charles_leclerc Half of the season done. Some ups like realizing a childhood dream in Monaco and some downs, but it’s time to rest and come back stronger for the second half. Thank you everyone for the continuous support and have good holidays 🤍
Donald was the best partner in movies I ever had. We were brothers and we loved each other. We had such a deep, sublime chemistry. There was nothing intellectual about it, just this amazing natural harmony. I first met him in the commissary at 20th Century Fox when Robert Altman told us to have lunch together after I’d been cast in M*A*S*H. At first I thought: I don’t think this guy likes me. But it was just the opposite. The thing was: we were such opposites. I’m a Jew from Brooklyn and he was a Canadian from Nova Scotia. But it was perfection: never any conflict, just bread and butter – a relationship that felt like a miracle.
Making M*A*S*H made us immediately close because while everyone else was working with Bob Altman, we worked for Bob Altman. He kept us a little segregated. We were both really unsure about the improvisation, the direction of the movie and Bob’s approach in general.
Donald was hired well before me, but once I signed on we had the same deal: no less than second billing, and the same money. Later in production, Richard Zanuck, who was at that time running 20th Century Fox, said they wanted to give me first billing. I thought: “Oh that’s a nice honour. But Donald is my friend! I’m not going to be opportunistic – he was here first and should have first billing and I’ll stay in second place.” That’s what Donald meant to me. I never told him about that.
A few years later, I turned down the screenplay for the movie that became S*P*Y*S, about two bumbling CIA agents. Then Donald called and said: “Would you do it with me?” And I said: “Oh that’s a different story. Of course!” On the first day of shooting in London, we drove to work together and he said: “What do you think of the script?” I rolled the window down, threw it out and said: “It’s a piece of junk. The only way this will work is if we swap parts.” But the producers could not digest that, so we just did the picture. Yet we did bring some of our own ideas to the table. There wasn’t an ending, for instance - so Donald and I agreed that we would just walk up the road with our backs to the camera and sing Side By Side.
We worked together and we succeeded together, but we didn’t socialise very much – though having the opportunity to develop a relationship with some of his family was a total joy. Once, Donald was making a movie in the Bahamas and I came to visit because I had a week off from making The Long Goodbye and was interested in his leading lady, Jennifer O’Neill. Kiefer, his son, was five or six and Donald introduced us. Kiefer wanted me to stay, so when I said goodbye, I said: “Kiss me, Kiefer.” He had an ice cream cone in his hand and put it on my face – he kissed me with his cone.
Donald was a true human being – and not all of us are. He could identify with any of us. His presence and his nature, his life and his mind are an asset for everyone. We all come and go physically, but as a being, he was really special and unique.
I don’t put anything in the past. With me, it’s all in the present. My feeling is that for as long as I am living, Donald will be with me. I have no doubt about that, and I’m not being sentimental. I can see Donald now. I will see Donald for ever.
Elliot Gould - Donald Sutherland remembered by Keira Knightley, Elliott Gould, Ralph Fiennes and more in The Guardian
All Louis’ life, he’s known he’s been different. There’s always been something at odds about how he felt.
As the eldest daughter of seven kids, he knew something was wrong with his body. Something was off, he just couldn’t quite put his finger on it. His mum dressed him in dresses and tights, plaits in his hair as he wandered around with the local neighborhood boys. They called him a girl, called him she and Rosemary when his name is Louis. He had told the boys as such, but they would tell him Louis is a boy’s name, not a girl’s.
Louis is a boy. He knows he is.
the one where louis is trans and afraid, harry is cis and brave, and being 100% yourself is easier said than done.
don't be afraid to love (and love again) (83.2k)
written as apart of round 7 of @onedirectionbigbang
[<==PREV PAGES] [NEXT PAGE==>(not out yet.wait a year.or maybe more.imagine.]
saw alot of comments on prev pages; saying 'i HATE that mean teacher! im gonna FIGHT HIM!!' & i LOVE the energy!! it WOULD be nice. to have that catharsis. but the story of young tidestrider is Not one of catharsis. it is a story of being so small and so special and sucking so bad.
Hey remember when I said that this was the most frustrating thing about being a Helluva Boss enjoyer?
Yeah I was wrong.
The most frustrating thing about being a Helluva Boss enjoyer is explicitly stating multiple times that I like show and then get called an anti and homophobic and media illiterate when I complain about the direction it has taken.
I LIKE the comedy
I LIKE the animation and artstyle
I LIKE the more serious plotlines like the government agents plot and the Cherubs plot
I LIKE the themes of friendship and found family
I even like most of the songs!
And ofc the voice cast slays every time
But just because your show has angst and tears and drama and sad music doesn't automatically make it "good".
Just because your characters are queer doesn't automatically make them good or well written characters
This fandom is so frustrating to deal with when you want to express your more nuanced takes of it
This is probably gonna be the last post I make about this subject and about Helluva Boss in general, this shit is too stupid to deal with
Emotions are high and the vibes could not be better today!
"Pretty awesome. Lot of emotions. Feels pretty hefty but like, fuck we're Stanley Cup Champions!"
When asked who the Cup is for? No hesitation, the fans.
"They sponsor us. It's for them. It's for them. Like they deserve it, they've been waiting for it, like it's for them."
how do you endear yourself to the fans? i think chugging a brewski while they chant your name will do it! and also complimenting them that too oh what a darling
John Seed is a comfort character for some people. Folks like to ship him with their deputies or craft redemption arcs for him.
There's nothing wrong with that, obviously.
But I just can't wrap my head around it.
There's nothing comforting about the way John Seed treated Joey Hudson. I don't understand why the ordeal she went through doesn't seem to matter to fans of his.
She was bait for the rookie deputy and nothing more, because she wasn't going to give in and join the cult.
He terrorized Joey and the rest of Fall's End, stooping to the lowest, most inhumane levels to get his way. Some even theorize that he hurt the "sinners" in his care just because he wanted to, for malicious, sadistic reasons that didn't have anything to do with the cult. At worst, some people go as far as to speculate that he raped Joey.
It's easy to see why someone might come to that conclusion. The way he acts is deplorable and he makes everything feel extremely personal, sometimes in ways that can be interpreted as sexually charged. He'll do anything in order to get his way because "no" is antithetical to him. He regularly flies off the handle, so much so that Joseph is threatening to cast him out. All the touching and getting right up in the player's face is so uncomfortable and obsessive (which is the point, but I digress).
So why does he get to be redeemed and venerated by fans? Don't his actions warrant consequences?
Are people willing to let him off the hook because he's attractive? Because he had a horrible, abusive childhood? Obviously he's got a lot more lore than most of the cast. Is that something people are interested in exploring for him over other characters?
I'm not trying to come after anyone personally. There's nothing wrong with liking villains and Jacob, Faith, and Joseph have also done terrible things to innocent people.
Which is like, fine. It's a video game.
And I know that John, like Joey, is a victim of Ubisoft's choppy, inconsistent writing and storytelling. Things got changed and swapped and cut during development that got us to where we are, with the story we have. Flaws and all, not like it was ever going to be perfect.
But in my opinion, I feel like the adoration for John does a huge disservice to Joey. People make thirsty edits of him while she's literally tied up behind him. It's tasteless and makes the optics of her situation look even creepier.
Her pain has largely been ignored for as long as the game has existed. I can't for the life of me figure out why.