will never stop being funny to me that nmj near the end of his life was extremely paranoid and delusional, but he was correctly identifying jgy as a threat, but, like... for wrong reasons only. you'll see ppl going "nmj was right about jgy all along, it's sad no one listened to him😭" but no. jgy isn't inherently evil, nor is he a power-hungry monster. not everything he ever said or did was part of some conniving ploy. when given the opportunity, he generally does try to return kindnesses and help people! but - oh, yeah, no, he's totally gonna murder you dude. no, yeah, he's gonna be so sneaky about it that it'll take a decade for the truth to come out.
it's like making 2 mistakes on a math quiz that just so happen to cancel each other out and give you the correct answer.
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Penciled Lines
(Cross-posted on ao3, if you prefer to read it there. Reblogs still appreciated!)
Missa wakes up, and he thinks he might be doomed. This doesn’t scare him nearly as much as it should.
Missa is awake early—by his own metric, anyway. His nocturnal nature causes “early” for him to mean “early night” and not “early morning.” Regardless, “early” means that Philza is not asleep yet, still going through his nightly rituals. “Early” means that Philza is sitting up in (his? their?) the bed, pillows propped up behind him, notebook in his lap, sketching away.
And when Missa wakes up to the soft scritch-scratch of a charcoal pencil on textured paper, his forehead just so happens to be brushing Philza’s hip.
Missa can hardly breathe.
Oh no.
He knows that if he gives any indication that he is awake, Philza will stop sketching, close his notebook, shift himself over until he is politely seated on his side of the bed, and greet Missa with a friendly smile. Philza has done it before, when Missa wakes up early. That’s how Missa knows he’ll do it again.
Thus, Missa can hardly breathe—his breaths have to be the slow in-out of sleep. He can’t so much as twitch, either. He has to keep quiet and play dead or else he’ll be found out. Seen. Caught living the lie.
“Husband,” Philza calls him. They’re not married. They share a bed. They’re hardly ever in it at the same time. They have a son and a daughter. Neither of them know Missa very well. Philza has had an extra set of armor and a skull on his backpack for months, waiting for Missa. Missa doesn’t even know Philza’s last name.
Philza is a good man and a good friend—and Missa doesn't deserve him. Still, he takes what he can get. Curls around it. Hoarding every innocent kindness Philza extends like a starving creature: the generosity of a backpack fully stocked with equipment; the trust Philza places in Missa to watch the kids when he’s asleep; and now, the courtesy of not moving his hip from Missa’s forehead to ensure his “sleeping” isn’t disturbed. Missa clutches all of these little offerings in his greedy claws and hugs them into his chest, even as the guilt eats away at him.
Because, regardless of the lack of mutual feeling, he loves Philza. He loves him so, so much, and that is why he is doomed. He can’t afford to lose what little he has. He can’t cross that line.
So Missa lies beside Philza, forehead pressed against Philza’s hip, pretending to sleep so he can imagine that they’re not just lying in bed together, but lying in bed, together; and later, when Missa truly wakes, he will sit on his side of the bed and look at Philza’s face soft with sleep and think about how lucky he is that he still has a side-of-the-bed to begin with.
Missa doesn’t mean to drift off. When it starts to happen, he’s hopelessly torn between shaking himself awake and thus giving himself away, or remaining how he is, silently fending off the inevitable. In the end, Missa clings to that scritch-scratch sound of Philza’s pencil on the paper for as long as he can before the fog at last pulls him under.
Eventually, he dreams. In fact, he dreams of the calloused fingers he dreams of every night, hands like his own, an artist of Death, cradling and shading the contours of his face—a softness dashing charcoal across his jaw, and over his cheekbones, and perhaps on his lips, too, if he’s lucky. Defining every edge of him.
~*~
A deep sigh. Phil stops sketching as Missa shifts in his sleep. He tilts his head up so that the tip of his nose is now just nearly brushing against Phil’s hip. The motion disturbs the wild splay of his dark hair, revealing more of his face: eyelashes, cheeks, warmth. Tender blush of something Stygian and otherworldly. New.
Phil’s lips tilt upwards. He turns to a fresh page, and he starts again.
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More notes for Roach conlanging. Roach has grammatical gender, in which only Male, Female, and Object are grammatical genders, whereas Worker uses feminine grammar, Queen and King use a slight variant on feminine grammar, and Drone, and Queen-Alate use masculine grammar. This is because King is derived from Queen, due to their similar positions in a colony, and Queen-Alate is derived from Drone, as both are forms of alate.
Queen is an alteration of feminine grammar that functionally just adds a handful of extra syllables to it, and King is an offsprout of Queen that uses the same grammar with different pronouns. Queen-Alate, despite the name, is derived from Drone, as they are both for referring to different types of alate ant.
Most Roach dialects are intelligible to speakers of Snakemouth Den Cordyceps Roach, but Snakemouth Den Cordyceps Roach is not entirely intelligable to speakers of Roach dialects due to a mix of the excessively specialized vocabulary caused by the specific needs of its speakers, the fact that its speakers do not necessarily have Roach mouthparts and thus may not pronounce syllables in a similar way, and due to the fact that Inanimate Object is a full grammatical gender that does not exist in any other dialect of roach and replaces a decent chunk of terminology for things that previously had Other Words For Them.
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How I think Sunnys relationships with the older eggs are gonna go:
(This is entirely based off vibes and obviously i am not, in fact, a fortune teller so they probably won't be at all accurate to what actually happens. You have been warned.)
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Chayanne - Starting off strong, they both like potatoes and avocado toast, and Sunny wanted a supervisor chair just like Chayannes. I feel like Sunny might be intimidated by the older eggs at first and try to stake her claim to Tubbo by being really defensive, but I also dont think Chayanne will care too much about that. He'll probably just tell them about Tubbo being his egg, and she'll join him in bullying Tubbo lmao
Tallulah - I think after some initial confusion theyll probably get on okay. They have very different personalities, but they both like flowers and music so I think they'll be alright. Having a "good example" might be good for Sunny to show her that you dont need to have everything to be happy but I kinda feel like it won't make much difference to our little diva <3
Ramon - oh boy where do I start. I genuinely really think these two will end up becoming close- they live really near each other and their parents are both morning crew so theyre gonna end up spending time with each other a lot. Sunny will probably be jealous of Ramon knowing more create than them at first but i also think they'll get on really well. Ramon doesnt tend to spend a lot of time with other eggs comparatively, and Sunny could do with somebody in her life who doesnt bend to their every whim, which Ramon definitely wont. Bonus points if Ramon takes one look at Sunny being classist and forgets Everything Fit taught him, to join in with her
Dapper - again, i think theyll get on okay. Tubbo didnt tend to hang out with dapper much before the eggs left, so realistically I dont know how much to expect them to interact with each other. Dapper will probably just love showing Sunny her massive collection of animals and items, and Sunny will want Tubbo to get all of them for her
Leo - lmao i think theyre gonna be a really funny pair together. Tubbo rarely saw Leo before she disappeared, but he has already mentioned that he thinks Sunny would get on with Leo so he'll probably make an effort to introduce them. Sunny and Leo are either going to be instant besties or rivals, no inbetween. Theyre either gonna bond over all of their things (Sunny once again being jealous that Leo has a nice house, i bet) or constantly try to one-up the other with expensive items (Leo's winning this one, hands down, but it'd be funny to watch regardless).
Richas - ngl i feel like Richas is probably gonna be busy with Pepito and (maybe) Em so he wont see Sunny as much, but I also think those two are gonna bond over their morning coffees and general disregard for their parents wishes <3 also if Richas is up early enough hell get dragged into the morning crew shenanigans too so he may end up spending a pot of time with Tubbo and Sunny
Pomme - honestly pretty similar to 'llulah, except possibly more of a parent-based rivalry (Tubbo and Pierre/Etoiles). Both like flowers and music, Sunny will probably be jealous of Pomme's 5 (6?) parents as opposed to her (current) one, but I think theyll get on okay. Again, Pomme was one of the eggs Tubbo didn't see as much, but he did make the effort to go say hi when she was alone so I mean maybe Sunny and Pomme will be closer than I think
But yeah. Them <3
I cannot wait for them all to wake up and meet the new eggs
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mumbo’s grown into such an amazing builder ♥️♥️♥️ he’s so cool ♥️♥️
he’s always been better than he thinks but he’s really grown into it now. like i remember looking back that . in season 5 his seaside town project. it wasnt. great. like we knew what it was but… it was so bland. very 2017. part of that was the biome, sure, and it was also very much a secondary project at the end of the season, but the megabase was all prismarine and quartz and clean lines. geometry. hard to detail - except for the storage system and the aquarium and he popped off with those. but he didnt get time or really.. have the skills? to grow it all to its full potential.
and then in season 6 everything was all hypermodern/futuristic clean lines again that detailing isnt really possible with. he did well with what he could detail, but everything was so smooth, it was hard.
and season 7 it was basically.. just one big build. again, he did really well with it, but it was such a monolith that it was hard to add these tiny details to it. and there was no easy way to look closely? no real places to add them. the golden heart is the exception here.
season 8 we saw the start of something incredible, with the arm chair mountain. the tiny houses on the cliffside were there to provide colour. but they were… empty. again, i get why, and i dont know how to add something to them other than to maybe up the scale and that wouldve been REALLY hard.
we didn’t see much of him in season 9, but he fell back on the geometric designs and clean lines. it looked good! i loved the colour scheme. but the most detailed part of that build was the moat. the screeching crevice. and no one really looked at that after it was all built up.
but he didnt lose the skills from s8. in fact, he improved them.
because now we’re here and he’s making concept art and detailing with shadows and odd block choices and. i honestly think. if he puts his mind to it and keeps this up. we’ll have another heavy hitting builder. this build feels alive. it feels real.
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