#what can I say I like attention

[inkskinned]

you're grabbing lunch with a nice man and he gives you that strange grimace-smile that's popular right now; an almost sardonic "twist" of his mouth while he looks literally down on you. it looks like he practiced the move as he leans back, arms folded. he just finished reciting the details of NFTs to you and explaining Oppenheimer even though he only watched a youtube about it and hasn't actually seen it. you are at the bottom of your wine glass.

you ask the man across from you if he has siblings, desperately looking for a topic. literally anything else.

he says i don't like small talk. and then he smiles again, watching you.

a few years ago, you probably would have said you're above celebrity gossip, but honestly, you've been kind of enjoying the dumb shit of it these days. with the rest of the earth burning, there's something familiar and banal about dragging ariana grande through the mud. you think about jeanette mccurdy, who has often times gently warned the world she's not as nice as she appears. you liked i'm glad my mom died but it made you cry a lot.

he doesn't like small talk, figure out something to say.

you want to talk about responsibility, and how ariana grande is only like 6 days older than you are - which means she just turned 30 and still dresses and acts like a 13 year old, but like sexy. there's something in there about the whole thing - about insecurity, and never growing up, and being sexualized from a young age.

people have been saying that gay people are groomers. like, that's something that's come back into the public. you have even said yourself that it's just ... easier to date men sometimes. you would identify as whatever the opposite of "heteroflexible" is, but here you are again, across from a man. you like every woman, and 3 people on tv. and not this guy. but you're trying. your mother is worried about you. she thinks it's not okay you're single. and honestly this guy was better before you met, back when you were just texting.

wait, shit. are you doing the same thing as ariana grande? are you looking for male validation in order to appease some internalized promise of heteronormativity? do you conform to the idea that your happiness must result in heterosexuality? do you believe that you can resolve your internal loneliness by being accepted into the patriarchy? is there a reason dating men is easier? why are you so scared of fucking it up with women? why don't you reach out to more of them? you have a good sense of humor and a big ol' brain, you could have done a better job at online dating.

also. jesus christ. why can't you just get a drink with somebody without your internal feminism meter pinging. although - in your favor (and judgement aside) in the case of your ariana grande deposition: you have been in enough therapy you probably wouldn't date anyone who had just broken up with their wife of many years (and who has a young child). you'd be like - maybe take some personal time before you begin this journey. like, grande has been on broadway, you'd think she would have heard of the plot of hamlet.

he leans forward and taps two fingers to the table. "i'm not, like an andrew tate guy," he's saying, "but i do think partnership is about two people knowing their place. i like order."

you knew it was going to be hard. being non-straight in any particular way is like, always hard. these days you kind of like answering the question what's your sexuality? with a shrug and a smile - it's fine - is your most common response. like they asked you how your life is going and not to reveal your identity. you like not being straight. you like kissing girls. some days you know you're into men, and sometimes you're sitting across from a man, and you're thinking about the power of compulsory heterosexuality. are you into men, or are you just into the safety that comes from being seen with them? after all, everyone knows you're failing in life unless you have a husband. it almost feels like a gradebook - people see "straight married" as being "all A's", and anything else even vaguely noncompliant as being ... like you dropped out of the school system. you cannot just ignore years of that kind of conditioning, of course you like attention from men.

"so let's talk boundaries." he orders more wine for you, gesturing with one hand like he's rousing an orchestra. sir, this is a fucking chain restaurant. "I am not gonna date someone who still has male friends. also, i don't care about your little friends, i care about me. whatever stupid girls night things - those are lower priority. if i want you there, you're there."

he wasn't like this over text, right? you wouldn't have been even in the building if he was like this. you squint at him. in another version of yourself, you'd be running. you'd just get up and go. that's what happens on the internet - people get annoyed, and they just leave. you are locked in place, almost frozen. you need to go to the bathroom and text someone to call you so you have an excuse, like it's rude to just-leave. like he already kind of owns you. rudeness implies a power paradigm, though. see, even your social anxiety allows the patriarchy to get to you.

you take a sip of the new glass of wine. maybe this will be a funny story. maybe you can write about it on your blog. maybe you can meet ariana grande and ask her if she just maybe needs to take some time to sit and think about her happiness and how she measures her own success.

is this settling down? is this all that's left in your dating pool? just accepting that someone will eventually love you, and you have to stop being picky about who "makes" you a wife?

you look down to your hand, clutching the knife.

[p4nishers]

can't believe tom hiddleston ACTUALLY interrupted the interviewer to say "one last thing, i think mobius is loki's friend and i don't think loki has ever had a friend before" like king. i love how u felt the need to add that truly

[itspileofgoodthings]

Good morning what are the movies or tv shows that traumatized you as a kid mine are the BBC production of A Christmas Carol and a handful of David Suchet Poirot episodes

[uncanny-tranny]

Every time you think, "Oh, I don't have [x condition], I'm basically cured!" that is the devil talking. You aren't cured, you are likely going through periods of your symptoms waning. Don't cease whatever you're doing to help yourself, like medication, for instance, because it's likely you still have the conditions or symptoms, even if you aren't noticing them as frequently or severely.

[1960z]

how people go about interpreting dr bashir I presume? really frustrates me sometimes ngl especially the “jules bashir died” scene.

like that whole scene is about julian revealing the depth of how deeply his augmentations fractured his sense of identity and who he is - which feeds into the themes of the whole episode surrounding how disability and then by extension disabled people are often viewed as a problem to be solved and because of that are often denied the ability to have fulfilling lives because the able bodied people around them don’t believe that they can.

but… idk, when the fandom talks about it there’s always seems to be a push to read a trans allegory into it that I don’t think is really there? I keep mulling over this post in my mind and when I initially reblogged it I didn’t really want to talk about this because the post is about how stories about racism can be hijacked by white people to be made about their own transness and it felt like as a white person, using that post to complain about ableism would be missing the point. but it really helped me articulate in my mind why the trans reading of this episode feels off to me because the same general principle seems to apply and that is taking a story trying to discuss a specific type of marginalisation and putting a trans reading above it because you can relate more to it personally.

“jules bashir died in that hospital because you couldn't live with the shame of having a son who didn't measure up!” this scene is the culmination of julian expressing his pain about what was done to him as a disabled child by his parents due to how they viewed his disability. but often when I see it being discussed, people aren’t really interested in talking about that. instead supplanting it with a trans reading instead which, in my opinion is an allegory that doesn’t even really work when you think about what’s going on in the broader context of the scene.

julian didn’t stop going by jules because he came to the conclusion on his own that the identity didn’t suit him similar to the way a trans person questions or rejects the gender they were assigned at birth, he stopped going by jules because he felt like the identity attached to that name was taken from him because of what his parents did. it’s not julian affirming who he wants to be it’s grieving over who he can’t be and to me at least, it’s honestly kind of harrowing.

and as an aside: when people read transness into a story about parents who change their child’s body and mind at a very young age without consent, which is literally a narrative projected onto trans people by transphobes to justify the curtailing of trans rights, that also doesn’t sit well with me. I think people latch onto this reading because of the idea of “killing a name” but again in the context of the whole episode the trans reading really doesn’t feel appropriate.

I think it’s okay for people to have trans headcanons about julian of course or literally any character they want to really, but I think saying that specific episode codes him as trans isn’t all that great honestly.

[tetrakarn]

pulling myself briefly out of the depression pit to say i don't think it's fair to say ivan is outright violent towards till or shows his affection through violence bc in every piece of media that shows them fighting ( that i can find at least ) till always turns things physical first

not that ivan doesn't instigate by doing or saying things that might provoke him ( intentionally or otherwise ) but aside from touching till's injury in one of the r6 flashbacks he doesn't seem to be physically hurting him for attention. i think the fight scene in r6 is also the only time we've even seen him retaliate

[aroaceleovaldez]

it is so extremely underutilized that Nico is heavily implied to have powers of just. anything ghosts are reportedly able to do.

we know canonically that he can drop temperatures to freezing/to the point where it creates frost, and does so involuntarily or unknowingly at times. We know he can project emotions and memories out onto others, just in general and with physical force - both his own memories/emotions and general emotions as well, such as radiating an aura onto his enemies so that they would fear him more. We know it's heavily implied he can straight up create illusions and inflict madness upon others. We know he's eerily silent when he moves and seems to just appear in places. We know he can control/walk through/mess with dreams. We know he can become intangible and pass through solid objects and terrain without even realizing it.

like, that alone is so much! but the fact that it's implied that's not it? there's MORE?

Where's Nico fucking with EVPs and speaking through radios or static or TV. Throwing his voice. Nico remotely setting things on and off, or draining batteries, or making cell service fuzz out. Nico totally turning invisible (also a Hades' Helm of Darkness thing, so double reason for Nico to be able to do that). Where's Nico inflicting sleep paralysis. Where's Nico straight up making the walls bleed. Let him do more ghost stuff!

[skyloftian-nutcase]

TotK DLC idea!

The screen is black. You don’t hear anything for a long time. Then, faintly, in the distance, you can hear it.

Link. Link. Open your eyes.

While the line echoes familiarity, the voice does not.

Or. Well. It does. Because while it isn’t Zelda, it’s a familiar man’s voice speaking gently, so gently you almost don’t recognize it because there’s no way he ever spoke like this in the main game.

But he is now. And instead of a golden light being the first image you see before the screen shows Link awakening… you see gloom floating in the air. The image cuts to a Hylian waking up who… doesn’t look like Link from TotK?? He’s different, still small in stature, with slightly tanner skin, platinum light blonde hair, and red eyes. But… something’s wrong with his forehead. There’s a weird line on it.

This new character you apparently are gonna be playing in the DLC blearily blinks his eyes open, clearly groggy and too weak to really move. But then that line on his forehead moves a hair, it splits apart, and you realize it’s a freaking eye, red and yellow and it’s like the ones on gloom hands and oh gosh what the hell is it doing on his forehead—

Link realizes something is off and his eyes blow wide, his hands reach for his forehead and he screams in agony and terror, only for someone to scoop him into a hug to soothe him.

And suddenly you realize why that voice was eerily familiar.

It’s Ganondorf. He resurrected you from the era of the Imprisoning War. You, who have a history with him and his family. You, who he wants to protect, who he views as his kid, who he calls a prince and says he’ll keep you safe by controlling your body with his dark magic if he has to.

Welcome to Tears of the Kingdom: Hero’s Shadow.

You have to play a long gone Hero who was resurrected. Ganondorf, who is still recovering his strength in preparation for killing the current Hero, tasks you with finding your betrothed, his daughter, as well as his wife. They’re buried somewhere in the Depths like you were. He wants you to find their burial sites so he can use his secret stone to resurrect them like he did you, and control them as well. Which is doubly bad when you realize his wife was the original Sage of Lightning. He gives you free reign to wander once you go through a tutorial (he tests you to see if you’ve recovered enough strength), because he knows you love wandering and collecting things. Your own personal objective, however, is trying to help Hyrule from the Depths, to break free from Ganondorf’s control, because Link would rather set himself on fire than let Ganondorf resurrect and control the love of his life and his mother-in-law. Your best hope is to find shards of the shattered Master Sword to try and stab the eye on Dark Link’s forehead and break the control Ganondorf has on you. Until you can, though, the monsters are your allies, you can teleport across the Depths by manifesting out of the gloom created by gloom hands (just like what Phantom Ganon does), and the world below is your oyster. If you get too close to sword shards when gloom hands are nearby, Ganondorf can see your attempt and immediately takes control of your body, and no matter what button you press Link just walks back to Ganondorf’s location and stays there until you get a chance to try again.

You start with three hearts, all empty looking like when gloom hurts you, and if you get injured they just shatter. Whenever they all shatter, you respawn at Ganondorf’s location because his gloom hands came and rescued you from dying. The only way you can get more hearts is by collecting poes and offering them to the statues in the Depths. You can communicate with the spirits of soldiers, who may give you combat tips or info about the area. If you gain enough of Ganondorf’s trust, he’ll let you command monsters, and he might even let you wander the Surface (under his supervision) during a blood moon.

You learn of Link’s and Ganondorf’s history through discovering ancient relics/texts that trigger memories. This connection between you and Ganondorf stems back to time before the war, well over ten thousand years ago. Link was engaged to Ganondorf’s daughter, but during the Imprisoning War the family fought against the demon king. Ganondorf did love his family, but he loved power more. Link sacrificed himself, letting himself get mortally wounded to save Rauru from a killing blow. Gan held him as he died, and it allowed Link to both beg him to stop and stab him in the heart with a light shard. The shard didn’t kill him, but it was what Rauru connected with when he hit him in the chest, allowing him to seal Ganondorf away. Ganondorf still wants the world, but his love for his family is still present, though now twisted, so he thinks he can control Link and everyone else with his dark magic in order to keep them safe and in line. Once the threat of the current Hero is eliminated, the world will be his, and his family will be safe. As such, he treats you, Link, the player, like a stubborn child, reeling you in, but does so in a horrific way, torturing Link by controlling him.

You have to break free of this and stop him, and the only hope you have is the distant call of a sword spirit…

[carnivalcarriondiscarded]

so i've been watching Muppet compilations-

[hymnsofheresy]

Do you pray for the hostages too?

Yes. I pray for the 110 or so israeli and immgrant hostages assumed to still be alive. And I also pray for the hundreds of Palestianian hostages arrested without charge in Israeli prisons assumed to be alive.

I pray for a ceasefire so that the Israeli hostages are released. I also pray for the end of Israeli apartheid government, so that Palestianians are liberated.

[ironunderstands]

Dr. Ratio accidentally gaslit players into thinking he doesn’t care about other people when that his core morivation. You go king!

[the-judicial-assistants-notebook]

sits up in bed. so lana and ema definitely thought they were responsible for edgeworth "choosing death", right?

(the rest of this post was supposed to go in the tags, because it's not very well organised or written, but it got too long so. here are the slightly edited tags for your reading pleasure (or otherwise)):

i was going to make this solely about ema because she's the obvious one with her open adoration of edgeworth, but the thing about rfta is that it goes to great lengths to emphasise the connection between lana and edgeworth as well.

the sl-9 incident showed that lana grows attached to people deeply, hence angel starr's comment on how, when neil marshall died, 'she (lana) felt like her own brother had died.' with edgeworth, i think it was similar but worse. because he's not just a coworker or subordinate who's dear to her. he saved her life. and it cost him his own.

at the beginning of the case, edgeworth says he was mistaken for thinking that lana was always looking out for him post sl-9 (a statement interesting on its own because that's when everyone else says she grew distant), and, later on, he brings ema fingerprinting powder because lana asked him to. then, of course, there's the 'lady luck' comment he makes.

similarly, on lana's side, you obviously have the end of the trial when she says he did well, but there's also that additional moment post-trial where she's the only one to notice — in a group comprising her, ema, phoenix and gumshoe — that he's 'hiding', listening to their conversation. point is, there's enough to suggest that she might have been the nearest thing edgeworth had to a mia; his 'chief prosecutor' to phoenix's plain 'chief'. they're as close as two people can be in a relationship where one of them is constantly lying and the other is von karma's star pupil.

rfta is pretty straightforwardly depicted as the case which solidified edgeworth's resolve to do what he did; i don't think i have to prove that. rumours about him have reached new heights, his car and knife were involved in goodman's murder, he makes an unprecedented mistake in court by failing to connect the evidence room and carpark incidents, thus forcing the chief of police to enter the trial to do so himself, and he's publicly revealed to have relied on falsified evidence to secure a conviction in the sl-9 case, all of which only happened because of lana. jake marshall even claims that from the beginning — that if you trace edgeworth's rumours back to their source, you end up meeting one person: lana skye.

and it gets worse because at the end of rfta, she thinks he's fine!! she literally says, 'i was afraid the pressure would break you, but you rose above it,' and reminds him he's nothing like gant because he's not alone. she leaves the case thinking he will be okay. and then, what, like a week passes, and she finds out that he wasn't, and that he's gone, and it's her fault. even after she was freed from gant's control, even after she had finally stopped lying, she couldn't prevent herself from claiming another life. so much for 'lady luck', i suppose.

and the game reiterates this multiple times. gumshoe states at the start that edgeworth's ties to those higher up in the department have made him the subject of constant rumours, and phoenix says (in front of ema) that he shouldn't be held responsible for the forged evidence because that was all lana's doing, which then leads to edgeworth commenting (again in front of ema) that he feels as though 'something inside him has died.' it all goes back to lana. we can argue and say that it was technically gant's doing that caused all of this, but lana still took actions that led to it. even her complicated friendship with edgeworth isn't spared; it's that closeness between them that exacerbated those rumours. how could she not feel responsible in some way?

and with ema, it's rather obvious, isn't it? if she hadn't gone poking her nose into things, none of this would have happened or come to light. and, of course, she'd never choose anyone over her sister, not for anything in the world — it's simply not a question, but that's the problem, isn't it? it's not a question. it's not some hypothetical moral dilemma. it just is. she may not have killed neil marshall, but she still has one king of prosecutor's blood on her hands. and now she has to live with that. she just. has. to live with it. no matter if he chose otherwise.

moving on from that a little, i think it's actually wild how much of ema's journey to becoming a forensics investigator is paved with bad memories. neil marshall's death and her subsequent inability to testify are what drives her to begin pursuing it, her first proper investigation results in her idol's "death" and when she finally graduates, the person who saved her sister has been disbarred, and she can't even help because she isn't allowed to. all that pain and constant pursuit of her goals, and she's still the same ema skye, still that girl shrouded in darkness, always one step behind the truth, one step a little too late. no wonder she was angry in aa:aj. i would be furious.

[earlgodwin]

"He's spent the entire time being picked upon and bullied by the family. I think personally from where Juan stands he sees the hypocrisy in the family, how they can do one thing and say another. As far as Juan is concerned he's always had the best interests of the family at heart, however misguided that might be and doesn't quite comprehend why nobody understands that. Nobody seems to understand that what he does, he does for the betterment of the Borgia clan and never waivers from that. He does that in ways that perhaps aren't sanctioned by the church or sanctioned by family law."

[lloydfrontera]

male authors, writing m/m friendships: their bond will develop through hundreds of chapters, we will get to see each stage of their budding relationship, they'll constantly be in each other thoughts, their first instinct will always be to reach for the other, their first worry will always be the other's safety, they'll spend every minute of the day together, they'll be complete opposites and yet perfectly compliment each other, they will put everything they ever loved in risk just to keep the other safe, they will give their life without hesitation to save the other's, they will fight and argue and tease and joke around but they will always be at each other's side at the end of the day, they will plan to spend the rest of their lives together, sharing the happy moments and the hard times, the idea of being without the other being unthinkable, the thought of being always together coming naturally, as easy as breathing.

the same male authors, writing m/f romance: she'll like,, smile once at him and he'll start thinking of marrying her and having children with her idk

[mamawasatesttube]

i do think that despite being the squad's designated nerds, kon and bart struggle to watch lotr together because kon physically CANNOT stop infodumping through any of the movies (and of course they have to watch the extended editions only), but bart's like. you want me to sit in one place and watch one screen for 12 fucking hours. and on top of that you WON'T SHUT UP the ENTIRE TIME? i already can't focus on movies and you TALK THROUGH THE WHOLE THING? im going to fucking bite you--

[yellowjackets-1996]

(do you love me like that?) you're a reckless driver (I'm a reckless driver) and one day it will kill us if I —