, die, and start all over again? Reincarnation, as he says...

But let’s set that wild theory aside for a moment. Let’s circle back to the Multiversal War debate and say it really is is caused by an infinite amount of his variants.

I think it’s hella sus that He Who Remains was so insistent that Loki and Sylvie only had two choices to resolve this riddle: Multiversal War or running the TVA almost exactly the way he did while maintaining only a single timeline. Those are definitely not the only two options they had. In fact, I could probably name 1-3 other options off the top of my head right now:

Keep He Who Remains alive while learning how he manipulated time and using those skills to slowly unleash the multiverse while killing every version of Kang to prevent him from existing as either conqueror or dictator.

Kill He Who Remains, take over the TVA, and slowly change it to something not horrific or even build a brand new system for governing time.

Kill or keep He Who Remains, still take over the TVA, slow rollout the Multiverse and kill or prevent every Kang along the way.

(I’m not saying these aren’t also morally questionable options, I’m just saying they are different from the two choices He Who Remains presented.)

But let’s say these options I suggested are not feasible. I just randomly came up with them ten minutes ago so it would be fair if they were picked apart logically. 

So let’s contemplate this, instead:

Why should we assume/believe that a Multiversal War is actually a bad thing again??? Why are we assuming that He Who Remains’ Sacred Timeline really saved reality from total collapse? 

Assuming he told the truth about his motives, maybe he was just...wrong about the end of reality. Maybe he saw what he thought was the conclusion to the Multiversal War coming and erroneously believed it to be the end of everything but actually it was the multiverse sorting itself out and everything would’ve been fine after.

We (and He Who Remains too) will never know because not only did he not show any evidence to back up his claim that reality was on the brink of collapse, but he himself never allowed things to play out naturally. Whenever the end of the war comes to the brink of something, he always panics, weaponizes Alioth, and traps the universe in his cage of Order with the TVA.

Even more controversial take...maybe the collapse of timelines and the end of everything should be allowed to happen. Maybe the natural cycle of reality is to build and build, splinter and splinter timelines, until it collapses and starts all over again from the void.

Nothing is created and nothing is destroyed, all things exist in a cycle so why should the multiverse be any different?

After all in all, in all three possibilities an infinite number of timelines is destined to suffer and die. Whether it be during the Kang-controlled Order period, Kang-controlled fake Chaos period, or the unrestrained natural Chaos that collapses in on itself...an untold amount of people are dying anyway. There’s only one of those scenarios that has actual unrestrained free will where those people get to exist how they want, make choices they want (even bad ones) for as long as they can.

(Personally, I’ll take that over what the Kangs have wrestled the multiverse into.)

I’ll just take this moment to re-iterate: trust nothing He Who Remains says. He’s a known liar and manipulator, and unlike Loki he has done absolutely nothing to actionably show he’s not still lying or to show that he’s trying to change outside of some sad looks. It’s all pantomime, bruh. Like, the pageantry of it all astounds me. 

Is he maybe telling some truths? Sure. But that doesn’t mean he’s not using the truth to manipulate everything. It’s an illusion, I’m telling y’all! He was up to no fucking good.

Sylvie was far more right to kill him than to not. Loki, Sylvie, & team (prolly also the latest Avengers lineup too) now just need to find a way to break this Kang cycle.

[mcwriting]

His Mobius

Lol y'all gonna hate me for this one but what can I say, I'm obsessed with this ship and slightly disappointed in the season finale.

Not my normal jam so sorry to those who only follow me for T. Holland content

Picks up where ep 6 leaves off. Don't read if you don't wanna get spoiled lol.

Ship: Loki vs. Mobius M. Mobius (one-sided)

Word Count: 1212

Warnings: it's sad boi hours in here y'all prepare to have your heart ripped out for a second; also spoilers

⏰

The color had drained from Loki's face as he realized what was going on when he stared at the giant statue of He Who Remains.

With the intense branching of timelines, Sylvie had kicked him into a random, newly-born universe.

He turned back to the man he knew-

No. He didn't know this man.

This was Mobius. M. Mobius, but not his Mobius. M. Mobius.

"I... I- I- I need a tempad, please," Loki begged the not-his-Mobius.

"Don't you have one? Wait- I'm sorry, who are you again? You never answered my question," not-Mobius said with growing suspicion.

He didn't know this Loki, or seem to know any Lokis at all, but he still knew to question guys who came up asking frantic questions and requesting other agents' tempads.

Loki didn't know how to answer.

For once he wanted to tell the truth, but there was no way he'd be able to explain things to this not-Mobius. He didn't have time. He needed to find his Mobius.

With a swift glance, he located not-Mobuis's tempad and with even swifter precision snatched it from the man.

"Hey wait!" he cried, but it was too late.

Loki had already punched in random numbers and opened a portal, stepping through into the unknown.

⏰

The yellow rectangle behind Loki closed as soon as he stepped through, and he knew that with all the chaos, he probably wouldn't ever be found.

As he got his bearings, Loki started to register the sights and sounds around him, along with the humid heat that made his already sweaty skin feel even stickier.

He blinked a couple times before realizing what he was looking at.

Somewhat.

He was in a rainforest.

"Midgard. This- I'm on earth," he muttered to himself, brows furrowed.

Back before the TVA, he'd spent years plotting his takeover of the planet. The Asgardian libraries had contained books filled with knowledge about earth's nature and climate systems, something he'd used to his advantage when planning where he wanted to rule from.

While he didn't know a thing about earth customs or technology, Loki could easily tell the difference between a chimpanzee and a capuchin, or explain how hibiscus flowers were great in tea.

The real question was when is he?

Loki looked at his tempad.

Manuel Antonio, Costa Rica. 2015.

It made sense. Loki remembered that the country was known for its lush landscapes.

There was no telling what universe he was in. He wondered if he could find someone to fill in in the 3 years since the battle of New York, if that had even happened in this timeline.

He took a look around. The foliage was bright green, and he spotted a toucan on a nearby branch. There was the occasional scream of a howler monkey echoing through the trees.

A few feet away, just past a few trees, was a dirt path. Signs that people had walked this trail many times.

Of course, a worry popped into the back of Loki's head that claimed a hungry jaguar had paced there as it looked for a meal, trampling the grass in search of prey.

His fears were quelled, however, when he heard faint voices nearing.

He stepped behind a wide tree and watched carefully as a man in a neon shirt led a family down the trail.

Loki spotted 5 kids, who all looked between the ages of 8 and 18. Interspersed among them were 4 adults who looked to be in their 40s or 50s.

At the back of the pack walked two older men. A shorter guy with snow white hair who looked to be in his 70s, and a taller one whose hair was very much salt-and-peppered, likely in his 60s.

The brightly-clothed guide was explaining to them all of the wonderful things Costa Rica had to offer, from its diverse flora and fauna to the beaches, mountains, and rainforests.

Loki was about to pop out from the wood and ask if this family could explain what the avengers were up to, or if they even existed at all here. He knew he would look ridiculous with his torn up TVA clothes but didn't care.

Finding Mobius was more important.

Before he could call out a greeting, he stopped dead in his tracks, blood running cold.

That voice.

He knew that voice anywhere.

The shorter old guy had cut in to make a joke to his family.

"I need to know where to get a jet ski around here."

Mobius.

That was him, but what was he doing here?

Loki felt weird seeing what it would have looked like for his Mobius to live on earth up to this point, assuming that the TVA variants of him had been plucked from the mid-1990s.

"Daaaad," one of the middle aged women groaned.

He has a daughter. Are those his grandchildren?

"You know we brought you on vacation to get you away from your jet ski, right dad?" another of the middle-agers said, a man who looked to be the youngest in his generation group.

A son as well?

"I'll have you know that the jet ski was the greatest invention of our time, of all history, even!" old-Mobius explained light-heartedly.

The taller man next to him placed a hand on his shoulder.

"I think we can manage a week without, my dear."

Loki gasped.

That was him speaking to old-Mobius. Well, not him, but an old version of him.

It didn't make sense.

Loki was well over 1000 years old. An Asgardian diety. A jotun.

He wouldn't just age like that. Not unless he sacrificed something to do so.

Loki couldn't help but notice, though, that while old-Loki's face was considerably wrinklier than his own, the man he looked at was void of worry lines around his eyes and forehead.

He looked genuinely happy.

Loki shifted as best he could to stay hidden behind the tree as he watched what played out ahead of him.

"Oh, alright, alright. I guess I can manage going without ole Lightning for the week if it means I've got y'all to entertain me. But just know that I'm taking everyone out on the lake as soon as we get back to Texas."

Old-Mobius, or whatever his midgardian name really was, smiled at his old-Loki, placing an hand over his lower back.

"I think that can be arranged," old-Loki agreed, quickly pressing a kiss to old-Mobius's temple as he wrapped an arm over the shorter man's shoulders.

Loki didn't even realize that there were tears sliding down his cheeks until the pang in his heart made him turn away from the happy family.

Because it wasn't just Mobius's family, it was his.

He didn't know how the two had found each other, how this Loki had somehow evaded godhood to live a domestic, midgardian life.

Loki couldn't stay here. He couldn't disturb and be caught by them.

He needed to find his Mobius, maybe figure out how to start a life like that.

It wouldn't be easy, jumping through the multiverse searching for that hard-headed, sarcastic, witty, crazy TVA analyst Loki had somehow fallen for, but he had to try.

So with the coast clear, he reset the tempad and stepped through another portal.

For his Mobius.

⏰

A/N: my heart is going to explode. Why did I feel the need to torture myself in this way? Anyways, I wrote it, so y'all gotta read it.

I don't make the rules.

Let me know what you thought! I love and hate this simultaneously so I'd love some feedback. Thanks for reading!!

Once again, sorry for those who follow me for Tom Holland stuff but I really wanted to write this!

If you would like to be added to any of my taglists, please message or send an ask so I can verify that you've been added!

Not tagging my permanent tag list since this isn't my normal content!

[charnamefic]

Kevin Can F*** Himself and The Sitcom

I am fascinated by this canon's universe, by the implications of living in a sitcom reality where there’s a non-sitcom reality when the sitcom isn’t running.

I’m taking as a given that Kevin Can F*ck Himself takes place in what truly is a sitcom-universe. I know some people consider the sitcom-style parts of the show to be Allison’s way of thinking about her life while she really lives in a more mundane universe, but frankly that’s not a theory that interests me. I have no beef with those who believe it, but I find Kevin Can F*ck Himself to be a much richer viewing experience personally if read as the off-screen adventures of an actual sitcom wife, and that’s the only reading I’m going to get invested in and theorize about.

At the beginning of the first episode I thought Allison was, on some level, aware that she was a TV character – I thought that her fantasies about living the 50's housewife advertising dream were the expression of a desire for a genre shift (that could never come) – but by the end of the episode I’d concluded that she doesn't know. I don’t think any of the characters know that they’re sitcom characters, and, as an extension of that, I don’t think any of them are aware that there are differences between the on-screen and off-screen existences they live. So what does it mean to be that one-dimensional, sitcom type of character and live under that universe’s rules for parts of your life, and transition into a rounded-out person with an active inner life at other times? What does it mean when you can’t comprehend that transition, and when the more rounded version of yourself has to tackle with who you are and what happens to you in that sitcom reality? What power of self do you have, both to be a person in your own right and to act as one free of the constraints of what the rules of a sitcom universe would demand?

What are the rules of the Kevin Can F*ck Himself universe as a sitcom?

Here's what we have to work with:

The universe is a status quo is god universe. Kevin and Allison can never move away, never not be Neil’s neighbours. We as viewers of Kevin Can F*ck Himself see what that means for the characters, how painful that stagnation is to Allison and the horrible things that have led to that consequence, but Kevin Can F*ck Himself takes place off-screen of the sitcom – on-screen, that’s just typical status-quo maintenance. Kevin and Allison can’t keep a pet, can’t add new characters to the cast or kick off old ones; at the end of the episode, nothing will have happened that will keep the sitcom from being something you can tune-in to irregularly without missing a plot-important episode.

The sitcom caters to the man-child id. Kevin can be rude and outright cruel to his wife, and he’ll never have to worry about her responding in equal kind. Kevin can accuse and humiliate and banish his best female friend, and she’ll come crawling back for re-entry into the gang, feeding him and making up for her failure to prioritize him. Kevin can fight with his best male friend, and the girls will sort it out without Kevin or Neil’s egos having to take a serious blow; it’s just a special episode where Kevin learns to express appreciation for his sidekick (at least until next episode). Kevin may be an everyman, but he will never be outshone.

The sitcom universe is simple and insular. “It seemed harmless.” It is harmless. All pain can be brushed off, all suffering passes quickly. Kevin can promise a bunch of people money he doesn’t have and trap them in his basement and not need to fear any lawsuits. Kevin can set his neighbour’s lawn on fire, and that’s fine, it really is. He can get a mailwoman deported, and once the episode’s over it’s no-one’s problem and it doesn’t indicate anything about what kind of person someone who would do that is or what values they hold. Kevin can get his wife fired, and she can’t nurse a grudge over that, can’t mention it again or have it shape their future interactions; it’s one and done. Dreams can be dashed, and by the next scene break it’s back to basics not simply because the status quo is god but because when your hopes die you get up and move on and keep acting like the paint-by-numbers character tropes you embody. The people are no more complicated than the actions. The caretaking wife can’t be truly hurt by the daily derogation she suffers from everyone who interacts with her. The next-door neighbour can’t have a fulfilling life outside of Kevin’s orbit, he can’t even complete fairly simple tasks without a leader to follow. Kevin’s dad can’t be anyone outside of being Kevin’s dad. The girl in the group cannot show an inner life or opinions or desires that conflict with her designated role. What you see is what you get, and there’s nothing you have to consider under the surface.

Kevin Can F*ck Himself has shown us that these rules only hold true on-screen in the sitcom; once the sitcom cameras aren’t on the characters anymore, the entire world shifts into something different. If we consider the on-sitcom-screen and off-sitcom-screen worlds to be like two intersecting realities, I think we have to assume that the sitcom reality is the dominant one. Events happen in the Kevin Can F*ck Himself reality that are necessarily related to the sitcom reality (Allison reacting to how she’s treated when off-screen; Allison and Patty discussing events that have happened on-screen while off-screen) whereas the events in the sitcom reality occur regardless of the Kevin Can F*ck Himself reality (Allison’s damaged clothes and injuries that occur off-screen aren’t noticeable on-screen; when Kevin confronts Allison and Patty, that confrontation makes sense in the sitcom universe even without the context given in the Kevin Can F*ck Himself reality). If the sitcom reality is the dominant reality, that necessitates that the Kevin Can F*ck Himself reality is still influenced by the rules of the sitcom reality even when the cameras are off – if the influence can only have significant consequences in one direction, then the universe that can’t significantly influence the other can’t have anything happen in it that would have to have a notable impact on the other.

To put this to a concrete example, the marriage Allison has on-screen can affect her contentment with her life off-screen and make her want to have an affair off-screen, but – given the premise expressed above – her off-screen affair can’t unduly affect her on-screen marriage. It can’t influence her think she might be able to find a safe way to get a divorce because that would affect the status quo of the sitcom. It can’t be reflected in her on-screen interactions with Kevin because that would complicate their marriage in a manner the sitcom universe can’t bear.  

I don’t think Allison’s affair with Sam can come out on-screen in the sitcom. The sitcom everyman’s wife cheating on him isn’t what the target demographic wants. The dream of the hot wife who’ll let you get away with anything, who puts out and cleans up and cooks and boosts and takes her lumps with a smile and stands by you no matter how many times things don’t go as desired – yes! The culturally ingrained fear that your woman is cuckolding you, that you’re inadequate instead of all that she wants and needs, that you’re a fool and didn’t actually land that dream catch – no, absolutely not! It breaks the rule of catering to the man-child id, it breaks the rules of simplicity, and it breaks the rule of status quo. I think Allison will face problems with the affair – we know she will in some way from the ep 6 preview – but I suspect the issues surrounding it will be more along the lines of getting to know Jenn and discovering that she’s actually awkward but sincere and the “who really gets the hot guy” competition is way less fun when you empathize with the opposition, or having to face that the reasons she and Sam didn’t end up together back when they were teens still apply and that doing this with him now won’t make her happy. Whatever happens, I don’t think Allison’s marriage will be affected in a way that will show up in the sitcom at all. So there’s a front on which Allison’s behaviour is safe – the affair can never come out in a way Kevin and the sitcom viewers will believe in it, so she will never have to face consequences along the lines of suffering a broken-marriage for which everyone considers her at fault because she committed adultery – and a way in which it’s not – Allison basically said that she knew it was a shitty thing to do but she had fun enabling Sam in cheating on his girlfriend back in high school because she didn’t know the other girl and didn’t really think about her, but now that the relationships those involved are in are even more serious and the other woman is an actual acquaintance there’s no way that this won’t at least lead to drama guaranteed to have a significant influence and consequences in her off-sitcom-screen life. My point with this is that (if my theory is correct) Kevin Can F*ck Himself will show consequences, but Kevin’s sitcom can’t, and that inherently affects the dangers Allison faces for her behaviour and what can come of it in both worlds.  

Leading off from that, we have the whole dealing drugs and assaulting a trucker thing. Necessarily, none of what we’re seeing in Kevin Can F*ck Himself about that can be reflected in the sitcom. We can have the dramatic irony of Kevin confronting Allison the night she started having an affair, we can watch Kevin confront her and Patty over the horrible acts they committed off-screen, but due to the nature of the universe, that cannot be anything but dramatic irony which sitcom viewers wouldn’t be able to pick up on. Simply put, Patty can’t be sent off to jail for dealing because she’s a regular. Allison will never be convicted for what they did to that trucker – even though you’d expect her to be in serious trouble given that surely there would have been security cameras all over any gas station – because that cannot flow back to the sitcom reality in any recognizable way.

Can the sitcom wife spend more than one episode under on-screen police scrutiny? There could probably be a plotline where she spends a night in jail, but according to sitcom logic that has to be sorted out before the episode is over. There has to be some sort of misunderstanding revealed, some piece of evidence come to light that exonerates her. She has to get back to her husband and the dirty laundry and the meals she needs to make. This is why I think it’s not possible that Allison and Patty mugging that guy for his oxy can come back to bite them in a way that would be reflected on-screen in the sitcom. The sitcom wife doesn’t beat people up for their drugs, not like that at least. The rules of a sitcom will not allow it.

The rules of a sitcom also don’t allow the star to die. I fully believe that Patty was right; if Allison had filled that burger with drugs, Kevin would have been back up and running by the next scene. So, given that truly bad things can’t happen to Kevin, and given that things can’t significantly change, what can Allison’s plans be building toward? Literally, is it possible for Kevin to end his life in jail for drug-related crimes? If the premise I’ve laid out above is correct, then no. Is it possible for Kevin to die in allegedly drug-related gang violence? No. It’s more likely that Marcus talks a big game, but is actually a small enough fish he could be taken out of the equation by Patty telling his aunt he was bothering her. I don’t think anything Allison and Patty can do in the Kevin Can F*ck Himself universe to get Kevin done for drug-related crimes can lead to anything more than a Very Special Episode about drugs on the sitcom.

So what does that mean for the show? I have no idea, and I’m really interested in finding out.

Can the rules of the universe be changed? Allison broke a glass on-screen, in a way which probably wouldn’t have been written into a sitcom, so maybe. But that didn’t really break any of the proposed rules of the universe, so maybe not.

And what happens if Allison succeeds? Characters in a sitcom have backstories, but can they have futures after the show is cancelled?

I’ve heard from a lot of people that they don’t enjoy the sitcom scenes, but (for the most part) I think those are depicted to establish and convey something important. I might be completely off-base with my analysis of how realities are portrayed in the show and what we can glean from that, but even without that I think we’ve been offered a compelling deconstruction of on-screen sitcom hijinks.  

Also, I just really love how they’ve worked within the boundaries of the intersection of sitcom and non-sitcom presentation. How can the “just getting by” family afford all the fun things that make the sitcom life aspirational without making the characters too well-off for the everyman to see himself and his own struggles in them? Simple – drain those off-screen savings. It’s perfect. It’s so beautifully indicative of Kevin Can F*ck Himself’s premise.

Any way you look at it and whatever theories you prefer, the world presented in Kevin Can F*ck Himself offers up a lot of interesting possibilities and I can’t wait to see them explored.

[grim-on-the-darkside]

George Lucas Sequel Trilogy [Some new info and some old]

 George Lucas's Sequel Trilogy

~ George Lucas Interview, Star Wars Archives: Eps I-III: 1999-2005: by author Paul Duncan.

"Darth Maul trained a girl. Darth Talon, who was in the comic books, as his apprentice. She was the new Darth Vader, and most of the action was with her. So these were the 2 main villains of the trilogy. Maul eventually becomes the Godfather of crime in the universe because as the Empire falls, he takes over.

The movies are about how Leia - I mean, who else is going to be the leader? - is trying to build the Republic. They still have the apparatus of the Republic but they have to get it under control from the gangsters. That was the main story.

It starts out a few years after Return of the Jedi and we establish pretty quickly that there's this underworld, there are these offshoot stormtroopers who started their own planets, and that Luke is trying to restart the Jedi. He puts the word out, so out of 100,000 Jedi, maybe 50 to 100 are left. The Jedi have to grow again from scratch, so Luke has to find two- and three-year-olds, and train them. It'll be 20 years before you have a new generation of Jedi.

By the end of the trilogy Luke would have rebuilt much of the Jedi, and we would have the renewal of the New Republic, with Leia, Senator Organa, becoming the Supreme Chancellor in charge of everything. So she ended up being the Chosen One."

............................

[Luke dies in Episode 9]

.............................

Commenter - 'How many students were at Luke's Jedi 'academy"? Was it even an academy?'

Pablo - "We'd likely never use that term. That's very EU, not very George. It'd be a temple. As for numbers, can't say now."

~ Pablo Hidalgo, 2015

https://ibb.co/k38HzwX

..............................

"In late August 2012 Star Wars fans from all around the world gathered in Orlando, Florida for the sixth official Star Wars convention, Celebration VI. The lineup was strong despite the live action movies, always the brightest and biggest stars in the franchise’s galaxy, coming to an end seven years earlier. Though he was not scheduled to attend, series creator George Lucas was there. Publicly, he was just there to make a surprise appearance during the panel for the animated The Clone Wars TV show. But privately he was there to talk to original trilogy stars Mark Hamill and Carrie Fisher. They were brought to a conference room away from the convention floor where George broke the news: he was working a new Star Wars trilogy and wanted them to reprise their iconic roles." [Disney didn't buy Lucasfilm/Star Wars until October 30th of 2012. This meeting occured two months before the sale, and at that point, the sale couldn't be assured.]

(1/3/2018)

Just days after posting this, Lucasfilm Story Group member Pablo Hidalgo tweeted out some information about the early versions of Episode VII (Skyler is another name for the Sam/Finn character).

Skyler and Kira (and Kira wasn’t the first proposed name either; she had at least two others) became, after a fashion, Finn and Rey. The Jedi Killer morphed from Talon corrupting the son to becoming the son. Uber became Snoke. The starting point shifted. Yadda yada yada.

The son falling to the dark side was always in the mix. The movies just ended up having it already an established fact.

Skyler was the son in some versions. And as for how all that was gonna go down, that ain’t my story to tell.

And in 2016, he confirmed that Thea (Kira/Rey), Skyler, Darth Talon, and the planet of Felucia were in George’s plans.

Question - ‘But Talon was in the treatment, right?’

Pablo - “Yes.”  “

‘Hmm… assuming this is still 30 years after RoTJ, wouldn’t that kinda mess with the Chosen One thing?’

Pablo - “Depends on whether or not she was a Sith, I suppose. George wasn’t all that interested in her EU backstory.”

~ Pablo Hidalgo Tweet [Archived] (June 19, 2016)

https://ibb.co/NYVW7w3

......

(1/6/2018)

Added quote from Harrison Ford about George Lucas telling him during their first Episode VII related call that Han would die. Also added more information about the timeline.

(6/14/2018)

Added information and quotes from George about the inclusion of the Whills in his sequel trilogy.

(6/26/2018)

Added information from Mark Hamill about Luke training Leia in Episode IX before dying.

(11/28/2018)

Added concept painting from artist Christian Alzmann that received a “Fabulouso” stamp from George Lucas.

https://medium.com/@Oozer3993/george-lucas-episode-vii-c272563cc3ba

“The ones that I sold to Disney, they came up to the decision that they didn’t really want to do those. So they made up their own. So it’s not the ones that I originally wrote.” ~ Lucas on his Sequel Trilogy

--------------------------------------------------------------------------

More generally, Hamill compared the approaches between Lucas and Disney's Star Wars films:

Mark Hamill quotes about Lucas Sequel Trilogy -

"George had an overall arc – if he didn't have all the details, he had sort of an overall feel for where the [sequel trilogy was] going – but this one's more like a relay race. You run and hand the torch off to the next guy, he picks it up and goes.

"I happen to know that George didn't kill Luke until the end of [Episode] 9, after he trained Leia. Which is another thread that was never played upon [in The Last Jedi]."

Where Lucas would have taken the second set of prequels. Though Leia and Luke communicate telepathically, fans have never really seen her use the Force. Mark Hamill had this to say about Leia using the Force in George Lucas' original writings.

   "This is always something that interest me because we can communicate telepathically and I tell her in one of the movies, I guess the third one, you have that power too. So I always wondered, and I don't read the fanfiction, [Expanded Universe] why she wouldn't fully develop her Force sensibilities and I think that's something George Lucas addressed in his original outline for 7, 8, 9. I was talking to him last week, but they're not following George's ideas so we'll have to wait and see on that one. But it seems like a waste of an innate talent that she should utilize in some way."

https://movieweb.com/star-wars-leia-originally-used-force-george-lucas/

[The next three Star Wars films] were going to get into a microbiotic world. But there’s this world of creatures that operate differently than we do. I call them the Whills. And the Whills are the ones who actually control the universe. They feed off the Force.

  Back in the day, I used to say ultimately what this means is we’re just cars, vehicles, for the Whills to travel around in…. We’re vessels for them. And the conduit is the midi-chlorians. The midi-chlorians are the ones that communicate with the Whills. The Whills, in a general sense, they are the Force.

   All the way back to — with the Jedi and the Force and everything — the whole concept of how things happen was laid out completely from [the beginning] to the end. But I never got to finish. I never got to tell people about it.

   If I’d held onto the company I could have done it, and then it would have been done. Of course, a lot of the fans would have hated it, just like they did Phantom Menace and everything, but at least the whole story from beginning to end would be told.”

~ George Lucas, James Cameron interview

https://io9.gizmodo.com/george-lucas-ideas-for-his-own-star-wars-sequel-trilogy-1826798496

Dear Maker, You are missed. You are the canon.

[papers4me]

Fruits Basket SE02 (ep,6)

Good ep with lots of character insights! kinda  felt long, too.

-TOHRU!!

“you dont carry a photo of your dad“, “all you ever talk abt is your mom” & “you have a serious mother complex” Thank you hiro!!!! finally the show is acknowledging tohru’s dark thoughts/ troubled past/ mom issues! This means more tohru focus. She HAS mom issues (grief) & her attachment to her mom is not presented as a cute trait. It is questionable (a coping mechanism). She was really in loss of words in front of hiro. Her happy mask failed her. The I’m Okay mask that fooled everybody to think she’s over her mom’s death after only 4 months. her awkward laugh came out weak, defeated & so painful.

-Tohru‘s flashback contains snippets of where her issues started. A younger kyoko & tohru, her dad’s funeral? I see a shrine? or incense next to his picture. Kyoko closing the door on tohru? then kyoko’s death as tohru stands alone in what used to be their flat..Tohru whispering “its okay” to herself repeatedly is heart breaking.“we’re always together” is tohru’s mantra. This is her coping mechanism, keeping her mom alive in her heart & memories...otherwise..tohru’s alone. It’s so frightening being alone after a loved one’s death. cuz death is final. there’s no visits, words, sightings between you & them. There’s only the memories. Once these are gone...you are truly alone without them. Tohru being an orphan plays more into this.. she truly has no one to face the world with. The sohmas? a “found family”? how long will tohru be with them? how long she’ll stay with them? a day will come when each pursue their life/career/future...She’ll be alone again. Tohru’s journey is about dealing with grief. After perfecting her mask thro the night. she’s so falsely bubbly & happy. she fooled all the ppl she’s with. Except for the trained eye of tohru’s cat.

Kyo’s subtle development: 

The show is acknowledging that it is easy to miss kyo’s character changes since his thoughts are blocked from the audience. However, while the show insists to continue to block kyo’s inner thoughts for plot reasons, it tries to make up for it by making kyo’s subtle character changes noticed by other characters within the show. Since season 1, many characters have commented on kyo’s changing behavior, season 2 Kazuma, Kumintsu & now momiji. he’s becoming less angry, more into joining the others & overall kinder. His tone is calmer, too. He didn’t even get angry at Ayame when he barged in his room in SE02 ep,2. These changes resulted from kyo reflecting on his behavior & consciously modifying it even if we didnt hear his thoughts. I must say, that as much as I’d love to hear kyo’s thoughts abt himself, I’m loving that the show is using visuals to show the change. It is fun to watch & analyze! Although it also means, I might miss some.

- Kyo & tohur’s beach scene is representation of his growth. I’m impressed the show used that small convo Kyo & tohru had in ep,2. I never thought that could be worked into the plot. Kyo is a good listener. Him noticing her faulty swimming style & coming for the rescue is cute. His tone is interesting, it was a mixture of fondness of her silliness, tiredness from her not-so smart antics, & joy of making her laugh. What’s really interesting is that kyo moved in front of everybody. Before, he was fond/kind/concerned for tohru when their alone. He wouldn’t behave like that in front of the others. But now, this kind of behavior has become so normal to him that he subconsciously shows it in front of others. His attachment to her intensifies as he starts reading her better & better. Kyo noticing yet another tohru issue with just one glance & deducing that since everybody loves tohru, it must be caused by hiro who isn't under her spell.

Yuki & the hat:

Why is Yuki shocked that tohru cherishes the memory of being saved? Is it his inferiority complex (installed by Akito) that makes him think no one will ever cherish anything he does? Yuki had PTSD flashback right after witnessing kyo’s behavior. I think yuki is watching kyo’s changing & is hoping to change himself as well but is held back by Akito toxic words. Once again, haru is there for yuki. Whenever yuki indulges in toxic flashback/thoughts someone comes to help, whether it’s tohru or haru. It’s a message that yuki needs to notice. It is not pitch black. Hope is here. Open your eyes & look. Haru, also goes further & engages yuki & kyo in a race. Just like tohru did in SE1, Ep12. Engaging yuki into a game to take his mind off darkness.

Opening the Lid & the journey to heal:

Tohru’s journey is abt dealing with/overcoming grief. Kyo is about guilt & the right to live. Yuki is abt growth & discovering self. Each journey is extremely different. None of theses three should proceed with the same pace as the other since their core trauma, character traits, life experiences & obstacles are different. I love how much the show is emphasizing that You can’t overlook other’s struggles, simply because they react differently than you or you think they aren't moving as fast as you. These three, some of them will reach their goal faster than the other, it doesn’t mean they’re better or the other is worse. It simply means they are different people. Excellent story telling!

Must open the lid is metaphor for all three kids. I personally believe that since the show started with Yuki’s dark side in season 1, he’ll reach his goal first. Both Tohru & kyo took until the near end of season 1 for the show to actually dive into their trauma. I firmly believe they are delayed for plot reasons. Tohru is the main female protagonist, her struggle will be the show finale & oh boy..if kyo’s apology is indeed about kyoko..then him too will be delayed as well. This doesn’t mean they won’t get any development until then. No, we’ll have pieces of them here & there. But first, the full focus will be on Yuki. This also serves the shows message that not everybody heals with the same pace.

Rin & Shigure:

Rin didn’t come here to seduce Shigure. she looks troubled, sad & tired. She assumes Shigure knows what she wants & is willing to pay in exchange for it. “what I shall do with you” is chilling. I personally, don’t think he means physically. Not because shigure wont do it. He would if he wanted. But because Shigure is more interested in his goal than Rin. How he could use her to achieve his goal. His goal is Akito. he’s thinking where can he fit Rin in his schemes.

Side notes:

the shadow animation is weird as characters seem to be floating. lol.

I love momiji’s annoying little brother vibe with kyo. XD

Personally, I think the show’s overexposure of yuki’s inner thoughts steals from yuki as much as excessively concealing kyo’s inner thoughts steals from kyo.

that first person perspective of when Rin comes on Shigure is made on purpose. 1)fan service. 2) shocking viewers. 3) darker & mature shift in the show’s tone. 4)purposely creates misunderstanding abt Rin & shigure.

Kyo sulking after loosing is hilarious. dude, it’s the jeans’ fault.

The show is giving Hiro his little character growth through teaching him to be more sensitive & respectful of others’ feelings.

Hatori has a girlfriend now!!!!! YESS!

[nicknellie]

Honestly time just doesn’t exist anymore lol. Sadly I didn’t have an hour or so until now so I hope I can ‘ask’ this soon. (Same to you, good whatever time of day it is for you!)

Box stuff: (honestly that’s a bit hilarious because we have shifted so far from box stuff and I think this is where Reggie taking people‘s baby pictures came from)

1. I love how you have classic teenage boy angst starting with caps that’s funny. And very true, Alex will come over as soon as he can and tell Luke how much of an idiot he’s being but affectionately (also in the way that friends can but if parents tried to do the same you wouldn’t listen yk)

Yes, mom and son bonding time. I just love the idea of Alex telling Emily everything that’s happening while they are cleaning or making food is adorable. And Emily spreading gossip is everything (also Luke’s childhood stories because what best friend doesn’t want to lovingly tease their friend)

Wait I love that idea. Personally I don’t feel like Alex or Reggie would go to their parents just because it seems as if they left on bad terms. Although Luke did leave on bad terms with his parents as well, I just feel that checking in on them once is something that he would want to do. Also that last sentence is sad, kind of shows that when something happens to someone there will always be another person who is affected by this. That you can’t always tie up loose ends, for example in the show we see the boys say just before ‘the band is back’ that in those 25 years they don’t know what happened to their friends or their family. So it’s easy to assume that they had friends outside of the band and whomever they are possibly the boys would’ve wanted to say something to them but they never got a chance to. (Also I’ve seen theories where the boys have siblings which if this is true then maybe one of them could go back to that sibling/s)

Yea the song is sad. Also could relate to Julie and how she lost her mom that how in the show. They kind of dance around the fact that the boys are some thing that Rose sent down to her ‘you were an angel in the shape of my mom’.

(Also if you want another sad song, ‘soon you’ll get better’ by Taylor Swift because if Rose did die from cancer like some theories I’ve seen have suggested then this song which is very emotional and kind of talks about this as well could relate to Julie and her mom as well) (I promise you can throw some sad songs my way as well, I know I’m just throwing really sad ones at you lol)

Anyways, going back to the actual conversation. I believe that we did say Emily and Julie are close because they’ve met before and just in general after Julie gave her that song they became closer. But yes they hear it one day and just get so upset, maybe someday Julie plays it for Emily and Mitch 🥺

3. I love that, also adding onto this Willie is basically the same way however his experiments don’t turn out nearly as well also he’s just in love with the fact that Alex can legitimately not use a recipe book but make some thing extraordinary. But yes, Luke and Reggie are horrified especially when Alex throws the recipe book. ‘Bye bye Mr. Recipe Book’ as you said.

Board games and jam:

1. Yes, exactly. Reggie just starts laughing when Alex throws that one but quickly stops when Alex throws one at him as well

Exactly, his weapon of choice is his drumsticks, which may not seem threatening but seeing as which Alex is rather tall and weirdly has very good aim they hurt when he throws them.

That is what I was picturing, like Caleb just looks in shock for a second because how dare someone throw drumsticks at him, but at the same time someone threw a drumstick at him.

Among us

Yes, Alex is always annoyed how everyone voted for him with no prove. So he always tries to sabotage Luke, every chance he has.

Alex kind of gives up not talking to Willie after about 10 minutes, his puppy dog eyes convince Willie to never do that again. (Also because Alex has no problems killing Willie if needed)

Honestly everyone just kills Luke first and he gets upset about it but everyone is laughing. Also exactly, if he doesn’t die first then he is usually the imposter.

Accessories- I actually looked at them before I made my comments and I completely forgot about the hat as well but I saw it and I was like oh that’s such a Reggie move. Yes that is exactly why Carlos has the paper bag.

Honestly Flynn being competitive is everything and very true. Also yes, she is totally impatient like I’ve read these rules probably three times and this decision is taking forever so give money.

Alex just sneaking Willie money is very in character and I love that. Alex just being like no is similar to how he says it during the ‘girls am I right’ scene

Honestly monopoly just takes forever and sometimes people just don’t have the patience for that also as you said arguments are a very real thing that happen. (honestly part of the reason why I said Flynn is competitive because depending on the game I can be the same exact way)

Oh yes, Flynn is just like you’re trying to accuse me of cheating and you’re trying to pretend that we haven’t seen you smuggling Willie cash this entire time, Sure Alex.

Oh my goodness, and while Reggie is avoiding Luke. Alex in the background just casually says something like ‘now you know how I feel.’

Numbers:

2. Exactly, and of course Alex is just like Aw Willie is laughing so I may forgive this for now but you’re still replacing this.

Yea I’m hoping that Arthur will grow on me. Also I just haven’t had a lot of time to Address to his character aside from like the two interactions with Merlin who honestly if anything kind of starts the fright.

Exactly. Alex just being done with Luke 24/7, ‘I’ve had to save him 25 times so far, how is that possible’

6. That’s hilarious because Alex is freaking out over this cute hair flip however at the same time he is in the thought processes of ‘oh I have to act cool in front of my best friends because they will definitely tease me more later, so what should I do’

Exactly, honestly I don’t blame you and I totally support that writing decision lol. (On that note best of luck with your other requests, also with school because it seems like it’s been a tiny bit stressful and I don’t mean to over impose but I just hope you’re doing well!)

8. Oo I’m excited for the tangent. I completely agree they are the perfect recipe for a band because their strengths are each other’s weaknesses so they’re able to balance each other out so well. Also in a way where one of them won’t get a big head or anything.

Luke- exactly, and although he does have his insecurities the others are able to balance this and help him out just as much as he helps them. Especially where he is kind of like the leader of the band unofficially with being the lead singer and everything it’s easier for him to possibly get cocky or something but we don’t see that. More often then not, as you mentioned it he tries to be there for his band and make sure that they are doing well before he thinks about himself.

Reggie- precisely, honestly I feel like some people don’t recognize how important an instrument is until you don’t hear it anymore (will bring this up later with Alex). And if they didn’t have the bass line and the one set of back up vocals that Reggie provides (Alex/Bobby as well) then the songs would definitely be lacking some thing. He has such an incredible vocal range, which I feel like is shown rather well in stand tall because although he doesn’t have a lot of solos. It kind of shines very well in the solos he has in that song. (Also the actor in general just released an EP which also not only displays his musical ability with the instruments he can play but his vocal ability as well)

Also, as you mentioned his kind of role as the happy one kind of balances out Luke’s go with the flow, (honestly not sure for Bobby they haven’t shown his character a lot to know but possibly another voice of reason) and Alex who can overthink things and can be mature.

Alex- kind of like what I said earlier. When Alex says get ‘woke these are sensitive times’ due to Luke saying that they didn’t need to have a drummer for that song (later we see that Alex is drumming in that song) if they didn’t have a drummer for that song then the entire tone of the song would’ve been changed because they didn’t have percussion and it possibly could’ve been overwhelmed with string instruments.

Agreed, it’s easier for the drummer to be overlooked but he keeps the rest of the band on track and if the one that the boys fall to if something goes wrong (for example when they appear and Julie starts freaking out, Alex says that he should handle it and the boys let him immediately).

Bobby- Yes, I feel like if season two focuses on the past of Sunset Curve a bit more then it will be easier for us to see what exactly his dynamic is in the band. Exactly, they would be lost without having Bobby in their band. And as you mentioned, he is part of the glue that holds them together from our previous discussions as him being a counselor and who the band would turn to.

I love how you described it because you’re completely right. Without the other three there then it’s easier for Bobby to feel more alone because now he doesn’t have his support system that he’s relied on for who knows how many years. Also as you mentioned he doesn’t have the band reminding him to either let loose a little bit or when to stop so he’s easier to manipulate if that’s the direction that the show wants to take. Honestly I just don’t want to think about Alex or Reggie or Luke being alone that night but exactly, they would be a mess without each other.

11. Honestly Reggie just forgetting to mention that he met celebrities at their concert and stuff is such a in character move.

(Noted, we can just pretend that it happened in like 1994 lol)

17. Oh my goodness, I know we mentioned that Reggie had a Caleb scrapbook. However honestly I forgot about that and it’s hilarious to think about Nick having his own page in that scrapbook due to when Caleb. possessed him.

Oh my goodness, yes. Just like ‘I get that you are trying to take our souls however I want your baby pictures right now’ - Reggie.

Honestly I just want Caleb to be good just because not only is the fashion incredible but Cheyenne Jackson is such a phenomenal singer and it would be sad if due to the character being a villain that eventually they had to get rid of him.

Precisely, he just want to protect them all and he totally would love Julie for the reasons that you said.

I love the idea of Reggie just walking into the White House and basically everyone jumping out of their seats and helping Reggie take over the world.

19. Exactly, they seem to have a very good alliance between them however as the snow fight continues they all just switch sides and eventually it is just Willie and Carlos, Julie and Reggie, and Luke and Alex. (they are really bad at keeping alliances, in the end everyone has had an alliance with everyone) (and or just keep the teams I mentioned but they are definitely chaotic enough for every team possible to happen)

20. Same here, and it’s just so easy to tell that they are close together which makes the their chemistry on screen seem really believable. (Friends, ect)

Exactly, they do you have a few moments however it’s that way for every actor and some of those may just depend on personal preference. Also for quite a few of them as they get more experience than how they act will definitely improve and honestly just seeing how phenomenal they are now, I can’t wait for that to happen

Honestly yes, just jealous Willie I guess. Also just completely ignoring what is happening on screen and what the show is literally trying to show them.

I agree ,because although I feel like it would be interesting if somehow the theory was in the show. At the same time I just feel like it would overwhelm the show and it would be easier for Caleb to turn nice then for him to not be the one at fault. That’s an interesting theory, honestly I didn’t think of him handing over HGC over to Willie and is a new take that may be nice to explore, if the show wishes to.

Honestly, Luke and Flynn‘s friendship does deserve its own post. And legitimately if anyone messes with Julie then they would have to run because not only would Flynn and Luke have problems with them but the rest of the ghost boys alongside Caleb probably would come after them as well.(And the family)

21. Phew, I’m glad you I agree because I legitimately have no reasoning for that except for I just want to see Alex just casually say one day that he got arrested and have Willie just be so startled.

Oh yeah Reggie and Luke would start the fire but Alex would be the reason that it’s continuing to burn while Bobby is just unbothered on the side. Going with the Sunset Curve graffiti, that’s exactly what happened but if any asks they have no clue how it got there.

25. I’m just imagining Carrie accidentally being turned the wrong way for some of the conversation and then she faces Willie and although he was laughing before he all of a sudden gets really serious. (Although it’s Luke’s and Reggie‘s shovel talk that makes him the most afraid)

I love how you’re like it’s not because I want Flynn and Carrie to be together however that’s basically the entire reason. (I embellished a little bit but yeah) But I do agree, I feel like Carrie and Nick could have such a great potential to be friends. I love how you said that it’s Caleb who says yes to going back to Carrie that makes her suspicious not anything else that he does.

26. Oh my goodness, a little list to annoy Alex.

32. Honestly the fact that Alexander‘s Reggie back to the park manager with a batch of cookies is such a mom friend to do and a very in character move for Alex.

37. Legitimately Reggie is just banned from using laundry mostly because Alex and Luke were very horrified that day which they never want to experience again. Yes, and it wasn’t even a colour that made sense but one that theoretically is supposed to be impossible but Reggie managed to do the impossible.

I also love the little detail of candles being banned from the studio because Luke once out his arm in it. Also going off of that Luke and Reggie are also banned from using lighters just because they think arson is fun and would definitely try to set something on fire.

Oh my goodness, Luke being on fire and Alex just being done ‘Luke we are dead it’s not going to hurt’, and Julie is just saying something along the lines of how did this even happen. (Reggie is kind of panicking as well but he is probably the reason why Luke is on fire)

I love the fact that Julie is the first person who believed Reggie about having the Queen‘s baby pictures because that is adorable. Also just because a Reggie and Julie friendship is needed so much.

Good whatever time of day it is for you (honestly love that lmao)! 100%, time hasn’t existed since like March which is why I accidentally slept from four til nine and am now answering this at half midnight because I’m unable to sleep and also it’s brilliant, but anyway!

Box Stuff (oh yeahhh this is where the baby photos came from!)

1. Lmao I love that idea, Alex comes in and sees Luke like sat amongst utter chaos and he just goes “Luke, that was dumb” about whatever he did and Luke just grumbles “I know” obviously doing the angry puppy face. Also I love that detail, like if a parent said it then it’d be unacceptable but it’s a friend so it’s fine, I totally get that. He’s like “this is what I think you should do” and Luke grudgingly listens.

Side note: the way we’ve been talking about Alex is really really strongly reminding me of one of my irl friends and this is literally nothing to do with any of this but I’m now projecting her onto Alex so I wanna headcanon that Alex was really close with teachers. Not in a weird way, like they just got on well with him because he was a good student and he was bright and happy when he wanted to be, and he was mature and well-mannered and everyone he ever met would do anything for him. It’s not like he was a teacher’s pet, it was more like they trusted him and were friendly with him and tended to give him higher grades because he was so nice.

Anyway, idk if that made sense, but back to the actual points! Omggg yes Emily telling Alex all Luke’s stories! (Like places he got stuck as a child bc as we know Luke will get stuck anywhere 😂) Alex starts bringing them up whenever Luke is being particularly annoying - “bold words for someone who cried when they met Mickey Mouse at Disneyworld” and bonus points if Emily happens to be in the room (like they’re at Luke’s house or whatever) smirking to herself because she loves her boys

You put this so beautifully omg 🥺 I think you’re definitely right about all of this, Alex and Reggie would have not wanted to see their parents and given that opportunity to Luke instead. And like yeah exactly!! Alex says they had other friends but we never hear anything about them and it makes me wonder what they did when the band died. Also this got me thinking about tributes the school would have held for them and all the different things going on in their honour, and people being careful with Bobby (like people were with Julie after Rose died) because he’s been so down and them all carefully offering their condolences and saying they’re sorry for his loss and ouch. Oooh yes personally I really like the idea of Alex having a sister who’s quite a lot younger than him like ten years but I think that’s just me projecting, no matter what I definitely think he had a sister. It says in the show that Luke was an only child (and sidenote: that made me headcanon that Mitch and Emily really struggled to have kids, possibly going through infertility treatment and Luke was the only child they didn’t lose during pregnancy but they still ended up losing him anyway), and also I like the idea that Reggie had an older brother who he didn’t see much. I think Alex would have liked to see his sister again but Reggie wouldn’t have minded either way about seeing his brother

I haven’t heard that song but I’ll make sure to listen to it in the morning! And I’m so glad you said I could suggest songs lol because I literally only heard this for the first time about an hour ago but I’m already in love with it - Don’t Stop... by Oasis is literally such a beautiful song and I can definitely imagine it as something Rose wrote to Julie, Ray and Carlos like Wake Up before she died, or alternatively a song sort of similar but not really to Unsaid Emily, more like Luke trying to comfort Emily. It’s less sad and more sort of comforting and emotional, but it’s absolutely gorgeous!

Omggg Julie playing that for Mitch and Emily, I would cryyyy. I feel like the Patterson’s have a piano so Julie would be at their house one day and start playing the chords and humming along and Emily and Mitch would watch as she slowly starts singing and it turns into a proper performance and everyone’s crying by the end omg I love it

3. Lmao that’s great, Willie sees Alex improvise and is like “how hard can it be?” and tries it by himself and almost sets the kitchen on fire. Alex just isn’t even surprised and helps him clean up, then the next time Willie wants to do it Alex helps him - turns out Willie should just be banned from the kitchen at all costs because even with Alex there it still ends up going wrong. And I love that, how Luke and Reggie would just be horrified when Alex throws the book away. Like Luke would go and get it from the trash or wherever Alex chucked it across the room and would nervously say “you need this buddy?” but Alex just waves him away like “NO it’s stupid get it out of my sight”

Board Games and Jam

1. Pfffft this whole thing literally made me laugh out loud. Reggie thinking it’s hilarious but his face immediately falling when Alex is against him, immediately trying to backpedal.

Also I read it wrong bc I thought it said “Alex is weirdly tall” and I was like I’m pretty sure he’s not like much over six foot that’s normal??? Then I read it properly and was like oh ok that makes more sense. And also you’re right, like a drumstick may be a flimsy piece of wood but Alex has perfected his technique and good god it hurts if it hits you

Lmao that’s exactly what I was imagining too! Caleb just looking completely flabbergasted because How Dare someone throw something at him?? And while he’s still looking shocked, another drumstick hits him. He starts to look annoyed more than shocked and another drumstick hits him. Eventually, he carries on with his evil speech, now looking resigned and a little fed up because he’s still being pelted with drumsticks and can’t figure out where Alex is getting them all from

Among Us

Wait yeah I love that, I wanna build on that a little - he gave up on not talking to him because Willie was sat next to him and continuously poking him while saying “I said I’m sorry hotdog please love me” and Alex literally can’t resist, so he’s like “fine on one condition” then whips out the puppy dog eyes and asks Willie never to do it again and Willie agrees instantly. Alex kills him literally the next round.

It gets to the point where if someone finds Luke’s body and there was no one near it at the time then they’ll just ignore it and won’t even call an emergency meeting bc they can’t accuse anyone of being sus because it could literally be any one of them unless someone was running away from the body. Luke gets annoyed so quickly and won’t do his tasks as a ghost because everyone is laughing at him and being mean about his death

Exactly! Flynn has the rules memorised word for word and if someone tries to do something they can’t she will literally be out of her seat like “NO bitch play by the rules, why can none of you play this game properly?!” and everyone is like “... calm down all he did was accidentally move his piece three spaces instead of two. chill.”

YES LOL that’s exactly what the “no” is like absjdldl

I love that so much, also because I feel like they wouldn’t really talk much outside of game nights and stuff - like Willie would be good friends with Flynn so Alex would talk to her whenever they all hang out, but most of the time it’s just them as a group so their interactions are almost always them arguing about the rules of Monopoly. The only time they’re in agreement is if Luke (and only Luke) does something wrong then they will gang up on him, Flynn bc the rules are very important to her and Alex bc he thinks it’s funny

Literally same, tbh I’m usually the one who starts arguments during any board game so it’s good we can both project our competitiveness onto Flynn 😂😂

Pffffft yeah lmao Alex just has no sympathy for Reggie’s struggle

Numbers

2. Omg that’s great lmao, love how you just slightly changed the 25 years quote. I’d like to add “You know what else is rude? Not thanking me for literally saving your life. Get woke, these are sensitive times.”

6. It leads to a disastrous conversation that goes something like Willie saying something and Alex giving a panicked response then Willie replying and Alex attempting to give a chill response bc the guys are watching and the whole thing ends up awkward

Unrelated sort of, but it kinda reminds me of this scene in a show called Miranda (idk if you’ve ever watched it? Again it’s one of my all-time favourite shows. It’s getting an American remake actually called Call Me Kat which Cheyenne Jackson is in!!) where the main character Miranda is talking to the love interest Gary. Basically they’ve not seen each other in years and so Gary asks what’s going on in her life and she tells him she’s an Olympic gymnast. Later he asks if she’s seeing anyone, she says she’s married and has two kids called Orlando and Bloom. Gary says he’s single and she’s like “oh me too” so he asks about the husband and kids and she’s like “we’re divorced now. The kids are... dead” anyway yeah now I wanna write a Miranda AU lmao

8. Luke - exactly!! His selflessness can be dangerous sometimes bc he might just forget to take care of himself but the others balance it out. Also yeah it would be so easy for him to get cocky but he just doesn’t because the band means so much to him!

Reggie - yes to all of that! His solo in Stand Tall is beautiful, and I legit can’t remember if I brought this up before but my favourite Reggie lyric is that “today!!” in Now or Never because it’s just amazinggg. And yes!! Jeremys new music is literally so good, I haven’t listened to all of it but like you said it’s such a great display of his abilities and he’s so so so underrated within the fandom and in general

Alex - yes!! That’s the perfect example because even luke doesn’t realise how important Alex’s part is and like that’s Luke of all people

Wait yeah that’s a great example! Alex keeps them on track by trying to calm Julie - I mean, admittedly he doesn’t do a great job (“wHy ArE yOu In OuR sTuDiO?!”) but they know that he’ll be the best guy for the job

Bobby - exactly I just wish we had more information from the show to go on for him!!

And ok ok ok just this got me thinking - imagine if it had been Luke left alone that night. He finds that his three brothers are dead and he’s just completely lost. It suddenly feels like his dreams have been crushed because he doesn’t want to go on with music without the band. He doesn’t know where to go, but he feels himself longing for home. So he goes to the studio but it doesn’t feel like home anymore. Without the other guys there, making noise, or staying quiet, or laughing and joking or making their music, it doesn’t feel like the home Luke had considered it before - it just feels like a room, a draughty old garage with shattered memories and newfound loneliness. But he’s still aching to go home, he just doesn’t know where that is anymore. He walks, and he keeps walking, trying to find somewhere that feels accepting and welcome but nowhere fits. He doesn’t even really know where his feet are taking him. Eventually he stops walking and he looks at where he is, and he sees that he has stopped outside his house, at the end of the driveway. Through the window he can see Emily knitting and he’s reminded of Bobby, and he sees Mitch doing a crossword in the paper and he’s reminded of Reggie, and he sees a Cake cooling on the counter and he’s reminded of Alex, but also he can just see Mitch and Emily. He walked himself back to his parents. He walked himself home. And he has no idea what he’s going to do or say but he walks up to the door for the first time in months and he knocks and it’s Emily who answers and for a moment they stare at each other and without a word they both move to hug one another. They’re crying, quietly, and Emily whispers into his ear, disbelievingly, “you’re home” and he realises then that yes, he is. He comes in, tells them everything that happened, and from then on they support him and help him pursue a solo career - he dedicates all his songs to his fallen family.

17. That mini Reggie quote literally made me snort with laughter. And Caleb’s response is just like to wave him away like “fine fine you can have them next week”

Exactly!! As brilliant as Cheyenne Jackson is at decadent villain songs, I’d rather get rid of those and have him turn good than defeat him and have him leave the show :(

19. Wait yeah I love that! Eventually every alliance falls apart because they can’t resist attacking each other. It’s Willie who makes his way through everyone the fastest because if he sees a moment to get his partner he will not hesitate

20. Yeah you put that so perfectly!

Ooooh exactly! Seeing as this is a totally new fandom it’s going to be exciting thi at we get to watch it grow and watch them grow with it as they get better and better and hopefully the show gets better with them (if that’s even possible, it’s already pretty perfect). And also I can’t wait to see them in more stuff! Like most of them have already been in other things but for the most part they weren’t well-known but now they are so they should be able to grow as actors because of that too which is exciting

Yeah totally there is definitely such thing as too many villains and I don’t think anyone can top Caleb anyway. And yeah, I’d so love to see Willie take over the HGC because he would make it so fun and also probably turn half of it into a skatepark

Anyone: *messes with Julie*

Luke, Flynn, Alex, Reggie, Willie, Ray, Carlos, Caleb, Nick, Carrie, Trevor, Rose’s spirit: You’d better start running.

21. No I can totally see it happening! Like Willie almost definitely got arrested when he was alive too so one day he mentions it and Alex is just reminiscently like “I remember when I spent the night in jail” and Willie is just ???????

Yeah they’re like “oh the Sunset Curve graffiti? Idk man we’ve got some pretty crazy fans out there. It definitely wasn’t us doing it because Reggie needed cheering up and crime always does the trick.”

25. Lmfao that’s brilliant. Carrie turns around with a face like thunder and Willie is immediately like “oh god I’m already dead but I think she’s gonna kill me again”. Honestly most of her talking would just be her saying “Alex is the sweetest, nicest, funniest, cutest, kindest, most thoughtful, [list of other adjectives for Alex] and I will keep him far out of your reach if you hurt him” and yeah like you said Luke and Reggie are scarier because they’re like “we will literally kill you a second time if you ever make him even a little bit sad” Meanwhile I imagine Julie just off in the corner shaking her head because she knows Willie is a sweetheart and would never hurt Alex so doesn’t need to give him the talk

Ajdbdksk you saw right through that huh 😂😂 it’s not my fault they’re perfect for each other lmaooooo

32. Yes!! I love the idea of Reggie finally getting back to his friends with the ranger. His jacket is all covered in dirt and Alex brushes it off him while saying “never wander off again, Reginald, we were worried sick, anything could have happened to you” and all this. Then the next day Alex hands over the cookies to Reggie and is like “take these to that nice park ranger, it’s the least we can do”

37. Reggie managing to do the impossible is a theme we’re making kinda and I’m loving it! He just has a knack for doing the impossible and most of the time it’s just absolutely terrifying or confusing so that means the guys just don’t trust Reggie with complicated things because he’ll do them but in the weirdest way possible (I hope that made sense but i don’t think it did 😂)

“Because they think arson is fun” lmaooo perfect. If ever Alex or Bobby or Julie finds out they have a lighter on them for any reason they get put in the Time-Out Corner and they literally act like preschoolers about it.

Reggie being the reason Luke is on fire that’s freaking hilarious omg, it’s the one time Alex didn’t realise he had a lighter and of course it ends in disaster. He’s only panicking bc he feels bad and also he’s annoyed because now Alex knows he had a lighter and he’s gonna get put in time-out

YES omg ok I really really really want a Reggie and Julie duet. I made a post about it the other day but honestly I need one right now. It can be called “the Queen’s Baby Photos”

[cockbiteproductions]

all prime numbers in the Misc section and all multiples of 10 in the other sections

we shall go backwards as the question list was posted backwards...... (and also why i rbed it.... why is it backwards? i dont know but i love it. edit: now that ive seen question 1 it looks to me like one of those forum profile copy pastes where you fill out the entire thing and put it in your profile.)

200: My crush’s name is: hmm...... well. i would rather not say!!!! they could see this post!!!!!!! and we do not want that happening.......

190: My 1st job was: lifeguard in the summer after 9th or 10th grade i think? it was decently fun. i grew up swimming competitively so the swimming part was a breeze. the remembering what to do if someone is drowning part? a bit harder. memory bad. what to do if someone has a potential broken spine/head injury when they’re in deep water? i don’t know bud. but it involves 3 whole people to get them out. 2 in the water, one person at all times holding their head in line with the rest of their body, the other one strapping them to the board (these two people in the water switch off, too) and then one person standing on the side of the pool looking very concerned. also don’t tell anyone but sometimes if i had like a 6 am shift i would get really groggy and almost fall asleep on the stand.

180: Marriage is: whatever people make of it but unfortunately bogged down with like a lot of societal expectations. to me it just sounds like hanging with your “best” friend until you die but a lot of other people interpret it differently.

170: What did you do yesterday? LOL wouldn’t it be nice if i remembered. wait no i do remember. i woke up “early” and watched a dnd livestream and struggled through buffering from my shit wifi. then i took a nap. then i had a chipotle burrito that was way too spicy. and i played a lot of minecraft. and i wrote a bit. and i also did like another 2-3 pages of the codecademy html intro course im working on.

160: Soul mates: nope. [taylor mason voice] i don’t believe in the concept of a soul. you are compatible with some people more than others and that’s based on your values and interests and personality. nothing Soul about it. it’s fun in fanfic and fiction though, but that’s because it’s fiction.

150: Blondes or Brunettes: brunettes..... i like brown hair! but blonde is nice too.

140: Mac or PC: clown face emoji. mac. It’s A Unix System. more convenient for me. my current mac is a giant piece of shit though. though i think that’s my own fault for keeping all my old files from my old mac. shoulda started over. i think i might try to get this one factory reset or something.

130: Wal-Mart or Target: idk walmart. i go there a lot during college. walmart just has a larger selection. i used to go to target a lot as a kid though because my mom liked it more. i think it’s like slightly more bougie?

120: Gay Marriage: fuckin go for it pals. sad that it took as long as it did to become legal.

110: My Neighbors: they are nice i think. the ones to the right are teachers or something. the ones to the left are.... idk. their kids were like maybe 5 years older than me and my brother when we were growing up though and sometimes they would indulge in us tiny annoying kids and hang with us

100: Cried in front of someone: when the finale of the clone wars came out a few months ago and i was sobbing and i ran into the living room to tell my roommate and friend that i was sobbing. i was sobbing. i also recorded myself watching the entire eps and i Sure Was Sobbing.

90: Texted: actual sms text, yesterday in response to a friend who texted me a tik tok. instant messaging like 20 minutes ago to milo. i havent responded yet because im answering this and i cant multitask for shit.

89: Who makes you laugh the most: me obviously. i think i’m fucking hilarious. me aside, @redvsblue​ is the funniest person on this planet. also my friend holly irl who shares my incredibly dumb sense of humor. also you!

83: The most difficult thing to do is: hmm........ in general or for me personally? idk..... a lot? i am not a very courageous person. so i guess being brave.

79: First time you had a crush: >:( not appreciating this line of questioning that lines up with the prime numbers/mult of 10. i will not be saying as they ALSO follow me on tumblr. though they don’t use it often. shout out to middle school.......

73: Tomorrow: hopefully wake up around 1 pm at the latest. make a plum smoothie. play some more minecraft and get more netherite (new update slaps). do more coding tutorials. get some writing done. the same ol same ol.

71: Next Summer: hopefully i will have a job lined up for the fall and the pandemic is Over. i would like to just [do nothing] for the last summer Ever before job starts. if i don’t have a job then it’s Job Hunting Time.

67: The person that makes me cry the most is: what the fuck...... like in a bad way? good way? cry of laughter? sadness? me, probably. my own damn brain be like “well it’s time to think about Yourself and be sad!” i know. very narcissistic of me. also dave filoni (director, producer, writer on clone wars).

61: My Car: not really mine. i just use it. beige 201? toyota camery. my brother tried to convince my dad he needed it more than i did last school year. my brother, who lived on campus in boston and flies to school from nc when he goes there, needs the car more than me, who lived off campus and drove to and from school to get back to nc, thinks he needed the car more than me. what a guy.

59: The movie I cried at was: last movie huh......... when was the last time i saw a movie? idk probably the rise of skywalker when leia died. i don’t know. i sure as hell didn’t cry at cats.

53: How do you like your steak cooked: i am vegetarian.

47: Who’s your best friend: @worthyghouls​ i guess. but also concept of “best friend” is so weird. No Best Friends. just lots of people i am good friends with. feels weird to all my other friends to pick One of them and be like “well i like you more than everyone else” :)

43: Do you have a 5 year plan: only in the vaguest vaguest vaguest sense. i would like to graduate with my bs degree. i would like to live in a city (doesn’t have to be a super big one. where im at rn is fine). i would like to have my first or second job i feel comfortable doing related to the degree i am getting. i would like to live in my own apartment (with roommates)/not with my parents. i would like to not be rent burdened. i would like my roommate to know how to take care of a cat or be okay with helping me learn how to take care of one. i would like to have a cat with said roommate. and that’s about it tbh. not very ambitious, i know. i just want a simple life......

41: Have you pre-named your children: bold of you to assume i will have children. no. if i ended up with child it would be like that tag on ao3 called “accidental baby acquisition” and i would name it on the spot.

30: Actress: hmm..... lauren marcus. lauren lopez. does fiona nova count if she’s going to be in rvb zero? also lindsay jones. aubrey plaza. idk. not many actresses i follow from project to project. it’s more i will see them in something and appreciate them in that role immensely. 

20: Holiday: halloween is pretty chill. just getting candy from strangers? dope. scary aesthetic? amazing. i also like christmas just for the sole fact that i get time off from [life].

10: Restaurant: a favorite restaurant??? who has one of those???? i sure don’t. and i’m not gonna say something cringey like olive garden or mcdonalds. i simply do not have one.

[millennium-puzzle]

I wanted to watch more eps but whatever

Noah's arc thots:

Overral uhhhhh i liked it but it's def a bad boring arc, it didn't need to be that long and have so many villains but i guess the B5 desperatly needed 6 duels amirite?

Also there were a lot of plot holes like

why Seto had no idea who Noah was considering he studied Goza's life before getting adopted?

why Noah didn't realized Goza uploaded himself in his own VW a couple of years ago?

And mostly why Goza didn't tried his world domination scheme before the start of this arc (he explicitely said he didn't need a body to do it)

BUUUT this is ygo and i don't think plot will ever make sense :P

As for character development, i liked what was done with Yugi, YY, Jounouchi and Mokuba; Anzu and Shizuka were fine but i wish their duels were completely different, oh and the monkey thing was DUMB; i missed YM a lot, he was so excited when this arc started but he was cut off immediatly after :(

For villains:

i liked Noah but he's getting his own post, def a good character and personally my fave Kaiba and villain after YM/Malik, could he have been better? Sure but i think it's more that his arc dragged him down than the opposite

Also he should have killed Goza and Seto #oldestsiblingrights

B5 are still horrible and unnecessary, i think making a big 5-vs-5 duel with each ep focusing on each pair; and then the big duel vs Y.Y and Jounochi (i must admit i LOVED that duel) would have been enough

the only moment they were interesting was Jinzo vs Seto; anyway i really cheered when Noah trolled them and killed them but not for the reason the arc wanted to; i think that their story should have been over in the first VW arc but hey we do need a kickstaring plot after all

Goza, mmmmhhhhh WHY IS HE HERE? he was never intented to be anything more than Kaiba's Backstory Man; let alone a duelist and he of all characters gets a fucking 1-to-1 duel against Seto???

I assume that the writers had no idea how to conclude this arc and decided to just slap a new villain and who better than Goza at this point; but also Noah's redemption kinda depends on this guy so should i really complain in the end?

The one thing that i really hate tho is that until that moment this whole arc's point was forcing Seto to admit that he loves Mokuba with all his heart and that he would never let him go no matter what; but with Goza here the focus shift to him and Seto fighting to prove who has the biggest ego via card game; even Mokuba acts like the emotional trauma they went through this entire arc never happened once he stops being a statue; he is more concerned about Noah after that

Goza could have been a good character and maybe even get a ok redemption arc but that would have required him being more than Kaiba's Backstory Man so we are stuck with what we have

On the bright side him having an Exodia Necros deck was really good for obvious symbolic reason; Seto is literally fighting the zombie of that guy that defeated him in the past; also it's weird but Goza is basically the reason we have an actual Exodia archetype today 🤨

Aaaanyway conclusion:

I'm gonna elaborate on this later but i assume that the overral point is that sometimes birth family IS everything, Noah's entire life AND afterlife revolved about his dad and he eventually forced his dad to accept that they will be always be together, likewise Seto and Mokuba will forever be eachother biggest moral support and nothing could ever break their bond

I would praise more the arc more but the fact this arc punishes Noah for not having friends (like if he actually had a choice in first place) makes me thing that any theme this arc got right was completely accidental