#what a fucking glow up

[livelydiver]

"I actually love this"

Me: *indistinctly crying about Lucius and Izzy's trauma and gestures of growth*

My partner: "WAIT put this on your blog: 'This show has been so good... aren't you worried they'll start... jumping the shark??'" 🦈😂

[pitohuiart]

Siren is one of the Magical Girl’s Main villains. She helps out the big bad and is an all around nuisance.

[kickedin17]

Regional at Best is so special because it feels so exactly like what it is, which is an album made by a young person, younger than I am now, who'd given up everything else to make this dream work and probably had no idea what the hell he was going to do if it didn't. Keep working a normal job? Go back to college? What do you do if the dream doesn't work, when you're an early-20-something who (like all early-20-somethings) has precisely nothing else figured out? What do you do if everyone's right and the art isn't worth it?

Then your bandmates leave. But actually, it turns out perfect anyway, because you end up with this other guy who also has precisely nothing else figured out and no plan B except to be in this very band with you. How rare and precious of a thing that is, to meet someone who believes in your art just as much as you do. At least if you fail you fail together, right?

I think RAB feels like the end of summer and growing pains because it exists in that same itchy, anxious space as your last summer before you graduate high school/college, when it begins hitting you that there will never be a summer like this again because next year you're supposed to be grown up. But the truth is you never figured out how to grow up and you never figured out how to stop dreaming. So many people have to learn that lesson for various reasons, but Tyler and Josh never did because they believed in it so much that I think it truly never could've failed. Even if they never got as big as they did w/ Blurryface, I think they never could've failed because they are for the dreamers.

Self-titled is complicated and beautiful and core to everything else they would do after, but RAB is the beating heart of what tøp was always meant to be imo. It's embracing the fear of getting older because you have no other choice, while acknowledging you're still a little afraid of the dark. It's a night light for the grown-ups who are still scared of long dark hallways they can't see the end of (and work email chains). You turn 23 and discover you probably don't actually want to die as much as you used to, and also that you still think pokémon cards are fucking rad, and both of those things are okay. And maybe you'll never get out of this goddamn town but it never hurts to dream

[dapper-lil-arts]

Just finished watching season 8. Two words. Racist. baby.

[halfdeadwallfly]

[littlelightfish]

I love how inconsistent the tip of Holm's ears are. It's like R.K. doesn't know if she wants him to be considered ugly or not.

Round

Sharp

I fully believe that she decided that after looking back to Holm from the early manga. He was just some random character. You can see when she decided he had a personality. You can see that she put a character into that body after creating the body and not before. The prettiest ugly ass gnome I love you so much <3.

[jkpng]

happy pride month (25/30)

[epiphainie]

i genuinely do not care if the time jump between season 7 finale and season 8 premiere is like 6 months or a year or ten years or that bucktommy will have been dating for centuries in 8x04 or whatever. i dont care about in-show time, i care about the time i had them on screen and i will be pissed af if they move in together that early

[small-spark-of-light]

day 24 was draw something lineless!! this was easy ngl

[corpsoir]

you actually GOTTA give characters with top surgery scars some gnarly looking scars they should look like the person made it themselves they should swirl around like vines on their chest they should glow they should look insane and fun actually . give em character

[faaun]

procrastination is starting to have its consequences finally

[odessastone]

on the topic of my "Illari gets recruited by Talon" theory, today I got a kill streak on her and she says "I've done worse, and I'll DO worse."

Doesn't sound like a very heroic thing to say lol

[alillttn]

Today, four things happened to me:

- I read the latest Oshi no Ko chapter

- learned that Nikocado Avocado had a glow up

- was reminded that there's a 300-tweet-long Twitter post about a guy telling he world how much he likes Hu Tao

- had the thought of turning the last panel of the Oshi no Ko chapter I just read and turn it to a reaction image

So, ladies and gentlemen, may I present...

[REDACTED] reacting to random bullshit

Even made some examples using the things listed above

I shouldn’t have spent so much time on this, but it was worth it. :)

[ilovecryoffearsm]

p30pl3 k3ep t@lk!ing wh3n I d0nt g!ve a shizz or a funk

[p4nishers]

ok but the fact that "aziraphale is softening. they haven't spoken in a hundred years: he's realizing they're still friends" and "there's no need to thank me that's what...friends...are for" was in the same night is making me go INSANE

[laundrybiscuits]

I've recently been tagged in a few WIP/"last thing you've written" type games, and…to be completely candid, I haven't been writing any kind of fic lately because I've become a little bit obsessed with analyzing the Broadway revival of Merrily We Roll Along.

Not for any particular purpose, I just saw it at the Hudson a little while back and have a lot of feelings about it! In my tiny scraps of spare time, I've been working on an essay about Merrily and inevitability that will probably end up rotting in my google docs*, because that's how I approach writing as a hobby.

There's just so much there, holy shit. I'm focusing particularly on "Franklin Shepard, Inc." because Radcliffe's Charley brings a frenetic, desperate vulnerability to the performance that reads so, so differently from earlier productions. Throughout the show, I was consistently blown away by the heavy lifting Radcliffe, Mendez, and Groff do in shifting the core tension from "art vs commerce" (fine but basic, and difficult to keep modern) to "how people prioritize different types of relationships in their lives."

In an effort to make this slightly less wildly off-topic for this blog: this has gotten me thinking about the way that platonic relationships are treated in narratives, particularly but not exclusively in fandom.

"Found family" is and has always been a popular trope, but I do think its current incarnation trades a lot on the underlying fantasy of relationship permanence. When we recategorize friendships as familial relationships, we're making a claim—whether or not it's justified—about the indelibility of those relationships.

That's not inherently bad (or, god forbid, problematic). I think it's very very natural, especially for those who don't necessarily have a lot of experience with the way adult friendships change over time. Why wouldn't you want something as precious and unique and amazing as a good friendship to stay with you forever?

Certain people can feel like pillars of your world, and it's fucking terrifying to think about that being yanked out from under you—or even worse, to think about your lives slowly shifting like geologic plates until suddenly you realize it's been weeks, then months, then years since you last really talked.

CHARLEY: We're not that kind of close any more, the way we used to be. And a friendship's like a garden. You have to water it and tend it and care about it. And you know what? I want it back.

It's a peculiar, particular kind of grief when it happens, because even though it's a fairly common human experience, it doesn't get socially acknowledged in the same way as e.g. a romantic breakup.

So yeah, it makes a lot of sense that found family is a popular trope in all kinds of media, not just fandom.

However...at this point, I've developed a knee-jerk wariness to the phrase "found family," because I've found it often correlates with a really flat, simplistic depiction of human relationships. In extreme cases, it simply recontextualizes a relationship within the socially acknowledged/acceptable framework of a stereotypical family unit.

This does a disservice to familial and nonfamilial relationships alike. Every family is different, so why do so many found families in media look the same?

(I was monologuing about this to my very patient girlfriend, and she pointed out that this also sets up a success/failure binary condition in relationships, where permanence is the arbiter of success in both romantic and nonromantic contexts. She is of course both beautiful and correct!)

I have friends with whom I can sometimes share a glance and know exactly what they're thinking. I even have a running joke with one friend about the sheer number of times we've said the same thing in unison over the last 15 years. I still need to be intentional about building those relationships, extending empathy when we differ, and carving out time to reconnect. Truly intimate long-term relationships of any kind involve disagreements, conflicting priorities, and negotiating and renegotiating boundaries.

Being "basically the same person" or "sharing a braincell" actually sounds super fucking lonely to me, personally, and it handily elides the difficult, essential process of keeping people in your life.

FRANK: Old friends let you go your own way. CHARLEY: Help you find your own way. MARY: Let you off when you're wrong. F: If you're wrong. C: When you're wrong. M: Right or wrong, the point is, old friends shouldn't care if you're wrong. F: Should, but not for too long. C: What's too long?

That's a more complicated and much more mature narrative to tell than "friendship will save the day!" Because it's not that common and there's not a deep bank of references to draw from, it takes a lot of effort and skill to depict well, and I don't blame creators for not wanting to let it suck up all the air in the room. However, I think it's important to acknowledge that platonic relationships can also be flanderised and flattened.

In the context of fandom, which has always traded heavily in Romance genre conventions, I would really like to see more thoughtful explorations of complicated nonromantic relationships. I'm not even talking about genfic here! I've actually been thinking about Stobin specifically because that relationship (rightly & understandably) tends to show up in any Steve-centric fic, including the vast ocean of Steddie fics, so it makes the issue slightly more visible than I've seen in other fandoms.

I'm not saying I want to see them fight, or not be friends, or not love each other fiercely and near-obsessively in the way that lonely teenagers can. I'm just saying I want them to be distinct individuals who view the world in very different ways, and choose each other anyway. They already have a complicated past; I know from personal experience that it's possible as a lesbian to be best friends with a guy who once made a little speech about how into you he was, but that little layer of history never quite goes away.

I don't want frictionless relationships in my life. I want people who will challenge me and whom I can challenge, in the context of love and trust. I want people in my life whom I have to work to understand, because my life is richer when I do. And sometimes, I want narratives that will reflect the grief of friendships that are no longer part of my life, despite the best efforts of everyone involved.

In Merrily, Charley sings, "Friendship's something you don't really lose—" but Radcliffe's thready, pleading delivery makes it all too clear: Charley already knows he's lying. The audience just needs to catch up.

*Other essays in that particular graveyard: understanding the cast of Peanuts through the lens of anomie, humor and subversive linguistic nationalism in 00s Singaporean TV, how to fix Miss Saigon. WHY am I this way.